#athens film festival

[schlock-luster-video]

On September 22, 2009, A Trip to the Moon was screened at the Athens Film Festival.

Here's some new fan art!

[scorpion-flower]

Ah yes, in a time when half of Greece is drowning because of the floods and the other half is burning because of the forest fires, Athens Film Festival arranged for Woody Allen (yes, the child rapist) to make an appearance her, because god forbid the event is cancelled both because of what is happening in Greece and because he is a freakin rapist.

The "best" part was artists who have supported the #MeToo movement in the past, rushing to get photographed with him.

If that's not normalization of grooming/rape, I don't know what is.

[kaliarda]

Το 29ο Διεθνές Φεστιβάλ Κινηματογράφου της Αθήνας Νύχτες Πρεμιέρας θα πραγματοποιηθεί από τις 27 Σεπτεμβρίου έως τις 9 Οκτωβρίου 2023.

[under-the-screen]

Past lives

«Καλή αντάμωση» 

Γι’αυτήν, είναι οι παιδικές αναμνήσεις που θυμίζουν τον πολιτισμικό διχασμό που υπέστη ως κορίτσι. Γι’αυτόν, είναι η υπόνοια του μοιραίου, όπως αυτή που διαβάζει στα βιβλία του, έναντι της σχέσης του που προέκυψε από μια τυχαία, συμβατική γνωριμία. Για τον τρίτο, είναι απλώς μοιρολατρεία που συμβολίζει ένα άλμα-γεφύρωση από το παρελθόν στο παρόν, που αγνοεί όλο το διάστημα που μεσολαβεί. Για τον Κορεάτη, παρελθόν και παρόν ταυτίζονται και η εξέλιξη και η πλαστικότητα του χαρακτήρα αμφισβητούνται, αντιθέτως, για την Κορεάτισσα, που πλέον μέσα της ποσοστώνονται οι δυο πολιτισμοί, το παρελθόν είναι μάλλον ο πυρήνας και το σημείο αφετηρίας μόνο της μετέπειτα πορείας. 

Περισσότερο με απασχόλησε η αμερικανο-κορεατική σχέση, γιατί είναι υπαρκτή, έχει ζωή και έχει χάσματα που πρέπει να γεφυρωθούν, με αυτό το τόσο συγκινητικό «στεναχωριέμαι που ονειρεύεσαι στα κορεάτικα γιατί δεν τα καταλαβαίνω». Η κορεο-κορεατική σχέση φέρει μόνο ένα άρωμα από την παιδική αθωότητα και αυτή την αγάπη στην καρδιά που ονομάζεται «πεπρωμένο», ενώ μάλλον θα έπρεπε να ονομάζεται απλώς “childhood”. 

Στον επίλογο, αν όντως όλες οι σχέσεις του παρόντος μας είναι το αποτέλ��σμα του επιτυχημένου αθροίσματος των παρελθοντικών, συμπτωσιακών συναντήσεων μας, τότε αυτό είναι η πιο αισιόδοξη πλάνη στην οποία επιλέγουμε να πιστέψουμε.

★ : 4 / 5

[jdweiss]

My 2023 film, Ἡ Ἀντανάκλασις (The Reflection), will be having its appropriately Greek Premiere next week at AGON International Archaeological Film Festival, screening on May 25 at the Greek Film Archive in Athens. I will be unable to attend, but Loose Fables creator Kat Ball will be there in my stead to represent the film as producer.

🏺

[immemorymag]

Georgia Ponirakou was born in October 1983. She studied Biology and Photography. She is a visual artist who works with film and is also a poet.

She uses both colour and black and white film, 35mm, medium format and Polaroid cameras. Her approach is diaristic as she documents her everyday life. She combines prints on different papers and printing methods to create zines and handmade artist books.

She has published five photo zines and two handmade zines in two copies each ("The quarantine diary" December 2020, F32.3, February 2021). Her first photobook about Makronissos (10 limited edition copies, 2019, Depression Era) was presented at the main exhibition of Medphoto Festival 2019, while her second book (Snowbed, 290 limited edition copies, Zoetrope Athens), which presents her personal story of depression, was published in Polycopies (November 2023). She has participated in group exhibitions at the Athens Photofestival (New found self 2017, Drowning land- Breathing water 2019) and several other exhibitions in Greece and abroad. Her first solo exhibition "Snowbed" took place in October 2021).

