#atlas writes stuff

[atlaseclectic]

{Let me cook!!!}

[gascreates]

seeby s1 dino gaang :)

[byoldervine]

The Trick To Writing Filler

(TL;DR at the bottom)

Filler is when you spend a chapter padding the length of your story between plot-related events. Filler chapters have little to no impact on the overarching plot and can be self-contained, and thus in TV shows filler episodes are often reran the most as people unfamiliar with the show can casually watch without being confused without the knowledge of prior plot beats

So with the chapter being largely self-contained and acting outside of the plot, what do you use to make the filler chapter engaging? I’m going to use filler episodes from Avatar: The Last Airbender to provide examples

1. Worldbuilding. Zuko Alone depicts Zuko’s travels taking him through an Earth Kingdom village and becoming acquainted to the family that allows him to stay with them, especially their young son. He learns about what the Fire Nation’s impact on this village has been; destroyed houses, families torn apart, constant robbery and other abuses of power and injustices. And even after Zuko defends the villagers and his new friend, he’s venomously cast out from the village by even the little boy because he outed himself as a firebender. This episode explored the impact of the war on the people of the Earth Kingdom, the victims of war that have no involvement in it and no way of defending themselves from it

2. Character exploration. In The Beach, we learn more about Mai, Ty Lee, Azula and Zuko and how their own traumas and personal upbringings have impacted their personalities. For Zuko this is part of a turning point for him, but for the girls it’s more to understand why they are the people we’ve gotten to know over the seasons, especially Ty Lee and Mai. The episode also serves to showcase how Azula and Zuko are so out of place being just normal teenagers; Azula has no idea how to talk to her peers and no identity outside being Princess Azula of the Fire Nation, while Zuko’s hotheadedness and jealousy issues lead him to lash out and be far too confrontational and controlling for his own good. This episode isn’t really used to develop these characters, or at least not the girls, but instead explains and showcases their behaviours and the reasons behind them

3. Character development. Going back to The Beach, Zuko does indeed receive development rather than just character exploration like the girls do; he comes to understand that he’s not just angry at the world or angry in general, but angry with himself. This is a notable turning point for Zuko’s redemption arc, because he now understands fully that he truly regrets betraying Iroh and sacrificing his new start in life in favour of returning to the Fire Nation. He might not yet be fully decided on turning his back on Ozai, but without this moment I don’t know if he’d have gotten there, or at least not as quickly as he did

4. Relationship development. Sokka’s Master has a C plot of Aang, Katara and Toph all being rather bored and lost without Sokka’s presence. The A plot exploring Sokka’s feelings of inadequacy and uselessness in comparison to such powerful and formidable bending masters being contrasted with the Gaang unable to function without him already speaks volumes about their dynamics, but looking deeper into the C plot also shows how much value Sokka really does bring to the team; structure, planning, humour, a quick wit, strategic moves. The Gaang always supported Sokka and never seemed to view him as expendable outside of the occasional teasing, but having it acknowledged so clearly and plainly that they can feel a little aimless and flat without Sokka and being so delighted when he returns really shows us the kind of value Sokka brings to this team and brings us and the characters to further appreciate it

5. Downtime. The Ember Island Players depicts the characters taking a break to watch a comedic play based on their wacky adventures, only to be largely underwhelmed and displeased by how they’re portrayed. There are no stakes to this episode and barely any plot, just the Gaang taking a breather as they react to a bad play. This chance to relax and watch something inconsequential is just as important to the viewers as we’ve got the show’s finale in the next four episodes, which will be very plot-driven and intense. The Ember Island Players also has the additional viewer bonus of recapping the events of the show right before it all ends, giving the viewers time to reflect on the journey they’ve gone on with these characters. In order for the stakes to feel high and the tension to rise, there has to be downtime where there are low stakes and low tension; if things are intense all the time, the moments that are supposed to feel super intense will just feel average in comparison. Resetting that intensity right before such a big event while still acknowledging the looming threat coming soon will feel like the calm before the storm and allow your audience to soak it all up like the characters are

