#anyways now i go sleepy

[rainingincale]

I call all cats mr meow

[xxplastic-cubexx]

im with fam but i always thinka him so doodle time

[mamawasatesttube]

it's just so. tim and kon have so much going for them in the comics - tim taped wendy while kon was in hypertime, their whole fight on apokolips, batman claiming that tim "speaks highly" of kon, kon having the batcave landline in his contact book not long after he first met tim, robin!kon, the "your voice drops an octave when you get all commander-like" line and the Everything before it, the winick closet moment, they were his colors, and so much more. they have such a rich history and relationship across so many comics!! they genuinely have so much going for them!!!!

and then you try to look at the tag on ao3 or tumblr and it's just full of homophobic stereotypes, shovel talks, and the same 2.5 tired jokes about tim/ber or clone babies, maybe with a bit of clark bashing thrown in for flavor, because no one making these posts has fucking read the comics and they don't even know where the ship came from, but god forbid they get out of the comics tags. jesus fucking wept.

[hballegro]

"It's more than something. It's everything."

s8e11 "Life Time"

painted screenshot. cannot give a time estimate, i lost track long ago. still gouache brush, my beloved, with blur tools to fade edges and so on

i have to go to the zoo now and will be making the version with the clock later [i cannot express how long ive been battling with hawkeye's face, gamers]. background went very fast like i said it would lol

version 2 [as in, w/ clock] will probably be done later today, and i will edit this and add it when that happens [and prolly make a separate post too, for celebration purposes, and will link them]. i will also compile progress pics for that post. they are terrifying early on lmao

"A lot of very touching songs came outta that war" previous painting

"It was pink, and perfect, and I tossed it in the scrap bucket" previous painting

everyone say thank you to bj to being a perfect painting subject today he was very polite and he looks about how i wanted unlike SOME PEOPLE

that was me to my sibling last night, and i stayed up til 1:10ish and still didnt finish the final pass over hawkeye's eye. everything else took like 5ish minutes

also everyone say thank you to margaret and nurse kellye for also being perfect and lovely and pleasant to work with

photo used blatantly stolen from this post thank you again @remyfire i owe you my life

update edit;

clock back

[bitchfitch]

they need to invent a type of chronic fatigue that isn't the most embarrassing thing in the world. Like. Hi doctor I know I smell like I haven't showered in three days and am talking at roughly 1 word per minute and can't keep my head up and am so exhausted I ended up being late to this appointment bc I fell asleep eating breakfast but you see if you didn't see me Today you wouldn't believe me that it gets this bad and would take my complaints of fatigue so severe I get 3 hours to a day as a moral failing instead of the most debilitating thing on a list of severe debilitations. Please refer me to someone who can fix this because if I make the appointment without a person with a minimum of 2 acronyms attached to their name vouching for me they will also believe it is not a real issue and is just hysteria and do nothing to attempt to help.

[feroluce]

how do u imagine natasha + sampo’s relationship?

I. Feel a little bad for leaving this in my inbox as long as I did, especially since I said in this post I could write a whole essay on them. But then when I tried to actually answer this, I realized ah shit, I can't really articulate what I think of them at all OTL

(so have a bajillion words of meta analysis of them instead fklajklasjf)

Just! Sampo is very mysterious figure, and we know so little of his background and his motivations! So it's really difficult to get a solid read on some of his relationships with other characters. Regardless, I do think that Natasha is perhaps the one he's closest with, and that she is the one person who knows him the most intimately in all of Belobog.

And a lot of it IS hard to pin down because of Sampo's slippery nature, but also because it's like. If you look at just Natasha's dialogues about Sampo, it doesn't really look like much. It only becomes more meaningful when compared to how everyone else talks about him.

Most other characters just comment on what Sampo does, as in his observable actions that are easy to see on the surface or from a distance.

Natasha is one of the very, very few that actually speaks to Sampo's personality or philosophy. Like she not only is able to describe a certain behavior of his, but she's able to explain the why behind it.

At least part of this is probably that they spend so much time together- Hook even comments on it during her companion quest.

