#asm

[cada4us]

peterjohnny/spideytorch sketch!!

[santanartista]

LOOK OUT!

[architect-of-the-last-act]

Jeremy Von Neuschwanstein and Shuli Von Neuschwanstein || On the quiet, all-consuming loves that toe between companionship and romance, grief and simple happiness, with the tragedy hanging over their heads and the need to be better, and thus shouldn't be acted upon.

Illustrations from A Stepmother's Marchen / Hedgehog's Dilemma, Wikipedia / Waiting Room by Phoebie Bridgers / A Poem From The Adult Daughter To The Narcissistic Mother by Katherine Fabrizio / People Will Say We're In Love, Oklahoma! / Twilight by Stephanie Meyer / tumblr post by starpeace / The Cart by Mary Reufle / Haiku [for you] by Sonia Sanchez / Close to You by niki / Spend Some Time by Eminem / Every Day by David Levithan / Unknown / In a Dream You Saw a Way to Survive by Clementine Von Radics / Anchorite (Love You Very Much) by Car Seat Headrest / Unknown / Biotherm (for Bill Berkson) by Frank O' Hara / New and Selected Poems Volume 1 by Mary Oliver / tumblr post by chateauofmymind / Unknown / Kate McGahan / Waiting by Caitlyn Siehl / P.S. I Still Love You by Jenny Han / Miss Peregrine's Home For Peculiar Children by Ransom Riggs / tumblr post by poetrylovesongs, / The Best of Me by Nicholas Sparks / song for a lover (of long ago) by Bon Iver / please don't forget me and all the things that we did by Isaac Love / The Sea, the Sea by Iris Murdoch / The Winner's Kiss, Marie Rutkoski / In another universe by Dana Lee / The Crucible: A Play in Four Acts by Arthur Miller / Two Slow Dancers by Mitski / Maybe In Another Universe, I Deserve You by Gaby Dunn / Next Time by Team StarKid / Jonathan Carroll / The Moon Will Sing by The Crane Wives / Pyrrhic Victory, Wikipedia / Raushan Ranjan / All My Pretty Ones by Anne Sexton / Your Best American Girl by Mitski / twitter post by fran (galacticidiots) / War of the Foxes by Richard Siken / Crush by Richard Siken / The Garden of Eden by Ernest Hemingway / twitter post by mountain. (sainticide) / The Unabridged Journals Of Sylvia Plath by Sylvia Plath / Crescendo by Becca Fitzpatrick / SANDARAFREEDOMPARK / Unknown / Unsent Project / twitter post by aiman (dumbsoftheart) / there is no absolution for the fallen, only the dying by p.d / Unknown / Someone New by Hozier / Cassandra: A Novel and Four Essays by Christa Wolf / A Self-Portrait in Letters by Anne Sexton / Unknown / “I get so jealous of euthanized dogs” by June Gehringer / Wuthering Heights, Emily Bronte

[vertigoartgore]

Countdown to Amazing Spider-Man #1000/36 (2026) : 2003's Amazing Spider-Man #500 page 9. Words by J. Michael Straczynski, art by John Romita Jr., inking by Scott Hanna, coloring by Avalon Studios, lettering by Randy Gentile and edited by Axel Alonso. Source

[dyinggirldied]

Wearing the commander coat

[fikret-i]

Kandil zaten mübarek olur.

Allah kandil vesilesiyle bizi mübarek kılsın inşallah.

Yâ Erhamerrâhimîn! Bu Resul-i Ekrem'in (A.S.M.) hürmetine, bizi onun şefaatine mazhar ve sünnetinin ittibaına muvaffak ve dâr-ı saadette onun âl ü ashabına komşu eyle!

[shxrry-blossom]

Ludovika’s face card is DEADLY

She is going to the most gorgeous woman list immediately

[hellzyeahthewebwieldingavenger]

Zeb Wells was never, ever QUALIFIED to write for Spider-Man. As in, if I was hiriing for the job of Spider-Man writer, he'd never have even made it to the interview stage.

See, I'm an old geezer Spider-Man fan. I was there back in the early-mid 2000s when Wells first came onto the Spider-Man scene. That was when he was younger, fresher, more full of energy and less cynical. And even then his stories were mediocre at best, mercifully confined merely to fill-in issues here and there.

Fill-in issues that weren't even on ASM but on the side-books like Peter Parker: Spider-Man and dubiously canonical anthologies like Spider-Man's Tangled Web. Beyond that, he did occassional mini-series and one shots.

His ONE legitimately good story was the origin of J. Jonah Jameson, a single issue in which Spider-Man himself barely ever appeared. That was around 2004(ish). Zeb Wells unironically peaked on Spider-Man 20 years ago and it wasn't even a particularly high peak either. It was more like a small hillock.

Sure, he finally got to write ASM between 2008-2010 during Brand New Day, but like...who DIDN'T get to write ASM back then? It was coming out 3 times a month with a rotating creative team, amongst which Wells was never touted as one of the superstar writers. Love or hate them, Dan Slott, Mark Waid, Joe Kelly, Bob Gale, and even an out of retirement Roger Stern were who the Marvel promotional machine hyped up. Again, love or hate them, back in 2008-2010 these were BIG names to suddenly be working on Spider-Man. In other words, when Wells finally got 'promoted' he was essentially a mere fill-in writer AGAIN.

