#at this point it's mostly just me and my sibling..

[captain-huggy-bear]

Into the Penalty Box

Pairing: Jack Hughes x Fem!Reader

Warnings: N/A

Summary: Jack has to put your son in the sin bin...

Notes: Short but I had this really fun idea for how Jack doles out consequences as a dad.

Totally happy to take requests/ideas/prompts at the moment in my ask box :)

Writing Masterlist

"Jack, baby...Carter just bit Ellen." You're tugging Carter along behind you by the wrist gently, he's pouting at the entire way and dragging his feet. Ellen is in your arms sniffling and crying into your shoulder because her big brother (at the tender age of 5 years old) decided that the best way to get rid of his 'annoying' baby sister (of 2) was to bite her. Hard. On the arm.

"Let me see, baby girl." Your daughter holds her arm out to her dad, who's suitably sympathetic, cooing over the teeth marks and pressing a kiss there to 'make it better'. It brings a smile to her little face, tears starting to dry up, but leaving blotchy redness behind.

Once Jack has dealt with the issue of his baby girl crying he turns to his son who you've release your grip on knowing he's unlikely to make a run for it and has typically been pretty good at accepting punishment. Mostly because he's stubborn enough that he always wants to plead his case first.

Jack folds his arms across his chest looking down at the spitting image of himself at 5 years old, light brown near blonde curls, bright blue eyes, chubby blushing cheeks and many missing teeth. Carter is Jack, rowdy, loud, full of energy and from time to time fed up with having a baby sibling who wants his attention all the time. One day he'll grow to love it, hate when his sister stops idolising him, but for now? For now apparently biting has become his new solution and Jack had always taught him that biting was not something they did in their house.

You bounce Ellen in your arms, running a hand over her hair and down her back while you watch Jack crouch down to Carter's level. Jack, despite people's belief, was a disciplinarian. Just not in the usual way...he never shouted, he didn't scream, he didn't insult the kids, none of the typical old school dad stuff, but what he did do always seemed to work.

"Bud, you can't bite your sister."

"But she was being annoying!" It's like watching a second Jack, the way Carter folds his arms across his little chest and puffs out his cheeks as he pouts. You're surprised he didn't stomp a foot on the floor, but it seems he learnt from last time that that only got him more penalty minutes.

"I don't care, it's against the rules, bud, against the code. You've got 5 minutes in the penalty box, get." Jack points to the corner of your living room where the penalty box sits. At first the penalty box had been simply a pillow in the corner, but one summer Jack, Quinn and Luke had spent some time and money making a replica penalty box that sat perfectly in your living room. At first you'd been...less than pleased, but now it was the highlight of your parenting adventures. The way Carter would slam the little door closed, how he'd pout on the bench and drink from the water bottle you always put in there for him as he'd watch the little clock. Whenever he was in hockey gear it was made even better, especially the replica Devils Jersey Luke had gotten him one Christmas. Then it really was like watching a baby Jack sitting in the sin bin.

"But you bite mom!" Carter's face practically goes bright red with his frustration, brows so furrowed they're almost in his eyes and this time he does stomp his feet.

There's a beat of silence, one in which you do your very best not to laugh because Jack's play biting apparently has come back to haunt him. All those times he's come home and pretended to take chomp out of your arm or neck, every time he placed a kiss on your neck in front of Carter only to bite you lightly to make you laugh...

Jack tries everything in his power to remain stern, to not laugh, to not give in because fuck, he's really dug himself a hole with this one, "I nibble on your mom, I don't 'bite' her and I never hurt her. You were trying and succeeded in hurting your baby sister."

"Dad!"

"Do you want another 5 for unsportsmanlike conduct?" Jack's favourite tool whenever Carter or Ellen start to argue back to him, although mostly Carter. Ellen has yet to reach the terrible period of defiance that all toddlers go through.

"No..."

"So into the penalty box, bud." You both watch as Carter slumps off towards the box, slamming the door closed behind him, the wood and plastic wobbling slightly under the force of it.

