#as long as he's safe

[tenebrius-excellium]

cries in *the symbolism in Httyd1 about flying up then plummeting to your certain death being mirrored in Test Drive and Battling The Green Death, the symbolism of Httyd2 about intentionally going down followed by a close save but so much trust being mirrored in Where No One Goes and Toothless Found and the final moment in Httyd3 where Hiccup super intentionally and metaphorically lets go and plummets fully ready to give his life for Toothless like once you have tasted flight, you will forever walk the earth with your eyes turned skyward, for there you have been, and there you will always long to return quote by Leonardo da Vinci okay bye*

[chloesimaginationthings]

Jeremy Fitzgerald bravery in FNAF 2 worries Michael..

[amaranthsynthesis]

First morning wake up after the nautiloid crash and there are still many questions to be answered. Not by Ballard, though! He doesn't know shit or remember fuck all! My man has the lowest possible intelligence stat without incurring a negative, and also there's holes in his brain.

Had the thought a ways back about the notes you find from Kressa in the Illithid Colony re: the dark urge strangling her with his own intestines. I'm not sure how he was healed from her experiments, if they scarred or how long the marks might last, but my policy is not to turn down shit about durge that's funny/deeply upsetting so here we are. This is the first time I've drawn Gale I think and I love him.

Also:

[potassiumprincess]

i think marinette is worse at resting when she's sick but adrien is worse at sitting things out if he's injured. i have no explanation, these are just the vibes

[thatpunnyperson]

According to NBC here in the US, the missing titanic sub has been found. As debris. Off the bow of the Titanic wreckage.

And it looks like the sub suffered what we all suspected, and what was undoubtedly the more merciful of the two options: a catastrophic implosion from the pressure.

Also, more info has come to light about the fishing trawler with the hundreds of migrants that sank cataclysmically off the coast of Greece, indicating that the greek coast guard knew about the vessel AND how much trouble the vessel was in, and were towing it at a speed that made it capsize, at which point they unhooked the tow line and watched the trawler sink without helping the passengers to safety. Despite a bunch of other ships trying to help as well throughout the whole ordeal.

So a lot of people are dead, all because of regulations (and the lack thereof) regarding sea-faring vessels and rescue protocols. People shouldnt be allowed to make a business charging a ton of money for a ride on an uncertified, unsafe, un-seaworthy ship going deep into the ocean with no distress beacon or tether to the mothership. People also shouldnt be allowed to enact laws that criminalize the ferrying of refugees, which then force the refugees to hitch rides on fishing trawlers, and which also prevent people from helping those fishing trawlers full of refugees due to fear of legal consequences.

Hopefully BOTH of these events spark changes on an international scale in terms of what is legally allowed to be sailed, who is legally allowed to be the passengers, and what the rescue protocols are in the event of disaster for any seafaring vessel, illegal or not. It shouldnt be just the global 1% who get 24/7 search parties and remote-operated submersibles helping rescue them.

[ghost-bxrd]

Prompt:

It’s not that Jason forgot, per se.

But between smuggling a toddler out of the League of Assassins, trekking halfway across the world, and finding a suitable hiding place that’s also child friendly… well, it kind of slipped his mind that he’s supposed to be… dead.

Something that comes back to bite him in the ass when he takes Dami out for some ice cream and just so happens to run into non other than Brucie-fucking-Wayne

[willowser]

after you and katsuki have the "baby talk", you're being wrapped up in him in bed and your toes are curled and you can feel the nerves tingling even in the tips of your fingers and you're shuddering through the aftershocks of a GREAT orgasm and he's so close and fucking you so deeply and lovingly and he sits up suddenly, back on his knees, to ask—

"'kay, 'm not," he's breathing so hard, skin tan and gleaming with sweat, and you don't know if he notices, but his hands are shaking when he rests them on your thighs. "'m not pullin' out, right?"

you try to swallow and your throat is dry, the nerves in your belly buzzing for a different reason. "yeah," you breathe, shifting your hips absently, yearning for the friction when he hisses and holds you still. "i mean, unless you...want to."

"d'you want me to?"

and despite the fact that you just had this conversation—you feel shy, suddenly, a little flustered at the thought that he's, essentially, putting a baby in you.

but katsuki swallows hard and wets his lips and he's flushed, in the low light of your bedroom. it could be from all the activity, sure, but his own end is coming a lot sooner than it usually does and you have an idea why that might be.

