#are most likely to abuse and hurt them. their parents. which is why “parents rights” and “children's rights” are fundamentally in opposition

[ldrloversblog]

In defence of Vivziepop and the women of HB

I’ve been seeing a lot of people criticising and bashing Vivienne for the way she writes her female characters compared to her male characters and to an extent fans and the antis are correct and their criticism is valid but it’s reached to a point that the fans and the antis are being more misogynistic than the person the claim to be a misogynist (Viv).

They are always blabbering about how she can’t write a woman who isn’t mean, evil, emotional and has no depth or a sad backstory. I believe that most of the times people forget that Viv is not the sole writer of the show, yes she is the creator but she is not the only one in the writing room she is not the only one who has control over the story and the characters there is whole team involved.

“But all her female characters are mean without reason”. Wrong there are reasons why they are the way they are.

Verosika is the way she is because of Blitz. In AT we learned that when she finally mustered up the courage to confess her love for the person that was her boyfriend and presumed bodyguard at the time (since she is a pop star) left her in the middle of the night without an explanation and stole her credit card which he maxed out on horse riding lessons. Ver isn’t a bad person just because, she is that way cause of heartbreak, hurt and betrayal. She even had his name tattooed on her arm that’s how committed she was.

Barbie Wire, a child with an abusive father turned to addiction and alcohol and we know that she still keeps on using because of a freak accident that killed her mother, burned the circus, left her and Blitz’s best friend disabled for life and scars than can never be healed.

Loona an abandoned child that grew up in the orphanage and every time she got adopted she got turned back due to her temper and problematic teenage behaviour. Of course someone who was never wanted as a child and treated nicely isn’t gonna be all sunshine and rainbows. Despite all that Loona has come a huge way from being the always mad, defensive and socially awkward hellhound we met in ep.1.

Octavia, one of the most if not mischaracterised and wrongly hated character of the show. The first time Octavia is shown to us she is a child that has a terrible nightmare where she can’t find her father anywhere. From that alone we can understand that Octavia is someone who’s afraid of being abandoned by the only person that she can find comfort in. Her parents constantly scream at each other and most of the time ignore her (whether it’s intentional or are too wrapped up in their own problems and goals) and never try to communicate with her properly or explain the whole situation. She is not a spoiled little princess who’s always broody and “emo” and annoying just to be, she is 17 a very vulnerable age at which she needs the two people that are supposed to take care of her in the world the most but she doesn’t and she feels that she never had them cause she never mattered, the only thing that mattered were their petty fights and duties. Via is allowed to feel hurt by her parents actions and lack of care and is right to confront them for their shitty behaviour towards her her whole life. She needs time to process what’s going on and come to terms with her own emotions and situation. If she doesn’t want to hear what Stolas has to say right now then that’s the right thing for her to do now. The love and trust she has for him is so strained and it’s gonna be a while before he can make up for his mistakes.

Stella is another character that the fans and antis complain that is evil (or cartoonishly evil which is boring as they’ve said after the last episode) because Viv has always to make her women unlikeable and stupid. Stella and Stolas were forced into the same fate without their consent at the age of 10 and have been miserable ever since. I like Stella I’m not gonna lie she is not the best written villain and we don’t know why she is the way she is but what we know is that she really hates and resents her husband and doesn’t really care for her child unless it’s to manipulate her against her father. Cartoonishly evil or not, she is entertainingly stupidly evil for someone driven by her hate and big ego, a narcissist that’s always right and above everyone else but what she doesn’t understand is that her brother is holding the strings and plays her like a puppet so he can do his own bidding in the disguise of getting rid of her husband. Sometimes villains don’t need to have a heart wrenching backstory, someone or something that made them evil some people are just evil either by them themselves or their environment. There are 2 more seasons left of HB im sure that the writers sooner or later will give us a good explanation as to why Stella hates Stolas so much and wants him out the way.

Millie a Wrathian who thought that she was good for nothing but killing people and being “the muscle”. Millie (as seen in GF) worked by herself taking jobs to survive and make a living until she met I.M.P and became a part of a team, a family that taught her that she is more that just a machine to kill people and is now the best version of her self. Married, happy with her career choices and I can’t wait to see how s3 will handle the unplanned pregnancy plot because there are a lot of things on stake here.

Why do we as fandom always have to demonise women for the smallest things and baby men for the horrible and wrong things they do and have done to others? Why don’t you give the same energy to Paimon, Cash and Crimson? Neglectful and abusive fathers? Striker? Who preaches about how royals are the worst thing to happen to imp kind but the moment he is paid by a royal to betray one of his own he’s quick to take it and run? Blitz? Who until recently never apologised for the bad things he did and ruined so many people’s life’s? Stolas? Neglects his own child in favour of his lover and stuck in his own foolish fantasies in the process losing whatever little faith Octavia had in him, obliviousness to see past his nose and his (not purposefully) prejudices?

[eileennatural]

jd vance fascinates me bc i've never seen someone so desperate to come across as a good-natured everyman and fail so miserably. talks abt the "ruling class" while having attended yale and working in VC for peter thiel. obsessed with having the moral high ground and yet uses language so bizarre and hateful that it puts off even those who fundamentally agree with him. Bills himself as "pro-child" and an advocate for family-building but can't name one single thing that makes him smile ? That gleefully recounts stories where he tells his kids to shut the hell up and leave him alone? He speaks like he's never had a conversation before

[giantkillerjack]

It is very true that this "kid-glove explaining" IS sometimes the only way to get any assistance at all, and that this is absolutely not the fault of the disabled people who have been put in so horrible a position by their ableist loved ones. You have to do what you must to survive.

But i just want to emphasize how it is also true that the labor of these kinds of repeated forced-calm explanations can be extremely harmful for the disabled person long-term.

I say this because I THOUGHT I had made progress with teaching my family, but in fact I had only gained a LOT of additional trauma and grief during a time when I desperately needed non-ableist support.

I was sick and in crisis for years, and during that time, I repeatedly spent the energy i could have used to ask friends for help on instead begging my family to learn how to stop hLeping me and start Helping me.

This genuinely endangered my life on multiple occasions. Imagine the difference between getting immediate help bailing water out of your sinking ship (ex. my friend Laura metaphorically jumping into my boat with buckets and pumps and no judgment), and having to instead stand in your increasingly-sinking ship explaining (so SO gently or else they will dismiss you entirely, even though the water is creeping up to your neck) to someone that "actually no, adding water to my boat doesn't help please PLEASE just bail it out; I cannot emphasize enough that I can't swim why do I have to keep saying that? no I don't think I could have avoided that hurricane and it hurts that you keep asking; no I am not faking it - why would I fake this?? What kind of person do you think I am??" - as they allow the water to creep up to your chin. That's the difference between help and hLep.

Also, a helper wants you to have all the help you could possibly need, and they recognize that they almost certainly can't provide you with everything you need on their own. (Ex. My partner can't help me with panic attacks most of the time due to her own mental illness. But she helps with all sorts of other stuff, communicates her limits, and actively encourages me to rely on my friends for support.)

Meanwhile, a hLeper might be offended that you would even want ANYONE'S assistance besides their own because it isn't about *your need,* it is about *their pride.*

If the people around me *get angry at me for being angry* when THEY are the ones who hurt ME, then I no longer want them around me. And I hope to have the skill and the privilege to be able to stay in control of that. I hope someday we all can have that.

And to every disabled person stuck waiting for better days: Please survive in the meantime because your survival is the key to a better future for us. It will be better with you there. I don't care if you disagree with me; you won't persuade me otherwise - I am a stubborn Jack. I want you there. Disabled survival is an act of radical resistance. You, along with the other contributiors to this post, are Punk As Fuck.

I go into these concepts some more in this version of the post.

[Also, if you have any trouble reading the opening paragraphs of this post, I edited the original post into a more dyslexic-friendly version, and I've tried to include that link in every version of the post that I refer to.]

Today my therapist introduced me to a concept surrounding disability that she called "hlep".

Which is when you - in this case, you are a disabled person - ask someone for help ("I can't drink almond milk so can you get me some whole milk?", or "Please call Donna and ask her to pick up the car for me."), and they say yes, and then they do something that is not what you ask for but is what they think you should have asked for ("I know you said you wanted whole, but I got you skim milk because it's better for you!", "I didn't want to ruin Donna's day by asking her that, so I spent your money on an expensive towing service!") And then if you get annoyed at them for ignoring what you actually asked for - and often it has already happened repeatedly - they get angry because they "were just helping you! You should be grateful!!"

And my therapist pointed out that this is not "help", it's "hlep".

Sure, it looks like help; it kind of sounds like help too; and if it was adjusted just a little bit, it could be help. But it's not help. It's hlep.

At its best, it is patronizing and makes a person feel unvalued and un-listened-to. Always, it helps reinforce the false idea that disabled people can't be trusted with our own care. And at its worst, it results in disabled people losing our freedom and control over our lives, and also being unable to actually access what we need to survive.

So please, when a disabled person asks you for help on something, don't be a hleper, be a helper! In other words: they know better than you what they need, and the best way you can honor the trust they've put in you is to believe that!

Also, I want to be very clear that the "getting angry at a disabled person's attempts to point out harmful behavior" part of this makes the whole thing WAY worse. Like it'd be one thing if my roommate bought me some passive-aggressive skim milk, but then they heard what I had to say, and they apologized and did better in the future - our relationship could bounce back from that. But it is very much another thing to have a crying shouting match with someone who is furious at you for saying something they did was ableist. Like, Christ, Jessica, remind me to never ask for your support ever again! You make me feel like if I asked you to call 911, you'd order a pizza because you know I'll feel better once I eat something!!

[beifong-brainrot]

People will go on about how "Katara's story is a tragedy" because she... ended up marrying the guy she loves, having children and grandchildren which she was always excited about and literally becoming a master waterbender and rising to the top of her field as a healer.

Yes, Katara's story has tragic aspects to it. And there are certainly flaws in how she is written in tlok (Though I will argue that there are actually more issues with how Toph and Zuko are just plopped in there for no reason in later seasons). And her storylines aren't perfect, for example her resolving her trauma around the murder of her mother being more used to prop up Zuko than her own internal turmoil. (Most of TSR is from Zuko's perspective and I hate that actually)

"Katara's story is a tragedy" Why do you have such a hard on for this woman's misery? Let her be happy, man.

You know what gaang girlie's life is an actual onscreen tragedy?

Toph's!

People will fucking downplay Toph's childhood abuse because she wasn't physically hurt, but her childhood was a never ending carousel of abelism, misogyny, neglect and isolation. The way Toph describes her parent's treatment of her as "pressure and pain" is heartbreaking.

Toph's only escape was Earth Rumble and earthbending, but despite her skills, she remained the perfect little lady her parents always wanted her to be. She's never known a different life, and she was only able to be her real self in secret.

And when Toph finally opens up to her parents, when she finally lays her real self bare in front of the people who are supposed to love and care for her?

She is met with what may be, in my opinion, the cruellest rejection in the show.

Despite this, even when Toph runs away, she still cares for her parents' approval. Hell, she's even lured into a trap due to her getting a forged letter from her mom and getting excited because it looked like her mom was finally accepting her.

It's also important to note how determined to be self sufficient and to prove herself Toph is. We can especially see this right after she joins the Gaang, where she refuses to participate in splitting with the rest of the group, insisting on "pulling her own weight". This isn't Toph being a brat, or spoilt, this is her wanting to prove that she can handle herself because people have handled and understimated her her entire life.

Eventually, Toph starts to learn to trust the members of the Gaang and this is a step in the right direction. She's literally making friends for the first time in her life I'm so proud of her.

However, I was genuinely upset when Toph's life changing field trip with Zuko didn't work out. When Toph was trying to connect with Zuko and he blew her off (I'm not blaming him tho they had shit to do), I couldn't help but remember the rejection Toph suffered from Lao.

Post canon, Toph continues to try and prove herself, starting a metalbending school and training new metalbenders.

She also reconciles with her father. Not before Lao disowns he rmultiple times and calls her a rude, ungrateful thing. And while he eventually comes to understand Toph and cherish her, that type of trauma sticks with you.

So it's no wonder really that Toph, someone who went her entire childhood seemingly without even speaking to someone her age, would have trouble forming connections. She has children with two different men, neither of which seem to stick around.

Toph tries to do right by her daughters and gives them the freedom she never got. Sadly, the pendulum swung too far to the other side, since it seems that she started to neglect her daughters, which led to them developing a sleugh of issues of their own.

Toph becomes the cheif of police, which kind of makes sense. Republic City was only slowly emerging as an actual metropolis. Toph took on a role as a protector, and probably as a way to prove herself. But as Republic City grew, Toph probably realised that she became something she hated. A cog in the machine, and started to despise her job.

Searching for a semblance of the freedom and happiness her travels afforded her in her childhood, Toph leaves the city and takes up the life of a hermit in a swamp. She managed to fix her relationship with Suyin to some extent, but still seems reluctant or simply unable to connect with her daughter or grandchildren. Since she apparently hasn't seen Opal, a grown 20 year old woman since she was a little girl.

On the surface old Toph doesn't seem terribly dissimilar to young Toph, still tough and spunky. But she is more jaded, depressed and pessimistic. She comes out to save Suyin from immediate harm and manages to somewhat reconcile with Lin, but then she fucks right back off to the swamp where she seems to literally hide until Wu and Korra straight up force her to come with them.

Toph's story began with her alone and it seems to end with her alone as well. It's a story of a girl who grew up isolated and handled by others, and was woefully unprepared for the real world, which only jaded her further. She lives with the guilt of fucking up her daughters' lives and a belief in the pointlessness of life.

Toph started off longing to experience the world and ended up willingly isolating herself from it.

If that isn't a tragedy, I'm not sure what is.

Mind you, this is not the trauma olympics. I'm not saying that Toph has suffered more than Katara or that Katara's trauma is not as valid as Toph's. Katara and Toph's experiences are completely different, Katara being a victim of genocide and war, Toph being a victim of child abuse. I'm just saying that, objectively, Katara had a happier 'ending' than Toph.

[creepswrites]

TIRED OF RUNNING | Sinclairs x Reader

YET ANOTHER REWRITE i have no idea why Tired of Running is so popular but i've always been proud of it :) the original can be read here but i will be rewriting all existing chapters to finish it!!

SINCLAIR BROTHERS x GN!READER (they/them)

SUMMARY: "We got a visitor, Vince." Bo said, leaning against the doorframe with his arms crossed over his chest, watching Vincent work. The latest sculpture was of a woman in a flapper dress, perfect for the House of Wax. He nodded, assuming it was just Lester. Though he didn't see a reason why Bo would bother him just for that. So, regrettably, he looked up from his work. "They got kids."

WARNING: mentioned child abuse

NEXT

Sighing, you hit your head on the wheel with an exhausted groan. The Louisiana heat had been suffocating you ever since the AC sputtered to nothing a few hours ago. You'd left the windows open to prevent frying the inside of the car but it was still too hot. Even after living here for a few years, you never got used to the heat. It was fall for god's sake…

You lifted your head and tried to blink back the drowsiness aching behind your eyes. Driving for a week now had exhausted you and the heat wasn't doing you any favors. Everything felt warm and sleepy, making it difficult to focus on the road. A glance at your gas tank only made you groan. Nearly empty tank with no cell phone reception and two kids to take care of.

Speaking of kids, you glanced at the rearview mirror. Your twin boys - Peter and Michael - were passed out in their carseats and dead to the world. They were good kids, rarely fussy, and full of energy. They were why you'd been on the road for so long. You'd fled home with whatever belongings you could pack in your car and never looked back. Seeing their peaceful faces reminded you that it had been the right decision. Watching your ex husband strike Mikey for "misbehaving" had been your last straw. They were only two years old and he expected them to just simply know what behaviors were acceptable without teaching them anything.

He'd been the one who wanted kids yet showed no real interest in parenting. That had all been on you.

Which led you to where you were: off a dirt backroad in the middle of nowhere with the sun setting in an hour. If it had just been you, you would have sucked it up and walked to the nearest town in search of help. But with two toddlers, the feat seemed impossible. You didn't want them getting lost or hurt in the dark with no way of you helping them.

You got out of the car to survey your situation. The road you were on was mainly dirt and not well traveled. You hadn't even been certain they were roads if not for the signs just before you'd turned. Grass grew in wild, untamed patches and stretched out into a field to your left while the forest was close to your right. The trees offered minimal shade but were better than nothing. At least it was cooler under them instead of your hot car. But the prospect of sleeping in the dirt didn't sit well with you. Who knows what animals were even out there.

You pressed the heel of your hands to your eyes and tried not to cry. This was absolutely the worst possible thing that could have happened. If your husband was following you, which he most certainly was, then it was only a matter of time until he found you.

So you slid down the side of your car to sit against the wheel and curl in on yourself. It had been awhile since you cried since your husband would slap you for it, threatening to give you something to really cry about. You'd only withstood the abuse for so long because you didn't want Peter and Mikey to grow up in broken homes. But after you noticed they were being hit, you couldn't stay still. It had still been hard and you kept second guessing yourself all week if you were doing the right thing.

Hopefully you were.

A few hours passed before your luck changed. The sun had just begun to set, painting the skies in pinks and purples like a beautiful watercolor painting. It was finally cooler out now too, the breeze brushing your arms and face periodically. You'd just finished feeding the boys whatever food you had left in the duffle bags still and had decided to let them play in the little clearing nearby. You'd all been cooped up in your tiny car for days and you could tell they needed a break. They promised to stay close to you, running around nearby with sticks and their toys. Peter roared, running up to you with a tiny blue T-rex in hand. "'m gon' eat you!" He giggled.

You scooped him up and held him in your lap, watching his brother poking at the dirt with a stick. "Mikey, don't wander too far okay?" 

Mikey didn't answer and you sighed. He always had problems listening, always content to drift off in his own world without a second thought. You'd read a book about childhood trauma and worried about Mikey sometimes. You stood up and were about to approach him when you heard the sound of a car rumbling. You'd never understood the phrase "your life flashes before your eyes" but in that moment you did. "Mikey!" You shouted, white-hot horror shooting through you. "Peter, get in the car!" 

As soon as Peter squirmed out of your arms, you shot off like a rocket towards Mikey. His wide, terrified eyes were trained on the car headlights, which felt like a spotlight as you picked him up. The ground was illuminated with bright white light, making it impossible to hide from whoever this was. You practically threw Mikey into the car, slamming the door behind him and locking them inside.

The truck came to a stop and you faced it, squeezed your eyes tight, and prepared for the worst.

You heard the sound of the car door open and you turned to face the figure. When he finally stepped into the light, you nearly cried from relief. It wasn't your ex nor any of his friends. You felt your knees give out as a sob wracked your body, the adrenaline crash hitting you hard.

