#art for art's sake‚ art for art's sake..

[spookberry]

Kyoko is so funny

[comatosebunny09]

carpe noctem [ climax ] | sylus

— summary: sylus drags you onto a mission with him for old time’s sake. and you slide into familiarity, almost like there isn’t a wedge in the form of a beautiful young hunter driving you apart. — cw: explicit sexual content, reader is not mc, reader implied to be femme, assassin!reader, mentions of blood, profanity, mentions of pedophilia, mentions of human trafficking, minor character death, men with guns, reader has a shitty past, self-destructive behavior, reader doing her assassin duties, a little romance sprinkled in between, mdni — notes: inspired by mr. & mrs. smith. thank you so much for reading, lovely! [ part 1 | part 2 | part 3 ] — now playing: cariño - the marías — obligatory tags: @withering-dream @an-ever-angry-bi @midiplier @abbylee0710 @picnicthegarden @karespocketboyfriends @chrissy26 @delulusimps @glamouroki @midiplier @celestemcbrim @everywherenothere @ari-shipping-stuff @beewilko @alexhenituse @nim-rose @moonlight-inthe-sea @sunnyf4lls @himiko-omikami @inkonparchment @sillyfreakfanparty @regandoesthings @im-in-different-universe @ravensheart18 @alyyylog @corvid007 (sorry if i missed anyone.)

He wanted to make love. You wanted to fuck.

He wanted you, all tender and pliant beneath him, his name hinged in your throat. He wanted to worship you, to uncover the erogenous zones of your body piece by piece, and to expose you like forgotten treasure buried deep beneath rotting ruins. 

But you reasoned you didn’t have time. You were in a hurry—a hurry for what, exactly, you couldn’t pinpoint. 

Perhaps you were rushing to feel something, in a hurry to please and to feel useful as you tore his shirt from his shoulders, his body rigid and searing between the thick of your thighs. Pleasing is all you know, serving embedded in your chemical makeup, no room to pursue your own desires. 

Your mouths came together so abruptly that your teeth clashed. The counter of his kitchen island was glacial and tacky beneath your thighs. You’d barely divested yourself of your coat before you drew him into an ardent dance of tongues, his abs twitching beneath the artful crawl of your fingers. You tugged at the give of his pants, quietly yet vehemently demanding he take them off. He drew back, wild-eyed and hair mussed, eyes drowsy with want.

“We should slow down,” he sighed, hot and open-mouthed where your shoulder met neck. Blistered down to your collarbone where he nipped, hands roosted on your hips, thumbs soothingly cruising over juts of bone. 

It made you sick, his tenderness. You weren’t glass and didn’t deserve to be handled like it. 

You chuckled something husky and bitter, tossing your thoughts to the wolves. Your fingers raked through his hair. Grabbing the scruff of his neck, you brought his mouth back to yours, trapping any further words of protest in his throat. 

You didn’t want to think. Didn’t want complications. Just wanted to be driven by sensation, tucking your inhibitions into the darkest hulls of your mind. 

You’re a bit of a masochist. You enjoy punishing yourself for misdeeds you’ve constructed in your mind—having feelings for your boss, secretly envying your friend. Your use is slowly running its course, and you’ll one day be thrown to the wayside. 

You figure you don’t deserve kindness. Sensitivity. You don’t deserve a slow love, the steady creep of an orgasm bubbling in your stomach, invoked by the sluggish grind of hips, words of affirmation whispered like the sweetest supplication into your ear.

No.

You deserve to be used, lusted after. You’ve spent most of your adult life with that mentality, your past having engraved that under your skin. You’ve been a weapon for as long as you can remember. A tool. Loveless. Which is why, when the gentleman who’d frequented Lux wanted to take his time with you, you declined, opting for something more ragged and intense. 

He took you hard and rough on his counter at your behest. Left you open, bare, laughing, battling to get your breath under control. You stayed the night to humor him. Let him hold you as he stroked the sweetest compliments of all with ghostly fingers into your skin as the stars in the sky gave way to the gentle spill of sun rays. 

You crept out of his arms and apartment once he sank below the misty shawl of sleep. He’d inquire about your whereabouts later—ask why you didn’t stay. You rarely did. Tonight, you felt weak. 

You’d ignore him until you next needed him. When the urge to forget sunk its talons into your chest, curling around your heart and squeezing. 

You had a mission to prepare for. Sylus’ name lit up your notifications, cryptic as ever with minimal words. You’d deal with your feelings later. 

There was work to be done.

Besides, you didn’t even remember his name. 

How could you face him when you’d uttered someone else’s name while he was deep inside you?

—

You pay for your escapades in the form of pretty petals of blue and green blooming on your neck the following night. Bite marks. 

You rub at the raw skin for the nth time, a hiss forced through grit teeth. Maybe he was a little too rough. Concealer works wonders, coupled with your glamor. Still doesn’t take away the sting, but you suppose the pain is your punishment for being weak.

