#audience network
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asexual-fandom-queen · 2 months ago
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Okay but can we talk about the Accidental Hetero Couple as an audience surrogate for a second? The show really said, "hello traditional heterosexual monogamous guests of The Odyssey. I see you came aboard without a full understanding of what you're getting into. You're welcome to leave, but actually we'd love it if you stayed." and this couple really went "you know what, yeah! Even if this is different to what we're used to, at the end of the day, this is a boat full of people living their lives the way we're trying to live ours, and what's so incompatible about that?" Because maybe to the general public, stepping into a slowburn polyship feels a lot like accidentally booking a stay on a Gay Themed cruise. It's just not what they went into this expecting. But like our Resident Straight Couple, they can still have a good time here, and still appreciate the people they're on this boat with, even if, when their time together is up, their lives aren't likely to intersect again
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thoughtfulchaos773 · 20 days ago
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Body Language and words- Sydney, during the table scene- everything he said hit her-I wouldn't even want to do it without you. She slows down, looks up, and pauses. I'm sorry, this is more than work; his words caught her attention...
I don't even think what he was saying to a business partner was hitting Carmy on what it could mean; he was just being honest and speaking from the heart.
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"I won't let you." More words from Carmy catch Sydney by surprise, and she realizes she can feel his gaze this time. Did she always notice Carmy staring at her throughout the show, or is this a new? His stare was intense—he wanted her to meet his eyes in that moment. More eye contact- more left unsaid where Sydney holds his gaze and where he needs to look away. That staring into each other's eyes- they were catching up to the vibes and had to break eye contact.
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This is a favorite when his breathing slows down at Sydney's expression - like she's taking his breath away, and he's almost frozen. Does she look taken aback? But after that, she's touched by his words - that she's not alone and promises him the same thing.
Fx is right- it was love, intimacy, and devotion spoken between them.
Note: Carmy, you shouldn’t say all those sweet nothings: You make me better at this; I wouldn’t even want to do it without you. You’re not alone, Syd. All of those words were spoken by Carmy, who, just 12 to 16 hours ago, confirmed with Richie that he had a girlfriend. He later told Fak that he liked her, but not that he loved her.
So it's confirmed for us that Carmy isnt in love with Claire- only likes her.
And the next scene as Sydney and Carmy fix the table, was intentionally written to leaves us questioning whether there is love between Sydney and Carmy (not like).
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nebula-gray · 8 months ago
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i truly believe that soulnet is the battle network concept of all time. it takes the series' themes of friendship and worldwide connection to their extreme -- a world in which human souls themselves are connected to the internet, where humanity achieves peace by feeling the emotions of others and empathizing. but they are also aware of the problems inherent to such a system, where one bad actor could ruin everyone, which is why tadashi and wily decided to shelve it in the first place.
dr. regal is aware that humanity is not actually fully evil, or else he would not need nebula gray. if the majority were evil, simply connecting everyone would allow evil to thrive. but in a way soulnet is the reason megaman is able to overcome nebula gray at all -- he can feel the emotions of all of his friends on top of lan encouraging him. overloading the system with negative emotions can be impactful, but so can overloading the system with hope and love.
in a way, i think that a lot of other battle network concepts tie into soulnet. full synchro is souls uniting between a navi and operator. soul unison is the souls of two navis uniting. with soulnet, it's everyone. we are all connected.
it's an interesting topic that i think leaves a lot of room for exploration. how does this affect the concept of the individual? how much does it affect behavior? to what extent does it control the lives of everyone? is everlasting peace ever truly possible? it's a lot to think about and i've never seen anybody really talk about it in-depth.
i understand that this is rambly but i hope that i've gotten people to think about it a little more. soulnet is so dear to me and i want people to see the potential behind it. i am always open for discussion if anyone has anything to add
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thepoisonroom · 3 months ago
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Is the English teacher good? I believe in bja supremacy but the trailer made it look like very standard sitcom humor
it's honestly pretty solid! i would say it's more toned down than caleb gallo and they're doing something a bit closer to sitcom-brand pseudorealism but a lot of the signature stuff (odd/unnatural-sounding dialogue, the camera work during conversations, the visual gags, the casual absurdism, etc) is still there. i do think that it's not hitting the sort of pat heartwarming triumph beats that i would expect from a standard sitcom with the same premise, and there's a lot of interest in exploring sort of casual self-absorption which has always been an interesting aspect of the characters bja writes/plays. i think it's worth trying out an ep or two and they are only 20 minutes! and his take on what's funny about being gay in sort of a modern american context has always been a lot more interesting and resonant to me than 99% of other "gay comedy" writing
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theblob1958 · 5 days ago
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if we try hard enough do you think we can make these two the new great big sitcom ship rocking the internet? old lady love will shine through
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altarichiru · 7 months ago
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Adventure time! C'mon and grab your friends!
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woahcoolbear · 1 year ago
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requiem for the remnant
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fvckw4d · 7 months ago
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The concept of queerbaiting annoys me. I was told that it refers to a work of fiction pretending to cater to a queer audience but then pulling back from it to avoid alienating homophobes, which is an incredibly specific thing. But a lot of people seem to think that it instead means "any time there's any gay subtex, metaphor, or ambiguity" or "whenever something from 1995-2012 was being a normal amount of homophobic for the era."
