#aubrey's street

[friend-facts-official]

AUBREY'S MOM - ...

Art by @/aoi_yasumi (instagram) 🎨

If you’re interested in this project, take a look at our website here!

[floof-ghostie]

Kendrick had bloods and crips dancing together on the same stage, uniting in the shared hatred the cosplay gangster from Toronto... I don't think lightning will ever strike like this again.

[msunitedstatesjames]

Every Natasha Pulley book ever:

Bulky Man is unintentionally bulky, he's just sort of stronger than everyone because that's the nature of his life. Everyone assumes Bulky Man is violent because of his girth, but he actually hates violence and is really just the nicest little dude inside.

Fragile Dude is little and/or easily breakable. Fragile Dude is brilliant and/or powerful. He too is pretty nice, but he's probably had to use his intellect and/or power to commit some kind of atrocity in the past that he will be attempting to keep secret over the course of the story. This will be revealed 3/4 of the way through the book, but the circumstances surrounding the atrocity will be so horrible that everyone will agree it was probably justified.

Bulky Man and Fragile Dude are both dissatisfied with their lives to some extent.

Bulky Man and Fragile Dude meet through a series of unlikely and often unfortunate events.

Bulky Man and Fragile Dude are forced to work together in some capacity.

Bulky Man and Fragile Dude are both a little bit afraid of the other, but there's also some quality that they really like or respect in the other nonetheless.

Bulky Man and Fragile Dude continue to work together, but now they're starting to reluctantly take a liking to the other. Neither of them realize that the other actually likes them though.

Bulky Man and Fragile Dude have had to help each other out of some sticky situations by now. They're clearly head over heels in love these days, but circumstance and/or society is keeping them from acknowledging it. People have started to hint to Bulky Man that Fragile Dude is actually super shady, so you better watch your back. Bulky Man doesn't really care that much at this point, but he's like, I guess I better look into these accusations.

(Some kind of cute but unusually intelligent animal is usually involved with the plot and/or their relationship by this point. Also, there's at least one loveable child character that usually helps the characters bond.)

Bulky Man and Fragile Dude have a nice, cheerful break from all of the traumatic events they've been experiencing, which inevitably ends in a romantic encounter.

Because of communication issues or societal issues, both chraracters still don't actually believe the other character loves them, and they both act like it was just a one off thing and an accident and that everything is totally fine.

Things are awkward between Bulky Man and Fragile Dude, but the traumatic events have really fired up again so they still have to work together. Plus, they're both just that desperate to be together, even though they think the other character hates them now.

Bulky Man finds out Fragile Dude's secret, but usually he doesn't get it quite right or he's missing some essential information. Bulky Man is temporarily horrified of Fragile Dude. Bulky Man chides himself for being so desperate for affection that he fell in love with some kind of psycho.

At this point, either Bulky Man makes a stupid mistake while being horrified or circumstances just happen to suddenly get a lot worse or both. Bulky Man and Fragile Dude are physically separated, often by force and some kind of authority. At some point in here, Bulky Man realizes he was wrong about Fragile Dude.

A slapdash plot is hatched to save the stolen love interest. Usually Bulky Man has to save Fragile Dude, but occassionally the script is flipped.

Ultimately, the stolen love interest is rescued, though it was a real close thing at some point. The Day is saved, usually through murder/s, caused by a combination of Bulky Man reluctantly bashing some heads in and Fragile Dude using his wits and/or power to get the right people killed. Often, our protagonists are then forced to straight up run away from the Bad Times, leaving their lives and families behind. (The loveable child from earlier will either be tragically left behind or adopted by the now happy couple.)

Bulky Man and Fragile Dude are a little bit sad at the things they've lost along the way, but mostly they're going to live happily ever after.

[bluu3berry]

Toenail basil.

[marvelsgirl616]

outfits i think rio would wear

-> source

[lindahall]

Thomas Streete – Scientist of the Day

Thomas Streete, an English astronomer, was born Mar. 25, 1622, and died Aug. 27, 1689, at the age of 67. 

read more...

