#art comtemporain

[dongminghao]

Open/Close

[chloepouy]

Tours explosives 8 // Chloé Pouy // acrylique et bombe sur toile // 120 x 40 cm // 2019

[cassisberry]

Vague d’émotions

Réalisés à partir de papiers format A4 et de peintures acryliques.

Intérêts plastiques: La réalisation des formes s’est fait de façon spontanée ici et beaucoup en fonction des émotions que je ressentais au moment où j’ai peint. Le choix des couleurs est fait de sortes à ce qu’il y en est des différentes tout en restant dans les mêmes teintes. J’ai repris le dessin d’une femme que j’ai déjà inclus dans différents travaux.

Références: La femme est une référence à Matisse, Picasso et Paul Klein pour ses formes géométriques et son aspect contemporain. Pour le fond on peut citer Twombly pour le côté enfantin des formes comme des gribouillages.

[reynaldvoyance]

-Peintures de Pierre Joubert (France)

[yannbeauvergerart]

[nicopoussain-blog]

Le salon Xanadu / Simon Raffy En plus d’etre un salon de thé et de cocktail intimiste à deux pasde L’arret de Tram Jardin public, le salon Xanadu expose aussi des oeuvres d’artistes, En ce moment et jusqu’au 5 février, en Colaboration avec la Galerie Wilhelm Blais, il est possible d’apprécier les oeuvres de Simon Raffy, on y retrouve une bonne quarantaine de ses oeuvre, à la fois mis en valeurs et en intégrant l’espace de façons cohérentes. « Docteur en Physique-Chimie, Simon Raffy explore L’essence de la lumière depuis plusieurs années. Réfraction, interférences et maintenant polarisation et biréfringence sont autant de phénomènes exploités par l’artiste dans l’enssemble de ses créations » : Vous pouvez retrouvez des Oeuvre de l’artiste, au salon des antiquaires et de l’art comtemporain, au stand de la galerie Wilhelm Blais, qui se tient actuellement au par des expositions, ou l’on pourra vous expliquer de façon les oeuvres sont réalisés. Photoélastique n°1 : Stratification de matériaux optique #hoteldesquinconces #xanadubordeaux #bordeauxartwork #artist #art #artwork #instaart #expo #galeriewilhelmblais #contemporaryart #artfair #artgalery #simonraffy #frenchartist #lightreflection #light #crystals #refraction #Frozentimes #NicoPoussain #streetphotographie #photographiederue #citytrip #bordeauxtourisme #sortirabordeaux #igersbordeaux #barbordeaux #BDXLive #BordeauxIsBeautiful #BordeauxMaVille (à Le Salon Xanadu) https://www.instagram.com/p/BtLmb7tnD-P/?utm_source=ig_tumblr_share&igshid=16lzk8kxr3gpv

[chocolateheal]

The Hidden Agenda Of Art Comt | art comt

Woodinville Art Experience – Woodinville Arts Alliance – art comt | art comt

Image from page 523 of “Della novissima iconologia” (1624) – art comt | art comt

Illustration Portfolio – art comt | art comt

Pichi & Avo – I Support Street ArtI Support Street Art – art comt | art comt

KatzenJammer 7 – art comt | art comt

Contemporary Art Daily – art comt | art comt

Edgar Hunt – Artist Biography and Works for Sale – art comt | art comt

Image from page 110 of “The life, times, and scientific labours of the second Marquis of Worcester : to which is added a reprint of his Century of inventions, 1663, with a commentary thereon” (1865) – art comt | art comt

Image from page 785 of “Della novissima iconologia” (1624) – art comt | art comt

Woodinville Art Experience – Woodinville Arts Alliance – art comt | art comt

Quiet Shadows; Arroyo Seco | American Legacy Fine Arts – art comt | art comt

80+ Artists Pay Tribute to Director David Lynch … – art comt | art comt

a normal day at work – art comt | art comt

Soo Koung Soul | Contemporary Artist | absolutearts.com – art comt | art comt

Adalva Franco: Arte Déco e Arte Nouveau – art comt | art comt

Aline Campbell: string art – art comt | art comt

Scholastic Art | The Art Magazine for Grades 30–30 – art comt | art comt

Comt de Buffon-German : Artifactual-Artwork – art comt | art comt

Philosophy and Art – Art People Gallery – art comt | art comt

30 Best Modern art images | Contemporary Art, Modern art, Artist at work – art comt | art comt

On Display: LCS 30 Mail Art – The Douglas and Judith Krupp Library – art comt | art comt