[theholmwoodfoundation]

THE HOLMWOOD FOUNDATION PILOT EPISODE CAST/CREW - PART ONE

REBECCA ROOT - MADDIE TOWNSEND/MINA HARKER

Rebecca trained at Mountview Academy of Theatre Arts. Theatre credits include A Midsummer Night’s Dream at Shakespeare’s Globe, The Curious Incident of the Dog in the Night-Time for the National Theatre (UK and Ireland tour); Rathmines Road for Fishamble at the Abbey Theatre, Dublin; Trans Scripts at the Edinburgh Festival Fringe and American Repertory Theater in Cambridge, Massachusetts; The Bear / The Proposal at the Young Vic; and Hamlet at the Gielgud Theatre and Athens International Festival. TV, Film and Video Game credits include Monsieur Spade, This Is Christmas, Irvine Welsh’s Crime, Hogwarts Legacy, Horizon Forbidden West, Heartstopper, Annika, The Rising, Sex Education, The Gallery, The Queen’s Gambit, Finding Alice, Creation Stories, Last Christmas, The Sisters Brothers, Colette, The Danish Girl, Flack, The Romanoffs, Moominvalley, Hank Zipzer, Boy Meets Girl, Doctors, Casualty, The Detectives, and Keeping Up Appearances.  Radio credits include Clare In The Community, Life Lines, The Hotel, and 1977 for BBC Radio 4. Guest appearances include Woman’s Hour, Front Row, Loose Ends, Saturday Live, and A Good Read.  She plays Tania Bell in the award-winning Doctor Who: Stranded audio dramas. Rebecca has also recorded numerous documentary narrations, audiobooks, and voice-overs. Rebecca is also a voice and speech coach, holding the MA in Voice Studies from Royal Central School of Speech and Drama.

SEAN CARLSEN - JEREMY LARKIN/ JONATHAN HARKER

Born in South Wales, Seán trained at the Royal Welsh College of Music & Drama. He has worked extensively in audio drama, television, theatre and film.  Seán is perhaps best known to Doctor Who fans as Narvin in the Doctor Who audio series Gallifrey and has appeared on TV in Doctor Who - The Christmas Invasion and Torchwood. Recent TV credits include Mudtown (BBCiplayer/S4C), Dal y Mellt (Netflix), His Dark Materials (BBC1), All Creatures Great and Small (Channel 5), A Mother's Love (Channel 4) and Series 5 of Stella (Sky1).  Films include supporting leads in Boudica - Rise of the Warrior Queen, cult horror The Cleansing,  the lead in Forgotten Journeys and John Sheedy’s forthcoming film ‘Never Never Never’

SAM CLEMENS - ARTHUR JONES

Samuel Clemens trained at the Drama Centre London and is an award-winning director with over twenty years’ experience. Samuel has recently written and directed his debut feature film ‘The Waterhouse’ with Take The Shot Films & Featuristic Films and represented by Raven Banner Entertainment, which is due for release this coming year.  In addition, he has directed fourteen short films, winning awards all over the world including shorts ‘Surgery (multi-award winning), A Bad Day To Propose (Straight 8 winner 2021), Say No & Dress Rehearsal’. Samuel also directs critically acclaimed number one UK stage tours and fringe shows (Rose Theatre Kingston, Swansea Grand, Eastbourne, Yvonne Arnaud, Waterloo East Theatre) and commercials include clients JD Sports, Shell and Space NK. Samuel is also a regular producer and director for Big Finish Productions & Anderson Entertainment. He has cast, directed, produced and post supervised numerous productions of ‘Doctor Who – (BBC), The Avengers (Studio Canal), Thunderbirds, Stingray (Anderson Entertainment), Callan, Missy, Gallifrey’& Shilling & Sixpence Investigate’ and many more. Samuel has directed world class talent such as, Sir Roger Moore, Ben Miles, Tom Baker, Sylvester McCoy, Alex Kingston, Frank Skinner, Rita Ora, Rosie Huntingdon-Whiteley, Rufus Hound, David Warner, Celia Imrie, Samuel West, Youssef Kerkour, Sophie Aldred, Ian McNiece, Colin Baker, Olivia Poulet, Stephen Wight, Jade Anouka, Mimi Ndwendi, Michelle Gomez, Peter Davidson, Paul O’Grady and many more. Samuel is one of the founding members and directors at Take The Shot Films Ltd and is Head of Artistic Creation and Direction. Lastly, Samuel is a regular tutor at The London Film Academy, The Giles Foreman Centre for Acting & The Rose Youth Theatre and is a member of The Directors Guild UK. As for upcoming projects, Sam is currently in pre-production on his next feature film “On The Edge of Darkness”, which is based on his dad’s stage play “Strictly Murder”.