"Woah, woah!" The guy said, hurrying over and crouching in front of you. "Hey, it's alrigh', I ain't gon' hurt'cha." His voice was calm, the southern drawl making your eyes feel heavy. The headlights obscured a lot of your vision but you could make out his face. He was a little scruffy, covered in dirt, and looking at you with more concern than anyone had looked at you with in quite some time. "Shh, it's alrigh', you're okay…" You could tell he was scrambling, unsure how to help you but desperate to do so.

"S-sorry," you babbled through broken sobs. You didn't know what else to say and you couldn't stop the tears. "I- I thought you were- I'm sorry, my ex, he-"

He took you in his arms, hugging you to his chest. He was warm and smelt of dirt and rot but you didn't even care. You couldn't remember the last time you'd been hugged. Over the years, your ex had isolated you from your friends and most of your family so you knew it had likely been a good few years. So you wrapped your arms around his neck and sobbed.

But he didn't falter. "Shh, 's okay, you're okay. I gotcha." He rubbed slow circles in your back and smiled down at you, like an angel come to save you. "Y'ain't gotta 'pologize. I ain't mad."

You sniffed, wiping your eyes and leaning back slightly to look at him better. Definitely scruffy but charming in his own way. The look on his face was impossibly soft, so unfamiliar to you yet you craved that gentleness. "Sorry, I, um, I'm on the run. My ex, he, uh… Well, doesn't matter now. I got myself and my boys out 'n that's what matters."

The stranger's eyes widened slightly. Bright and pretty and you felt safe under his gaze, for some reason. "Your boys?"

You nodded and started to stand. He didn't hesitate to offer his arm, letting you steady yourself on him when you felt your head swim. "Yeah, they're in the car. Probably scared 'em shitless with my screaming." Your legs felt unsteady when you walked and you didn't miss the way the guy hovered, like he was braced to catch you if you fell. It was sweet.

You swung your car door open and the boys peered up at you, scrambling to try and hide their animal crackers. "Boys," you sighed, "What did I say about desserts?"

"To ask." Peter said plainly, too distracted by the stranger. "You're dirty, mister."

"Peter-!" You gasped, ready to apologize on his behalf.

But the man just laughed, clapping his hands together in his amusement. "Yeah, yeah, y'ain't wrong lil guy. Been workin' all day, hauling dead stuff 'round."

Peter looked morbidly intrigued, scooting closer to whisper like the two of them were sharing a secret. "Like… dead people?"

"Nah, nah, nothin' like that." The guy knelt down to talk with him easier, lowering his voice as well. "Animals who, uh, get hit by cars. Ain't got anyone to take care'a them, ain't like pets. So I come 'round 'n clean 'em up off the road."

Nodding slowly, Peter reached behind him and held out one of his dinosaur toys. "Have ya seen one'a these?"

The man seemed bewildered but offered him a sincere smile. "Nah, but, uh, if I do, I'll let'cha know, 'kay?"

Peter seemed satisfied with that answer and went back to his crackers. "I never got your name." You said as the man stood back up.

"Name's Lester." He gave you a gap-toothed grin, tilting his cap in a greeting. "Was headin' back home 'n saw yer car. Figured I'd come check on ya."

You smiled, hugging yourself shyly. "I, uh, ran outta gas. And with the boys, I can't exactly walk for help. No cell service either."

Lester frowned, scratching at his face as he seemed to think it over. He surveyed the three of you before looking out towards the setting sun. "Well, I ain't usually do this," he drawled slowly, "But there's a town nearby. 's called Ambrose. Could drive ya there so y'all could sleep for the night. An' in the mornin', we can swing by the gas station 'n get some gas for yer car."

"Really?" You stared at him with your mouth agape. "You- You'd help? Wh-what's the catch?" You couldn't accept he'd do this for nothing. If being with your ex taught you anything it's that no one was good for no good reason.

He smiled again, sliding his hands into his pockets. "Ain't no catch, honest. Jus' breaks my heart to see ya so freaked out."

You rubbed your arms nervously. "Sorry. I, um, thought you were my ex…"

Lester's face screwed up. "Well, whoever he is, hope he goes to hell if he'd scare ya that badly, sweetpea." 

Sweetpea was new. You felt your face warm up and you looked away shyly. He seemed trustworthy and he was cute, in a scruffy boyish way. You liked him. "I- I really appreciate it, Lester."

"'Course. Got two brothers'a my own so I get it." He watched you open your trunk and shuffle the bags around. "They ain't as well behaved as yer boys though."

Shouldering two of the bags, you snorted. "Yeah, you see 'em when its bathtime, then talk to me 'bout behaving."

The two of you were able to move most of your belongings along with the boy's car seats without issue. The truck smelt of rot and you scrunched your nose up when you spotted the dead deer in the back. "Sorry," Lester said, noticing your gaze. "Was workin' when I caught'cha. I promise everythin' in the car is clean though."

"It's okay." The smile you gave him was genuine even if he seemed surprised by it. "You're helping me. I ain't gonna shame you for your work. 'sides, someone's gotta do it, y'know?"

Lester, incredibly, gave you a surprised little smile as he watched you round up the boys. "Yeah. Yeah. You get it."

"The car smells weird." Peter said bluntly as you fastened him into his seat. Mikey had gone quietly, only squirming a little to voice his discomfort at being buckled in. He never liked confined spaces.

"Be nice, Peter." You shot him a look. "Lester's being kind to us, be kind to him, yeah?"

Peter glanced over at the man and smiled, all gap toothed and sweet. "Thank you for helpin' Mr Lester."

"'Course, lil man." Lester said, climbing into the front seat and rooting around in the glovebox. "Always happy to help." 

You climbed into the passenger seat beside Lester and felt the truck rumble to life. The truck was clearly old but you could tell Lester loved it dearly and took good care of it. Even if the engine shook the whole frame. The homemade charms littered with bones and feathers rattled like raindrops and he let out a little cheer. From out of the glovebox, he pulled out an old air freshener that smelt of disgustingly fake pine and strung it over the rearview mirror. "Best I got for the smell, sorry." He said with a sideways smile.

Your heart clenched. He was so kind to you for no reason and you almost teared up from the sweet gesture alone. "Thank you."

The truck rattled and the skull sitting on the dashboard unnerved you but you brushed it off. He worked with dead animals, something about it all just made sense. The boys didn't seem to care too much, happily nodding off only ten minutes into your drive.

"So how old're they?" Lester asked in a hushed voice, trying to not wake them.

"Just turned two a few months back. Twins, if you can believe it." You chuckled, sparing the boys a glance. They weren't identical in the slightest which you were slightly grateful for. You didn't want to be one of those parents who dressed their twins to look even more the same. "But, um, I guess they got to be too much for my ex. Managed to get out 'bout a week ago and we've been on the road since."

You felt Lester glance at you, giving you a once over. Unlike with most men, you didn't find yourself repulsed by his gaze. "He put his hands on ya?"

Shrugging, you turned your attention to the window to watch the trees. The sky was slowly getting darker, making them look like just black voids. At that moment, you became hyper aware of the ring still on your finger. The compulsion to throw it out the window was strong. "Yeah. A few times." You confessed quietly, closing your eyes to keep yourself from crying again. "More the boys than me, which kills me."

You didn't miss the way Lester's hands clutched the wheel tighter. "Well, there's a special place in hell for people like that. 's fuckin' repulsive." He grumbled that last part, like he didn't want the boys to hear it.

It made you laugh though. "You're right… It's just refreshing to hear." You tried to swallow around a lump in your throat. "All his friends were the only friends I had. Was allowed to have. And none of them were interested in helping me, much less believe me."

Lester scoffed. "Scumbags, the lotta'em. What happened ain't your fault, sweetpea don't let any of 'em get in your pretty lil' head that you did anythin' wrong." He paused, chewing on his lip before sighing. "My dad, he wasn't always the kindest to my brother. An' don't go telling this to nobody, ya hear? But I always hated folks who can jus' hurt their loved ones and keep goin' 'bout their damn business. Like it ain't botherin' em."

You knew he was right. It still brought tears to your eyes to have someone believe you. Someone who had no idea what your situation was and he was still defending you. Like your ex had no reason good enough for Lester to even ask about.

You definitely liked Lester.

"Town's just up this way," he said softly. The sight of streetlights was almost relieving to you after a long day of being on the road, hopping from gas station to gas station and only stopping at motels long enough to sleep. "Might get a lil' bit bumpy." 

Bumpy was an understatement. You almost thought you'd crashed as you felt the wheels bounce against rocks, shaking the car so violently you felt sick. Your arm shot out to try and catch your balance against the window and you only let out a breath when the truck came to a complete stop.

You and Lester shared a wide-eyed look. "Forgot to lay the planks down." 

Nothing about it was funny. But after the evening you had, you couldn't help but laugh. A genuine laugh. Something you hadn't done in a long time.

When Mikey began to cry from being woken up so violently, Lester got to him before you could. "Shh, s'alright lil' man, go back to sleep, shhh." He reached behind his seat to brush at his knee. "Sorry, almost there bud, jus' a bit further."

Eventually, Mikey settled back down, sniffling until he fell back asleep. When Lester sat back in his seat, he noticed your staring. "You have kids of your own or something? You're a natural at that."

He looked embarrassed, rubbing the back of his neck with a shy chuckle. "Nah, but, uh, used to babysit 'round here. Was always good with kids, I s'pose."

With the car on paved roads now, the drive up to the town was smooth. As expected of a tiny town, nobody was outside. The lights in the little shops were out and the houses were all dark. Except one house atop a hill, lit up like a lighthouse in a sea of darkness. Lester drove towards it and pulled to a stop just outside. It was a modest house, paint peeling off in places along the outside and cobwebs in high places of the awning over the door. "What's this place?" You asked as you quickly followed Lester out of the car. You were incredibly appreciative of Lester’s good deed but his car did smell like rotten meat. 

Hopefully he wouldn’t be too offended.

"Family home. Inn's prolly closed for the night but I betcha my brothers'll let ya stay for the night." Lester said as he opened the backseat and began to undo the straps of Mikey's car seat.

You were struck silent. "I- Lester I can't impose on your-"

There wasn't any time to protest as the front door swung open. A large man stood there, dressed in a mechanics jumpsuit and wearing a hat over thin curly hair. "Les? The hell's this?"

Lester smiled all innocently, like this was a perfectly normal thing for him to do. "Heya Bo. Brought guests."

Bo stared you both down before running a hand over his face in exasperation. "When I toldja to come by for dinner, I ain't meaning to bring your pretty lil' girlfriend with ya."

You blushed and stammered but Lester spoke up, lifting a sleeping Mikey into his arms like he was a precious artifact. Bo took notice and his eyes widened at the sight. "I, uh," he stammered inelegantly. "What's with the, uh…"

"His name's Mikey." You mumbled, suddenly feeling unwelcome. It wasn't uncommon for people to look at you strangely for the twins, like they were some curse. Or maybe it was just your exes friends who felt like that.

Bo nodded slowly. "Mikey. Right." He looked at Lester and stepped aside, letting him pass into the house with your baby. "Well then. You folks like lasagna?" 

You blinked. "Excuse me?"

"Whenever Les comes to visit for the eve, Vince always makes lasagna. Easy for him to take home 'n whatnot." Bo gave you a warm smile as he approached you slowly, like he was afraid you'd bolt. "If my lil' brother thinks you're good people… Well, I'm obliged to trust him. He ain't ever been wrong."

You watched Bo grab the bags you brought, only hesitating when he saw Peter, also fast asleep. "Sorry, um, I can-" You stuttered, reaching for the bags in Bo's hands.

He held onto them though, tilting his head towards Peter. "Don't even think 'bout it. You just bring your lil' one in. The gentlemanly thing to do is carry the bags." Bo gave you a flirtatious wink and went back inside.

You were left standing in the chilly, night air. The only light came from the inside of the house, which bathed the front porch and gravel walkway in warm, yellow light. You were cold and confused and absolutely exhausted. A part of you screamed against all instinct to accept their help, to trust these strangers. It had been so long since you'd trusted anyone, after all. You were desperate.

So you did.

Peter was already blinking awake from his short nap when you pushed the screen door open more and took in the house. It was a comfortable state of disarray. Throw pillows were propped against the couch at odd angles, family photographs decorated the walls in mismatched frames, and the room smelt of meat, cheese, and marinara sauce.

Lester and Bo's heads snapped to look at you. They'd clearly been whispering but they both smiled at you when you entered. Mikey was sitting on the couch, still a little bleary eyed, curled up against one of the velvety throw pillows that looked rustic and homemade. You sat Peter down beside him, brushing hair from their sleepy faces, and tried to ignore the brothers whispering. "Sorry," you mumbled as you approached them.

They both seemed surprised. "Why're you sorry?" Bo asked with a frown. "Y'ain't got nothin' to be sorry 'bout."

You fidgeted with the hem of your shirt, hung head low like a child being scolded. Fawn, your brain screamed. Fawn and they won't hurt you. "'m intruding with two kids, I- I know I'm not supposed to have come here, I just- Lester said the inn was closed, I didn't know where else to go, my car broke down-"

Lester cut your spiraling off by taking your hand and squeezing gently, grounding you. "Hey, hey, sweetpea," he kept his voice low and soothing, "We're happy to have ya. All three'a ya. Honest."

Bo nodded along, frowning at how quickly you retreated inwards. Lester had mentioned to him very briefly while you were outside about how your ex laid hands on you and the boys. It was what got him fully on board with offering you help. So seeing you like this broke his heart just that little bit more.

"I'm gonna go talk to Vince, let him know we got guests." Bo said as he swung open the basement door. "Les, make sure our guests are comfortable, yeah?"

Lester nodded, humming his agreement as he pulled you to his chest for a hug. You went willingly, your hands curled up in the fabric of his shirt as he hooked his arms around your shoulders. "Yeah, I got 'em." He said, shooting his brother a smile as he hugged you.

Bo nodded and descended to the basement.

Vincent hated to be disturbed while working. His brothers especially knew how entranced he'd get in a project, focused on perfecting every piece. Their mother had made him an incredible artist, which often meant he'd neglect everything, even himself, for the sake of his work. Oftentimes, Lester or Bo had to come downstairs to make sure he didn't collapse from exhaustion or dehydration. Especially when summer hit and the basement's heat was suffocating.

So Vincent didn't even lift his head when Bo came to a stop in the entryway, too focused on mending a crack in the cheek of his sculpture. "We got a visitor, Vince." Bo said, leaning against the doorframe with his arms crossed over his chest, watching Vincent work. The latest sculpture was of a woman in a flapper dress, perfect for the House of Wax. 

He nodded, assuming it was just Lester. Though he didn't see a reason why Bo would bother him just for that. So, regrettably, he looked up from his work.

"They got kids."

And that made Vincent straighten up. "Kids?" He signed slowly, like he wasn't sure he heard him right.

"Yeah." Bo said through a sigh. "Two lil' guys. Too old for breastfeedin' but too young for preschool. Hard to say though, been awhile since any of us were that old." He chucked humorlessly.

Vincent looked towards the wax figure slowly. "We promised Lester we wouldn't hurt children."

Bo nodded, looking annoyed. "Yeah, yeah, I know. They're a pretty lil' thing too. Would be perfect for the museum, but, of course, Lester found 'em first."

"They can't see me," Vincent suddenly became frantic. "The children will be afraid."

The other man winced, hissing through his teeth. "Sorry bro, already promised your cookin' tonight." But Bo didn't seem that remorseful, even when his twin leveled him with an unimpressed look. "When's dinner, by the way?"

"What time is it?" Vincent signed, finally aware of the passage of time. It was easy to get lost in his work, though he promised himself he'd only come down for a few minutes to double check something. But it was easy for him to get lost.

"'s only quarter past 9. Why?"

Vincent finally moved, hurrying past. Bo was only able to make out "oven" before his brother was out of sight.

Thankfully, nothing was burnt. Vincent hadn't even spared you a glance yet, too focused on not burning the house down. Once the food was set atop the stove to cool down, he turned around to face you.

You were sat on the couch with Lester and the boys, who were trying their best to stay awake. "You must be Vincent," you said with a sniff. You knew your eyes were red from crying. Lester had sat with you, holding you while you wept. It was hard, feeling cared for. Especially by strangers.

Pain was familiar. This kindness overwhelmed you.

Vincent became shy when you addressed him, hiding behind long hair and doing his best to keep out of your sight. But Bo, never one to let his twin have peace, grabbed his arm to keep him from hiding. "Yep, managed to finally pull 'im outta that basement for dinner. Whaddya say, Vinny? You up for a proper meal with our guests?"

If looks could kill, Bo would have erupted into flames, reduced to ashes on the carpet. "Do I have a choice?" Vincent signed, managing to look annoyed even behind his mask.

"Nah." Bo smiled, all teeth and no kindness. "You set the table, I'll get enough chairs ready."

Lester turned to you, brushing stray tears away. His heart hurt when you'd started bawling after Bo left, babbling to him that you felt horrible for intruding and forcing his family to help you just because of the kids. He swore if he ever got his hands on your ex, they'd wish Vince or Bo had gotten to them first. "You okay?" He asked you gently, giving you what he hoped was a sincere smile.

You nodded, sniffing once. "Yeah, um, sorry for-"

"If you 'pologize to me for cryin', I'mma beat the ever lovin' shit outta your ex, sweetpea." Lester said, relishing in your chuckle. "We're happy to help ya, really."

Sniffing again, you nodded and wiped your eyes. "I really appreciate it. More than I think you know."

The look he gave you was impossibly soft. Like you were something precious. Lester's hand cupped your face as he pressed a gentle kiss to the crown of your head, making your mouth fall open in surprise. "You deserve it, sweetpea. Y'really do." 

Bo coughed, making Lester roll his eyes. The two shared pointed looks before Bo turned to you. "Your lil' ones need high chairs or, uh, somethin'?"

You glanced down at the boys and sighed. "I think they're down for the count."

"You can use my room upstairs." Lester said. "I ain't sleep there much anymore so it oughta be clean." Before you could even think to protest, he tapped your nose. "And don't you get all apologetic on me. I wouldn't offer it if it weren't alright."

Honestly, you were a bit relieved to get to sleep in a real bed. So you thanked them quietly, gathered the boys up in your arms, and carried them upstairs. "Second door on the right," Bo called up after you.

As soon as your footsteps couldn't be heard on the creaky wooden stairs anymore, Lester was the first to speak. "I hope you two ain't forgotten your promise."

"Lester, I toldja to find someone for the museum-" Bo hissed, anger sharp on his face.

But the younger Sinclair didn't back down. "If Mama knew you two'd killed two lil' boys, whaddya think she'd do? She'd say somethin' 'bout how if someone took y'all from her, she'd raise hell."

"Don't bring Mama into this." Bo glared daggers at Lester.

Vincent knocked on the countertop to get their attention. "He's right. We made a promise."

"We can't fuckin' keep 'em here!" Bo said, careful to keep his voice down.

