#as much as one can in these trying times (vods/videos being taken down)

[urfavcrime]

LMAOOOOO Clem you're back into the dsmp? do you remember being like 'that was a dark time I'll never return to...' and then you were like 'okay I'm rereading the fanfic just because its so good though..' and now were here. you can never truly stop thinking about those little guys.

LEAVE ME ALONEEEE I HATE YOU. yknow what? its fine. that means i got over my internalized dsmphobia.

[piningpebbles]

the dream smp journey: attempting to make the lore of the dream smp more accessible.

so back when i first wanted to get into the dream smp i had absolutely no idea where to start. i asked some people and they told me pretty much “look up dream smp + [insert youtuber name] and start there” and so i did, but i quickly came to realize how much i was missing from the story by not seeing all the different points of view.

so i decided to make my own playlist.

it was just for myself at first, but as i got more obsessed with the story, i also gave the link to some friends of mine so they could have the full experience, and they loved it. so i kept updating it.

my goal was to try and make a capsule of the entirety of the lore on the dream smp across almost every single POV, because while i do appreciate those who make recap videos, they always miss something and it’s usually with peoples’ POV who aren’t considered to be “main characters” which sucks because one of my favorite things about the dream smp was how everyone was their own main character with their own individual storyline you could get invested in.

i’ve seen every single video in the playlist, and did my absolute best to discern what should be included and what didn’t need to be. 

for instance, while i personally enjoyed streams where they’d just goof off, this is a lore-centric playist so i didn’t include all of them unless one of the jokes or such gets mentioned/becomes important later on. or if there is a lore event happening but two people have almost identical streams to one another then i decided between the two of them which one to keep. or if the cc themself made an edited version of their experience, i would decide whether to go with that or keep the original vod

it’s far from perfect. i tried to keep up with it as long as i could I STILL HAVE VIDEOS IN MY WATCH LATER THAT I PLANNED TO ADD but simply put while the dream smp storyline got longer and longer it became harder to keep up with. i watched pretty much all the streams when they happened but failed to update the playlist accordingly so right now it has almost everything up until ”Hitting on 16.”

i always wanted to finish it before i posted it, but i’ve been seeing people talk about how they miss the experience of watching the dream smp and while i obviously can’t provide the full interactive experience that the dream smp offered as it came out, i knew i couldn’t just keep this in my back pocket and thought i could at least offer a good chunk of the experience for you guys to still be able to keep!

here’s the playlist, spanning over 300 videos.

there’s also a semi-canon playlist (not nearly as thorough) for events that get mentioned by the cc’s a lot or are just cool to have and i wanted to include them somewhere so here it is also!!

to go along with it i also made a masterpost (can you tell i love making lists) which is what every single video on the playlist is supposed to be (and was last i checked, but videos get taken down every so often so there might be a couple missing here and there).

i hope to update this one day and have it fully finished, but with my schedule (full-time college student babyyyy) and simply the hundreds of hours of content i’d need to sift through it just seems impossible (and frankly just really intimidating) to challenge alone right now. so i also wanted to give this to the community to maybe be able to do what i couldn’t!

my hope with this is that if someone in a year or two (or whenever really) is interested in the dream smp they won’t have to sit through recap videos and instead can watch the real thing in a single playlist connected to the doc. my dream is for the masterpost and the playlist to go hand-in-hand, being like a guide people can follow that would also link to other moments and lore that is saved but just not avaliable on youtube, so we don’t have all these moments just lost to time.

i want to make this collaborative, i’m hoping this will maybe spark others to share what videos/moments they have saved and stored with each other for the dream smp and maybe together we could complete this thing somehow!! make the playlist and masterpost i dreamed of (the one right now is scuffed, but at least it’s something). the dream smp is one of my absolute favorite pieces of media out there and i want to share this with people but (as you can probably tell) i have no idea what i’m doing!! any step to help make the story more readily accessible is a good one, though!

i know i’ve missed things but i’ve done my best. and while not the perfectly polished thing i hoped it would be when i sent it out to the world maybe it could be a good building block for the community to use. so please share this!! reblog it!! all that jazz!! i want this to be for everyone!!

anyways, this is a long post. but the whole reason i got into the dream smp in the first place was because of the awesome fan content i saw and this crazy and creative community and i want to be able to give back, if i can.

[wildpeachfarm]

Ok anyone else reading this who doesn't know me as well as Moku; all of this is the opinion of someone who's been watching Jacksepticeye and Markiplier since 2012/2013, and is also incredibly loud themselves. We're talking ultra stan, I've been to both of their youtuber liveshows and have signed merch.

Jack lost a little bit of relevancy. It's (mostly) not his fault, as time passes some youtubers fade or quit and while it's sad (thumps fist against chest then raises it to sky, Matpat Game Theory) it's the cycle of life, and the life of youtube is not something that can be kept up forever. Jack is not pulling the same views he used to- and to be fair to him he's not the only one, Mark also sometimes doesn't pull the same views, its the cycle of life. Not all of it is Jack's fault.

HOWEVER.

Jack did also shoot himself in the foot a little bit. He started doing less collabs, something that always helps with combating less relevancy. For comparison, Mark still does collabs all the time (tbf with the same two/three people, bob wade and ethan, but he still does them). Jack also started changing his content a few years back. Instead of just gaming videos, what he's always done, he started adding in react andy content- meme time reddit reactions, tiktok compliations, cringe comps, epic fails, that kind of thing. There's no harm necessarily in reaching out to try new content but it always does come with risk.

He also changed how he posts videos. Idk about yall but 30min to 1hr is my golden zone for videos. 1.5hrs max (or 3hrs max for a vod). He was/is uploading full games as 1 video. 4hrs plus. Saw one even that was 12 hours. Clickbait titles. Or titles that are just "(game name)- full game". For me this was a personal turnoff. I don't have the attention span for content that long.

He also, and this is the potentially upsetting part to people as I know my comments will butt heads with Irish culture and stereotypes, but like, he didn't "get with the times". The way he yells and overreacts in videos is very 2010 youtube era. Yes some of his volume control is due to being Irish, I get that, I also have volume control issues, but sometimes it's reminiscent of like. Jake Paul videos. Ricegum videos. Even with a nostalgia bias it's hard to swallow sometimes and I'll click back off a video.

For comparison, Mark still does (although limited) collabs, and interacts with other youtubers in the community. Mark has stuck to similar/the same content he's been known to make, and although he does branch out (A Heist, In Space, Iron Lung, sponsered videos, or other video game genres) he usually still sticks to what he's known for- horror video games, and has stuck to the same video lengths with only a few variations for reasons that are usually extremely understandable. And this is less of a fair comparison because Mark was never "loud" to begin with, so while he did tone himself down he did not have to tone himself down as much as Jack in theory would.

My speculation is that Jack is taking the "lost a little bit of relevancy" a little bit too hard, a little bit too personal, RSD style (we know for a fact he has ADHD). Whereas Mark (and again I'm trying to make this as fair a comparison as possible, Mark is also ADHD) hasn't taken it personally because he seems to recognize any loss in viewership is not his fault but rather just a fact of times changing and people growing older. While I can't recall if Jack has ever said anything on the same lines, I can recall Mark on multiple occasions saying he could never quit youtube or making videos, because even if he's "only making one single person happy with his videos, that's still one person he's making their day better". Less of a views thing for Mark, and more of how Dream sees videos and content creation- trying to bring joy and happiness to people. Idk if Jack has ever said anything like that, or if he has it's not something I can currently recall so it was likely a once-off, whereas I remember Mark and Dream saying those things because they've both talked about it multiple times.

Essay Andy Echo out.

This is so interesting, thank you Echo 🫶

[white-collar-cannibal]

!! mutuals who are insane about frank. send me ideas for this post !!

fell down a hole. and now i have thoughts about gl!frank :( yes i know. hear me out. hear me out.

CANON:

this is his file from ep 3! some of it we'll disregard cause it's just there to be funny but we can get from the reading of it on during the sneegsnag episode three reaction video/vod that he's from new york, travelled to japan, thailand and cambodia, studied at an unknown university of fine art and is a painter (and makes nail polish sculptures???), has tattoos from college and. was not chill w/ austin. ("was very suspicious of the person on the right" -> austin was on the right from him to us on the carousel)

DUBIOUSLY CANON???: listen it's genloss i'm well within my right to take the silly goofy haha joke and make it real and heartbreaking. it's what we do here. gl!frank and gl!sneeg were gay as hell before frank died. (i promise there's themes and motifs to dissect there. politics even if you think about showfall as a corporation. especially if you read it so that charlie and sneeg were taken as children and raised by showfall. consider it i beg.) gl!sneeg during tse and other shows post frank dying is under heavy amounts of showfall filter to make him believe frank's still alive and talking to him. gl!ranboo is also being filtered to see him as fully skeletonized when he's actually in an earlier (grosser) state of decay. love-hate relationship with horses because he's an artist. short king. swore like a sailor. liked to steal gl!sneeg's hat to wear.

WHAT: no canon precedent i just. there are little versions of these characters running around in my brain and i'm observing them like it's my phD thesis. gl!niki and gl!frank were very good friends because gl!niki was so fucked up by showfall she pack bonded with the first other person to go "hey showfall's fucked up? they're fucked up actually." she got big time gender envy from him. she always remembers that he's dead. he was an anarchist and was constantly dealing with leftist infighting before showfall. he is trying his best in showfall to get the cast in one unified front and failing. so bad. showfall typecast him as the "cool guy" and they made him smoke. he fucking hated it but he still smoked whenever off set since there was no point in trying to quit while at showfall cause they kept making him do it. bisexual. embroiled in so so much relationship drama pre-showfall because of his dubious taste in dates. got a jfk pulled on him when he died for the last time.

[arcanadreams]

That time you and your demon boyfriend went viral

hi yes hello obey me fandom!! my name is Gabbi and i have never played a single second of the actual game but i have read enough fanon content for the past year to have this idea swimming around in my head and now i am finally letting this accursed thing out of my brain and putting it in yours

also i’m only doing the brothers because any more than that and i’d have an aneurysm probably. oh and shoutout to @obeythebutler and @beels-burger-babe for inspiring me with their works to feel brave enough to write for this fandom

Lucifer:

You and Lucifer go viral on Asmo’s Devilgram story!

You’re in the kitchen helping Asmo with dinner duty and singing along to one of your playlists of human realm music that you like to show him.

Asmo starts filming your cute little dance while you stir the pot on the stove because you are just adorable!

About ten seconds into him filming, Lucifer appears in the doorway with quite the stern look on his face. You know, the one that comes right before a “MAMMOOOOOON” and strikes fear into the heart of all those with functioning eardrums. That one.

He opens his mouth, presumably to tell y’all to shut the fuck up, but then there’s a lull in the music and the eldest can hear your voice ever so slightly above the song’s vocalist and he freezes.

Man stops in his tracks like someone just smacked him in the face with a midair volleyball.

Asmo can be heard stifling a laugh behind his phone.

Lucifer’s face gets so soft and he almost, almost, loosens his metal-rod-through-the-ass posture before you notice him and give a little wave and ask if you and Asmo were being too loud like the considerate darling you are.

Lucifer clears and his throat and says something like, “No, you aren’t. I was just coming to check on how dinner is coming along,” and leaves, after which Asmo immediately presses the post button.

Screenshots of Lucifer’s heart eyes for you go absolutely viral because every demon on Devilgram goes absolutely feral for seeing the eldest demon brother lose his dignified composure. It becomes a meme template. “Get you someone who looks at you like Lucifer looks at MC” and “me at the delivery demon when he shows up with my spicy bat wings” posts become commonplace. (Asmo thinks the memes are totally worth getting strung up with Mammon for laughing at them.)

Mammon:

Much like Lucifer, you and Mammon end up going viral off Asmo’s Devilgram. (Noticing a pattern here?) 

He pulls a silly prank on your asses and honestly I don’t know how you fell for it. But hey, they say “idiots in love” for a reason, so...

You and Asmo are sitting in the common room of the House of Lamentation just chillin. Well, he’s chillin, you’re on the floor studying for an upcoming exam.

The video starts in the middle of a conversation you and the avatar of lust were having.

“No, Asmo,” you say. “Mammon and I don’t use pet names for each other.” Now that’s just a darn lie, and every demon and crow within ten miles of Mammon and you together knows it.

“Really? I find that very hard to believe, MC.~” 

You sigh in response to Asmo’s teasing. “Okay, he has a lot for me but I’m just not much of a pet name person, y’know?” The rest of the exchange goes like this:

“Oh, I totally get it.” *pause* “Hey MC, what do human world bees make again?”

“Honey.”

Cue a sheepish Mammon sticking his head in the doorway at the bluntness of your tone when you answered Asmo.

“Yeah, babe?” he looks like a puppy left on the side of a highway oh my god hUG HIM-

Asmo turns the camera back to his smug ass face and in the background you can be heard tripping on the damn carpet trying to get up and hug your mans. (”MAMMON GET OVER HERE SO I CAN HUG YOU” “W-WHAT? I THOUGHT YA WERE MAD AT ME?!?!?!?!”)

Leviathan:

Streamer Levi? Streamer Levi.

You guys go viral the first time you make an appearance on one of Levi’s weekly (insert cool Devildom streaming service name here) streams. 

It’s completely unintentional. You had been asking him for weeks to play with him on there, but he’s the avatar of envy after all. He doesn’t like sharing his partner, even if it’s with random strangers who have no real access to you.

However, he has his stream on a Thursday instead of a Friday one week, and you come into his room carrying dinner because 1) You didn’t realize he was streaming and 2) No matter what he was doing, the boy needed to eat. It wasn’t unusual for you to bring him dinner, so you had no idea why he was blushing and stammering even more than usual this time in particular. Boy was speaking in beached whale trying to tell you what was wrong.

Then you notice his screen. Oh! “Hi chat!” You wave, setting Levi’s food down on his desk in front of his keyboard. “M-MC!” He full-on whines, slamming a hand over his mouth afterwards when he remembers his viewers could hear that.

Honestly, they’d meme the fuck out of him if it weren’t for the fact that they are FINALLY SEEING HIS HENRY!!! THE MYSTERIOUS MC!!!

Chat is bombarding you with questions while you make Levi eat dinner. And by make him eat dinner, I mean literally feeding this man forkfuls/spoonfuls while he games because you love how flustered he gets when you do that. 

Does it impact his score? Absolutely. Does he care? Not really when you’re pampering him like that.

You start answering chat’s questions about you while he’s chewing so he can’t tell you to stop LMAO-

You’re a natural on stream. The VOD becomes the most popular on Levi’s account in a matter of hours and soon cute highlights compilations of you and him on that stream start making the rounds on Devildom Twitter.

Satan:

There was buildup to Satan going viral, similar to Levi in a way. 

Satan does have a Devilgram, but it’s basically a white woman’s Instagram with added book reviews for variety. Unless you’re a reader his account is pretty boring: candles, books, fireplaces, and cats.

However, after you two started reading together fairly often he began posting pictures of your legs draped over his while you sat together. They’d always be captioned with vague ass pretentious literary criticism. 

This goes on for months, and he gains a lot of (horny) followers after the leg pics start up. He doesn’t really get why but you both joke that it’s because you have some damn nice legs and I mean neither of you are complaining about the new following.

You two go viral when he finally shows your face, entirely by accident.

The post is a video, which is already strange for him and grabs attention. In it, you’re scoffing and reading an excerpt of a book, mocking its understanding of female anatomy.

“I’m quoting here, Satan: ‘her breasts bouncing around like giant pacmen.’ I’M SORRY?? THAT ISN’T HOW BOOBS WORK SIR. WHY ARE MEN ALLOWED TO WRITE?” 