Wow, did I just go through all that without talking about Tales of Ba Sing Se? I’ll save that for another post if people are interested in more

TL;DR - filler provides a moment to breathe, reset the intensity levels the audience are experiencing and take a chance to step away from the external conflict (the overarching plot) in favour of worldbuilding and the characters within your setting. Small moments can amount to something big, and can help make large scale decisions or plot twists feel more build-up and in-character

[muffinlance]

State of the Muffin Report 2023-24

Happy belated birthday to my fanfics! Little Zuko turned six back in March. <3 

Behold, my annual roundup stats, because you can get fanfic from the math teacher but you can’t get the math out of the fanfic:

[id: Screenshot of an excel spreadsheet showing my 2023-24 word counts. Important info is that over six stories, I wrote 104k words, for a monthly average of 8.6k and a daily of 284 words. End id.]

Fanfic:

After not touching the birthday fic itself since 2019, Little Zuko v the World is finally finished! Woooo.

Otherwise, a slow-but-steady sort of year on the fanfic front.

Serious Face Writing & RL:

Li’s Friends has now raised $4,206.21 USD for wildlife charity, not counting gift matches. <3

Finished the second book in my original fic series, Fox’s Tongue; The Skin Stealer’s Son officially launched yesterday! (Affiliate link, so that if you happen to buy it, Amazon pays me extra money for the privilege.)

I also created a secondary tiny human, and she is a DELIGHT. She was last seen a half hour ago crawling after her brother like a particularly aggressive tripod, Hop on Pop in one hand, and slap-screaming at it until he read it to her. My children. <3

Year Six (2024-25) Goals

Fanfic: 

Gonna finish the new case of Dark Night in Ba Sing Se. Gonna finish it so good. (This is a donation fic for the winner of my Fandom Trumps Hate charity auction and is therefore due by the end of the year, so woo artificial timelines! Ah external motivations, how I missed you from my school days.)

I’m incredibly excited for Blindsiding Badgermoles, and have that same lovely external motivation in the form of my sensitivity reader, so planning to focus on that this year.

Finish the current book of Towards the Sun. We’re currently on the final field trip, so that should be very doable. —I say, using the exact same wording for the third year in a row. Honestly this one’s less a goal than a joke to see how many years it’s actually going to take me. And hey, I’ve been making progress! We now have the delight that is Lady Jun! Third year’s the charm?

Serious Face Writing & RL: 

Get a solid start on Fox’s Tongue Book Three, Face of the Wolf King.

Get out large print editions of the first two books.

Continue raising children.

Special thanks this year goes to First and Secondborn, who blessed me with the ability to still manage over 100k in a year, which is way more than I anticipated at this time last year.

Cheers,

MuffinLance

[demaparbat-hp]

Zuko was a child when he met Agni. Then, the spirits started coming to him. Eyes hidden in the hallways, voices pleading for help, for recognition, for remembrance.

Zuko could see Agni. He could see the broken remains of a Great Spirit and the empty smiles of amnesiac ghosts.

And they could see him in return.

[junipernight]

Yangvik Week, Day 3: Literal Sleeping Together

There was only one bed.... and a desk.

[necrotic-nephilim]

ok ok but jayroytim😏

this feels especially funny if brudick happens in the background and oliver hates the fact he's now in-laws with bruce

so i have to regretfully admit i'm not really a fan of JayRoy, or at least i'm not a fan of the popular version of JayRoy. i think JayRoy could work and would be a lot of fun! but i have *zero* interest in New-52!JayRoy (or New-52!Roy in general) or rlly any version of Jason and Roy on the Outlaws together. both bc i'm a pre-Flashpoint stan at heart. usually i can stand newer content for ship fodder but for these two oh man it grinds my gears how badly Roy got fucked over-