And tbh I don't really think it needs more proof or anything with such a flat out statement like that, but this is actually further supported by the fact that Seele is the only other character in Belobog to sorta-kinda comment on Sampo's personality; if Sampo were hanging around the clinic with Natasha all day, Seele would probably be the person he would see second-most there. Of the dialogues posted further up in this post, Hook obviously sees him all the time, but it's not always in the clinic, and besides she's still very young...she wouldn't have the same read on him an adult would. Luka avoids the clinic whenever he can because he's worried about taking up Natasha's valuable time. And the Landau siblings aren't even present in Boulder Town until after the Stellaron is quieted.

Seele, on the other hand, is extremely loyal and devoted to Natasha, and seems to worry about her a lot. She doesn't have the same reservations as Luka, and it would feel right to see her in the clinic frequently, taking orders and missions and trying to make sure Natasha doesn't run herself in the ground. So it would make sense for her to see a lot of Sampo if he's always in there, too, enough that she would have things to say about his personality, whether she likes that or not haha.

Of course we know from Sampo's lines that it's not that he's sick, he's just reporting back to Natasha. Sampo not only smuggles in supplies across the border like what most people know him for, he's also Natasha's source of intel.

Bringing back intel doesn't necessarily have to involve a lot of conversation though, especially because it would make more sense for Sampo to be turning in written reports. It decreases the chance of Natasha mishearing/misunderstanding something or having to rely on memory alone, neither of which are really things you probably want to be doing when bad intel can mean the difference between life and death in her circumstances. So I do really wonder what it is Sampo does in the clinic all day haha. Given that he's a big believer in the power of small talk bringing in big clients, it's entirely possible Sampo is just in there being chatty, happily making conversation and keeping Natasha company most of the time...which is kinda cute. He also really could just be talking shop, too, of course- Sampo does a lot of work for Natasha, and I don't think it'd be a stretch to assume she's his main client. There's probably a lot to discuss about supply quotas, incoming intel, scheduled drops, etc.

My favorite option, though, is actually based on one of Sampo's options from the main quest, where he says:

Because like! The way he says this, the way he specifies that this is his opinion, but no one seems to care what he thinks? And how he calls them stubborn in particular? It really sounds like Sampo has been trying to get Wildfire to operate in a different direction. And if you look up the exact definition of "artless," you get this

which very much fits Sampo, and how he does things. He has guile and deception down to an art form. Sampo goes on to call Wildfire "do-gooders," but then cautions the trailblazer not to underestimate them because of that- indicating that Sampo sees that type of philosophy as something naive, or at least just ineffective. Something that you would underestimate a person for.

And the person Sampo associates with the most in Wildfire, the one he's always seen with, the one who would hold the most sway to change the modus operandi of the organization is...Natasha.

So I wonder if Sampo has been trying, possibly for years now, to get Natasha to see what he thinks of as reason, and start playing dirty to survive. I wonder if that's what he spends so much time in the clinic for, is because he does care, and he wants her and the rest of them to live, and he has been trying to convince her to go with his way of doing things, but Natasha has been refusing him, refusing to compromise her morals.

Because we know from some readables and from the general Vibe, both up on the surface and down below, that things were getting pretty dire. Rivet Town has fallen. The Silvermane Guards are being whittled down and broken. The Fragmentum was right on everyone's doorstep, and I'm sure that if the Astral Express hadn't arrived- and that if Sampo hadn't set the stage so perfectly, if he hadn't played his part just so- then all of Belobog would have eventually been snuffed out. Sampo had to have known it was happening. He must have known the end was upon them.

He doesn't even have a stake in Belobog- he's not from here. He could, assumingly, call it quits and leave when shit got tough by whatever means got him there in the first place.

And I'm sure Sampo wants to save all of Belobog, but I think he's particularly endeared by Natasha. He famously phrases his view of Elation as "true happiness always entails the manifestation of the dignity of mankind." And like. Who else embodies that so much as her?

Maybe it is a little vague and up to interpretation, but I feel like Natasha is FULL of that kind of dignity. She has been doing this since before the blockade. She willingly chose to stay in the Underground where she could do the most good. She has seen so, so much death and you can see how it weighs on her; she's become bitter, and wary, and weary. She has it out for the Guards (understandable), and she openly taunts Gepard and goes right for his throat when he shows up in Boulder Town, ten years too late, trying to help with the Fragmentum.

Natasha even seems to have given up any belief she may have once had. She's completely lost faith in Qlipoth.

All of this, and yet she still chooses to be kind. She still chooses to help people. There is something immensely admirable in all of that.