(fun fact that is a very real quote from a very real book I really read last month pls save me)

Originally the camera is focused on your body, with your head out of frame to protect your privacy, but your righteous anger made Satan laugh. Like, a real laugh. The one that makes you and everyone in earshot wonder if he truly was never an angel cause he sure as hell laughs like one but anyway-

When he threw his head back, his DDD angled up just a tad without him noticing, and your face was in view for like .2 seconds. Screenshots of it are making the rounds on Devilgram almost immediately: FINALLY THE LEGS’ OWNER HAS BEEN FOUND.

Satan apologizes profusely but you honestly find it funny and you two opt to just start taking selfies while reading with both of your faces in them from now on. 

Asmodeus:

I’m gonna be real with you: you and Asmo go viral all the time. Pretty much everything Asmo posts can be considered viral because of his social media following and his status as one of the seven avatars of sin.

However, there are some fairly cute highlights to be pointed out among the times you were both featured in a post that blew up.

Your favorite is probably that time Asmo livestreamed on of you guys’ ‘Nail Nites,’ as you call them.

You’re both on the floor, doing your nails and kicking your feet back and forth while talking to chat. A lot of the questions are about your relationship, and there’s a lot of flirting back and forth between the two of you.

A particular clip of the stream does blow the fuck up on Devilgram, though, when someone screen records it and posts it with a bunch of heart emojis edited over it.

“’What colors do you think best describe each other?’ Ooo, that’s a good one, chat!” Asmo claps his hands together excitedly, making sure to be  careful of his nails.

Pretty much everyone expected you to say pink, but you surprised both your boyfriend and your viewers when, after a pensive few moments, you replied with “Hmm...probably yellow or orange.”

“Can I ask why, darling?” Asmo tilts his head in confusion. I mean, yeah, those colors look good on him, but he doesn’t wear them often so he’s wondering about your thought process. 

“Well, in the human world those colors often represent happiness, optimism, and positivity. You’re always the cheerful presence I need in my life when things get hard, so you have the vibe of those colors.”

Asmo proceeds to burst into tears and hug you, messing up both of your nails and prolonging the stream since you both have to start over. But neither of you particularly care. 

Fun fact: Asmo has the clip that demon made of that portion of the stream saved on his DDD and watches it whenever he feels sad.

Beelzebub:

Beel and you probably go the most viral out of everybody. Like this moment is an entire phenomenon across the Devildom internet. 

It’s a video, or well, multiple videos, taken at the end of a Fangol game that Beel’s team had just won. Everyone is cheering and going crazy, yourself included, and you just really wanted to congratulate your boyfriend.

So, like the rational person you are, you elect to climb up onto the railing of the bleachers and wave to get his attention. 

You were absolutely fine up there, and sat all comfortably motioning Beel over to you. He notices, of course, and jogs over, standing right beneath you and looking up. (Back where you were sitting, Mammon is screeching like a hyena in heat and Belphie, who is laying down, has one eye open to glare at him. The youngest knows Beel would never let you hurt yourself; you’re fine.)

A bunch of assorted demons at the game has started filming while you were sat atop the railing since you were rather noticeable. Therefore, there’s a shit ton of different angles of the adorable events that follow:

You slide off the railing, landing right in Beel’s waiting arms bridal style. You’ve got this brilliant smile on your face as you pull his helmet off. None of the DDDs filming can hear it over the crowd noise, but Beel asks you why you just went through all that trouble and you tell him it’s because you wanted to tell him how proud you are.

Soft boy’s chest puffs up and he smiles this big cheesy smile at you reach up to run a hand through his hair. You feel him practically purr at the contact, and with a laugh you pull him in and plant a big ole smooch on him.

The crowd, at least those of them that can see, scream. Everyone is running high on adrenaline and happy emotions; something that cute causes a ruckus!! When you pull away Beel proceeds to put you on his shoulders and you celebrate with him and the rest of his team.

The videos of you two being adorable go completely viral and there are some threads dedicated to stockpiling every single angle taken of the event. Beel is completely oblivious to the attention but you have a lot of them saved on your DDD.

Belphegor:

If you think Belphegor has any sort of social media presence whatsoever then you are sorely mistaken. (Well okay he actually does run some anonymous troll accounts to meme on Lucifer’s posts but that’s neither here nor there-)

Therefore, naturally, you two go viral off of Asmo’s Devilgram. 

Okay so someone in the obey me tag the other say headcanoned that Belphie will go out of his way to nap in ridiculous places and my brain really took that and RAN WITH IT.

So what happens is that Belphie will fall asleep in the fucking weirdest places. I’m talking on top of the fridge, underneath the dinner table, on top of bookshelves...you name it, he has slept there, no matter the effort it takes to get there in the first place. 

And, ever since you two started dating, you would join him. Sometimes it involved putting yourself at risk of great bodily harm, but the little smile he gave when you he saw you fucking scaling the countertop to reach him made it worth it.

So anyway, since Beel adores the both of you to no end, he takes pictures whenever he sees you two napping together, whether or not it is in a crazy place. He sends these to the family group chat because he thinks they’re adorable.

Over a span of weeks to months, Asmo has built up a stock of images of you and Belphie cuddles up in seemingly impossible places. Once he has about ten or so, he posts a compilation of them to his Devilgram with some cheesy ass caption like “The things we do for love <3″.

They become a meme SO QUICKLY. Like UNBELIEVABLY quickly. 

The picture of you and Belphie sleeping on top of a bookshelf, in particular, is a big hit. Memes abound.

“If my girl doesn’t climb up a bookshelf to cuddle my ass, she don’t love me.” “Get yourself a partner who scales bookshelves just to be with your ass.” Etc etc...Belphie doesn’t give a shit but you laugh at a lot of them so he sees that as a good outcome.

[findingjoynweirdstuff]

A Guide on How to Locate Old VODs!

Hello, everyone! 

As you all know, Twitch has a cap on VOD availability where, after two months, a VOD on a channel will be deleted. 

Given that Dream SMP has lasted for longer than two months, with the bulk of the plot now missing, this means that finding old footage can be somewhat of a challenge if you aren’t yet familiar with how to do so!

I get a lot of asks asking me where certain old VODs are, and while I don’t mind these asks at all, I also figured it would be helpful to make a guide post on my methods for locating them so that people can attempt to locate things for themselves too!

There are plenty of ways to go about it, but this is just what I do.

Without further ado, here’s a step-by-step process. 

---

Before you go searching for anything, there’s some information that you’ll need to decide on.

What are you looking for?

This one’s a bit obvious, but you need to figure out what exactly you’ll be seeking out. For this guide, I’ll be using the first Dreamon Hunters VOD as an example, as that’s one that people have asked for a lot in the past.

When did it happen?

As a general question, you’ll want to know the basic context of around what time this event took place. We’ll get into specifics later, but it helps to have context. Think: what else was happening at the time?

Well, for Dreamon Hunters, we know that Fundy was wearing his Dreamon Hunters outfit at the Manberg Festival, October 16. Therefore, that event took place not too long before then.

From whose POV?

You’ll need to know which streamers to search under. The first Dreamon Hunters stream was streamed by Fundy and Tubbo. 

Tubbo’s official VODs channel does not include the first Dreamon Hunters VOD, and the oldest VOD on Archive is Festival preparation on October 13. Unfortunately, this means that Tubbo’s POV is lost, so we will be seeking out Fundy’s.

---

Now that we’ve got that out of the way, onto the next steps.

STEP ONE: Figure out the exact date.

There are a few ways to achieve this. If you’re lucky, you’ll know the date already -- November 16th, January 6th, other big ones like that. Sometimes you can look at recap posts if they exist for that day. 

But the most reliable one I’ve found, especially for Season One, is actually to use Twitter’s advanced search.

(Yeah, yeah, I know what you’re thinking. But it genuinely works pretty well)

Type in keywords that you think would end up in livetweets of the stream. If something specific was trending that day because of the event, that helps as well. For this example, we’ll use “DreamXD,” as that was trending.

Scroll down to the bottom and select a date range. This is where knowing the general time that the event happened helps. We’ll do October 1 - October 16.

There! We’ve found the livetweets! How nostalgic. 

Figure out the earliest date. 

For our example, it appears to be October 7. Note that VOD dates might be a day later due to different timezones.

STEP TWO [Optional]: Figure out the stream title.

You don’t necessarily need this step, but it can often be helpful when scrolling through a large selection of VODs, and since sometimes the VOD dates can be a day off, having the title will give you the most accuracy.

Go to Twitchtracker.com/ [insert streamer name] /streams and click on the date you just found.

From here, we can see that Fundy’s stream on October 7 was titled “THE NEW MANBERG.”

STEP THREE: Find the VOD on a VODs channel or on Archive.

I will be linking a bunch of unofficial VODs channels that I’d recommend at the end. Here we will be using Fundy Stream Archive.

And there we go! We have successfully located the first Dreamon Hunters VOD!

---

Now, that was an easy example. Things can get a bit more difficult than that.

For our next example: what if you wanted to find the original Captain Puffy “duckling Dream” VOD? 

When did it happen?

If you remember, this stream happened when Captain Puffy hadn’t yet chosen her alliances between Dream SMP and L’manburg. Therefore, it would have been November or early December, soon after she joined the server.

Using the Twitter search method, we’ll search for “duckling Dream” in the date range November 16 - December 20.

The earliest date appears to be November 29.

Using Twitchtracker, we know that Captain Puffy’s stream on November 29 was titled “Nightime vibing on the Dream SMP!”

Next, since Captain Puffy’s VODs from this early on haven’t been archived to a channel on YouTube, we’ll visit Archive.org instead. Search up “Captain Puffy” 

Be sure to sort by date. This will display the date below, but I’d still recommend you have the stream title on hand as well.

Aaaand

There it is! 

There you have it! A step-by-step guide on how to locate old VODs yourselves!

---

What can’t you locate?

Unfortunately, there is content that can’t be found this way.

Tubbo’s August and September VODs, Eret and Jack Manifold’s August VODs, a couple Tommy streams, HBomb’s Doomsday stream, etc., are all missing.

Notably, every so often Sapnap’s Storytime Stream VOD will be rediscovered and passed around as a Google Drive link or uploaded to YouTube before inevitably being taken down again. Keep your eyes peeled and you might see it pop up again.

---

Hope this helped! If you can’t locate something yourself, again, feel free to ask me and I can try my best to find it.

Otherwise, happy searching!

---

Below is a list of channels and resources I’d recommend.

There is more to be found out there that you can look for yourself, but these are the ones I use most regularly!

Tommy’s official VODs channel

Quackity’s official VODs channel

Tubbo’s official VODs channel (you won’t find much here, but it has some VODs from the summer that aren’t available elsewhere)

Technoblade’s stream playlist

Philza’s Twitch archives

Archive.org (heavily recommended for Tubbo, Captain Puffy, Karl, Antfrost and Jack Manifold)

Dream Team Streams SMP in order playlist (goes up to the L’manburg War)

Karl Jacobs VODs (unlisted playlist)

Purpled VODs

Hannahxxrose VODs

Awesamdude’s official VODs channel

Awesamdude unofficial VODs channel (includes earlier VODs)

Badboyhalo VODs

Skeppy VODs

Fundy Stream Archive

Wilbur VODs

Ranboo VODs

MCYT VODs channel (features a variety of streamers -- you’re going to want to know the specific stream title here)

Dream Team SMP channel (good for locating Tubbo VODs. You will want to know the stream title for this one as well)

Dream Team SMP2 channel

Captain Puffy VODs

Sapnap VODs (older ones)

Eret VODs

HBomb94 VODs (older ones)

Georgenotfound VODs (older ones)

Punz VODs (older ones)

Dream VODs

Dream SMP Archive (a few VODs from five months ago)

Dream’s official L’manburg War video trailer (now deleted off of Twitter)

Bad and Skeppy build a mansion

Jack Manifold’s first day on the server (doesn’t include the entire thing unfortunately, but at least the first hour or so)

---

[mcmoth]

Dream SMP fandom etiquette

So. This post is probably too little, too late, considering the fandom and the issues I'm about to talk about have existed for so long now, and a lot of the people who need to hear this probably aren't on tumblr anyways, but I just wanted to dedicate a quick post to talk about fandom etiquette. Mostly pertaining to discourse, and interactions with people outside of our circle. These are just going to be my own personal thoughts, of course, but I felt it could be good to bring some of this to attention. So without further introduction:

Where to (not) talk about discourse:

Don't go into other streamer's vods to only focus about a different character. If you want to analyse, for example, c!Techno, do it in Techno's stream. Don't go into unrelated streams, like Tommy's, Tubbo's etc. to do it, even if they were a part of the event in question. This is, of course, with the exception if the character in question didn't stream their own pov. But otherwise, stay in your own space. This is to prevent cluttering a streamer's comments about unrelated discussion. To give further example: Tubbo's vod comments should primarily focus on Tubbo's character. Not Tommy's, Ranboo's, Techno's or whoever else's.

Don't start discourse in the comments of animatics. Seriously, stop that. Animatics aren't discussion boards. The comments are there to analyse and appreciate the video presented, not argue. It's especially rude if you pick a small detail, that wasn't even the focus of the animatic, or even a completely unrelated issue to rant out your frustrations about. To give examples: starting disc discourse in an animatic of Tommy talking to Wilbur, or rambling about how tragic Techno's character is in an animatic focused on clingy duo, etc.

This applies to fan songs as well.

Video essays are the exception to these rules. I think it's safe to say they're the place to bring your hot takes, if you really feel so inclined to argue in youtube comment sections (Though I'd personally advise to still keep the topic relevant).

Keep negativity out of fanfic comments. This isn't nearly as big of an issue as the last points, but I've seen it happen a couple times, so I'm deciding to mention it. Fanfics are written for fun. Even if you disagree with the characterisation or something else, unless the author is clear in accepting critique, keep criticism to yourself. And definitely don't rant about how you dislike a character unrelated to the fanfic. Sharing your thoughts on the fanfic itself is of course fine and welcomed, but when it turns from discussing the author's story to talking about how you dislike a character in canon, that's when it crosses a line. Example: comment talking about what you don't like about c!Tommy on a Bench Trio fanfiction.

When commenting on art, keep the feedback positive. Even if you dislike any presented character, keep that to yourself. Example: Don't say things like "I hate x character, but this art is good". You might think the author would feel honoured, but it's actually just hurtful.

How to deal with discourse:

This is gonna be a shorter section, because I think we all chose to do it in different ways, and that's valid. Also, it's just that I, myself, am still learning how to do this well, but I thought it could be good to try to lay it out anyways.

Try to scroll past takes you disagree with instead of arguing if you don't think you'd be able to keep your cool. Noone likes a random person yelling at them through a screen, and if you rant, you'll get an equally frustrated reply back, and noone will be happy. Either explain your point in a calm manner, or scroll past/ unfollow/block.

On the keeping cool thing, remember to just step away. Take a deep breath and calm yourself down before proceeding. To minimize the frustration you feel on a daily basis, filter tags, block people, avoid videos and youtube comment sections that you know will upset you, and leave certain internet spaces if you find yourself unable to escape negativity even with all those steps. Remember: in the end, it's all a game played by friends, a story, and your enjoyment of it lies in what you take from it. Abandon what makes you unhappy. Marie Kondo your fandom experience.

Also, here's your reminder, to whom this is relevant, to take care of yourself. Hydrate, eat, sleep, clean up, get fresh air, remember the things outside of all this. There's plenty to do outside of this fandom, and what you can do here can wait. There is no pressure, or obligation. Not for the content you create, not for the discussions you bring, not for responding to discourse, not for anything. Fandom is meant purely for fun, so take care <3

Interacting with people outside of the fandom:

This is something that I've seen a bit of talk about, and I thought I'd drop in my own thoughts on this as well. No matter the differences, we're all just trying to vibe, and I think these are important things to keep in mind to leave both sides better off:

Don't interact with hate posts. Just don't. You don't want to see them, they don't want to see you. Even if your response is lighthearted, their animosity is not. They will feel frustrated regardless, and the grudge will only grow. And if they're being agressive, calm discussion most likely won't happen even if you're being polite. Just leave it, please.