"Don't gotta." Lester said, crossing his arms over his chest defiantly. "They ran outta gas. Let 'em stay the night, drop 'em back off at their car, they'll go on. Ain't no trouble."

Bo groaned, rubbing his face with his hands. "Why do you even care so bad?"

Lester flushed, blotchy pink spots on his cheeks, and shrugged. "They're nice. 'n I feel bad. Their ex laid hands on those lil' babies an' I'd do anything to get five minutes alone with that sonuvabitch."

Vincent's eyes widened. "You didn't mention that!" He signed harshly at Bo.

"Didn't exactly have a moment to tell ya." He sighed with obvious frustration. "Fine, alright, we keep 'em for one night. They're gone in the mornin', ya hear?"

The three of them were quiet for awhile, listening to your footsteps overhead as you set the boys up in Lester's old room. "Swear on Mama," Lester said, keeping his voice low, "That I ain't gonna be seein' any lil' boy statues."

"Lester-!" Bo hissed.

"Swear!" Lester shot back. The two were up in each other's faces at this point.

Vincent, ever the peacemaker, knocked on the counter again. "We swear on Mama."

"Don't fuckin' speak for me, freak!" Bo huffed. But Vincent fixed him with a glare and he sighed in defeat. "Fine. Swear on Mama. Ain't nothin' gonna happen to those three."

The youngest seemed satisfied. At that moment, you came back down the stairs, frowning slightly when you noticed them. "Everything okay?" You asked as though sensing the tension in the room.

"Yep!" Lester said with a wide grin. "Hungry?"

"Starving." You smiled back. 

Dinner was awkward at first, especially since you struggled to understand Vincent. But Bo and Lester happily translated and conversation began to flow easier, which you were grateful for.

"So, how long has it just been the three of you?" You asked as you took a bite out of the lasagna. Warm and cheesy and exactly what you needed after a week of gas station food.

Bo hummed as he swallowed. "'Bout ten years now. Went by in a blip, feels like."

"Oh," you frowned, "What happened? If, um, I can ask."

Vincent nodded, still nervously picking at his food. You'd noticed he only ate when you weren't looking so he could lift the mask, which saddened you. He seemed like a nice guy and you wondered what happened in the past to make him hide his face. But you did your best to look away periodically to give him a chance to eat and hopefully let him know it was fine. He probably got enough grief for it as is, you didn't need to add on.

Judging by the slowly disappearing food on his plate, you figured that was the right thing to do.

"Mama got sick. Real sick." Bo sighed sadly. "She was a really great artist, losing her hit the town hard."

"I'm sorry." You said gently. But Lester was the only one of the brothers who seemed sad. Something about that confused you. Why wouldn't they miss their parents?

You took a bite of the food. That wasn't your business.

Vincent began talking about his art then. Bo seemed to roll his eyes and ignored his signing, uninterested in translating. But Lester picked it up in his place, helping his brother talk about his art. He enjoyed painting in his free time but he primarily sculpted with wax.

Your eyes widened in surprise. "You sculpt?"

"Vinny's the main artist in the House of Wax down the street." Bo nodded, answering for him. "Maybe t'morrow we'll take you 'n the boys to see it."

Vincent fidgeted with the ends of his hair, clearly embarrassed. You shot him a warm smile. "I'm sure Vincent's art is great. I look forward to it."

Once dinner was over, Bo and Lester disappeared into the living room with a couple of beers so you and Vince had the chance to wash dishes. The peaceful white noise of the running water and the simple swirling of washing dishes was nice after a long day. Vincent helped, taking whatever dish you passed him and drying it, setting it aside on the nearby dishrack.

He seemed to appreciate the silence. You almost wished you knew sign language so you could talk to him beyond yes or no questions. But you tried to ignore the shock you felt when your fingers brushed sometimes.

If he noticed, he didn't bring it up.

The soft sound of crying alarmed you. You spun around and saw Mikey standing in the doorway of the kitchen, sniffing and sobbing silently. He cried for you and ran towards you, wailing for comfort. You'd barely dried your hands before you were reaching down, scooping him up into your arms. "Shhh, it's okay," you soothed him gently, Mikey had always been the more sensitive one. Waking up in a new, unfamiliar place must have startled him, you thought to yourself as you swayed with him gently.

He nodded, whimpering. "Scared."

"I can imagine." You kissed his cheek gently, rocking him like you'd done when he was an infant, needing to be settled before bed. "It's okay baby, you're alright," you repeated the mantra over and over as you heard Vincent turn off the water behind you.

Hearing his heavy footsteps behind you, you turned to face him and shifted Peter so he could see him. The tall man blinked slowly at Peter, tilting his head curiously at your son. "Mikey, this is Vincent. He and his brothers are letting us spend the night so you and Peter can sleep in a bed." 

Mikey seemed to consider this before reaching up to try and touch Vincent's face. "Hi," he whispered.

Vincent flinched slightly but didn't step back. Instead, he offered his hand for the young boy to grab at. Mikey giggled as he grabbed at Vincent's fingers and hand, seemingly satisfied. "Did you wake your brother?" You asked after a moment and winced when your son nodded. "Where did he wander off to?"

"Over here," You turned your head to see Peter half asleep slumped against Bo, barely even keeping his eyes open. Neither of the men seemed bothered though. Bo even raised his beer bottle jokingly, "Seems he's ready to get drinkin' already." He teased and you snorted.

"God I wish they'd just stay small forever. I can't even imagine them starting school yet, much less drinking." You paled at the mere thought. It seemed like only yesterday they were just born and now you felt nauseous whenever you think about them starting kindergarten. Being away from your kids for extended periods of time felt terrifying.

You were pulled from your thoughts by Vincent signing something to you. Shit. Luckily, Lester translated from his seat on the couch, "He's askin' if ya want help bringin' em upstairs?"

Blinking a few times, you nodded at Vincent with a smile. "Yeah, I'd appreciate it! Here," you adjusted Mikey before passing the toddler into Vincent's arms carefully, "just support him here," you guided his arms to the right spaces and ignored the way your heart melted seeing him asleep in someone's arms. Reminded you of easier times before you and your partner split. "Lemme grab Peter and we can head upstairs." Vincent nodded to you and waited patiently by the stairs as you stole Peter back from Bo.

You felt the pair's eyes on you as you wished them goodnight from over your shoulder and headed upstairs with Vincent trailing behind. He carried Mikey like he was fragile, breakable, and you found it incredibly endearing. You set Peter down onto the bed, nestled back in the little blanket fort to prevent them from rolling off the bed, kissing him softly goodnight. Vincent mirrored your actions with Mikey and just stroked his cheek with his thumb in lieu of a kiss. "Thanks for your help. All three of you," you whispered to him. Vincent looked at you, shadows hiding his eyes from you. "It means the world to me that you're all willing to help. I know the boys appreciate it too." You smiled at him as you stood quietly. "I should get to bed," you trailed off and Vincent nodded but didn't leave the room.

Instead, he reached his hand out towards you before tilting his head, asking permission. You gave him a curious nod and felt his hand touch your cheek, stroking under your eye like he'd done to Mikey. "Night Vincent," you whispered and ignored how your face warmed up.

He shut the door as he stepped out of the room,padding down to rejoin his brothers in the living room. None of them said a word to each other but they all had the same thought: they wanted you to stay.

The next morning, Bo collected your car and brought it to the gas station to fill back up. You'd chatted about your plans to keep going west when he'd mentioned missing you. "Place jus' feels more lively with you 'round, s'all." He'd shrugged, feigning nonchalance. 

You'd gestured to the empty streets before climbing into the passenger's seat. "You sure that ain't just because this town is quiet as is?"

Bo just gave you a smile. 

When you tried to start your car, it seemed to spur, dead. "What the-?"

"Everythin' alright?" He asked, leaning against the window frame.

"It sounds like the battery's dead?" You frowned, trying again to start the car.

Bo jerked his head, urging you to follow him. "Lemme take a look." You followed him around to the hood of your car and he flipped it open. He hummed as he looked around, face screwing up in surprise. "Your fan belt tore."

"My what?" You blinked owlishly at him. He gave you a look of bewilderment and you just sighed. "You definitely know more about cars than me."

He snorted at you and slammed the hood closed. "I don't think I got any in the shop but I could order one for ya and have it in a few days."

That wouldn't do. "I- I need to get back on the road soon." Panic began to rise in your chest and tighten your throat. "If we're found here, then I'd have to…" You didn't want to think about it, you said to yourself as you squeezed your eyes shut. Obviously you had a plan if you got caught but you really, really, didn't want it to come to that.

Bo nudged you gently and gave you a warm smile. "Hey, we'll look out for ya. Ain't no one gonna hurt'cha here in Ambrose. Not get many tourists anywhere, doubt they'd think to look for ya here."

You sighed. You didn't exactly have much of a choice. If your car wouldn't start, you'd just have to wait.

The two of you were walking back to the house and you felt Bo kept glancing at you. Right before you were going to ask about it, he spoke up. "I know ya wanna go see the House of Wax. Which is all fine 'n good, but ya gotta know somethin' 'fore you go there."

"Sure..?" You said plainly.

Bo sighed loudly, rubbing his hand over his mouth. "So, when Mama got sick, Vince had been away at a real good art college." You nodded along to show you were listening. Bo looked guilty. "When she got worse, I needed help takin' care'a her. Lester and I were away workin' and she needed someone at home. So, uh, near her end…" He sighed again. "I called him back home. It's, uh, still a sore spot. Wasn't able to go back, since he got in on scholarships. An' we didn't have the funds anyway, her bills were too much."

The silence was deafening. "I'm sorry." You said, at a loss for words. "I- I won't bring it up then."

"I 'preciate it. He an' I don't talk 'bout it anymore. If he goes with ya, just don't ask."

You nodded, giving Bo a small smile. "I'm sure he doesn't blame you for it."

The man smiled back at you but you could see it didn't quite reach his eyes. "Yeah. Maybe."

Taking a small sidestep, you bumped your shoulders together. "I know so."

Later that night, things changed.

You'd gone to bed after showering and bathing the boys, the three of you all fast asleep in the bedroom. Vincent and Bo had gone to their own rooms while Lester slept on the couch. None of you heard the two cars that pulled into the town, driving slowly down the streets looking for any sign of life. After no luck at the first few houses, a small group of people approached the Sinclair's house, heavy footfalls making the little porch staircase creak under the stress.

They knocked on the front door and a dog could be heard barking in the backyard.

Lester had stumbled awake in surprise, his brain taking a minute to catch up. No one should be at the door because nobody else was alive in Ambrose. He still went to the door, opening it with a tired yawn. "Yeah?"

A man smiled at him, an acidic look that made bile burn the back of Lester's throat. "I'm looking for someone. Do you happen to know if there's been someone visiting your town?"

Freezing, Lester immediately recognized the man. Even though they'd never met face to face, he knew everything about this man. All child abusers look the same, Lester thought as he recalled his father. They all look like scum.

"Well, I ain't too sure. I work the night shift, I jus' got home. But my brother Bo might'a seen 'em. He works down at the autoshop." He said through a yawn. 

"I'd hope so. Considering their car is in his shop." The man smiled, trying to force his way into the door, calling your name.

Lester shoved him back, slamming the door and locking it with a loud thud. He ignored your ex's screaming as he ran up the stairs. 

Bo was opening his door before Lester could even knock. "The hell're you-?!"

"Guests." Lester panted, frozen in place as he kept an ear out in case your door opened. "Their ex is here."

His brother's eyes widened and he stormed to Vincent's door, knocking once before opening. He tore the blankets off Vincent and shook him viciously. "Get up, get the knives, we got intruders."

Vincent snapped awake, blinking through sleep-mussed hair. "Mm?" He said around his exhausted yawn.

"Intruders! Vince! Now!" Bo snapped. "I'll get my shotgun. You helpin' out, Les?"

Lester huffed, thinking it over. "Y'know I ain't a killer, right?"

Bo didn't have time for this. "You helpin' or NOT, Les?"

The younger brother sighed. "Does dad still keep a spare gun in his office?"

"Did he ever stop?" Bo said with a smirk, pulling his boots on his feet.

Vincent stumbled to his feet, putting his own boots on to sneak back down into the basement. If he went down and through the House of Wax, they could pin the group down. Bo'd meet them head on while Lester slipped around the side of the house to catch the strays. They vowed to make quick work of all of them but save your ex for last.

The Sinclair brothers were going to protect you. No matter what.

[linkspooky]

GOOD SIBLING, BAD SIBLING: THE FIRE SIBLINGS VS. STARFIRE AND BLACKFIRE

What could two siblings born in a royal family where one is scapegoated and the other treated like a golden child possibly have in common? More than you think.

This post is making the rounds again and I thought it would be fun to make a longer post going into depth why I think Starfire and Blackfire avert the common trope of good sibling bad sibling, by comparing it to something that fails to avoid that trope. If you like doomed siblings or bad victims then click the readmore.

Good Sibling, Bad Sibling

To start off with I'm going to explain what I mean when I use the words Good Sibling, Bad Sibling. It's a trope that's an extention of what I call Good Victim, Bad Victim. It's when a story compares two victims of abuse, and one victim is a more acceptable victim while the other is a bad victim because they're not perfect suffering Cinderellas.

Victims of course still have agency in their responses, they're still culpable if their actions go on to hurt someone, they don't have a right to hurt others, but I think it's also true most people are quick to judge victims for not being strong enough to endure abuse when they haven't been in the same situation.

It's easy from an outsider's perspective to be "I wouldn't do that". It comes from a pretty shallow view that villainizes abusers and renders them as inhuman monsters when the truth is all abusers are still humans and anyone can fall into patterns of abuse whether they mean to or not.

One reason I hate this trope besides like, the fact characters that aren't perfect victims are often considered "too far gone" and murdered by the narrative, it's also just really shallow. In the end it usually comes down to the victim getting love and support healing and the victim who didn't have support getting worse. Which is like, a no duh of a situation. A person without friends or a support system or love in their life tends to not get better? Who woulda guessed.

Good Sibling, Bad Sibling shows up when two siblings are raised under the same house, sometimes even in the same abusive circumstances and one is a hero and the other is a villain. Another version of this tropes is the fact that if there are twins one of them is usually going to be a good twin and the other is an evil twin.

I can understand where this trope comes from because like siblings are a naturally close relationship, so it makes it a deeply personal conflict when a character's sibling turns against them. I don't even think it's a necessarily bad trope, if both characters are humanized equally which almost never happens.

Examples of this trope: Gammorra and Nebula, Mai and Maki, Shoto and Toya, Dick Grayson and Jason Todd, Itachi and Sasuke.

And of course, Starfire and Blackfire, and Zuko and Azula.

My goal is to show by breaking the source material, New Teen Titans and the Avatar Cartoon down the former averts the trope and the latter plays it straight.

The Golden Child and the Scapegoat

A common trope used in dysfuctional families is dividing children between a golden child, and a scapegoat. The parent often projects all of their positive qualities on a golden child, along with high expectations. While the Scapegoat has all their negative qualities projected on them, and is often blamed unfairly for the dysfunction in the house. They are scapegoated so to speak, and constantly the victim of things like shifting goalposts.

It's like a more extreme version of playing favorites with an extra dollop of abuse on top. Also to be clear, this is an abusive dynamic where both sides are abused. They're not being seen as parents by their parents, and they are essentially being pitted against each other. There are plenty of parents who will be just as harsh on their perceived favorite. Being the golden child doesn't really safeguard you from abuse, even if it seems to be the more favorable position to be in.

Also in general when discussing abuse, arguing over who has it worse is kind of a pointless argument.

Also sometimes the playing favorites is intentional. By splitting up siblings and putting them against each other, the parent gets more control over each of them like a divide and conquer strategy. After all an abusers primary objective is to maintain control over someone by patterns of abusive behavior meant to wear down their sense of resistance.

With that being established, comparing the two royal families is interesting because the "hero" sibling is the golden child in one version, and the "villain" sibling is the scapegoat in another. If anything this proves that both forms of abuse can be the reason for a villain's tragic backstory.

STARFIRE AND AZULA THE PERFECT PRINCESS

Starfire might appear at first to be the total opposite of Azula. One of them is a hero who's like entire character is built around her overflowing emotions and the love she feels for people. While Azula is cold, calculating, and often treats her own friends like pawns instead of people. Starfire also doesn't repeat the cycle of abuse, while Azula does.

If you look past that there's a lot of comparisons to draw between the two of them. They are both raised in warrior, war-like cultures. The Tamaraneans may be all about that peace and love but like, an early conflict with Starfire's is that because she was raised on a planet as a warrior she doesn't understand why other heroes have a no-kill rule.

Azula is also a product of her culture. To begin with she's raised as a child soldier, of a nationalist and imperialist nation who are actively colonizing half the war. Azula also contributes significantly to the war effort, and never shows any doubt to the values of her culture.

As a brief summary of their early characters, Azula is princess of the fire nation which went to war with the world. She's the daughter of the Fire Nation's absolute ruler. She's however, the second born and not ever expected to inherit the throne. She is introduced in season one when Zuko vents to an unconscious Aang about how everything has always been easy for his sister. In Season two she becomes the main antagonist, first tasked with retrieving her brother, and then decides to try to capture the avatar on her own. I'd also be remiss to mention that Azula is the most personal antagonist the heroes face, because Ozai is more of a final boss. Starfire is an alien that was sold by her sister into slavery essentially (Blackfire is not a good person). She escaped to earth and became a member of the Teen Titans where she found a new family and worked as a hero. She's basically an immigrant to earth and there's a lot of culture shock. Starfire eventually returns home to her planet when it's in danger, and faces her sister as an antagonist.

This is another way in which they differ, Azula is the primary antagonist and negative foil to Zuko, and Blackfire is the primary antagonist and negative foil to Starfire.

While both basically have the tentative position of the favorite, while their sibling is demonized, it's made clear to them that they're not actually "safe" with their parents. Both sets of parents are awful and the origin of all abuse within the household. These characters also receive a slap in the face after being in denial for a long time that these parents will even mistreat their "favorite" child and treat them like an object.

Though, I would argue that Starfire is more in denial about her parent's abuse and will still see them as loving parents, while Azula is aware that her father could turn on her and strives for perfection to keep herself "safe".

Note Starfire is still saying this stuff after her parent's sold her into a political marriage.

Ozai: My decision is final. Azula: You ... you can't treat me like this! You can't treat me like Zuko! Ozai: Azula, silence yourself. Azula: But it was my idea to burn everything to the ground! I deserve to be by your side!

I've seen some people's unsympathetic readings of this line that Azula throws Zuko under the bus, but like... Azula doesn't want to be abused like her brother. What a monster. Let's see how you react when the father you thought was safe turns on you, I think most people would say or do anything not to get hurt.

I don't want to sound too critical of Starfire because she has her reasons (Blackfire abused her severely) but both Starfire and Azula seem to justify their parent's abuse to themselves by saying Blackfire or Zuko did something to cause the abuse. Sliding the blame from the abuser to the abuse victim. They participate in the parent's scapegoating of the the least favorite child.