BUT BUT. that doesn't mean i think the ship has *no* merit. because Jason and Roy *do* have some fodder in pre-Flashpoint. they meet briefly when Jason is Robin, and then again when Jason is Red Hood during that Outsiders arc where Black Lightning is in prison. so! there's definitely material to work with. especially playing into the more fucked up nature of Roy knowing Jason when he was Robin. i think it's cute if Jason had a childhood crush on Roy. and maybe Roy even thought Jason was kind of cute, a spunky kid with a lot of energy and passion. then with Jason as Red Hood, Roy openly doesn't trust him and doesn't like that they're working with him. Jason is just a run-of-the-mill villain with a nasty kill count. and sure, Roy's got a record of tangling with people more on the villain side of things, but even going near the Red Hood feels like a step too far.

adding Tim to the mix is really fun. bc honestly it gives Roy some kind of a fetish for guys who have been Robin and i find that to be delightful. like, even if Roy just sees Jason as the Red Hood, he can't *quite* let go of the image of Jason as Robin. like it just won't get out of Roy's system ever since Jason came back. i think, if i were to write these three together, i'd have Roy and Tim get together first of all people, just because Roy is trying really hard to stop thinking about Jason as Robin, especially now that Jason is older and a little meaner. he's full of guilt about it, and he can't talk to Dick because he's still not sure where Dick's feelings fall about the whole Jason thing so. he goes to Tim instead, thinking if he fucks a different Robin, maybe he'll get it out of his system. Tim's pretty and he's just old enough that it's not *too* morally questionable for Roy to seek him out. it takes a while for Roy to work up the nerves because he and Tim aren't particularly close, so how do you even approach that conversation to make it look organic. it's awkward and Tim can definitely tell something is up but hey, who's going to say no to Roy Harper offering sex? one of Dick's best friends? especially if we put this right after Kon and Bart's death where Tim is just. sort of lonely and seeking companionship. in some ways,, Roy would remind him of Kon, just a little. that sort of cocky attitude and snarky smile.

i would add Jason in by having JayTim happen alongside RoyTim. it's not like Roy and Tim are serious enough to be exclusive and Tim knows Roy is sleeping around, so Tim ends up in a weird hatefucking situation with Jason, which definitely was not supposed to happen. Jason just has a damning way of getting under Tim's skin and won't stop bothering Tim until he gets some kind of attention from Tim. and somehow Jason is interesting enough for Tim to cave. and he doesn't even think about the two relationships he's balancing until he happens to sleep with Jason after being with Roy the night before and there are still marks all over him and Jason does *not* like sharing. so when he interrogates Tim and gets nothing, he does the reasonable thing of stalking Tim to figure out who it is. and it just happens to be the guy Jason had a crush on as a kid.

i think Roy finding out he tried so hard to avoid Jason that he accidentally ended up with the same fuck buddy as Jason would be the funniest thing in the world. like it's not something he can run from anymore and he has to accept that. he tries to awkwardly ask what Tim even sees in the guy bc well, Jason's a killer and not known for being mentally stable. but he's also the guy who exonerated Black Lightning with no real motive besides just helping out. he's complicated and Roy doesn't know how to react. Tim just sort of shrugs bc how do you even explain Jason Todd and well, one thing leads to another and Tim ends up in the middle of the most emotionally charged threesome he's ever been in. love the idea of Jason and Roy using Tim as a toy while they work out their feelings for each other. to me that's the peak dynamic. Jason and Roy are pissed about liking each other and somehow, Tim got roped into things. their relationship is not healthy or normal whatsoever, but somehow, they end up balancing each other out nicely.

background BruDick is also hilarious tho. bc there is no one who hates Bruce more than Oliver and he'd be so annoyed that not only did Roy get tangled up with the Bats, but now everything is so weird their families are pretty tangled together and Oliver has to deal with Bruce a lot more than he wants to. and he's glaring daggers about it the whole time.

[littleplantfreak]

It’s heavy

Erm its a small thing about wanting to carry Ume’s burdens ig that ive been thinking about (even though i ended up going a whole other direction than i originally daydreamed. When i first thought about it, it was gonna be like stand in the rain dramatic but.)

its sfw and theres no cws i think except it’s kinda spoilery from recent chapters (not in depth tho) Also I read through it once but you know how it goes with proofreading owo)/

"I didn't know it would feel that heavy," Sakura says, mid bite into his lunch.