And I feel like you can see how much Sampo admires her in just how often he thinks of her, especially when someone needs help. Sampo smokebombs everyone and needs to get them somewhere safe in the Underground? He takes them to Natasha. Svarog is about to fucking kill everyone? Go get Natasha. He finds the trailblazer passed out in an alleyway? He carries them to Natasha. The trailblazer is seeing weird shit out in the Fragmentum? Recommend they go get a check up. Specifically from Natasha.

It's a little silly, but I think you can also see some of this when Sampo is being melodramatic about being caught red-handed in the museum event. He echoes a very important sentiment to Natasha and Wildfire;

And the mission where this ideology was displayed strongest was titled, "To Rot or To Burn."

(Hell, in the dream sequence of Penacony- regardless of whether that dream bubble came from Sampo or Sparkle, it had to be informed by Sampo's tales of Belobog. Sparkle has never been there herself. And the kind trashcan that immediately helps you and sets you on the right path, that tries to rally everyone together, the only one with a name so clearly and obviously taken from someone Sampo knew in Belobog? Is Shatana- an anagram of Natasha. Even from a meta perspective, they have the same VA. No other trashcan there gets that treatment. None.)

I think they have the same goals, and even hold some of the same views. Natasha's are much more obvious, but still. Sampo says this about Belobog's circumstances:

And he says this as though it should be obvious common sense. That when things are rough, you share and make sure everyone has enough. I think they both share this belief, it's just that they disagree on how to go about making things even. Natasha believes in rallying people for the cause and giving as much of herself as she can to make up for whatever people lack. Sampo believes that if some dipshit with more money than what they need falls for his bullshit and he gets to spread it around? Well hey, that sounds like a whole lot of their own fault.

Natasha is definitely aware of this, and she has no problem threatening Sampo whenever she thinks he's stepping out of line.

She keeps him on a very short leash, which like. Yeah no that's valid fjkdlsajfdklj

Even so, the way she talks about him, like... Maybe it's just me, and my rose-colored glasses, but she doesn't seem to dislike him nearly as much as she could? She kind of just. Says these things as statements about him, without any real vitriol behind them. This is just kind of how he is. She even seems to have a sense of humor about it.

And again! She has so much more to say about him than almost any other character.

I'd like to think part of her...affection? of sorts? for him is simple camaraderie. Circumstances are dire. Past, present, and future are all bleak. Things like that deepen bonds with your foxhole buddies. Sampo is dependent on Natasha for work and pay and a place to get away from the Guards. Natasha is dependent on Sampo for food and medicine and life-saving supplies. They both heavily rely on each other in this harsh environment, and they have a really nice back-and-forth that I appreciate with how they help each other out by owing favors as payment.

And the other part, I'd like to think actually IS because she knows him very well- maybe not things like his past, but she knows some of his personality and beliefs, and finds them agreeable enough. She even has the audacity to call him a poor liar at one point- Sampo! Of all people! Known by someone well enough to be caught out as a poor liar! He's either intentionally leading her on and letting her think she's caught him, or Natasha just really is that good. Neither would surprise me tbh

I think Natasha is also just uniquely prepared to understand Sampo, and is able to see his better sides without letting her judgement be clouded by his slimy manner. She's able to appreciate that his actions ARE extremely helpful, regardless of how he does them.

Even as she acknowledges that he isn't always trustworthy, she does still choose to rely on him and give him chances. She was pleasantly surprised by him here, but she still chose to trust him with this in the first place. She never treats him harshly, and she never seems to bear any kind of grudge with him.

But my favorite example of Natasha being able to understand Sampo? My favorite is this. This one little throwaway line, that didn't even involve him, wasn't even about him. I feel like Natasha is capable of knowing and understanding Sampo on a deeper level than most people can, solely because of this.

She gets it.

(As a fun bonus: In the current trashcan event, there's a simple mechanic where you get one trial character for the initial battle. Then, for the harder stage, you get that same trial character, plus a couple of extras. This is true for every Proof- except for Sampo's. In his harder stage, you use Asta, Black Swan, and Luocha. But in his initial stage, in an event all about friendship and relationships...)