You stretch, yawning. Shift until the leather of the car’s backseat squeaks. You sense his eyes on you in your periphery, boring down to the marrow. The fine hairs littering your body stand on end. You maneuver again, leant against the door, cheek propped on your knuckles. 

You try to focus on the scenery unfolding beyond the car’s windshield. Powdery stars spilled over a deep violet canvas. The red glare of brake lights every so often as you approach another vehicle. Try to focus on the driver’s fingers readjusting on the steering wheel, on the fixed hum of the engine, and how it intermingles with the gentle bumps on the road. Home in on your breathing and the thunderous drum of your heart. He’s been watching you like this since you eased into the car—Sylus. 

You get this creeping suspicion he wants to say something. Like he knows all your secrets, having perused through them like they’re the yellowed pages of a book. Nah. He wouldn’t know what kind of night you had. He wouldn’t care. You’re a grown woman, capable of making your own mistakes and reaping the repercussions of them. He has other things on his mind—other people. 

Another yawn escapes you. You curse yourself for not grabbing coffee on your way out. Too busy pouring yourself into your dress, painting your face with makeup, and meticulously tucking your weapons away. 

“Long day?” says Sylus. You jolt the slightest bit at the grit of his voice. How it breaks up the silence and sets your stomach alight with dragonflies. Fabric shifts. His exhale is weighted beside you, thigh brushing yours as he spreads his legs, so very big in comparison to the backseat. 

You force a smile, smoothing out the wrinkles of your dress. “You could say that.”

You feel the shift in his gaze. There’s a whisper of bitterness in his tone when he next speaks. “Maybe you should spend less time pursuing your hobbies at night and more time sleeping.”

This time, you do turn. Cut your eyes to him, mouth tugged up with confusion. His expression reads passivity. Mouth scrawled into a rigid line, scarlet eyes fixed to yours, unrelenting. Something’s off about him tonight. You sensed it in the brevity of his call when he phoned you to outline your mission—you’d be accompanying him tonight to a banquet. A glittering, amenable doll on his arm, smiling pretty like murder wasn’t rotting your mind. You’d lure your target away to be snuffed out like a candle’s flame. Slip out without drawing suspicion, and the world would be rid of another shit stain. 

He quirks a brow, wordlessly challenging you. No customary smirk comes this time. Just the air weighted with something tense. Your throat clicks when you swallow. You opt for obliviousness, laughing it off despite the gnarling feeling in your gut worming its way up your throat. Despite every synapse in your brain screaming for you to fire back. You’re reading too much into things. He’s being his usual, detached self, and not because he knows you were up to no good last night.

Right?

“Maybe I should.” 

The tendons in Sylus’ neck pull, jaw tensing. For a moment, he looks like he wants to keep prodding. But he instead averts his gaze when the driver chimes in, announcing you’ve arrived at your destination. 

The venue’s tawny spotlights dance over the windshield as the car crawls to a stop. People donned in expensive formalwear line the sidewalk, animatedly chatting as they await entry. You take some time to admire the historic, art deco architecture before your door opens, the crisp evening air spilling in and fanning over your skin. 

You look up when Sylus offers you his arm. His expression softens considerably, contrasting the wet cat he was moments ago. There’s a hint of a smile twitching his lips. He almost looks boyish, and you can’t help taking him in. He’s dressed to the nines, tucked in a three-piece tux, bow tie meticulously tied, hair swept up into a pretty, alabaster coif.

Your lips spasm. You peel yourself from the seat, gathering up the trail of your dress. Twine your arm with his, allowing him to shepherd you through the throng of people. It almost feels like old times, their voices petering to a hush when they catch sight of you. They part like a school of fish as the pair of you make your way up the steps leading to the venue’s doors.

“Stay frosty,” you joke to dispel your nerves, standing before the heavy, double doors, waiting for the attendees to open them. 

Sylus snorts, his arm flexing beneath the possessive clutch of your fingers. He pinches the bridge of his nose. And the exasperation in his voice makes your eyes crinkle with mirth. “Please, never say that again.”

You slide into familiarity thereafter, almost like there wasn’t a wedge in the form of a beautiful young hunter driven between you.

—

She said something curious to you when you arrived at the airport earlier—Ms. Hunter. You had the time to spare. You wanted to ask why she requested you drive her instead of Sylus. But you didn’t push it, figuring she had her reasons. Maybe she didn’t have the energy for his nagging, his fretting. She should be so lucky. 

She’d be gone for a couple of weeks, swept up in the grueling task of protecting researchers in the mountains from Wanderers. A part of you felt sorry for her. Worried. But she was a big girl. If she could smack Sylus around in Kitty Cards, she could dodge a few teeth and claws, no problem. 

“Need help?” you asked over your shoulder, the SUV’s engine humming idly at the airport’s drop-off point. 

She smiled at you from the backseat. “I got it!” She chirped as she fetched her oversized suitcase from the floor. 