He sits on the bench, arms crossed, glaring at the clock. Jack sets a timer for 5 minutes and you watch. There's something about watching either of the kids in the box that's interesting because you can see the moment they start to cool down and realise that maybe they're in there for a reason.

With Carter it's the way he starts to look towards Ellen, face scrunched up in guilt, biting on his little lip. You know at 2 minutes and 24 seconds in the sin bin, that Carter will never bite Ellen again and you know that he understands that he hurt her, really hurt her.

It's what has you putting her down and letting her waddle towards the box nearer to the time being over and what has you opening the box a minute early.

You lean into Jack's side and watch as Carter leans down and pulls his baby sister into a hug, before reaching for her arm and placing a kiss on the boo boo where he bite her a little too hard.

"'m sorry, Ellie. I shouldn't have bit you."

"'s okay, Cay-Cay" Because she always struggled to fully say Carter so he'd become Cay-Cay to her. She pats his cheek with her little hand and you know, you know it'll be okay, that you're raising two good kids even if they have their moments.

"Sin bin works again, and you wanted to get rid of it." Jack looks smugly down at you, all dimples and stupidly attractive smirk as he wraps an arm around your shoulders.

You roll your eyes at him even as you lean further into him, "Yes, well, I guess you have good ideas sometimes...biter."

"Hey! You love when I bite you...just, maybe need to avoid the jokes around the kids...did not see that coming."

[prlssprfctn]

hey! so the intro for this is weird but pls hear me out

yesterday night while walking home from a bar with friends, a group of men probably about my age (early-mid 20s) in a large truck started shouting queer slurs at us then threatened to kill me 😬

my nerves are still a little frazzled but my stupid brain is currently attempting to manage these anxieties about what happened by going “hmm I wonder how the batkids would have responded if they saw that happen”

so I was just wondering if you had any kinda headcanons or anything about how any of the batkids would handle a scenario like this :) I know this is kinda heavy haha so pls don’t feel like you gotta respond to this but I really like your writings and thought it was worth a shot to reach out and ask :) thank you!

(also, my friends and I did make a report and we’re currently talking with the civil rights division of our local gov’t about handling this case as a hate crime so we are in the midst of handling it)

oh my god, i am so sorry this happened to you. i am glad you put charges and dealing with the situation, though. be careful, and i hope you are recovering well.

Bruce, i feel like, would try to charm his way out of this at first since he doesn't need additional interent drama. maybe he will try to smile politely and go along lines like, "oh, is that supposed to be offensive?" but if the situation escalates, he will not be afraid just to fight them off. who would blame him, anyway?

i have a feeling that Dick doesn't like fighting on the streets as well, and he usually tries to escalate the fight, only ever using it as the last resort. i also think that if someone picks up on him at night, he just decides to creep out everyone by using his amazing gymnastics. like, imagine him just turning his head around like an owl, cracking bones like in horror and pretending to be a spider — men will run away in the instant. without a fight. that's effective.

Cassandra is not a one to deal with bullshit like this. she doesn't acknowledge these people at all, but if they start to actively catch her attention and cause a fight, she will first offer the scariest death stare to ever exist. people mostly scram afterwards, but if someone didn't, she will nonchalantly break the bones of their arm. as a threat.

you see, Jason probably is not getting annoyed by people like this. who would pick up on a fucking double-fridge, right? i think he mostly spawns behind his siblings' backs when someone picks up on them and terrifies tf out of others. but if someone did risk their lives, i think Jason would either just point a gun silently (if he is in a bad mood) or start roast these people so much, they would leave.

oh, Tim. Tim is gracious about it. someone starts haunting him on the streets, so he wordlessly records a video, and while that person still screams at him, he calls his lawyer. they will get charged and outed in the news for this faster than they will finish their attempts to terrify Tim.

Steph starts shouting back. she is so loud about it that people usually start gathering around them, and she starts making him join the conversation, too. "just look at this weirdo, huh! hey, hey, you, look at him and tell me — isn't he fucking insane?" and stuff. she is equally good at escalating the fight to the reaching point of just make people leave embarrassed, depending on the situation.

baby Damian definitely doesn't even understand the meaning of slurs — his family is adequate, and he is a sheltered kid in a way, so he has no idea what all that means. but he feels a threatening aura. he first reminds people who he is, giving a chance to escape... and when it is not working, someone is about to get stabbed.