ATTILA PUSKAS - DRACULA

Attila Puskás is a native Hungarian Voice Actor born in Transylvania – Romania, so Romanian is in his bag of tricks too, but most of his work is done in English, in a Transatlantic Eastern European Accent, but is quite capable of Hungarian, Romanian and International Eastern European accents, plus Standard American. His voice range is Adult to Middle Aged (30-40+) due to his deep voice. Vocal styles can range from authoritive, brooding to calming and reassuring and much more. He’s most experienced in character work, like Animations and Games, but his skills encompass Commercials to Narration as well. He’s received training through classes and workshops, pushing him to the next level to achieve higher standards. Now on a journey to perfect these skills and put them to good use!

PART TWO: HERE

PART THREE: HERE

[mariacallous]

Ukrainian-Canadian filmmakers pulled their pro-Ukrainian film "Intercepted" from screening at the Windsor International Film Festival (WIFF) after learning that it would be featured in a lineup alongside the controversial "Russians at War" documentary, the Canadian media outlet Windsor Star reported on Oct. 26.

Canadian-Russian director Anastasia Trofimova's documentary Russians at War has faced criticism for what many perceive as an attempt to whitewash Russian soldiers involved in Russia's war of aggression against Ukraine. Earlier in her career, Trofimova worked for Russia Today, a Kremlin-backed propaganda outlet.

The documentary has been criticized for lacking a concrete counter-narrative to Russian propaganda, failing to address documented Russian war crimes, and does not offer a definitive critique of Putin's regime.

The movie was brought into the spotlight when it appeared on the official list of screenings at the prestigious Venice and Toronto film festivals.

According to the Windsor Star, Intercepted — a film that chronicles the work of Ukrainian intelligence agencies as it intercepts calls from Russian soldiers to family and friend — pulled out of the Canadian-based WIFF ahead of its opening night screening.

The decision to pull out comes amid widespread protest among Canada's large Ukrainian-Canadian diaspora.

Following protest, organizers at the Toronto International Film Festival decided to pull the film from the schedule, citing security concerns, but later decided to hold a special screening for the film after the end of the festival in September, drawing widespread criticism.

Controversy further spread as it was revealed the Russians at War film received $340,000 from the Canada Media Fund. Canadian government officials, including Deputy Prime Minister Chrystia Freeland, have strongly criticized the use of public funds to support a controversial documentary that portrays Russian soldiers fighting in Ukraine.

Despite protest from local members of the Ukrainian-Canadian diaspora, WIFF has not removed Russians at War from the festival's lineup — at odds with decisions made earlier this month at film festivals in Athens and Zurich to drop the film.

The director of Intercepted, Oksana Karpovych, could not be immediately reached by the Windsor Star for comment.

On Oct. 7, the Security Service of Ukraine (SBU) began investigating Trofimova on the charges of justifying and recognizing the legitimacy of Russia's aggression against Ukraine and illegally crossing Ukraine's internationally recognized borders when filming in the Russian-occupied territories.

[hummussexual]

Alexander Durie 23 May, 2024

The Cannes Film Festival this year showcased screenings from the Middle East and North Africa that captured significant attention.

The New Arab has curated a list of the top seven films premiered there, and we highly recommend giving them a watch.