She rounded the vehicle, bowing to your level at the window. Up close, her smile looked more mischievous than usual. Smile lines bracketed her honey-dipped eyes as she murmured, “Be nice to Sylus. He’s trying, ya know?” 

You pinned her with a quizzical look, your mouth working around a retort. She left before you could get a word out. You watched her slip through the crowd of travelers milling about before she was out of sight, leaving you to mull over what the hell that meant.

—

It starts to make sense as time passes what she meant. 

When you’ve gorged yourself on conversation and champagne, nestled between politicians, CEOs, socialites, and people of the like. Fickle, spewing gossip you can’t be bothered to keep up with. 

Sylus rarely leaves your side, only slipping away to chat up old colleagues or to procure you more bubbly. Always has a hand, scorching and possessive, at the small of your back, or an arm slung about your waist, drawing you into the safety his body exudes. He doesn’t correct anyone when they address you as his, giving you a subdued, amused look when you work your mouth into amending them.

You titter shyly, toying with your necklace. Maybe this is a part of your cover—pretending to be his significant other, all pretty and docile at his side. You won’t complain. It’s nice being this close, feeling wanted, and being envied in a different way. Not for your body, but for the man wrapped so willingly around your finger. 

It’s felt like ages since you’ve last done a gig together, so you’ll enjoy his attention, even if it’s all a ploy, while you can.

The evening slides by in a blur of twinkling chandeliers and laughter. 

Sylus draws you into a dance, and the pair of you are swallowed up by the mass of swaying couples and the string orchestra. Your cheeks ache with a smile, your limbs and inhibitions loosened by the champagne. He holds you to him as you waltz, his body rigid and devastating against yours, languorous fingers curled around your nape. He hasn’t stopped smiling, a boyish dimple cratering his cheek. Hasn’t released you from the scarlet stir of his eyes since, and you smoosh your face against pectoral muscle, hiding the warmth splotching your cheeks.  

His heart thrums something steady beneath your ear. Beneath the expensive pleat of his tux. Breaths even, his bewitching scent furling in your chest like smoke. You let him lead you about the glittering marble tiles of the dance floor, feeling like you’re in a dream. Perhaps it’s the bubbly that’s got you toddling through a dreamlike fog, but a fraction of you starts to think, just for a second, you’re more than a cover, and your boss isn’t so detached, shoving you to the back burner in favor of someone else. 

Your breath is sharp when he suddenly peels away, expertly twirling you. You laugh as your dress flutters around your ankles, nearly tripping you up. He dips you as the music dampens, the beautiful scenery tilting and blurring. Swathed in the tawny, dim lighting of the banquet hall, you make out his features, something akin to affection loosening his expression, and the smile slips from your face. 

The world fades away, and only the pair of you seem to exist in this moment. He pulls you closer until your vision fills with red, fringed by dark, wispy lashes sweeping over cheeks mottled pink. His lips purse as his gaze slides to your mouth, breath stirring your baby hairs. You hold your breath as he eases in, appearing like he’ll kiss you, and you’re stricken by something hot. Your mouths but a hairsbreadth apart, he whispers something that makes your heart sink to your feet.

“It’s showtime.”

The magic of the moment falls away as he steadies you. A pout worms its way onto your face as Sylus tangles your fingers together, a chuckle swelling in his chest. He leads you back to your table, still holding your hand, even long after you’ve returned to your seats.

—

Nikolai is easy to manipulate. To bend to your will. Of course, he is. All men are if you know how to approach them. 

It helps that your glamor erases a few years off your face, giving you the appearance of a young woman barely experiencing the world. His favorite. It only takes you fluttering your lashes, laughing pretty, and flattering him to get him to take you back to his hotel room.

On the surface, he’s a passive, middle-aged man who looks like he wouldn’t harm a fly. But beneath that facade, he’s a scourge waiting to be wiped out. He’s as despicable as everyone else you’ve bumped off, auctioning off girls to nefarious men under the guise of selling “harmless little dolls.” Moonlighting as a franchise owner, using his stores as a ruse to smuggle young girls through the channels of the underworld. 

You take that personally, having once been on the auctioning floor yourself. Memories of a past painted red flood your mind, and it makes your stomach churn with disgust. You were lucky then, having been turned into a murderous tool rather than a fucktoy. So, it makes sense why Sylus was so eager to get you on this mission. Like he knew you’d take pleasure in watching Nikolai’s life drain from his eyes, his blood caked up under your nails. 

Your smile twitches, threatening to screw up into a grimace as you walk at Nikolai’s side, arm in arm. He’s red-faced and cheery, having gorged himself on champagne and merriment at the banquet. You would’ve snuffed him out if four bodyguards didn’t flank you. Not like you can’t take them, but you’d rather complete your mission as quietly as possible without rousing suspicion.

You just have to keep up the act long enough to isolate him so you can make your move. He’s been ruffling Onychinus’ feathers, claiming to be in cahoots with its notorious leader. Sylus, of course, doesn’t like that, not wanting to be associated with the likes of him. This is where you come into play, his ever-faithful watchdog, ready to kill at the drop of a hat.

