#at this level of the atmosphere

[heatheniousmaterials]

In case anyone is wondering how it's going in California...

[bluehoodedmousebane]

Started playing Halo 3! Nobody told me about the flood stalkers. GIRL HELP.

[gummi-ships]

Kingdom Hearts - End of the World

[ryllen]

penny alex is a good ship, i feel it in my bones - - - - - [ the real fuel is of penex is @ stardewsally ]

[ruporas]

can’t help falling for you

[demynom]

The thing about the ffvii remakes is that you will enjoy them more if you’ve played the original. You will also hate them more if you’ve played the original. It is impressive.

[pikkish]

I thought it was hilarious, at first, that everyone’s decided Doomguy is still the protagonist of MyHouse.wad. After all, it doesn’t really have much more to do with Doom than gmod has to do with Half-Life 2. But then I remembered, isn’t that a plot point of Doom II? Visiting the burnt out ruins of your hometown on your way to the portal to Hell? Why couldn’t Doomguy take a few minutes to have a nightmare of an emotional journey in a childhood friend’s home to come to terms with everyone and everything he ever loved being destroyed?

[fictionadventurer]

Maybe love triangles work better in classic books because, well first off, because sex isn't really mentioned. Most people's complaint about YA love triangles is that it devolves into "I can't decide which one is hotter." Physical attraction is an element of romance in classic literature, but it's rarely the only one, and you're not going to have the same kind of in-depth descriptions of how standing near a guy causes heat or tingling sensations or whatever. Physical attraction in classic literature is more about what draws someone to another person, while the YA approach is more often about the feelings the other person causes within you, which makes the YA approach feel much more self-centered.

But I also think the different approaches to courtship may be a factor. The other big reason people hate YA love triangles is because the girl is "stringing along" two guys and "not making up her mind." This seems to be tied to assumptions of dating culture--even in the exploration stage when a girl isn't thinking about lifelong commitments, she needs to be in an exclusive relationship, otherwise she's being emotionally unfaithful. (And if she's kissing two separate boys, she's straight-up cheating).

In a lot of classic literature, the relationship only becomes exclusive during the engagement. Before that, the woman is just living her life, meeting men who could be romantic options, but not necessarily pursuing any individual one. She does have to be careful so guys don't interpret her behaviors as romantic interest, because it doesn't take much to be seen as flirtatious and "drawing men in". But she can still be around multiple men and getting to know them without it necessarily feeling like she's "stringing them along". (And she's not likely to be kissing these guys the way a modern YA heroine would). This gives her more opportunity to slowly get to know these guys without being pressured to choose just one at this early stage.

[mrdrhenwardhykle]

Here's all three of these emotional losers (Affectionate)

[kavehater]

I am actually so sick of my tl on twt being flooded by complaints like be so freaking for real if you hate the game just leave stop playing it I promise it’s okay

[chatdae]

love how the older skaters in the senior division give Yurio encouragement and that each time it pisses Yurio off. JJ is intentionally condescending so that makes sense, but with Viktor and Yuuri they're not even being condescending. Yurio's just dialed in on being a hater... and i love that for him <3

[s0fter-sin]

i’ve stopped expecting interesting animation from bones. the star and stripe fight is cool but like every other fight/moment in mha, it’s only cool bc the source material itself is cool; bones does nothing to elevate the manga

they rarely try to experiment with colour and style. i saw so many colourings of the moment star and stripe made a giant version of herself out of the air; people made her look like a cosmos, like it reflected and bent the sky around her, doing so many inventive things and for the anime to just make her an outline against that godforsaken sky? i’m disappointed

but people will take me saying i’m disappointed and spin it to me saying the fight was bad. it wasn’t, just like most fights and moments in the anime aren’t bad but that’s all bc horikoshi knows how to draw. they never do anything beyond that; they never try and adapt it. whether it’s bc of time, direction, budget, or what have you, they will never do something truly inventive with their colouring

i’ve said this before and i’ll say it again, it’s not just that the sky is blue; it’s what the blue sky represents and that is an unwillingness to broaden their colour palette or atmosphere to support the changes in the tone of the story. the story isn’t just “will midoriya get into his dream high school and achieve his dream job?” it’s child abuse and societal systems and their dysfunctions, it’s racism and morality and is it right to try and save someone who’s determined to destroy the world just bc they are also a victim?

look at the finale of atla, a show that mirrors the narrative tone of mha; it starts out bright and colourful and vibrant to match the happy and small stakes nature of the story and as the tone of the story changes, the environment changes to reflect that. the siege of the north pole? everything goes blood red when the moon spirit is threatened, then goes completely desaturated when it is killed with only fire bending having any colour. the day of black sun? uses a solar eclipse to change the lighting. the entire sozin’s comet fight? has red skies and lighting to show the threat

bones abject refusal to change anything about the art itself is a detriment to horikoshi’s complex narrative

[posthumanwanderings]

undefined

[ Skies of Arcadia - Ice Dungeon (NoPlay) ]

[jollycryptid]

I beat Signalis finally

I will never be the same

[asjjohnson]

The ability to fly would open up a new dimension to explore (in the mathematical-physical sense—we already know Danny had opened one up in the other sense). Think of how much Danny would notice that no one else would?

Think of bees. (Not so much birds, because we see birds all the time, and also because they don't seem quite as graceful and maneuverable as bees.) When I did a search for how high bees can fly, I found something that said bees could fly higher than Mount Everest (little edit: may've misunderstood what it meant. They might not've been found flying that high after all, just that 'they could'). Bees can go anywhere they want, just for fun.

We as humans tend to (for the most part) view the world as six feet high. Anything six feet or under, we know about (or possibly up to eight feet. But it's not much higher than our height). And we don't really realize we're thinking this way.

Sure, we can look upward, we can see treetops from a distance, we can see what the sky looks like. But it's from the perspective of looking up from a distance. Our worldview is colored by looking up from six feet or less.

It's a flat surface. Despite us knowing it's not flat, we don't really internalize it as being 3D and navigable. And we also don't realize what's up there. Who would ever imagine there were bees buzzing around the top of a 200 foot tree? To get to flowers we didn't even notice were up there?

And, yeah, we have planes, but they fly in a set path and you can only look down at the very distant ground. Helicopters are probably more similar, but not many people fly or ride those.

But Danny... after the accident, he would've started out sticking close to the ground a lot, but as he started getting more comfortable with the ability to fly, his worldview probably would've changed gradually. From his preconceived idea of 'the world is six feet or less' to 'the world is spacious and easily explored and so very 3D'.

There's an episode where he's vacuuming the living room ceiling—as though he thinks his parents will notice that it's cleaner than before. And though I understand the 'I have to clean everything so I don't get in trouble' impulse better than I should, there's a chance it's partly from Danny seeing the house differently than before. The ceiling becomes just another wall for him. ...One that he might clean often when he has cleaning chores, because he's going to notice all those spiderwebs and cobwebs, and the little bugs gathering in the light fixtures.

(...He probably would realize the ground is also navigable at some point, too. Think of all the tunnels and moles and snakes and other creatures he'll see, and all the plant roots and such.)