#artist link in text

[aggravateddurian]

Brother's Shadow | Valerie Ocampo-Gonzalez (early Nomad era)

This lovely image of 2078 Val (from after she joins the Aldecaldos) was commissioned from @kjetll . She turned out amazing! Many thanks to kjetll for this piece!

Merry Christmas and a happy new year to all 🎄

[foervraengd]

Silent Princess more like Silent Swordsman

[starsandnoodles]

Getting over my fear of posting this was CRAZY but here we go

MARX RPG

I’ve been working on this for days, made an accidental (The nova itself) and purposeful reference (the background) to Birth of a Wish by itsquakey (you should go check em out their art is SICK /pos)

- More ramblings below -

I wanted to make an RPG type thing with Marx for a while. Originally I was going to make an actually playable one but then realized I don’t have the time or knowledge to actually do that so I turned around and made it a video. Marx actually wasn’t the first idea I have for who the video would be about.

The first character I’d considered was actually Taranza but then… I’d have to draw Taranza and I was not in the mood. So I went with Marx.

The reference to Birth of a Wish (via the Nova specifically) wasn’t intended but someone I’d shown the video to pointed it out and I couldn’t leave it out in mention. The actually intended reference (the background) was specifically placed there because original all the video was going to be was some sample text and audio and then I got carried away and by that point I was over 200 images in on CapCut and unwilling to turn around.)

Where the plot was gonna go from here included the Nova having something to do with the rain in dreamland and being a small part of one of popstar’s larger moon’s or something of the sort meaning Kirby and Marx would have to find all the pieces to this “planet”. At least that’s what I imagined LMAO 😅

Note: Itsquakey if you ask me to take this down because of the references to your work I will without questions!

Last thing! I wanted to mention two posts I’ve seen that have done something similar that I think you should also check out!

Marx’s Fun Shop: while working on this I found that video and thought “wow! We even used the same music! That’s super freaking awesome!” The art here is amazing, the way Marx is written is also cool! You should go check this out!!!

Magolor’s Item Shop: A series of images in an RPG style that feature Magolor specifically! These are really cool and also what kinda struck the idea! They’re definitely worth checking out!

[r0semultiverse]

Small indie artists in need of support for moving out by September!

💜 These lovely folks [@QuinsCurse (they/them) & @sswitchblade03 (xe/xem and he/him)] are part of a small queer-owned Youtube community I'm in. 💖

💖 If you could lend a helping hand by reblogging & queueing this post up until the start of September, I'd greatly appreciate it & I'm sure these fine folks would too! 💜

⚠️ Do not tag as d*nations or anything like that! ⚠️

"Hi everyone! Requests are officially closed as I am opening emergency commissions! Please consider supporting me as we are getting kicked out and have managed to find a place that’s affordable but need to save up 5k by the end of the month! Anything helps! I also have a dontations page if you are willing to help do that! All the money received from commissions will be going to the deposit! https://ko-fi.com/quinscurse/commissions https://ko-fi.com/quinscurse/goal?g=32"

⚠️ Do not tag as d*nations or anything like that! ⚠️

"https://ko-fi.com/sswitchblade03/commissions https://ko-fi.com/sswitchblade03/goal?g=0 EMERGENCY COMMISSIONS!! My roommate ‪@QuinsCurse‬and I are needing about $5000CAD for a down payment on a new place as we need to be out of our current place by September! Every bit counts! My goal is to be set to $3000CAD. I will draw anything (coloured and rendered) for $5 CAD each! If you are willing to give more it will be appreciated. Examples of my work below!"

⚠️ Do not tag as d*nations or anything like that! ⚠️

[vampirerite]

new Jing Ke CE

[kulapti]

Aug 2023, bookbinding of The Silent Isle Imbowers by Tharkuun.

I’m sooo so so pleased to finally share this! I have been actively working on this for many months and waited until Tharkuun received her copy before posting so the final result would be a surprise.

-----------About this bookbinding under the cut

This binding has been one of the more elaborate pieces I have attempted so far. This has been my first binding where I (1) made three copies of a piece at once, (2) used a modified a historical illustration, (3) collaborated directly with another artist on the decorative elements, (4) finished matching art for the cover and title page, and (5) layered paint and heat-transfer vinyl for the covers. These are also (6) the first non-tiny books I have made with this style of hinge and cover attachment.