"Whatd'ya mean?" You swallow your own food before getting a drink. He's talking about Umemiya.

"The resolve to fight. For the town, the people you...love," he grits out the last word, still unused to verbally speaking about affection, but he's been getting better. "The weight of everything on your shoulders makes it hard to move sometimes" Your eyes widen at that. At the change in demeanor since he first came to town. He's really improved since you first met and honestly the change is for the better.

"Is it...a bad feeling?" You wonder, food forgotten now that the conversation has turned serious.

"Not bad, just annoying. And comforting? I don't know how to explain it." He's flushed now, embarrassed by the inability to find the proper words to convey just how it is. It's one of those things you have to feel for yourself to really grasp.

"Exhausting too I bet," you say more to yourself, thoughts suddenly going fully to the white haired man. Two bi-colored eyes look your way as you twirl your fork in your hands thoughtfully. He turns even redder when he sees your dazed look, knowing you're ruminating about Umemiya. You take out your phone, shooting out a text to see where he's at. When he texts back that he's on his way to the cafe from school, you decide you'll meet him halfway, telling Sakura you'll be back in a bit and that he can have your leftovers.

You're jogging really, not caring about pacing yourself when an urge has overtaken you. The anxiety spreads in your chest to your arms and hands, prickling at your fingertips. Nothing's wrong, but at the moment you feel like if you don't see his face soon, you'll never see it again. Logically, you talk yourself down knowing those thoughts are just your brain screwing with you, but the feeling won't go away until you get to him.

The sun warms Hajime’s face as he heads to Kotoha’s, wind blowing the chimes as they clink daintily. He's got an easy walk going, not surrounded by people for once.

The look on his face when he spots you is one of delight, slowly switching to concern from the way you're running towards him, cheeks flushed.

"Hey pumpkin, what's with the running? Somethin' up?" He asks before you plow straight into his chest, arms squeezing around his waist. You shake your head, tightening him in your hold knowing it's not gonna hurt him in the slightest.

"Can I carry it sometimes?" you mumble from his chest after a minute of breathing in his scent, sweat and deodorant mixing into a smell that was so him it calmed the frayed nervous that had been unraveling. When he asks what you'd be carrying, you lift your face to lock eyes with him.

"You? Everything you're carrying? Not all the time, but I don't want you to be the only one shouldering so much weight. I'm not that strong, but," you're suddenly self conscious about it, looking down at your feet for a second before forcing yourself back to look at his face. "but I can do it for you. Whenever you need me to." You finish, waiting on his response. He breathes deep and ponders it for a second, the look on his face a mix of hesitance and adoration at your declaration. For once he’a speechless, but he’s not surprised it’s you who’s rendered him as such.

“…I love you,” he says simply, eyes wide. Like he just rediscovered the fact despite his almost constant mission to let you know that with his words and actions on a daily basis.

“That’s not what-,”

“I know. I know, but I just wanted to say it I think. Or I couldn’t help it.” He kneels down to your level, holding both of your hands in his own, a look of resolve in his cloud grey eyes. “I can try…letting you carry some of it. It’s heavy.”

“That’s fine,” and you release his hands before grabbing his face. “I’ve got you.”

Atlas was punished to hold the weight of the world, but Hajime isn’t Atlas and he has you.

You both drop the subject for a bit, a ghost of the conversation still stays lingering in both of your heads. It's easy to say he'll rely on you like that, but the truth is putting it into practice is remarkably difficult.

He's still wondering how to work this new part of your dynamic when you decide to take the bull by the horns. He wakes up and shoots a text to Hiragi, telling him he'll meet him at the bakery to help paint the new sign, but he receives a text back saying it's been taken care of. Well that clears things up a bit, he thinks. So he goes to Kotoha's knowing she's been needing someone to do a supply run...only to find the first years already carrying the groceries over, and when he tries to help put them away? He's blocked from them, Nirei stuttering that they can handle it on their own.