Correct misinformation calmly. I completely get how it can be frustrating to see blatant lies and all, but with our reputation, people will not listen if you're being antagonistic. Provide sources, explain, and leave it at that.

Don't be hateful, send death threats, or assume privilege or whatever else. That's stepping into the same shoes of the people you hate. Misunderstandings go both ways, and the fact of the matter is, I think most people who dislike DSMP, even the ones who are agressive about it, don't have their stance rooted in maliciousness. To expand on why the situation became what it is today, taken from a discussion on discord:

I think it's just a combination of Dream growing so insanely quickly + how internet spaces have changed over the years. When ccs like jackstepticeye or pewdiepie etc. grew popular, activism wasn't as prevalent and held to such importance. Now it's thankfully more talked about, but that also leads to Dream being more scrutinized in comparision. Add twitter trends and the general prevalence of the fandom, and you've got everyone feeling tired and frustrated and paranoid. People also tend not to fact check stuff, especially when it comes to celebrities and stuff they're not really interested in, so rumors spread fast.

And actually, I think there's absolutely valid reasons to be made uncomfortable by Dream SMP, either in it's creators, content or fandom, and there is, of course, stuff to criticise in general. The problem is the hate and misinformation and overexposure, but we are not going to solve any of that by being aggressive in return.

(This is, by the way, not talking about more serious cases. Like doxxing, or leaving gore images in hashtags, or similar instances. That's a whole different complicated issue that I don't feel qualified to tackle.)

And finally, don't overwhelm outsiders who merely mention the Dream SMP. Don't send asks asking them to watch it, don't write paragraphs explaining the lore, don't confuse them with inside jokes, just... Don't jump on people like that. Unless they're explicitly clear in wanting interaction and getting into the fandom, that kind of thing will just drive them away. This is in no way exclusive to the Dream SMP fandom, pretty much every fandom has people enthiastic to have more people involved, but since there are so unbelievably many of us, it's especially easy to go overboard with this stuff. Just... be polite, and don't pressure anyone. Be nice, please.

So.... ya! This would be it for this one, I think. Sorry that it's kinda long, thank you if you read it at all. Hope y'all have pleasant days ^^

[ruby-whistler]

Small thing- i did my research and as it turns out c!tommy has never stolen dream's chestplate, the only time he took anything remotely like that from dream was when dream died of fall damage once and tommy briefly picked it up and returned it -curious anon (unless u have a vod or something but idk)

hey! this ask has been sitting at the back of my inbox for a while now - and that is because i actually went back and made an analysis of the original disc conflict which is what i was actually talking about.

this is gonna be very in-detail because that's how i do stuff. word-by-word, frame-by-frame.

this is not quite roleplay yet, but the "war" is in minecraft and it's all completely lighthearted, so, i'm saying this just as a disclaimer.

i started analysing tommy's video "So I Started a Minecraft War VS Dream…", not the stream. if anyone knows that the stream has additional, important information, i'll watch it as well.

so, let's start off.

sapnap had a fight with ponk and alyssa - tommy joined in to help sapnap kill them. "however dream doesn't like when people fight on his server" - he already has the reputation of being a mediator. this is very interesting to note for later.

dream logs on after which ponk and alyssa, who have just been killed, start asking him for help.

dream shows up in iron armor, sapnap and tommy fully decked out.

dream is not an idiot. there are two people with stronger gear coming at him, yelling in a stream he has open "LET'S KILL DREAM" at the top of their lungs, having just killed two server members.

the two are charging at him, so he shoots to knock them back. after this he runs while tommy and sapnap proceed to assault him.

they're killing someone who can't protect themselves for fun. dream is the underdog in this situation - funnily enough, this event gets often cited as dream being tyrannical despite the fact.

dream runs himself into a corner besides the fence. sapnap kills him and tommy is mad that he didn't get the kill.

all of dream's stuff is laying on the ground and they pick it up.

[ Sapnap: NOONE CAN TAKE US ]

we can see gold, iron, gapples, food, spare items and materials, which they pick up - and most importantly, dream's crossbow. since his armor and weapons are decent and best, his crossbow is probably his most important item, and tommy gloats about having it.

[ Dream: give me my stuff back ]

tommy responds to this by saying "watch, no, watch this", insulting dream, and then killing him with his own crossbow.

dream has a track record on the smp, that he keeps throughout the l'manberg war as well, of giving people their stuff back if he kills them - this would usually happen to stop them from assaulting someone else. his one rule he enforces is "don't be a jerk", so don't steal things or ruin things people have worked for. this is seemingly why he "doesn't like" conflict.

he doesn't genuinely want anyone to lose the stuff that they've earned, and he expects this same attitude towards himself.

this is why he comes towards tommy with no armor, seemingly completely trusting he would be given back his stuff. this doesn't happen, as tommy wants a dream kill under his belt. tommy chases dream down as he tries to get away. alyssa, seemingly without any items - it's reasonable to assume they were also taken by tommy and sapnap, or maybe she doesn't have anything for some other reason - gets killed again when she runs by tommy and dream. thanks to this fact, dream gets away, and sapnap and tommy start trying to devise a plan to kill dream again.

dream gets punz and ponk to help him, of which punz is the only person with full armor - all three are wearing armor. by this time, tubbo has joined, who has inferior armor to even dream, but the three have much better gear overall. it's unsurprising then, that during this encounter, sapnap and tommy manage to kill all three - sapnap kills ponk and dream while tommy gets punz.

[ Tubbo_: punz wth? ]

during this encounter, tubbo doesn't engage, but watches from the top of the fence.

[ Sapnap: STOP THIS MADNESS ]

tommy then goes to chase dream down in order to finally get the kill he had wanted. dream combat logs, and tommy boasts about how many diamonds he managed to gain by stealing from the people he killed during the fight.

tubbo comments that he doesn't think anyone's won, because things on the server were destroyed during the battle. tommy kicked him from the call, telling sapnap that he's not on their side.

dream relogs and gets immediately killed by tommy.

[ Sapnap: STOP THIS MADNESS ]

[ Sapnap: WE ALL NEED TO TALK ]

[ Sapnap: you just lost a 3v2 ]

[ Tubbo_: why don't you guys just- (cut off) ]

[ Sapnap: 4v2 actually ]

[ Dream: I had nothing ]

[ Sapnap: we can talk ]

tommy suggests to vc, saying "all war stops now". he tells ponk that they've already won, to which sapnap alerts him to dream's messages that he sent in chat.

[ Dream: I have the music discs ]

[ Dream: and I'm going to burn them ]

[ Dream: unless my stuff is returned ]

here we can see that dream literally only wanted his stuff back - when negotiations failed and he was killed three times over, he decided to retaliate and get his items - which he had, much like tommy with the discs, worked hard for - using another method.

this was not him targeting people's attachments or targeting sentimental value. he knew tommy had worked for hours to get them, which is why he used them as leverage.

tommy is understandably distraught after this.

[ Punz: rekt ]

[ Punz: don't touch dream ]

tubbo and sapnap watch dream walk past them, looking into tommy's chests. they don't do anything besides telling tommy.

dream proceeds to kill tommy as retaliation, probably thinking tommy would have his stuff on him.

sapnap kills ponk and doesn't get the discs back from dream.

[ TommyInnit: Dream ]

[ TommyInnit: Where are the discs ]

tommy then tries to blame sapnap for this happening, despite the fact that he was the one to chase after dream and refuse to return his items. sapnap says that they attacked them, which is also not true.

sapnap and tommy scheme to try kill dream, to which dream kills tommy again to set them back and stop them from doing so.

dream manages to kill sapnap with his bow. he then boasts about winning a 1v2 in chat, seemingly replying to sapnap mocking him earlier for losing a 4v2.

dream joins the call after which tommy begins yelling at him about him killing him and stealing his stuff.

"i was walking down a path when two fully decked out people 2v1'd me and killed me. and then i came back, and i killed both of you, i took all of your stuff."

dream here explains that he was just walking down the path, confirming he wasn't planning to attack them, but they jumped him pretty much out of nowhere and essentially mugged him of the few items he had. he doesn't feel bad for retaliating for this unfair treatment.

he then proceeds to say he was not an idiot; he heard them shouting that they were going to kill him because he had had the stream open.

tommy denies all these accusations, dismissing dream's rightful anger. he refuses to apologize.

dream says that he will return his stuff, but burn his discs as punishment for killing people and not apologizing. he speaks on behalf of not only himself, but also punz and alyssa.

tommy tries to negotiate via tricking dream, but dream says he'll keep the discs specifically so that tommy wouldn't kill him again. sapnap apologizes, saying it was an accident (it really wasn't but dream takes it), tommy simply saying he's on his side now instead of a proper apology. dream steps away from saying he will burn them, returning tommy's gear, specifically his chestplate and his sword.

alyssa comes to ask for items and gets killed by dream, then sapnap. dream asks if anyone has his steak. alyssa complains in chat about having all of her items stolen from her and being killed repeatedly. i really feel bad for her in this because she gets the worst treatment from everyone.

dream says he'll keep the discs safe, but that he doesn't trust tommy.

he leaves the call and leaves the room, seemingly not wanting to engage with the conflict anymore. sapnap gets mellohi from dream and gives it to tommy, who goes to hide it, while he keeps him off.

as the disc war goes, the two are stubborn and continue to battle for the discs. this is however what started it, and it did happen because of tommy's (and to a degree sapnap's) actions. he held the discs as leverage because tommy refused to return the few items he had.

[dreamsmp-megaritz]

my problems with the tone of post-season-1 Dream SMP

Here are some things I often see in Dream SMP post-season-1, which I do not see so much in season 1. Take all of this with a grain of salt, in light of how (1) I am not nearly as familiar with the seasons 2&3 material as I am with season 1 material (so there may be some or many parts of seasons 2&3 which do not have these problems, and which I am failing to give due credit to), and (2) I often cannot pin down why I feel differently about season 1 than about seasons 2&3, so I am not certain how much of my claims stem from objective differences between them vs. subjective biases on my part.

I hope this post can present some topics of further discussion, investigation, friendly debate, and/or analysis.

--

Problem #1. Excessive emphasis on making a clear distinction between “canon” and “non-canon.”

It seems that now players often talking about “canonically” doing X and “not canonically” doing Y. I don’t like this much. Back in season 1, people almost never used the word “canonically.” The line was blurrier, and I liked that better. This is a block-game role-play, and given this format, there are many features of the story which really cannot be pinned down with much precision.

As one example (among many), L’Manberg was a “nation” but it also seems to have consisted of only a few people. There’s arguably no way to make much sense of this within any tightly defined “canon,” and I think it’s good that the story has not tried much to do so. The canon should remain loose in some ways.

The blurriness of the canon/non-canon distinction is also good for the intertextual elements discussed in @lucemferto’s video about Philza (which is fantastic, and I highly recommend watching it). This sort of intertextuality is one of my favorite things about Dream SMP-- and I have my own theories as well, which I will write about at a later time-- but I suspect some of these cool elements may require keeping the canon/non-canon distinction at least somewhat blurry.

Of course, I totally grant there is a need for a "role-playing / not role-playing” distinction, or something along these lines. Many of the characters dislike each other in the story, but are friends in real life. Occasionally some of the younger fans get confused about this, and will become angry at content-creators under the false impression that the content-creators are mistreating each other. I fully recognize that some kind of explicit distinction is needed in order to avert these confusions, and to keep everyone on the same page of realizing it’s all in good fun. But the necessary distinction should be sensitive to the loosey-goosey nature of the storytelling format.

Back in season 1, I think content-creators would often correct young viewers’ confusion by saying “It’s a bit” i.e. a skit or game (rather than using words like “canon”). I like this “bit” terminology, because it seems appropriately loose-- instead of using the word “canonically” which seems inappropriately strict.

(Admittedly the term “bit” may be more appropriate to the very early period where there was little to no scripting. I’ll briefly return to the “scripting vs. improvising” distinction a few times. It is related to these other distinctions, but not identical to them.)

--

Problem #2. Some dialogue scenes are too long.

Let’s take a bunch of the one-on-one scenes between Dream in prison talking to other characters such as TommyInnit, like in this VOD and following ones. These scenes involve a lot of interesting story details, but they go on for a frankly very long time. To me they feel incredibly drawn out. They’d be better at half the length. They seem to have a lot of needless repetition, among other issues.

I’m not certain of the cause of the problem, but it seems to be stemming partially from the particular kind of combination of scripting and improvising which they involve. It isn’t always a great combination. It’s like the players have a checklist of story points to cover, but they aren’t sure how to pull it off in a way that sounds natural without taking too long.

I’m not sure how to solve it. Scripting the dialogue more thoroughly might help make them more concise-- but at the cost of sounding less natural, and losing the charm which Dream SMP’s improvisation often holds.

But further analysis would be needed to say exactly how or why the problem is happening. And not everyone might agree me that it’s happening at all. So I’ll be curious to hear other people’s assessments of the problem (if there is one) and what’s causing it.

In any case, I’ll contrast it to season 1. I believe season 1 did not have many scenes that dragged out for a long time. Season 1 has serious moments as well, and it has dramatic weight. But it does not often have the feeling of dragged out scenes. Again I think further analysis is needed to figure out whether I’m right about this or not-- and if I’m right, further analysis will be needed to figure out why the seasons feel so different, because I can’t really say for sure or in detail why it feels this way. So again I’m curious what other people will think about this.

--

Problem #3. Too serious.

This problem seems to be part of the cause of the first two problems. Excessive seriousness may contribute to dragged-out scenes which aren’t fun to watch, and it may contribute to taking the “canon vs. non-canon” distinction too seriously, with an excess tendency to put “serious” stuff on the “canon” side of the divide and put “non-serious” stuff on the “non-canon” side of the divide.

In any case, the storyline after season 1, or at least some parts of it (probably not other parts), seem to have a puffed up air of “seriousness” which really feels off to me.

This does not mean it never succeeds at being serious in the right way. For instance I think serious parts of the Quackity VOD “Quackity Visits Dream in Prison” actually work very well-- even the one-on-one scene between Quackity and Dream, which is one of the best prison scenes. Crucially, this specific prison scene does not seem to have the problems that I’ve complained about for other prison scenes, or at least not nearly as severely. But a lot of seasons 2 and 3, from what I’ve seen of them, appear to have the problem of feeling like they’re “trying too hard” to be taken seriously, and it doesn’t work for me.

Another strength of that Quackity VOD is that the scene with Schlatt at the afterlife gym had a combination of seriousness and levity which I thought was very strong. Whatever one may think of Schlatt’s style of comedy outside DSMP (i’m aware of the myriad controversies), I think Schlatt is incredibly skillful at pulling off an effective combination of seriousness and levity, and I think his chemistry tends to enhance other players’ ability to pull it off too.

And to be clear, season 1 has serious moments as well. But the mixture of seriousness and levity in season 1 seems stronger to me. When Schlatt wins the election, this is a dramatic moment, but it also seems to have a degree of campiness which makes it work well. When Wilbur goes through various scenes of planning to blow up Manberg, this is dramatic and a serious character arc in some ways, but it does not seem to me that it has the air of over-seriousness which parts of seasons 2 and onward seem to have.

However, I can’t really articulate why this is. Some of it may be a nostalgic bias toward the earlier material, and/or the fact that the earlier material had more novelty. And I was in a very particular kind of emotional place when I watched a lot of season 1, due to the pandemic and various other factors, which has strongly impacted how I feel about it today.

However, I think this does not account for everything. I maintain that, most likely, there are also objective differences between the seasons in their style or tone, even though I cannot really pin down what they are in detail or with much assurance.

