#artbanks

[maybe-the-madman]

' Tav couldn't remember the last time - if ever - that they had been tangled up with someone and felt happy. Safe. That they wanted to be there, and nowhere else in the world. They knew Astarion hadn't. Maybe this was a first for both of them. The first of many, they decided, their eyes fluttering shut once more. '

[leedagyeomlee]

[mybeingthere]

  · 

Shared with Public

Nyurapayia Nampitjijnpa (1935 - 2013) was one of the great characters of the Kintore region, instrumental in the development of the Haasts Bluff/Kintore Women's Painting Camp in 1994.

Nyruapayia Nampitjinpa (aka Mrs Bennett) painted her mother's Dreamings, which are connected to sites at Yumarra, Wantjunga and Tjalilli rockholes near Papunya, Pukara, Ngalkinginga and Munkara rockholes. The depictions of the sand-dune country and surrounding rocky outcrops bear a relationship to the designs used for body painting during the inma ceremonial dance. Deeply concerned with women's culture, her designs often depict women's ceremonies and rituals. The gathering of bush tucker such as kampurarrpa (desert raisin) and quandong are also central themes.

Mrs Bennett favoured strong contrasts, using blacks and pale yellows/creams set in relief against, often, a red ground. Her acclaimed work is included in the collections of the National Gallery of Australia, the Art Gallery of NSW, the Art Gallery of the Northern Territory, the National Gallery of Victoria, Artbank and in corporate and private collections internationally.

[fannyhatstand]

Fanny's Roving Folk Club

Around About Dusk Somerset mini Tour Feb 2nd, 3rd and 4th.

What a treat to welcome back Around About Dusk, an original project from some of the infamous musicians often seen capering about as The Gin Bowlers. They offer a unique journey through the vibrant fusion of New Orleans jazz, European folk, and old-time influences, their music features captivating melodies and harmonies, telling tales of wonder and nature with nods to chanson and musette.

Friday February 2nd doors open 6.00pm.

The ARTBank ,

13 High Street, Shepton Mallet BA4 5AA

Music only tickets £12.00

Music and food tickets £25.00

This is our first collaboration with this creative arts venue so we're hoping to make it a cracker of a night.

Food is served from 6pm-8pm with music beginning at 8.30pm.

Saturday Feb 3rd from 7.30pm

Fanny H.Q ; Langport's newest and smallest folk club TA10 9PR

Music only £12.00

Music and Food £25.00

Bring a friend for supper £45.00

Sunday Feb 4th from 3.00pm Sunday afternoon session.

Zig Zag building ,Moreland Road,Glastonbury, BA6 9FT

Music only tickets £12.00

Music and Food £25.00

Under 16's £4.00

[shujung]

« In Transit / 旅行人 » 2012 ~ 18

(series of projects)

https://shujung.tumblr.com/20128intransit

(ARTE Video Night 2014) https://vimeo.com/190983654

(Taiwan’s Emerging Artists) https://vimeo.com/265709732

(Extract Video) https://vimeo.com/51123714

..........................

HD New Media video 4’ 41” in loop 16/9, color, sound projection

.

Rain Sculpture (dimension variable)

.

2018 « Femi-Flow : Creating Female Subjectivity in Art »,National Taiwan Craft Research and Development Institute, Taiwan

https://www.ntcri.gov.tw/

2018 « Metamorphis » Exhibition, Tainan, Taiwan

2014 The 6th edition of  « ARTE Video Night » with ARTE, the french and german TV channel, broadcast on ARTE during the FIAC, and Palais de Tokyo in Paris

2013 Collection by  ArtBank, Ministry of Culture, Taiwan

2013 « Art Tainan 2013 » Group Exhibition, Tainan, Taiwan

2013  « Sculpting in Time  », Contemporary Arts International, Inc., Boston, USA.

2013 « Entre Les Deux  », U Space Gallery, Taipei, Taiwan

2013 « Alone  », Rainbow is Coming, Tainan, Taiwan

2012 « Reverse/Ramble », Shin Leh Yuan Art Space, Taipei, Taiwan

...........................

« In Transit  »

In this piece « In Transit », CHAO Shu-Jung first collects and records poems, essays and songs about rain and water from different countries. Afterwards, she transcribes them onto strips of paper, which in darkness, rain and mist slowly fall into a pile in time with the rhythms of the songs and the cadences of the recited poems. To the artist, the rain and water represent philosophical, literary and aesthetic viewpoints, which exhibit a labyrinthine visual metonymy in space and time, like the sense of distance and vacancy between people.

In this piece, she tries to guide the viewer on journey of experience through varied sounds and sights amid unfamiliar words and languages, arousing a deeply layered sense of alienation and giving the viewer’s conscience the chance to interact with the exterior world, producing a continually expanding shock and reverberation.

........................