His sister chimes in, though, that she thinks you really needed help with something over near the park. He thanks her, figuring his two main task for the day were complete, albeit almost immediately without him lifting a finger. By the time he makes his way to you, it seems you've been sitting for a while, passing the time on your phone wearing one of his old hoodies.

"You needed help lovebug?" He's asking, a hand running rough his hair, breath taken at the sight of you. You don't look any way different from any other day, but the feeling he gets in his chest when he sees you has yet to fade and he doesn't think it ever will.

"Yeah. It's a tough job. Think you can help?"

"Anything for you." You can tell by his voice and the look on his face that he means it.

"I want my boyfriend to relax for the day. Do you know how I can make that happen?" Faux innocence filling your expression. A few things click in his head at once. Throughout the week, his schedule seemed to be getting freer and freer no matter how many people he'd heard needed help with something. Every time he checked in with the person, someone had already taken care of it vehemently denying a need for any more assistance. Even today, the two things he planned to do were quickly swept up and deposited for someone else to do.

The look on your face, and your question have the last puzzle piece fitting into place. He'd smack himself for taking this long to notice if he wasn't flushing a bit right now. You were around less during the week or at the very least on your phone a bit more than usual, but he chalked it up to it being a busy week for you. He never would've thought you were working behind the scenes to lighten his load.

He'd gotten more done for himself this week than he had in a while and he had you to thank for that, even though it took him a while to figure it out. He thought briefly about thanking you, but realized this is what you wanted to do, no thanks necessary. So he shrugs before answering your question.

"I could've sworn he said something about really wanting to kiss you right now. He's around here somewhere I think," he's walking closer, hand on his chin, looking around as if to search for himself.

"Great, when you find him, let him know I've got a pillow and blanket fort set up at home with a stack of movies near the TV." You dodge him, twisting out of the way to head in the direction of your place. He huffs a laugh before running up to your side, arm wrapping around your waist, and drawing you in a close hug. He presses a big kiss to the crown of your head, and releases you just enough to keep walking. He feels lighter than he has in a while, and if you'd been asked, you would've told him the same thing.

[jajanvm-imbi]

Hey remember when I said that this was the most frustrating thing about being a Helluva Boss enjoyer?

Yeah I was wrong.

The most frustrating thing about being a Helluva Boss enjoyer is explicitly stating multiple times that I like show and then get called an anti and homophobic and media illiterate when I complain about the direction it has taken.

I LIKE the comedy

I LIKE the animation and artstyle

I LIKE the more serious plotlines like the government agents plot and the Cherubs plot

I LIKE the themes of friendship and found family

I even like most of the songs!

And ofc the voice cast slays every time

But just because your show has angst and tears and drama and sad music doesn't automatically make it "good".

Just because your characters are queer doesn't automatically make them good or well written characters

This fandom is so frustrating to deal with when you want to express your more nuanced takes of it

This is probably gonna be the last post I make about this subject and about Helluva Boss in general, this shit is too stupid to deal with

[blorboazula]

a little draft on how this AU could start (basically: people think Azula is being stubborn for not speaking to anyone, meanwhile her vocal chords are just terribly damaged – kinda want to write it in Azula's POV actually, but Katara's sorta my default for some reason). (buy me a coffee)

In every interaction of theirs, Azula was polite enough when she wasn't trying to kill them. Or trying to capture them, actually, in hindsight it didn't quite look like she was going for the kill. (She was too deadly, too efficient, for not having killed them if she wanted to.) Surprisingly pacific for a perfect princess soldier.

Which means Katara isn't that surprised by Azula good behavior in the asylum Zuko sent her to. She's more annoyed by how long it took him to bring her home, being stuck in a place where she was locked up in her room all day, forced to take teas to keep her malleable and with her bending weakened didn't seem like the ideal way to deal with yet another child soldier.

It's ironic, really, that knowing Zuko better is exactly what made Katara feel any sympathy towards Azula at all.