I also want to add another disclaimer that I’m not sure how consistent this is. For instance, there are plots like the Butcher Army where I simply haven’t watched enough to get a sense of how serious or non-serious it comes across as.

--

Possible diagnoses?

There may be a bunch of possibilities for what causes these issues, but for now I only have the faintest speculations.

One possibility is that seasons 2&3 are more scripted, whereas season 1 was more improvised. This would explain some of the issues, if true. However, I am not sure whether it is actually true that seasons 2&3 are more scripted than season 1.

I can’t find citations offhand right now, but I recall Schlatt once said (at least a lot of) season 1 was heavily scripted, and I think that Wilbur once said season 2 is not as scripted as many people think it is. Now, I grant Schlatt and Wilbur may be using different standards of what counts as “heavily scripted,” and it’s not clear to me whether they agree or not. So there may be some ambiguity. But in any case, the combination of these two statements leads me to think season 2 is probably not significantly more scripted than season 1. And if that’s true, then the degree of scripting is not the key to understanding the problems.

Another possibility is that the difference stems from whether Wilbur or someone else is the main writer. This is most likely a big part of it. However, I am not sure of the details, as I have not researched it enough. I also do not know whether Wilbur has returned to being the lead writer yet (as of late March 2021), or if that is still upcoming.

[truviewtv]

IPTV Streaming Service

The best answer to that question could be to say that IPTV is an initialism that stands for Internet Protocol Television. However, merely breaking down what every letter of IPTV stands for doesn't fairly explain what IPTV is, what it enables you to do, or why it's a invaluable asset in the world of online media streaming – particularly in these attempting instances. IPTV, it seems, perhaps the best factor to happen to the 2020 Corona-virus quarantine that you've got by no means even heard about .. till now.

Basically, IPTV works by offering users with a network on which they will stream live content. So, instead of merely utilizing your individual internet connection with the intention to access streaming content, as is the case with OTT (Over The Top) streaming content suppliers or different free or premium TV streaming websites, IPTV reroutes your laptop into an exterior network, which may be viewed by multiple computer systems concurrently.

In different phrases, as a substitute of, say, throwing on a present on Netflix or Hulu and struggling to watch on the identical time with a buddy in another location, IPTV plugs you each in, remotely, to the live stream, leading to a way more seamless and streamlined live TV experience. This is clearly very totally different from traditional cable tv, which is usually a solitary expertise. IPTV can provide inter connectivity not like another kind of streaming service on the market.

With extraordinarily low latency streaming of live video content, IPTV is just not solely an answer for the informal TV viewer that wishes the quickest and highest decision streaming of live TV, however it is also steadily used as a business or broadcast resolution. In a business context, IPTV can be used for the quickest and most reliable live video chatting, bringing you as close to the workplace as you may be without ever actually having to step foot out your door. Bars and restaurants, too, have used IPTV as a extra reliable option to entry live sporting occasions. The advantages of using IPTV are quite a few, especially in the course of the present pandemic that we're all trying to quarantine ourselves out of.

All around the world, en masse, people have taken to either voluntarily quarantining themselves or being mandated to take action, as within the case of Italy, by their governments. We all need to do our half to assist put an finish to the COVID-19 pandemic, and, so, we've needed to put lots of the societal conveniences that we've taken as a right prior to now on pause for the foreseeable future. Therefore, IPTV might have by no means been more of a handy solution – each for persevering with to make sure that our work will get carried out and not using a productivity halt, in addition to having the ability to socialize whereas persevering with to apply the security precaution of social distancing.

With IPTV, by making use of a a lot larger and extra capable internet network than most of us occur to have readily available, companies can proceed to run easily and with out lag and people can proceed to just about hang with friends, watching their favorite live TV shows collectively, in excellent synchronicity, as if they're actually within the room collectively. IPTV has never been extra related than it's at this time. So, if you're contemplating signing up for an IPTV streaming website, you might be on the best path for a really prudent and handy solution to many issues unique to the modern moment.

What kind of content can I watch on IPTV streaming websites?

Well, that can differ a little bit bit relying on which IPTV streaming service you go together with. But, generally talking, I like to think of IPTV as an internet-based cable provider of types, only an IPTV service is exponentially vast and extra powerful than any traditional cable provider available on the market. The only IPTV streaming websites, to provide you an concept of what I imply, can supply as much as 10,000 TV channels from almost 100 countries around the world. Some of the smaller-scale IPTV websites, alternatively, nonetheless have hundreds of channels – many greater than you'll be provided by a conventional cable supplier.

So, there may be yet one more profit to discovering a great IPTV service: you'll not be restricted to TV networks which might be inside your area or locality. Sure, you'll doubtless be capable of get these as effectively, but the world of cable TV is just about border less with the very best IPTV websites. So, whenever you ask what sort of content may be watched on an IPTV streaming website, it would get you nearer to the reality to ask, instead, ‘what kind of content can I not watch on an IPTV streaming site?’

And the reply to that query, after all, depends on the IPTV stream in question. Basically, IPTV offers cable TV over the web. But some even supply VOD (Video on Demand) streaming as effectively, which solely furthers the capabilities of and strengthens the trigger for locating your self an IPTV subscription.

There are some drawbacks, nonetheless, and so they principally pertain to the VOD side. Not each IPTV service presents VOD. Only a number of of the very best IPTV streaming websites do. So, don't go into the world of IPTV anticipating it to be something in any respect like your experiences with Netflix, Hulu, or Amazon Prime Video. What you are getting, instead, is sort of limitless entry to a globalized cable TV service that may be accessed over the web – no cords required.

My monthly subscription bills are starting to add up … Do I've to pay for IPTV?

Unfortunately, IPTV is just not a free service. Which is comprehensible, proper? I imply, take into consideration the variety of channels and the quantity of worldwide TV access an IPTV website will instantly give you. It is unparalleled. So, it makes complete sense, not less than in my view, that you would need to pay for such a service.

That being mentioned, in lots of circumstances, IPTV is definitely worth ditching your old cable company for, if that is likely one of the payments you will have that's beginning to add up alongside your different streaming companies like Netflix and Hulu. When you contemplate what number of channels IPTV presents, and the way dependable the live streams actually are, it turns into clear that IPTV is likely one of the only (and cost-effective) methods to entry live TV presently available on the market.

I would even consider ditching services like Hulu TV or YouTube TV for an IPTV streaming website. Again, it’s a matter of each amount and high quality. YouTube TV presents entry to one thing like 70 networks for $49.99 a month. One of the very best IPTV websites that I do know of (which we'll talk about in additional depth in a while) offers over 10,000 networks from 70+ different countries. Never miss out on a live occasion or program ever once more.

Is IPTV safe to use?

This query has two implications, I believe. Firstly, is IPTV protected in terms of viruses and knowledge considerations; secondly, is IPTV protected from a authorized standpoint? Well, let’s tackle the virus and data security concern first. As lengthy as you select a good IPTV service (i.e. one from my prolonged record of critiques), you should have nothing to worry about when it comes to contracting viruses (digital or organic if you're staying indoors and watching your IPTV). I might by no means knowingly hyperlink to a malicious web site. That being mentioned, a VPN and good antivirus software program are at all times highly beneficial for anybody who plans on doing something online.

When it involves authorized security, I can't converse to all jurisdictions on this planet, however I do know for a fact that in most free countries, it's not illegal to make use of an IPTV service. Where the authorized grey space comes into impact, nonetheless, is in terms of what the individuals who broadcast content over an IPTV service select to make accessible. In different phrases, if an IPTV service provider doesn't have the rights to a live occasion however they live to stream it over their network anyway, which places them in authorized limbo. You, because the person, nonetheless, are protected to stream as many IPTV packages as you want with no worries.

What is the best IPTV provider on the market?

Well, it is a difficult query. Everybody has their preferences, after all. Personally, if you need the most important bang in your buck I might go together with Smart IPTV (that's the IPTV I discussed earlier with over 10,000 networks). That being mentioned, lots of people actually appear to love Best Buy IPTV (no relation). If you need a greater concept of which IPTV is finest for you, learn via my reviews and weigh your options!

[otdderamin]

Transcript: Wednesday Club Ep19: Love is Love

Looking for some good Queer content? The best Wednesday Club was Episode 19: Love is Love! with Marc Andreyko. They talked about the Love is Love anthology made in memory of the Pulse shooting and talked about the history of queer representation in comics.

This is also the episode where Taliesin and Amy came out as bi. It was so soft and empathetic and empowering the whole way through that I think it gave them a push of confidence to say it.

Interesting history, they pulled this VOD after this aired and edited out that coming out. I suspect someone felt they got caught up in the moment and weren't actually sure they did want that out there. But word spread anyway and a few weeks later it was quietly restored.

The only depressing thing about this episode is how hopeful they were for the future and how much everything's gone to shit in the two years since it came out.

Official Twitch VOD, Bootlegged YouTube VOD

 If you can handle the sorrow, I really can't recommend "Love is Love" enough. It's one of the most beautiful books I've ever read. A lot of it is heartbreaking, but there are also a lot of uplifting pieces about pride and joy and love, and those were so special.

 This episode is so fascinating because there's are dozens and dozens of little ways Taliesin's subtext was "I'm queer," but it was such a surprise for that subtext to be text at the end. I think it's greatly affected how I read his queer coding in acting.

Reading Taliesin himself in this episode of Wednesday Club is a major reason why I feel somewhat confident in my analysis about the queer subtext he shows in Caduceus (and Percy). He's very deliberate about his subtext, I think the joke is always that it's genuine.

"Well, those are then the Schrodinger's representations which are 'Are they? Aren't they? We're not going to say.' [Stage whisper] But they are."

I think about this quote all the time. What he says sideways is deliberate, and something he personally delights in reading into. This is, after all, him playing out people in the way he would interact, not really for other people. We don't ask straight people to tell us they're straight, they just show it and we all assume it's true. I strongly suspect that's a freedom Taliesin looks for in queer portrayal.

One of the dynamics going on here that's SO INTERESTING is how apparent the age gap is between Marc and Taliesin and Amy. I don't know Amy's age, but I'd guess she's a decade younger. Marc and Taliesin are so much more okay with clunky, subtext, and or tragic representation.

Partly this is just a difference of Taliesin liking sad stories & Amy liking happy ones, but the difference is so much more magnified in this episode. Her standards for what makes good representation are noticeably higher, I'd guess partly because she grew up in a better world.

 One of the books they mentioned is "My Brother's Husband" by Gengoroh Tagame. there are two volumes and it's such an outstandingly soft story. One of the best comics I've ever read. Yaichi and his daughter Kana get a visit from Mike, his brother's husband, after his brother died. It's about Yaichi trying to get over his homophobia and teach Kana to be a better, more accepting person than he was. Kana just accepts Mike straight away and thinks he's amazing.

 Here is a selection of comic picks from the episode (by no means all of them). Here's Amy's crowdsourced queer comics recommendation thread, which is full of excellent reads, some of which they talked about.

 4:45 Marc: "I'm glad [the Pulse shooter] is dead because he did a horrible, unforgivable thing, but part of me wishes someone had been there to give him a hug, you know?"

[I've been thinking about this sentiment and grace for two years.]

 10:54 Marc: "We need to hold our government responsible with the same passion we do when Marvel has Spider-Man's costume wrong in an issue."

 0:16:08 Taliesin: "It is a thing that happens to me occasionally on the internet, and this book brought this back up pretty significantly, and I don't do this all the time 'cause I only have so much emotional energy for a human being, especially, you know, times being what they are. I've only got so much of my brain power before I turn into a quivering mess."

0:16:25 Marc: "I can't wait for the day we can wake up and not be angry."

Taliesin: "I know. I'm so…"

Marc: "I'm so tired of being mad!"

0:16:31 Taliesin: "I take moments every morning, and of course being on the internet you get a lot of- there's hate and trolling that come my way, and a lot of it is nothing I didn't hear in high school, nothing that I'm not use to, you know, I've got a pretty thick skin, and I don't delve into the comments sections of videos or anything like that because I'm, you know, sane. But every now and then some body gets through and I just kind of want to have a moment of, like, I wish- and I want to test the theory that if I just find this person, I grab them for a second, and like, "Dude, are you alright? Like, do you need therapy because I'm in therapy and it's fucking great, and what can I-" I feel like, "When was the last time anyone asked you if you're just okay, if you need something 'cause, like, what the fuck, man?"

…

0:17:18 Taliesin: "I wish I had the energy for all these kids. I mean, like, it's so- and in real life I can do this, and I've had those moments in real life where you see someone losing their shit and you're like, 'Do you just need a fucking drink and someone to listen to you talk about your shit and not tell you that you're being, like-'"

Amy: "Or fewer drinks."

Taliesin: "I mean, like, often times just sit down, and I promise I'm not going to make fun of you, I'm not going to tell you you're being weak, tell me, like, what, man, what hurts?"

 0:17:59 Marc: "I don't think most people are evil. I think that there's a percentage of people that occupy the White House that are pure evil…"

Taliesin: "I've had a couple roommates that I'm not even making a joke that are definitely into that spectrum, but most people are just lonely and sad."

Marc: "Well, most people want to live their life, be happy, and be left alone, and I think for me it all boils down to education is the key because when you have- when you're not educated, you're easily scared and when you're easily scared you look for scape goats. It's what one political party has been making their hay on for a number of years."

 31:27 Marc: "We're all the same. We come up with things as a species to divide us when we're actually 99% the same. And we just let that 1% get in the way of everything."

 36:01 Taliesin: "I started to figure out that this was the beginning of a process. And I was starting to notice, 'This is going to lead to the types of characters I want to see in my fiction. And I started breaking down this formula of there's things that you have to do in the momentum of pop culture to get the kind of characters you want. And this was one of the thing that you have to do. And I broke it down to metaphorical representation with books like the X-Men where there are no—there were almost no gay characters in the X-Men." Marc Andreyko: "Or Peppermint Patty, or Schroder."

Taliesin: "Well, those are then the Schrodinger's representations which are 'Are they? Aren't they? We're not going to say.' [Stage whisper] But they are.

"But we have the metaphorical, we have the Schrodinger, we hate the stereotypes, which are the these are the things people think they know about these people."

Marc: "The gay hairdresser, the black drug dealer…"

Taliesin: "Then you have the buddyism, which is you have the established characters going, 'Some of my best friends.' And then we can just have a character where this is part of the tapestry. Once we've gone through all of this stuff so that everybody has gotten it out of their system, we've kind of sifted the pop culture to the point that now you can just do it."

Marc: "But that's not just limited to LGBT."

Taliesin: "No, that's any."

Marc: You look at female characters, you look at African American characters, and what's interesting about the LGBT experience now is it's taken 100 years for Black characters, it's taken 100 years for women characters, the LGBT representation- In my lifetime- if you told me 20 years ago that the Supreme Court would say that marriage is a right, I would have said, 'No way.'"

Taliesin: "No."

Amy: "No way."

Marc: "If you had told me there was going to be a gay-straight alliance at my high school, where my graduating class was 1000 people, 99% of the them I'd say, 'No.' My high school reached out to me after the book came out to send copies to their library. The learning curve for LGBT- we have gotten the privilege of having a very accelerated learning curve on the backs of other minorities who are still struggling to get ahead."

Taliesin: "We got to live- you actually get to live to see the work pay off. Which is rare in human history.

Marc: "As you say, that's just the way it starts out. It starts with exotic, then it becomes noble savage, then it becomes villain, then it becomes minstrel, then it becomes best friend, then it becomes lead. That's just the evolutionary trail."

 54:32 Taliesin: "Culture is not a rocket ship. We all don't get on the rocket ship to the planet culture and go up to the moon. Culture is like life: it is chaotic, it is violent, it is hungry… It is not normal for everything to just keep getting better all at the same time. It's normal for everything to get better over a period of the long game. In any internal point, chaos—"

Marc: "Well, Love is Love, a tragedy made that book come to life."