"no," you tell him, honestly, "not really."

before he can finish letting out his sharp exhale, he's back on you, cradling your face in his hands as he speaks, breathless, against your lips. "fine by me."

(and it doesn't take much more than that.)

[iliothermia]

I won't be able to finish this drawing before the convention, which will take up my next 5 days.. But I want to talk a little about him.. I've been thinking about golems and Frankenstein, and the trans body, projection and misunderstanding, villainization and death.

The concepts of Frankenstein's monster and the golem have been swimming in my head for a while, and their lore intertwining.. The tragedy of existing being seen as a monster no matter how you try,.. And the Golem, a protector of his people and a servant whose only flaw always rang a bit close to home as an an autistic person-- being too literal in execution of his orders. He's tired and struggles with a yearning for death. His havdalah candles will be out.. The first flame of the week, a spark of starting over again-- The flame brings him fear. As much as he's kept himself together he doesn't know how much longer he can keep doing it, he fears failure- but the fear of what may happen if he's gone is even more terrifying. He's lived a long life, and over time the one who formed him has sculpted him to the golem's own wishes.. From nothing to the man he is- but even with that effort, to outsiders he's still a monster. His skin is different shades of clays from varying riverbeds as his people have travelled.. Golems are unformed, imperfect.. but even as outsides can be polished the insides can still be broken

[dameronalone]

thinking about how percy jackson is seen as intimidating because of his godly powers from his father but the thing that makes him the most dangerous is his humanity from his mother

[dead-girl-tells-stories]

Everyone from babies to young adults suddenly disappears from Amity Park, and the ghost portal self-destructs as well. The GIW and the Fentons obviously come to the conclusion that it’s ghosts but realize that this issue is way bigger than they can handle, so they call in the big guns, The Justice League.

Of course, they don’t tell the Justice League everything when they come. No matter how much they thought themselves to be heroes, they were simply glorified police in spandex. And with how they operate, they are all too small-minded and won’t be able to see the bigger picture. They also knew fully well that a lot of their methods weren’t even remotely close to being morally or ethically right, and if the JL found out, they would be screwed. So they simply told them enough to get them on their side. 

Besides, how could they not help with how many people were missing? This was going to be easy.

_______

The Justice League didn’t trust the GIW. Something about them was just off. But so many missing people were on the line, so many kids! 

Ghost?

Should they call in the JLD?

_______

Jason knew something was off with Crime Ally.

Nothing was wrong per se. In fact, everything was going great. Crime was at its lowest in like… forever. The general atmosphere was more calm, if not a bit chilly. He himself was calmer. And there were fewer kids on the streets. Which would have been a good thing if this wasn’t fuckin’ CRIME ALLY!

Jason’s been stressing himself out, trying to find out what was going on. He’s been searching up and down, talking to people left and right. No one was reporting anything amiss. Some even told him that they still saw the kids walking around, though not as often as before. And they also looked like they were being well taken care of.

He even saw and talked to some of the kids himself and it was the truth. 

But when he asked where they went, they only laughed and ran away from him. Shouting that he would know soon before they disappeared around the corner. At this point, he was sufficiently freaked out and was so close to getting Batman to contact the JLD, but something told him otherwise.

A few days later Jason was in bed. He had ended patrol early that night and intended to get a full eight hours if he could.

But as fate would have it, he would not. Because just before he could hit the hay he heard it. Well, felt it would be more accurate but how could you feel a siren’s song? Pulling you? Drawing you in. Telling you that it would give you your deepest desire.

He didn’t even bother to suit back up into Red Hood. He just followed it. Followed and followed, Until he got to a dead-end alleyway. But there was no ‘end’. All there was, was darkness. 

He began to get skeptical and took a few steps back. But the feeling was still there. Pulling, telling that all of his answers were in that darkness. Everything he wanted, needed, awaited beyond it. 

He did the stupid thing and went into the darkness.

He didn’t know what he was expecting, but it wasn’t the feeling of walking through thick goop. But the feeling didn’t last long, and he eventually stepped out.

Again, he didn’t know what he was expecting, but it wasn’t this. 

Kids running around without a care in the world, unrestricted. Teenagers just hanging out and being kids too. Whatever adults he saw all looked pretty young, but they were all happy. 

He looked around and noticed that it looked like a weird mix between a suburb and a night market, but it worked quite well. The stalls were all unmanned, and it seemed whoever could just take whatever they wanted. Dim but pretty lights connected all the stalls to as far as his eyes could see. And the sky.