[kokolattx]

Ren realizing Angel's type changed for the 5th time this week

[vigilskeep]

one thing i am obsessed with so far is that playing as a githyanki completely alters shadowheart’s vibe. firstly her ability to handle the situation where she is rescued by two githyanki she is wary of, and still insists on offering to come to help as an equal rather than let them dictate everything, is rlly compelling. secondly her whole distrust of lae’zel thing comes off way more manipulative, for lack of a better word, because you have a reason to see yourself and lae’zel as “us” and the rest of the word as “them”, and she is consistently trying to drive a wedge between you and get you to see her as on your side instead: clearly your people aren’t as reliable as me, she ran off without us, she’s taking advantage of your kindness, we can’t trust lae’zel, let’s hope she stays directed at our enemies. it’s very fun to watch

[kaisollisto]

(Based off of the reality of having a metal ring in your back as a constant reminder of your fate and how that affects you as a person set in the Switzerland arc)

“Does it hurt?” 

Ava’s pressed face down into the pillow sleep curling around her limbs. She hums, she can’t remember what she says, she’s exhausted. Her arms are tangled beneath her pillow. She holds her fingers tightly between each other, her bones ache from the pressure but her hands no longer shake. Ava hasn’t experienced this before, a fear that haunts her at night. (She finds she cannot stop dreaming about dying. It’s stifling in the cover of night trying to figure out where she is.) 

She slowly opens her eyes and squints in the darkness. Beatrice is facing her a furrow in her brow that Ava knows she’s doing unconsciously. Ava’s lip quirks a smidgen, Beatrice looks funny. It’s a bit silly to her, Beatrice no doubt working out a solution to an unknown problem that Ava has yet to see in the middle of the night. In her sleepy state she wants to laugh at the imaginary cogs churning in Beatrice’s head. 

Beatrice scooches closer and Ava panics, her skin can taste the dust of Bea’s forearm. She hoists herself up on her elbows, turning to face Beatrice. “Wha?” Ava’s shaking off bits of sleep from her mouth when Beatrice repeats herself. 

“Does the Halo hurt?” 

She doesn’t know if she wants to answer that. Ava peers over Beatrice squinting at the harsh light of the digital clock on Beatrice’s side. Ava loves it, it reminds her of the early 2000’s and the aesthetic of waking up to an alarm to go somewhere. The clock blinks an innocent 1:43 Am, and Ava debates on letting her head thump back down. 

She turns her body on her side, she can feel the halo shifting in her back and it makes her want to throw up. The sides of the halo press against her shoulder blades and Ava resists the urge to yank it out. She grits her teeth and settles ignoring the skin of her back pulling tight to accommodate for the ring. Beatrice is still expecting an answer and Ava can’t lie to her, she pulls the covers of the sheet up to her chest hoping to bide more time for an answer. 

"Everything hurts Bea," Ava smiles, "getting my ass handed to me is hard work."

Beatrice frowns displeased but looks at her through her lashes, it's unguarded, the stress and worries of the world stay out of their room in the dead of night. Her lashes are so pretty and Ava wants to curse the soft glow of the moon. There’s just enough moonlight to illuminate her eyes but overshadow her freckles. Ava swallows down the taste of defeat, she can’t win, she thinks. 

Her gaze is soft, Beatrice is looking at her and it’s different yet the same. The same feeling in her chest constricting her lungs, the same soft gaze of Beatrice. Beatrice who likes what she sees in Ava when Ava can barely see where she begins. She doesn’t like to dwell on it, the truth of the matter being what belongs to Ava.

If she closes her eyes she can pretend just a little longer. She can give herself the hope of the future and what comes after all this. She can put down the fighting and the artifact and live. Ava doesn't want to think about it anymore, at least not tonight when Beatrice is here with her. 

Beatrice is soft. She knows it from hours and hours of training. She's felt it when Beatrice corrects her form, in the way she talks. She speaks from a place of care like she has turned the harsh words in her brain over and over to soften the syllables spoken to Ava. And Ava doesn't linger on it, the meaning behind it, (Ava didn't think she'd make it this far, finding a person who cares quite like Bea does.)

And Ava's got it bad, she knows she's fucked because Beatrice doesn’t say anything about her language and Ava can't not tell her the truth. She looks down, her hand fiddling with the bed sheet underneath them. 

"It doesn't hurt," if she thinks about it she can feel the fibers of the cotton between the pads of her fingers. "But it's very uncomfortable." She doesn't want to find the response in Beatrice's eyes, content to hear it from her voice. The soft British lilting accent that holds her just as soft as a touch. 