I'd like to point out though that the ultimate cause of the situation is the parents themselves. The abuse started when they are children, and expecting Starfire and Azula as children to like, go out of their way to protect their abused siblings is expecting a lot out of them.

Like Azula is afraid to lose her position as the favorite because Ozai has demonstrated before that he'll horribly mutilate his children. Who would have guessed. Blackfire severely abused Starfire in their childhood, so she sees Blackfire as her enemy and not her parents who would have guessed.

In general too, expecting Starfire and Azula to be perfect siblings in an abusive household, and always protect their siblings, is once again a lot to expect from literal children who don't have fully developed brains.

However, I would say in both cases, they both try harder to connect with their sibling. This is where I get angry anons in my inbox, yes I'm going to make the argument that Azula was a better sibling than Zuko was to her. No I also don't expect Zuko to be a perfect big brother when actively being abused by Ozai. No I don't think Zuko owes Azula anything because she too prioritized her own well being over him that's what abuse victims do.

I'm just making the argument with in text examples that Azula does more things to help Zuko, and Starfire actively tried to befriend Blackfire before the sibling abuse started. In fact I think that's what makes both relationships incredibly tragic. It's not really two siblings who love each other on opposite sides of a conflict. It's that Blackfire and Zuko can't see past their own abuse, and can't love their siblings.

Once again I'm not blaming Zuko for priotizing himself, but I also think it's unfair to critcize Azula for taking care of herself and not sticking her neck out for Zuko when they were both being abused. Wow why are people extra harsh on Azula and extra forgiving on Zuko. It's almost like women are always expected to be perfect nurturers, and when they're not allowed to be complex human beings with flaws. My old enemy the Madonna Whore complex you strike again!

Anyway onto the examples. The big one is that Azula invited Zuko back after Ba Sing Se, seemed genuine about wanting to help resstore his honor. This is also a sacrifice on her part, because as I said even when he was banished Zuko didn't lose the title of crown prince. His status as the heir was never in question and like, letting Zuko stay a prisoner in Ba Sing Se would have ensured his inheritance would fall to her.

Why don't you let him decide, Uncle? [To Zuko.] I need you, Zuko. I've plotted every move of this day, [Makes a fist.] this glorious day in Fire Nation history, and the only way we win is together. At the end of this day, you will have your honor back. You will have Father's love. You will have everything you want.

Now common criticisms people use to argue that Azula has good intentions.

1) Azula needed Zuko to turn the tides in battle. While Azula was kind of in a corner in the fight where Zuko turned she also had Mai and Ty Lee and the entire Dai Li on her side so I don't think she'd really assume she needed Zuko to defeat the avatar. Also she starts getting backed into a corner long after she made the offer to Zuko so she had no way of knowing that ahead of time. Also, also, she might have just been backed into a corner for the sake of drama, making it more impactful when Zuko shows up and turns the tide.

2) Azula somehow knew she might not kill the avatar and needed Zuko to take the fall. This one doesn't make sense because Azula doesn't have any idea that Aang didn't die, until Zuko hints at it. After that point, Zuko kept it a secret from her and refused to tell her even though the truth being revealed would impact both of them. Like for Azula to know ahead of time she'd fail to kill the avatar when she made her offer to Zuko, and then bring him back to take the fall would require some 4d chess on her end.

Two more examples are Azula goes out of her way to warn Zuko that he might get in trouble for visint Iroh so often. On the Beach she's the one who comforts him and retrieves him from their old vacation house. When they're in front of the fire and Zuko is troubled she asks him what's wrong and even asks if she's the one at fault. Whereas Zuko mocks her for not having problems when Azula confesses her mother thought she was a monster he doesn't say anything in response.

In Tales of the New Teen Titans we get a closer look at Starfire and Blackfire's childhood, and we're shown Starfire tried hard at first to get along with her sister. Starfire also, in spite of being a victim of Blackfire's abuse went out of her way to save her life twice.

Something Blackfire responded with by immediately trying to kill her. Blackfire, you are a piece of work. In both cases, I'd argue Starfire and Azula try at least to have a positive relationship with their siblings. Attempts that are almost completely one-sided. I don't want to demonize Zuko too much though, because as I said when you're actively being abused it's number one easy to see the other sibling as being better off, and only natural you would prioritize yourself.

Also, Blackfire was an adult and continued the abuse later on in life when she had more agency, whereas Zuko for most of the tv show was a minor and you shouldn't hold minors to adult standards. If I judge characters for having an imperfect reaction to abuse, or not being perfect siblings I can no longer call myself a bad victim enjoyer.

Both Starefire and Azula as I said, participate in the scapegoating. In both cases it's out of a desire to maintain their spot as the golden child, because they want to assume they're safe.

Starfire actively defends her aprents all the time, while insisting that Blackfire was evil to begin with. Which is understandable again because Blackfire's abuse is just so much worse than anything Azula does to Zuko. It's expecting a little too much for Starfire to see the humanity in her abuser when she's a lifelong victim.

Like little blackfire things: Killing her sister's pet.

Phsyical abuse, actively trying to kill her even before they were on opposite sides of a war.

Selling her into Slavery (where Starfire was sexually abused).

It's extra tragic because both are essentially blaming the other for their parent's abuse. Blackfire takes out her pain on Starfire as revenge for her parent's favoritism, even though it's not her fault. Starfire demonizes Blackfire because she refuses to confront the fact that her parent's are abusive.

This is behavior Azula engages in as well. If you read into her actions, you can tell she blames Zuko for his abuse, you can't treat me like Zuko, while also believing that if she can just make Zuko act more like a prince he won't provoke his father anymore. Once again, sliding the blame on the abused rather than the abuser makes Azula feel more safe, because she also believes if she's perfect Ozai will leave her alone.

Zuko and Blackfire: The Banished Prince and the DIsowned Princess

This is another pair of seeming opposites. Blackfire is essentially Starfire's most personal arch enemy, occupying the same spot as Azula. Zuko is a villain for awhile, but honestly he's bad at it, and until the end of Season 1 he's so ineffectual he's more comic relief. Blackfire like Azula is insanely competent and causes a lot of genuine harm to the protagonists, and is far far worse than Zuko or even Azula obviously. I mean I've already listed some of the things she did above, but she also let her planet be conquered by aliens, orchestrated not one but two cues, and tried to have her parents blown up on live television.

However, both characters are effectively disowned and banished from their country for their inability to fit in. Both are banished and excessively punished.

Blackfire is the first born princess of Tamaran and she should have been heir to her family, but she was stripped of her inheritance because she was born disabled. Every Tamaranean can fly except her because of a sickness that nearly killed her when she was younger.

That's right everyone, the disabled representation you've been waiting for the sibling abuser and war-mongerer.

I think Blackfire's abuse covers a common way parent's treat their disabled children, where they don't want to make accomodations and make it clear they' don't want to take care of a disabled child and spend all their attention on their abled children instead. This trope is often called "Better dead than disabled."

Also I'd be remiss to point out that Tamaraneas have access to hover technology so Blackfire's disability doesn't inhibit her in any way. Like damn, parents will do anything but try to accomondate their disabled child.

Zuko is punished needlessly for a small offense of speaking out of turn in a meeting for not wanting to sacrifice young soldiers, and then refusing to fight back against his father in an angi kai. At which point he's banished and sent on a fool's errand of hunting the avatar.

Blackfire's reason for being banished is uhhh, because she tried to kill her sister in combat training, but also she was stripped of her inheritance just before being born disabled. She awas punished for things she couldn't control before she did anything wrong.

Both siblings also try to make up for their trauma and perceived deficiencies by constantly projecting violence. Blackfire is like, obsesed with war, Zuko's definition of honor is more focused around glory gained by combat more particularly killing the avatar in the first season. Both of them actively participated in colonization, Blackfire helped colonize her home planet, Zuko burned Kyoshi village and helped Azula with Ba Sing Se. Blackfire brought back an army to colonize her home planet, then attempts a military coup of a rather peaceful reign her parents secured not once but twice.

Both are blamed for their parent's abuse, it's Blackfire's fault because she was a violent and unlikable child she made it impossible to love her. It's Zuko's fault, he just didn't try hard enough to please his father and fit in as a prince.

While I may sound overly critical of Avatar's writing I do like how they gave Zukio a lot of chances to make mistakes and screw up, and instead of condemning him or dismissing him as too far gone they kept reinforcing that he always had a chance to better himself.

Both characters are really jealous and tend to blame the other sibling who's treated as the favorite for their abuse.

Zuko: "You're like my sister. Everything always came easy to her. She is a firebending prodigy and everyone adores her. My father says she was born lucky. He says I was lucky to be born... I don't need luck though - I don't want it. I've always had to struggle and fight and that's made me strong. It's made me who I am".

Though to give credit to Blackfire, while as a child she blamed Starfire for everything and used her as a punching bag, as an adult she seems to understand that the cause of their conflict was their parents and in fact tries to explain this to Starfire multiple times. So she's matured enough to see that Starfire is ultimately a victim too.

As I said too, Zuko is a child, he's also like still actively being victimized by Ozai while at the same time under the notion that if he does the right thing he can earn Ozai's love for 3/4ths of the show it's easy to understand why he'd blame Azula for his position as the scapegoat instead of Ozai.

Zuko never attempts to convince Azula to change sides with him, or considers that an option. When Azula is like, falling through the air about to die he doesn't tell his friends piloting the bison to try to save her. His stated goal when fighting Azula in the fignal agni kai is to put her in her place. That's literally a line he says.

Zuko, the empath when noticing she's having a total mental breakdown says "She's kind of off" and decides to take advantage of that to win the fight. When Azula finally breaks down and is screaming and crying, he just kind of sits there looking bored.

I'm not arguing that Zuko owes her anything that's a personal opinion, just that it's inconsistent with Zuko's writing. Zuko is presented to us as a character revolving around redemption, that learns that love and forgiveness are key to growth and healing and then just... doesn't apply those same lessons he learned to his sister.

That same kind of hypocrisy is present in Starfire, but it's like intentional. Starfire's inability to empathize with her sister, when her entire character revolves around empathy and love shows just how damaged her relationship with her sister is. Even then Starfire like, saves her life twice and was never able to kill her. With far more reason to not empathize with her sister, while blatantly hating her, Starfire still has that tiny bit of empathy for her. It's also like, Tamaraneans are a violent warrior people, and they're also extremely emotional and full of love, Starfire embodies both sides of that.

It's not just Blackfire either, it takes Starfire a long time to learn that she can't just kill criminals (again understandable, a cultural thing, in fact people like Dick are a little bit too harsh on her for this instead of trying to explain and understand where she's coming from). It is consistent with Starfire's writing, she is openly loving, but she's not the team mom that's Donna.

Zuko like, not even trying to redeem Azula or just like, not really caring is inconsistent with the writing that's trying to tell us that deep down Zuko is a caring person that is going to help heal the fire nation by showing them a better path forward. Zuko's double standards towards his sister, and his unfairly blaming her for his father's abuse is not written as a flaw. Blackfire unfairy blaming Starfire for her parent's abuse is a flaw. Blackfire's abuse of Starfire is her own fault, which is something she continues to do well into adulthood.

Which is why it's kind of all the more baffling, that Blackfire is way worse, is humanized a lot more by her narrative than Azula is. Now we reach the final part.

The Final Agni Kai

Now to trash on everyone's favorite scene that I absolutely despise as the end to Zuko and Azula's arc, while praising what is my favorite arc in the whole New Teen Titans manga. In the series finale of Avatar, Zuko after reuniting with Iroh is tasked with challenging Azula for the throne in the Agni Kai. They fight, and Zuko comes out on top.

In what is essentially the final fight between Starfire and Blackfire, Starfire is alerted by her brother that things are going down on her planet. She leaves earth with the Teen Titans and returns to her planet for a second time. Where she learns that she is being sold by her parents into an arranged marriage, as a part of a peace agreement with the invading force of her planet. Something that Starfire does not take well too, because she's currently in love with her longtime boyfriend Dick Grayson.

I'm going to skip over the Soap opera that is Starfire and Dick, because it's soon revealed that Blackfire too has returned in order to orchestrate a coup to overthrow her parents once more.

In the end Blackfire reveals her plan that she's set up an ion bomb to hold the whole planet hostage unless her parents abdicate and declare her ruler. At which point, Blackfire succeeds.

Both plots involve the scapegoat finally reclaiming their heritage and beating their sibling for the first time, one is the hero, the other is the villain... or are they?

There's a reason I love one arc and hate the other. It's that Blackfire is eventually allowed to be her own seperate character from Starfire, whereas Azula is ultimately just a plot object to strengthen Zuko's arc. This is shown in just, the amount of focus Zuko and his inner world are compared to Azula, how he has one of the most lovingly tailored redemption arcs shown throughout the entire show whereas Azula's mental breakdown is rushed through the entire end.

However, to further illustrate this let me show how well the New Teen Titans humanizes Koriand'r. To begin with, we see their childhood from both perspectives, to show both are biased narrators. Starfire represents her sister as being born evil, while Blackfire believes Starfire being the favorite took all her parent's love away from her.

Blackfire also gets, sympathetic motivations that demonstrate she's also capable of love and craves it deep down but suppresses it because she believes she needs to be a weapon of war. Something that is directly stated by the comics and only like implied by offhand by the avatar show.

In fact Blackfire gets to star in her own comic which tells a story where she is temporarily blinded after her first defeat to Starfire. After feeling helpess she feels like she's lost the will to fight, the will to kill, the will to rule which is how she defines herself.

Blackfire survives with one of her soldiers who doesn't abandon her, and helps teach with her rehabilitation teaching her how to fight while blind. Their relationship grows so close that Dorion feels like the first person that ever took care of Blackfire, and she breaks down and admits how much she wants to be loved. She almost seems willing to give up her conquest.

However, Blackfire misses out on the chance to be loved because her fanatically devoted soldier tricks her into killing him in order to show her that she still has the edge to kill.

This also clues us into more complex motivations for Blackfire. She is actively a patriot who believes that her father's rule is weak (she turns out to be right) and believes that conquering her planet is in effect her way of saving it. She has to put on this persona because the cause is more important than anything in her life, even love.

(This also contrasts Starfire who has no interest in being a ruler and runs away to live on earth with her love).

Also I'd be remiss to mention at the end of this particular arc Starfire doesn't forgive her sister or reconcile with her. I've never believed she owed her that. The arc just shows that Blackfire a human being (or a tamaranean I guess) who is capable of both good and evil. That her motivations are more complex than being a power hungry usurper and she actually can have good intentions. She's more of an example of the 'Well-intentioned Extremist" trope.

It's the complete opposite of Azula who's reduced to the mad queen stereotype in the end. Which is another knock against Avatar, Blackfire might not be the best disabled representation in the world but as I said parent's only treating their disabled child as a burden and that disabled child watching their parents take care of and love their abled children is a real thing that happens all the time. The comic also goes to show how competent Blackfire is in sipte of her disability.

Whereas, I can't imagine what it feels like to see yourself in Azula's mental breakdown, only to watch her last moment on the show have her offered no support, and not even a single sign that she might recover one day. Blackfire's motivations are tied to her abuse, but she's not demonized for being disabled in fact she's fantastically competent. Azula's like, readuced to an inhuman, ugly monster, and her mental illness takes all of her agency away and once again we're shown no hope for recovery.

Azula is reduced to a screaming incoherent mess. She has basically no agency in the end. Not only does Blackfire have agency, but like she has acutal points to make? The story values her point of view and gives credence to it? Myand'r is a weak ruler. She's not wrong when she says that their parents are the source of abuse for both of them. In fact, the narrative directly states the ones who started the abuse are their parents while it only implies it again with Azula and Zuko. Maybe the reason so many people deny that Azula is an abuse victim is because we only see the abuse from Zuko's perspective not Azula's. Whereas we get both conflicting accounts of Blackfire and Starfire's childhood and the narrative trusts us to judge things with nuance rather than needing it fed to us.

The planet has been invaded twice now. She's also, like, more popular with her father's weak rule?

Also like the story shows us why Blackfire will make a better ruler than Starfire. The narrative doesn't really illustrate how Zuko will be a better ruler, it just follows the "good king" trope.

I mean it's a fun little parallel that both Zuko and Blackfire are both an exiled prince and princess respectively, who return home to take back their throne. On one hand though, it feels like Zuko does it out of like, wanting to reclaim his birthright, or his feeling that the throne is his destiny. That's part of Blackfire's motivation too, but as I said, Zuko never states onscreen how he plans to improve the fire nation, Blackfire's got like actual policies.

Which is where the difference ultimately lies, Blackfire and Starfire are ultimately characterized as two sides of the same coin who need to come together to save the planet. Killing blackfire or putting her down won't fix shit or end the cycle of abuse on Tamaran. Blackfire and Starfire are much like Tamaran defined by love and war, and there's love and war in Starfire, and love and war in Blackfire and they both need to find a balance between the two.

This is in contrast to Zuko and Azula who's final conflict is just putting Azula down like a mad dog, quite literally. Blackfire is allowed to be human, with good and bad traits, and like actual points to make whereas Zuko's narrative only cares about Zuko's thoughts, and in general instead of coming together the narrative seems to think the only way that Zuko can triumph is if Azula is dragged down into the mud.

Blackfire is a character, and Azula is ultimately just a plot obstacle.

So that's my long ramble on a sibling relationship I absolutely love, and a sibling relationship I can't love no matter how much I like Zuko and Azula individually.

[lineli225]

Tomura Shigaraki 's abuse and neglect under All for One

I've decided to make this post due to the fact AFO's abuse towards Tomura is often ignored and even denied, so I'll be bringing a collection of scenes that prove he was being severally neglected during the 15 years he lived with AFO

1- Malnourishment and Underweight

At the beginning of the story Tomura used to be very skinny, his spine visible, very accentuated collar bones.

We can't see if his ribcages are exposed too since he's always dressed, but we can tell he is abnormally skinny and thin.

Some theorize AFO's purposefully keeps him in this state so he's more weak and frail similar to Yoichi. Or so it adds to his tiredness and numbness.

He's also been shown randomly struggling before (it could've been the aftershock of Stain attack, i don't know)

2- Lack of hygiene

He literally lives in pure filth, trash bags, old soda cans, paper, boxes, packages of food that seems ordered other than homemade, it lingers all over his floor, he is clearly a hoarder

It's completely different of the kept and clean bar, and now before you say "That's Tomura's responsibility, he's an adult he should clean it himself!" just think for a minute, if you had a son, that you see as your heir, and bets on their future so much,If you truly cared about them and saw they felt into a hoarder mindset, wouldn't you at least help?

Why not even Kurogiri cleans if Tomura was being cared by him? This clearly is intentional neglect, specially to keep his mood constantly down.