Nikolai ushers you into his hotel room, where three more guards stand in good form in the living area. You acknowledge them with a seductive smile, allowing one to frisk you. Your smile grows tenfold when he finds nothing, clearing his throat and straightening his tie as if he’s fallen prey to your charm. Someone should be fired.

Nikolai leads you into his room thereafter, the double doors shutting and locking with finality. You offer him a massage, to which the portly man happily accepts, stripping down to his boxers and plopping onto the king-sized bed. He has a thing for pretty, young girls barely scraping the surface of legality. You’ll see to it he’s ushered into the afterlife by one.

Your hair waterfalls from its updo, warm as it spills onto your shoulders when you pull your hairpin free. You ruck up your gown, climbing over his body to roost yourself on his backside, legs bracketing either side of his waist, heels digging waning moons into your thighs. You’re sultry as you ensnare him in small talk, fingers kneading over layers of fat and muscle. Nikolai hums appreciatively, seemingly thrilled to have your company. Just the way you want him.

Your fingers tip-toe up his spine, thumbs smoothing over the notches of bone there. He exhales beneath your ministrations, remarking how magical your hands are. You huff a laugh as your fingers curl around his jaw, the opposing set burying themselves in his hair. 

“Massaging isn’t the only thing my hands are good at.”

With a fluent twitch of your wrists, his neck snaps, the sound barely heard above the gentle croon of the jazz music he queued up beforehand, accompanied by the exhale of a life dying out like a flame. 

You pull his eyelids down, easing off his lifeless body. Stare at his corpse with a faraway look in your eyes, smoothing some hair away from his face. Like he’s a sacrifice to the little girl inside, screaming for revenge. You straighten your dress when the bedroom doors rattle, Nikolai’s men frantically calling his name. Shit. Maybe you weren’t as meticulous as you thought. 

Quickly, you survey your surroundings for a way out. Spot the sliding doors leading to the balcony, and you dart between them, the wispy curtains grazing over your fevered skin. A wintry kiss of wind greets you as you lean over the rail, hair ruffling, and you take in the bokeh of lights glittering on the street below. 

You’re at least eight stories from the ground, so jumping is out of the question. You could very well fight your way out, but Nikolai’s guards are heavily armed. There’s no guarantee you’ll make it out of the fray unscathed. 

You lean back against the rail, adrenaline spuming through you, watching the bedroom doors pulse as his guards kick and shove against them. Fuck! Tugging a knife from the garter belt tucked beneath the slit of your dress, you prepare for a fight, body taut, nerves flaring. 

Just when you’ve resolved to get your hands dirty, something feathery touches your bare shoulder. Gentle and curious in its embrace, and you whip your head around to its source. You’re met with a smoky tendril, speckled with claret orbs of energy, swirling ominously before you. You peer over the railing, a familiar shock of white blurring into frame. There’s no mistaking the upward cant of his lips, and the crinkle of scarlet-spun eyes from this height. He motions to you with two fingers from the sidewalk, wordlessly beseeching you to come down.

“You’ve got to be kidding me,” you mutter, a nervous expression stretching your features. Heights have never been your forte, but you suppose beggars can’t be choosers. “Fuck it,” you relent, gathering some courage and climbing onto the rail. 

Nikolai’s men finally break through, and as they dart in, spraying the room in a hail of bullets upon seeing Nikolai’s corpse, you fall into the feathery cradle of Sylus’ Evol, a yip ripped from your throat. 

You float to the ground like a feather, falling into Sylus’ arms. He looks down at you with something unguarded shining in his eyes, using his Evol as a shield when Nikolai’s men shoot at the pair of you.

You lose yourself in the moment. Your lips part, lids heavy with something you can’t quite place. 

“Took you long enough,” you chide to dispel the tension brewing between you, trying to catch your breath.

“I’ll be more punctual next time,” Sylus answers with a chuckle, voice rumbling against your body as he casually walks away from the scene, refusing to put you down, even long after he’s warped you to safety. 

rising action | masterlist

[retquits]

I really liked the pixel style potrait you made for the fields of mistria wiki! do you have any tips on recreating the mistria pixel art style?

oh this will be fun! i have a few sprites i'm working on that we can use for examples. for the sake of time, i won't touch on the very basics of pixel art - like not doubling up on pixels, etc. let's go!!

