#audiences are writers in the making

[biggest-gaudiest-patronuses]

the fact that shakespeare was a playwright is sometimes so funny to me. just the concept of the "greatest writer of the English language" being a random 450-year-old entertainer, a 16th cent pop cultural sensation (thanks in large part to puns & dirty jokes & verbiage & a long-running appeal to commoners). and his work was made to be watched not read, but in the classroom teachers just hand us his scripts and say "that's literature"

just...imagine it's 2450 A.D. and English Lit students are regularly going into 100k debt writing postdoc theses on The Simpsons screenplays. the original animation hasn't even been preserved, it's literally just scripts and the occasional SDH subtitles.txt. they've been republished more times than the Bible

[novelconcepts]

I really think we as a society don't give enough credit to performers who thrive in an ensemble situation. It's always obvious when an actor is excellent front and center, and we're constantly rewarding that skill set with awards, but god, there's something to be said for the power of a true ensemble piece. People who are so good at reading one another and playing off what they're given, tossing the ball and knowing when to turn it into a grenade. As much fun as it is to watch a solid monologue or a solo show, I always find it so much more thrilling--and so much more authentically lived-in--when there's an ensemble just feeding one another in every single scene. Who do I look at? What is everyone else learning and deciding even from the background? This is what life looks like, and actors who really shine in that environment have really become my favorite to follow.

[sevenines]

i saw this tweet and found it interesting for two reasons. one is that some people base how good cartoon network would be to toh by how it treated su, and despite the fact that su’s treatment by the network was considered poor at the time, now its thought to be exceptionally good in comparison to modern shows.

two is how exactly su got impacted by a limited budget. a common criticism is how characters like connie, peridot, and lapis are left out of missions. but balancing a lot of characters is not only hard but also costly (extra animation, extra voices—it’s been revealed that the show is limited to a set number of characters per episode otherwise they’re over budget). animation mistakes are not uncommon since retakes cost extra. the entire reason the original show got cut short was due to loss of funding!

[snakebites-and-ink]

I've seen multiple awesome writers worried that people aren't going to like one of their series because it's "not real whump" or some similar sentiment, so I feel compelled to say this.

Some people prefer physical whump

Some people prefer emotional whump

Some people prefer psychological/mental whump

Some people like recovery arcs

Some people like fluff and comfort after the whump

Some people like whump that focuses more on angst

Some people like plot-heavy whump

Some people like worldbuilding-heavy whump

Also, the more niche a piece of writing is, the more happy the people who enjoy that niche will be to find something that fits it

Basically you can write whatever you want and there will be an audience somewhere who loves it.

[urfavcrime]

dsmp is still SO insane to me. still not completely convinced it wasn't a social experiment. it is something that can never be replicated again due to the really specific circumstances that attributed to it's creation and popularity

[littlest-bugz]

Man :( My uncle kinda bummed me out about my fantasy series.

He's like "well you need humans or elves or something that readers can already relate to" and I'm like

the 10+ species I made was for nothing? The species I made to replace the human population is just,,, irrelevant? Like damn :( I really broke my back making this fantasy realm for 8 years, and I have to change it entirely now because humans need to be there for 'relatability'?

My wee little heart is shattered,, Would literally anyone read a fantasy series that doesn't have humans or elves?

[starry-teacup]

agnes montague is living evidence that even within a coffee shop au the characters of tma could not find happiness

[cy-prian]

one thing i love is how attentive will is to james. every time james is in the room, it's like will laser-focuses on the guy. he pays so much attention to the little details, james' micro-expressions.

but at the end of dark heir, there's none of that. will doesn't notice if james' lips are quirking, doesn't notice if james looks and sounds genuine. doesn't notice how james is parroting his every command.

he's so caught up in how it feels to finally, finally, have someone on his side, someone who knows the truth and still chooses to stand by him, to believe in him and the person he could be.

that he just. doesn't see it. doesn't see it at all when any other time, he probably would have. he doesn't see it, and when he finally does, it's too late.

[s0fter-sin]

i don’t know how many times i need to say it, tag your reader and self insert fics and imagines as reader and self insert

[ixkhor-and-ambroxia]

Hey #GreekMythology tumblr, I want ya’lls help on something :).

So, I’ve been thinking about starting this massive project. Like, would take years and years work of writing and research and sheerly finding the time and motivation for. And as I was thinking about the specifics, I thought: why not bring others into it as well? Because as much as I am interested in a lot of Greek Mythology, there are things that are simply not my interests and might cause writers block and my goal for the project would to be as fun as possible. So, here we are.

What is the project exactly? Well, hopefully, it’ll be a long Ao3 series/fic focusing on the individual perspectives of various figures/events in Greek Mythology arranged in (semi/good enough) chronological order. I personally intend to write for Poseidon in his/my version of the Titanomachy and (maybe) some events that follow, if you want a little bit of an idea on what I’m talking about.

The limits on this are almost completely free, all that I ask are that each of your submissions are one POV only (and by that I mean your main subject’s POV). Why do I say this? I say this because that is what I want this project to look like. It doesn’t matter if it’s First, Second, or Third POV along with all the other variants of those three, my main focus is on the individual experiences of these individuals. Kind of like character studies, if you know what I mean. I’m intending for it to be mostly formal but I will absolutely accept crack admissions that I will probably put into its own series to Separate the Vibes for whoever comes by :).