The Seed of the Sacred Fig (2024) 

Director Mohammad Rasoulof – Iran, France, Germany

In the bustling streets of Tehran, the life of Judge Iman takes a drastic turn when he discovers his gun missing, leading him to suspect his own family, including his wife and daughters. The film explores the intricate dynamics of familial relationships, as suspicion and distrust put their bonds to the ultimate test. 

Despite facing an eight-year prison sentence in Iran, Director Mohammad Rasoulof's determination to present this story at Cannes highlights the enduring power of artistic expression in challenging times.

Norah (2024) 

Director Tawfik Alzaidi – Saudi Arabia

Transporting audiences back to the conservative landscape of 1990s Saudi Arabia, Norah introduces us to Nader, a newly arrived teacher in a remote village, and Norah, a spirited young woman yearning for freedom. Their secret affair blossoms amidst the shadows of societal restrictions and impending danger, fueled by their shared passion for art and beauty.

Against the backdrop of a repressive society, the film serves as a reminder of the power of love and the human spirit's pursuit of liberation.

To a Land Unknown (2024)

Director Mahdi Fleifel – Palestine, UK, France, Germany, Greece, Netherlands, Qatar, Saudi Arabia

To a Land Unknown tells the story of Chatila and Reda, two Palestinian cousins in Athens, Greece, aiming for a better life in Germany. They face tough challenges as refugees, pushing themselves to their limits. Their journey highlights the struggles of seeking refuge and finding hope in difficult times.

Across the Sea (2024)

Director Saïd Hamich Benlarbi – Morocco, France, Belgium, Qatar

Across the Sea follows Nour, a young immigrant who comes to Marseille, France, for a better life. He faces tough challenges surviving on the outskirts of society, getting involved in small crimes with an uncertain future. But meeting Serge, a charismatic but unpredictable cop, and his wife Noémie, gives Nour hope.

The story spans from 1990 to 2000, showing Nour's search for love, identity, and belonging in a world that's changing fast.

East of Noon (2024) 

Director Hala Elkoussy – Egypt, Netherlands, Qatar

East of Noon welcomes viewers into a fantasy world rooted in Egyptian folklore. It follows young Abdou, a musical prodigy who defies tradition with his music. As Abdou's melodies resonate across the timeless landscape, he confronts the norms, embarking on a bold journey of self-discovery.

Director Hala Elkoussy's tale celebrates Egypt's cinematic heritage, with enchanting characters and captivating storytelling that transport audiences to a realm of limitless imagination.

The Brink of Dreams (2024)

Director Nada Riyadh & Ayman El Amir – Egypt, France, Denmark, Qatar, Saudi Arabia

In a remote village in Upper Egypt, a group of young girls breaks societal norms by forming a street theatre group. They dream of a life beyond their traditional upbringing. Through daring performances, they challenge the expectations of their Coptic families and local communities. Daughters of the Nile, filmed over four years, shows their journey from rebellious teens to empowered women.

This film is a powerful story of resilience and strength, capturing their universal longing for self-discovery and freedom.

Everybody Loves Touda (2024) 

Director Nabil Ayouch – Morocco, France, Belgium, Denmark, Netherlands, Norway

In the charming villages of Morocco, Touda dreams of a life beyond what society expects. She wants to become a Sheikha, a traditional Moroccan performer. Despite facing criticism from her community, Touda finds comfort in her music, singing about resistance, love, and freedom. Every night, she performs in local bars, her voice filling the streets as she imagines a better future for herself and her son.

Driven by a desire to break free from tradition, Touda sets her sights on the bright lights of Casablanca, determined to make her own way in a world full of opportunities.