1. if you're not usually a pixel artist, sketch your portraits in the fields of mistria style at your usual size/with your usual brushes first! you can just resize them when you're ready to pixel:

2. carefully study the art style before and as you're working on it! there are a lot of key little details that will help the art feel more , such as the (usually) single tone shading, general jewel tones of the style, and interior lines:

2.5. keep references on the same canvas as your portrait to check for style/size consistency:

3. keep one window zoomed out so that you can always see the bigger picture. with pixel art it feels easy to get lost in tiny details, i find it really helps to see the art in its final size as i'm working - it's very grounding:

^ this portrait was the first one i ever made, and i learned a lot! i'm not a pixel artist by any means, and a lot of what i do is trial and error, but i LOVE style studies. i hope that this was at least a little helpful! 💛

[zer0expektation]

The (almost) Perfect Assistant

[bagea]

sketchbook dump part 1 of 2 because you can’t add more than 10 images on mobile (dumb) and i’m starting to feel exhausted and hating drawing in this small sketchbook, thankfully i’m pretty close to done

[devicecontact]

Sloppy mouse but. Arena mode I like them

[undistortedworld]

a-pacing a-yao

[shoresoftheshadowlands]

What's so annoying about this is that they use 'hoax' as if it is the correct way to look at this. Something is only a hoax if the person who made it was intentionally trying to mislead or make you believe something false is something real and goes through some or a lot of effort to do so. Sometimes that can be an art piece sure, but this one certainly is not that.

People need to learn the difference between art, for the sake of creation, and a hoax, meant to misinform or otherwise mislead a viewer outside of the art space.

This is like pointing at a movie and saying it's a hoax because it has an alternate version of historical events or something.

Dr. Heller inspects the skull of a victim of the 1806 Mycelium infections, an epidemic that decimated a village in the south of France. The fungus grew into the bone, creating ossified structures that broke out of the skin to spread spores.

[valdevia]

Very funny that tumblr is having discourse about whether my art is misinformation or not, after I've been posting it all over the internet for years without any controversy. So let's talk about it!

I know people arguing are a vocal minority, but I'm not going to dismiss anyone's concerns. It's an actually interesting topic that I really consider, and it touches some important issues in society. So here's my (rambly) two cents.

My art is meant to misdirect, in some way. Photomanipulation and the tone I typically use are meant to briefly confuse the person reading it into thinking they're hearing a real story, at least for a few seconds.

The Intended Experience™

In this sense, I feel like my art can be misinformation! And it's not only people who don't think critically about things like "how come I never heard about mermaids being real before?".

So, no disrespect to anyone that fell for one of my pieces! My work plays with reality, so if you fell for it for more than a minute, it just means my tone and style worked a little too well for you! And there are legitimate reasons to be confused when you see something online, too. For example, there are people who can have trouble telling real and fictional things apart. When you post something that goes out to a million people, you'll get one million different reactions.

That's why I always take care to make it really clear, outside the main piece and snippet of text, that my art is no more than fiction. There are tags, the tone of my account, even my profile picture is meant to reinforce this. I also have a website which, in part, is meant to capture the clicks of people to wonder if my stuff is real and google it, so they can find a real source that's clearly an art website. You can try googling "mycelium infection 1806" or "pupillosarcoma" to see how my website tends to appear first.

If I get this comment I know I've done something believable!

But let's say, for the sake of argument, that my art wholly constitutes misinformation. What we need to understand is that misinformation is not the same as disinformation. Misinformation is just incorrect information. It's your grandma seeing a little bit of a found footage movie on TV and thinking it really happened. She might be spooked, but nobody is harmed. Disinformation is false information that's purposefully crafted and spread in order to cause harm, division, or further a political view.

Now I ask you: what real world harm does my art create? The worst that can happen is that a tiny percentage of those that see it get a little scared thinking a weird bug is real, or that mushrooms really grow on faces, or that scientists have released millions of trilobites into the oceans. Is that really that bad?

Anyway, that's my take on the topic! I'm obviously biased, but this being my style, I do put a lot of thought into it and I'm always open to people's opinions! (Just don't scream at random people on the replies or you'll get blocked!)

[falmerbrook]

WIP Wednesday

No one tagged me but I wanted to share!

I have the sketches done for the Sotha Sil video I've mentioned a bit ago (this is just 1/3rd ish of it)! I'm dreading rendering out Ald Sotha and the Clockwork City but excited to edit an animation again once I finally finish the art

[kaontic]

Sir, we have some questions for you, but first—

(I’m so sorry, you two—)

YES BITCH RAINBOW WIRES SLAAAAAAAY— 💅

NO NOT LIKE THAT—! (　〇□〇)

*Facepalms* Ok.

(It’s time for more thoughts that are all over the place)

So you were just, sittin' on your aft in a cave, in presumably, the American Southwest (are those saguaros? Interesante… 😶🌵), with exposed wires that I just realized share the same colors as the Well of Sparks—

When you broke outta CC’s crib, in the North???

Now it’s just funny thinkin’ about how Megs made his way down there without, ya know, 6 star wanted level antics.

I mean, there’s def gotta be more to this, even if Megs really was just “wandering” around lol.

(Hehe, robots in disguise~🎶 ;D)

Like think of how embarrassing that must be for Cobra(-La), if they couldn’t locate and recapture a giant blind robot.

Unless…this is what CC actually wants, so that when Megs finally reunites with everyone else, Cobra will make their move.