Knowing more of Zuko's childhood is also why she's here. It took not much convincing for him to believe that if Azula is behaving well, maybe she doesn't need to stay stuck in there. Reports say she's quiet and cooperative, there are group activities and she seems to tend to have a teamwork mentality – that explains why she's that good at strategy. The only issue is that she doesn't talk.

She never talks. Not even back in the palace, not to servants that have been around her her whole life. She silently acknowledges them, with nods and glances. There are no threats, and no fire, even after a few weeks and there's no trace of that chi-weakening tea. She's not even hostile towards her, and she had been expecting lightning in her face instead of a nod before Azula went on to do whatever she was going to do.

In one of her walks around the palace, late at night, Katara finds herself in that courtyard. It has been over a year, the ground is still scorched. It's disturbing to look at the grate and remember the chains – it's a weird feeling, knowing she did the right thing, stopping Azula, but feeling so bad for the way she did it.

The chains, the armor, had been deformed where Azula's fire touched. Fire hot enough to soften metal.

She blinks, fire hot enough to soften metal.

Firebenders aren't immune to fire, look at Zuko's face.

She's not surprised that Azula is up when she knocks at her door, the princess just frowns at her and tilts her head. It's kinda cute- what? She's quite expressive, actually, Katara had formed the image of cold and stoic, when Azula says more with her eyebrows than with her words.

"I want to test something, I-" this is something they should have checked, yes? Treated, like they treated the burns on her wrists and her chest and shoulders- "You can't speak. It's not that you don't want, or that you're this stubborn, you just can't."

Azula looks astounded for a second, like she expected nobody to notice it. She didn't seem to mind that people thought she was a stubborn brat, letting it slide and just being... a quiet presence. Like she was tired of fighting, of taking up space, like she wanted some peace.

You know, like she was exhausted from a life of being someone's pawn in a senseless war.

"Does it hurt? Your throat?" Azula blinks, like nobody has asked her if anything hurts- then she nods. "I can try to... soothe it a little. I can't really heal anything..."

Azula seems to calculate the risk of allowing someone to bend water on her throat, but maybe it hurts enough to be worth the risk. She nods, steps aside and allows Katara into the room.

Not in a million years Katara thought she'd be in the Fire Nation's Crown Princess chambers to offer her relief for her pain, but here she is.

The war is over, everyone deserves their pain to be soothed, their wounds healed.

[ezras-left-thumb]

Currently rewatching A:TLA (and writing a fic, obvi) and I was just scrolling down a reddit rabbithole of Zuko and Azula's last names...

In canon I know they don't have any, but I don't want to ruin my OCs board on pinterest with everyone having long ahh names and then just. cairo. (ATLA OC 🤗🤗)

I honestly like the idea of their names being Zuko Fire and Azula Fire, or using their dad's last name as their first name e.g., Zuko Ozai, Azula Ozai

Also, Comet is a pretty freaking sick last name. Zuko Comet 🔥🔥

Or just... Prince Zuko of the Fire Nation/Princess Azula of the Fire Nation is cool ig

just asking for some HCs. help a girl out

[atlaseclectic]

{MY INTERPRETATION OF THE JUNO INCIDENT THIS ONLY REALLY MAKES SENSE TO MY HEADCANONS AND AU OR WHATEVER U WANNA CALL IT AND THIS MIGHT BE SLIGHTLY OOC BUT I NEEDED TO WRITE THIS}

{CW FOR GUNS, SHOOTING AND BLOOD!!! ALSO KINDA UNRELIABLE NARRATION BECAUSE THE HEART SUCKS (/silly) AND IM BAD AT WRITING}

(Juno was mad, he knew he'd been had)

("NO! Listen to me, Ciro. You don't understand, you couldn't understand! You don't have to be berated by some...automaton twat just for feeling!")

All The Heart could do was scream and shove. Everytime he pushed The Mind she stumbled back, not quite in shock, but more like he was testing Juno. Like it wouldn't stoop to their level. At least, that was how it seemed.

The Mind was never the one to initiate any physical violence. It was like she was trying to be better than The Heart. Well he was sick of this shit. He felt the cold metal of the gun against his stomach through his pocket.