[workingclasshistory]

On this day, 1 June 1940, the Greek anarchist feminist, poet and actor Katerina Gogou was born. As an adult, Gogou opposed the right-wing military dictatorship which took over in 1967, supported workers' struggles, and was frequently subjected to violence by the police. Working as a young actor, especially under the dictatorship, Gogou was only able to perform roles which perpetuated right-wing, capitalist and sexist values, like naïve domestic worker, housewife or love interest. After a popular uprising brought down the dictatorship, she was able to perform radically different roles, including in the 1977 film 'The Heavy Melon', depicting the new urban working class, for which Gogou one the best actress award at the Thessaloniki Film Festival. In the 1970s and 80s Gogou was an active supporter of the burgeoning LGBT+ movement, much of it led by trans and gender nonconforming people. Much of her poetry spoke of the lives of rebels, sex workers and residents of Athens' Exarcheia district, which remains a radical enclave today. Gogou died by suicide in 1993, and thousands of people attended her funeral. After her death, one of her unpublished poems was discovered, which began: "Don’t you stop me. I am dreaming. We lived centuries of injustice bent over. Centuries of loneliness. Now don’t. Don’t you stop me. Now and here, for ever and everywhere. I am dreaming freedom." More information, sources and map: https://stories.workingclasshistory.com/article/8092/katerina-gogou-born https://www.facebook.com/photo.php?fbid=636505691855983&set=a.602588028581083&type=3

[schlock-luster-video]

On September 28, 2012, Myra Breckinridge was screened at the Athens Film Festival.

[southeastasianists]

Imelda Marcos envisioned Manila as the cultural center of Asia. Fresh from a successful staging of the 1974 Miss Universe Pageant, where a specially built theater was completed in just 77 days, she wanted a film center that would rival the famed Cannes Film Festival of France.

Employing a celebrated architect of that time Froilan Hong, a building inspired by the Parthenon in Athens was to be constructed in the Cultural Center of the Philippines complex in Pasay City. UNESCO was even consulted for the structural designs of the auditoria and the archives. With three months to spare before the scheduled film festival, the deadline was tight. To make it work, some 4,000 workers were employed to work in three shifts across 24 hours. The lobby was finished in 72 hours by 1,000 workers—a job that was supposed to entail six weeks.

The frenetic pace of construction didn't allow for proper precautions. On November 17, 1981, at around 3 a.m., scaffolding collapsed and workers were trapped in the quick-drying cement. Immediately, a blanket security and a media blackout were imposed for fear of creating a scandal. No rescuers and ambulances were allowed until an official statement was prepared. Rescuers were only allowed after nine hours. Of course, by then it was too late. At that point, 168 workers had died or were buried in the cement. 

Two months later, the first Manila International Film Festival took place from January 18 to 29, 1982.

After an earthquake in 1990, the building was abandoned because of structural damage. It was rehabilitated and leased out to the private sector, but after it caught fire in 2013 it was abandoned once again.

[kaliarda]

[ilikethisacompletelynormalamount]

As Andrew Haigh's upcoming film All of Us Strangers, begins screening at an ever expanding list of film festivals, beyond the three featured on the official poster, Telluride Film Festival, New York Film Festival and BFI London Film Festival.

I am attempting to maintain an up to date list, in chronological order, (last updated Dec 14th, 2023)

All the details about the festivals, links to where/when to get tickets are under the cut.

Athens International Film Festival Sept 27- Oct 9

Beyond Fest (Los Angeles, its West Coast Premiere) Sept 26-Oct 10

Hamptons International Film Festival Oct 5-12

Festival do Rio (Rio de Janeiro International Film Festival) Oct 5-15

HIFF: Heartland International Film Festival (Indianapolis, IN) Oct 5-15

FFG (Film Fest Gent, Belgium) Oct 10-21

Chicago International Film Festival Oct 11-22

Seattle Queer Film Festival (opening night gala) Oct 12-22

Newfest (New York LGBTQ+ Film Festival, Closing Night film) Oct 12-24

FILMEKIMI iKSV Oct 13-22 (Istanbul) Oct 20-22 (Izmir)

BIFF: Bergen International Film Festival Oct 18-26

Adelaide Film Festival (Australia) Oct 18-29

Alice nella Città (independent section of the Rome Film Festival) Oct 18-29

Middleburg Film Festival (VA) Oct 19-22

Cambridge Film Festival Oct 19-26

FFCGN: Film Festival Cologne (Germany) Oct 19-26

Twin Cities Film Festival (Minneapolis/St Paul MN ) Oct 19-28

Film Bath Festival Oct 19-29 (booking now)

