#apostrof

[jamnickowa]

Zapisy dat, lat, apostrofy.

[kalauada]

Bicara pada Apostrof

Saya perintahkan ChatGPT menguraikan apa itu apostrof: ——– Dalam kajian puisi, ‘apostrof’ adalah salah satu majas (gaya bahasa) yang digunakan untuk menyapa atau berbicara kepada sesuatu yang tidak hadir, tidak hidup, atau kepada seseorang yang biasanya tidak mungkin merespons. Ini bisa berupa penyebutan langsung kepada benda mati, konsep abstrak, orang yang sudah meninggal, atau bahkan kepada…

[deffervescence]

se fue blokiado bayyyyyyy

[sunum-teknikleri]

İngilizce İyelik Ekleri: 's ve s' Kullanımı Detaylı Anlatım

İngilizce'de sahiplik ve aitlik bildiren 's (apostrophe s) ve sadece ' (apostrophe) kullanımı hakkında detaylı rehber. Tekil, çoğul, özel isimler ve diğer durumlar için kurallar ve bol örneklerle iyelik yapılarını öğrenin. https://www.fullofenglish.com/ingilizce-dilbilgisi/ingilizce-iyelik-ekleri-s-ve-s-kullanimi-detayli-anlatim/

[valy-gc]

FAESPEAK GRAMMAR

Faespeak is fluid, lyrical, and evocative. Its grammar is relatively simple and flexible, though there are still rules. These rules can be broken if it improves the rhythm or intent—faes are whimsical, after all—but only faes can get away with that.

Sentence Structure

Basic Structure: [Pronoun Prefix] + [Verb Root] + [Modifier/Intensifier] (optional) + [Object/Subject] + [Adjective]

Example: sy’aeltheren shilthys — “I offer myself in deepest beauty” → sy- (I), aeltheren (offer self), shilthys (deep beauty)

Pronouns and Prefixes

Pronouns are expressed through prefixes attached to verbs and nouns. They are rich with tone and reverence, with several layers depending on emotion, rank, or respect.

Core Personal Prefixes

Person Prefix Tone Example I (neutral) ae- Neutral/formal aeva(my name) I (personal) sy- Intimate/personal syael(my soul) I (formal) tye- Sacred, royal tone tyeva(my name) I (beloved) zya- Devoted/loving zy’ael(my soul) I (communal (we) tye- Collective t́yeme’a(our light) I (magic-bound) vo- Faeric unity/ritual voithren(our dream)

| You (neutral) | sya- | Casual/respectful | sy’ael (your soul) | | You (formal) | mi-| High respect/formality | miael (your soul) | | You (beloved) | lye- | Intimate/loving | lyeael (your soul) |

| They/Them (neutral - plural) | ka- | General third person | kame’a (their light) | | They (disdain) | vi- | Dismissive/lesser | vime’a (their dim light) |

While Faespeak typically uses gender-neutral terms, specific forms do exist for poetic, intimate, or emphatic purposes. These are still used as prefixes but imply more than just gender—they carry fae-perceived essences.

When two following prefix/words end/start with the same letter, an apostrof is added between, keeping the letter of the word rather the prefix. Sya- ael = Sy’ael and not Syaael Essence Prefix Example Meaning He (masculine) ra- rame’a his light She (feminine) le- leme’a her light They (genderless) tya- tyame’a their light It (object) ni- niva its name

Note: These are used for literary, dramatic, or reverent expression. Everyday speech favors gender-neutral forms like tya-.

Pluralization

Plurality in Faespeak is indicated by a soft-sounding suffix, depending on the word type.

1. Plural Suffix -elai (general plural, especially poetic)

kaen (their light) → kame’aelai(their lights)

ael (soul) → aelelai (souls)

2. Plural Pronouns Already Include Plural Meaning

Prefixes like ka- (they) or tye- (we) imply plurality inherently, so pluralizing the object is optional depending on emphasis.

Negation

Negation in Faespeak is usually soft and elegant, avoiding harsh sounds.