Duke tries to joke it off first. like, in a "oh, from all slurs, i got called *this*? that's something new, buddy, kudos" kind of way. if it doesn't work and people continue annoying him, he simply fights these people. he doesn't care much.

[sleepy-the-loz-enthusiast]

Twilight: *playing music in the kitchen*

Wild: *cooking and singing along in a Squidward voice*

[danwhobrowses]

Now that Critical Role's VOD of episode 120 is out and everyone in the fandom's had a moment to breathe, simmer, and adjust to this all. I wanna do a big talk about my favourite idiot punk rock, Ashton Greymoore.

Because over these last few episodes, I've been so proud of them.

Many people have had vocal opinions on Ashton, not all of them positive either; I've seen many berate them and say they're selfish, not a team player, or that they 'don't add anything to the group'. But over the past few episodes, I feel like Ashton has been an unsung hero in the battles with Ludinus and Predathos, with their contributions, oftentimes selfless and cooperative, ending up providing the floor for others to deliver strong and impactful actions.

While Dorian and Imogen will rightfully get the lion's share of praise for their clutch moments - Dorian's Force Cage on Ludinus saving Liliana and defeating Predathos' first stage alongside Imogen's Power Word: Stun setting up Ludinus' death and defeating Predathos' second stage - Ashton's actions were often the prelude to moments that could not have succeeded without them, including these clutch moments. Their attack on Ludinus in 117 prompted the Silvery Barbs that burned up his reaction - which allowed Dorian to successfully use Force Cage without being Counterspelled, their high-damage attack on his neck hole in 118 broke Ludinus' concentration on Ravenous Void - which somehow later got credited to Chetney - which gave Imogen the freedom and mobility to get in range for Power Word: Stun, they got the Insight check whisper on Predathogen in 119 to know that Imogen was physically inside of the body and needed to be pried out - which Imogen achieved herself thanks in part to Fearne reaching her, and recently in 120 they pulled Imogen out of Predathos' maw, abandoning the Hammer synonymous with their character (to the point that Keyleth titled them the 'Paradox Hammer') to prioritize saving their friend, which - following Dorian's healing - gave her the chance to use the Ring of Remembrance for the finishing Meteor Swarm. Not to mention all the other damage they dealt and tanked throughout the four fights, the passive d4 bonuses and advantage they gave the party (almost acting partly as a secondary paladin or a tertiary bard) to buff their damage and saving throws, and accepting the risk of disintegration when Laudna used their Hammer's spell splitter - which forced Predathos to use its final Legendary Resistance.

The Disintegrate moment itself was tense because we all know that Ashton is high among the Hells who would sacrifice themselves to save the group - a mentality most of the Hells likely shared in this fight - but fortunately they don't have to, they'll never have to, and they gained something just as if not more valuable than a heroic sacrifice: they get to live. The person who before meeting these chucklefucks believed they'd likely die face-down in a ditch in some backwater alley and thrown into an unmarked grave AT BEST gets to live, and the people that mean most to them get to live thanks to their efforts, their successes. And that's the most important part; for all the times they couldn't help or save someone because they were unconscious or out of reach, for all the times they let their imposter syndrome tell them they're just a fuckup undeserving of trust, praise, or love, and for every fear they had that one day they'd mess up and this new family of theirs will abandon them like the Nobodies did, this time they were there standing beside their people to the very end - and they helped get them out alive. No mistakes, no carelessness, and no-one left behind.

For that, I am proud of Ashton Greymoore; not Bells Hells' Weapon but their Helm, not a Blunt Instrument but a Protector, and not a Hero who needs to do 'what needs to be done' but a Friend who is saving their people no matter the odds. Under all the hardened and rugged exterior that has always been who Ashton is - the perfectly flawed character they are.

