#artcloth

[sampaolini]

3XL lamb long sleeve tee

cotton baby blue crewneck long sleeve tee shirt. cloud dyed blue-grey. lamb portal design screen printed in black ink on front. roots logo on back.

reads: size 3XL. measures: 26” across the chest, armpit to armpit. 27.5” tall from mid-shoulder to bottom hem. 22” sleeve from armpit to wrist.

[drawnatka2]

Series of woodcut prints Russia is a Terrorist state and ЛЮТЬ (rage)

[thinkingdogpublishing]

Happy St Patrick's Day from Miss Blueberry!!❤️❤️☘️☘️☘️ Art in 2023 😆😆😆blueberryprincess.com. Wearable art! #WearArt #ArtFashion #WearableArt #ArtClothing #ArtisticFashion #ArtWearables #ArtApparel #ArtisticClothing #ArtisticWear #ArtisticFashion #blueberryprincess👑 https://www.instagram.com/p/Cp6WpvsOPMn/?igshid=NGJjMDIxMWI=

[mennatotedesco]

Anche io, come molti miei colleghi sono vittima di me stesso. Ma almeno io la certa igienica ce l'ho #arteitalianacontemporanea #figurazioneitaliana #pittoriUnitiDitalia #mennatotedesco #oilpainting #smartworking #oliosutela #fineartamerica #felpapersonalizzata #artclothes #italianpainter #artgallery #cesso #pitturaitalianacontemporanea https://www.instagram.com/p/CmN9_XsIRDj/?igshid=NGJjMDIxMWI=

[geogiasunit2work]

Heat transfer Disperse

Task: Testing out a range of techniques that you can use in heat transfer printing using disperse dye and synthetic fabric.

Marie-Therese Wisniowski -

Marie practices today by responding to nature by heat transfer layering techniques using multiple colours. She runs a print studio and lecturers in Australia. She is inspired by the natural environment and specialises in combining techniques to get these multi layered prints. She is the Director of Art Quill Studio & Blog. Her first post on the Art Quill Studio blogspot was published in 2010 and it focused on the first ArtCloth exhibition in Australia featuring international and national textile artists and was titled – ArtCloth: Engaging New Visions and it featured many other important textile artists from around the world.

Wisniowski's work amazing, her use of layers on the prints that I looked at seem so intentional and as if each ink colour was bespokely curated by her. In her blog she speaks about her inspiration behind a lot of her work is the wildfires that take place every year in Australia and how damaging they are to the environment and how they often cause irreversible damage to the environment, she also talk about how they add to the extinction to lots of animals. I feel this is really embodied in her work use to its resemblance to a wildfire and the dark reds that contrast to the quite harsh yellows with a mix of quite dull greens that are almost invisible.

add screen shots of the exhibition from Emily's power point onto my power point.

[layaliahmed]

FAS3000: Result of print making with disperse dye (part 2)

When transferring my images on to the fabric, I instantly felt my narrative slowly being illustrated within the shapes and colours of my work. The pattern and range of texture were mainly inspired by my primary sources and Wisniowski, however, when progressing more into the workshop I would like to incorporate more secondary researches with different techniques and skills in to my future samples. I feel like the first couple of images turned out really vibrant on to the synthetic fabric as they clearly shown my bright pattern and design which contrast with the dull colours of the building, and thus illustrates my narrative of the coexistence of building and plants. My shapes and pattern turned out really well as they reflect the texture and pattern found in the building and plants within my primary images, along with the floral lace print representing the fragility and looseness of plants.

I added repeated triangles and rectangles as I see these a lot on the building Within my primary photo. The vibrant green on the fabric really demonstrates the life of plants, which juxtaposes with the dark, bold colors of red, brown, and blue. I also decided to reuse my patterns from before and make a design, which replicates the outline of the building. After that, I used cotton fabric to transfer my design onto. As you can see, the design on the cotton seems a lot toned out and less vibrant compared to the synthetic fabric. Comparing them with each other, I prefer synthetic fabric as it shows a lot more, especially the vibrancy of living and growing plants contrasting the bold, dull colours of the building. These pieces, though I like how they turned out, are my first experimental pieces (samples) to get myself into the idea of how I could incorporate both primary and personal narrative, and what worked well. A weakness these samples have would be that they may be too abstract as they wouldn’t be able easily to visually communicate my narrative, since there isn’t a distinct feature that shows the difference in the building and plants. Another weakness would be that it lacks illustrational drawings showing the contrast, yet close relationship of the building and plants, and thus it would easily convey their differences and coexistence through their behavior and nature where they still intertwine with each other- plants: loose, free and simple yet has an inner intricate pattern on the leaves. Buildings: rigid, straight and tight structure, rough and has a lot of texture and different shapes. Moving forward, I would like to delve into more on heat printing with synthetic fabric along with a range of techniques to show my inspiration and visually communicate my narrative, whilst, creating new pattern and designs.