Pretty much immediately after I first read this story I felt I had to make myself a copy of this. I had a strong mental image of a vintage-looking cover for a fairy tale, with a deceptively simple design of flowers on the cover, probably with fancy metallic accents, the kind of thing you’d find in an interesting used bookstore with no summary, no text on the back, no dust jacket, just the flowers and maybe a title. I’m going to make a separate post about making this cover design a reality because oh man has it been a journey lol! I designed and drew the digital art for the cover (digital because of the cut and application method), as well as the corresponding title page illustration (pencil and dip pen, scanned, title added digitally).

When I asked Tharkuun about it she was excited to suggest I get in touch with quillingwords, who generously agreed to collaborate with me! Among her talents quilling writes calligraphy, and hand wrote both the book title and chapter headers for me to incorporate into my plans. Check OUT those chapter headers! So fancy! A font could never!! Quilling has also been very encouraging and let me yell about this project in dms for months so the final result could be a surprise for Tharkuun. Thank u so much quillingwords, your calligraphy adds invaluable amounts of swag to this project.

I was going to do some kinda neat font for the chapter headers, but quilling’s work is too cool for that and I decided to use a modified piece of a historical illustration instead. The illustration also happens to be cool as heck: I was browsing the Artstor database (an academic quality resource available for free via Jstor, my beloved) and found E. N. Neureuther's 1836 gorgeous etching for etching of the fairy tale Briar Rose, an illustration made for a printing of a Brothers Grimm recorded German fairy tale with Sleeping Beauty elements. Much to my delight this illustration not only matches the general look I wanted but is actually relevant to the story, itself a Sleeping Beauty spinoff.

Slightly less stylistically consistent are the endpapers, which are prints of two different paintings by Arnold Böcklin: Isle of the Dead (1883) in the front and Isle of Life (1888). The first painting had occurred to me as an excellent visual to go with the story, and Tharkuun and I discussed this and agreed that pairing it with the related later, more optimistic piece was too thematically appropriate to resist.

I had fun and learned a lot making these books and I am very pleased with the result!!

Materials: Archival bookboard, cardstock, cotton cheesecloth mull, archival PVA glue, linen thread coated in beeswax, paper cord, red cotton embroidery floss. Blue cotton backed with archival paper, acrylic paint, machine cut black and gold heat-transfer vinyl. Laser printed text and illustrations. Metallic scrapbooking paper.

[bongwalter10]

kanamafu explosion

[funsizedcrow]

this was supposed to be longer but im tired maybe if people want i will post the extremely vague sketches lol

disclaimer yes i know link is not actually left-handed in the botw memories. i dont care. its a metaphor.

[martyfive]

i didn’t know what the legend of zelda was when breath of the wild came out. i was probably in a middle of something very important at the moment, alright? something like sitting on a subway train on my way home. or like being in a middle of another family scandal. or failing another attempt of becoming someone i never wanted to be. busy stuff. i never even heard of the name zelda unless we were talking about zelda fitzgerald. i was nineteen and i wasn’t fucking around.

moreover, i didn’t know what zelda was about even when i bought breath of the wild itself.

what i always knew for sure is that i had never been and never would be a princess. every time i was told during our family dinners that those like me were never meant to be married to a handsome rich prince to live happily ever after, i was trying to find comfort in the vocally unannounced title of a friendly local knight in the shining armour bestowed upon me. the one who was there to shine and save and protect those in need. the one who wasn’t supposed to care about their appearances, being securely hidden behind a chain mail and metal shell that still never saved from bruises. a knight with a bear trap instead of a helmet. born to be the best and somehow failing every day. almost like a dream come true. not my own dream, but a dream nonetheless.

the life in our kingdom was a total disaster and i was a wreck of a knight.

by the time i escaped i had been depressed for approximately twelve years. i left everything i knew behind and moved to another country. i actually married my prince to make the paperwork easier for both of us. i found myself roaming in the wilderness i knew nothing about. i tried to take the bear trap off but every time i attempted to free myself from it it was hard to breathe through the neck that was losing its familiar balance. i didn’t know how to be an adult. i didn’t even know how to be a child. i wanted to learn, but i didn’t know where to start.

“what do you want for your birthday?” my prince asked me.

i didn’t feel like i deserved gifts. i did not achieve anything to receive them. the knight was technically laid off duty and the salary once paid in clothes and food was still haunting me. and i needed something else. we also needed something else to bond over except for our childhood bruises.

so i received nintendo switch for my birthday in a year i almost broke my neck trying to forcefully remove my fancy helmet as soon as i realised i couldn’t walk around like this anymore.

