#assamese movies
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Kothanodi (2015) | dir. Bhaskar Hazarika
#kothanodi#kothanodi 2015#Bhaskar Hazarika#indian cinema#assamese cinema#films#movies#cinema#world cinema#cinematography#2010s#2015#south asian cinema#asian cinema#indian movies#assamese movies#aesthetics#aesthetic#cinephile#film scenes#movie scenes#indian films#assamese films#moon#horror#horror films#horror movies#indian horror
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From the movie, ‘Kothanodi’ (2015)
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Check out this post… "শ্ৰী শ্ৰী মাধৱদেৱ: প্ৰসংগক্ৰমে".
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I need to get on top of my letterboxd game again. I haven't updated my favorites in over 2 years.
I want to add an Indian movie to the mix, either tumbbad or this Assamese movie I have been meaning to watch since forever.
#letterboxd#movies#cinema#possession 1981#possession#in the mood for love#wong kar wai#heathers#audition#desiblr#indian cinema
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https://youtu.be/GS5Ib5gyv9c?si=MbNcNR3xztaE52E-
I want you to watch this movie so we can talk about its crackships and shit ☠️
(if you have already then even better!)
i have started it and i will complete it hopefully within today but oh my lord 😭😭😭 assamese movies are something ELSE
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do u have any movie recommendations? I trust ur taste and ur taste alone
omg anon,,, thank u. i will try not to disappoint you. i have zero idea what you are in the mood for, so i will just go for the ones i think about daily. fair warning though, almost every good movie that i love and that lives rent free in my mind is from south asia.
Karnan: this movie has seriously been living rent free in my mind since 2021. it's. SO GOOD. warning for police brutality and caste based violence, though. but it's so good, and so worth it, so well fantastically well made. shockingly i haven't seen mari selvaraj's other film, Periyerum Perumal but this one. oh fuck. for a little bit of context, the movie is about these two villages who have a lot of inter caste disputes (while both are oppressed caste communities), and our titular hero's village, Podiyankulam is constantly denied a bus stop. it is such a good think piece on the ways in which caste violence is facilitated, the streams and rivers of oppression that prevent a people from living better lives. so SO good. i think its available on prime.
Village Rockstars: completely a different movie, but this movie is genuinely so loveable. it's about this one girl in a small assamese village who REALLY wants a guitar. it's a very slow moving movie, with some of the most beautiful shots of the director's own village. it's so evident the director just went "you have no idea how beautiful my village is. let me show you," and then infused the film with love from every angle. this one might be on netflix or prime, but one of them will have it.
Made in Bangladesh: this movie is not going to be available anywhere, so if you want to watch it, hmm. well. i shant say. i think the title says it all, but it's about a group of women working in a garments factory in Bangladesh and how they try to unionise. it's not a sob fest, it's not giving you scary facts about what you already know, but it is telling you how difficult it is to ask for anything when you are working in these conditions. again. fantastically made.
Tumbbad: horror movie. upper caste greed. a witch out of which a tree grows. a horrible, monstrous little creature. the sins of fathers passed on to their sons.
The Great Indian Kitchen: i love south indian food. not after this movie though. as my friend cherry says, "south indian traditional food basically means a woman cooks for five hours in the kitchen while the men relax." it's so damn GOOD though. the food i mean (also the movie, but fr). have you had an appam anon????? best thing i tasted since cream buns from sunder bakery. anyway this movie is another horrifying one, you should definitely watch it. it's so good. it tells you so much about the emotional and physical labour women do.
Wade: i can't believe i almost forgot wade, here it is. it's a short ten minute animated movie that put the fear of god in me. about climate change, if you can guess by the name. the sunderbans have been flooded, and if you can imagine what happens next, no you can't.
Jab We Met: okay enough of this depressing shit. also absolutely no one is allowed to judge me. i would die for this movie. i would kill for this movie. legally, if you shame me for this, i'm allowed to murder you. also i KNOW i know it has a manic pixie dream girl but he manic pixie dream girls her RIGHT BACK. i rest my case. also the songs are awesome. this is more traditional bollywood, and i have no regrets.
Jodhaa Akbar: what? i KNOW, i know it is sanitising a story to make Akbar look like the good mughal, i KNOW ruqqaiya begum was akbar's first wife not jodha, i KNOW fatehpur sikri wasn't even made when this film is presumably set, but the VIBES. the vibes are IMMACULATE. Jodha watching Akbar as he swings his sword in the sunlight??? their duel???? the flowers he throws on her??? kill me. kill me now.
