#ardrossan

[unteriors]

Main Coast Road, Ardrossan, South Australia.

[impoliticwestie]

Ardrossan Lighthouse, North Ayrshire, Scotland, 2024.

[gumnut-logic]

Ardrossan red beach today 😁 #yorkepeninsula #ardrossan #southaustralianbeaches #beach #southaustralia https://www.instagram.com/p/CpCDgG6P7E_/?igshid=NGJjMDIxMWI=

[photosbyjez]

Silent Sunday May 14

This shot of #AdrossanCastle is my latest post for Silent Sunday May 14 #photography #travel

Ardrossan Castle

[thejoshlange]

Example of a large classic backyard stone and rectangular lap hot tub design An illustration of a substantial traditional backyard hot tub with rectangular laps of stone

[scottsmithfan]

her summer second ferry MV isle of arran still at Ardrossan.

[southernimages]

Kites and Kestrels Around Ardrossan

Kites and Kestrels Around Ardrossan

Dear Reader: I am driving back to Adelaide from Marion Bay and the Innes National Park at the tip of the York Peninsular. The weather is overcast and I have tucked the cameras away after a successful couple of days photographing this lovely area of our state. Grey Kangaroos in Innes National Park Marion Bay area After an hour’s driving I am on the York Highway (B86) near Ardrossan; a coastal…

[pharology101]

LOTD: Androssan Pierhead

~sorry for delay - meant for April 18th, 2023~

(from: http://www.ibiblio.org/lighthouse/sctsw.htm

Ardrossan Pierhead (2)

1898 (station established 1840). Active; focal plane 11 m (36 ft); white or green light, depending on direction, 2 s on, 2 s off. 9 m (29 ft) octagonal cylindrical cast iron tower with lantern and a narrow gallery. mounted on a square black stone base. Lighthouse painted white, lantern roof black. W.F. Millar has a good photo, George Gallagher has a good closeup photo, Trabas has a photo, Marinas.com has good aerial photos, and Google has a street view and a satellite view. Located at the end of the ferry pier in Ardrossan; ferries depart from this pier for Brodick on the Isle of Arran. Accessible by walking the pier. Site open, tower closed. Operator: Clydeport. ARLHS SCO-317; Admiralty A4538; NGA 4704.)

(full photo found here; ©George Gallagher on Flickr)

[quickdryupholsterycleanadel]

Upholstery Cleaning in Ardrossan

Looking for Quality and Efficient Upholstery, sofa, couch and lounge Cleaning Services. Quick Dryupholstery Cleaning Adelaide provide the all types of cleaning services at an affordable rates! Get 24/7 Same Day Appointments available in your area. Visit - Upholstery Cleaning Ardrossan

[fatehbaz]

What it meant to "do geology" in Hutton's time was to apply lessons of textual hermeneutics usually reserved for scripture [...] to the landscape. Geology was itself textual. Rocks were marks made by invisible processes that could be deciphered. Doing geology was a kind of reading, then, which existed in a dialectical relationship with writing. In The Theory of the Earth from 1788, Hutton wrote a new history of the earth as a [...] system [...]. Only a few kilometers away from Hutton’s unconformity [the geological site at Isle of Arran in Scotland that inspired his writing], [...] stands the remains of the Shell bitumen refinery [closed since 1986] as it sinks into the Atlantic Ocean. [...] As Hutton thought, being in a place is a hermeneutic practice. [...] [T]he Shell refinery at Ardrossan is a ruin of that machine, one whose great material derangements have defined the world since Hutton. [...]

The Shell Transport and Trading Company [now the well-known global oil company] was created in the Netherlands East Indies in 1897. The company’s first oil wells and refineries were in east Borneo [...]. The oil was taken by puncturing wells into subterranean deposits of a Bornean or Sumatran landscape, and then transported into an ever-expanding global network of oil depots at ports [...] at Singapore, then Chennai, and through the Suez Canal and into the Mediterranean. [...] The oil in these networks were Bornean and Sumatran landscapes on the move. Combustion engines burnt those landscapes. Machinery was lubricated by them. They illuminated the night as candlelight. [...] The Dutch East Indies was the new land of untapped promise in that multi-polar world of capitalist competition. British and Dutch colonial prospectors scoured the forests, rivers, and coasts of Borneo [...]. Marcus Samuel, the British founder of the Shell Transport and Trading Company, as his biographer [...] put it, was “mesmerized by oil, and by the vision of commanding oil all along the line from production to distribution, from the bowels of the earth to the laps of the Orient.” [...]