“games could be a part of a therapy,” the lady that was helping me with my breathing exercises said while i was pouring my blood trauma on the carpet in her office, “but they’re not gonna remove this bear trap of yours, you know?”

i knew that. i also knew i didn’t really want to live, trapped or not. so it made sense to me to start living my new life from the very beginning — to start from trying to be a child i barely ever was — and to try and learn how to be an adult like most healthy children did. meaning, to give myself time. to make choices i was robbed of. mistakes too, if necessary. to take a breath before heading off to run a marathon i never foresaw.

so yeah, i didn’t really know what the legend of zelda was when i bought breath of the wild. i only knew zelda was a princess i had never been and never would be. what i knew for sure is that the main character named link was supposed to save her.

and that he was her knight.

the whole thing sounded like a sick joke, but i was determined to know what the fuss was all about. looking back a couple years later, i’ve been wondering how it was even possible for me to stumble upon this exact game when i needed it that much.

while on my journey across the kingdom i wasn’t familiar with, with my own land shaded by the war and destruction, with no recollection of who i was and who i was to become, with a trapped in a castle tired princess named zelda, with the only light shining on the horizon gloomed by the darkness, i felt bad for link. what did he ever do to deserve all of this? i thought. why is this his burden to carry? is this normal for a character to stay silent before the impossible challenge he was supposedly destined to face and just… move forward no matter what?

i didn’t even know at the time how the zelda universe worked. that the event of link saving the world was something that threaded through the kingdom’s history like a football cup everyone was expecting to inconsistently happen once in a while. there was only this link and his own crazy challenges for me, and his destiny felt like a weight on the neck i, personally, being a broken knight i was at the time, wouldn’t be able to drag to the end.

but i had to.

i ran through the green fields from one destroyed town to the other and thought of link’s footsteps echoing in me as if every abandoned ruin was a part of my own depression i was supposed to face. every location had a name and each felt like it was important for someone who lived here a hundred years ago before the war took everything from them. the names meant nothing neither for me, nor for link and his amnesia, but for someone who wasn’t there anymore it was everything. and i had to accept it. there still was something to save. i had to look the destruction and what was left of the kingdom in the eyes and find a way to save what i can so the future would have a solid foundation they could build upon.

zelda couldn’t have saved the kingdom by herself. she had been trapped in that castle for a hundred years and she needed help of her knight. the task no single person deserved to condemn their soul with. i had no particular feelings about zelda herself, but it was a kingdom worth saving and there was only one knight that could do that. somehow, it had to be me.

so i visited every corner of the land and found everything there was to uncover, talked to everyone i could, solved everything there was to think of and turned up all the stones to find all the koroks. i just had to.

a couple months later i defeated the calamity and finally saved zelda. i took a breath and i let it out. and after that i felt better and empty once again. but it was something else this time.

it was the foundation. it was bare, but at least it was there.

i came a long way since finishing breath of the wild. i learned a new language. i grew up. i gave up my antidepressants to try and live without them. we moved from one city to the other. i got a dog that made me go outside and laugh every day. i started to make money. i started eating healthier. i started talking to people more. i took the responsibility. one by one, i pried the screws of the bear trap on my neck. it was still there, but it became easier for me to breathe. i realised that the kingdom i was raised in was never meant to be the only thing to define me. i was building my own on the ruins of what withstood. there was no other way to survive. and i just had to.

waking up as link once again years later and looking out to see the skies of tears of the kingdom, i cried. i felt like i met an old friend that was once everything to me and who i lost contact with for years, and then finally hugged them again. it was like finding myself a couple years later from where i was left dealing with my own shit and realising that my journey was worth it.

the ruins were still there, you see? but now we had so much else! there was another civilisation hidden in the clouds in the sky! and the whole another biome underground! giant temples to get confused about while looking at the map! there were new people to meet! new cataclysms to endure! new puzzles to solve! new koroks to find! damn, what a mess. i couldn’t wait to be a part of it!

and, of course, there was zelda to be saved.

zelda, who spent thousands of years in a form of a dragon waiting for her knight to take the previously shattered master sword she healed and to kill ganondorf. zelda, who was supposed to forget everything that made her human, but still was fighting for the light in the end. zelda, who was robbed of her life by the choice she made to protect those she loved, and who was blessed with another chance in the end. even a thousand years curse was finite. somehow, i found myself in love a princess i was never meant to become.

and it felt right.

and when link caught zelda falling from the sky over hyrule, i realised that the kingdom i was building with my own hands would always be there. and it was only my destiny to get to the rotten roots hidden underground in the darkness where no life was meant to exist but was flourishing in it’s own way instead, and to remove the sickness from it. to heal and to be healed.

and then i took my bear trap helmet off and smouldered it into a crown.

maybe i was never meant to be a princess. but in the kingdom that i built on my own, with all of its countless layers and clouds in the sky, with its ruins and old stones, with its depths and lurking horrors, with its riddles and joy, traps and secrets, songs and laughter, disasters and questions, dragons and princesses, with all the troubles and their resolutions…

there, i was only meant to be the king.