Taliesin: "That is the soil in which these things get planted, sadly."

Amy: "But that kid who graduates high school [because the book encouraged them when they thought they couldn't do it], who knows what happens."

 0:55:04 Matt: "We've got Blackmarket Bingo asking, 'What does Pride mean to each of you individually?'"

0:55:11 Marc: "Well, pride to me is a loaded word because, as a writer, I think 'pride,' I think 'hubris,' I think pride can be a detriment. There's pride with a lowercase p and there's Pride with a capital P. I think, for me, Pride in the LGBT sense of the word is lack of shame, is owning who you are, and not apologizing for who you are."

Taliesin: "Personal honesty."

Marc: "And being a good person who's an honest person. If you're an honest person and you live your life by the only direction we need as people: treat people the way you want to be treated. I don't care if you're gay, straight, Black, white, Republican, liberal, conservative, whatever, if you treat people the way you want to be treated that is living Pride because you should be proud of us not yourself; you should be proud of the change you can affect to make the world a better place. And I know that sounds like fortune cookies or Opera, or Yanla (sp?) changed my life or something like that, but it is very true. So, a lot of these clichés are become cliché because they are very true. And I think if you just try and live your life honestly and be nice to people. Hold the door, let someone in in traffic, you know, talk to the old lady in line at the grocery store, you never know what difference that's going to make. You never know how that's going to change the course of someone's life, so why not?"

…

0:56:48 Taliesin: "The notion of, 'We're all in this together.' And I will say Pride for me has always been about… and I got a lot of, well, for various reason I got a lot of crap as a kid, but one of the things I got crap about was this notion from some people, this was the weird one, that I was somehow putting effort into being this kind of person. That this took effort, that I was somehow pushing forward a pretense, and I just kind of had to do the, "No, this is actually…"

Marc: 'Who has the energy?"

Taliesin: "Who has the energy to pretend to be this weird and awkward! This is just me letting go and if every- like-"

Marc: "I'm not Andy Kaufman, this is all real."

Taliesin: "This is not an act! this is just- I mean, occasionally it's curated, which is different, especially this being the internet, but like, just the notion that if we all are- and the honesty that I was talking about, it was not honesty to other people necessarily, but just waking up that morning and being the person you feel like being and then just treating everybody the way- and just finding that communication between real people, not people trying to live up to some notion of who they think they should be."

0:57:50 Marc: "Well, once again I'm going to circle this back to a quote Patty Jenkins said, she talked about how the word cheesy is banned on her sets because she said, 'When did we become afraid of genuine emotion and sincerity.' And I'm guilty of this; we've all become too cool for school; we've all become the kids in Heathers and all that. And that's kind of why we're at where we're at now: We're afraid to cry, we're afraid to let down our walls, and I can't even read the quote because I start bawling, but she talks about we're in a really difficult place as a species right now. We should be embracing sincerity and genuine emotion and that sort of thing. We shouldn't be afraid of it anymore. And I just responded to her, I tweeted back, 'Fuck yes!'

 1:09:28 Marc: "There's something to be said for the hidden and the metaphor, you know?"

Taliesin: "Yes!"

Marc: "It's great that there's so much acceptance for LGBT characters and LGBT people today, but part of me wishes it was still back when I was in my 20s when you would get- you would see someone as a party and be like, [knowing nod] 'Yeah, I know,' and it was just unsaid or your would know that Peppermint Patty and Marcy are going to have a bed and breakfast in Oregon when they're adults."

Taliesin: "Obviously."

Marc: "And all that secret handshake stuff was… It's immeasurably better now and I'm putting this in… I would never want it to change, but there was something that the not knowing, the not having everyone be in on the joke, was nice because it also gave us an ownership of ourselves where it was the club we could control, we were the bouncer at the door of this club, and of course, ironically, homogenization is a good thing and to an extent of everyone being missed up, but there's something to be said about the subtlety of that, and I think a lot of times the subtlety and the metaphors are far more impactful than the direct."

 1:15:41 Taliesin: "You have to be open to new ideas and you have to have faith in your ideas, if you think they're good ideas, that they're not… if they're good enough ideas, the world is not going to break them in half. They don't need to have a fence built around them. If you have good ideas and philosophies about the world, the world's not going to break them, it's going to enforce them.

 1:20:10 Marc: "'Cause I always say that being gay is a huge part of who I am, but it's also an utterly insignificant part of who I am. We're all, once again, we're all have the same day to day struggles."

 1:54:18 Amy: "I don't talk about it much, but I'm the B in LGBT, for the record. Doesn't tend to come up a lot."

Taliesin: "Are we going there?"

Amy: "Well, I am."

Taliesin: "Yeah, I am, too. Fuck it."

 Taliesin looked at her with intense trepidation after she said it. Worried about what that step might mean, but also what it said about him if he did that whole episode about Pride and but was too scared to show it. And then wrote it off with a brief shrug and "Fuck it."

If you enjoy my work, consider supporting me through ko-fi, Patreon, or my shop. I'm severely disabled and it all helps justify my time spent on this project. Learn more about how and why to support me, including links.

[aion-rsa]

Malcolm & Marie and the Rise of Quarantine Filmmaking in COVID

https://ift.tt/3p29Il0

At the start of the COVID-19 pandemic, a time when accomplishing even the simplest tasks had taken on the burden of the impossible, Netflix’s “secret pandemic movie,” Malcolm & Marie, became a way to process a year of stalled projects and compromised creative control. A Deadline feature retraced how Zendaya, one half of the two-hander’s cast, reached out to Euphoria creator Sam Levinson with the plea for a self-contained project when COVID delayed the HBO drama’s new season.

As Levinson rushed to write a script based loosely on his own experiences of failing to thank his wife at a movie premiere, he and Zendaya brought on Tenet star John David Washington for a movie at the complete opposite end of the spectrum from Christopher Nolan’s blockbuster; the Euphoria crew, in a COVID bubble in California, were able to keep working for a few weeks in June 2020 when so many others were laid off. What they created was a passionate, claustrophobic black-and-white relationship drama that has the rare distinction of being created during a pandemic while its story still reflects life before the virus.

On its own, Malcolm & Marie falls somewhat short of Oscar bait expectations. However, the film takes on greater nuance when considered in the context of the growing subgenre of post-lockdown movies. While this may ultimately prove to be a short-lived category of filmmaking, it already includes four incredibly varied films. Even if they all started with the same universal constraints—COVID tests and social distancing, small casts instead of big—they make for radically different statements about human connection (either during the pandemic or not), futility, about purpose.

In fact, you can plot these four movies over the axes of ignoring COVID versus acknowledging COVID in their actual plots, and closeness versus distance in the execution of said stories.

Malcolm & Marie

Ignoring the Virus and Embracing the Closeness of Quarantine

What’s immediately ironic about Malcolm & Marie is that its setting is anathema to our current situation: The eponymous couple come home from a movie premiere (remember those?), where he (Washington) is being celebrated as a rising Hollywood talent, and she (Zendaya)—an amateur actress, a recovering drug addict, definitely not a model—has been reduced merely to his loyal girlfriend. Their feature film-length fight might take place within the bounds of their spacious rented house, but every source of conflict and sticking point exists out in a non-pandemic world.

At the same time, the viewer is tangentially aware of the real-world limitations in filming this movie, i.e. the need to stay in one setting with only two players. The inability to leave that house–except for Marie’s desperate little steps of leaning out the window to smoke or of that ambiguous ending–is authentic to anyone who has been stuck in a relationship-defining fight: There are no shortcuts, no escapes; the only option is to see it through to the ugly end, only to watch the toxic cycle start all over again.

The actors’ close attention and shaping of their roles lends Malcolm and Marie’s relationship real intimacy, but it also contributes to the sheer exhaustion of watching these young lovers metaphorically eat their own tails without getting anywhere. Despite Malcolm’s appalling outbursts and Marie’s stunning monologues, nothing really changes; even his quiet “I’m sorry” at the end is a puny concession after all that emotional effort.

In fact, this ouroboros feels most like a reflection of the endlessly unfruitful fights that many a couple has experienced since lockdown began.

Locked Down

Acknowledging the Virus and Embracing the Closeness of Quarantine

By contrast, Mr. & Mrs. Smith director Doug Liman’s Locked Down casts its marquee stars (Anne Hathaway and Chiwetel Ejiofor) as ordinary people in the extraordinary circumstances of early 2020, when a pandemic that people still didn’t fully understand reshaped their home into a workspace, and work into a prison rather than an outlet. Steven Knight’s script—written in July 2020, on a dare—carries so many authentic field notes that it’s almost difficult to watch. You feel it from Zoom fatigue, with wine o’clock creeping up into the AM, to people talking over one another on video calls where they’re ostensibly checking in on each other. 

Liman also employed the same amusing device used by the Parks and Recreation COVID special, in which real-life couples had to explain why their characters happened to be inhabiting the same physical space during this era of highly negotiating personal contact. In Locked Down, it’s Psych star Dulé Hill and his costar (and real-life wife) Jazmyn Simon as the sympathetic American counterparts to Linda (Hathaway) and Paxton (Ejiofor), an American and a Brit who are not holding up well enough in quarantine. (A bevy of cameos, including Mark Gatiss, Mindy Kaling, Ben Kingsley, and more also scratches that itch of wondering what celebrities’ homes might look like.)

Paxton and Linda’s marriage seems to have ended around Christmas 2019, but being stuck in their flat just as the pandemic hit—he’s a driver unable to work while she’s a CEO who has the excruciating duty of firing her “family” of coworkers over Zoom—has beaten their senses of purpose to a pulp. Paxton attempts to make up for that by making the masked grocery runs and trying to connect with his neighbors through shouted evening poetry, but he’s suffering the all-too-familiar depression of the furloughed. Linda isn’t far behind when she finally confronts the soullessness of her corporate job.

When fate delivers the incredible coincidence of Linda overseeing the load-out of a priceless diamond from Harrods—with Paxton assigned to transport the goods—the estranged couple decide to embark on a heist, because truly what else are you going to do during a pandemic? Ultimately, Locked Down does a better job with the romantic dramedy aspect than the heist, yet its use of the iconic London department store is as ambitious as Ocean’s 8 with the Metropolitan Museum of Art. Though there are more twists to the movie’s character studies than the logistics of nicking the diamond, the scenes in which Linda and Paxton stroll through the deserted Harrods food court—which arguably carries just as many culinary treasures—provide that same breathless sense of getting away with something.

Both films were made with unprecedented levels of safety and sacrifice, which regardless of the final products’ quality will always set them apart from pre-COVID entertainment as successes in filmmaking. But then there are the COVID films that have embraced social distancing, building it into a plot point or stylistic device rather than employing movie magic to obscure it.

Host

Acknowledging the Virus and Embracing Social Distancing

Interestingly, one of Levinson’s early pitches to Zendaya was a horror film, although of course they eventually pivoted to relationship drama. Fortunately, another enterprising group of creatives went the horror route, and they managed to fold in a poignant tale of female friendship over digital distances in 2020’s Host.

A British found footage successor to Paranormal Activity told entirely over Zoom, this indie tale has a shockingly reasonable premise: Five girlfriends, bored to tears during lockdown, decide to conduct a séance. (Again, what else are you going to do?) But when sarcastic Jemma (Jemma Moore) fakes a backstory about a suicidal friend and their medium Seylan (Seylan Baxter) mysteriously drops the call, the girls are on their own as a demonic force crosses over into the physical plane… and into each of their flats.

Read more

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In the past year, we’ve all learned that Zoom calls can be awkward, boring, and occasionally revelatory—but this is the first time they’re truly scary. Host utilizes the familiar horror tropes of darkened rooms and whispered panting at the slightest of suspicious noises, but it takes on an utterly disturbing dimension when it’s five young women, in the prime of their lives, are all trapped at home apart from one another—not even that far, as Jemma and séance enthusiast Haley (Haley Bishop) live within walking distance of each other.

In found footage fashion, there are plenty of Paranormal Activity-esque moments of people getting dragged or lifted by otherworldly forces. Kudos to director and co-writer Rob Savage for remotely directing his actors, who had to learn how to do the aforementioned practical effects inside their own homes. But where Host is scariest is when it leans into Zoom technology, from a chilling use of silly facial filters to a sequence that will make you reconsider ever making a custom video background for your future Zooms.

As the demon begins picking them off at random, with the others watching in helpless horror, Jemma’s shift from apathetic nonbeliever to selflessly trying to save Haley is incredibly moving. There’s so much history to this fractured friendship that you’ll be rooting for them to reconcile, even as you realize Host’s final trick: It’s only as long as an unpaid Zoom session.

How It Ends

Ignoring the Virus But Still Embracing Social Distancing

You could make the argument that Daryl Wein and Zoe Lister-Jones’ pre-apocalyptic comedy could be interpreted as taking place during COVID, what with its many comedy stars all acting a conspicuous six or more feet from one another. It’s just that even if that were true, it wouldn’t matter, because there are bigger fish to fry. Specifically, an asteroid en route for Earth, conveniently set to make impact at the end of Liza’s (Lister-Jones) and everyone else’s last day in sunny Los Angeles.

Trying to make it to an end-of-the-world party in LA without her car, which has been stolen, Liza and her younger self (Devs’ Cailee Spaney) wander through the aggressively bright county, populated with other people doing their best to cope. Unlike the other films on this list, How It Ends makes no effort to hide that it was shot with stringent COVID protocols enforcing social distancing: Cameos from the likes of Fred Armisen and Lamorne Morris are shot on different floors of houses while Bradley Whitford is so far removed in his scene that it’s impossible to get him and Lister-Jones in the same shot.

How It Ends is more a series of loosely-connected sketches than a super cohesive narrative, but that’s how the film manages to bring in so many talented stars as kooky strangers whom the two Lizas encounter, from Nick Kroll as the shadiest of drug dealers to Olivia Wilde as Liza’s estranged psychic friend (a scene-stealer) ,to Ayo Edibiri (another absolute delight) as a teacher who decided, hey, why not try her hand at stand-up comedy while she still can? Even with this layer of grim humor, get ready for this movie to spark unexpected pathos in these Decameron-esque encounters between strangers. By leaning into the physical distance between these characters, How It Ends shows how even when faced with the literal apocalypse, humans will still hold themselves apart from one another. While Liza makes peace with a number of key figures from her life, by the time the asteroid is creeping its way to the horizon, she is faced with her most challenging, but also most freeing, task: To accept that it’s okay to just be alone with yourself during a world-changing catastrophe.

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[inkofamethyst]

January 10, 2021

I struggle with enthusiasm levels.  I’m enthusiastic about a lot of things.  I really love exclamation points!  But this makes me come off really strongly, I feel like.  I often want to express how much I appreciate a person or thing but the act of doing so to my full capability often feels awkward to me.  Why is that?  ...  Well, I think I might be afraid of people thinking I’m weird, I think.  Or that I’m trying to say something that I’m not.  Or that I’m being artificial.  So a lot of times, I think, I try to tone myself down?  I don’t know if that’s a common thing.

Speaking of enthusiasm, OHOHO MY FRIENDS

I have just watched Techno’s L’Manberg Destruction Stream and WOW what a beautiful battle.  Techno fighting off 20 dudes for 20 minutes?  Epic.  Techno giving his only Totem of Undying to Phil?  Epiccccc.  Dream dropping TNT from the sky while Withers run wild?  EPIC.

Alright so I saw that Ghostbur joined, and obviously he’s got the storyline I’m most interested in, but Techno never joined the vc with Wilbur so I’ve gotta watch Tommy’s vod.  Gotta say, I do love me some Villainous Dream.  I think it’s interesting how he and Tommy butt heads and also how nonchalant Dream is about being the villain.  Also I definitely think Tommy is really just, like, not understanding that Techno was being completely upfront with him and that he was kidding himself into believing that Techno actually cared about his interests.  That was what opened the door for Techno and Dream, two of the most dangerous characters on the server, to team up.  Anyway I just don’t understand why the discs are so important in the first place.