Negation Particle: nei- It is placed before the verb root, following the pronoun prefix.

aeaeltheren (I offer myself) → aenei’aeltheren (I do not offer myself)

kaelyssar (they love) → kanei’lyssar(they do not love)

Alternative poetic negations:

veil- (impossibility, sacred no) — used in oaths or curses:

tyeveil’thelan (I shall never return)

noa- (gentle denial, refusal of feeling)

zyanoa’lyssar (I cannot love you)

Questions

1. Question Particle -aei? Placed at the end of the sentence.

syaeltheren shilthysaei? — "Do I offer myself in beauty?"

2. Interrogative Words: Faespeak English shael what thelai who naerys where eivaan why vaela when shaera how

Examples:

mi’shael aeltheren? — “What do you offer?”

lye’naerys, kleteia ? — “Where are you, beloved?”

tye’vaela norin velme’a? — “When shall we rise in light?”

Attachment Words in Faespeak  Meaning Faespeak (casual) Faespeak (poetic/formal) of –el –ael with sir sira by ver vera from thal thala for lai laith to en Ena

Meaning Faespeak Poetic Flavor / Usage in vel “within,” with connotation of depth, emotion, or containment on sya “upon,” used poetically like “on the wind” or “on the path” under noul “beneath,” with undertones of secrecy, reverence, or burden above lira “above,” often used metaphorically (e.g., status, sky) into valen “into” as in moving toward, often goal- or emotion-oriented

~~~~~~~~~~~~~~~~~ (Don't hesitate to propose me words that don't exist here so I can fill my dictionnary. You can also propose your own word, have fun, I mostly tap one first letter, them keyboard slam, and delete some letter, change others and it give a word. I also use name from the fantasynamegenerator)

A

Aaerih — Parent (mother/father) Aaertah— Adoptive parents Aeltheren – To offer oneself Aestrel – Star Adgolor — Music Adonai - Supremacy Aeurial — Dawnlight Aien — Writer Ailmon — To purr Aldori — Monster Alosrin— Jewel Avareth – Wine Anhaern— Anger Annyl — Sexual relationship Aop— Snake Aphrosyne - Passion / Passionate Areb — To draw / To paint Arebiarys– drawing / painting (objects) Asili - Nature Aura – Celest / sky Aurelifay – Celestial fae Avarin – Bird Aya'lu - Light of my life (name) Az’ig — Wing

B

Baeig — Tooth Begizh— Human Bhî’zei— Story Bhraff— Amnesia Blawel— Buttock Blum– Flower Blumifay– Floral Fae Bozn— Lust / sex / sexuality Brelith– Honeycake Brézarh— Curse Bryjorh— Mosaic Bwye — Skin

C

Calen — Green Calo— Sun Carwenys — Principle Caryave— Apple Cernin– deer Chei’goch— Goodbye Chiftik— Insult (“jerk” or worse) Chîwen— Mirror image; reflection of the soul Chor— Black Ciradyl— Mouth Cithrel— Narrow Conall— Head Corleo — Cruel Corlain – To weave / To sew Crenai – To cry Crimsael – Stew Crystael - Ice

D

Dar – A Dance Dareth – To Dance Darnakyn –Taurs Daurien — Path Delven– To search / To explore Diket —Mage / Sorcerer Dî’thamg — Slave Dloj — Past Dmoieh— In front of Dor — Tall / Big Dor’Ypoj— High Priest/Priestess Draulin – Mushroom Dravel– Earth / Soil Drayth – To fall D’rea – Memory Dro— On / above Drovane – Thunder Drue— Foot Durafay – Rock fae Duravelle - Rock / Stone

E

Ebaze — Arrow Ehg — Eye(s) Eilrie — Baby Elaith— Forgiveness (earned after wrongdoing) Elatris— Pervert Eldrin— Attractive / sexy Elqen— Boob (vulgar) Ensys— Eye Ensysor— Eyes Equestrel– Horse Erika— Secret Erro– To be Eryndel— Snowflake Esgo Htreal — Die! (curse) Es’Grungvo — Go away! Esther— Cute / adorable