20/6/2024

[aropride]

saw a video of a performance art piece on instagram the other day where a woman was sewing clothes using white fabric and her hands were covered in black paint so it stained the fabric and the machine. i can't find it anywhere but i've been thinking about it all week

[joyfuladorable]

Something Something Cinematic Parallels

[catjest3r]

If you still want pony requests for warmups.. Princess luna...

this style is a little harder with dark colors... :b

[gardenvarietycrafts]

Pattern

[curiouscrux]

Tunic Weaving Process

Marking my second project on a rigid heddle loom, I finally got around to finishing my not-a-cosplay-I-swear tunic to be linked (heh) in the future.

(Edit: Final product here!)

This tunic splits the difference between the original reference image here, and the comic pages. The only noticeable factors are that the hem's curve is somewhat shallow, and that the sleeve details are three parts (as versus five).

The tunic shaping is also modified to be more... Tunic-y. That is to say, made of rectangles and straight seams—so no set-in sleeves, and a bit of a wider shape to account for the woven fabric type.

It will be accompanied by a linen under-tunic and hemp-amber necklace. Made because they all look nice together, but also separately.

[ALL IDs IN ALT TEXT]

Starting out, I calculated how much yarn would be needed for the body (incorrectly), and set up all of my warp threads.

After my first project's hiccups, the warp threads were individually tied so as to minimize risk of uneven tension.

For whatever reason, I decided to curve the hem as part of the piece, rather than enforcing, trimming, and hemming to a curve. (This was also incorrect—or at least a bad move.)

The full, finished back piece is pictured above, and is a little more loosely woven than the front panel, but is still absolutely warm enough to justify material costs.

The neckline for the front was made in two parts starting at the split. The widest part of the neckline was essentially cut away. All fringe was woven in on the neckline (and the hem), and the shoulder seams were bound together with this method as well. Side seams were just back-stitched.

The neckline was crocheted with a lighter yarn as a border, and a faux closure was attached to match the reference.

As mentioned, the smart move would have been to curve the bottom of the tunic through enforcement, trimming, and hemming, so to make the front more even with the back, this is what I ended up doing, despite that it was... Already curved.

The sleeves deserved a gusset, especially because those aid a place that would normally be a weak point on regular fabric, and would be extra prone to pulling on something handwoven like this.

Finally, sleeve decorations were chain-stitched in the accent color to match the neckline.

It took several months of intermittent work to finish, but could have probably been less had the tall task of weaving in several hundred loose threads not daunted me so much.

It was made from alpaca, which I justify via my intention to wear this as it gets colder in the northern hemisphere, but also because I could not get my hands on hemp yarn (which would have made more sense in the context of the setting).

[captain-sharkie]

NO WAY SONA DROP???

You will never guess who their based on,

Commisions Open!!

Refrences and stuff under the cut

[madebysoupy]

Say hello to the Links of LatL!! (again!)

Link and the Links is my Links Meet AU I'm working on a comic for!

There were some design and art style changes I wanted to document and share. I hope you all like it!

Like last time there's more info below if you're interested!

(please do NOT tag as LU/Linked Universe!)

The Plot

The Links find themselves in a mysterious forest that seems somewhat familiar to all of them yet none of them know where they are. Forced to work together in order to get home, they'll discover a thing or two about each other and grow closer!

The Cast

A little introduction to the lads! I'll probably post individual refs/intros at some point and go into more detail there, but for now here's this!

I'm including age, height, how long it's been since their latest adventure ended, and a little blurb about them

Birdie (Skyward Sword)

18

160 cm (5'3)

Roughly 6 hours after defeating Demise

The start of it all. Unbeknownst to himself and the others, the space they find themselves in was created out of his desire to meet the heroes that came after him. He feels terribly guilty about the curse and very much blames himself for the possible suffering of future heroes. His main goal is to check up on everyone and help where he can!