In Gotham, there’s so much smog and bad weather you’d be lucky to even see a piece of blue during the day so no wonder people often forget about the night. But this, the night sky wherever he was, was beautiful, beyond what words and even thoughts could convey.

“Hello, Mr. Red Hood.”

Jason jumped. Was he so out of it that he didn’t even notice someone coming up behind-

Forget what he just said about the sky. The woman right here that was now standing before him? She- She-

“Are you single?”

There was silence. Then she giggled. Guess Jason didn’t need his helmet huh? His face was enough.

He also wanted to die again but hey, at least she laughed!

[crabsnpersimmons]

Happy Halloween from the "New 'Do, Same You" Boys!

later:

[rexwrendraws]

Saw a gifset of Morpheus and had the random thought that he'd make a fantastic children's picture book mouse character— and now I really, really want a fic where he appears in a kid's dream as a Kevin Henkes/Helen Craig/Beatrix Potter -esque mouse as to not scare them or something. I think it's something about Morpheus' usual mousey moue and big wet eyes that make it work in my head lolll Mousepheus!!

[gdn7-dollopole]

There’s something so sweet about this scene. Not only Arthur is surrounded by his knights, his friends, he still can’t seem to forget there’s someone missing.

And the way he approaches Merlin is nothing funny or sarcastic: it’s pure concern, it’s love, it’s respect.

Merlin admits he’s scared, without thinking about it twice, because yes, this is Arthur, the same man who makes fun of me on a daily, but he’s also my best friend, the man I love, and who I could lose, but I can’t tell him, but, oh God, if he needs to know I don’t want him to die. I’m the most powerful warlock on earth, yet I’m scared of Morgana, because she wants to kill Arthur, and I’m weak when it comes to him, I’m scared I won’t be able to protect him as I should (especially since Merlin has heard the prophecy that spoke of Arthur’s bane).

I like Arthur’s stunned face. Merlin is referring to his life. “You don’t care you could die?” And not only Arthur is shocked by it, because he thought Merlin knew his reasonings by now, knew that Arthur would never risk losing his knights, losing Merlin. But Arthur doesn’t care as long as his men are safe, as long as Merlin’s safe (because, let’s be honest, this conversation is nothing but a way for them to tell each other how they feel towards one another, without exposing themselves to the danger of this revelation). And Arthur needs to make something clear:

“Only about you.” Because Arthur brings Merlin everywhere like he’s a solider, a warrior, someone who knows how to fight with a sword, who’s an asset to Camelot and the kingdom itself, so he considers him an equal, someone he can sit with on a lower step and chat with about his fears, because he can be vulnerable with Merlin. Arthur knows he’s safe with him.

Arthur includes Merlin in his speech, and this is something that could mean, “Oh, so Merlin isn’t a friend, isn’t a brother, he’s so much more.” This scene is so impactful, because it’s one of those rare moments where Arthur shows how deeply he can love, how much risk he’s willing to take to bring peace to his kingdom and to his people: to the ones he loves.

And he knows his knights, he knows Merlin won’t abandon him, because he has never done it, and Arthur truly believes Merlin has no reason to do it now, even if he’s scared. It’s as if Arthur is asking, just to make sure, just to have the confirmation that they think the same of it.

And they do:

I wish I didn’t understand how much I’m willing to risk, and have already risked for you. Because this is why I’m here: for you and only for you.

The self deprecating smile, because Merlin can’t back down, he never will. He’s so frightened, yet not even the prospect of battling against Morgana and her army will make him run.

He has Arthur to protect.

The way he smiles, it’s as if he’s saying, “Why didn’t I understand this sooner? Arthur’s just like me.” But it’s the fact that they told each other this, they know now, after ten years, that they’re willing to do anything and more for the other to stay safe, to be alive, even if one of them isn’t.

Merlin tells Arthur. He watches him intensely, because Arthur needs to understand. He’s honest.

Arthur gets it, and he’s finally happy. He’s relieved that Merlin won’t abandon him, that he will stay by his side, like he always is, protecting him, fighting with him, and helping him.

Arthur smiles at Merlin like he’s seeing him for the first time, and he falls in love with him just that tad bit more.

[justaz]

thinking about arthur who has crazy quick reflexes and is a relatively light sleeper who woke up to the sound of someone in his room and saw merlin crouched down messing with his keys before softly asking “whatre you doing?…before breakfast?”