F

Fay - Fae Faylen –Fairy fae Fayrienne – Fire fae Fe — If Fea— Spirit Féàràno — Child Felorin– Cat Feluren – Sugar / Sugary / sweet Fenhia— Universe Feriah – War Ferethiar – A fight / battle Fereth – To fight Fih— Also Fireph — Alone / loneliness Folyir— Whisper / To whisper Fuog — Happy Fzaof— Toy

G

Galan — Peace Gah’rrvaus -​ Honor​​​Garnelai – Bread Geag’egz — Makeup Geagf — Box / container Gharthûn — Blood; sacred essence of life Gin — Sailor Giofayelle – Glass fae Gormak – Bear Got’ — Hello (casual) Gotcheite — Greeting (formal) Grejeon — Romantic relationship Greou — Chance / fate Grunmok– Dwarf Gruskyn – Pig / Boar Guoz— Breath

H

Halueve — Marriage / sacred union Heideen— Freedom / free Heirieth— War Hesvara— Song Hetho— Paper Hohj — Nothing / void Hogue — Adventure Holafiel— Artist Hre’szao — You're welcome Hulee– Gift / treasure Hyrin – To do Hyzag— Donkey

I

Iaerih — Sibling Iezp— Chicken Idall - Knowledge Iliren— Spouse Inaro— Breast (polite) Ineo - Mercy Ir’goet— Warmth / heat Irhîzr— Book Ithren— Dream / to dream Iyren– To sing Izohg — Pride

J

Jagji — Prince / Princess Jandar — Ears Jerief— Sky Jesdi— Duck Jîhf — Closed / locked Jeovis – Tender / sweet

K

Kailu — Nose Kaosi - Chaos Kaug— Here Kelorin — Feather Khënôs – Root / mind Kleteia – Beloved / my love Kraddakch ! — No way! / Absolutely not! Krystal — Crystal Kuom — Extinguished Kveag — Bath Kylin — Suicide Kyo — Shadow Kze— Yes

L

Laevyre — Touch; physical connection Larrel —Hair Leagui— Fish Legiog — Drunk Lhov — Clothing Loa — Pure Loky— Woman / girl Loraven — Feast Lothi— Orange (fruit) Lyssar – To love

M

Malvyfay – Ice fae Marnavay – Lava fae Marg ! — Good! / Excellent! Massyor — House Mî— Small / tiny Miralafay – Fungus fae Miriel – Petal Me’a — Light Melas– To see / To witness / To watch Meren – Water Miasys — Art Mîr – listening Miruun – Fish Mmig — Desire Morpheiros— To sleep Morraun – Jam Mujrr— Many / a lot Myshaal — lover Myrden– To grow (plants) Myrrh — Music

N

Nahlin – Tomorrow Namia — Fruit Narveth – To write Nasîr — Arm Natay - Death Natr — Birth Nary — Above Nelaeryn— Body Nerevae— River Niblin - Gnome Nieven — Temple / sacred place Niova – Neige Norin – To rise / To ascend Nu — Under / beneath Nue’z — Cold / frozen Nungh— How Nylvaen – Milk Nyvra – To cast (a spell ; doing magic)

O

Obuer — Road Oepz — Mirror Olovyre — Acrobat Oltréna— Silence; sacred or profound quiet Omabela— Wild / untamed O’mrys – Deity Ori’jeon— Sculptor Orz’eeag — Orange (color) ‘otchei’ — Hey! / Yo! (rude) Ozrehs — Mercy

P

Pezuo — Mystery Phîtha — Criminal Phîtumal — Crime Pratz— No Putle — Fat / big / large Pyez— Dog

Q

Qchatlho' — Thank you Qerh— Challenge Qiegz — Library Qîerhj— Magic / magical Qimyar — Penis Qithyra— Cheese Qizumin — In-law (parent of spouse) Quethal — Ghost; lingering soul Qu’ug — Rabbit

R

Raelith — Truth Ravasandoral — Harmony (relationship) Riev — Crazy Risar— Liar Rhik — Sugar Roï— Polite Roïzei — Politeness Runari– Goblin Runn’eh – Spare / leftover Ruvyn— Powder Rygna — Star

S

Saetha  — Blade; weapon or sharp edge Sachiel — Wise Saeros — Brave Sapheïros— Eternal Selmin – To hear Selyren – Elf / Elven Seralune – Water fae Serarna— Justice Serivarn – Lamia Shahorn— Foot Shal – To go / to leave / To depart Shil– Beauty Shilthys – Deep Beauty / very great beauty Siam — Power Sigrin— Man / boy Sîkn — Behind Sikarn– Spider Silnael – Fruit Sin— The (singular) Sinaht — Coral Sinao’— This one Sinor — The (plural) Siralei– Yesterday Solkyn – Dragon Solketh – Tart / pie Solvayn – To shine / To glow Shei— You Sylith – Sorrow Syllin – Wind Sylliafay – Wind fae Syvarn – Snake Syvrel – To grow (from child to adult / in size)