3 - His teeth

Tomura canonically has crooked teeth (compare his teeth to the other's in the jump festa art), cavities or at least what looks like plaques or dirt all over his teeth.

For someone raised by someone as filthy rich as AFO, he should've had access to dental care

4- Shaggy hair

His hair looks un-brushed, shaggy and dirty, which had no reason for before MVA when he became homeless, so why even at the start? How long has he taken a bath or a shower?

Look at the blatant difference in this scene after he showered at the PLF mansion

5- Unkept, ragged and broken nails

despite his hands also being very skinny, his nails are also all rough and broken Now, I know Tomura isn't a kid to have someone cut his nails for him, but this implies he was never teached how to take care for himself.

Besides of course his clear symptoms of depression and suicidal idealism, which, are very obvious, All for One IS neglecting Tomura by keeping him in that state /knowing/ he isn't being capable of taking care of himself.

6- His bedroom

First of all: No windows

Second, notice how empty it used to be, he had nothing but a bed and a desk, but right as he committed his first murder he started to receive toys, AFO is lovebombing and manipulating him to kill more

7- The obvious neglect to his pain

Notice how every time Tomura panics or is even wounded, he is just ignored and left on the floor bleeding out, puking or writhing.

Which uh- it isn't normal to watch your kid writhe in the floor while smiling and monologuing

8- 24/7 Surveillance and lack of privacy

There are cameras everywhere, AFO spends most of the time watching Tomura, even in his own bedroom, and even talks to him, Tomura probably hasn't had any privacy ever since he was 5

Which is a sign of abuse and control

His entire childhood from 5 to 20 is often relatable for people who grew in cult like environments, and homeschooled children who grew under controlling parents, despite the abuse not being as "obvious" since AFO never directly physically hurt him, the neglect and psychological torture is still there, that and more all the manipulation, gaslighting and grooming (think of Mother Gothel from Tangled as an example of this type of abuser)

By the way, talking about it

9- Gaslighting

"but wasn't /you/ who desired my power?"

The entire body possession plot is a clear evidence AFO never saw Tomura as anything other than a toy to play with, the same way he saw Yoichi, but so many people say the possession was a retcon because "early afo cleared saw him as his heir, he even said it's all for him!"

Well, argue with the literal "he's the next me", while he is.... weirdly caressing the screen while he watches his kid with no privacy- 100% creep behavior

10- AFO's bizzare behavior towards Tomura

The way All for One's hands are often shown caressing him or encasing him somehow, which yeah, it's part of the symbology of Tomura's character (hands that can both hurt and save)

But knowing AFO represents /hurt/ and, you know, i'ts kinda weird to caress the kid you kidnaped off the streets like that-

Cuz yes! Picking kids from the street even if they are orphan is illegal!! You should take them to a police station instead :D

Tomura was KIDNAPED by AFO, not saved.

11- Proof Tomura doesn't /feel/ saved

During his fight against Bakugou, when he sees him being helped, besides being "broken" he starts to spiral on "why no one saved me even before i was broken?"

The visual including the granny that ignored him on the streets

AFO broke him.

He recurrently thinks back to when he was on the streets, even though he was already traumatized, and had already killed his family, he still had /hope/ he ADMITS he believes he could've been different if it wasn't for AFO

If AFO had truly saved him,he wouldn't think like this

12- AFO gifting Tomura the corpses of his family to intentionally keep him nauseated, uncomfortable and traumatized, so he never heals

Besides their weird placements- On a kid. the gangster's hands being in his chest...

13-AFO's intentional desire for Tomura's discomfort

If this entire thread didn't make it obvious already, All for One benefits of Tomura's tiredness, ill feelings, nausea, depression and suicidal mindset, and over all physical and psychological discomfort

This ensures he's submissive to his manipulations and orders, keep him feeling hatred and anger due to constant overwhelming feelings and makes it harder for him to think of why AFO does all of it at all.

I could go even deeper than this about it, but i've reached thread limit and am lazy, so I hope you enjoyed this thread!

Thank you for reading

[raribella]

Love is Embarrassing | JJ Maybank

summary: although JJ had promised your brother he wouldn’t ever hurt you, you saw him kissing Kie while you were on a break.

pairing: JJ Maybank x Routledge!reader

genre: emotionally heavy anst, fluff in the end

contains: reader being a real bitch, mentions of Luke and parental abuse, inspired by some songs in the album “GUTS” by Olivia Rodrigo, kinda shitty ending but let me know.

word count: 2,7k

author’s note: alright I know I’ve been MIA and a bitch and I haven’t posted anything in months (worse if you see how much stuff is on my “upcoming works” section), but I’ve just had a lot of ideas, little time and little confidence to write. one of my best friends just showed me obx and I’m in love with this blonde and I got (I think) a spoiler about him and Kie and I just had to do something with my feelings.

This is a work of fiction. I do not own the characters of Outer Banks nor any characteristic of the show. I am writing this story solely for my own entertainment and the marvel or comfort of any readers.

“If I fuck up with her that might as well be the last thing I do in my life, John B! I mean it!”

the words that JJ heatedly uttered to your twin brother the day he found out about the two of you were repeating over and over in your head right now. You remembered it all too well; John B was seething, absolutely pissed, seeing red. You and JJ Maybank knew each other for as long as he and your brother were best friends, when you turned 14, he declared to all the Pogues that you were off limits, and about two months ago, you and JJ started seeing each other. One month into it and JB discovered you, which was easy considering JJ already spent most of his time with both of you at the Chateau. JJ promised his best friend that he wouldn’t fuck up with you because two things mattered the most for him in this life; their friendship, and yourself.

But as of lately, he was having some problems with Luke and he asked for some time “out” so he could figure his shit out without involving or hurting you and you disagreed but you’d do pretty much anything in this world for this man so you decided to say yes.

To his bullshit.

Bullshit, you figured out about half an hour ago, when you heard a confusing conversation between him and Kiara – the perfect one – and when you went outside to track the noise, you saw them kissing.

You were fifteen minutes late to leave for the weekly kegger and you forced yourself to lock yourself in the bathroom and call in sick – because that you were, and you wouldn’t handle being out partying and pretending like seeing the kooks, and seeing them two wouldn’t make you feel the same type of nausea at this moment.

Sarah was the third person to try and make you get out of the bathroom. The first being your brother and the second, Pope. Although you were thankful neither JJ nor Kie had tried to talk to you, when you heard your best friend’s voice, you were actually starting to feel sick, you were having a migraine from holding tears up, and you were sweating.

“Y/n, come on! You were so excited to come not even an hour ago, we’re already late and I don’t see why wouldn’t you want to come”

Your vision was blurry as you palmed the door and laid your forehead on it. Sarah realized that you really weren’t coming when she heard your voice crack.

“Sarah please, just, go on out without me this one time, I need not to be there right now and I also need to be alone please don’t ask me questions I can’t handle to answer you this moment I promise-“

As you rambled, she frowned from the other side of the door. Making sure to get everyone to leave for the Kegger, to try and remember asking you about this later on, and to reassure John B that you were actually okay.

You’ve been successfully avoiding JJ for about two weeks now. It started with enough discretion, allegedly going to the bathroom every time he entered a room, or offering everyone any snacks you would spend too much time preparing in the kitchen. For him, it started getting obvious when you looked the other way when he looked at you at the beach, or when you refused to surf and, as of recently, started slamming the doors on him. JJ was getting pissed at this rate. He started by simply frowning and brushing it off, but you couldn’t just keep slamming doors and not even looking at him, and if everyone else noticed, they just wouldn’t budge! The worst part is that he didn’t know what had happened nor if he could fix it. You understood him when he told you he needed time to figure out some stuff with Luke, but the truth was he was still very much freaked out about that. He still loved you, and he couldn’t afford to see you like this anymore, especially when such behavior was being directed at him. JJ missed you. Even if he couldn’t really figure his shit out, he missed you screaming at the top of your lungs as you entered the sea, he missed your smile, your laidback grin that he was the only receiver of, he missed your colorful bikinis, and how they embraced your features as you would jump onto every wooden swing near the shore, your curly hair flying everywhere filled with salt spray. He just missed you, the real you. And he had to talk to you to see if there was even a chance that he could get you back.

You, on the other hand, kept avoiding the questioning looks the pogues would send you every time you were harsh or avoidant at JJ, your brother even attempted to talk to you, silently, just with glances, and figure out if his best friend had hurt you. But even if he did, it only hurt because you loved him too much, and you decided it was best to protect him from John B’s wrath. You felt embarrassed whenever Kiara questioned you with her eyes as well; you felt embarrassed to be near her. You kept crucifying yourself and both her and JJ because of everything, often zoning out of the conversation and just bitterly reminiscing about the times you consoled your boyfriend as he cried late at night in your room, being gentle with his bruises. – thinking how could you be so stupid? giving up everything, betting on him against your brother’s better judgment. You kept paying attention to Kie and how, since that day, she looked like the sweetest thing of the Cut, the fucking hell-side of the island. Her perfume lingered in the air even at the beach and made you feel sick; you saw her everywhere now, even when you looked at him. You saw the scene of them kissing. Feeling every word she would utter toward you in conversation like bullets on your skin. As it was torture how she was the greatest thing to ever exist – how everyone loved her, how she was so much better than you; poisoning everything that you do and still being the sweetest friend, making you despise how rotten your mind was; how jealous your eyes were.

You were bottled up to the brim.

It started out simple enough. JJ had noticed everyone was doing their own thing at the Chateau; John B was absent for the time being, and you were alone on the couch, fidgeting, focused on whatever. It seemed like the perfect window to try and have an actual conversation about what’s been happening. He just didn’t expect it all to escalate so quickly. He didn’t expect you to have seen a part of his conversation with Kiara about his dad – but not everything, not the ending. – He hadn’t expected a conversation with you of all people to become a bomb with a short fuse that would explode into feelings tainted crimson. watching you bleed, making him bleed all over for you.

"Pogues don't mack on pogues, y/n! this shit freaked me out, your brother finding out freaked me out, yeah, even if he’s my best friend and I was afraid that-”

“Oh, so you go ‘round and fucking get with Kiara?! this is fucking bullshit, JJ! bullshit-

“Y/n, listen to me!”

You both were screaming, Kie’s eyes went wide as she tried calling your name as well but you had already started crying and couldn’t pay attention to anyone but him. At this point, as John B arrived at the Chateau and followed the noise, the people around you calming you down couldn’t be sure if they were afraid of his arrival or actually relieved. You kept interrupting each other. JJ pulled his hair and you pointed at yourself and to your side – as if Kiara was still there – strength marking red fingertips above your chest.

“‘Cause she’s not even a real pogue, right?! that’s why you got so confident about it, huh?”

it was almost as if the room went silent. Kiara decided to step outside to give you space; to take a moment to breathe in and take notice that you didn’t mean that. She was sure you didn’t. The rest of the group started to move aside as well although they could obviously still hear the commotion. Only you, John B, and JJ were in the living room. Your brother grabbed your shoulders from behind trying to ground you in any way he could, JJ growing nervous at the rate of the conversation and his friend’s presence.

You looked into his eyes and it was as if the blue in them was slowly fading, his eyebrows shot up and his mouth twisted in a clearly upset frown. As tears stained your cheeks, pride still overpowering your shame and feelings pent up, you started with more meaningless empty jabs, which, said angrily enough, would only make JJ bleed more as he fell silent himself.

“I really loved you, you know? You gotta laugh at the stupidity.. right? Come on you were going around doing that shit and I swear JJ I used to think was really smart… I was just a mesmerizing, paralyzing, fucked-up little thrill for you, tho… best friend’s little twin… ridiculous.”

At that, John B diverted his attention toward his friend with stern questioning eyes. JJ gulped.

“Look, man I just really need to talk to her and explain myself, ‘aight? I didn’t do what- Things are really not what they seem right now and I need her to-“

“Fuck, JJ, that’s bullshit! How can you not even flinch when you fucking lie like that! Things are just like what they seem you never even fucking loved me! You can’t love anyone, ‘cause that would mean you had a heart, right? But you’re a fucking Maybank! And I really tried to help you out all this time but now I know that I can’t!”

You were calming down, but exploded again, as the words left your mouth though, you started regretting them, the most deeply someone could ever regret anything maybe, worsening by the second as you saw the man you still loved muttering a small “no”, cracking at your words and shedding a tear. As Kiara heard what you said from the outside, she didn’t even think before bursting into the house again, turning every head in her direction.

“Y/n you’re spiraling and you’re saying things you’ll fucking regret! I kissed him, alright?! This is my fault. He stopped me, he loves you and he wouldn’t do that, okay?”

Though the words she was muttering were calming you down, she was calling you out, she was absolutely mad at what you said about JJ’s father because she had context and it was really fucked up. You felt small.

“Kiss?!” John B asked, his eyebrows shooting up. It wasn’t his intention to aggravate the situation but it was his little sister involved. JJ tried to start talking and explain the situation – which Kiara had left him to, but he could really only think about one thing.

“I- uh… did you mean it? What you said.”

JJ rarely expressed any sign of vulnerability, so as his voice broke, you felt like your heart did too, rushing to explain yourself now, and trying to get closer to him.

“I didn’t mean it, J, I really didn’t! God, I don’t even know how you can still even look at me right now I’m so sorry I was just so fucking broken at the idea of you che- of losing you, and I- I thought you had found someone else and I damn near started world war III right now and it’s just because I love you so much and I know you don’t deserve another fucked up demonstration of love, you deserve to feel so good, Jay, and I’m really sorry, I love you so so much, and I will understand if you never-“

You were interrupted by the shock of his own body against yours. The both of you were panting, crying, completely tired sighs leaving each mouth as if this was all going on for days and you were so hurt, yet needing each other so much. John B and Kiara were ‘okay’ enough with the newfound situation to leave you both to your own devices again, and you just clung to one another, sitting on the floor for what felt like hours until he decided to speak again.

“Y/n… I asked for us to take some time because it was becoming too real, y’know? What we felt for each other.. it was, touchable- it is. And when everyone else found out, and then John B… You know I don’t talk about this usually, not with anyone but you, but I didn’t want my dad to find out about us, to find out about you. I don’t want him knowing what you are for me I don’t want him knowing that laying a single finger on you can be worse than any punch he could throw my way. And I wanted to figure this out without you knowing about it because you’d say it’s fine, and I-“

As your mind processes his words, you start to think how in the world you got a man whose the first concern about a monster of a father would be you. How could you deserve it, especially after what you had insinuated about him. “It is! It’s fine, honey, we can-“

“No, y/n it’s not fine because I don’t ever want you to even worry your pretty little head about a situation like that, y’know? And It’s not fine because the pogues are my family and the love I feel for you, if anything would happen to you because of him I’ll be damned, damned, and in jail for murder, you can trust me I will.”

He closed his eyes, taking a deep breath. All you could do was keep the hold you had on each other, slightly caressing his head.

“Since I didn’t want you to know about it, I went to Kie, that night of the Kegger, and she tried to help me and she said she loved me and I did too but then she kissed me and I assume it’s what you saw but I did step back, I promise! I told her off… Y/n I told your brother that if I intentionally hurt you, if I fucked up with you like this then that might as well be the last thing I did in my life and I mean it. I love you so much, little Routledge, and I’m all in now. We can figure shit out as we go but as long as we have each other, okay?”

As JJ spoke, he held your hands, reassuring you at the end. Hours had passed ever since you started talking, so when the pogues felt everything was calmer they decided to go back in the house slowly – figure out how you were, what were the plans for the night.

“Do you really forgive me for what I said? I will understand, J, I’m so, so sorry, I love you so much” You touched your forehead with his, and JJ sighed, shaking his head slightly. “I love you. I love you, y/n… can’t be without you.”

And as you both kissed each other as if you were making up for ages lost, Sarah smiled at the corner of the room, John B interrupting the show. “Come on with the PDA, love birds… What are we doing tonight, then?” He half-heartedly scolded as you got up, hand glued to the blonde's. You let out a big sigh again, before brushing them off with an honest, but half-assed excuse, already making the way to your room.

“I mean, you could go to Heyward’s… I think we’ll just lie down a bit.. ‘twas kinda draining…” you saw a bunch of side smiles as the group left through the door, Sarah grinned, letting out a puff of air through her nose, and when Pope went to close the door, he screamed back in the direction of your room, “Don’t do anything I wouldn’t do!” which earned a scream back from an already lying down JJ, “might as well not do anything!” and for the first time in a while, you laughed, making your way to lie on top of him, his embrace being all you needed.

“You know… we could go out to surf tomorrow,” he offered, still missing the sight of a happy you, your bikini, and the ocean.

“First thing in the morning.” You answered.

[flawseer]

Ok, these time rate me the Jade WInglets

I've been sitting on this work-in-progress picture for so many months now. Maybe if I post it here, I'll finally sit down and finish it.

Very long post incoming.

Discussing the Jade Winglet

Okay. So, you want me to rate the Jade Winglet group. That’s going to be very easy: I love all of them.

It’s also going to be extraordinarily hard because... well... I love all of them. How am I supposed to put them into an ordered list? It can’t be done. So I guess what I’m going to do is: First I will put them into a tier list, and then I’m going to just talk about each of them individually for a bit.

But on account of aforementioned adoration I have for all of these guys, said tier list is going to be very lopsided. The tiers are going to be “I adore them with the intensity of seven suns”, “I really like them”, and “I very much like them, but...”. You’re going to have to imagine that there are five or so more unused tiers below that.

Let’s unceremoniously get that ranking out of the way first. From top to bottom, the tiers are:

I adore Turtle, Qibli, and Winter.

I really like Moonwatcher, Kinkajou, and Peril.

I very much like Umber and Carnelian.

As for more in-depth commentary, here is a disclaimer: When I think about these guys I mostly consider books 6 (Moon Rising) to 9 (Talons of Power) and the first half of 10 (Darkness of Dragons). The second half of 10... if I’m being honest, I didn’t really enjoy it. I don’t want to go into it too much here, if you really want me to talk about my misgivings with the second arc finale, put a message about it in my inbox (it’s not just the obvious thing; it actually mostly pertains to Winter and the absolute nightmare ending he got saddled with, and some very unfortunate character implications).

Some of my musings are also going to be a bit critical. I just want it to be clear that I make these observations as a fan of the series. It’s a good practice to think critically even about media that you like. It helps you better understand why you like it in the first place. Also, I make no demands to be agreed with. This is just how I see it.

Anyway, enough stalling, let’s get into it. Not in order:

Turtle

CW: Parental abuse

Turtle is the most wonderful thing to ever happen in the history of the universe. I wake up every morning and the first thought in my head is “Ugh, another day in this backwards reality where Turtle is not real! No thanks!!” Then I go right back to sleep disappointed until the next day. Okay, maybe that’s a bit hyperbolic. But I do think that everyone’s lives would be greatly improved if Turtle was real.