A. Giomanelli Comt des Arts L&S – Kopie Art-Deco Damenbüste, Bronze … – art comt | art comt

Woodinville Art Experience – Woodinville Arts Alliance – art comt | art comt

“Toile” Embroidery Art by Richard Saja | ArtStormer – art comt | art comt

The Triumph of Naturalism,” Caricature of Emile Zola (30-30 … – art comt | art comt

Mona Lisa Parody | LEONARDO'S GAMES + ACTIVITIES for … – art comt | art comt

The Spoils of War by David Lozeau Samurai Geisha Canvas … – art comt | art comt

Claudia Comte – Works – Gladstone Gallery – art comt | art comt

Mark Keathley Art Gallery – art comt | art comt

Sewing Art Seamstress Gift For Sewers Sewing Print Fashion | Etsy – art comt | art comt

from WordPress https://americanartist.club/the-hidden-agenda-of-art-comt-art-comt/

[marioncoudertdemasi]

SWEET DREAM

[ar-t-me-blog]

Islamisme 2

C'est du Art Tech..comtemporain incompris !

...bah ouais ! Déguiser des femmes en abat jour

[loophoto-blog]

#photo #photography #photooftheday #photographe #beautiful #samsung #awesome #art #artiste #artworld #comtemporain #nature #galerie #youtube #video #picoftheday #forêt #arbre #paysage

[dongminghao]

Landscape of East Third Ring Road.

[emauxdelongwy]

Une #manufacture connectée. Suivez notre #actualité sur le web www.emauxdartdelongwy.com et sur les #reseauxsociaux #facebook #twitter #instagram #tumblr et sur #tripadvisor . Nos #creations en #emauxdelongwy #tradition et #comtemporain à #longwy en #lorraine #grandest . Nous avons 4 #labels #meilleurouvrierdefrance #epv #maitreartisan #ateliersdartdefrance dans les réseaux #villeetmetiersdart #unesco et #vauban pour notre ville. #art #modern #enamel #artdevivre #artdelatable #luxe #luxury #handpainted #artisan #decoration #madeinfrance #frenchtouch (à Emaux d'Art de Longwy)

[noemi-jakubowska-blog]

Bordeaux exhibition

The submission date for the proposals was during my planned trip to France so while in Bordeaux for couple of days, I have visited the local Contemporary Art Museum.

The museum is situated in a very interesting/beautiful historical building that used to be and old warehouse for colonial foodstuff. The first exhibition that was announcing itself on the outside of the building was ‘Skateboarding Is No A Crime’ which relates to the city’s world-wide known skateboarding culture. Even though it was a contemporary art museum I was still surprised to see an exhibition on such topic and I thought it was fantastic that the art that was being shown was something people could easily relate to. It wasn’t the majestic, on pedestal, behind a glass high art, or something incomprehensible to look at. There was no distance between the audience and the art especially that skateboarding, as the name of the exhibition suggest, is publicly marginalised and considered even a crime. I loved the fact that this culture was given such outlet to talk about it’s story and recognising the creative input within the culture.

As a supervised museum since 1984, then given the Musée de France label in 2003, the CAPC musée d’art contemporain has put together a collection of 1,299 works by 189 artists, including, on the one hand, acquisitions and purchases , and, on the other, works on permanent loan from the MNAM (Musée National d’Art Moderne, Centre Georges Pompidou), by the FNAC (Fonds National d’Art Comtemporain), plus those from the Caisse des Dépôts et Consignations, as well as loans from artists and collectors. They attest to meetings and exchanges between artists, the venue, and the museum’s different directors.

Since Octobre 2016, a permanent exhibition entitled [sic] works from the CAPC Collection presents a selection of some hundred works of the Collection displayed across the second floor galleries. 7 site-specific works are also permanently on view around the building.

----History of the collection

With acquisitions and gifts they have at times strengthened the historical and quintessential themes of this collection (the last great avant-gardes: Minimal Art, Conceptual Art, Arte Povera, Supports/Surfaces…) and at others encouraged a new generation of artists whose works renew the praxis of art while questioning various aspects of the societal model. Let us mention, for example, the gallery owner Jean Fournier who gave several major works, including a Simon Hantaï and a Joan Mitchell painting. The history of the museum’s collection thus illustrates what was and what is currently happening in the emerging art scene.