Outshine LGBTQ+ Film Festival (Ft Lauderdale, FL) Oct 19-29

Viennale (Vienna Film Festival) Oct 19-31

FICM (Festival Internacional de Cine de Morelia) Oct 20-29

Montclair Film Festival (NJ) Oct 20-29

SCAD Savannah Film Festival (GA) Oct 21-28

SEMINCI (Semana Internacional de Cine de Valladolid, ES) Oct 21-28

AFI Fest: American Film Institute (Los Angeles, CA) Oct 25-29

VAFF:Virginia Film Festival (Charlottesville) Oct 25-29

TIFF-jp (Tokyo International Film Festival) Oct 23 - Nov 1

AFF (Austin Film Festival and screenwriters conference) Oct 26-Nov 2

BIFF: Brisbane International Film Festival Oct 26 - Nov 5

LIFF (Leiden International Film Festival, NL ) Oct 26 - Nov 5

Miami Film Festival GEMS Nov 2 - 5

Belfast Film Festival (opening night gala) Nov 2-11

Inverness Film Festival Nov 3-9

Denver Film Festival Nov 3-12

Leeds International Film Festival Nov 3-19

PÖFF (Pimedate Ööde filmifestival): Tallinn Black Nights Film Festival (Estonia) Nov 3-19

ZFF: Zagreb Film Festival (Croatia) Nov 6-12

Cornwall Film Festival (opening night) Nov 6-19

LIFFe: Ljubljana International Film Festival (Slovenia) Nov 8-19

Stockholm International Film Festival Nov 8-19

MQFF: Melbourne Queer Film Festival Nov 9-19

SLIFF: St Louis International Film Festival (closing night) Nov 9-19

Cork International Film Festival (Ireland) Nov 9-26

TGHFF: Taipei Golden Horse International Film Festival Nov 9-26

CINECITY: Brighton Film Festival (closing night) Nov 10-19

EnergaCAMERIMAGE International Film Festival (Toruń, Poland) Nov 11-18

IFFMH: International Film Festival Mannheim Heidelberg Nov 16-26

QCINEMA International Film Festival (Quezon City, Philippines) Nov 17-26

Chéries-Chéris: Festival du Film LGBTQI & +++ de Paris Nov 18-28

SGIFF: Singapore International Film Festival Nov 30- Dec 10

Around the World in 14 Films: Berlin Independent Film Festival (closing night) Dec 1-9

SIFF: Sonoma Awards Buzz Screening Dec 12

Festival Univerciné, Britannique (Nantes) Dec 12-14

AOUS Fundraiser screening to support HIFF : Love & Anarchy (Finland) Dec 14

Les Arcs Film Festival Dec 16-23

TLVFEST: Tel Aviv International LGBTQ+ Film Festival Dec 21-31

Athens International Film Festival 🇬🇷

Beyondfest (co-presented by Outfest) Los Angeles, CA 🇺🇸

HIFF33 Hamptons 🇺🇸 International Film Festival

Festival do Rio: Rio de Janeiro International Film Festival 🇧🇷

HIFF33 Heartland International Film Festival Indianapolis 🇺🇸

Film Fest Gent 🇧🇪

Chicago International Film Festival 🇺🇸

All of Us Strangers was added to the recently released lineup for The Chicago International Film Festival (the longest running competitive international film festival in North America), as an entry in their Outlook Competition.

🎟️Tickets

Seattle Queer Film Festival 🇺🇸

Seattle Queer Film Festival will open on Thursday October 12th at The SIFF Egyptian with the West Coast Premiere of Andrew Haigh’s critically acclaimed new drama, ALL OF US STRANGERS starring Andrew Scott (Fleabag) Claire Foy (The Queen), and Paul Mescal (Aftersun).

Newfest: New York 🇺🇸

FILMEKIMI 🇹🇷

BIFF: Bergen International Film Festival Oct 🇳🇴

The lineup for BIFF 2023 is complete and ticket sales are open! Screening schedule and ticket sales from October 5th!

