#art basel

[webdiggerxxx]

꧁★꧂

[tilbageidanmark]

Piet Mondrian’s glasses and pipe. Photo by André Kertész (1926).

[fornaxvoid]

Fornax Void - Biohazard Tezpole of Doom

"Welcome to fart Basel. RIP Art Establishment (*~10'000 BC, †2023)."

Created for the #tezpole event over on X. 256 colors palette, 270p square native resolution upscaled to 2160p video file with audio. 20 seconds music loop created with MilkyTracker using Roland JV-2080 samples.

[ctarchangel542]

She’s a Goddess

[msterpicasso]

@ceeouncess/@cee0z

[johnzollerart]

John Zoller paintings Acrylics on canvas

[culthermag]

Andre 3000’s “ 47 Messages “ Jumpsuits for the OutKast Reunion Tour in 2013. Every night he wore a different jumpsuit with a conversation starting message printed displayed on the front of it. In his own words, he said that he thought the fashion statement ( quite literally ) could act in a progressive manner, aiding socio-cultural concerns.

All 47 jumpsuits went on to be displayed in a gallery at The Savannah College of Art during Art Basel Miami. These jumpsuits also went on to spark a collection of t-shirts with the same messages. [ x ]

[mensfactory]

Christo, "Wrapped 1961 Volkswagen Beetle Saloon," 1963–2014,

1961 Volkswagen Beetle Saloon, Tarpaulin with grommets, and ropes,

59 1⁄8 × 160 × 60 ⅝ inches (150 × 406.4 × 154 cm),

Courtesy of Gagosian

[graveyardfullofstars]

[soovermyself]

Don’t say I never gave you anything 😉

[starlet-sky]

The sun was so bright I couldn’t even open my eyes for these ❤️‍🔥😆❤️‍🔥 Had fun at Art Basel 🫧

[11oh1]

'Eunoia' 2023 by @shoesbystella

[blackstarzulu]

In front of my recent installation @ Art Basel this year at Anton Kern Gallery’s booth.

Photo credit Joshua obel

[saddayfordemocracy]

Kader Attia, Intifada: The Endless Rhizomes of Revolution (2016) 

A forest of leafless trees of iron rebar emerged from piles of rubble, slingshots bound to their bifurcated branches. The makeshift weapons recall those used by Palestinians against Israelis during the First Intifada in 1987, in protest against Israel’s occupation of the West Bank and the Gaza Strip.

 “It is an artwork about the history of violence and the agency of resistance as a form of existence, and does not call for violence in any form,” Attia said.

Courtesy: Nagel-Draxler

[acrylicalchemy]

This exhibition at OMSA in South Florida is absolute fire! Big, massive things coming soon. Join us on this journey. We are just getting started.