T

Tal — Town / village / city Tarven– To eat (human’s « Tavern » is a deformation of it) Telya — Money Te’pih— Open Tezih — Like / as Thalareen– Merfolk Thalun – To swim Tharen – To speak / To declare Thelan – To return / To come back Thelofay – Seasonal fae Tholgrin – Orc Threnkai – Wolf / dog Tivze — Friend Toed— Red Trelvar – Vegetable Tzigh — Horse

U

Uefu — King / Queen Ueguo— Traitor Ueza — Uterus Ugyf— Fire / flame Uiob—Alcohol Uizri— Laziness Ulafial — Leg Umbrifay– Shadow fae Uthoî — Doll

V

Va – Name Vaelorn – Tree Vaeril — Flexible / flexibility Vageiros — Face Vajyre — Adultery Vallamine — School / studies Varkanyr – Protection / armor / shield Varken – To protect/guard Vathyra — Belly Vaydran– Storm fae Velcendrafay – Ashen fae Vellenkai- Candy Velthir – To burn Veniel – To understand Vezif — Genie / djinn Vhratm fer — Shut up Vilkari – Kitsune Virelle– Moon Virelliasy – Moonlight Vlogrit' Korv — Good luck Vulrai – Fox Vynarme— Beautiful

W

Waesro — Hand Wegoriph — Castle / palace Wete — White Wherti ! — Idiot! Widzih — Birth / childbirth Wiizeb — Vampire

X

Xergb — Prayer Xer — To pray Xilxidor — Sympathy Xoz’erj— Gluttony Xyryra— Jerk (insult)

Y

Yeshice — Painter Yesthyra— To fail Yiert — Old Yindove— Religion Yzei — World Ylo— That / this Ysr — Very Yllasalor – Today Yzevc— Pirate

Z

Zeff – metal / acier / metallic Zepharun – Metal fae Zeipsh — Chocolate Zertn— Boat / ship Zîp’re — Waterfall Zirelle– Tea Zizhr — Rage Zoefay – Animal fae Zoevgir – Beastfolk Zyldan — Vagina Zylzorwyn— Alphabet Zyprigh — Imagination

Faes tend to use the same word for multiple animal from the same specie. They will call « cat » any type of feline, either lions, tiger or actual domestic cats. There is some exceptions.

Below are several Faespeak sentences constructed using this vocabulary and grammar rules:

1. sy’aeltheren shilthys

I offer myself in deepest beauty → sy-(I, personal) + aeltheren (offer self) +shilthys (deep beauty)

2. mi’fereth laith sin me’a sira loa (Or « mi’fereth me’a loa »)

You fight for the light with purity → mi-(you, formal) + fereth (to fight) + me’a(light) + loa (pure)

3. tye veil’thelan

I shall never return (sacred vow) → tye-(I, reverent) + veil- (sacred negation) + thelan (to return)

4. zya’lyssar sy’ael jeovis

I love your soul with sweetness → zya-(I, beloved) + lyssar (to love) + sy’ael(your soul) + jeovis (sweet)

5. tye’ithrelen hanorin fuog

We dream of rising in joy → tye-(we, communal) + ithren (to dream) +hanorin (to rise) + fuog(happy)

6. ka’nei’lyssar aelelai

They do not love souls → ka-(they) + nei- (negation) + lyssar(to love) + aelelai (souls, plural)

7. mi’shael ferethiar?

What battle do you fight? → mi-(you, formal) + shael (what) + ferethiar(battle)

8. lye’ailmon sirciradyl fuog

You purr with a happy mouth → lye-(you, beloved) + ailmon (to purr) +ciradyl (mouth) + fuog(happy)

9. sy’melas tya’ael aestrel

I see their soul as a star → sy-(I, personal) + melas (to see) + tya’ael(their soul) + aestrel (star)

10. ka’dareth dar fuog

They dance the dance of joy → ka-(they) + dareth (to dance) + dar(dance) + fuog (happy)