Your Name: okay we all know the joke Shinkai can only make one movie but this first one. it had something. also i'm a sucker for the red string of fate. otherwise it's a very standard body swap movie but it's SO GOOD, and as it goes further some of the most amazing animation also happens.
you know i can keep going, i didn't even mention the lunchbox or kumbhalangi nights, but i guess we shouldn't discriminate against the white people
Knives Out: please,,, i know its the movie of the year on tumblr but,,,, so good,,,,,. maybe i'm just a loser who has read too much christie in my life, but i love that the christie style detective is back!! the country house murder, the fantastic way johnson used narrators in the film.... immaculate. christie would be proud. also i know it gets flack for not being as sharp a critique as it could be (i think rightfully, that criticism is for glass onion. i liked it A LOT for a murder mystery, but its politics are duller than the first one's), but it's not a movie about race and class inequality. it's a movie about a murder. johnson just really accurately diagnoses the underlying issues through which a murder happens. also im a BITCH for a classic murder mystery.
Ernest and Celestine: a lovely animated movie about a friendship between a bear and a small mouse, who are supposed to be mortal enemies. also the animation is lovely, did i mention the animation is lovely?
Pride and Prejudice, 2005: you can't come to me for recs and not expect it to be there. i mean, the movie is a masterpiece.
oh i can't think of anything that you guys wouldn't have already heard of.... but i do love How To Train Your Dragon, and Into the Spiderverse. i will go insane when the sequel for the second one comes out. i LOVED Palm Springs when i watched it. OH Emma 2020 really delivered. Do Revenge was amazing too!! im sorry i have less to say about the white people movies......
oh. three white people movies that i genuinely cannot get out of my mind: A Few Good Men, The Scent of a Woman and My Cousin Vinny. make of that what you will.
#hello void this is ridiculosity#south asian cinema#movie recommendations#what can i say? im a basic bitch#the people??? want me to answer???
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6 Questions
Tagged by @memaidraws and @dirty-bosmer i love you both!
Last Song: Jaibhim Anthem by The Casteless Collective
Last Show Movie: I haven’t finished any show recently haha, but I did attend a screening of Nanpakal Nerathe Mayakkam this Friday. Highly recommended!
Currently Watching: I have a whole bunch of shows on my unfinished list but I’m not actively watching anything. So I will answer with another movie, Aamis (The Ravening), a rather riveting Assamese film I’ve been watching in bits this weekend.
Currently Reading: Aside from what I’m reading for work, I’m shuttling between Sarah Waters’ Fingersmith, and Shoshana Zuboff’s The Age of Surveillance Capitalism
Current Obsession: I have like five of them at once. Currently though I want to fight my writer’s block and get through my Morrowind longfic. My other obsession has been the extremely elaborate AUs @cumbiazevran and I have been making.
Unrelated Obsession: On a quest to find good fried mackarel in this city.
I’m late to this party so everyone who hasn’t done this already please consider yourself tagged and tag me! I’m nosy.
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Moina Kun Bidhatai Lyrics - Dr Bezbaruah 2
Moina Kun Bidhatai Lyrics from the Dr Bezbaruah 2 movie sung by Zubeen Garg & Indrani Talukdar is the latest Assamese song with music also given by Ramen Baruah. Moina Kun Bidhatai Lyrics are written by Dr. Nirmal Prabha Bordoloi. The music video featured Siddharth Nipon Goswami & Kingkini Goswami and it was released by Saregama Regional. Moina Kun Bidhatai Song Details: Song:Moina Kun…
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5 Surprising Ways South and Southeast Asia SHAPED Language Evolution!