Gotta catch ‘em all, I suppose. ¯\_(ツ)_/¯

Still doesn’t explain how the actual frag Laserbeak seemingly found him so goddamn fast (unless there was a timeskip), so—

Soundwave, you’ve got some explainin’ to do too boo. 😗

Yeah, especially to Thundercracker. 😑

(Side note: He looked extra despondent these past two issues. Prob cuz of him losin’ Shockwave, but also it’s like findin’ Megs was the last thing he wanted to do lmao

Well, that’s what happens when you can’t find your backbone

*Lower voice* Furthermore, you’re one to call others “brutes” when you send out these cassettes you call “family” to do your dirty work

Just somethin’ to think about in the flood of shame you find yourself in)

(˶ᵔ ᵕ ᵔ˶)

(Damn, Star! Save the punches for Megs! 😨)

Some extra questions (cuz what can possibly go wrong with askin’ ‘em, right? *Laughs nervously*)

. Y’all worryin’ about Ultra Magnus, but not Jetfire???

Is he dead for good?

(Please don’t let that be the case. He deserves more attention, and he’s got character potential, I promise

If it is what it is tho, can we at least confirm it, instead of makin’ Optimus look genuinely bad rn for this? Otherwise, it’s just a repeat of G1 writing at this point)

. I’m just gonna assume for now that Star had left the cat and the Cobra M.A.R.S. guy behind for (wow, if he even “cares” in that way) their safety, which would be one of the smarter decisions he’s made

Especially since he’s likely stuck until Astrotrain proves that, once again, he’s an MVP

. *Gasps* And Astrotrain has a love that Megs ended?????????????

Oh, you just keep gettin’ better and better— 🩶💜💛

(And frag Megs for makin’ my train man upset like this! 😤)

. Wait Cliffjumper doesn’t wanna go back—?

(Well I guess this at least means he could run into Springer and Hot Rod in the future)

. So the relationship between Cybertronians and the majority of humanity is officially cooked, right?

And every time Optimus is experiencin’ a crisis there’s gonna be a white background?

I like that. I like white backgrounds :3

. Do you think Roller and the Combat Deck are also experiencin’ the visions and the corruption stuff?

Oh.

Oh no.

Oh to the actual no—

[warblogs17282]

(Just for the record I'm not comparing the drawings at all in this post, I think they're all great pieces of art make by great artists tbh)

How Octavia has drawn Stolas in the past:

And how Blitz draws Stolas:

(Be nice to him he's gay)

(There's probably more examples I could show here but I'll just keep it to these three for the sake of time)

Bonus section - Moxxie's homebaked Sinsmas cookies:

[flodaya]

I know for sure that Sam is going to be the chef of the wedding , Harry is going to record everything and Paddy is going to gift them one of his works of art

i hope for Sam's sake he is not the chef, as the brother of the groom i would not want to spend the day stressed and in a hot hectic kitchen all day

[cosmic-giraffe]

PLEASE make that post about reducing hasemura and hirojima down to just their ships im desperate to see people complain about this please i hate it so much

Ask anon, and you shall receive

First of all, I touched on this issue a few weeks ago, as you can read here, so I'll try and explain my thought process better! Secondly, this less of a complaint, and more of a study in fandom etiquette and the like.

I think people narrowing down the characters of Ken, Kazutoshi, Ojima and Hiroaki to their respective ships isn't an issue solely in the Tetro fandom, or Danganronpa as a whole. It's an issue in any media that includes queer ships, or ships in general (which is literally any media ever). As a gay person, I'll be speaking from my experience with this problem in fandom.

First of all, Hasemura. Both Ken and Kazutoshi are very interesting characters on their own, and their chemistry is undeniable. I'm a sucker for these two; for somebody as shy and socially awkward as Ken to befriend a brooding, jaded guy like Kazutoshi makes for some very fun and insightful interactions. Their contrasting lives and personalities are one of the draws for their dynamic. There was obviously something going on between the two of them, even if they never got the chance to vocalize or even understand the feelings they had. But this will-they-won't-they aspect of their dynamic isn't all that's to them.

Kazutoshi was a very depressed individual. He'd faced many hardships in his life, from losing his family at a young age to his myriad of health issues, to his mental illnesses resulting in multiple failed suicide attempts. But outside of his trauma, Kazutoshi was a very smart person. He was a forensic crime scene cleaner for God's sake, which definitely isn't an easy profession, mentally or physically. He wanted to study, he wanted to move past his hardships and flourish, he wanted to live. Just like everybody else in the killing game. But Kazutoshi was a total asshole, which I love. He didn't hold his tongue and kept people at arm's length out of fear of being hurt again.

Ken is the inverse of that. He has a supportive family, he has wealth, he has a support system in place. He might not be the loudest personality in the room, and he might stumble over his words more often than he can get a full sentence out, but Ken is a very kind and considerate individual.