~~~~~~~~~~~~~~~~~~~

Faespeak Pronunciation System (Not Human-Compatible)

Overview:

Faespeak is meant to be sung as much as spoken, blending resonant, breathy, guttural, nasal, and tonal elements. Certain phonemes have emotional weight, not just sound. Most humans flatten or simplify Faespeak, failing to capture its full power.

Writing in tendrilis, alphabet by Anomalis

[princessofmistake]

«θυμέ ἄνα δέ» «Cuore, rialzati» 🏷️ Archiloco, frammento 128 W Il frammento, in tetrametri trocaici catalettici, ricorda la la celebre apostrofe omerica «Τέτλαθι δή, κραδίη· καὶ κύντερον ἄλλο ποτ’ ἔτλης» *con cui Odisseo si controlla davanti alle offese dei Proci, in attesa della vendetta. Archiloco ci invita a non avvilirci se sconfitti, a non glorificarci se trionfanti, a godere delle gioie, ad accogliere il dolore e a evitare gli eccessi. *«Fatti coraggio, cuore mio: ne hai passate di peggiori.» Omero, Odissea

[calandrinon]

*să-mi bag :)

Foaie verde derutat

Am băut și am fumat

Dimineață vreau să mor

Mi-aș bag capul la cuptor

[ilpianistasultetto]

L'amore non e' una scienza esatta, e' piu' una letteratura, un'epica piena di apostrofe, un racconto, una poesia. Somiglia molto alla storia con i suoi momenti, le vittorie, le sconfitte, le conquiste. L'amore e' chimica in mano a uno scienziato pazzo che prova sempre nuove alchimie anche se esplode la provetta; e' un algebra piena di parentesi dentro due graffe, quelle che racchiudono quel sentimento; una geometria con angoli acuti e ottusi; una geografia piena di luoghi belli da esplorare. L'amore e' un disegno a matita, una tavolozza, una pennellata di colore. L'amore non e' una materia sola.. @ilpianistasultetto

[hisboslugu]

belki inanmazsınız ama ben birini çok sevdiğim zaman onu öldürmemi gerektiren delilleri ortadan kaldırıyorum ve evet inanmazsınız, bunu o kadar çok sık yapıyorum ki, bu delillerin günün birinde beni öldürme ihtimali var ama bir defa sevdi mi insan, delillerin gerçekliği yitiriyor anlamını. insan bir delil olmadan sevemiyorsa, gün olur bir delille sevmekten cayar. her şey ve herkes bekletiyor kendini. sen… bekletiyorsun kendini. o kadar bekletiyorsun ki, artık senin gelmeyeceğine inansam da, seninle ilgili beklemekten gayrı bir iş bilmiyorum ben. artık bekletilmekten yapma bir adamım, bundan gocunmuyorum da. bu benim çünkü, sana inanmanın memuru ama yağmurun sana yağmayacağı belliydi göğe bakışından. berraktı, bulutsuzdu, silme maviydi gök. bana öyle baksan, yüzünün ortasına tükürmek tahrir’de mübarek’i taşlamak gibi olurdu. çok belliydi boynun bir açı bile kuramadı yaşadıklarına. kötümserlik başa bela! bence insan kuramadığı hayallere de inanmalı! insan… başka insanlar için hayaller kuran bir bardak sudur. bir gün ümidini kaybedersen bil ki kaybedeceğin başka bir şey kalmadı. çünkü bütün kazandıkların kaybettiğin ümidine sıkı sıkıya bağlıydı. şimdi git, bütün tanıdıklarına söyle amerika'dan bu kadar korkmasınlar. baksınlar, ben onu küçük harfle başlarken nasıl da geniş bir ağızla esniyorum ve onun kellesini gövdesinden ayırmak için apostrof biriktiriyorum. git onlara de ki, dünyada bir dakika sonra ne olacağını hiç kimseler bilmiyor. elli sene sonrasını hesaplıyor sandığınız israil, mütemadiyen sürprizlerle yaşıyor. bunca yalan dolan arasından çıplak olduğu kadar yakıcı bir gerçek mi, cayır cayır bir gerçek mi, hesaplanamaz bir gerçek mi diliyorsun? allah'ım, muhammed buazizi’yi affet. onun yangını dünyaya ne kaybettiğini hatırlattı. yani en az günahlarımız kadar tekrarlanan başka neyimiz var? başka neyimiz var senin merhametinden gayrı! hülasa: ortadoğu'daki muazzam uyanışı amerikan - israil komplolarına alet etmeye çalışan kötümser teorisyenler, ümitsiz umarsızlar, kedersiz feylesoflar! ya bi' sakin olun, bi' geri çekilin, gidin birine falan âşık olun. çok zeki olduğunuzu sanarak kendi zekânıza hakaret edip durmayın, gülünç olmayın, bi' susun, allah aşkına biraz gürültü yapmayın. tahrir’de müthiş bir aşk filmi oynuyor, onu seyrediyoruz!