Today, let’s dive into the fascinating world of the Indo-Iranian language family, a branch of the larger Indo-European family that has shaped the linguistic landscape of South Asia and even touched parts of Southeast Asia. So, grab a cup of coffee, settle in, and let’s explore this linguistic adventure together! First up, we have the Indo-Aryan languages. If you’ve ever traveled through India or even just watched a Bollywood movie, you’ve likely encountered these languages. They’re the largest and most widely spoken group within the Indo-Iranian family, and their story is one of migration, cultural expansion, and trade. Now, let’s talk about the Prakrit languages. These are the Middle Indo-Aryan languages that flourished in ancient and medieval India. Among them, Pali holds a special place, particularly for those interested in Buddhism. It’s the language of the Buddhist scriptures, and its simplicity and clarity have made it an essential part of spiritual study. Imagine monks in ancient monasteries, reciting texts in Pali, preserving wisdom that would transcend generations. Fast forward to today, and we have a plethora of modern Indo-Aryan languages. Hindi, for instance, is spoken by millions across India. It’s not just a language; it’s a cultural phenomenon. With its many dialects, including Hindustani, which serves as the basis for both Hindi and Urdu, it’s a vibrant expression of the diverse Indian identity. And speaking of Urdu, it’s fascinating how it shares roots with Hindi yet takes on a unique flavor with its Perso-Arabic script and influences from Persian and Arabic. It’s a beautiful example of how languages can evolve and adapt, reflecting the cultural exchanges that have taken place over centuries. Then there’s Bengali, the melodic language of Bangladesh and West Bengal, and Punjabi, with its rich traditions and scripts like Gurmukhi and Shahmukhi. Each language tells its own story, enriched by the history and culture of its speakers. Marathi, Gujarati, Odia, Assamese, and even Sinhala in Sri Lanka—all of these languages contribute to the vibrant linguistic mosaic of South Asia.
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Kalpana Patowary: A Cultural Icon of Assam
Kalpana Patowary, a trailblazer in Indian folk music, has captivated audiences worldwide with her unparalleled talent and devotion to traditional art forms. Hailing from Assam, Kalpana has become a voice for India’s folk heritage, blending authenticity with innovation. Her journey, from a small town to the global stage, is a testament to her unwavering dedication, immense talent, and the cultural richness she represents. This article delves into her life, career, and lasting impact on the music industry.
Early Life and Influences
Born on October 27, 1978, in Sorbhog, Assam, Kalpana Patowary was introduced to music at an early age by her father, Bipin Nath Patowary, a folk singer. Growing up in an environment steeped in the folk traditions of Kamrupiya and Goalporiya music, she developed a deep appreciation for the cultural roots of her homeland.
From the age of four, Kalpana began performing publicly, impressing audiences with her natural flair for music. Her early exposure to the nuances of folk singing laid the foundation for her illustrious career. To further hone her skills, she pursued formal education in music, earning a Sangeet Visharad degree in Indian classical music from Bhatkhande Music Institute University, Lucknow. This rigorous training equipped her with the versatility to explore various musical genres, blending classical precision with folk expressiveness.
A Breakthrough in Bhojpuri Music
Kalpana’s entry into the Bhojpuri music industry marked a turning point in her career. While her Assamese roots deeply influenced her early music, it was Bhojpuri that gave her the platform to showcase her versatility and creativity to a broader audience.
In 2003, her rendition of “Ae Ganesh Ke Papa” brought her widespread acclaim and established her as a leading voice in Bhojpuri music. Her passion for reviving folk traditions became evident as she delved into the age-old Khadi Birha tradition, a genre of Bhojpuri folk that narrates stories through songs. Kalpana not only revived these traditions but also modernized them, making them appealing to a younger generation.
Her dedication to promoting Bhojpuri music internationally earned her the title of the “Bhojpuri Queen”. Through her efforts, Bhojpuri music transcended regional boundaries, reaching audiences across India and beyond.
Musical Contributions Across Genres
What sets Kalpana Patowary apart is her ability to navigate multiple genres and languages. She has sung in over 32 languages, including Assamese, Bhojpuri, Hindi, Marathi, Bengali, and even English, showcasing her versatility as an artist. From soulful folk renditions to energetic Bollywood numbers, Kalpana has proven her mettle time and again.
In Bollywood, her powerful voice resonated in songs like “Gandi Baat” from the movie R… Rajkumar and “O Re Kaharo” from Begum Jaan. These songs not only showcased her ability to adapt to different styles but also highlighted her emotive depth and vocal prowess.
Her collaborations with renowned composers and musicians have further enriched her repertoire. Kalpana’s music is not confined to a single genre; rather, it embodies the diversity and dynamism of India’s musical heritage.
Championing Bhikhari Thakur’s Legacy
One of Kalpana’s most significant contributions to Indian folk music has been her efforts to revive the works of Bhikhari Thakur, often referred to as the “Shakespeare of Bhojpuri literature”. She has dedicated a considerable portion of her career to bringing Thakur’s compositions and narratives to life.
Through her renditions of Thakur’s songs and her efforts to popularize his plays, Kalpana has helped preserve an essential part of Bhojpuri culture. Her work has sparked renewed interest in the literary and musical traditions of this region, inspiring both artists and scholars.