ANYWAY I’m watching Tommy’s vod and Ghostbur has just asked Tommy to be brought back OH AND WAIT apparently Ghostbur thinks only Dream can bring him back to life.  I suppose this means that if Dream is taken down by Tommy/Tubbo/Quackity (I wouldn’t be surprised if Dream calls in his favor with Techno for help), they could force Dream to bring Wilbur back.  I don’t know exactly how Ghostbur could be brought back or what that would mean for Wilbur’s character, but it should be ~fun~.

I’m also going to watch Wilbur’s POV rn because ~apparently~ this is the first time Ghostbur has ever gone live!!  Before, all of his stuff has been seen through the streams of others.  AWE I love Ghostbur and I’m so excited for what’s gonna happen.  oh snap ghostbur real angry at Philza over Friend.  not me... not me actually feeling bad for ghostbur.  (also I love how they all break character when Tommy gets randomly struck by lightning just after Wilbur asks to be revived lolllll)  OH,, NOT FUNDY BEING PRO L’MANBURG’S DESTRUCTION WHAT?  Anyway, I am happy to learn at least that Philza is canonically Wil’s dad and that, at least, most of what I’ve been pinning isn’t completely blasphemous (at least, not on that front).  Wilbur asking people to kill him has the same energy as that muffin in the asdfmovie that wants to be eaten.  I wonder if Glatt (ghostshlatt’s preferred name) will ask to be brought back too?  Wait okay so maybe it’s Phil that needs to bring Ghostbur back because Phil was the one who killed him?  (I don’t think livetweeting my thoughts about this is the most practical lol)  AHHH IT’S HAPPENING TODAY??  THE TENTH OF JANUARY???  omg philza’s doing it now ahaha.  guess I’ll be watching the vod sometime soon :D

Ah, what an awesome event!  I’m excited to see where the next arc takes us!  Wow I’ve spent, like, four hours cobbling all of this together.  Was it worth it though?  Yes!  

Alright, I’ve got some reading to get done before class tomorrow morning, and I think I might head to Goodwill tomorrow too maybe (or maybe later in the week)?  The parking lot was awfully crowded yesterday, so maybe weekdays will be better.  I’m essentially in search of more wool skirts, some nice pleated trousers, white cotton/linen button-ups, and button-up sweaters.

Oh and also, I watched a video about We Can Be Heroes, the sort-of Sharkboy and Lavagirl sequel, and like,,,, I wasn’t planning to ever talk about this movie again, but the video kinda did put me in my place.  Like, I’m not it’s target audience.  I was absolutely the target audience of Sharkboy and Lavagirl, one of my absolute favorite movies as a kid.  Basically what that meant was that I didn’t question the bad CGI or weird plot.  That movie honestly just felt like a dream, I suppose, which makes sense when you consider what the main theme of the film was.  But yeah, I could watch the Spy Kids and Sharkboy and Lavagirl movies back to back to back to back as a kid because they were made for people my age.  Honestly, I’d totally be interested to see what twenty-year-olds of the time thought of SB&LG, and other DCOMs, while we’re at it.

Wait hold on okay.  Last thing about the DSMP (today) I swear.  So!  I was only introduced to Ranboo a few of Techno’s streams ago and he seemed pretty chill but I didn’t know very much about his character.  Today when I finally went back onto Pinterest, I found out that apparently Ranboo’s character is actually pretty interesting (and dark lol) so I’m watching his stream from four days ago (the destruction of L’Manburg (yes, this makes it the fourth stream today I’ve watched of this single event, but I’m watching different storylines unfold and skipping the parts that are common to multiple streams (that’s lowkey not actually a good thing because, like, it’s just making me more invested in more creators which will take up more of my time))).  Alright so he’s monologuing within this obsidian box.  I honestly don’t know how many people could make monologuing interesting but he’s lowkey doing it well?  Or, at least, it’s entertaining to me and my fish-brain lol.  There’s apparently an “It” that’s important to Ranboo’s character, but I don’t know what “It” is.  He’s also got a thing with ~remembering~ but I don’t have enough background to know what all that’s about?  I suppose I might have to consult the Wiki or I could take the organic route and watch a few of the streams that follow?  If I have the time, if I have the time.  Ranboo canonically mentally ill pog?  His streams are cute though, so I could dig it.

Alright so I went and read the Wiki page on Ranboo and WOW that’s a dark character who I would love to follow.  I’ve got a thing for sad, unfocused characters, I suppose.  (The “It” is his Memory Book, likely taken and used by Dream.)

So!  Streams to watch/skim-- Philza’s Jan 10th stream, some of Ranboo’s streams (apparently he had a run in with Manipulative!Dream, and y’all know I (with shame, yes) get a kick out of that, so I’ll be fishing around for that).  

Today I’m thankful that I had a chill day (I should’ve been doing homework/readings, but alas).  I’m really happy with this DSMP arc (I think this is the end of an arc that started with the previous Destruction of Manburg (but they won’t be rebuilding from this one; the server is in absolute shambles)), as I’m sure you all can tell.

Side note: I’m pretty sure that if I read fanfic (and ohhh boy I can feel myself coming close some days), I think my comfort torture trope would be mind control/manipulation while my comfort romance trope would have something to do with power dynamics still, like jock/nerd (as I mentioned a week or so ago).  And like,,, I don’t know why??  I’m pretty much out of my physical whump phase, I think, but I think I do dig psychological stuff.  It’s weird, isn’t it?  Especially since I went through a similar thing?  Like it’s weird that I enjoy stuff like that still.  It can’t be normal, can it?  People shouldn’t be attracted to things that have caused them pain in the past, right??  So why am I?

[sleepyskunk]

Deconstructing the 2017 Movie Trailer Mashup

Why deconstructing a mashup? Because these videos are often perceived as a random mess of pretty images from movie trailers. While that’s absolutely true, there’s an opportunity to explore themes and also pay a few obscure tributes to elements that don’t belong in the video itself but that are generally widespread within pop culture. These montages have been going on for a few years now, and it’s hard to edit the footage in a way that won’t feel reminiscent of one of the many great retrospectives put out by other talented editors in years past. I have to say that trying to build a narrative with all that footage has now become more enticing to me than to highlight the moments that made the year in cinema within their proper context. Let’s get right into it, shall we?

Someone on Reddit commented: “starting off with GEOSTORM, that’s a bold move!” and it didn’t even cross my mind. The shot was exactly where I wanted to go right off the bat - a blend of childlike wonder and eerie caution reminiscent of earlier Tim Burton films. The track was composed for a television spot called “A Wonderful Day” from IT and it showcases major Danny Elfman influences. Thus, this was my small tribute to the Burton/Elfman collabs happening under snowfalls like EDWARD SCISSORHANDS or BATMAN RETURNS. I loved the contrast in dialogue from PERSONAL SHOPPER which was such an under-appreciated indie film this year. Every mashup has its horror section, but I am gently sneaking you in by the supernatural door this time around. It’s just innocent enough to deceive those who hate horror.

Childlike wonder flawlessly captured in one shot, from the lens of Matt Reeves. I can’t say I connect emotionally with his APES movies, but the quality control on every frame, CGI or otherwise, it pretty much above and beyond all industry standards. That facial expression is exactly what I needed, you can tell she’s not too sure whether she’s safe or not but without feeling properly scared either. This is like the part in the original POLTERGEIST where kitchen chairs are moving on their own and the family still thinks it’s kind of fun. Kind of.

KING ARTHUR is the best type of release when it comes to trailer mashups because 1) it had a fantasy undertone 2) it was tracking poorly and 3) it went way over budget. Big studios know months in advance if they have a major bomb on their hands, and they have two choices at that point: either stop spending a penny on it and dump it for a quick theatre run and VOD release (more common if the movie didn’t cost that much) or, like in this case, spend extra millions of dollars to sell the shit out of that movie on opening week-end before everyone realizes it’s bad. Those extra millions go towards CGI money shots like the one above, which is really meant to make the marketing more attractive and oh dear lord, did KING ARTHUR have some last minute money shots to offer or what? It was a joy to pick and choose from its nine trailers.

This is where I put my cards on the table, whimsy never happened and I am taking you all to creepytown. That shot from ANNABELLE: CREATION is one of the many that upstages the featured evil doll in that wonderful movie and the film’s cinematographer Maxime Alexandre reached out because he was happy so much of his work was featured. You never know in front of who your videos can end up and industry people are keen on celebrating the year in film, especially if their own works are included. This is just a top notch unsettling shot clearly inspired by THE SHINING (the girl’s dress and the way her arms look lifeless.) On a side note, I always manually add all sounds including that floor cracking. If anyone reading this is starting off editing mashups, I promise you one thing: using professional, isolated, studio-recorded sound effect packages such as BOOM library is much superior to the original trailer track (unless you get a clean sound within the trailer.)

Another random insight (if you’re interested in making your own movie mashups) is to try as much as possible to avoid that one marketing shot everyone recognizes. You can revisit a memorable moment but going straight to the most oversold shot of a film hurts you. While you’re eager to make everyone relive the most epic imagery of the year, some value gets lost when a studio bombarded the same shot over and over and you go for it. Two quick examples: Giant hologram JOI pointing at Ryan Gosling in BLADE RUNNER 2049. I wanted that moment, but the original side-scroller shot was so overused that I went with her from a closer angle (see video thumbnail). Another example is that uncomfortable sniffle from Daniel Kaluuya in GET OUT which I favored over the super overplayed mouth open crying paralyzed shot from every marketing piece. In both cases, I assume you know which shots I am referring to without having to show them. Trying the alternative makes us relive the moment without its obviousness. It gives that other shot they didn’t choose its moment to shine (and more often than not, it’s just as effective.)

Someone’s not getting much sleep. A CURE FOR WELLNESS is a gorgeous-looking film no matter what you think of its bizarre plot points. I spend much of the first segment flirting with the creative key points from IT. One I tried to play around with is the idea of Pennywise as a half-real/half-fiction monster, and how similar to Wes Craven’s A NIGHTMARE ON ELM STREET his realm of terror extends. A few winning concepts in both films: 1) He isn’t real but he can really hurt you so you have to stay on your guard at all times and 2) Only a select few have been cursed with having to deal with him, adding a psychological layer to an already spooky premise. Dane Dehaan looks like a kid from Derry, or Elm street if you prefer, whose mental focus seems affected by the fact that he saw something, and his friend saw him too. Meanwhile, I throw in a completely out of context quote from Vanessa Redgrave which ties in that mysterious “sickness” from Verbinski’s film.

A shot from PROFESSOR MARSTON AND THE WONDER WOMEN from a trailer edited by Kees van Dijkhuizen Jr. for Annapurna Pictures where he works as an in-house editor now. In 2015, I talked about Gen Ip’s storytelling approach and last year I praised Matt Shapiro’s famously epic crescendos, so this year, let’s talk about Kees a little bit because I find all their influences fascinating. My first observation is how far his much-adored Cinema series has taken him, and that one of the top production houses in the business (if not the top, sorry A24 and Fox Searchlight) hired him so he could bring his own distinct style onto their major features. The whole trailer mashup craze started off only a few years back and so many editors were recruited right off YouTube to turn their passion into a livelihood down in Los Angeles. I can think of at least six editors whose names you’d recognize and who are now living the dream, and I consider this to be really inspiring because none of them initially got into it thinking something like that was ever possible. (side note: I also moved to L.A. and was poached by a trailer house but prefer to keep things on the low-end until it’s been long enough. I wouldn’t want to jinx it.)

The second observation about Kees is how much influence he’s had on every mashup that gets uploaded on a daily basis every December (me included) - I will link his Cinema series below. Instead of pairing clips into a horror bit, an action bit, a laughing and dancing bit, a kissing and crying bit, Kees was always out to create new feelings and nothing ever seemed more important than proper flow. Many shots would pop-up that you would never expect thematically, images of moving objects like a breaking glass transitioned with a girl’s hair waving through the wind (also see the lie detector in the previous shot.) He would connect nature documentaries right along with major superhero blockbusters and the movements flowed so perfectly that nothing ever felt out of place, quite the contrary. He was the best shot curator we’ve ever seen, and the order in which he put them together was beyond logic and predictability. Imagine “One Perfect Shot” but with 275 perfect shots back-to-back. If you want a prime example of what I’m referring to (random objects and flow), check out 2:49 - 2:52 from his Cinema 2011 (links below). Kees set the bar so high that attempting an end-of-year mashup certainly felt foolish at times, but hoping to improve made the editing process all the more inspiring.

CINEMA 2008 | CINEMA 2009 | CINEMA 2010 | CINEMA 2011 | CINEMA 2012 

So apparently, they have the internet and flat-screen TV’s in RINGS but landline phones are still a thing. Quite frankly, I haven’t seen RINGS and I bet it’s aggressively ordinary, but how retro horror is that shot? Paired up with the voice of THE SNOWMAN saying “Mister Policeman” it’s a throwback to Nancy being terrorized by Freddy in the original Nightmare of Elm Street (minus the tongue.) I was also pleased with the aesthetic of HAPPY DEATH DAY, clearly the product of horror fans who grew up during the low-budget slasher craze of the early ‘80s. It’s got MY BLOODY VALENTINE written all over it (meanwhile their poster was paying homage to APRIL FOOL’S DAY.) Retro horror, in all its disturbing practical gore glory! Rick Baker, Tom Savini, how much we missed you in our modern times where only a few major productions have enough VFX money to escape the uncanny valley (and even then... *cough* JUSTICE LEAGUE.)

I always tend to edit right on tempo, which means switching shots at the exact moment the music beat tells you to. But over here, I thought this elevator drop from FLATLINERS looked so frenetic and out of control that I started it half a second before as if the beat couldn’t keep up! Like in cartoons when the car accelerates so fast that it takes off but their eyeballs are standing still for a little fraction. This whole mashup sequence is meant to be a little cartoony and tongue-in-cheek. To anyone who found this to be disturbing (and yes, I heard from a few viewers who said it was too much) I must admit that it wasn’t my intention. I won’t apologize for my work, people choose to watch if they want to or not. But if I really tried my best to scare the crap out of you, I can assure you THE LEGO NINJAGO MOVIE wouldn’t have made the cut.

Now channeling a CHILD’S PLAY vibe thanks to this retro television shot from the highly underrated BRIGSBY BEAR. A kids program works well as an element of fear because it’s supposed to be a safely protected zone of positivity and care, just like a doll or a clown for that matter. Once that turns on its head and begins to attack, you basically have nowhere else to hide. It also makes for great contrast, and Andy Muschietti must have had an absolute blast this year incorporating this component into his remake of IT. The bear costume was one of the many shots that wasn’t from a horror movie and yet I used to great effect in this section. I know there was a new CHILD’S PLAY movie this year but sadly, it didn’t hold a candle to the Hitchcockian original.

“At the end of the day, people are out for themselves.” That’s not true, and only people who are out for themselves could believe that. Because if you’re weighing low on the morality scale at some point in life, you still wanna go to bed thinking you’re a good person. So if you can’t justify what you did, the best logical next step is to convince yourself that human nature is to blame, that everyone else would have done the same as you. Ask people who were charged with insider trading on the stock market, they’ll always say “everybody was doing it.” I could refer to a certain World War to keep hammering that point but instead, I’d like to point out the interesting contrast between this and Part 3. I try to disprove that very statement by showing in the finale that everything we do that matters is for others, and others are the only thing that matters once everything else has come and gone.

The KING ARTHUR studio spending extra millions of dollars to sell the shit out of that movie on opening week-end before everyone realizes it’s bad money shot festival continues. EPIC! In fact, that shot is so gorgeous, you could place it anywhere in any mashup ever and it would probably work.