[myrkulitescourge]

i'm surprised i haven't seen any text posts yet about the Unsubtle Differences between astarion’s tiefling party/high approval forest scene and the one you get after the goblin party.

there’s something so terribly interesting about how the conversation afterward plays out depending on which variation you pursue.

like, most people have seen the tiefling party version by now. astarion basking in the sunlight the morning after, playing off most of what tav says with relative ease, even when they ask about his scars and he tells them about cazador. his cadence is smooth and composed, his smile almost friendly, even though you know, as the viewer, he’s playing a game of manipulation at this point. the only real crack in his demeanor is if tav notices that cazador’s “poem” was written in infernal, which, understandably, startles him.

but recently i watched the goblin party version of this same scene, and everything reads so differently. unlike at the tiefling party, it’s still the middle of the night when astarion tries to leave, thinking tav is asleep—almost immediately after the act, in fact. when tav does speak to him, he’s visibly nervous, halting and stammering in the middle of lines delivered unflinchingly in the other version of the scene. he gestures broadly and fidgets more while talking, his smile comes and goes. there’s even some of his distinctive high pitched, fake laughter sprinkled throughout the exchange, almost identical to later scenes where he's very, very obviously uncomfortable (like if raphael mocks him and magics off astarion's shirt to show the party his scars in act 2, or when confronting the gur children in their cell in act 3, etc etc).

siding with the goblins represents something deeply familiar to astarion, a level of cruelty he's more than familiar with and embraces likely because cruelty and duplicity, to him, go hand-in-hand with the power and freedom he craves so badly—but he won't stay the night with this tav, even if he approves of their actions. no, in this case, he'll keep to what's familiar and attempt to leave them in the forest under the cover of the very same darkness he resents having been cast into by cazador. when he gets caught, it sets him on edge, and everything he says becomes such a blatant lie to save face that tav would have to be completely oblivious not to see through him, or maybe just not care enough to.

but if tav saves the refugees? challenges his worldview and comes out victorious? oh, he'll complain of the poor rewards for his trouble at the party and whine about it being boring, but he decides to stay with tav through the night while they're asleep and on past dawn. he takes a moment to enjoy the morning sunlight, returned to his life after two centuries without. the same is true if you have high enough approval that he asks before the party, in which case, you've almost certainly hit his biggest approval gains: trusting him and supporting his safety. maybe he doesn't trip over his words when he speaks because, well, maybe this is someone he doesn't have to worry about. someone who's already more than proven themselves a foolish, heroic sort with a bleeding heart or otherwise demonstrated that they're already in his corner. in other words, not a threat—at least not to him.

does any of this make sense. i wanna study this guy under a microscope.

[starry-bi-sky]

i need to get this out of my head before i continue clone^2 but danny being the first batkid. Like, standard procedure stuff: his parents and sister die, danny ends up with Vlad Masters. He drags him along to stereotypical galas and stuff; Danny is not having a good time.

He ends up going to one of the Wayne Galas being hosted ever since elusive Bruce Wayne has returned to Gotham. Vlad is crowing about having this opportunity as he's been wanting to sink his claws into the company for a long while now. Danny is too busy grieving to care what he wants.

And like most Galas, once Vlad is done showing him off to the other socialites and the like, he disappears. Off to a dark corner, or to one of the many balconies; doesn't matter. There he runs into said star of the show, Bruce who is still young, has been Batman for at least a year at this point, but still getting used to all these damn people and socializing. He's stepped off to hide for a few minutes before stepping back into the shark tank.

And he runs into a kid with circles under his eyes and a dull gleam in them. Familiar, like looking into a mirror.

Danny tries to excuse himself, he hasn't stopped crying since his parents died and it's been months. He rubs his eyes and stands up, and stumbles over a half-hearted apology to Mister Wayne. Some of Vlad's etiquette lessons kicking in.

Bruce is awkward, but he softens. "That's alright, lad," he says, pulling up some of that Brucie Wayne confidence, "I was just coming out here to get some fresh air."

There's a little pressing; Bruce asks who he's here with, Danny says, voice quiet and grief-stricken, that he's with his godfather Vlad Masters. Bruce asks him if he knows where he is, and Danny tells him he does. Bruce offers to leave, Danny tells him to do whatever he wants.

It ends with Bruce staying, standing off to the side with Danny in silence. Neither of them say a word, and Danny eventually leaves first in that same silence.

Bruce looks into Vlad Masters after everything is over, his interest piqued. He finds news about him taking in Danny Fenton: he looks into Danny Fenton. He finds news articles about his parents' deaths, their occupations, everything he can get his hands on.