For people to reduce all the intricacies and nuance of their characters and writing to their ship is doing them both a huge disservice. There's so much more to them than that. It's so much more interesting to view Kazutoshi and Ken's potential for a relationship as a small piece in the puzzle of their lives, instead of it being all-encompassing.

Going back to Kazutoshi, it is very sad to see the main takeaway from his death being "He never got to tell Ken that he loved him!" Which, yes, is undeniably tragic. In media, there's a sad trope called "Bury your gays", in which gay characters are killed off before they can ever have a happy ending.

I'm definitely not accusing Von of this, as Danganronpa has plenty of queer characters that die off (Chihiro, Mondo, Taka, Ibuki, Nagito, Tenko, etc.). But for people to look over all the missed opportunities Kazutoshi will never get the chance to experience because of his brutal death in favour of making his loss about Ken again is not the best look.

Now, onto Ojima and Hiroaki, because BOY do I have thoughts about these two, mainly Hiroaki (the little shit he is, I love him so much lmao).

These two suffer the same issue as Hasemura, that being all their characterization being boiled down to their shipping potential. Which isn't unsurprising, as they're two skinny pale twinks in an anime art style, which is like crack for teenage fujoshis lmao

But on a serious note, Ojima and Nakamigawa are more similar to each other than Ken and Kazutoshi are. Both have tense relationships with their families and their reputation, both have unresolved trauma, and both of them have an interest and career in the arts.

But that's where they differ. Ojima is an illustrator, and has a very intense crunchtime to navigate under in his profession. The stress of having to create art for countless projects definitely has its toll on him, but he still retains the passion that got him into this sector in the first place. Ojima doesn't have a bombastic personality, but he is stern when he needs to be, and is definitely one of the more mature students in the killing game. His bouts of disassociation are also an integral aspect of his character, and they are intermittent and uncomfortable.

And Hiroaki is one of the most annoying students ever and I love him. He's crass, pompous, has an irritating holier-than-thou attitude to anybody he deems to be beneath him, and can't take what he dishes out. He constantly picks fights and insults people, and then acts surprised when nobody wants to be around him. But underneath all that veneer of flashy designer clothes and bad boy image, Hiroaki is a very insecure boy that needs somebody to reel him in and let him know that being open, honest, and in touch with his feelings isn't at all a bad thing to be. He's shown his more sensitive side when he thinks Ojima is dissociating, when Tsuno was upset and she sought comfort from him out of all the other students in the school, and when he helped Hama and Wada grieve the loss of Isono, Chiba and Harada.

Hiroaki has the capability to grow and become a better person, and due to recent events, he is starting to do so. I hope he stays on this path and doesn't backtrack when things get tough.

Now, onto their dynamic. Ojima and Hiroaki obviously contrast and compliment each other well. This is all thanks to Von's writing. When Hiroaki shoots his mouth off, it's almost always Ojima that reels him in. When Ojima is in one of his lapses, it's usually Hiroaki who keeps him company by simply staying in the room, drawing, while he patiently waits for him to come back. They share dorm rooms to the point they're basically one room, they share clothes, they even share beds sometimes. The chemistry between them is undeniable, and that's why they're such a good pairing.

But what irks me is when people make their personalities completely revolve around the other. Hiroaki this, Ojima that, Hiroaki this, Ojima that. No mention of their interesting dynamics with other students, like how Ojima and Wada bonded over their respective histories with trauma, nor how Hiroaki and Tsuno confide their problems in each other so as to not burden anybody else with them (I'll take any opportunity to bring up Tsuno lmao).

And this is never more prevalent with Hiroaki's coming out scene.

It doesn't take a genius to know that being closeted is a very stressful time in a queer person's life. It's hiding a huge aspect of your life for fear of being judged by outsiders, or from being judged by yourself. That's why some people never come out of their closet, and are unable to accept and be their true selves. Which happens all too often.

Hiroaki's internalized homophobia kept him closeted for years of his life, which definitely wouldn't have helped his self-image issues. Being thrust into the public eye as the Ultimate Fashion Designer definitely wouldn't have helped, either, as now he had thousands of eyes on him. Due to this pressure, he played up his bad boy image by dating and sleeping with girls he had no attachment to, just to cover up for his own crippling insecurities and inability to accept himself.

When Hiroaki does come out of the closet for the very first time, when he finally accepts an aspect of his life he'd been repressing for years, he says it to Yanagi. Not Ojima. Yanagi. Yanagi, the guy who almost sold them all down the river during the first trial when he covered up for Sasaki (who they also both had very differing views on). Yanagi, the guy who beat the shit out of him and broke his nose, dislodged his tooth, and bruised up the face that he'd kept in immaculate condition for the public constantly watching his every move.

Out of all the people in the killing game, Hiroaki told Yanagi, and it was excellent writing for that to be the case. There was no judgement, no criticism, just acceptance, which is what Hiroaki has been seeking his entire life. But was forced to wear a costume that wasn't really him, just to avoid the pain of rejection or judgement.