Having a bit of fun giving a more literal visual cue to IT’s “We all float down here” with Guillermo Del Toro’s hypnotically beautiful THE SHAPE OF WATER. However, it’s not the tudum tssshh, get it? movie connection that works here. It’s the underwater sound effect and the incredible sound mixing by trailer house Buddha Jones so that Georgie’s voice seems to come from the bottom of the ocean. This is likely the best sound work you’ll hear in the entire mashup, and I didn’t mix it, the editors behind that teaser trailer did. In fact, their work was so effective at scaring people that it earned twice the amount of views on YouTube than what Avengers: Infinity War received. A fact Kevin Feige will likely never admit.

That moment when you realize your manic pixie dream girl wears white socks! NOOOOOOOOOOOOOOOOOOO

I've used vulgarity in the past but not every year, depends whether it brings value. Some of you may remember “Game on, c***suckers” from KICK-ASS 2 in 2013 or “Nap time, motherf***ers” from COOTIES in 2015. Perhaps there’s another guilty pleasure at play here, however, which is that feeling of pure creative freedom. As mentioned earlier, not everyone digged the horror undertone of this year’s Part 1 and that’s okay because it went exactly where I wanted to go and no compromise was made. No client notes. No studio revisions. No censor beeper (which makes it worse because we seek to find out what the word was.) If you get into professional careers that are creative in nature, you’ll find that teamwork, compromise, and not taking anything personally are all essential components for success. But when the movie trailer mashup comes around, I report to no one. And that moment from THREE BILLBOARDS OUTSIDE EBBING MISSOURI is one I wanted included as soon as the red band trailer came out.

This shot comes from a small movie you should seek out called MY NAME IS EMILY starring Evanna Lynch (aka Luna Lovegood in the Harry Potter movies.) The film was directed by Simon Fitzmaurice who was diagnosed with Motor Neuron Disease (ALS) a few years ago, the debilitating disease for which the viral ice-bucket challenge was based on. He wrote the screenplay for this movie while his body was entirely paralyzed, and the only way he could communicate with the cast and crew while shooting the film was through eye gaze technology. There was a documentary following his brave journey that played Sundance called IT’S NOT YET DARK. Check it out if you need some real work ethic motivation and want to feel truly inspired about overcoming challenges. Much better than THE DISASTER ARTIST which is a spoof about a millionaire with no talent who mistreated the people who worked on his film. Okay, it’s still very entertaining and James Franco is hilarious but I don’t get a ‘never give up’ vibe from it, more like ‘maybe this isn’t for you.’

With the second segment, I was going for a British Gangster film vibe, hence the music cue Main Offender by The Hives. No movie captured that feeling better than Ben Wheatley’s FREE FIRE this year. I find the criminals in British movies are equally as clever in their quips as they are dangerous and often have the appearance of fair, well-behaved citizens until they have a reason to go mad. Jon Hamm’s performance in BABY DRIVER was also a textbook definition of that archetype, because all the build-up scenes where he acts friendly and discusses music with the titular character only bring an element of surprise at the end of his arc (spoilers: he’s not that nice in the end) I am aware that BABY DRIVER takes place in America but it’s directed by a Brit so it counts!

If Kubrick only knew his famous jump cut from 2001: A SPACE ODYSSEY that connects a flying bone to a space shuttle would lead to this fifty years later. What a shit show jump cuts have become! But they’re fun, and let’s be honest here: 7 minutes of serious quotes about life would get a little heavy. The way you edit jump cuts is the same way to solve a puzzle with over a thousand pieces. Extract dozens of short action clips onto your timeline and try to make them fit with one another over and over until you’re entertained. I mean, the music stays the same in the background, all I am doing here is deciding which projectile this pair of underpants from CAPTAIN UNDERPANTS will become. The answer was a tranquilizer from the underground mall chase sequence in Bong Joon-ho’s excellent OKJA. Maybe we should try one really long domino of jump cuts one day. Should take forever to edit, but how much fun would it be?

Did you know that Academy Award winner Alicia Vikander was a professional ballet dancer before she started acting? Work ethic applies in everything you do. When you hear about successful actors, you often discover people who are world-class at delivering under pressure and dedicating themselves to their craft with an insane amount of work. Acting is hard and yet so many people think they can do it, which makes it even harder. At least ballet puts constraints right off the bat, you need flexibility and a specific body frame. Part 3 is about finding your passion AND putting in the work. Just finding your passion is hard! It’s not always the bottomless pit one could hope for, especially when it becomes a real job with hours upon hours of work. Many people don’t even know what their passion is, they know what they’re good at but don’t love it. “Without your passion, it’s very hard to find our place in the world.” I don’t think you need your income to come from your passion in order to find said place, but I wish everyone that many of the limited hours they have each day goes towards their passion, and not towards something that feels like a waste of time. Wanting to wake up has everything to do with what happens after your first cup of coffee. Put your time towards something meaningful to you, even if it’s only on evenings and week-ends and you’ll never make a penny from it. If you love animals, volunteer at a shelter. If you love to travel, just GO!

But what happens when your family conflicts with your passion? Would you leave them behind to pursue your dreams? We all remember the tragic scene from DEAD POETS SOCIETY where a young scholar gets forced by his father to become a doctor instead of his passion and commits suicide. And then we have this year’s COCO, Pixar’s big comeback, where music is prohibited in Miguel’s family but it’s all he dreams about. But that conundrum doesn’t even have to be confrontational in nature. What if you wanted to work in a low-paying field like online journalism because it’s what you love but your single parent (who always took care of you) became sick and needed you to take care of their treatment. What happens then? What comes first? I humbly try to answer that later in the segment, of course.

We always told you Daniel Radcliffe... you’re special. That’s why you have a scar on your forehead that looks like a bolt... Just kidding, poor guy. I look at Mark Hamill in THE LAST JEDI and keep thinking that if studios are still a private enterprise in 40 years, some new Harry Potter movie will come out in which an old bearded Radcliffe will be teaching at Hogwarts. (PS: he keeps making bold choices, so much so that I am willing to watch anything he’s in.)

A man’s reach... (or woman, btw) should exceed his/her grasp. Words from a poem by Robert Browning, suggesting that, to achieve anything worthwhile, a person should attempt even those things that may turn out to be impossible. The downside with attempting the impossible is two-fold, however. 1) You may spend your life trying and never succeed. 2) If you do get there after so much sacrifice and effort, the world will expect you to do it again, or to keep doing it at the same level or better. If you won a Gold medal at the last Olympics, what are the expectations for the upcoming Olympics? That’s where passions and dreams enter a darker road, one many people choose to avoid altogether. But whatever happens, it’s worth the risk as long as you have the one thing along the way that’s a hundred times more important. And that thing is...

...people who love each other! Look at this guy, he just figured it out!

Kate Mara in MEGAN LEAVEY really seems to be the one thinking out loud in this shot while we hear a quote from THEIR FINEST. I had a blast with the Freddy Krueger references earlier but this is my favorite part. Audiomachine make the best tracks to bring that crescendo to its proper peak. You can say this part of the mashup is more in my comfort zone. And the influences from Kees that I discussed earlier can be felt here. Some shots of objects and landscapes that aren’t thematically connected but keep a nice flow. I also handpicked the best cinematography of the year all at once here. MURDER ON THE ORIENT EXPRESS was a damn pretty movie, then SHAPE OF WATER, then THE MAN WHO INVENTED CHRISTMAS, then OKJA. Every shot looks like a million bucks. Notice the use of paper, letters and ink. I want to see you again, a character from EVERYTHING EVERYTHING writes on a sheet.

Family comes first is nice, but along with family comes conflict and distance at times. Things we said that we regret. Times we let each other down, or weren’t there when we needed to. All the papers dropping from the bridge, all the shots that refer to letter writing, that’s where I was going with that. Not always obvious because it moves so damn fast which is why I do this deconstruction blog post every year!

The final big lift from Disney’s BEAUTY AND THE BEAST! Also, the first frame I added onto my AVID timeline. This is how I organize my work basically. I pick the right songs, then I identify the exact moments in that song where a big moment should happen - if you use trailer music, it will be crystal clear what those are. And then I try money shots in each of these spots over and over until one really, really fits. Then, I ask myself how did we get here, how can I get to that point? And build around these big moments. The second shot I added into the mashup was the little girl in Part 1 under the bed who points to another version of herself sleeping in her bed and says “Shhh! That’s not me.” I put that in right when the music stopped, it became a big moment, and then I built around it in order to get there. Every editor works differently, but I am just sharing how I personally prefer to do it. Back in 2012, the first clip I added onto the timeline was “I have an army. We have a Hulk.” from THE AVENGERS which means I’ve been editing this way for five straight years.

Those letters of reaching out to people you care about. Apologies or wondering how they’re doing. Flying everywhere around Winston Churchill (that’s my dog’s name, he’s a Pembroke Welsh Corgi!) I guess you should always be the one to reach out in difficult situations with important people. The mistake is to not reach out, or convince yourself that they were dragging you down and you’re better off without them. That’s rarely the case, and you’ll never get over them when you know that’s not the case. Maybe they will reply someday, maybe they never will. But you swallowed your ego and you decided to give it one more shot. That’s the bravest thing we can do in this life, and I hope you’ll see it that way if the time comes. Happy New Year! Achieve your passions, take care of the ones you love and make it a wonderful day! (Halle Berry: “Aaaarrh!")

- Sleepy Skunk

[weekendwarriorblog]

WHAT TO WATCH THIS WEEKEND September 6, 2019  - LINDA RONSTADT: THE SOUND OF MY VOICE,  SUPER SIZE ME 2: HOLY CHICKEN! and IT: CHAPTER TWO

Lots of COLONS -- there, you happy Edward Havens? :) -- in this week’s featured movies, huh?

Although summer still has a couple weeks left according to a couple of my co-workers, the fall movie season officially starts this weekend, but before we get to the wide releases, I want to talk about the fantastic doc LINDA RONSTADT: THE SOUND OF MY VOICE (Greenwich Entertainment), which opens at New York’s Film Forum on Friday. Directed by Rob Epstein and Jeffrey Friedman, this movie really surprised me, because I never considered myself a fan of Ronstandt, despite listening to a lot of AM Top 40 radio in the ‘70s – yes, I was alive back then. I know I don’t look it, but I’m old.

This movie gave me goosebumps hearing Ronstadt at the beginning of her career, the archival footage of her performances making it blatantly obvious how talented she was and why she became so popular, something that wasn’t nearly as evident hearing songs like “Blue Bayou” on the radio.  What’s even more amazing about Ronstadt is that I didn’t hear about much of her work in the ‘80s, as she started doing more unconventional things like honoring the traditional Mexican music of her father. I mean, she was just an amazing artist but she started drifting away as MTV made major stars out of much less-talented singers. And then of course, there’s the Parkinson’s Disease that made it impossible for her to sing and kudos to the filmmakers for actually catching a rare singing moment with her family. This movie honestly got me quite teary-eyed as it went along, because you watch this amazing talent having her greatest asset taken away from her by this horrible illness.

Anyway, this is another music doc that I highly recommend checking out if it plays at a theater near you as it continues a long run of solid music docs we’ve been getting so far this year. (Oddly, David Crosby was supposed to be in this movie, too, but I don’t remember seeing him in it, but saw his credit at the end. Weird.)

Another doc opening in New York, L.A. and Chicago before expanding further on Sept. 13 is Morgan Spurlock’s SUPER SIZE ME 2: HOLY CHICKEN!... and yes, the irony of Spurlock still calling his movie something that includes the words “Me, too” in it is a little more than ironic, since it was the movement that took him down just a few weeks after the movie premiered at the Toronto Film Festival (which is where I first saw it). But honestly, Spurlock took himself out, as he came forward and admitted a few things from his own past, which basically got the movie dropped by YouTube Red, who had just bought it. Two years later and I’m not sure how I feel about the movie, but when I saw it back then, I thought it was a worthy successor to Spurlock’s Oscar-nominated film. This time around, Spurlock wants to set up a healthier fast food option, choosing a chicken sandwich place but also wanting to stick to some of the guidelines by making the chickens organic and free-range, something that he finds is more difficult than he initially thinks.

I generally like Morgan Spurlock’s docs, which generally includes himself as a personality, similar to the work of his peer Michael Moore, but Spurlock doesn’t always make super-serious docs and always keeps him mind on the entertainment aspect of going to the movies, and in that sense Super Size Me 2 is as entertaining as some of his past films.

Super Size Me 2 is opening at the Cinema Village in New York and Laemmle Music Hall in L.A. on Friday.

The only new wide release this weekend is New Line/Warner Bros’ IT: CHAPTER TWO, which I’m sure I’ll be writing about a lot over at The Beat, so go click on those links so that they’ll continue hiring me to write more stuff! You can read my review here and an interview with actor James Ransone over at The Beat.

LIMITED RELEASES

Because it’s early September and there is a big wide release, there isn’t as much to talk about as far as limited releases.

Apparently, Janice Engel’s doc Raise Hell: The Life and Times of Molly Ivins (Magnolia) was released in Texas last weekend, which makes sense since that’s where journalist Molly Ivins is from, but it will open in New York and L.A. this weekend as well. I wasn’t as big a fan of this doc as the ones above just because Molly Ivins just felt like she was trying to do a stand-up comedy routine. In other words, the film lacked the depth I would have hoped from a political figure.

Chelsea Stardust’s Satanic Panic (RLJE Films), written by my good friends Grady Hendrix and Ted Geoghegan, that follows Hayley Griffith’s Sam, a pizza delivery driver whose last stop of the day is to a group of Satanists looking for someone to sacrifice. Yup, that sounds like something Grady and Ted (who wrote Ted’s second movie Mohawk) might come up with. So Sam must fend off witches and demonic creatures before she can end her shift. The film also stars Ruby Modine, Rebecca Romijn, Arden Myrin and Jerry O’Connell. It will be released in select theaters and On Demand Friday after premiering at the Overlook Film Festival and playing Fantasia in Montreal in July.

Two more movies opening at the Cinema Village(and other theaters) is Rowan Athale’s Strange but True (Lionsgate Premiere), a star-studded thriller based on John Searles’ novel, starring Margaret Qualley from Once Upon a Time … in Hollywood as the ex-girlfriend of a dead high schooler who shows up at his family’s house claiming that she’s pregnant with his child (five years after her boyfriend Ronnie’s death). Ronnie’s mother is played by the great Amy Ryan and brother by Nick Robinson, and the movie also stars Greg Kinnear, Brian Cox and Blythe Danner, which makes you wonder why this is being four-walled and most likely getting a typical Lionsgate Premiere VOD release.

Paul Taublieb’s doc Blink of an Eye (1091) is an inside look at the Daytona 500 in 2001, featuring Michael Waltrip and Dale Earnhardt Jr, and that’s about all I know about it. Waltrip is a perennial underdog who broke his 462-race losing streak just before the 2001 racing season, but when his best friend the older Dale Earnhardt crashes in the last lap of the Daytona 500, he steps up to race against Dale’s son, Dale Jr.

Opening at the Roxy Cinema in New York this week is Michael Oblowitz’s surfing doc Heavy Water, which follows surfer Nathan Fletcher, whose brother is credited for introducing punk rock skateboarding techniques to the sport. That’s about all I know about that one.

Since actor/filmmaker Justin Chon (The Twilight Sagaand Gook) will be in Toronto this weekend with Wayne Wang’s new movie (which is premiering there), he probably won’t be doing many opening weekend QnAs for his new movie Ms. Purple (Oscilloscope), which opens in L.A. at the Landmark Nuarton Friday and at the Quad in New York on Sept. 13. This one is a drama about a brother and sister (Teddy Lee and Tiffany Chu) who seemingly are stuck in Koreatown after being abandoned by their mother and raised by their father, who is dying. It sounds like a real hoot.