Turtle is a very vibrant and insightful character who, much like Winter, is unfortunately cursed with a pair of malicious and incompetent "parents". Some of his scenes really hurt to get through if you’re a parent yourself or have ever had parental feelings. The first scene he is in, when Moon observes him arriving at the academy, his mother makes a passing comment about how Turtle has no value because he cannot inherit the throne. Turtle is within earshot when she does this. And he has no overt reaction to it, which to me hints that Coral asserts this about her male children so frequently that he has accepted her line of thinking and internalized it. He just accepts it as the truth. That is heartbreaking.

And then there is his father, mild-mannered and ostensibly gentle Gill, who killed Turtle’s budding interest in writing as well as the entirety of his self-confidence back when he was a kid, by assigning a little boy a task that was well beyond him (and only to him, even though there were more people present who could have helped), and then made him believe he killed his unborn sister when Turtle inevitably couldn’t do what he was asked. The narrative really tries to make Gill sympathetic in that moment by insisting he’s speaking in anger and doesn’t really mean it, but um, no. I don’t buy it, dude. You just gave a little kid a lifelong guilt complex because you couldn’t think of asking more people for help. Or taking the egg with you while you left the hatchery. Or telling Turtle to take a message to the palace guard so someone who didn’t still have their milk teeth could mount a proper, organized search while interim guards were posted in the hatchery. Or literally any of the thousands of other options that didn’t require traumatizing your own son.

As a result, Turtle became emotionally reclusive. He registers to others as dull, placid, unpassionate, and boring, like he cares about nothing and is content to never strive for or achieve anything in his life. He himself explains that writing used to be something he was into at some point, but then lost interest in. But I don’t think he has. He still loves literature and thinking about stories, he's still doing it in his internal monologue. He just denies it because he subconsciously feels the need to punish himself. I imagine he still gets that drive sometimes, to sit down and start writing again. But every time he thinks about it, or catches himself wanting anything, his father’s voice resurfaces in his mind, telling him that he killed his sister and doesn’t deserve it. And then he self-punishes by depriving himself of everything he loves doing and every positive emotion associated with it. Because he is convinced he is guilty for failing his father, when in actuality, the opposite is true.

The tragedy is that, if Gill had known how much damage he caused and wasn’t in a situation where he needed a flowchart to keep his 30+ sons apart, he probably would have apologized. He doesn’t strike me as malicious, just horribly, horribly incompetent as a parent. But as things played out, Gill is no longer able to fix his mistake. The only person who can now grant Turtle the forgiveness he needs is himself. I hope he will be able to do it.

Turtle truly is an endearing character and a wonderful son undeserved by his parents. If I could adopt him right now I would. In fact, I’m gonna do it. Hold on while I get the papers. Wait, I have to finish? Uh... okay.

Moonwatcher

In a sense, Moonwatcher may be the most interesting character in the entire cast. She certainly had the potential to be my favorite character period. But there are a few points holding her back.

The thing about Moonwatcher is that, more than any other character, she requires meticulous care and attention to detail to be written well. The reason for this is that, when you’re writing for Moon, you also technically write for every character she interacts with. She is written brilliantly in her own book, since the narrative is allowed to focus on her; Moon Rising may thus actually be my favorite book of the second arc. It’s very enrapturing, seeing her navigate the academy’s social dynamics after growing up as, essentially, a feral jungle child, and battling with her own feelings of loneliness and inadequacy.

The thing is though... Wings of Fire has a bit of an odd quirk. Something I’ve noticed with regards to its writing is that, whenever a character is not particularly in focus during a scene, they often get reduced to their most basic traits and will rigidly act according to them regardless of prior context or external factors. I call this phenomenon “Auto-pilot”. If you’ve read my Mail Call #3, this is what I think happened to Tsunami during the second arc—Tsunami’s basic traits are that she is bossy, emotional, and blunt, so she spends the entirety of her page time as a deep-sea-themed wrecking ball who yells at everyone and dismisses everything as “ugh, nightwing powers” and “Peril was bad in book 1 once, I hate her forever”, despite having other, more pressing matters to prioritize.

Whenever Moonwatcher gets set to auto-pilot, it is very depressing. She needs careful, attentive writing to shine, and whenever she doesn’t get it she turns from the most interesting character into a dull brick that recites exposition and occasionally exists to be fawned after by boys. Tragically, the auto-pilot hits her bad after Winter’s book is done, and she never manages to escape it afterwards, save for maybe one or two scenes. There is a particularly egregious example in book 10 that, in my opinion, does permanent, irreversible damage to her character. It’s all a bit soul-crushing if dwelt on.

So yeah, I like Moonwatcher. I really do. I just wish the strong way she was written could have carried through the entire arc.

Winter

CW: Parental abuse

I initially didn’t really know what to make of Winter when I read Moon’s book. He seemed kind of like a buttface who was needlessly hostile and unapproachable. But he really comes into his own in his book, and looking back at his earlier scenes with that new context makes it all make sense. He became one of my stand-out favorites after that.

Winter really has a lot in common with Turtle, so much so that I wish those two actually had some deeper interactions with each other. Like, at one point Turtle saves his life, you’d think they would want to talk about that some time. Where Turtle’s parents are one half malicious, one half incompetent, Winter’s are pure malice AND incompetence. Blessed with three children, they managed to completely ruin one of them, almost ruin the other, and then the third one is kind of out of focus so I don’t know how he is faring, but I doubt there is a lot of love there either.

In a way, you can draw a lot of parallels between Winter and Icicle, and Zuko and Azula from Avatar: The Last Airbender—The unfavorite who tries to do right but constantly fails to live up to his father’s/parents' warped standards, and the prodigy who seemingly has her father’s/parents' approval but secretly suffers from the abusive parenting just as much, but in different ways. Hailstorm then tries to take on the role of Iroh, an older figure that acts as a source of positivity and genuine love, and offers a reprieve from the abuse. But where Iroh is an adult drawing from a lifetime of wisdom, Hailstorm is just the slightly older sibling who comes from the same abusive household battling the same demons, so his effectiveness in countering the toxicity is limited.

Where Zuko pursues honor, Winter strives to be strong. Both his parents and his sister perceive him as weak and label him irrelevant. While this hurts him deeply, I don’t think Winter fully surrendered to his inferiority complex until he heard his brother mirror the same sentiment at him. Winter is repressed and struggles with processing his emotions—Thus he heard the words Hailstorm only said to save his life and took them at face value. Even the person he loves the most, the only source of affection and affirmation in his life, thinks he is weak. This is what drives Winter to feverishly desire strength and thus adopt a persona of the strongest thing he knows: a stoic Icewing warrior.

This is why he acts the way he does in book 6: aloof, threatening, unapproachable, invincible. But all of these traits are diametrically opposed to his actual personality, which is warm, compassionate, and just wanting to be loved for who he is. So whenever Moon reads his mind, he comes across as a confused mess of conflicting emotions. Because he is pretending to be something he isn’t.

The interesting thing here is that Winter actually is genuinely strong. He is just unable to recognize his own worth, due to the toxic way royal Icewings are raised, warping his perception of what strength means. When he meets Foeslayer, who is said to be an ancient enemy of his people, his mind cuts through the veneer of tradition and old bullshit justifications and sees her imprisonment for the cruel injustice that it is. He then undoes that injustice and frees her. It takes an incomprehensible amount of personal integrity and willpower to just casually defy the will of your entire country like that. This is equivalent to treason; by aiding her, Winter risks becoming an enemy of his people on par with Foeslayer herself. And he does it anyway, because it is the right thing to do.

This dissonance in his perception of strength with regards to his Icewing upbringing, and the actual strength he embodies and has embodied all this time, is something I would have liked to see explored more in the finale or something. As it stands now, he got pressured into putting his life on the line in the battle for Jade Mountain, has sworn loyalty to a people that mistreated him and tried to ruin him from a young age, and then got saddled with an existential nightmare of an ending that leaves me baffled to this day.

In terms of personal misfortune, he certainly is the Starflight of his group.

Qibli

CW: Parental abuse

Qibli is a very charming and versatile character. It is easy to imagine him in a variety of different situations and the scenes almost write themselves, especially when there’s another person with him whom he can bounce off of (figuratively, though I wouldn’t put it past him to try to literally bounce off of someone too). The 10th book posits him as some kind of parallel to Darkstalker; the latter even overtly states this and tries to recruit him as a manner of apprentice. It’s interesting because I think they are actually pretty different.

Qibli excels in situations where his options are limited. He is great at thinking on his feet and coming up with solutions to problems within a restricted framework. He'd be great in an escape room. This ability of his is shown throughout the arc, but it is especially visible in Moon Rising, where his presence in a scene often makes Moon stronger, or more adept at solving problems, because his mind is breaking down the situation for her in a way she would be unable to see on her own.

The twist then comes in when you take Qibli out of that limited framework, by giving him power. His pronounced intellect is very peculiar; it needs limitation to be brilliant. When he has unhindered access to all-powerful magic (i.e. doesn’t have to clear his ideas with another person), he turns into a colossal idiot who buries cities in sand and almost blows up inhabited mountains.

It only follows that, if you were to give Qibli what he wants and make him an animus, it would absolutely ruin him. The great intellect he cultivated would wither and, unshackled from the limitations that forced him to think critically and be his most excellent self, he would end up destroying himself, and likely others too.

Another interesting facet of Qibli is how he works as a parallel to Winter and Turtle (and Peril to an extent). All of these characters come from broken homes and have suffered under abusive parental figures. Qibli’s case in particular is interesting because it showcases how your circumstances can make a difference in how well you handle that issue. Qibli suffered under a tyrannical mother and a pair of cruel siblings, but in contrast to his peers, someone from the outside noticed his suffering was able to intervene—Thorn saved him from his hell and became his rescue parent, restoring his confidence and sense of self-worth.

Because of this, when his turn comes to confront his demons, while it is still difficult and painful (because trauma always is), he is able to navigate the confrontation with comparatively more grace and control than the others. The contrast really shows how difficult it is to escape a toxic relationship if you are still mired deeply within it, and how you need to put some distance between yourself and it before you can see where you are and what needs to be done with improved clarity. That is the path to healing.

I could probably keep talking about Qibli for 15 more paragraphs, but I’ll spare you.

Kinkajou

Every protagonist (and a good deal of side characters) in Wings of Fire is broken, usually has some kind of gut-wrenching past (often due to terrible parents), and struggles to find their place in the world. Luckily here is a pink-and-yellow Rainwing who is just happy and everything is fantastic and wholesome, right?

CW: Forced starvation

Nah, Kinkajou had it pretty rough too. The story plays it like it’s a humorous quip when she finds out Moonwatcher is her roommate and bemoans that nobody is taking her “trauma” seriously, but... yeah, it actually is legitimate trauma. She was captured, bound, and trapped on a hell island without sunlight for several weeks. While there, she was not fed, and she helplessly watched people whom she knew from early childhood starve and die. Death by starvation is not pretty, she likely had to witness her friends slowly being driven mad by hunger until they withered away, and couldn’t do anything about it. Then she was rescued and returned to a home that didn’t believe her pain was real, that claimed she made it up for attention, and that some people who she thought of as friends didn’t even notice she was gone. The only one who believed her was a stranger whom she had met maybe a few hours ago.

Personally, if that happened to me and I came home to that, I’d likely have pulled a Chameleon and said “Screw the Rainwings, I’m moving to the desert.”

That Kinkajou is still able to be positive and full of energy after that is a testament to her immense mental fortitude. She might actually be one of the most stable and resilient characters in the story. Some things shake her up for a bit, but nothing can crush her.

Still, I imagine there are some times, after a really bad day maybe, where she wakes up in the middle of the night. And there, for just a moment, she is scared to open her eyes... because she might be back on the Nightwing island and has to watch someone else die.

Peril

Peril is a bit of an odd case in arc 2. She gets grouped with the protagonists of that arc and the ending implies she is integrated into the Jade Winglet as their new Skywing. I have no real problem with that, in fact it’s good on her that she’s made a little less isolated. But to me, Peril always felt like an awkward appendix to that group. Her only real friend in there is Turtle; for the rest of them they feel more like vague acquaintances, like she's tolerated for being Turtle's friend.

To be fair though, that friendship with Turtle is really strong; it’s an exciting and deep character dynamic. But if I was forced to tie Peril to a group of protagonists, my first instinct would be to associate her with the first arc protagonists instead.

This poor girl has been through it. Everyone seems to hate her and wants her to leave, sometimes for understandable reasons and sometimes it just seems bizarre. I already went into Tsunami’s disdain for her in an earlier post, but I also vaguely remember a point in Escaping Peril where she meets Qibli and he gives her a withering glare for some reason. That confused me, to be honest. I thought “What’s YOUR problem with her? Have you ever even met??” Like, I guess the Outclaws were in direct conflict with Burn since they lived in the same country, and Peril was an infamous elite combatant under the command of one of Burn’s allies, so maybe Peril killed people he knew? But then he gets over his disdain really quickly and with no comment, so whatever happened can’t have been a big deal after all.

My favorite part in her book is when everyone--after having learned about Turtle’s powers--chews him out for not having helped his country during the war, and Peril cuts through the tripe by saying something along the lines of “So if he uses the power he was born with to serve his Queen it is honorable, but when I do the same for my Queen I’m a murderer and deserve to have things thrown at me?” I love all of these guys, but they really deserved to be called out for their double standard and feel stupid for a bit.

But yeah, I really enjoy her friendship with Turtle in the end. And since he accidentally made himself virtually indestructible, it means Peril can now get all the friendly hugs she craves.

Umber

Umber is cool. He has a potentially interesting relationship with Turtle, which is implied in the latter’s book when it is mentioned that they sleep with their backs touching to comfort each other about their respective siblings not being there.

Unfortunately he gets written out of the story arc very quickly. I wish I knew more about him.

Carnelian

I like Carnelian. I feel like she had a lot of potential that gets wasted by her death, for not much gain. It is used to give Queen Ruby a reason to come to Jade Mountain and kickstart the events of Peril’s book, but the same could have been accomplished by having her learn that the Academy is housing Peril and going there to demand the extradition of a (in her eyes) dangerous and murderous fugitive.