我收集了十幾種代表不同國家有關「雨/水」的詩、散文或是歌曲。並且根據國家的出處及語言的對應錄製了十幾種附有「詩意」的聲音。 (中文、意大利語、臺語、西班牙語、英語、俄語、日語、阿拉伯語、德語、法語)

在日常生活中, 雨和水不但和我們息息相關, 並且又代表了許多哲學. 文學和美學的觀點。雨和水在時間和空間上，不但有著如迷宮般的多重呈現與視覺上的轉喻，並且又加強了人與人之間的疏離感和空虛感。

這件作品就像是帶觀者去經歷一場旅行。一場每個人內心中的旅行。藉由不同的聲音語言及多重層次的觀感，種種內心的奇異感接踵而來地慢慢浮現了，時間 空間彷彿煞那間靜止了，就有如到了一塊重不曾到過的領域，自我抽離的距離感和時間感不斷的被加深。內心的探索不斷地和外在世界經驗的結合，並產生了共鳴和 迴盪，喚起了許多深層的想法： 旅行、游離、異國、多種文化…

一種自我存在感及私密感不斷地被增大… 一種無限感覺的經驗遊走在自我意識和世界之間…

.........................

Je collectionne une dizaines de poèmes, de citations et de chansons de différents pays, qui ont tous trait au même thème « la pluie / l’eau » et correspondent à des enregistrements de voix, de chuchotements dans la langues d’origine.

Selon le cinéaste taïwanais, Tsai Ming-liang, la pluie et l’eau sont le fil conducteur pendant tout le film. Il pousse à l’extrême le cinéma moderne de l’incommunicabilité et de la vacuité, exploitant le thème de l’eau qui coule associée à la vie qui va. La pluie et l’eau évoquent les aspects aquatique, poétique et délirant. Il s’agit de plusieurs spatio-temps. La distanciation (la nostalgie et le dépaysement…) se rend comme étranger à soi.

Ce projet « In transit » qui s’agit d’une promenade telle une déambulation à l’intérieur (de soi), un aller-retour entre les sons doublé d’une zone poly-sensorielle ; un territoire ni d’ici, ni d’ailleurs, une distanciation évoquée et une suspension du temps. Un voyage exploratoir à l’intérieur (de soi) revoie et renforce le mouvement du déplacement. Une façon de confronter aussi les divers modes de déplacement principaux que sont le tourisme, l’exotisme et le multiculturalisme…

Le sentiment de l’existence finit par être immensément augmenté…

On finit par avoir à la fin du visionnage un sentiment infini de la conscience de soi et du monde…

[gremlinwithakeyboard]

I am having more thoughts

so like imagine vocaloid but drawing instead of singing

instead of a voicebank you buy an artbank (and the voice art provider would get money from that sale/possibly a paid subscription) with a certain style that you can then use

then my aforementioned "shove all my art into a machine learning algorithm" thing would be like a homemade UTAU

its not a perfect analogy but eh

Is it weird to say that I kind of want to be able to feed a bunch of my own art into a machine learning thing to see what it can churn out when I want to visualise something in my style but have no energy

It would definitely be lazy and probably wouldn't look good but would it count as stealing if I was stealing my own old stuff

[therealmiamuze]

#amalgam #digitalart by #founder @miamuze #koalacrisisangelesfund I've decided that good #art for a cause shall not be wasted. I'm fusively phasing through the #artbanks Momentarily re-publishing this channel. For #artsake and the #koalas #staytuned We can still be #facebook #friends #find #thisprofile #koala #trademarkedsetups most of what is repped here is a #sham The poor wondrous #soontobeextinct #koala of #Australia (at Colorado Springs, Colorado) https://www.instagram.com/p/BpX7KolAj4f/?utm_source=ig_tumblr_share&igshid=xt3koxlpkaot

[penandinkdesigner]

Ooh shiny! A couple of my robot banks are in the ClaySpace gallery this month for the “Lovely Blues” show. The one in the back is from a raku firing. #clayspacelisle #lovelyblues #robot #robotbank #robotart #artistmade #artbanks (at ClaySpace Ceramic Arts Center) https://www.instagram.com/p/CarymDcLSin/?utm_medium=tumblr

[artbanks]

Ladynoir! Akumatized Ladybug

Hello, everyone. This is a piece of art I did for JeanneRiddle on AO3. I know I haven’t been too terribly active lately. My stylus died and I had to get a new one but I’m back in full swing.