That being said, he did get one really big chance to bat when he was tasked with doing the biggest Lizard story of all time, 'Shed'. Reinventing a classic Lee/Ditko villain. Leading directly into Grim Hunt, the storyline that was the culmination of much of what BND had been building towards? Writing a story that was going to be one of the last in the BND era in fact? This was Zeb Wells' shot to make a name for himself in the annals of Spider-Man History.

And he succeeded! By which I mean 'Shed' was debated as potentially one of the all time WORST Spider-Man stories ever, and unquestionably the worst Lizard story there had ever been.

Shed was to Curt Connors what One More Day was to Peter Parker. A nonsensical plot geared towards a complete and utter character assassination. We are talking about a story with cannibalism, fratricide, potential sexual assault, vomit inducing art and egregious continuity fuck ups to the point where even the very first Lizard story directly contradicts it. This story was SO bad that even a manchild crybully troll like Dan Slott tried to walk it back, doing no less than 2 stories across 5(ish) years in which he cleaned up some of the mess Wells had left. Further repairs were applied during Nick Spencer's run, in particular during 'Hunted'. Yes, 'Shed' was so godforsakenly terrible it took multiple stories across almost 10 years to fix it.

THIS was the guy Marvel picked to be the 'main writer' during the Ben Reilly Beyond era, aka Brand New Day 2. His 'promotion' was to be brought out of Spider-Man writer's jail (where he belonged) so he could once more be the rotating writer in a tri-monthly set up. Except now he was to BND2 what I guess Dan Slott had been to BND1.

The difference being that BND1 had more writers and many/most of them had WAY more status to their names than any of the BND2 writers. Like, it is ridiculous to suggest Kelly Thompson or Saladin Ahmed in 2021 were anywhere near the Big Name status Mark Waid or Joe Kelly enjoyed in 2008. Even Slott back then, who hadn't yet become AS big as he would later (undeservedly) be, was still someone most of the fanbase had WANTED to write for Spider-Man for a good long while before then.* Wells was now simply swimming in a much smaller pond, his seniority being the microscopic edge he had over Thompson and Ahmed.

And yet, Chip Zdarsky when he took over Spectacular Spider-Man had way less experience than Wells had with the character. Nick Spencer too, he'd mostly just written a great mini-series in Superior Foes of Spider-Man. And of course, Roberto Aguirre Sacasa had never written Spider-Man when he was hired in 2006. Neither had Paul Jenkins in 2000. Neither had JMS in 2001. Love it or hate it, Marvel are not opposed to hiring new blood, untested blood even, for ASM or other monthly Spider-Man titles.

So, you have to wonder, why DIDN'T the younger guns Kelly Thompson , Saladin Ahmed or any other fresh blood take over after the Beyond era? Why CHOOSE Wells when he's been hanging around the block for about 20 years?

Incompetence? Yes...but also because it is patently obvious that NO ONE ELSE WANTED THIS JOB!

Wells was not hired because of his talent. He was hired because Marvel were DESPERATE. As they say, any port in a storm, right?

Because of their dogmatic enforcement of the post-One More Day state of affairs, because of how they treated Nick Spencer as a result of that, because of their general incompetence in running their entire company for the past 15+ years, Marvel have burned their bridges with too many creators. The anti-OMD writers don't want the job because they naturally want to undo OMD. The pro-OMD/neutral writers don't want the job because the fanbase naturally will yell at them for enforcing the post-OMD status quo. And neither want the job because the blatant interference Nick Spencer endured is gross and not worth the hassle, not when substack, indie and possibly even other editorial departments at Marvel/DC are options for them.

Shit, when you really think about it, Zeb Wells isn't the fundamental problem. He is just the latest symptom of it.

*Not me. In 2008 I wasn't opposed to Slott writing ASM per se. But his work on She-Hulk and Spidey-Torch, whilst good in their own right, hadn't hypnotised me into thinking he was obviously be a great fit for ASM. Unfortunately, most people were hypnotised.

[sharkwing]

“JJJ does something nice and the other characters look at him like he’s a horror movie monster” is one of my favorite running gags.

[butchpeterparkr]

One of the great art forms of the 20th century, everyone.

ASM #357 - Writer: Milgrom, Layouts: Bagley

[cada4us]

i like spider-man unfortunately

[radiumcraze]

[lady-nuggetz]

Happy thanksgiving, eat my yumeship content immediately.

I literally JUST watched Amazing Spider-Man with my cousin I'll never become tired of Peter, my love. 🩷

Pose is from Min_ble on Twitter!

[santanartista]

MEET PETER PARKER: THE RADIOACTIVE SPIDER-MAN!

[that90ssmshow]

Here’s your daily reminder that comics were always political

[sweetstarfalls]

I think, instead of slandering jershu shippers, the ASM fandom should unite against the common foe: Richelieu and Shuri shippers.