Ultimately, this is a completely open-ended project that has absolutely no deadline. I’m about to go to bed so I can’t go into too much detail, but if you want to DM me or send any asks, I am completely okay with that and we’ll all flesh out the specifics we go :).

What is my overall purpose? Not only is this project made for my own individual purposes of learning more about the gods and other Greek Mythology writers, but it’s also the chance to spread the word of other writers. I know how hard it is to get specific audiences, especially when you’re shy, so this is a chance for your work to be stumbled upon. Each post on the eventual Ao3 fic will include your socials, how to find you, and your other general works on either ao3, tumblr, wattpad, or other :)

Can you participate even without socials or a tumblr page? Yes you absolutely can :). My asks will always be open to anons and I will do my best to give credit when I eventually post everything :). If you want to post multiple submissions or simply just want a trackable (between works) name to your writing, just sign something at the end. It could be a name, it could be a potential username, I don’t mind at all :)).

How do I submit things? Well, the best way would be to DM me :). I have a personal writing email separate from most things that would be perfect to either share a google docs with or to just send a copy-and-pasted copy of it. Otherwise, I take asks. None of them will be posted unless asked or we’re ready to so it’ll be safe to just drop them off in! It’s also where I take questions :).

Any other things to note? I’d really appreciate some other moderators and editors :). There’d only be like two or three of each and we’d have to know each other decently well before officially starting, but some help would be appreciated! Also, I’d like to keep a working ‘spreadsheet’ of who’s working on what just for people to see what’s going on :). Maybe some people can collaborate or it’ll encourage those niche writers to write :). A third thing is that most questionable stuff is accepted. I’d personally rather not handle all those things other than posting it so it might be a while until I can officially accept (consensual and/or graphic) ✨spicy stuff✨ but, other than that, I’ll take any of it (also, it’s Greek Mythology, almost all of it already happened). If someone’s willing to take over the ✨spicy stuff✨ then please DM me so we can work out the details and see if it’s a nice fit :)

Honestly, that all should be it. The main point is that I’m trying to start up a long-term project on Tumblr and Ao3 about what is essentially Greek Mythology character studies that not only allows for mass communication across a wide audience, but also (hopefully) gets some recognition for the smaller writers :). Feel free to DM me or send me asks with questions but for now, I shall sleep

Tagging: @bluebellstudio @thirteen-deaths-later @0lympian-c0uncil @happyk44 @h0bg0blin-meat @sworeontheriverstyx @deathlessathanasia @gotstabbedbyapen. Sorry if I tagged you and you want nothing to do with it, I just wanted to get it out there /pos /gen

[paranorahjones]

I'm a Lucy Carlyle defender (how many posts have I started with that exact sentence) but less in a "she's never done anything wrong in her life" way and more of a "this is a female character who was written with full agency to respond realistically and behave accordingly in regards to her age, maturity level, and environment, which includes being allowed to respond negatively to circumstances that don't necessarily warrant a negative response, and we need more female characters written like this" way.

The important thing about beloved Lucy Carlyle is that she's allowed to make bad choices but she is not vilified for them. And she's allowed to come back from them and try to make things better, even if it takes her a little while to get there. She's also just allowed to make choices in general, good or bad.

She's allowed to be angry. She's allowed to be scared. She's allowed to be snarky. She's allowed to be sad. She's allowed to be defensive. She's allowed to be sentimental. She's allowed to behave the exact way a real person would in her circumstances. She's allowed to have emotional agency. She's not written to fulfill a trope or a fantasy. She's a whole person.

And we need more characters like her.

[wellijustfinnihedoneofthebooks]

Its honestly so funny to me when people talk about ryan condal's "team black bias" and its like yall... i dont think condal cares about the fictional waring factions of incest kingdom... i think he just thinks rhaenyra is his main character and thus warps the world to suit rhaenyra

[uncleardyn]

man i love that character. you know, the deeply paranoid author who made a pact with a dark entity that ultimately ended with him stranded in another dimension separated from his loved ones for years at a time? takes place in the pacific northwest? has twin imagery associated with him and a reoccurring specific piece of symbology related to the unfortunate situation they're in? doesn't ever explain the reasoning behind his actions and instead just kinda goes "bro trust me"? yeah he also wears an outer layer of clothing with elbow pads on it, that one.

[mortysmith]

I HATE RICKS BACKSTORY SO FUCKING MUCH

[nangua]

@nosebleedclub march prompts: viscera !

[poelya]

seeing people genuinely complain about the deaths in the acolyte and throwing around words like cruel and sadistic just once again has me thinking people need to actually sit and ponder on where a story is going and if it's something they can handle watching. nothing about the acolyte has implied it's anything besides a murder mystery, and features an entirely new cast of characters — something that, the last time we saw this in live action, ended in them all dying. just because something belongs to a franchise you love, doesn't mean you have to watch it, or that it has to be your cup of tea. It also doesn't make it bad storytelling if it's too brutal for your liking. The internet gives you every opportunity to make an informed opinion on what you consume, ultimately it's your responsibility, not the show's, to cater to what you can handle.