[kawaiicee]

got a new tiktok, y’all should follow me

[etromirror]

Valeriu Buev “Toast” oil/cardboard 30x40 cm #archlovemagazine #etromirror#zencaos #pittura #arte #artecontemporanea #artevita #oli #carddoard #valeriubuev #artbank https://www.instagram.com/p/CAEsWp9jKUw/?igshid=x171jbgzf7mb

[maybe-the-madman]

[kokayi]

@seshatyonshea sent me the link to my work on the DCArts page. The journey continues. Pull up and take a look at of the dope work on display. #artsy #artbank @thedcarts shouts to Kweku and Nailah, i appreciate y'all. ・・・ NOW OPEN: DC Art Now 2022 Exhibition September 6 – October 29, 2022 200 I (Eye) Street SE, Washington, DC 20003 Monday – Friday, 9:00 am – 6:00 pm DC Art Now 2022 is the DC Commission on the Arts and Humanities’ annual exhibition of selected work by finalists for the Art Bank Program grant. It features many of the most exciting emerging and established artists working in the DC metropolitan region today. Featured artists: Cathy Abramson, Sondra Arkin, Mary Anne Arntzen, Elizabeth Ashe, Anne Bouie, Sally Canzoneri, Asha Elana Casey, Hoesy Corona, Jacqui Crocetta, Nancy Daly, Joel D’Orazio, Eileen Doughty, Sean Dudley, Brian Dunn, Jay Durrah, May Early, Eric Finzi, Jeremy Flick, Santiago Flores-Charneco, Cianne Fragione, Adrienne Gaither, Stephanie Mercedes, John Grunwell, Shanye Huang, Michael Dax Iacovone, Esther Iverem, Ronni Jolles, Sally Kauffman, Mark Kelner, Zofie King, Kirsty Little, Tsedaye Makonnen, Chris Malone, Lex Marie, Life Pieces to Masterpieces, Maggie Michael, Michele Montalbano, Adrienne Moumin, Rashad Muhammad, Steven Muñoz, Tea Okropiridze, Irene Pantelis, Matthew Pinney, Caitlin Teal Price, Alanna Reeves, Cary Michael Robinson, Amber Robles-Gordon, Bradley Stevens, Tim Tate, Nihal Thadani, Erwin Timmers, George Tkabladze, Jessica Van Brakle, Gaylia Wagner, Kokayi, Dawn Whitmore, Max-Karl Winkler, Curtis Woody, Andy Yoder. Full details here: https://dcarts.dc.gov/page/dc-art-now-2022 #TheDCArts Photo captions: Left to Right Maggie Michael, Uprising: Eagle Breaks Glass Ceiling (Wrong Way, No Pillow), 2021, Ink, acrylic, enamel, oil on canvas Jay Durrah, Sister Cousins, 2021, Acrylic on canvas Elizabeth Ashe, Montserrat: We All Fall, 2020, Acrylic on birch board (at Washington D.C.) https://www.instagram.com/p/CiSvkRQrOBI/?igshid=NGJjMDIxMWI=

[amyamethystgray]

#artbank #sheptonmallet #phoenix #lunch #somerset (at Art Bank Cafe) https://www.instagram.com/p/Cc_IBX1Mq1g/?igshid=NGJjMDIxMWI=

[mauriciopazviola]

Contemporary art district of Beijing China, 2018. With 2 of my works. #beijing #artbeijing #opening #artpeinting #artopeningbeijing #beijingchina #artchina #uruguayanartist #uruguayarte #arteuruguayo #contemporaryartist #contemporaryartgallery #artbank #artbankchina #arteuruguayo #arteabstractouruguayo (en New York, New York) https://www.instagram.com/p/BnHDH8phmwZ/?utm_source=ig_tumblr_share&igshid=c85aupjuitqq

[shujung]

« Reminiscent / 眷 » 2017 (series of projects系列作品)

. (extract) https://vimeo.com/236271241

https://shujung.tumblr.com/2017Reminiscent

....................................... HD New Media video 8’ 01” in loop 16/9, color, sound . 2020 Collection by ArtBank, Ministry of Culture, Taiwan . Special THANKS TO : 憲光二村駐地工作站 Sianguang 2nd Village Studio 王媽媽(寶蓮) & 王家人 The Wang family 龜山眷村故事館 Guei Shan Family

. Military dependents' villages are a common part of the nation's heritage in the history of anti-communism in Taiwan. They continue to preserve the memories of both the army and the nation itself. This video was created in one particular villages, yet it also serves to reflect on other villages which have gone through a similar process of memory reproduction.

Chao aims to discover the village's identity, to preserve its old buildings, and to recreate daily scenes of the past. By using read-mades and site-specific installations coupled with sounds, the artist attempts to summon the audiences' own memories, while inviting everyone to become re-immersed in this period of history.

這是關於時間 & 空間，記憶 & 流動的作品

藉由桃園的憲光二村為引線, 融合眷村在地的風土民情和文化人文(族群 : 閩南、客家、大陸、原住民、新住民...，以及特殊的環境(憲兵宿舍、新舊兩種眷舍的共���、紅磚牆、消失的門牌、多年成蔭的老樹...)，來象徵台灣多元的種族和文化, 以及台灣早期特有的眷村文化元素, 並提出「World without Strangers」之想法，以及城市、建築、環境、歷史...多元漫遊的呈現。

這是對身分的認同，以及生活在多個世界之間、多種文化之間，心裡及精神上所呈現出來的感受, 也藉由各種不同世代的歌曲和童謠來貫穿整件作品, 猶如穿梭在時空的走廊, 在真實和虛幻間的迷宮游走...