Artist Research

Marie Therese Wisniowski

For my disperse dye print workshop, I have chosen Marie Therese Wisnioski as my inspirational artist. She works full time as a studio artist, author, researcher, tutor, curator and speaker. She also teaches as a casual teacher at the University of Newcastle (Australia). In addition to that, she’s a director of Art Quill studio where she does employs and even teach some of her signature techniques in the area she specializes being the area of Art Cloth. She has created a new signature technique named Multisperse Dye Sublimation where she employs disperse dyes and involves hand printing multiple resists and multiple overprinted layers, employing numerous colour plates materials. Her completed work pieces are rich in colour, shade, light, movement, contrast, depth, and moreover, yield a three dimensional quality to the finished printed artworks. One of her work pieces, ‘Blossom Falling- Lotus Rising’ conveys the Australian plants having a unique and sustainable life- death cycle in which remnants of past generations become the fertilizer to nurture shoots of the next generations of life. This fine Artcloth print, ‘Blossom Falling- Lotus Rising’ reflects upon the connectivity between ‘rise’ and ‘fall’ of so many processes in nature and its cycle. I chose Marie Therese Wisniowski because her technique which included disperse dye accurately conveys her idea of the cycle of life between the ‘rise’ and ‘fall’ of plants (shown in ‘Blossoms Falling- Lotus Rising’ print). This also interested me along with her technique as it also can reflect the cycle of plants in my narrative and primary images with how plants grow (rise) and then wither (fall) during passing seasons yet the relationship and their coexistence (plants and buildings) remain unchanged and their stem remains unmoved for the new leaves sprout and grow around the building. The disperse dye print samples were inspired by the technique of how she uses disperse dyes and multiple printed layers with numerous colors that are included in her work, and so inspired me to add multiple layers where I collage contemporary shapes that are reflected within the shape of the building and plants in my primary images. I made the shapes in my pattern bright coloured to illustrate my narrative of the coexistence of plants and buildings. Her techniques which I used relates to my narrative as the coloured disperse dyes and multiple over printed layers in her work shows that plants remain unchanged through the life, and so reflects the narrative of the unchanged coexistence of plants and buildings where their relationship remains the same, which is shown in my samples. I wanted to show my artist inspiration through these samples by incorporating multiple disperse dye layers that are collaged together, as well as, convey my narrative and illustrate my primary images. My primary images also inspired my simple contemporary shapes as to reflect their relationship being coexisting and unchanged, yet the pattern and texture inside the shapes reflects Wisniowski’s work- involving over printed layers, different colours, movement (for texture), and contrast (dark such as brown and blue representing as the building and light colors like green as the plants).

Marie- Therese Wisniowski. (n.d) Blossom Falling- Lotus Rising. Available at: https://artquill.blogspot.com/2011/02/selected-disperse-dye-artcloth-works.html?m=1 [Accessed 2nd November 2023]

[marcusod]

“My current work explores contemporary natural environmental landscapes. My world view is often framed through the eyes of the forgotten, the discarded, the marginalised or the misrepresented and so sits conceptually on socio-political boundaries. The ArtCloth I create relies heavily on research, discussion and moreover, on pondering holistically on the creation of the images and how they engage my conceptual awakening to the viewer. The philosophy underlying my ‘Environmental Art’ strives to prick the viewer’s consciousness to garner support for sustainability.”

Marie-Therese Wisniowski via The Effects of Global Warming – Print Council of Australia

[poisonappleprintshop]

After a long break, I am finally gearing up for my next shop update and release of new items! It will be sometime in late July. I will be sure to post the exact date in my profile once it’s chosen. Here’s a glimpse at some of the altar cloths I’ve been working on. As all of my altar cloths begin as antique linens, I was able to hunt down a few matching sets, so there will be some limited editions in addition to the usual one-of-a-kind pieces. For those of you who might be newcomers to my feed, all of my altar cloths start as antique linens that I then transform through hand dying and screen printing of my original designs. The end result is a functional piece of art that can be used to imbue your sacred spaces with extra magic as well as the energy of transformation and positive change. I had a lot of fun trying some new dye colors for this batch. My favorite is the russet sunset color in the third picture. This batch also debuts my newest screenprint of the Henbane wreath, an ode to the lore that newly departed souls are crowned with Henbane to ease their passing as they walk along the river Styx in the underworld. It is my favorite lore of any flower and I am more than a little excited to send these new altar cloths off to good homes! 🖤 #poisonappleprintshop #altarcloth #antiquemeetshandmade #witchaltar #darkart #henbane #artcloth #altardoily #sacredspace #witchcraft #poisonpath #altarspace #altarcloths #supporthandmade https://www.instagram.com/p/CB8R3T4HMxl/?igshid=1m5v2572x09gu

[suerenostudio]

I have fun painting cloth for the backs of my quilts. This one’s getting freeze-dried 😁#artcloth #artquilt #fiberart #textiles https://www.instagram.com/sue_reno_studio/p/CYUIg8lrfF1/?utm_medium=tumblr

[artreev]

Art Of The Day: "Wear A MASK Is A MUST...!!!" This exclusive artwork by Art R'eev on micro fleece fabric will be fabricated into a facial mask. Using non-toxic fabric paint for easy breatheable. Available Only One Piece Per Artwork. It Is Not Replicable As It Is Handpainted. Reuseable. Washable. Do NOT Bleach, Just Normal Washing Will Do. Uniquely Yours..!!! Work In Progress..!!! Can't Wait To See The Completed Face Mask..!!! #art_reev #artwork #artpainting #artmask #artfacemask #art #artist #artistoninstagram #singaporeart #singaporeartist #singaporeanartist #abstractfacemask #abstractfabric #abstractartwork #abstractpainting #artcloth #artfabric #artwear #artfashion #artworld (at Singapore) https://www.instagram.com/p/CGvanyOhn_1/?igshid=bo1lxs7xjvok

[yanagordinart]

View this post on Instagram

A post shared by ʇɹ∀ uıpɹo⅁ ɐuɐ⅄ (@yanagordinart)

Www.yana-gordin-art.printify.me

[drawnatka2]

fun hoodie 

[konsketchbook]

https://www.zoe.gr/product/search?search=katerina+kondili&description=true

[buthegreatestoftheseislove]

follow insta @ vswizz

https://www.instagram.com/p/COugpQCBOkV/?igshid=1mpuy29hd2cy6

https://www.museema.com/p/2680

[zachipuss]

I just put up some more designs on my shop zegoods.com! Come check em out!

[nosi6nal]

My art, welcome