[shieldmaiden19]

The Bridgerton boys really are all hoes.

Anthony - the ‘so intense it makes him stupid’ hoe

Benedict - the ‘hoe for a good cause’

Colin - the ‘self-absorbed, dumb of ass’ hoe

[the-kneesbees]

just watched my brother graduate

[thebigqueer]

thisis probably rich coming from me cuz im sure im just being hypocritical when i say this but you kno wwhat !!! sometimes i am not open to cues and i need people to spell shit out for me ok!!!! please do not expect me to just imemdiately understand shit if you dont communicate your feelings with me ok!!!! i am so so sos mad!!!!

[one-little-nerd-stayed-home]

Murph needs to introduce Cyra immediately because this big art piece Im working on would be better if I could include Cyra and Callie :/

[johanthefriskiestofbits]

oooooo please tell me (who knows nothing on the subject) about orv swap au

hehehe. hehehehehehe. hehehehehehehhehehehhheheheh <- guy who is so normal

the premise of orv swap au (name has yet to be finalized) is this: what if kdj and yjh swapped narrative positions (reader <-> character) but very little else? what if a video game player enters a time loop to save his favorite character from dying over and over again and also to end the apocalypse?

admittedly it's not super fleshed out yet (a lot of the changes this premise would introduce are still not hammered out yet) but here are some points under the cut (novel spoilers ahead!)

orv swap au starts with pro gamer yjh who feels :/ abt his job, but hey, it pays the bills. despite (or maybe because of) his relative popularity as a pro gamer and networking with the agency/sponsors/people to impress, he's kind of isolated in a way that's detrimental, a facade of someone he's not whenever he's on camera

something to play around with is the idea of agency? maybe this yjh doesn't feel like he has any and has his hands tied between the lifestyle and being under public scrutiny and not having enough of a support system to leave everything behind. maybe he doesn't know what else he would even do. maybe he's aimless and drifting with nothing to hold on to.

his favorite video game is what i've been thinking of as World's Hardest To Play Indie Game (not based on difficulty but just on the experience of consuming it) a boring, exposition heavy, player-hostile, poorly designed, slightly buggy mess of a barely-playable game: twsa, a game that was not finished upon release and experiences with sporadic updates every now and then.

the ending tree to this game is so convoluted its insane. also theres no save states so if you die (very likely) u restart babeyyy.

twsa (video game) does have multiple endings, all of which happen when kdj, your main character, dies. some are farther into the apocolypse than others, some paths require meta knowledge of future events or character actions or items or whatever. the "true ending" is either analogous to the original 1863: kdj makes it to the end at the cost of everyone he loves, or hsy's modified 1863: kdj makes himself enemy of the scenario to secure a way out for the kimcom remnants.

there's branches on the choices tree where everyone dies and everything sucks and is bad forever and theres choices to make where kdj gets to make a family and they don't really get to settle down but they can get pretty close to it among the ruins of the apocalypse. through all his testing, yjh finds that these endings are nice but peter out - to get to the end of the apocalypse yjh has to claw his way there inch by painful inch, through betrayal and sacrifice, and he still cant fully get past it

i originally wanted to finagle a yoohankim 3 way swap but i couldn't figure it out. swap aus are a lot easier to work with when they're even numbers, at least to me, so this au features a ysa who is a video game company employee by day and by night she really has become god this time (and also a terrible indie dev). and this is how jungdoksang can still win !!!!

also yjh's coworker from Real Life hsy :) i haven't decided if she's like an employee for the same agency, or if she's someone else in the gaming circles that yjh interacts with sometimes (in my heart theyre in like some sort of discord server together), or something like that but she's around. whatever she does she is twitter cancelled for something. to me.