---

Shell emerged from a Victorian era fascination with shells.

In the 1830s, Marcus Samuel Sr. created a seashell import business in Houndsditch, London. The shells were used for decorating the covers of curio boxes. Sometimes, the boxes also contained miniature sculptures, also made from shells, of food and foliage, hybridizing oceanic and terrestrial life forms. Wealthy shell enthusiasts would sometimes apply shells to grottos attached to their houses. As British merchant vessels expanded into east Asia after the dissolution of the East India Company’s monopoly on trade in 1833, and the establishment of ports at Singapore and Hong Kong in 1824 and 1842, the import of exotic shells expanded.

Seashells from east Asia represented the oceanic expanse of British imperialism and a way to bring distant places near, not only the horizontal networks of the empire but also its oceanic depths.

---

The fashion for shells was also about telling new histories. The presence of shells, the pecten, or scallop, was a familiar bivalve icon in cultures on the northern edge of the Mediterranean. Aphrodite, for example, was said to have emerged from a scallop shell. Minerva was associated with scallops. Niches in public buildings and fountains in the Roman empire often contained scallop motifs. St. James, the patron saint of Spain, was represented by a scallop shell [...]. The pecten motif circulated throughout medieval European coats of arms, even in Britain. In 1898, when the Gallery of Palaeontology, Comparative Anatomy, and Anthropology was opened in Paris’s Museum of Natural History - only two years after the first test well was drilled in Borneo at the Black Spot - the building’s architect, Ferdinand Dutert, ornamented the entrance with pecten shell reliefs. In effect, Dutert designed the building so that one entered through scallop shells and into the galleries where George Cuvier’s vision of the evolution of life forms was displayed [...]. But it was also a symbol for the transition between an aquatic form of life and terrestrial animals. Perhaps it is apposite that the scallop is structured by a hinge which allows its two valves to rotate. [...] Pectens also thrive in the between space of shallow coastal waters that connects land with the depths of the ocean. [...] They flourish in architectural imagery, in the mind, and as the logo of one of the largest ever fossil fuel companies. [...]

---

In the 1890s, Marcus Samuel Jr. transitioned from his father’s business selling imported seashells to petroleum.

When he adopted the name Shell Transport and Trading Company in 1897, Samuel would likely have known that the natural history of bivalves was entwined with the natural history of fossil fuels. Bivalves underwent an impressive period of diversification in the Carboniferous period, a period that was first named by William Conybeare and William Phillips in 1822 to identify coal bearing strata. In other words, the same period in earth’s history that produced the Black Spot that Samuel’s engineers were seeking to extract from Dayak land was also the period that produced the pecten shells that he named his company after. Even the black fossilized leaves that miners regularly encountered in coal seams sometimes contained fossilized bivalve shells.

The Shell logo was a materialized cosmology, or [...] a cosmogram.

Cosmograms are objects that attempt to represent the order of the cosmos; they are snapshots of what is. The pecten’s effectiveness as a cosmogram was its pivot, to hinge, between spaces and times: it brought the deep history of the earth into the present; the Black Spot with Mediterranean imaginaries of the bivalve; the subterranean space of liquid oil with the surface. The history of the earth was made legible as an energetic, even a pyrotechnical force. The pecten represented fire, illumination, and certainly, power. [...] If coal required tunnelling, smashing, and breaking the ground, petroleum was piped liquid that streamed through a drilled hole. [...] In 1899, Samuel presented a paper to the Society of Arts in which he outlined his vision of “liquid fuel.” [...] Ardrossan is a ruin of that fantasy of a free flowing fossil fuel world. [...] At Ardrossan, that liquid cosmology is disintegrating.

---

All text above by: Adam Bobbette. "Shells and Shell". e-flux Architecture (Accumulation series). November 2023. At: e-flux dot com slash architecture/accumulation/553455/shells-and-shell/ [Bold emphasis and some paragraph breaks/contractions added by me. Presented here for commentary, teaching, criticisms purposes.]

[sgiandubh]

Never on Mondays

Cue in the Reporting Bitch, re: my last post on stalking and inciting others to do so. To be honest, I was counting exactly on a reaction like this one:

Ok, dolls - fasten your seat belts.

It is my (and at the same time the general) understanding an NDA, signed either by cast or crew, protects anything that could be construed as 'confidential information' related to a film/TV series ongoing project, in order to prevent any unwanted leaks, before the release of said project.