And for some people to take this monumental step in Hiroaki's journey of self-acceptance and make it all about Ojima is INSANELY insulting. It's obvious that Hiroaki has feelings for Ojima, which definitely added to the mounting pressure of him being closeted, but in that moment, it was about Hiroaki and loving himself.

Now, in summary, I'm not saying shippers can't ship Hasemura or Hirojima. Quite the opposite. Be unapologetically gay!! But also keep in mind the harm they're doing when they reduce the participants down to their attraction to the other, as it is a disservice to Tetro's excellent character writing, and also perpetuates the issue that has been prevalent in fandom spaces for way too long now.

This was a very long post and I didn't realize just how much I had to say about this subject, but here we are!! Tetro has definitely wormed its way into my heart, and its characters are constantly rotating in my brain like a microwave lmaooo

[patchwork-crow-writes]

Ah, I'm pleased you found my interpretation so interesting! I was a little worried I might be treading on your toes in that regard, haha.

But yeah! I utterly adore Ralsei - perhaps to a slightly unhealthy degree - so I think a lot about him and his situation. I'm not against the "evil/antagonistic Ralsei" idea per se, but I do wonder how exactly you could make it work in the canon of Deltarune while also being true to his currently-established character. Twist-villain-for-the-sake-of-it doesn't really appeal too much to me, but I am always eager to explore interesting ideas and interpretations!

I'm really happy that my words brought you such joy, your art here is exceptional and you deserve every bit of praise and good feeling it brings you! Wishing you every success for your future endeavours <3

Always hiding something

[cconfusedkat]

I think the reason why I have a tendency to draw new things every few months is bc im Still relatively new to digital art and always wonder how much i improve in months

So mainly it's for my sake because im like Oh wait ive been drawing this character differently recently ?? And then Boom i take my eyes away for one second and theres redesigns

Plus instead of making clothing so complex i decided to go w my heart and base their clothes off of how id characterize them If That Makes Sense ,, i figure kallamars is the most obvious one for him being a tailor for example

Whereas shamura is the (main) undertaker , Leshy and Heket are the two missionary party leaders , and Narinders isnt very obvious but hes considered the gladiator :-3c

Lamb and Goat (Allure & Giuseppe) are the two leaders of the cult!! (Allure main leader, giuseppe co leader) As time went on and giuseppe settled in allure's cult , the name changed from just alluring lamb to the cult of death and wisdom ,,, Ram (aaliyah) isnt a very repetitive person that shows up at the cult since she has her own cult to run (within another universe , a war cult specifically) but she likes to show up every so often just to check in with her brother [giuseppe] :>c

And ofc how could i forget wilt lol- i forgot to add giuseppes cape here Woops ,, But its what giuseppes main clothes r in the other cult

And well i kinda wanted to incorporate the healed designs ,, another thing i wanted to add is that i constantly yap about them all being rlly strong (minus Narinder however- i believe he wouldn't be able to go on crusades or missionaries due to fibromyalgia) but its not too obvious either ,, id def say that leshy and allure are probably the strongest out of everyone else (leshy can summon roots from the ground and uses his body as an advantage, where as to allure their main weapon is withholding a heavy axe ,, but that shit is Not Easy so both leshy and allure are bottom heavy cuz of that- their back muscles and legs carry shit for the both of them HELPP)

Shamura isnt exactly a battlefield person though, they're probably the only bishop to not wanting to fight ?? Those days r Way behind them ,, Kallamar can make himself taller due to Allure reserving some strength left of the blue crown as apart of a compromise they were forced to make with kallamar to stay within the cult-

One thing in common Giuseppe and Narinder have is pacifism ,, narinder is a pacifist because of seeing allure so ill and he didnt actually like seeing people in pain- whereas Giuseppe is pacifist because hes a god of wisdom nd prefers to take things with a lighter approach. The complete opposites of those two are Allure and Aaliyah, theyre both aiming for any type of genocidal route because of what they went through for both the lamb and goat genocides occuring in different worlds of theirs ,, giuseppe doesnt rlly like crusading with allure for that reason 😭 even though aaliyah is Much worse since shes a god of war- its just the way that bloodthirst makes giuseppe incredibly uncomfortable,, to see such a shy lamb act the opposite on their crusades is Lowkey what terrifies him lmao-

Herrmm ,, heket and kallamar are pretty similiar in the stances of not rlly gaf-ing about fighting and crusades ,, heket is good at stealth and kallamar just aims right for the target because shi's just Impatient-

Okay thats all the yapping i have left in me fur now i also have these to share

The only decency here is giuseppe lmaooo 😭🙏

Oh one last thing is heights :-3

(Shamura is 4'7, Ram is 5'1, Lamb is 5'5, Narinder is 6'0, Goat is 6'1, Kallamar is 6'3, Heket is 6'6, and Leshy is 7'2 ,, Idk why i put sozo there but maybe bc its fur my own reference)