At the next gala, he sees Danny again. And he looks the same as ever: quiet like a ghost, just as pale, and full of grief. Bruce sits in silence with him again for nearly ten minutes before he strikes a conversation.

"Do you like to do anything?"

Nothing. Just silence.

Bruce isn't quite sure what to do: comfort is not his forte, and Danny doesn't know him. He's smart enough to know that. So he starts talking about other things; anything he can think of that Brucie Wayne might say, that also wasn't inappropriate for a kid to hear.

Danny says nothing the entire time, and is again the first to leave.

Bruce watches from a distance as he intercts with Vlad Masters; how Vlad Masters interacts with him. He doesn't like what he sees: Vlad Masters keeps a hand on Danny's shoulder like one would hold onto the collar of a dog. He parades him around like a trophy he won.

And there are moments, when someone gets too close or when someone tries to shake Danny's hand, of deep possessiveness that flints over Vlad Masters' eyes. Like a dragon guarding a horde.

He plays the act of doting godfather well: but Bruce knows a liar when he sees one. Like recognizes like.

Danny is dull-eyed and blank faced the entire time; he looks miserable.

So Bruce tries to host more parties; if only so that he can talk to Danny alone. Vlad seems all too happy to attend, toting Danny along like a ribbon, and on the dot every hour, Danny slips away to somewhere to hide. Bruce appears twenty minutes later.

"I was looking into your godfather's company," he says one night, trying to think of more things to say. Some nights all they do is sit in silence. "Some of my shareholders were thinking of partnering up--"

"Don't."

He stops. Danny hardly says a word to him, he doesn't even look at him -- he's sitting on the ground, his head in his knees. Like he's trying to hide from the world. But he's looking, blue eyes piercing up at Bruce.

Bruce tilts his head, practiced puppy-like. "Pardon?"

"Don't." Danny says, strongly. "Don't make any deals with Vlad."

It's the most words Danny's spoken to him, and there's a look in his eyes like a candle finding its spark. Something hard. Bruce presses further, "And why is that?"

The spark flutters, and flushes out. Danny blinks like he's coming out of a trance, and slumps back into himself. "Just don't."

Bruce stares at him, thoughtful, before looking away. "Alright. I won't."

And they fall back into silence.

Danny, when he leaves, turns to look at Bruce, "I mean it." He says; soft like he's telling a secret, "Don't make any deals with him. Don't be alone with him. Don't work with him."

He's scampered away before Bruce can question him further.

(He never planned on working with Vlad Masters and his company; he's done his research. He's seen the misfortune. But nothing ever leads back to him. There's no evidence of anything. But Danny knows something.)

At their next meeting, Danny starts the conversation. It's new, and it's welcomed. He says, cutting through their five minute quiet, that he likes stars. And he doesn't like that he can't see them in Gotham.

Bruce hums in interest, and Danny continues talking. It's as if floodgates had been opened, and as Bruce takes a sip of his wine, it tastes like victory.

("Tucker told me once--") ("Tucker?") ("Oh-- uh, one of my best friends. He's a tech geek. We haven't talked in a while.")

(Danny shut down in his grief -- his friends are worried, but can't reach him. When he goes back to the manor with Vlad, he fishes out his phone and sends them a message.)

(They are ecstatic to hear from him.)

It all culminates until one day, when Danny is leaving to go back inside, that Bruce speaks up. "You know," He says, leaning against the railing. "The manor has many rooms; plenty of space for a guest."

The implication there, hidden between the lines. And Danny is smart, he looks at Bruce with a sharp glean in his eyes, and he nods. "Good to know."

The next time they see each other, Danny has something in his hands. "Can you hold onto something for me?" He asks.

When Bruce agrees, Danny places a pearl into his palm. or, at least, it's something that looks like a pearl. Because it's cold to the touch; sinking into Bruce's white silk gloves with ease and shimmering like an opal. It moves a little as it settles into his hand, and the moves like its full of liquid.

Bruce has never seen anything like it before, but he does know this; it's not human. "What is it?" He asks, and Danny looks uncomfortable.

"I can't tell you that." He says, shifting on his foot like he's scared of someone seeing it. "But please be careful with it. Treat it like it's extremely fragile."

When Bruce gets home, he puts it in an empty ring box and hides the box in the cave. He tries researching into what it is. he can't find anything concrete.

Everything comes to a head one day when Danny appears at the manor's doorstep one evening, soaking wet in the rain, and bleeding from the side.