Have a look at this widely used template in the industry:

[Source: https://employmentcontracts.com/nda/film/]

It is also my understanding the above is a template only, which is always adapted to the specific/detailed needs of the ongoing project it aims to cover. More often than not, it does cover any set related information, especially in a situation like OL's Season 8, where a lot can be speculated about adaptation choices and open ending. An ending which may or may not coincide with Future Book Ten (I hope I shall still be alive by the time she finishes it and mark me, I have just turned 46).

Peel your eyes here, punk, for a very informative thread about GoT - a much bigger production. But also one that went ahead of the source books, with the results we all know, by now:

[Source: https://www.quora.com/Do-people-working-in-the-TV-show-film-industry-extras-and-post-production-sign-NDAs-How-would-this-be-enforced-on-GoT]

But what happened? As many of you already know, a local newspaper, the Ardrossan and Saltcoats Herald, released some pics of the alleged set, with the following comment:

[Source: https://www.ardrossanherald.com/news/24494143.outlander-filming-taking-place-eglinton-country-park/]

Also, dolls and FYI. There is no 'Right to Roam Law' in Scotland. The only thing that deals with the 'freedom to roam' is the 2003 Scottish Land Reform Act and the Scottish Outdoor Access Code, detailing in very precise terms its enforcement. Your reference is useless (spare to give an impression you've got a smattering of law under your belt), because the two above texts cover just about any type of land you could think of, including public domain. For this is what Eglinton Country Park is, nowadays:

There is a difference, as far as law is concerned, between freedom to do something and the right to do that something. Freedom is general and abstract in scope: for example, the freedom for you to write whatever you want and look like a twat by doing so. A right is whatever that freedom grants you, limited by common sense obligations - it is personal and practical, as opposed to general and abstract. In the situation I have just mentioned: your right to write whatever you want and look like a twat by doing so, as long as it is not slander or libel.

In the Eglinton Country Park case, Mr. Gemmell had the entire right to photograph a public domain feature, as long as no restrictions to do so were enforced by the local authorities. They would have been, if filming were underway - but that was not the case, that particular day. I see no problem with that and I suppose the info was even tipped by the local OL production team, as it is almost impossible to control access on public domain without a reason to do so (see above filming limitation).

However, that was not the question asked by yesterday's Anon, nor the Fascist's response to it.

Let's take a look again:

Anon was wondering what scene could the Eglinton Park set be used for, but then moves on to 'the new house', which she thinks might be 'nearer the old location, but no one seems to have found it yet'. The Fascist answers, very logically, referring to the same New House: 'will be interesting if some fans find there [sic!] way there and take a few pix of filming'. There was no logical point to refer to Eglinton Park, a location that was already disclosed by local press.

Taking a pic of a set erected on public domain is not stalking, nor the result of an NDA violation, as long as there is no filming underway and the NDA violation cannot be substantiated. Taking a pic of a set whose exact location and legal status (private property or public domain) remain undisclosed, in the process of filming is both stalking and probably the result of an NDA breach by crew or secondary cast. According to paragraph 2.11 of the Scottish Outdoor Access Code, free access rights do not apply on

Failure to do so is considered as aggravated trespass, by the UK's Criminal Justice and Public Order Act 1994 (Section 68):

[Source: https://www.outdooraccess-scotland.scot/]

Considering the above, the honest question to you is: are you guys idiots on a daily basis, or just on Mondays?

Asking for a friend.

[This post has been slightly edited several times, to clarify a couple of things. Sorry for that, but it had to be done.]

[impoliticwestie]

Ardrossan Lighthouse, North Ayrshire, Scotland, 2024

[1lifeinspired]

Ardrossan Estate - Eberlein Design Consultants

[colgreen31]

Ardrossan Beach, Scotland pictured in November 2013 with a Samsung Galaxy Tablet.

https://share.clickasnap.com/f02df8ea-2689-54f0-a603-b8c2f89d3c16/photo/01FR1BTZE02SQNSNGC2KS3AQ7H Check it out on ClickASnap #Ardrossan #Scotland #beach #photographer #photography #clickasnap #landscape #scenic

[photosbyjez]

Silent Sunday May 07

Theses shots off South Beach, between Ardrossan & Saltcoats is my latest post for Silent Sunday May 07 #photography #travel

South Beach & ArdrossanSouth Beach & Saltcoats