Opening in New York and L.A. is Simnon Hunter’s Edie (Music Box Films), starring 86-year-old legend Sheila Hancock as a widow about to be forced into  retirement home for her last days but wanting to do one last climbing trip before she dies.

The Bollywood film Chhichhore(FIP), directed by Nitesh Tiwari (Dangal), will also open on Friday in top markets, taking place in a hostel filled with interesting and unique characters who go on a journey together.

Coming to theaters for one night only (i.e. Thursday) is Melanie Martinez’s musical K-12 (Abramorama/Atlantic) about a girl named Cry Baby who is sent to a disturbing sleepaway school where she is bullied until she finds a friend who helps her fight against the Principal and his “wicked staff.” I haven’t seen this but having suffered through Slaughterhouse Rulez I’m slightly dubious.

LOCAL FESTIVALS

Not local, but the Toronto International Film Festival (TIFF) starts this week. It’s my favorite film festival on the world (after maybe Oxford) but I can’t afford to go for a second year in a row, so instead of writing about it, I’m just gonna spend the next week and a half sulking and writing about other things. L

REPERTORY

Since it’s September, a new month and a movie season, I’m welcoming a new addition to this section…

ALAMO DRAFTHOUSE BROOKLYN (NYC)

I went to see Hitchcock’s Vertigo in 70mm over the past and saw that they’re starting to do a lot more rep. programs tying to upcoming new releases by directors like Pedro Almodovar and Bong Joon-ho, so I’m going to start including some of their screenings and hoping they won’t disappoint me like the New Bev has the last few months. (And hopefully I can include the brand-new L.A. Drafthouse soon, as well.) The problem is that very often, the rep screenings might sell out before I have a chance to write about them, similar to the New Bev, actually.

Much of the Alamo’s rep programming happens on weekdays at 9:30 PM, but as I mentioned, they have some interesting fall series planned.

This week’s “Weird Wednesday” is Drop Dead Fred (1991), starring Rik Mayall of “Young Ones” fame. Monday’s “Video Vortex” is the 1943 Bollywood horror film Son of Dracula, and next Tuesday’s “Terror Tuesday” is the original found footage horror film The Blair Witch Project from 1999. (There’s a free screening of Jacques Demy’s The Umbrellas of CherbourgWeds night for Alamo Victory members but it’s already sold out.)

METROGRAPH (NYC):

I never thought the Metrograph would bring back its initial charter “A to Z” program with more offerings but sure enough, this week begins Welcome To Metrograph: Redux! On Thursday, it begins with John Carpenter’s Assault on Precinct 13 from 1976 and continues Saturday with Ján Kadár’s The Angel Levinefrom 1970. I have never heard of Paulin Soumanou Vieyra but clearly, the programmers at the Metrograph have as they’re playing two shorts programs as well as his 2019 movie Testimony on Sunday and Monday. Also, the Metrograph will continue showing off its love for Anime with a regular engagement for the late Satoshi Kon’s Millennium Actress (2001) after showing Paprika and Perfect Blue the last couple weeks. (You can still see Perfect Blue and Paprika on Thursday, as well as Roehmer’s Le Rayon Vert and Goddard’s Pierrot Le Fou.)  This week’s Late Nites at Metrograph  is René Laloux’s animated Fantastic Planet (1973). Kinda esoteric, no? Playtime: Family Matinees  is Miyazaki’s Spirited Away (2001), so a little more mainstream for the kiddies. Also, some of the Shaw Sisters movies continues through the weekend, and I can recommend both Puppy Love and Starry is the Night, two of my favorites from the series.

FILM FORUM (NYC):

“Marty and Jay’s Double Features” ends on Thursday, so your last options are William Holden’s The Counterfeit Traitor (1962) and Slightly Scarlet  (1956) on Wednesday and Sanjit Ray’s The Music Room  (1958) /Il Post (1961) or Voyage to Italy (1954) and Vincento Minnelli’s The Long, Long Trailer (1954), starring Lucille Ball and Desi Arnaz on Thursday. Joseph Losey’s 1976 Holocaust drama Mr. Klein, the filmmaker’s first French film after being blacklisted in Hollywood, will be screened on DCP starting Friday. Also, “Film Forum Jr.” is BACK this weekend with Buster Keaton’s Our Hospitality  (1923)on Saturday and Sunday morning with live piano accompaniment.

EGYPTIAN THEATRE (LA):

Egyptian going a bit esoteric this week with “A Short Series about Krzysztof Kieslowski” (which I won’t even try to pronounce), dedicated to the filmmaker behind the famed “Three Colors” trilogy, which will screen (all three chapters!) on Sunday evening. On Thursday, there’s a double feature of A Short Film about Loveand A Short Film about Killing, both from 1988, and they’re both under 90 minutes so no lie in the title. Friday is a double feature of The Double Life of Veronique (1991) and 1981’s Blind Chance.

AERO  (LA):

This week begins the French Noir series “The French Had a Name for it 5” with a number of double features. On Thursday, there’s Quai es Orfèvres (1947) and The Sleeping Car Murder  (1965), Friday is Maigret and the St. Fiacre Case  (1959) and Port du Desire (1955) and Saturday is René Clement’s Purple Noon from 1960 and a double feature of Melodie en Sous-Sol (1962) and The Sicilian Clan  (1969). If it isn’t obvious, I haven’t seen any of them, but I have seen John Waters’ Pink Flamingos, which is the Aero’s Friday night midnight movie. Sunday’s French noir double feature is 1946’s Paniqueand 1947’s Non Coupable. “Heptember Matinees” continues on Tuesday with Katherine Hepburn and Spencer Tracy in Adam’s Rib from 1949.

FILM AT LINCOLN CENTER (NYC):

Friday begins a new series called “Sci-Fi Visionary: Piotr Szulkin”  showing six of the Polish filmmakers films beginning with 1980’s Golemand 1981’s War of the Worlds: Next Century. They’ll also be showing a new 4k restoration of George Nierenberg’s 1982 music documentary Say Amen, Somebody (Milestone Films) about American gospel music starting Friday with QnAs and choir performances following screenings on Friday and Saturday.

IFC CENTER (NYC)

Beginning Weds, the IFC Center will screen the new 4k restoration of David Lynch’s Blue Velvet (1986), a movie that I feel it’s been showing as part of its midnight series for months… but if I get to this week’s offerings, and there’s the same bullshit I’ve seen every single week, I’m moving this down to the bottom of the rep section. This weekend’s Weekend Classics: Staff Picks Summer 2019 is John Singleton’s 1995 dramas Higher Learning starring Laurence Fishburne, chosen by “Kashif” and “Marilyn,” while Waverly Midnights: Staff Picks Summer 2019 is Scorsese’s 1999 film Bringing out the Dead (chosen by “Luke”), starring Nicolas Cage.Okay, at least this week’s Late Night Favorites: Summer 2019 is Satoshi Kon’s 2006 movie Paprika (2006), which the Metrograph has been playing for weeks, so I’ll spare the IFC Center from punishment … for now.

MUSEUM OF THE MOVING IMAGE (NYC):

On Friday night, the museum is showing Douglas Trumbull’s 1983 sci-fi thriller Brainstorm in 70mm, and then on Saturday and Sunday, its showing It’s a Mad Mad Mad Mad World and Spielberg’s Ready Player One, also in 70mm.

ROXY CINEMA (NYC)

On Thursday, the Roxy is showing Jonathan Demme’s Talking Heads concert film Stop Making Sense, and then on Saturday and Sunday, it’s showing the Apocalypse Now 40thAnniversary Final Cut.

LANDMARK THEATRES NUART  (LA):

This week’s Friday midnight is Tommy Wiseau’s The Room… again. YAWN.

THE NEW BEVERLY (L.A.):

Here I was going to give Tarantino the benefit of the doubt that he’d be back to rep programming in Sept. but why do your job as a programmer when you can just play your latest film and make just as much or more money? Sure, it’s playing The Postman Always Rings Twice from 1946 as the Wednesday matinee the original Disney The Parent Trap (1961), starring Hayley Mills, as the weekend KIDDEE MATINEE. And I do love P.T. Anderson’s Punch Drunk Love, which is playing as the Monday matinee. But otherwise, it’s all Once Upon a Time … in Hollywood all the time. (I guess the Saturday midnight movie is Reservoir Dogs at least?) For this infraction, the New Beverly is being moved to the VERY BOTTOM of this section as punishment, yes, even below the Nuart’s midnight screening.

(NOTE: As of now, it doesn’t seem like the Quad Cinema or BAM in Brooklyn have any new repertory screenings this weekend.)

Next week, the wide releases are STX’s Hustlers and Warners’ The Goldfinch, plus I hear Jillian Bell’s Brittany Runs a Marathon will be expanding even wider. I’ll cover most of those over at The Beat, but I’m sure I’ll have stuff to write about here as well.

[findingjoynweirdstuff]

Dream SMP Recap (August 3/2021) - A Year Later

Jack celebrates a lonely birthday and makes a decision about his life moving forward.

Wilbur and Ranboo visit the ruins of L’manburg and find Tubbo there, mourning the country.

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VOD LINKS:

Jack Manifold

Wilbur Soot

Foolish

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- It’s Jack’s birthday. He sings to himself alone at the top of the hotel, with a cake

He hasn’t left this room in 80 days. He’s been drinking a lot and he keeps blacking out. He’s dressed up in his old L’manburg uniform

- Jack hasn’t gotten many customers in the hotel. The one he’s managed to get is a skeleton

- He decides to go outside and look around

- He finds Tommy’s new house and meets Shroud

- Jack goes down into the sewers and remembers when he first joined the server and he, Tommy and Quackity (still in juvie at the time) did their heists

- He’s pissed off that everything he cares about on the server gets destroyed or taken advantage of. He’s not sure he even wants to be here

- Tubbo logs on while he’s monologuing

Tubbo: you smell of shit

- Jack goes to Las Nevadas to see how it is after Quackity promised him a business deal so long ago

Tubbo: shit smellin lad

Jack: “You know, at least he logged on. At least he logged on to say something to me.”

...

Jack: “This is kinder than anything else anyone has done as of yet. Therefore, you’re alright, Tubbo.”

- Jack reaches Las Nevadas and sees that it looks pretty done. Quackity didn’t hold up his end of the bargain

- Jack decides he no longer wants anything to do with anybody. He wants to do something for himself. He wants something new, completely different.

New Manifoldland

- He travels far into the wilderness to find a spot to make his new land

- Wilbur sings the L’manburg anthem, asking if Ranboo knows it. He tells Ranboo the story of how Wilbur based it on the tune of Hallelujah because of Tommy singing it to the tilled dirt

- He and Ranboo walk down the Prime Path, noticing the beets. They visit Eret’s museum. Ranboo’s been working on the Ranvan

- Wilbur wants to go to L’manburg. Ranboo says it’s called L’manhole now, but Wilbur doesn’t approve. It’s called L’manburg

- Wilbur’s excited to see how the crater’s changed now that the glass is gone. He sees the flag at the bottom and hops down

- They spot Tubbo over on the ruins, singing the anthem quietly to himself

- Wilbur sees Tubbo wearing the suit and tells him he looks like a mirror in it. Tubbo just put on the suit since it’s been a year

- Wilbur hasn’t seen Tubbo much since he was first resurrected. He asks if Ranboo’s met Tubbo and says he’s calmed down now, gotten settled

- Wilbur apologizes to Tubbo, for making him the president of a crater

- Tubbo tells him this crater wasn’t all him, and he forgives Wilbur

Wilbur: “Man, my little Secretary Treasury, remember that?”

- Ghostbur put effort into rebuilding the place. When Wilbur points out the obsidian grid, Tubbo mentions Dream and Wilbur starts talking about how he loves Dream. Tubbo says it was Techno and Phil who did this

- Wilbur is confused. Didn’t Techno and Phil live here? Tubbo tells him they hated the government, but Tubbo rebuilt this place

- Wilbur is touched

Wilbur: “I was so pressed about not having a grave — screw a grave! I built something that you loved, that you — that you wanted to preserve! That’s—“

Tubbo: “Yeah, I really — honestly—”

Wilbur: “Tubbo, that’s worth more to me than a grave.”

- Tubbo’s been lost without L’manburg, all his core beliefs died with it

- Wilbur has something, though. He has a burger van and plans for it — Paradise — and he’s wondering if Tubbo wants to come join him. Tubbo is unsure. He’s forgiven Wilbur, but he still isn’t sure that he trusts him

- Wilbur has been thinking for thirteen years. He’s really, truly sorry

Wilbur: “I’m not gonna hurt you again, I’m not gonna, you know — I know you had that — at the Festival, with Technoblade? I never spoke to you properly about this. I…I could’ve saved you.”

Tubbo: “But you didn’t.”

Wilbur: “I — Tubbo, I’m reaching out to you here man, I’m on my knees bro, I — I’m sorry, I’m really really sorry and I — literally your forgiveness means so much to me but it doesn’t give up what I did to you and it doesn’t give up how I failed you as a friend, you know, as — fuck being as a coworker, as, you know, anything! Ranboo, you might not have known all of this, I can explain later on, but Tubbo — man, I wanna make it up to you, and you know what? I appreciate that you don’t trust me. I do.”

Tubbo: “Wilbur, in order for you to gain my trust back, you have to prove it first. I can’t just give it out anymore. I used to be able to, but I just — I just can’t.”

- Wilbur wants to prove to Tubbo that he’s worth being trusted

Tubbo: “You know I still have dreams, right? Of the explosion, and — and of the fireworks, and — and all of it. I still — I vividly see all of it, every day. It hurts. It hurts a lot, Wilbur.”

- Wilbur understands he needs to earn Tubbo’s trust

Wilbur: “Tubbo, do you know how fucking strong you are? And I’m not just trying to say this, I’ve got your forgiveness and I know I need to earn your trust but man I just want to let you know, I — you’re so strong man, genuinely. Just the fact that you proved to me just there that you have these memories and you have these nightmares and you still found it in your heart to forgive me, that’s…You’re a fuckin’ champion, man. You’re a — you’re a hero.”

- Wilbur invites Tubbo to see Paradise, but Tubbo wants to stay. He gives Tubbo the lucky rabbit’s foot Tommy gave him and leaves with Ranboo

- The two of them talk about L’manburg’s history. Wilbur tells Ranboo something he’s never told anyone, not even Tommy:

He told Tommy that he didn’t care about L’manburg, but that’s not true. L’manburg was really important to him and still is to this day.

- Everyone’s moved on from L’manburg, but Tubbo is still the last connection

- Wilbur doesn’t want to string Tommy along too much

Wilbur: “When I look at him, when he’s helping me out, building things with me, I — I see the same eyes that looked at me when…when…they weren’t some fun times in the ravine of Pogtopia, I wasn’t a very well man, and I can just see Tommy from that day.”

- They reach the Wilburger Ranvan and Wilbur likes the decoration Ranboo’s added. Wilbur asks him again why Ranboo trusts him, and Ranboo says he knows what it’s like to not be trusted

Ranboo: “If no one’s with you, then how can anyone really know when you’ve redeemed yourself?”

Wilbur: “You wanna be here to see the fireworks, huh?”

(Thunder booms)

- Wilbur says Ranboo’s got exactly the mindset he’s thinking of and he knew he could trust him. He tells Ranboo when Tubbo comes over, they can get to know each other better

- Wilbur leaves Ranboo at the Ranvan

- Foolish plants ridiculous amounts of bamboo

—-

Upcoming Events:

- Wilbur’s 10(?) planned streams

- Egg Finale Stream [possibly this week…possibly soon?]

- Tales From the SMP: “Space Race”

- Ponk’s prequel stream

- Ponk’s current-day lore with Sam

- Puffy’s Lore Cast

- Sapnap’s lore

- Dream’s lore video

- Quackity’s casino opening

- Captain Puffy’s lore stream