A Global Ambassador for Folk Music
Kalpana Patowary’s commitment to folk music goes beyond performance. She has emerged as a global ambassador for Indian folk traditions, performing at international festivals and collaborating with artists worldwide. Her unique ability to blend folk elements with contemporary styles has garnered her a diverse fan base and critical acclaim.
By bringing regional music to international platforms, Kalpana has elevated the status of Indian folk traditions, proving their relevance in today’s globalized world. Her performances have not only entertained but also educated audiences about the richness and diversity of Indian culture.
Challenges and Triumphs
Kalpana’s journey has not been without challenges. As a woman navigating the male-dominated world of folk music, she faced skepticism and resistance. However, her talent and determination helped her overcome these barriers, earning her the respect and admiration of her peers and audiences alike.
Her success serves as an inspiration to countless aspiring artists, particularly women, encouraging them to pursue their passions and break societal norms.
Legacy and Continuing Impact
Today, Kalpana Patowary is more than just a singer; she is a cultural icon. Her efforts to preserve and promote folk music have left an indelible mark on the Indian music industry. By staying true to her roots while embracing innovation, Kalpana has carved a unique niche for herself.
Her legacy is not just in the songs she has sung but also in the awareness she has created about the importance of cultural preservation. Through her music, Kalpana has reminded us of the power of art to connect people, transcend boundaries, and celebrate diversity.
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Kothanodi (2015) | dir. Bhaskar Hazarika
#kothanodi#kothanodi 2015#Bhaskar Hazarika#Zerifa Wahid#indian cinema#assamese cinema#films#movies#cinema#world cinema#cinematography#2010s#2015#south asian cinema#asian cinema#indian movies#assamese movies#aesthetics#aesthetic#cinephile#film scenes#movie scenes#indian films#assamese films#moon#horror#horror films#horror movies#indian horror
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Assamese Film Fraternity Under Fire: Trading Scam Probe Widens to Include More Artists | People News
New Delhi: Following the alleged involvement of controversial actress and choreographer Sumi Borah in the multi crore online trading fraud, more people from the Assamese movie industry are set to come under the scanner of the investigating team, an official said on Monday. The Assam government has formed a Special Investigation Team (SIT) to probe the case while the Enforcement Directorate (ED)…
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DAY Two
Amguri, Sivasagar. 21st July, Sun, 11:50 PM
বিদুৰভাই
What a movie! Mesmerizing performance by the actors. Beautiful cinematography, amazing sound quality. Proud to be an Assamese.
Kudos to Bidurbhai team🤞🏻
জয় আই অসম..✊🏻
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Assamese movie bidurbhai releasing tomorrow http://dlvr.it/T9mLwq
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Top 10 Easiest Languages to Learn Quickly
Are you excited to learn a new language in India but want something easy and quick? You’re in the right place! In this blog, we present Top 10 Easiest Languages to Learn Quickly. Choosing an easier language can make your learning journey fun and effective.
Hindi: As one of the most spoken languages in India, Hindi is easy to learn. It has a lot of shared words and grammar, making it accessible. Plus, it opens the door to Bollywood movies and literature.
Bengali: With a simple script and straightforward grammar, Bengali is another great choice. The rich culture of Bengal offers many resources for practice, making it enjoyable to learn.
Punjabi: Popular in Northern India, Punjabi has easy pronunciation and grammar. The lively Punjabi culture, with its music and dance, makes learning this language fun.
Gujarati: Gujarati's phonetic script and clear grammar make it beginner-friendly. Learning Gujarati can help you connect personally and professionally in Gujarat.
Telugu: This Southern Indian language has simple sounds and easy grammar. Telugu's rich cultural background adds depth to your learning experience.
Marathi: Spoken in Maharashtra, Marathi has a simple structure and many similarities to Hindi, which makes it easier to learn.
Tamil: Although it has a unique script, Tamil's consistent grammar rules make it easier for beginners to learn.
Malayalam: Known for its phonetic nature, Malayalam is easy to pronounce, helping new learners gain confidence quickly.
Odia: With straightforward grammar and pronunciation, Odia is another accessible option for beginners in India.
Assamese: This language has a simple script and shares similarities with Bengali, making it easy for new learners.
In conclusion, Top 10 Easiest Languages to Learn Quickly highlights languages that are fun and simple to master. Whether you choose Hindi, Bengali, Punjabi, or any of the others, starting with an easier language will boost your confidence and lead to a successful learning experience.
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