AFF: Adelaide Film Festival 🇦🇺

Alice nella Città 🇮🇹

The "surprise movie 3" closing Alice nella Città is Andrew Haigh's Estranei (All of Us Strangers), the film's Italian premiere, October 29th.

Middleburg Film Festival, Virginia 🇺🇸

🐎🐎🐎🐎🐎🐎

Cambridge Film Festival 19th - 26th October 🇬🇧

FFCGN: Film Festival Cologne 🇩🇪

Twin Cities Film Festival, Minneapolis/ St Paul Minnesota 🇺🇸

Film Bath Festival 🇬🇧

Outshine LGBTQ+ Film Festival 🇺🇸

Viennale: Vienna Film Festival 🇦🇹

This year's Viennale will take place from October 19 to October 31. The complete program of this year's festival edition will be published online on October 10, 8 pm. here on this website. Tickets are available from October 14, 10 am.

FICM: Morelia Film Fest 🇲🇽

Montclair Film Festival, New Jersey 🇺🇸

SCAD Savannah Film Festival, Georgia 🇺🇸

The largest university-run film festival in the world, presenting competition film screenings, gala premieres, special screenings, workshops, and panels with lauded industry guests, award-winning professionals, and emerging student filmmakers.

SEMINCI 68: Semana Internacional de Cine de Valladolid 🇪🇸

AFI Fest: American Film Institute (Los Angeles, CA)🇺🇸

VAFF:Virginia Film Festival (Charlottesville) 🇺🇸

TIFF-JP: Tokyo 🇯🇵 International Film Festival

AFF: Austin Film Festival🇺🇸

October 26 – November 2 We are proud to announce ALL OF US STRANGERS as one of the premiere films at #AFF30! Join us at the Festival to witness a journey that transcends time, love, and even death! Purchase your badge here

BIFF: Brisbane International Film Festival🇦🇺

LIFF:Leiden International Film Festival, Netherlands 🇳🇱

Miami Film Festival GEMS 🇺🇸 "the jewels of the fall season"

Inverness Film Festival Scotland 🏴󠁧󠁢󠁳󠁣󠁴󠁿 Nov 3-9

Denver Film Festival: Denver Colorado 🇺🇸

Andrew Haigh’s new film, All of Us Strangers will screen on Friday, Nov. 10th at the Denver Botanic Gardens. Includes a post-film conversation and award presentation to director Andrew Haigh. Pre-reception included in ticket price. Reception begins at 6pm. Screening begins at 7pm..

Leeds International Film Festival 🇬🇧

PÖFF: Tallinn Black Nights Film Festival 🇪🇪

Local title:Kõik me võõrad

Title in Russian: Незнакомцы

ZFF: Zagreb Film Festival (Croatia) 🇭🇷

Cornwall Film Festival 🇬🇧

LIFFe: Ljubljana International Film Festival Slovenian 🇸🇮

Stockholm International Film Festival 🇸🇪

MQFF: Melbourne Queer Film Festival🇦🇺

SLIFF: St Louis International Film Festival 🇺🇸

Highlighting the lives of the LGBTQ+ community, SLIFF’s QFest Spotlight Film, “All of Us Strangers,” from Searchlight Pictures, the critically acclaimed romantic drama written and directed by Andrew Haigh, starring Andrew Scott, Paul Mescal, Jamie Bell, and Claire Foy, will close the festival on 11/19

Cork International Film Festival 🇮🇪

Scheduled: Sun 19 November Showtime: 20:30

Venue: The Everyman

MacCurtain Street, Cork

Taipei Golden Horse International Film Festival 🇹🇼

CINECITY: Brighton Film Festival 🇬🇧

CLOSING NIGHT: Nov 19 Andrew Haigh's All of Us Strangers, Duke of York's Picturehouse. The full programme will be announced on Friday 20th October - when tickets will also go on sale.