She waits, she can picture Bea’s mannerisms with her eyes closed but maybe she should check just to be sure. Ava peers up at Beatrice and she’s suddenly closer. Her eyes really are pretty, there’s a depth to them that Ava wants to spend an ungodly amount of time studying.

“Can I help?”

[eating-figs-here]

Oh my stars I need to gnaw on bones and perish in the woods because. Because some people believe Wanderer/Scaramouche has gone through an entire redemption arc. No!! He is at the beginning. He is taking his first steps forward!!! He is STICKING with the Good Guys (TM) because it's the most optimal thing to do!! It's not out of character, he knows how to play the cards he's been dealt! And y'know, overtime, he should begin to grow to care for the people of Sumeru and the region itself!!! Like that's the point!!!! He isn't there yet!!!!!! He isn't supposed to be a good guy yet!!! The reason this "redemption arc" feels "unsatisfying" is because he isn't a fully converted good guy yet!!!! Aaaaaaaa!! :(

I have my thoughts below- and uh, it's a bit long

And to those saying Hoyo should've killed him off? Please, I do want to hear why you believe that killing off Scaramouche would've been more impactful than keeping him alive. I, personally, believe that killing him off would be a disservice to what the story has been trying to get across as Sumeru's version of wisdom.

And to explain what I believe the story has been trying to get across about wisdom: Wisdom is, to Sumeru, the celebration of individuality interwoven with the celebration of community. Greater Lord Rukkhadevata says that dreams are the fruit of human wisdom, and dreams are reflections of a person's raw joys, anxieties, sorrows, and examples of the bottomless creativity the mind produces. Those combined dreams power the Akasha, which helped Rukkhadevata repel forbidden knowledge and is considered an incredible piece of technology in Teyvat. (That's a lot of weight and power they're putting into dreams!!)

Wanna see another example of how starkly different individuals come together to beat an imposing foe? LITERALLY THE SUMERU CAST. Wonder why when you played throughout the Sumeru quest line it felt a tad bit like found family?? Because that's the point!! The narrative spends time fleshing out the bonds between characters, whether old or new! We see characters like Cyno, Dehya, and Alhaitham grow to trust one another despite their tense start! We see previously established relationships like Dehya and Dunyarzad or Tighnari and Cyno! They all get closer to the Traveler as well! It is INTENTIONAL!!

Okay, now back to this puppet, Scaramouche is someone who has consistently had his own personhood denied, with his right to exist as an individual played with. His own perceived abandonment from Ei and the Fatui orchestrating the destruction of his only support group (the people of Tatarasuna) in order to be used for their own gain hammers that point home. He rejects himself by ignoring his own humanity in favor of becoming something he THINKS he's supposed to be! The Harbingers do not trust one another, and they are ready to stab their colleagues in the back from their own gain. (Which he does!! What sense of community here?? None!!)

Do you see? Scaramouche, in this state, is the antithesis of Sumeru's wisdom. Which is precisely why he fails. He fails and he falls due to the wisdom of the people of Sumeru and the joint efforts of the Sumeru cast. He, a shattered puppet once more, is forced to reckon with the fact that who he believes he should be is not who he is. And to make that realization have meaning, he must live.

There is a reason why the nation of wisdom is also the nation of dendro. To grow, adapt, and change are its core principles. So why wouldn't the Dendro Archon extend her hand to someone denied what she had been recently given- support, companionship, community. Wouldn't it be much more impactful to see a sickly sapling turn into a tree rather than letting it die? With Wanderer, we will (eventually) see the harvest of Sumeru's ideals. From rocky start to the nebulous finish, Wanderer will embody the adaptation and growth that marks Sumeru's wisdom as he steadily grows into his own individual- with many characters we know accompanying him on that journey.