the only other character swaps are lsk and yma. yma is yjh's estranged sister (in broad strokes there's a vague bad parent situation going on here) (they used to be close until they drifted apart and slowly started hating each other [there is an abyss between them that neither of them can bridge]) (he feels that she betrayed him and threw him under the bus so he left [maybe he gets kicked out]) (she feels that he abandoned her to whatever situation they have going on [he didn't even try to take her with him]) and he has to find her when the apocalypse starts. yjh older sibling to yma gives us a whole different little dynamic to explore from kdj ysk (there's different levels of responsibility and guilt and blame when you're talking siblings that are soooooo interesting to me. sorry that i see any set of siblings and immediately try to figure out how to make them worse)

lsk is kdj's mom who appeared into existence at some point with kdj and they were both just adults. that's weird isn't it. oh well. i guess she can become a transcendent later too for funsies

everyone else stays in the same configuration of Real Person vs Character to me this is a very important aspect

this point has no precedent with the swap, nothing particular that would change to cause this, but it would be so funny if lgy was a little gamer boy who is an avid yjh hater. hates that guy. shows up to competitions to boo him. tunes into yjh's silent no-mic speedrunning streams to mald in chat but yjh +mods don't ban him bc its kinda funny.

anyways the apocalypse starts when yjh and his coworker/fellow gamer hsy are on a train to twitchcon and lgy is also there (also headed to twitchcon) and he brings bugs because he likes them but also to sabotage yjh specifically. its just funny if this happened. you understand

instead of having reader-related skills and abilities, yjh's skills are video game player based! he gets flavor text insight on people, location, and items, things like that. notably, he has the ability to reset, to bring himself back to the beginning of the apocalypse

orv swap proper follows yjh as the Player of the Game (Consumer of the Narrative) who lives hundred of lifetimes in this ruined-world-become-reality "replaying" [read: time looping through] the game to reshape it to save his fave character from self implosion (kdj with no dissociation is very prone to dying. all the time.). to revisit the idea of playing with yjh and the idea of agency, of creation, the only way to get past the apocalypse is to go off the beaten path, to choose options that weren't even there in the game. when in space, at his darkest point, yjh becomes a writer. in this story, at his darkest point, he has to become a creator too

please do not ask me how the epilogues go i dont know how the epilogues go (i don't want to throw yjh back into a train for milennia after he Just went through a thousand resets so i'm sending kdj for that but i havent fully planned how or why)

anyways, hope that helps!!! :)

[just-sp-in-inginthevoid]

"Takeomi is Sanzu&Senju's half-brother" headcanon, sure

But is the Akashi grandmother biologically related to him or not... Hm....

[dan-crimes]

Also it's kinda funny realizing just how much people do NOT pay attention to you in day to day life cuz my sibling that I have known for 16 years and have lived under the same roof for all that time is only NOW starting to notice how strangely I move and talk like my body language, the way I say shit is constantly changing, but like in a consistent way

Like of course it's normal to me since I'm the one doing it so of course I know I'm doing it, but other people just really haven't noticed how odd I am lmao

[hyperfixation-or-death]

Thinking about a Parallels AU where the main four + Camille are all different ages at the start of the show, and all the dynamics are different because of it.

The only main characters who have met at the start are Sam and Victor, and Sam and Bilal.

Sam is fifteen years old, so he's the closest to his canon age.

Victor is nine years old, so he's the youngest by a lot in this.

Bilal is thirty years old, and he's working with his mom on the tests. He also tutors Sam in math on the weekends.

Romane is nineteen years old, and hasn't met any of the other main characters.

Camille is nine years old, and she and Victor go to the same school.

Episode one starts when Sam is supposed to go to tutoring, but ends up needing to bring Victor with him, because their parents weren't able to pick him up from some activity or other.

I haven't figured out how they get to the woods from there; for the sake of convenience, let's say that cat Romane and Camille feed shows up injured, and they end up following the cat to try and help it? Work in progress.

Anyways, once they're close to the bunker, they run into Romane. Assuming we're going with the cat plot device, because I can't think of anything else right now, Romane was also trying to find the cat. The cat is gone now, though, and they're all about to turn back.

Then Victor notices the bunker (the key is in the door, idk), and wants to go inside. Sam and Bilal don't think it's a good idea, but Romane also wants to go inside for some reason, and the four end up going to check it out.

The test goes off, of course, and the timelines split.

Timeline 1 - Romane and Victor are left in the bunker.