[agelessphotography]

Lanvale Street–Snow, A. Aubrey Bodine, circa 1940

[flipjack]

Aubrey Plaza for the Wall Street Journal Magazine

[filmap]

Emily the Criminal John Patton Ford. 2022

Street C. Matamoros 459, Centro, 48300 Puerto Vallarta, Jal., México See in map

See in imdb

[huariqueje]

38 th Street -   Aubrey Levinthal , 2023.

American, b. 1986  -

Oil on panel, 20 x 24 in.

[cheezduoz]

bunny children my beloveds <3

[streetplants]

NAHHHH SOMEONES AU BECAME CANON

Congratulations Hector au youve won omori

[randomrichards]

THE ANTISOCIAL NETWORK: MEMES TO MAYHEM

Merry web pranksters

Sparked a series of movements

Till it turned toxic

[thekenobee]

There are moments that the words don't reach

There is suffering too terrible to name

[donospl]

JAZZOWE REKOMENDACJE: Janis Siegel & Yaron Gershovsky “The Colors of My Life: A Cy Coleman Songbook”

Club 44 Records, 2024 Dwoje Artystów związanych przez lata z legendarnym zespołem The ManhattanTransfer, powraca we wspólnym, duetowym projekcie, poświęconym piosenkom Cy Colemana. W grudniu roku 2023 zespół The ManhattanTransfer zagrał swój ostatni koncert, zamykając w ten sposób  jeden z najbardziej znanych rozdziałów w historii jazzu wokalnego. Jednak występ w Walt Disney Concert Hall w Los…

[seeabout-afterdark09]

Right Hand

Right Hand

Drake (July 27,2015)

On July 21, 2015 Meek Mill claimed in a tweet that Drake didn't write his own raps, sending shockwaves throughout the hip-hop community. This tweet not only launched the biggest rap beef of the 2010's but made a huge fracture in Drake and Nicki's relationship. Nicki Minaj at the time, was dating Meek Mill. Right Hand was released six days after that tweet.

While some people may have different thoughts on who Drake's "right hand" is I like it is obviously about Nicki. This song lines up a little bit too perfectly with everything that was going on during that time. "You my right hand, you my go to/Told me everything about you, that's a bold move/I know that you're out here/And there's things you gotta go through/Just know that these streets just don't love you like I do/Yeah, and they never will." This line is about a woman who has been there for him for a long time and a woman he views as his "right hand man". But he makes it clear: the streets will never love her like he does. I believe that this line could refer to multiple things, but in this case I think that Drake is talking about rougher "street" dudes. Men that abide by street code; essentially bad boys. I think that he's trying to tell Nicki that chasing after bad boys won't bring anything but hurt because they'll never appreciate her like he does.

"But I swear you gotta chill/You wanna grip a Benz wheel." Refers to Nicki constantly being on the move, riding in her Mercedes, just working. "You got a lot on your plate/That's why you're always working out/Taking pictures of yourself." Nicki worked out a lot in 2014 and took a lot of photos of herself for Instagram. Nicki took so many selfies in fact, that she was considered one of the first IG baddies. "You don't see anybody else/And you're like, "Oh well"/You're like, "Fuck it, oh well"/My past behind me like a ponytail." The "past" could reference everything Nicki felt like was holding her back. She's looking in the rearview mirror without a fuck to give saying "thank God that's over" (i.e. her ex).

"You and all your girlfriends/The ones you never bring around me/'Cause you don't trust me like your last man." Drake here is teasing Nicki, mentioning the friends she seems to hide from him (as if she doesn't trust him). "Did he open doors for ya?/Buy the things you can't afford for ya?." Drake here puts himself on a pedestal, daring Nicki to tell him if any man has ever catered to her like he has. But he's being sarcastic because he already knows the answer to that question. "You told me 'bout the picture, now you have to send it/I would never put you on blast when I get it." This line refers to the pictures Nicki sends Drake through text. In 2014, Drake posted a few...suggestive photos of Nicki on his IG (the ones I put for the Recognize analysis).