I dunno how else to put this, I literally just think that having a character actively being shaped by what makes Sumeru.. Sumeru after a total rejection of it is neat. Because.. Y'know. Plants? Nurturing and growing?? I am being SO real I do not think narratively cutting off a character's ability to grow would be Sumeru's jam. Sorry for this mess of a rant, I hope my thoughts got through.. and this isn't even talking about the nuances of other characters (especially Nahida!!) but I am. Tired. So tired :')

[myreia]

— v. raison d'être

It was never going to last. They knew it from the beginning, all of them. Their time in the First was temporary, fleeting. For some, that would have been enough to give pause, to keep distance. For them, it made these moments all the more precious—even when it was difficult, even when it was unfair. Ryne knows they are both proud of her. That will never change, even when they live in separate worlds. It is a bittersweet thing to say goodbye, to close one chapter and begin the next. But change is necessary, a fundamental aspect of life. There is no sense in clinging to the past when the future—with all its countless possibilities—lies ahead. There is no looking back. Only forwards.

[cementcornfield]

https://x.com/oliviaraytv/status/1792351489773752635?s=46&t=4nsvGMTnbYsCN_2D0a2rJg

Joe and Ja’Marr worked out together 😭 I know it’s not that special but Joe did asked Ja’Marr when he was ready

Actually me and Joe threw one time in California. I actually took a trip to go take a chance to go see him and hang with him for a time. And that was our first time throwing after, I think that was his fourth session when he first started to throw. So I caught him early.

[xxplastic-cubexx]

If you were to like redesign Magneto's classic outfit in a way that both suits the character and your own tastes, how would you redesign it?

uhhhh errrmmmmm i dont know i really couldnt improve upon perfection but i have still tried for you my friend !!!

[feelo-fick]

Headcanon: Chilchuck and his Bad Takes on Literature

i think chilchuck would be like my mom in the sense that he wouldnt like sad stories. dont get me wrong, cautionary tales? absolutely fine. they serve a purpose to him which is to tell people "dont be an idiot and do this or else something bad will happen"

generally sad or angsty stories though? no point to him, and in his perspective its really confusing how people just read things that make them sad. like whats the use of reading something if its just gonna make you sad. whats the lesson? its not even real so it doesnt help anyone.

whats the point in making yourself cry when you could just avoid that entirely by not reading it at all?

but the one of the biggest reasons why sad stories exist is to let you release all the built up grief in you. to send you something to let out all your emotions in a healthy way. catharsis. empathy.

even when i dont relate to the tragic experiences in some stories, several ones ive read have lead me to realize that im in a bad situation or that im following in the footsteps of the character suffering. its like a wake up call.

and making yourself cry isnt inherently a bad thing. if crying allows you to let go of building pressure and tension in you then thats good!

but chil wouldnt see that. of course he wouldnt, hes avoidant of most situations that would allow him to release emotion, and fearful of letting his mature (read: repressed) persona slip.

hes someone that runs away to quick comforts and distractions at the earliest sign of issue. hes already been in too many horrifying situations, dealing with another is a pain. and he knows denying everything and refusing to look at the situation doesnt help, but it definitely provides a quick and easy happiness in the comfort of ignorance.

because of this, reading something made to make one empathize with and confront these bad emotions is defeating the point of his cowering. if he faces his issues, even if only through the perspective of a story, he'd have to deal with acknowledging that things are bad and need fixing, and he'd feel terrible and guilty in the moment - which of course is the worst thing that could happen to a person (his thought, not mine).

which is why i find the concept of him being/becoming a tragedy himself at the same time as this headcanon soooo interesting. imagine the irony of him bashing on the protagonists of tragic stories for acting on emotion and impulse rather than logic, when he himself has fallen victim to irrational thinking while in grief.

cause... thats what people do when they grieve. they lash out, make bad decisions, ruin themselves, ruin others.

for a tragedy to be prevented, the protagonists would have to change fundamental parts of themselves, and act perfectly rational when under extreme stress. and chilchuck holds himself to these kinds of unrealistic standards because he unwittingly believes he can handle it all.

he cant, obviously. we see it for ourselves in his relationship with his wife. they were doomed from the beginning by chils already-established avoidance and lack of emotional vulnerabiltiy (and whatever else his wife had going on).

this is all just to say that if you told him about orpheus and eurydice, he'd probably be one of those idiots trying to point out the "plot hole" that he couldve "just not looked back" and "just trusted her"

i dont understand. whats the point in reading tragedies? the protagonist is stupid, anyways. why would you take bitter medicine? why subject yourself to that?

i think its just a bad story.

[20001541]

this is from the jump giga spring edition magazine cover (2022) featuring all the villains from current running shonen jump series. as you can see afo is front and centered as he rightly deserves.

[sainz100]

by Henrik Ringnér