[pierwsza-dyrektywa-fluora]

I am not drinking any f***ing merlot!

Paul Giamatti będzie villainem w pierwszym sezonie Starfleet Academy. Zanim zostało to ogłoszone, podczas jednego z wywiadów doszło do wymiany zdań, która zainteresowała Waszego klingonistycznego znajomego 😀

Dziennikarz poprosił aktora o powiedzenie zdania: {merlot vItlhutlhbe'}

Spieszę donieść, że jest to bardzo dobre tłumaczenie, chociaż w podpisie zgubili apostrof na końcu. Ja jeszcze dodałbym na końcu partykułę {jay'}, aby oddać znaczenie "f***ing": {merlot vItlhutlhbe' jay'!}

Nad wymową jeszcze mogliby popracować, ale powiedzmy że aktorzy z niektórych filmów trekowych wymawiali te zdania jeszcze gorzej, więc nie ma co się czepiać 😉

Szukałem informacji czy Paul Giamatti będzie faktycznie grał Klingona w Akademii, ale nie znalazłem takiego potwierdzenia.

[kalauada]

Mengunyah Puisi: Subjek Lirik dan Tokoh (?)

Di mana garis antara subjek lirik dan tokoh? Untuk menjawab itu agaknya kita akan tergiring juga untuk menjawab di mana garis antara puisi dan prosa – dan yang lain. Persoalannya, apakah hal tersebut adalah jenis pertanyaan yang bisa dijawab? Ruang gelap antara puisi dan prosa barangkali adalah ruang angker yang selama ini kita hindari – atau lebih buruk lagi, kita ingkari. Memang ruang rawan.…

[donggatto]

Figuras retóricas

En el jardín del tiempo, dulce aurora danza,

Metáforas brillantes en el cielo se enlazan.

Un sol radiante, símil de esperanza pura,

Sus rayos son versos que la vida augura.

Cual río serpenteante, va la vida en flujo,

Hipérboles exaltan cada risa, cada enojo.

Anáforas en coro, eco de emociones,

Repetidas se alzan como olas en mareas.

En el horizonte, la noche se insinúa,

Comparaciones pintan la luna que flotúa.

Sus ojos, cual estrellas, metonimia de luz,

Guiando nuestros pasos, un faro en la cruz.

Mas allá del velo, el sueño se despliega,

Prosopopeya en flores, la noche se entrega.

El viento susurra, apostrofe de los árboles,

Personificación del mundo en sus cables.

Al alba, la aliteración canta su canción,

Las sílabas se abrazan, creando un lazo de unión.

En el rincón del alma, la anadiplosis late,

El eco de lo eterno, un ciclo que reparte.

Así en este verso, figuras se congregan,

Un crisol de retórica, donde el alma juega.

El poema deviene un caleidoscopio,

Donde el lenguaje es arte, en su máximo esplendor.

-Mario Latabán Arredondo

[shasskor]

Hva om jeg begynte å legge ut innlegg regelmessig på tumblr, men bare på norsk. Og i tillegg brukte ord på sjeldent brukte måter som google translate ikke har håp om å oversette. «Å jeg lesket meg nettopp. Dere burde alle leske dere! Håper dere har en fin dag videre og lesker massevis!» Og gåseøyne! Slik som brukes i norske bøker, men få gidder å bruke i tekstmeldinger fordi få tastaturer har dem. «Vi bruker da ikke anførselstegn eller apostrofer for å markere utsagn her! Vi bruker gåseøynee i henhold til ordentlig grafisk design!»

Ta den, dere som antar alt kommer til å være på engelsken dere er kjent med!