Same as with Umber, really, I wish I knew more about her. I already said this during my Smaugust drawing session, but I like to pretend that she and Bigtail didn’t die, and instead had a mini arc about recovering from their injuries. It also has the side effect of averting some very unfortunate implications that come with Bigtail’s death.

~~~

I think that’s all of them. Good lord I talk too much. Please don’t throw crocodiles at my face for it. Tumblr is my queen, and--much like the Queen's former champion--I was made to do it.

[bluespiritshonour]

Water Siblings and Fire Siblings as Foils

Katara and Sokka are peak sibling rep: they bicker, they hurt each other, they take turns being the voice of reason while the other goes batshit crazy—and they'd die for each other.

And very clearly Sokka's daddy's boy and Katara's momma's girl: and for most parts, they seem to be content with that dynamic.

Look, parents have favourites, let's establish that first: don't come at me for it.

But in a healthy environment, where all of the kids’ emotional needs are met irrespective of which kid gets along with which parent, they're less likely to tear themselves apart yearning for parental affection.

Sokka and Katara's family was a normal one, a healthy one—as healthy as one can be in a war ravaged world—and Sokka and Katara are normal siblings. Even after their mother died Katara doesn't seem to care much that Sokka gets more time with their father. And everytime she brings up their mother Sokka gets this weird look on his face, which, I think is later explained by the fact that he feels guilty that he doesn't even remember what their mother looked like. And it's not because Katara seems to know more about their mother despite being younger.

Neither of them grudge the other for having been close to one of the parents—let's call it ‘being close to’ instead of ‘dad/mum loved you/me more’ because that's what would come up with Azula and Zuko.

One can say that Azula's daddy's girl and Zuko's momma's boy... Except it isn't like that.

Azula wasn't loved by her father; neither was she close to him. If anything she had the illusion that she's close to him. But children can sense when they aren't loved, which can explain why she took her mother being close to Zuko so hard. Because she didn't get that from her father and isn't she supposed to be daddy's girl? But dad's good to her; mum... isn't. Dad lets her do what she wants... As long as she obeys him or she'd end up like Zuko.

For Ozai, both his children are pawns. He uses Azula to abuse Zuko, which in turn is to get at Ursa. And honestly, Ursa was a bad mum and an abuse victim and not the villain are takes that can co-exist.

A lot of mums in primarily patriarchal cultures end up abusing their own kids while trying to protect them in an environment where they themselves hold little power.

Ursa and Hakoda can be compared in this.

Katara haters can look away: she isn't whiny. And even if she is, well, she takes responsibility when no one else does so I guess she deserves to complain if that's what it takes. Katara is extremely mature. When she was mad at Hakoda, she still had the critical thinking skills to point out that yes, she understands why he left. He had to! She doesn't blame him for that, it wasn't his fault that there was war going on—but it still hurt!

And what does Hakoda do? He hugs her and apologises. He doesn't defend himself, because he doesn't need to. She understands! She said she does and he doesn't insult her by making excuses. He acknowledges and validates her pain.

Unlike Katara, who grew up in a healthy family with parents and grandparents and a whole community—Azula was isolated and under the influence of Ozai. And she was so young! If you remember being that young, you'd remember thinking that parents are always right. You don't realise that parents make mistakes too—and while her emotional needs weren't being met by Ozai, she turned to Ursa—but Ursa was at her wits end trying to undo the damage of Ozai's abuse on Zuko.

If she had given attention to Azula, Zuko, who thought that Azula was perfect and already had father's approval would have gone off rails—and since she didn't... Azula went off the rails.

Which was exactly how Ozai would want it. I don't like the comics much but it made sense that Ozai would hold both the children as bargaining chips against Ursa. Ursa made her choice, or rather, the illusion of her choice and Azula had to pay for it: the real reason Zuko could turn over a new page while Azula couldn't was because from the very beginning, Zuko had his mum and uncle.

Azula had no one!

Like Hakoda had to go to war and leave his children behind, Ursa had to choose between Azula or Zuko; Ozai orchestrated it as such.

But while there were people to pick up Hakoda's slack, there was no one to guide Azula. Sokka and Katara raised each other and they had Gran Gran.

Zuko and Azula were constantly pitted against each other by a war-mongering father.

I don't like this unrealistic expectations that fandom has of a family where both the siblings not only love each other equally, they also process emotions similarly (see: the Sokka vs Katara debate on how they both react to trauma) and parents who love all the kids equally.

Katara and Sokka are normal and realistic in the way that they are both different people: they process grief differently. Katara takes up responsibly and grows up too fast, it takes a toll on her and she's vocally expressive. She turns her grief into anger. Meanwhile Sokka internalises it in a survivor's guilt kind of way.

There's also gender involved in the way both pair of siblings interact. It's more subtle for the fire siblings than the water sibling. Plus, Suki makes Sokka drink his respect women juice, please y'all don't call Sokka sexist. That was character development for him which was addressed. I could make another post for gender and A:TLA.

And they both love each other dearly and they're okay with the fact that one is daddy's boy and the other is momma's girl. It's okay.

In contrast Zuko yearns for his father's affection and Azula yearns for her mother's. And while Zuko feels inadequate, for Azula it's “behave or you'll end up like your brother.”

She also learns to derive a sick sort of pleasure from watching Zuko suffer—which is entirely her father's doing. Because in rare moments when she doesn't have anything to gain by getting Zuko into trouble...she actually kind of looks out for him. It's extremely rare and sprinkled here and there to show us the Azula that could have been.

And I don't think Zuko really realised that Azula was abused too—not until he lets go of his father. Until the final Agni Kai. What I love about it is that despite portraying Azula as Zuko's tormentor for 3 seasons (and she was his tormentor) they did not frame the Agni Kai as some epic good vs evil shit.

Because from Zuko's point of view Azula was perfect. He's out here vying for his father's affection while she gets it freely. She's so lucky!—until he lets go of his father and realises what a monster he was... And he also realises that father never really loved Azula either...

They didn't say as much in words. But the final Agni Kai is proof enough. Zuko doesn't rejoice bringing Azula down (technically Katara did it). At this point, I guess, he realises that Azula's a kid too. Even younger than him—that their father couldn't care less about either of them.

Okay. I really do think that Zuko suddenly becoming invested in Azula's redemption would make sense after the Agni Kai. I also read this Twitter thread by Aaron Ehasz where he says he had plans for Azula's redemption and it was fantastic.

So yeah. Without being overt, the water siblings and fire siblings are contrasted by each other. Which is why I don't like the comics trying to do this brother-sister thing where they put Sokka and Katara and Zuko and Azula in back-to-back panels like... Even if I'm a huge supporter of Azula-deserves-redemption I didn't like those panels in the comics.

P.S. don't pit Sokka and Katara against each other. You aren't Ozai. They're different people who process trauma and loss differently and hence, react differently.

Adios.

[thethiefandtheairbender]

as a lifelong ATLA fan who narrowly had ATLA dethroned as my top show by The Dragon Prince steadily over the past 5 years, the similarities between the two have very little to do with the surface level parallels that get regularly drawn between them.

Like ATLA, TDP has Books for seasons and chapters for episodes, but unlike ATLA, which only touched on storytelling sparingly as a theme, TDP is obsessed with interrogating storytelling and history and the presence of unreliable, biased narrators throughout many of its episodes (most notably 2x05, 2x06, 3x06, 4x04, and 4x07 among them). Half of what you learn in the 1x01 intro ends up being a lie once you reach S3, with more being steadily deciphered.

Yes, TDP has different magics with people living under those umbrella terms... for the elves. Humans are coming culturally at things from a completely different angle, and the elves' connection to their primal sources are discussed philosophically in detail, informing their practices and their culture first hand, including the way they chafe against humans, who are arcanum-less. Many animals in the world are also connected to magic, which influences both their design and which ones get hunted for humans' more 'clever' solution in dark magic, including each other.

The core issue of the Puppetmaster, down to being a coercive magic formed by someone deeply resentful of their imprisonment? Said puppetmaster is the main endgame antagonist of the entire show with all of S4 onwards being exploring the ethics of controlling people against their will in various methods, and the entire show itself being a thematic battleground of fate (imprisonment) vs free will for virtually every single character.

Where ATLA mostly concerns itself timeline wise with ending the war, very little thought is shown by any of the characters as to what they'll do after the war. This isn't a problem (as it reflects the sheer domineering scope of the conflict) but even Zuko being firelord is only ever really addressed with 2.5 episodes left till the finale. TDP, meanwhile, ends its 'war' in s3 and s4 opens up with dealing with the old wounds festering between people with centuries of history, the struggles that come when people aren't able to let go and believe they're safe or mourn in a healthy manner, and the religious/cultural clashes that may occur when trying to integrate different groups of people.

TDP also has an evil father with a devoted daughter and a brother who eventually defects, but it explores the reality of an abusive parent who loves/will sacrifice for you and your right to leave regardless, even if that means leaving the sibling you truly deeply love and who loves you in turn. Which means that when you and your sibling are on opposite sides of a deep ideological conflict, it actually really fucking hurts bc we've seen first hand just how much they love each other and also how and why everything fell apart not in spite of that love necessarily, but also because of it.

Is this to say that TDP is a 1:1 with ATLA or that it's better? No, not at all, and the latter is subjective. I prefer TDP, but I think they're about on equal ground when you look at each show currently as a whole (although TDP has two seasons left to go).

But TDP takes a lot of what ATLA was doing thematically with some of its most interesting beats and then builds or expands upon them further. It talks further and more consistently about the cycles of violence; in many ways, Jack De Sena's character, Callum, begins the series largely where Sokka had ended (and he's not the most like Sokka anyway; very much his own thing); we get Faustian bargains and centuries' long grief and fucked up people who are trying both succeeding and failing at not doing fucked up things. There are antagonists, but it is very hard to actually label anyone at this point a straight up villain. Moral greyness is where the show starts, and it just continues from there.

That's not to say the show is nothing but dark and depressing - like ATLA, there's a steady thread of hope and humour even as the show gets steadily closer and closer to its 11th hour point - but the show is usually emotionally heavier. There's more blood and potentially disturbing imagery with body horror and on screen death. There's so much foreshadowing you basically can't go more than 5 minutes into any episode without having something that's going to come back around or be referenced again like 3-5 seasons later.

Just to be clear - TDP is like ATLA, but it's like ATLA in interesting ways beyond the more shallow surface level that usually gets attributed to it, while still very much being its own show and its own thing. And that is why I tend to recommend it to people who like ATLA.

Thank you and goodnight

(Also, the fandom doesn't have any ship wars, and the show is queer as fuck)

[casscainmainly]

I think the recent Cass and Jason discussion is very interesting bc like, Jason or even steph in her first appearance take these actions of righteous, murderous (or near murderous) justice bc of the fact that not only have they've been abused, but they're also able to recognise that fact, and feel that despite everything, they didn't deserve to suffer like that (Jason with his murder, Steph with her childhood abuse)

Whereas Cass struggles for most of her series to recognise that she was abused and struggles to properly resent her abuser on the grounds that she didn't deserve it. She resents David for being a killer and making her love him, for making her a killer, but rarely for the actual abuse that came with her training. She eventually recognises it right before the end of pre-52 in batgirl 2008, but not after a long time, and she still tries to save David at the very end after contemplating letting him die.

she does grows to resent Bruce after some time, and confronts him, showing that she's slowly gaining higher expectations for how she should be treated after developing relationships outside the batfamily (coincidentally with Steph, someone who can relate over having a shitty dad, along with her love interests like Kon and Tai)- though Bruce, despite his multitudes of bad parenting moments never truly abuses cass like david did, so there's nuance, and after her fight with bruce, she still has trouble fully reckoning with her abuse (still calls david shooting her 'a game' in front of tim- she knows its wrong but still doesn't act upset about the fact it happened to her).

She kind of sees all the training she went through as a necessary evil in order to have the skills to be a hero- which is somewhat true, but I think it also contributes to her being unable to see herself, even partially, as a victim for large portions of her narrative.

She can understand abuse as something that molds you into a killer, she can't understand being abused and then choosing to be a killer bc of the righteous fury you have at what happened. In Cass' mind her abuse is synonymous with killing. That's the worst thing Cain ever did to her and the reason she ran away. She can't understand someone like Jason choosing it as a way to cope/deal with abuse.

I don't think this is necessarily a ground breaking thought but I think abuse is an interesting lense to look at both Jason and Cass' stories- pre52, Jason's story is about continuing a cycle of abuse. Criminals hurt him, he hurts criminals, and anyone who gets in his way of hurting the criminals, bc even tho he pursues justice, he also pursues retribution, which is hard to do justly. Between that and the whole zombie/living ghost thing, it's downright gothic. Whereas Cass' story is about breaking out of a cycle of abuse- nobody dies bc she let one person die and will never let it happen again. It's just an interesting way to view their differences I think. Good Cass and Jason posts recently!

I LOVE THIS!! I absolutely think abuse informs the way Jay and Cass see the world (and Steph - Steph, in many ways, is the median point between Jason and Cass).

It's the fundamental question that drives Jason and Cass apart. For Cass, her question is: how can I be the victim if I'm the villain? And for Jason, the question is more: how can I be the villain if I'm the victim?

I love this line: "Cass struggles for most of her series to recognise that she was abused and struggles to properly resent her abuser on the grounds that she didn't deserve it." This is doubly complicated by the genuine love David Cain had for her - that panel of them watching the stars kills me every time. This is another key difference between Jason and Cass' abuse (taking Jason's abuse to be his death) - Jason had no love for the Joker, but Cass did love David Cain.

It's why it's so easy for Jason to want to kill the Joker, and so hard for Cass to even be angry at her father. And your point here - "In Cass' mind her abuse is synonymous with killing" - is absolutely on point, because Jason's conception of abuse is the helplessness of being murdered. They are both acting in ways to prevent what abuse means in their minds: as Batgirl, Cass will never have to kill again, and as Red Hood, Jason will never have to be helpless in the face of murderers again.

Any rebuke of their moral codes feels like a denial of the abuse they suffered. It's why Cass can't allow others to kill, and why Jason can't accept Bruce's reasoning for not killing the Joker. It's why these versions of them could never get along. Argh there's been such good Cass and Jason commentary recently, they drive me insane!!!

[queen-of-the-avengers]

500

Pairing: Bucky Barnes x Female!Reader

Word Count: ~2.2k

Warnings: angst

Summary: You're given a gift that will allow you to help others. You try to use this gift for good and you never make anyone feel like a charity case. However, when you meet Bucky Barnes, you know you have to do something or he'll live the rest of his life in pain.

Squares Filled: graveyard (2021) for @buckybarnesbingo

Author’s Note: any and all comments are greatly appreciated <3

x

The thing you love most about New York is not everywhere is like the city. If you travel far enough outside of it, it turns into any normal town like any other state has. You’re on your way to visit your parents at the New York State Veterans Cemetery since your father was a soldier in World War II. Your mother requested to be buried alongside him even though she was never in the military, and they let her.

It’s a four-hour drive from the city where you live, so you take this moment to yourself and think about your purpose on Earth. About once a month, you get like this because you’re not normal. You were born with the ability to see people’s pain above their heads in numbers ranging from zero to sixty. One is not in any pain at all and sixty is the worst pain a person can be in.

You’ve been to plenty of hospitals around New York, so you’ve seen people who are in a tremendous amount of pain, but no one has ever been above sixty. You’ve been on this Earth for thirty-three years and never have you seen someone with a sixty-one above their head. Why were you born with this ability? You’re not sure but you know you can do a whole lot of good with it. 

It’s why you became a licensed therapist as well as a social worker. You take on jobs that will help as many people as you can. While you can’t heal anyone physically like a nurse or a doctor, you can help with their emotional and mental trauma which is where most of the pain lies. You’re the only person without a number above your head but it’s likely your powers don’t work on you.

You look at the taxi driver and see the number twenty-five above his head. He’s seen some stuff in his life, that’s for sure. He must be a taxi driver to get away from it all, to just coast through life without having to deal with a lot of stress. You’re guessing but it’s not like you’re going to ask the man what kind of trauma he’s been through in his life.

He drops you off at the cemetery and drives away once you’ve paid him. You like to spend hours with your parents and tell them all that you’ve seen and the people you helped, and that usually takes a few hours at the least. You clutch your mother’s favorite flowers and walk into the cemetery, keeping your head down out of respect.

You sit down right across from their graves and break the bouquet into two so both your parent can have flowers.

“I helped a teenager last week escape his abusive parents,” you begin. “They didn’t care about him and often used him as an outlet for their rage. His pain was at a thirty. Thirty. At age fifteen. I went to go visit him in his new home and his pain was at a twenty-seven. He’s healing and I’d like to think I had something to do with it. I wish you guys were here to see this. It’s amazing to see someone’s number go down because of something I did.”

You look up and scan the area when you notice a man standing by himself near one of the graves. The wind is knocked out of your lungs and you have to brace yourself on the ground so you don’t fall over. The man isn’t saying anything to the grave, just standing over it. Above his head is a whopping five hundred. If you saw someone with an eighty, you’d be floored. The fact that this man has a five hundred over his head… how is he still alive? It’s clearly not physical wounds that hurt him.

Who is this man? Even the most depressed people never go above sixty. You once got involved with a woman who was passed around in the sex trafficking ring and she didn’t even go above sixty. This man has five hundred.

Five hundred.

He says something to the grave before leaving, and you’re too shocked to get up and follow him. What would you even say to him? He had to have been broken down to the very last piece only to be put back together. Over and over again. That’s probably why he’s at five hundred. You don’t want him to feel like a charity case but you have to know that man. To think he’s walking around in such profound pain brings you pain.

“Mama, I think I found someone who might need my help. I’ll let you know how it goes next week.”

Since the cemetery is four hours away from the city, you’re hoping that he is from around here. You spend the next several days walking around Central Park just watching for that five hundred to show up again. You know exactly who the man was. You got a glimpse of his face as he was leaving the cemetery, and you knew he’d never leave New York. This is his home.

You know who he is and after some research on him, you know why he has a five hundred above his head. The following Saturday, you’re walking around Central Park in hopes of seeing this man again. You’d like to think because he has a five hundred, he has his humanity back. He’s feeling the guilt of everything he’s done so you know he isn’t dangerous.

Two women job past you laughing at what one of them said, and you notice how one of the women has a two above her head while the other has a fifteen. Maybe the fifteen did something her friend doesn’t know about and the guilt is starting to eat her alive. A young couple is sitting on the grass with a picnic between them, and both of them only have a five above their head. They must be in love. An elderly couple walks past them with both of them having a forty above their heads. Guess love doesn’t always work out for people in the end.

Central Park gets around six thousand daily visitors, and none of them have a number above sixty. You’ve traveled across the country for your job and non one has ever surpassed sixty. Not until him. You walk further into the park where a cluster of benches are, and you stop when you see that thick five hundred number again.

There he is. Sitting all alone.

Now’s your chance. You walk up to him who barely acknowledges your presence.

“May I sit here?”

He looks up and sees the book in your hands thinking you’re going to mind your business and read silently. He doesn’t say anything but nods so you sit across from him and open your book. You pretend like you’re reading it when really, you’re looking at him from over the top of your book. He has gloves on his hands and it’s not wintertime yet.

There’s a reason why he is wearing gloves.

“My name is Y/N. What’s yours?” you ask gently.

“Bucky.”

“That’s an interesting name. Is it short for something?”

“My middle name is Buchanan. My friends call me Bucky.”

“Nice to meet you, Bucky.” You go back to reading only to put the book down several minutes later. “Do you live around here? Or are you visiting someone?”

“No, not visiting someone.”

He’s clearly not into the conversation but you’re not going to give up. He’s not another project. You’re genuinely interested in getting to know him. Sure, his number enticed you to want to talk to him but you’re going to treat him like you would anyone else. It’s going to take a lot more than one conversation for him to open up to you.

The next day, you find him sitting in the same spot with the same five hundred above his head. You walk over to him and don’t ask to sit down, you just do. He lifts his head and notices the book first before looking into your eyes.

“Hi, Bucky. Do you mind if I sit here again?”

“No,” he shakes his head.

Today, you let him get used to your company. You don’t say anything to him except for when you part ways at the end of the day. You want him to be comfortable around you otherwise, he won’t talk to you. Every day after that, you keep sitting across from him reading the same book, allowing him to feel comfortable around you.

“So, what’s your book about?” he asks on the fourth day of sitting across from him.

“It’s called The Maze Runner. I know, it’s for an audience a bit younger than me, but I love the movies. It’s about a young man who wakes up with no memory of who he is and is stuck with a group of boys who also have no memory of who they are. They’re stuck in this maze-like area and they have to try and figure their way out of it that no one has ever survived. There are three movies but there are five books.”

“Sounds interesting. I’ll have to read it.”

“Here,” you close your book and hand it over to him, “take this.”

“No, that’s yours.”

“This is my fifth time reading the series.”

“I can’t just take your book.”

“Then consider it a loan. Give it back when you’re done. Plus, it’ll give me an excuse to come and talk to you again.”