Victor definitely blames himself for the disappearances, since he was the one to suggest going in the bunker in the first place. Romane also definitely blames herself for the disappearances, since Victor is nine years old, and she should have known it was a bad idea, but she didn't, and now this kid's brother is probably dead because of that.

Romane ends up talking to Victor afterwards, and realizes that he goes to school with Camille. The conversation turns to that, and Victor mentions that he's not doing great in some subject or other; a subject Romane happens to be good at. Feeling like it's the absolute least she could do for him, she offers to help him with homework after school.

Since Victor is literally an elementary school child, his parents are not sending him to boarding school. They do become increasingly distant and harsh, and Victor becomes increasingly convinced that they don't care about him.

Victor ends up spending a lot of time at Romane and Camille's house. At first, it's just because Romane's helping him with homework. Then it sinks in that no one else understands what happened in the bunker, and that fact starts playing into their dynamic. Then he starts to become friends with Camille. By the time four years have gone by, Victor and Camille are close friends, and Romane sees Victor as another sibling. (She hasn't moved out yet because a. She's attending university nearby. and b. She doesn't trust Herve and wants to keep an eye on her family.)

Then Vanessa Chassangre dies, and Romane is faced with the possibility of losing her sister. She's trying to figure out if she has any chance at getting custody, when Victor shows up to ask if she wants to go back to the bunker. Neither of them have figured out the correlation with the test in this AU, but they still go, out of sentimentality and curiosity and several other complicated emotions.

Test happens again; Victor and Romane time travel.

Timeline 2 - Romane and Bilal are left in the bunker.

Bilal connects the dots between the tests and the disappearances pretty quickly. He tells his mom. Then he tells Romane.

Bilal decides to try and find a way to save Sam and Victor. This time, it's less out of personal grief and more out of a sense of responsibility for what happened and guilt.

Romane graduates high school feeling completely lost. She doesn't know what she wants to do with her life, and she can't shake the guilt over what happened.

Haven't planned it out too well, but Bilal and Romane stay in contact. I'm not sure how it's going to work, but he's able to get her accepted for an internship at some point, and she ends up working with Bilal and Sofia.

The three of them continue to work at the time travel. Along the way, Romane becomes close with both Sofia and Bilal, viewing them as family.

Vanessa dies; Herve tries to take Camille. This time, it doesn't work. Romane has a support net, a steady income, and a future in the physics field. Romane gets custody of her sister.

They figure out the time travel. Bilal decides to go back.

Timeline 3 - Sam is left in the bunker; Bilal travels back to this one; Victor and Romane travel back to this one.

Since Bilal was already an adult before the time travel, Sam still recognizes him. He's clearly aged several years, though, which everyone is very confused about. Bilal has his canonical memory loss.

Idk what happens for the first day, but then Romane and Victor show up to the timeline at the same time they do in canon.

I haven't thought about how the plot changes from there, but the timeline where Victor kills Sam and then disappears after time traveling again doesn't happen. The official explanation is that they're able to stop it from happening the first time; the actual explanation is that I can't keep track of that many timelines in an already complicated AU.

Notes on the AU:

Camille ends up being there for the finale's events, both because she's a little older in the AU and because she's friends with Victor in the AU, so she insists on coming with the main characters.

Victor's emotional conflict ends up being roughly the same, because on the one hand, he's had more of a support net for those four years, but on the other, he's younger with more intense emotions, so it all kind of evens out.

For obvious reasons, none of the canon romantic relationships exist, with the exception of Sofia and Lieutenant Retz.

Obviously lots of things are different with this one, but I can't really think of a lot right now because I'm tired, so I might add to this later.

[dragons-and-yellow-roses]

Guess who applied for college??

[zemnarihah]

man

[keeps-ache]

[uses the word 'image' five hundred thousand times]

[arolesbianism]

Sometimes I worry that I make my worldbuilding in stories too edgy and dark but now in those moments I can simply remember project moon exists and live in peace knowing that I can do whatever the fuck I want and that I in fact need to get more batshit with my worldbuilding