[elaprendizdecinico]

¡AVANTI! by Pedro Bonifacio Palacios conocido como Alma Fuerte

Si te postran diez veces, te levantas

otras diez, otras cien, otras quinientas:

no han de ser tus caídas tan violentas

ni tampoco, por ley, han de ser tantas.

Con el hambre genial con que las plantas

asimilan el humus avarientas,

deglutiendo el rencor de las afrentas

se formaron los santos y las santas.

Obsesión casi asnal, para ser fuerte,

nada más necesita la criatura,

y en cualquier infeliz se me figura

que se mellan los garfios de la suerte . . .

¡Todos los incurables tienen cura

cinco segundos antes de su muerte!

¡PIU AVANTI!

No te des por vencido, ni aun vencido,

no te sientas esclavo, ni aun esclavo;

trémulo de pavor, piénsate bravo,

y arremete feroz, ya mal herido.

Ten el tesón del clavo enmohecido

que ya viejo y ruin, vuelve a ser clavo;

no la cobarde estupidez del pavo

que amaina su plumaje al primer ruido.

Procede como Dios que nunca llora;

o como Lucifer, que nunca reza;

o como el robledal, cuya grandeza

necesita del agua y no la implora...

Que muerda y vocifere vengadora,

ya rodando en el polvo, tu cabeza!

¡MOLTO PIU AVANTI!

Los que vierten sus lágrimas amantes

sobre las penas que no son sus penas;

los que olvidan el son de sus cadenas

para limar las de los otros antes;

Los que van por el mundo delirantes

repartiendo su amor a manos llenas,

caen, bajo el peso de sus obras buenas,

sucios, enfermos, trágicos,... ¡sobrantes!

¡Ah! ¡Nunca quieras remediar entuertos!

¡nunca sigas impulsos compasivos!

¡ten los garfios del Odio siempre activos

los ojos del juez siempre despiertos!

¡Y al echarte en la caja de los muertos,

menosprecia los llantos de los vivos!

¡MOLTO PIU AVANTI ANCORA!

El mundo miserable es un estrado

donde todo es estólido y fingido,

donde cada anfitrión guarda escondido

su verdadero ser, tras el tocado:

No digas tu verdad ni al mas amado,

no demuestres temor ni al mas temido,

no creas que jamás te hayan querido

por mas besos de amor que te hayan dado.

Mira como la nieve se deslíe

sin que apostrofe al sol su labio yerto,

cómo ansía las nubes el desierto

sin que a ninguno su ansiedad confíe...

¡Trema como el infierno, pero rie!

¡Vive la vida plena, pero muerto!

¡MOLTISSIMO PIU AVANTI ANCORA!

Si en vez de las estúpidas panteras

y los férreos estúpidos leones,

encerrasen dos flacos mocetones

en esa frágil cárcel de las fieras,

No habrían de yacer noches enteras

en el blando pajar de sus colchones,

sin esperanzas ya, sin reacciones

lo mismo que dos plácidos horteras;

Cual Napoleones pensativos, graves,

no como el tigre sanguinario y maula,

escrutarían palmo a palmo su aula,

buscando las rendijas, no las llaves...

¡Seas el que tú seas, ya lo sabes:

a escrutar las rendijas de tu jaula!

VERA VIOLETA

En pos de su nivel se lanza el río

por el gran desnivel de los breñales;

el aire es vendaval, y hay vendavales

por la ley del no fin, del no vacío;

la más hermosa espiga del estío

ni sueña con el pan en los trigales;

el más dulce panal de los panales

no declaró jamás: yo no soy mío.

Y el sol, el padre sol, el raudo foco

que fomenta la vida en la Natura,

por calentar los polos no se apura,

ni se desvía un ápice tampoco:

¡Todo lo alcanzarás, solemne loco,

siempre que lo permita tu estatura!

LA YAPA

Como una sola estrella no es el cielo,

ni una gota que salta, el Océano,

ni una falange rígida, la mano,

ni una brizna de paja, el santo suelo:

tu gimnasia de cárcel, no es el vuelo,

el sublime tramonto soberano,

ni nunca podrá ser anhelo humano

tu miserable personal anhelo.

¿Qué saben de lo eterno las esferas;

de las borrascas de la mar, la gota;

de puñetazos, la falange rota;

de harina y pan, la paja de las eras?...

¡Detente, por piedad, pluma no quieras

que abandone sus armas el ilota!

[inprimalinie]

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