#I've secondhand seen the way Sherlock...was.#And yeah that's very pointedly cruel to the audience.#But not everything is that aware of its following to point by point mock them for half an hour.#And I think people forget that for a period there was a unique combination of awareness of gay people and homophobia bad#and a severe need to avoid being perceived as gay (and sometimes homophobic) at the same time#while it was ALSO very acceptable to treat the existence of gay people and homophobia or discomfort with both as a joke#so that whole wink wink nudge nudge dance was a huge thing in some of the 90s and earlier 2000s#and sometimes by doing that people accidentally made it seem even more fucking gay.#Or on purpose. People also forget that yeah gay people could exist as a joke but they couldn't be casual protags or w/e.#It wasn't really done like that.#I think what it's really proof of is that the 90s/early 2000s is long enough ago that people have become illiterate to the cultural cues.#When comedians complain 'you cant make jokes anymore' sometimes this is the exact thing they're referring to.#Gay people being on TV or in books isn't some funny joke you make anymore. Just being gay or seen as gay isn't the punchline it used to be.#People are shitty about it still but it's in a different way now. Being gay isn't as much the big embarrassment it used to be.#Gay tv shows and books are a whole market now. And stuff like Sherlock or supernatural were made right in the middle of that shift.#It's the only way you could position a strategy like this. I don't know if that cultural moment really exists anymore.#Audience backlash is also more massive and in real time.#Now instead of mockery at the idea of idk Dr house md being gay conservatives would see it as a 'culture war' thing.#And non conservatives are more vocal and more liable to criticize. TV shows are seen as keepers of culture in ways they weren't before.#I don't know how to describe it exactly. I'm not an expert and I know I'm missing some pieces or things I wanted to point out.#But yeah I just think people kind of. Forgot how people treated gayness as some kind of cootie disease you had to say#You didn't have really hard all the time. People are still sort of like that but idk the language changed.#A lot of talk about homophobia and queerness is very pseudo-academic now. The distancing happens with different signifiers.#But. Yeah.#☠️#I also think queerbaiting requires a specific kind of intent as a marketing strategy.#Instead of the more likely 'well we have an unintended gay following now so I guess we can throw in some fanservice#the network would literally never allow us to do anything with it even if we wanted to though.'
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dejwrld · 9 months ago
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please the one thing i will criticize about the black reader tags is that no one and i mean no one seem to not get the rule to not post dump in the x black reader tag. i don't care that you're happy it's eren fics on your dash. i don't care about your unwanted opinions on jjk fics. i don't care about your masterlist post. keep that shit out the tags that's meant for fics. please and thank you.
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badsalmonella · 2 months ago
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“My life is a parody of a tragedy “ -Hamlet 2
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ytcomments-archive · 5 months ago
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mariocki · 5 months ago
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Honor Blackman guest stars as art expert Syd Lewis in Saber of London: Deep in the Heart of Chelsea (1.3, NBC, 1957)
#fave spotting#honor blackman#cathy gale#saber of london#the vise#the avengers#classic tv#deep in the heart of chelsea#1957#nbc#so im visiting parents for a week or two and taking the opportunity to catch up on my old tv watching as i have access to my beloved#dvd collection. Saber was one of the final network releases I've located (after‚ i might say‚ a long long search for a reasonably priced#copy). so. the story of Saber of London. (deep breath). SoL is really a development of The Vise; for more on the needlessly complex history#of that series you can follow the appropriate tag above. in short The Vise was a crime anthology made specifically for US tv but produced#in the UK using brit actors writers and directors. the recurring character of Mark Saber was popular enough that the show eventually became#The Vise: Mark Saber; it then became Saber of London. some sources still regard this show as essentially being a later series of The Vise#(and it does still use the og theme tune over the end credits) but considering the title change and (crucially) the fact that SoL saw the#series move from ABC to NBC‚ im gonna consider this its own self contained show and number the episodes accordingly (ie. this is series 1 o#Saber of London not series 5 or 7 (depending on your counting) of The Vise). anyway now that's all out of the way.#there's little material difference between this series and the slightly earlier The Vise: Mark Saber episodes besides new titles and a#different introductory spiel from star Donald Gray. our hero is still a plucky private detective undertaking modest cases that the show's#budget will allow. this ep concerns art forgeries and an attempt to trap the criminals responsible‚ which means Saber must call on an art#expert to help authenticate the works. enter Honor! not yet a star‚ Honor did have a decade of acting experience behind her#which is maybe reflected in the fact that she's given an unusually meaty part for a woman in this series: she's neither victim nor love#interest (which are the usual roles) but a witty and intelligent source of assistance to the hero.#unlike The Vise episodes (which could take up to a decade to appear in the uk if they did at all) SoL appears to have had a fairly regular#slot from Granada about two years after the show's US premier. this ep would have been seen by uk audiences in 1959
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limerental · 5 months ago
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every so often the demons in me are like 'oh yes you could write an Original Fiction book' and then five seconds later I'm smacked with the present reality of what all of that entails. nevermind! at what cost!
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patrocles · 9 months ago
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getting caught up in the euphoria of the epic highs and lows of firefighters doing sick rescue missions and being family
and then the copaganda hits
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nancywheeeler · 9 months ago
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the only thing funnier than when this website predicts something wrong is when this website predicts something right.
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naarlar · 9 months ago
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hot take: Miles and Gwen should NOT end up together during or at the end of Beyond the Spiderverse.
Hear me out, this is not anti gwiles at all.
I think as the audience we get to see the nuances of Gwen’s situation in ATSV and we sympathize with her and understand (well most of us). However, try considering it from Miles’ perspective.
Honestly, if Gwen put me through the crap she put Miles through (intentionally or not), it would take a LONG time before I gave her the chance to be close friends again, let alone dating.
I’m not saying gwiles shouldn’t happen. It can (it is a very cute ship) but it requires a lot of time and healing for both of them, time that honestly I don’t think BTSV is going to have. While I think the movie is probably still going to rush gwiles, I personally think honestly it would be better if at best it was hinted but not outright. But hey, we’ll see.
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