EnergaCAMERIMAGE 31st Edition of The International Film Festival Of the Art of Cinematography, Toruń 🇵🇱

a great international feast of cinema

Excellent movies, outstanding filmmakers, meetings, seminars, workshops

Presentations of modern technologies and film equipment

Remarkable documentary films and terrific music videos

Exceptional atmosphere and unforgettable experience

Unique tribute to the 10th muse

🎟️Passes

IFFMH: International Film Festival Mannheim Heidelberg 🇩🇪

QCINEMA International Film Festival 🇵🇭

Chéries-Chéris: Festival du Film LGBTQI & +++ de Paris🇫🇷

Ouverture : @CheriesCheris 2023 Sans jamais nous connaître (All Of Us Strangers) de Andrew Haigh Mardi 21 Novembre au MK2 Bibliothèque Translated from French by Opening Film: @CheriesCheris 2023 Without ever knowing us (All Of Us Strangers) by Andrew Haigh Tuesday November 21 at MK2 Library

SGIFF: Singapore International Film Festival 🇸🇬

Around the World in 14 Films, Berlin 🇩🇪

🎟️Tickets available Nov 14

The Berlin premiere of “All of Us Strangers” by British director Andrew Haigh (“45 Years”) marks the celebratory conclusion of the 18th edition of AROUND THE WORLD IN 14 FILMS on Saturday, December 9th, 2023. Only at the end of August 2023 Andrew Haigh's “All of Us Strangers” celebrated its world premiere at the American Telluride Film Festival. The 18th World Cinema Festival presents the “surreal romance” (Vogue) in its “Closing Night”. The on-screen appearances of Andrew Scott and Paul Mescal, two of Ireland's hottest actors, are likely to provide star power. Lead actor Andrew Scott shone in his role as Moriarty in the BBC cult series “Sherlock” and other appearances in “James Bond 007: Specter” and “Fleabag”. Paul Mescal, star of the British series "Normal People", attracted worldwide attention with his moving performance in the independent hit "Aftersun". Director Andrew Haigh will also have fond memories for Berliners: his masterpiece “45 Years” won the Silver Bear at the Berlinale in 2015, which the leading actors Charlotte Rampling and Tom Courtenay received.

SIFF: Awards Buzz Screening 🇺🇸

🎟️Tickets

Festival Univerciné Britannique, Nantes 🇫🇷

🎟️Tickets

Save HIFF Love & Anarchy 🇫🇮

The future of HIFF – Love & Anarchy, one of Finland’s most significant film festivals, is under threat. HIFF is now calling on its audience to help. There are three types of tickets available for the support screenings, and you can support with either 25 €, 40 € or 100 €. The tickets will go on sale on 29.11.2023 at 11.00.

One of the most popular guests in the history of HIFF has been the Irish actor Andrew Scott, who visited Helsinki in 2014. It is only appropriate that we are the first in Finland to screen a film that will be one of the highlights of his career.

All of Us Strangers, directed and written by Andrew Haigh, is one of the highlights of the autumn. The film, which received top reviews at Telluride and the New York Film Festival, is a drama about loneliness, grief and a longing for love that gets under your skin.

🎟️Support screening tickets

Les Arcs Film Festival 🏔️🇫🇷

TLVFEST LGBTQ+ International Film Festival 🇮🇱 tickets 🎟️

[immemorymag]

Alexandra Riba is a photographer and cinematographer, born in Thessaloniki, Greece (1997). She is a graduate of the School of Film Studies of the Aristotle University of Thessaloniki. She has also studied contemporary photography at the Stereosis School of Photography in Thessaloniki. Her first solo exhibition, "Between Cities and Skies" was included in the Thessaloniki PhotoBiennale 2023. She has also exhibited her photographs in important art spaces in Greece and abroad. As a cinematographer, she collaborated with director Nikos Kolioukos on the short film "The Chaos She Left Behind", which was part of the official selection at the Festival de Cannes 2024 and winner of the 2nd prize La Cinef Ex-Aequo. She also worked with Syllas Tzoumerkas on the short film "My Mother is a Saint". This film was selected for the Locarno Film Festival 2023 - Pardi di Domani. In theatre, she has worked in productions of the Athens Epidaurus Festival, Onassis Stegi Foundation, and the National Theatre of Northern Greece. She is one of the Sarajevo talents for the 2024 Sarajevo Film Festival.