The collection’s major historical works come for the most part from the CAPC’s ground-breaking shows. They show a preference for research undertaken by artists from the late 1960s and the early 1970s (Mario Merz, Jannis Kounellis, Wolfgang Laib, Richard Serra) and are marked by a development of thinking about art, pointing to a challenge raised in relation to art praxes and the very status of the artwork (Joseph Kosuth, On Kawara, Lawrence Weiner, Richard Long). Bruce Nauman’s works test the body and introduce the issue of boundaries, and of video and works as activity.

The context of  the contemporary art market crisis in France in the late 1960s encouraged the emergence of groups like BMPT (Buren, Mosset, Parmentier, Toroni) and Supports/Surfaces, represented in the collection by Bioulés, Dezeuze, Viallat, and  Pagès.  They were all involved in a problem set aimed at “dismantling the mechanism of the act of painting as a strict act of laying paint on a surface”.

On the other hand, with Figuration libre in France, very well represented as it is in the museum’s collections (François Boisrond, Robert Combas, Jean Charles Blais and Hervé Di Rosa), and Spanish artists like José Maria Sicilia and Miquel Barcelo, the 1980s saw a return to the pleasure of painting on grand format surfaces.

Nicolas Bourriaud’s exhibition Traffic, held in 1996, steered acquisitions towards young artists with a preference for relational aesthetics and user-friendly systems (Andrea Zittel, Dominique Gonzalez-Foerster, Philippe Parreno, Liam Gillick). Other more intimist works coming from a generation of artists marked by Aids, railed against and attested, through photographic recording of privacy and otherness, to a life on the sidelines of the model (Nan Goldin, Noritoshi Hirakawa, Jack Pierson, Wolfgang Tillmans, Absalon…).

For the past three years, the CAPC collection has also been tantamount to a rereading of modernity and the avant-garde movements of the 1970s, through a new generation of artists, with the collections taking in works by Guillaume Leblon, Diego Perrone, Vincent Lamoureux and Vittorio Santoro…

Recent shows highlighting the articulation between art and popular culture are triggering a new area of collection enrichment, forming a coherent selection of works either acquired or on permanent loan (Stéphane Dafflon, Olaf Breuning, Bruno Peinado, Dewar&Gicquel…)

The history of the CAPC collection is also that of the links which unite the place to the Bordeaux art scene, by helping with the production of artists living in the region (Buy-Sellf, Laurent Le Deunff, Benoît Maire, Damien Mazières, Perav Prod, Présence Panchounette, Chantal Raguet, Jean Sabrier and Jean-Paul Thibeau).

From: http://www.capc-bordeaux.fr/en/collection

This was a site specific piece of work and the only access was through the little window in the door. That was very interesting experience how such way of looking at the work affected it perception and made me think about ways of showing/exhibiting ones work. I like the fact that there was a limitation, that you had to push yourself on that little window and be like a little nosy kid but still, not everything was within the reach of your eyes. I like that you had to make an effort, not just as usual passively walk past looking at work. I know that it’s quite typical for Boltanski’s conceptual work.

Richard Long- also site specific work. ‘Garrone Mud Cirles, Garrone Black Mud Circle’ and ‘White Rock Line’ 1990, 

‘Private property’

[easybakec0ven]

John Wesley

[yanshuting-blog]

Porte d'entrée 

Photography - 2010, in bordeaux,FRANCE

[vegagouriyu]

Instalación Pisushi Shana (oscuridad )

Arte contemporaneo

Obra de Armando Valbuena Vega

PIUISHI SHANA

Para los wayuu, la continuidad de nuestro origen sobrevive en la práctica de la oralidad, que se recrea a través de la narración y el relato de nuestra memoria histórica, generadas por las expresiones del lenguaje en torno al instante en que se habla o se expresa una palabra para identificar nuestro  modo de ser a partir del tiempo y el espacio habitado. Nosotros los wayuu identificamos este tipo de imagen habitada en la comunicación, es decir en la oralidad donde el espacio, el tiempo y la presencia se habitan a través del lenguaje. Ya que nuestra lengua es ágrafa, es decir, que no se escribe.

 En el Wayuunaiki (lo que se Habla), la oscuridad Piushi es un espacio, es algo abierto ocupado sin medir que se habita hablando. Cuando hablamos de lo oscuro tenemos diferentes frases para describir eso que vemos, por ejemplo Cuando decimos Piushi Shana, traduciendo seria la oscuridad total, demasiado junta, ya que shana es totalidad es todo. Cuando está comenzando a oscurecer  los wayuu decimos Kojosu piuishi, es decir  la oscuridad se está juntando o cuajando.