Grasshopper (Ocarina of Time and Majora's Mask)

10

125 cm (4'1)

4 days after leaving Termina

Somewhat disoriented after his journey still, he tags along simply because he thinks Birdie is an idiot who would get lost without him. He doesn't like to talk a lot, or communicate with the others at all to be honest. Hopefully he'll warm up to them at some point

Seagull (Wind Waker and Phantom Hourglass)

13

145 cm (4'7)

6 months after leaving the domain for the ocean King

He's a real genuine pirate, yarr!! Or so he'd like you to believe. He talks a great deal about his strength and bravery, but really is just afraid and terribly homesick most of the time. He wants to fit in with Tetra's and her crew's toughness so much he might go a little overboard on the act in a way that may or may not end up biting him in the butt.

Choo (Spirit Tracks)

14

151 cm (4'9)

6 months after peace returned to new Hyrule

He wouldn't call himself a hero, in fact he'd say it's a miracle he made it out alive. Self-esteem and confidence really aren't his strong suits, he often finds himself dragged along and unable to say no. He is very friendly however, and if you just give him a little space he might even open up to you.

Wolfie (Twilight Princess)

21

175 cm (5'7)

4 years after defeating Ganondorf

Left Ordon after intrusive thoughts convinced him he was a danger to his village, now works at Telma's bar as a waiter in exchange for a room. He's responsible well liked, though he's not too fond of himself. He has some complicated feelings about the whole turning into a wolf thing

Apple (A Link to the Past, Oracle of Ages/Seasons and Link's Awakening)

20

164 cm (5'4)

Just a few seconds after Koholint disappeared

He's a kind and soft spoken, weirdly wise sort of guy and near instantly becomes the heart of the team. With a tendency to push his own feelings aside he prefers to take care of everyone else's.

Wallflower (A Link Between Worlds)

19

158 cm (5'2)

4 years after wishing upon the triforce with Zelda

Bitter doesn't even begin to describe this uh.. pleasant fella. After being bossed around for the better part of his life he doesn't take orders from anybody and is this close to quitting his job as a blacksmith. He hates being stuck here, he hates these strange people, really there's not much he doesn't hate. But that can't be all there is to him...

Puzzle (The Legend of Zelda and Adventure of Link)

18

150 cm (4'9)

1,5 years after waking Zelda II

Confused, disoriented, but still happy to help and ready for adventure. Though some of the others don't really like him around he's still just as friendly to everyone. Since he struggles to communicate he tends to stay quiet. He appears to be simple minded on first glance, but he'll prove to be a valuable member of the team.

Sprout (Minish Cap)

23

139 cm (4'5)

13 years after defeating Vaati

After his grandfather died he retreated into his house and dedicated himself to improving his blacksmithing skills to live up to his grandfather's name, he was quickly forgotten by his community and faded into obscurity. Now he may be the best blacksmith in Hyrule, so good that even the royal guard hires him, but among the general castletown population he's nothing more than a forest cryptid. He only leaves the house when he has to, carefully avoiding people. Not because they disgust him, he just has a major case of social anxiety!

Squire (Breath of the Wild)

14

147 cm (4'8)

3 years pre calamity

This absolute rascal couldn't be happier about his current circumstances. These unknown woods are his playground and all of these weirdos are his friends now! Though everyone's pretty sure he's a knight trainee, he insists that he's just a stable hand for the guard. His chaotic and carefree nature surprisingly doesn't get in the way of things as he's eager to help out wherever he can, seeing the whole journey as an impromptu camping trip.

Some funfacts :]

Most of them are neurodivergent in some way!

Birdie and Seagull have ADHD, Grasshopper and Choo are autistic, Squire gets the combo platter AuDHD and Wolfie has OCD

Additionally, Birdie has auditory processing disorder and dyscalculia, and Squire has dyslexia

A few of them also have speech disorders

Choo stutters and Puzzle has cluttering speech disorder

Apple has a weak voice, so after a while his voice gets tired and gets hoarse

Choo enjoys drawings and cartography, two skills that will be very important!

One of Seagull's hobbies is photography! He takes his pictobox everywhere

Wolfie also does entertainment at the bar from time to time! He sings or does card tricks

Sprout knows HSL (hylian sign language) because his grandfather was deaf

Seagull's piratey way of talking is 100% for show and painfully inconsistent

Wolfie speaks in a thick southern (in universe ordonian) accent but he's trying hard to mask it since he moved to castletown

Wallflower absolutely hates Puzzle

Squire's special interest is horses

Birdie is a bit of a doormat so he has the ideas but Wolfie is the one to actually get them through

A number of them are blood related (has nothing to do with the colours of their names in this post, I had to reuse some because there weren't enough orz)