The fighting escalated and it ended up turning physical after all. Juno was in tears for...some inexplicable reason. It wasn't because of Ciro, it was more....everything. It was always impossible for Juno to pinpoint what exactly was upsetting him, probably due to him feeling...literally everything. All of the time. That was something The Mind could never understand.

Sure, it got upset- Heart had seen her get angry or sad and it wasn't pretty- but they wouldn't get how agonising it was....feeling.

The gun pressed against The Heart's stomach again. It was a last resort. To be entirely honest, he wasn't entirely sure why he'd grabbed it. He could feel every little detail on the gun against him. He knew he hadnt put the safety on, what if he shot himself by accident? What if he actually hurt The Mind and then The Soul got upset or-

Ciro was snapping at Juno when he started registering his surroundings again. Even then, it took a minute for them to really hear what the other half was saying.

["I understand that you feel more intensely than all of us, but that's not an excuse for you fighting me all the time. Juno, I'm going to be frank but, you are the reason we can't be whole."]

(So he shot at the sun with a gun)

It was his fault they weren't whole? It was HIS fault??? Did Ciro not push him to resort these kinds of reactions? Did she not purposefully anger him??She knew he'd react in ways like this? So why did she push, and push, and push.

He couldn't take anymore of this.

He pulled the gun from his pocket.

(Shot at the sun with a gun)

He aimed.

(Oh, he shot at his wily, one only friend)

And he missed.

[fantastic-nonsense]

entirely self indulgent ask, but what elemental bending would you assign batfam?

This is a very quick and vibes-based answer:

Water: Cass, Damian

Fire: Jason, Helena

Earth: Bruce, Barbara, Stephanie, Duke

Air: Dick, Tim

However the real answer is that nearly all (if not all) of them would be elite chi-blocking non-benders like Ty Lee and the Equalist fighters.

[grapefruittwostep]

Oh shit wait I forgot to put up Twist Me to the Left Katara tattoo study that got totally out of control because or how much I finally drew a Katara that looked RIGHT (to my internal vision) I’m so happy with this stupid sketch

[zukosdualdao]

on the whole “atla is a good show but sometimes fandom acts like it’s perfect and entirely unproblematic and it’s not” note, are we ready to talk about the fatphobia that is, at times, present in it it? like. Are We. i, as a fat person, would like to be able to talk about it, but not if people are gonna get up in arms about it and ironically use fatphobic rhetoric in order to argue how it isn’t. lol.

[humanconditionpoetry]

Nature's Telling

The different flowers of the valley

Hearts reflecting and sharing in a rally

Sunshine on them

The shadows of varying lengths, they condemn

But rather than be the fungi and mushrooms with roots

They live in their own bubble, bearing only their fruits

Crossing the other territories and lands

Leads to disputes in a bloodshed grand.

Till one stem is left on the stand

Their flower shed from the upheaval and ran

They migrate and move

Trying to join others in a ruse

Despite the loss, the stems try to excuse

Many encounter with the new view, the petals fall rather than bloom

The stem was their admiration and muse.

Apathy taken to the tomb.

The dead bodies intoxicate the living with their sweet perfume.

Till one young flower...

Sees the decay and devour.

Wonders if this power is the answer in the deceased hour.

The flower in blooming, pops the bubble

Expose to the outside of rain and rumble

Led them to being humble...

Found the answer in a jumble.

The dark clouds can receded...

Only by touching another leaves.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

The Valley returns taken in whole.

The Sun sets....and the constellations interweaves.

Through many still try to bring the dark of soot and charcoal.

Empathy was always needed...

Apathy repeated...

Left many disquieted...

Be the flower in a bubble or a stem with grief...

Or be the valley with living and decay....sharing in relief and hearts of a gold leaf.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

The battle trolling through the ages.

Sun coming and going in stages.

Due to having an agency....

Worse than any king, god or angel...

But this unstable leads to be quite a fable and a faithful.

The colors on the flower or on the ground is and are still around.

They added color sharing in each other.

Empathy and Apathy twins of the same mother.

They all uttered.