Bucky smiles for the first time since you’ve met him, and God, what a beautiful smile it is.

“Thank you.”

“Look, I have to get going, but here is my number.” You write down your number on a spare piece of paper and hand it over. “If you ever want another good book recommendation or the second book in the series, give me a call. Or, you know, if you just want to talk.”

“Okay,” he nods.

You don’t have to look back to know he’s watching you walk away. The next time you see him is a couple of days later. He hasn’t used your number which is fine because you don’t want to rush anything with him.

“Did you finish it?” you ask and sit across from him.

“Yeah, I did. It’s really good.”

“I brought the second one just in case.”

You two exchange the books and he smiles at you.

“Thank you. Would you like to go on a walk with me? Just around Central Park.”

“Sure.”

A walk around the park usually takes two hours if you’re leisurely enough about it, and there is no rush to go anywhere else. You want to ask Bucky a million things about his life and where he came from but you don’t pry into his life. You can get that information online if you want to, but you want this relationship to grow naturally.

Though, you’re not sure you understand why someone like him can be this sad about who he is.

“So, this might be a weird question but how do you feel?”

“Why is that a weird question? I’m fine.”

“It’s just… you seem so sad sometimes.”

“Honestly? There’s not a whole lot to be happy about these days.”

“You’re alive, right? That’s a pretty damn good day to me.”

“Yeah, well, sometimes, I wish I wasn’t.”

“Well, if you weren't, I wouldn’t have met you. I think you’re a great guy.”

“That’s because you don’t know who I am. If you did, you’d be smart to run,” he sighs.

“I know who you are. I know about the Winter Soldier. I lived in DC when everything happened with Steve.” He looks at you and uncertainty swims in his eyes. “It doesn’t matter to me. I’ve read about what you have done. Hell, I’ve seen it, but that doesn’t make you a bad person.”

“It doesn’t?” he asks with a thick voice filled with emotion.

“Come on, there are a lot of people worse than you like child molesters and rapists. On that spectrum, you’re not so bad. What makes a person bad is the fact that they know what they’re doing is wrong and still continue to do it. When someone wakes up and stops doing what made them bad, that’s not being bad. When someone is manipulated into doing bad things but doesn’t do those things anymore, that’s not being bad. I’m sorry, am I making any sense?” you chuckle.

“Yeah, you are,” he chuckles back. “Thank you.”

“Thank you for the walk but I need to go now. I have to get to work. Can I take you out? You know, a place that’s not Central Park? I can show you my favorite bookstore with books like The Maze Runner.”

“I’ll text you.”

“Great. I look forward to it.”

You start to walk away from him knowing he is watching you walk off. When you get to the busy street, you look back and notice something that brings a bright smile to your face. That five hundred above his head? It’s now at four hundred and ninety-nine.

x

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[gatorbites-imagines]

Hello, hope you are having a good day/night?

I was wondering if I could request something where Joker uses Jason Todd's DNA to create a child (male) and raises him. What would happen when Jason finds out he not only has a kid but the kid been being raised by Joker the man who tortured and killed him!

And how will Bruce react to seeing Jason's son and how much he looks like his dad?

Platonic batfam x kid reader

Headcanons

I’m still right in the middle of exam season right now, which is why I haven’t been writing much.

Like I said, you are a redheaded kid, because I love redhead Jason too much not to add it. Joker being the joker would most likely make you color your hair black though, just like Jason did when he was robin.

If Joker got Jasons DNA when he killed him, then you would be around 8, as Jason died at 15 and is 23 nowadays (I got this age from the dc twitter account), and because of Jasons genes you are most likely a small and skinny kid.

The smallness most likely also comes from the fact that Joker is the one raising you, alongside Harley if they are still together at that point.

Raising you is a very loose word, Joker does not have a parental bone in his body, and only clones you to taunt the bats. So, he is nowhere near a good parent and treats you like an extension of the Robin he killed.

This would lead to a lot of mistreatments, because it’s the Joker, what do you expect. Both mental and physical abuse would be present in your life, as the Joker wouldn’t feel any love or care for you as a person.

Because of this you wouldn’t be going to school either, but you are smart, so you teach yourself how to read and write, and you’ll have to learn math and the likes to be able to use some weapons to their full potential.

Instead of being allowed to be a child your only purpose to exist is to be a tool to taunt the bats, so you most likely wouldn’t be given a name either and would just be called Robin by Joker and anyone else who knows you exist.

Being “raised” by joker also means your morals are very skewed, and you have no problem with murder or torture, but what do you expect from someone like the joker.

The bats would learn about your existence during one of the Jokers latest plans. It would be during one of his more crazy ideas, you know, with a lot of hostages and a lot at risk.

I can imagine two scenarios. The Joker either tying you up and posing you bruised up and bloody whilst wearing the Robin outfit, to taunt Batman.

Or you are being used as a surprise attack when they get a little too close to catching the Joker. Joker of course wouldn’t care about your wellbeing besides being a tool for him, so if you get shot or break bones he doesn’t care.

They would of course all be shocked and shaken at seeing an 8-year-old kid wearing Jason’s robin outfit there, and especially with how little care you show about yourself and your own wellbeing.

Joker would whisk you away at the last moment, though not without you being hurt during the fighting, because he still has plans on using you to harm the bats, especially batman and red hood.

The batfam would panic at the knowledge that Joker has a child that hes using for his evil plans, they have no idea you are Jason’s clone yet, but they still want to rescue you.

They can only assume you’ve been trained since birth, with how skilled you are, which makes them all emotional. Especially the likes of Damian and Cass, since they were trained from infancy as well.

They would immediately start searching lost child cases for anyone fitting your description but come up empty handed because you are a clone.

After this encounter the Joker would use you in his plans more and more, because he gets great joy from seeing how desperate the batfam is to figure out who you are or to save you.

You’ve never felt kindness before and have never been your own person though, so you don’t trust them and just do whatever the Joker orders you to do, putting yourself in life and death situations more than once.

Bruce would be heartbroken with how familiar you look in your robin outfit, as you are a complete copy of how Jason looked back then. Dick and Jason, and maybe Tim, would be the only ones able to recognize your appearance, which would make them all want to save you even more.

After finally getting your blood and/or DNA to test after another deadly situation you’ve put yourself in, they take it back to the cave to test, where they learn your relation to Jason.

To say the batfam would all be shaken and enraged by the discovery would be an understatement. They’re shaken at the fact that Joker has had a child grown from Jasons DNA for who knows how long, and would be enraged at the fact that Jasons DNA was used and that you’ve obviously been abused this entire time.

They buckle down even more to get you to their side and make you come with them willingly, and it works in their favor as the Joker has become more lax with your reigns. It seems he’s growing bored of using the same thing over and over again, so he’s kinda just letting you run freely as he comes up with new plans.

It would start with Jason or Tim, or maybe even Cass, who would be able to get closer to you. They wouldn’t push to get you to come with them, and just get you to be used to their presence instead of immediately seeing them as a threat.

They know this is a slow process and that they can’t rush it, since you would run at the first sign of them trying to snatch you up.

As this is happening Jason can be caught reading parenting books, things about child psychology and the affects of child abuse. He already knew all of this, but he keeps refreshing it for when they get you to trust them.

Bruce would be going through a grieving process again, as you are a direct result of him failing Jason. But this time he would have a larger support system which would stop him from spiraling like last time.

Over time you get used to the presence of the batfam when you are on your own, they bring you meals or stuff to drink. Of course, you don’t trust it in the beginning, knowing they could be drugging you, but as time passes you start to eat with them.

At some point, Damian would end up telling you about his own childhood and how wrong it was, and that he didn’t deserve that abuse, and neither do you.

That would be what starts to make you understand that the Joker isn’t a good guardian and that you may be worth more than he says you are.

They don’t get much further though, as the Joker has gotten bored of you and the purpose you were supposed to serve, so he wants to get rid of you. He would try to recreate the day he killed Jason, with the crowbar and everything.

Bruce is the one to save you before you get blown up though, Bruce almost in a frenzy to not lose another kid that way every again. You would be bruised and battered with broken bones and a concussion, but you would be alive.

They would bring you to a doctor or healer, probably a league one for identity reasons, and the fact that they could use magic to heal you faster.

Jason wouldn’t leave you alone as you are unconscious for days, the batfam would stick close by but also be working hard on cracking down on the Joker and destroying whatever he has left of his cloning experiments.

After you wake up, a lot of time would be used introducing you to the life of a normal child, and helping you heal both mentally and physically.

Thankfully they have a lot of experienced with helping kids who were raised to be weapons, with Cass and Damian and the likes, so they know what to do for the most part.

Jason never thought he would be a dad, especially not with how young he is, but he takes to it like a duck to water. Hes always had a soft spot for kids, and maybe in the back of his mind always wanted a kid of his own, so you help him settle in a way he didn’t know he could.

They all joke about Bruce spoiling you, because you are like a mix of Cass, Damian and Jason, and that Bruce’s fatherly urges can’t be stopped. It isn’t a joke though, after you learn to have your own opinions and wants, Bruce would bend over backwards for you like he would for any of his kids.

The first time you call Jason dad, he has to choke back tears, because he never thought you’d see him as your dad or accept him. You two go out to bat burger to celebrate.

They of course make up legal papers for you as well so you can start going to school after healing mentally and physically. They wouldn’t allow you to run around at night with them for a while either, as they want you to find who you are before you decide to be a hero or not.

And whether you decide to be a vigilante or just a civilian, they support you the entire way. Even if you pick to be a hero, they’d still be overprotective since you are the youngest, much to your annoyance, but you know its cuz they love you.

They all love you, and you love them. And if you choose to be a hero and base your outfit around your dads and it makes him cry, who will catch him with the helmet on. The other heroes think you are adorable too. You have youngest child privilege in the hero world, learn to wield it.

[leighsartworks216]

Let Me Help You

Zayne x gn!Reader

I just copy/pasted this from my notes bc I am too tired to go through and retype it all 👍

Warnings: hurt/comfort, mentally/emotionally abusive parents, crying, communication, food + cooking, domestic, established relationship

Word Count: 1,019

Main Masterlist

Love and Deepspace Masterlist

AO3

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You felt awful. Watching Zayne try to rescue dinner. The dinner you were so determined to make for him. You weren't bad at cooking, but (and you'd be the last to admit this) you got in way over your head with the recipe you chose. The amount of multitasking required to make it meant it fell apart before you even turned the stove on. Which meant half of the food was overcooked (not burnt, just... crispy and tough), and the other half was undercooked (which Zayne was trying to deal with now).

You dropped your head onto the kitchen table, hiding in the cover of your arms. You're not sure when you start crying. All you know is you have to keep it tamped down, have to keep it from Zayne, have to pretend you're not. You've already bugged him enough for one night.

Glass makes contact with the wooden table, mixing with the gentle clatter of silverware. You risk peeking out with one eye to see a plate full of the scavenged meal. You didn't have the appetite for it anymore. You go back to your moping.

Zayne's chair slides across the floor, muffled by felt attached to the bottom of the legs. He's sitting just there. It ignites an unfamiliar swarm of fire ants in your body; they crawl and chatter and fester under your skin. You dig your fingers into your arm, preparing for the worst.

"My love," he says softly. When you don't answer, he pulls your hand from your arm. He holds it tenderly, rubbing along your knuckles in a familiar display of his affections. "Talk to me, please."

You inhale shakily. "Are you upset?" you mutter. It's muffled and quiet, but he pieces it together.

"I'm not upset, but I am worried. It's not like you to do something like this."

"It's not like you..." Unfortunately, that is the problem.

You hesitantly lift your head. You don't let him go, but you don't look at him as you wipe the tears from your face. He squeezes your hand a little tighter. "My parents called..." you finally admit.

Zayne had only ever met them once. It was the single most uncomfortable, disquieting experience possible. You'd ended up leaving that dinner party early, but you still couldn't manage to cut them out of your life. They're your parents, they should be kind, loving and understanding - and somehow you trick your brain before every call into thinking they are, up until they open their mouths.

He sighs, frowning. "What did they say?"

"They said that... you do too much around the house after working as hard as you do. That I should be pulling my weight more, be a better partner." You keep going before he can argue against their claims. "They're right, though. I mean, you work so hard at the hospital and then you come home and cook? I should have something ready for you. You should be able to relax right after work, not keep working to take care of me after all that.

"So I thought..." You sigh, rubbing at your sore eyes. "I thought I would make you something. Something proper, not just, like, stuff from the convenience store down the block."

"May I say something?" he asks quietly.

Your chest clenches painfully at every thought of what he could say, but you nod regardless. He squeezes your hand again like a silent thank you.

"Taking care of you is not work to me. It never has been," he starts. He speaks firmly, but not unkindly. He knows why you think that way, knows your parents have spent every minute of their lives cementing that into your head and reinforcing it with every phone call berating you for taking up too much time and space. But it's not true. Never.

He continues, "I enjoy being able to come home from work and spend time in the kitchen with you. I always look forward to it. And even if we order food in, I never mind, because I will be eating it with you. Do you understand?"

You stare down at your joined hands. Their outlines blur into smudged watercolor as tears build back up in your eyes. You wipe them away and nod.

"You are the best partner I could ever hope for."

You watch as he brings your hand to his face. He kisses your palm and gently nuzzles it open with his cheek so you hold his face. He smiles softly at you. It's the first time you've looked at his face since he got home. He was starting to miss it, the way your gaze feels so warm on him.

"I'm sorry," you croak out.

"It's alright," he reassures. "Please talk to me the next time you have doubts like this. While I appreciate the gesture, choose a simple recipe next time."

A laugh bubbles out of you despite yourself. He kisses your hand again. How he missed that smile.

"Okay."

It fades back into a troubled frown a moment later. It's like the sun peeking out on an overcast day, only to be covered up by the next passing cloud.

"I can still do more around the house. I feel like I don't do enough for everything you do for me."

He hums thoughtfully. "Let's make a list of chores. We can divide them between us until it feels balanced. Is there anything else?"

You mindlessly stroke his cheek with your thumb. He leans into it. He can see the thoughts fighting in your head. See the way you fight on both sides in the war of indecision. It seems there is a clear winner, when you finally, finally look him in the eye.

"I think," you start in a nervous, broken whisper, "I need help cutting them off."

"Let me help you," he whispers in return, a plea.

You nod with little hesitation. "Okay."

"Is there anything else?" he asks again.

"Just one more thing.” You glance at the plates of food before you. "Can we get takeout?"

He chuckles softly. "Yes, we can get takeout."

---

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[mochinomnoms]

What do you think would happen if Floyd were to meet Riddle's mother?! Cuz I just read your Mama/Papa leech Headcanons about meeting their sons crush. But what if it’s reversed? Riddle's mother Meeting Floyd? (I would also say Yuu's parents meeting Jade, but unfortunately, that won't be happening)

“Wow, I thought Lil Goldfishie was a stick in the mud, his mama has a whole branch up her—” *gets kicked in the groin*

I have very mixed feelings about Riddle's mother, in that with the context we have right now she's a bitch and if I ever see her it's on motherfucking sight. But she must love her son still, right? Is she harsh because he wants to set Riddle up for success, but only knows the way she was raised? Is she scared of her kid getting hurt or failing, and so she tries to shield him from all possible harm? Is she so hyperaware of all the dangers in society that she feels the need to keep him in a little bubble, knowing in the back of her mind that making mistakes and getting hurt is part of growing up? A good mother would never want to see their child ever get hurt if it were up to them. I mean, she must care for him in some way, but how? In the manga or novel (not sure which) they mention that she fought back against the school to keep him in, but was that because she wanted him to have the prestige of NRC in his background or because she wants what's best for him? She homeschooled him herself to the point that he's an immensely powerful mage already as a teen, so she could've hypothetically kept doing the same thing, right? Is she a mother that truly cares for her son but suffered the same childhood, but she “turned out fine” so it must be fine? Or is she just a bitch, lol. Either way, she is emotionally and affectionately neglectful and doesn't realize it at best, and emotionally and psychologically abusive at worst.

I have a lot to say on the topic of Mrs. Rosehearts, about her parenting, the cultural differences of child-rearing that EN players and JP players might have. This post talks about it in depth, but I can say more on the topic later.

In regards to Floyd meeting Mrs. Rosehearts, probably against Riddle's wishes or while he's distracted, the poor guy is set up for disappointment. While it's implied that Mama Leech is overprotective and that she calls very often, if not daily, to check in on her sons, they still had enough freedom growing up to get into shenanigans and hijinks. I mean, they beat up a sturgeon and took some of its scales to fashion into earrings like a trophy. And they both speak very fondly of her, so Floyd is going into meeting Mrs. Rosehearts with the expectation that she might be a bit stuffy. But, she raised Riddle, his crush and favorite human! He's strict and mean at times, but he cares a lot for his dorm and is super diligent, she must be like that too!

But she's so…critical. She looks at him unamused, very standoffish, but is polite. He guesses. He can see where Riddle got his strictness from.

“Hello. Who might you be?” She probably didn't expect to have some random student, not even from her son's dorm, come up to her. He was...tall. Towered over her, and based on the color of his hair and sharp teeth, most likely wasn't human.

“Huh, you're not as red as my Lil Goldfishie is.”

She blinked and frowned, resisting the urge to chastise the strange fellow for his informal tone and rube behavior. Not her son, not her problem.

“Pardon? Do you often speak to your elders like this?” she asked, eyeing him as she turned away to watch her son give orders to his dorm as they managed an informational booth.

“Yeah, why not? They're just people. Not like I'm being rude or anything” She would strongly disagree. “You're kinda prickly, like a lionfish.”

“W-what?” She changed her mind, someone needs to put him in her place. “Now listen here, young man, it's quite rude to call people anything other than their na—”

“They're real mean, ya know. Venomous, a nuisance, can't even mess with it cause it has a bunch of spines—oh! Imma call you Mama Lionfish.” The young man snapped his left fingers like he made a revelation.

Mrs. Rosehearts had learned to control her temper, but she still had her moments, Her face been bright red, her lips thinned, and she opened her mouth to start berating the young man.

“Floyd Leech! What did I tell you about calling people names?” A tall, slender women came up to them, pale skin and hair hue similar to the man in front of her. She wore a cream-colored dress and matching blazer, adorned with gold and pearls, and a matching wide brimmed hat. She was followed by Riddle, who looked a mix of anger and concern.

“Never do it in front of people, yeah, yeah.” The man named Floyd pouted, but brightened at the sight of Riddle. “Oh hey Lil Goldfishie! What's uuuup?”

Floyd jogged over to Riddle, halting him midstep as Mrs. Rosehearts noticed Riddle almost bristle, trying to sidestep and get around Floyd. He was failing.

“I apologize, you know how boys can be!” The woman in front of her also towered over her, though not nearly as much as her son did. “My Floyd doesn't mean anything by it, he just a silly boy.”

The blue haired woman laughed, then abruptly stopped, narrowing her golden gaze as she thinly smiled.

“You're the man's mother, I assume.” Mrs. Rosehearts replied, smoothing out her skirt and clutching her hands together. “He's very...spirited. He's from the Leech family? Is it safe to assume that your the Leech family matriarch?”

The other woman's sharp toothed smile grew as she nodded. “Yes. It's not often that I come to the surface. But it's wonderful to know that I'm as—oh—well-known, on the surface, as under the sea.”

Mrs. Rosehearts wouldn't use the word 'well-known' as much as she would infamous.

“Yes, well. I would just remind your son to not so blatantly call people names to their faces.” she said, clenching and unclenching her fist in an attempt to sooth herself. “I'm not sure what your customs are under the sea, but up here he would be considered a riffraff.”

For all her talk about politeness, Mrs. Rosehearts forgot herself at time and let things slip out of her mouth faster than she processed. She knew she pressed a button when Mrs. Leech's smile disappeared.

It was only for a moment, but with the blank face and the way her gold eyes bore into her, it felt like her body and soul were being grasped by something dark and violent.

Then that feeling was gone as Mrs. Leech smiled again and closed her eyes, tilting her head.

“He'll be fine, I'm sure he'll find his people. After all, it seems he's already found someone in your son.”

Both women moved their gazes to the pair, now bickering. Well, Riddle was, the one called Floyd, was just swaying on his heels as he grinned and make a comment here and there. Each one after the other seemed to fluster her son further, his cheeks growing in color as they spoke. Most people who knew her son would assume that the red was attributed to his rage, and it mostly was. But (fortunately or unfortunately, she couldn't decide) her son was much like her. It wasn't rage that made his eyes dart away each time their eyes met for too long. It wasn't rage that made him scuff his foot every so often. And it most certainly wasn't rage in his eyes.

Mrs. Rosehearts cleared her throat, turning away from Mrs. Leech and walking to her son.

“I don't know what you're implying, but I must be going now. My son and I still need to tour his dorm.”

Mrs. Leech watched the other woman walk away, sighing.

“Oh, what a disdainful woman. And her son is so lovely too…she really is like a lionfish.”

“Yeah, it's a good nickname for her, right Mama?” Floyd came bounding over, stretching his arms. “Is' too bad she's a stuck-up, gonna real annoying if she's my mother-in-law.”

“Hm, I'll just have to overcompensate then and be the best Mama for you and the little Riddle!” Mama Leech clapped her hands excitedly, sighing in bliss at the thought.

“Oh, it will be so wonderful to see the family grow big...oh! By the way, Floyd.” Mama Leech walked away, Floyd following after diligently. “I might have mentioned a little 'something' to him about your cute rambles about him. He was so cute, all red and flushed when I said you're positively infatuated, calling him cute and—”

“Aw what! Mama!”