#anyways love to see the cool characterization !!

[witlesswitnesstm]

Hello tumblr, I’m having thoughts.

So, I’ve seen a billion cajillion arguments over Jayvik at this point and I think I have an opinion.

Yes, we need more depictions of intimate male friendships, but we also need more depictions of mlm romances. Most shows still shy away from mlm romances more than wlw romances because it makes men uncomfortable to see male attraction. Wlw romances are deemed to be more “palatable” for the general public because women are perceived as more “innocent and caring” when that’s not always the case. Not to mention those relationships are more easily objectified by men, which is gross. It’s a product of the patriarchy, putting all relationships into boxes just because of people’s genders, both mlm and wlw. I don’t think that’s what the Arcane team intended to do, but it still happens.

At the same time, fandom has always had a bit of a problem with viewing mlm dynamics as strictly sexual and ignoring women in fandom. It’s not fair to focus entirely on mlm ship dynamics within a show while ignoring actual characterization and pushing that belief onto everyone else. Or even blaming women for “getting in the way of mlm ships” (cough cough, looking at those Mel haters.)

This ties into a greater discussion of how men are often written more complex than women, making people want to focus on male relationships. Arcane, I feel like, does a pretty good job at making their women’s writing deeply complex and interesting, but, the finale really rushed over a lot of things to give precedence to Jayce and Viktor. (I love what we got for them, I just wish we had more time for other plots).

Despite a co-creator saying that Jayvik wasn’t romantic, I feel as though the whole team were on different pages as to how they wanted Jayvik to come across. There are so many parallels between Mel and Viktor, and hints that suggest romantic connection, that, I don’t really think you can just turn around and blame the fandom for forming logical conclusions based on what was shown. If they wanted a platonic relationship shown, they should’ve considered carefully what they were putting on screen, and considered audience interpretations. There are good depictions of friendship in arcane, and I especially like the m/f friendships like Jayce and Caitlyn or Vi, Or Vi and Loris, or Ambessa and Rictus. It shows they have the capability to make friendships that don’t have romantic tension at all, despite men and women practically always being shipped, so then, why do all these specific details for Jayvik?

Ambiguously canon mlm relationships are almost a little frustrating to me, because there’s always room for plausible deniability within homophobes. I’ve seen so many people shame others for liking Jayvik and calling them depraved losers and whatnot, and that’s just not, cool. But what’s also not cool is going after aspec people who find comfort in the fact that romance isn’t explicitly shown between Jayvik. I was frustrated at first that they kind of left their relationship up in the air, but I’ve grown to appreciate the different interpretations.

Anyway, something something at least we can all agree that they’re both smoking hot and we as the fandom should share them. Thank you for coming to my ted talk.

[naffeclipse]

What if Eclipse from AP was a naga? And this took place in the deep jungle of the amazon, where photographer y/n is trying to take pictures of the wildlife?

I'm vibrating at the speed of sound over this ask while also nudging my naga au

Naga Eclipse from AP would have the tail of a Green Anaconda, with an olive green scaly color dotted with black, framed by burning-like flares of orange along the length of his slithery body. He's also decorated with orange-yellow striping on either side of his long, slipper form. His upper half is scaley with a lithe deadliness to his musculature and decorated by frills surrounding his head with brighter orange-yellow colors, almost hypnotic in their gradient hues. One eye is deep emerald green, and one is midnight blue.

Lucky you—you're out on a once-in-a-lifetime expedition to explore a jungle closed off to the public, funded by Fazco, and occupied by two researchers who will be your bunkmates for the next few weeks. You're itching to take photos of the large river, including swamps, marshes and streams, and whatever wildlife is out there.

The few locals you did meet before you left to hike the rest of the way to what would be your new, isolated home warned you of a dangerous snake—a large, mythical beast. You take note of the local folklore. You understand the truth is hidden in there somewhere, and you are well aware of the dangers and diseases you could be met with in such a harsh environment, but you're determined.

It doesn't take long for you to feel eyes watching you when you first venture out by yourself. You take beautiful pictures of freshwater fish, big and beautiful, unlike any you have ever seen. Of course, you have hundreds of snapshots of the local flora, the trees, the floating meadows, the thick vines that drape each branch and hang thickly about the ground. You almost forget that you eerily don't feel alone.

But you swear something moves in the water—the ripples stop as soon as you look. The stillness is suddenly stiff, lifeless. Even the birds have stopped chirping.

You lower your camera and carefully put it away. A trickle of fear slips into your heart. You turn away from the river's edge only to be met by a low hiss and a creature, unlike anything you witnessed in your travels, spooling itself neatly out of the water, blocking your path to the base. An incredible creature with long arms and a great, serpentine tail that seems to stretch for yards and yards. You can hardly breathe in his presence—he's otherworldly with his frills and scales and fangs.

His eyes contain a mesmerizing shine as if staring into a fire as it burns or watching the ocean as it laps up against the beach, drawing your attention, demanding you don't look away. You couldn't anyway. Half-frozen, you struggle to keep from collapsing. He beckons with a sharp talon. He hisses softly for you to come closer, mouse. He wants to see you. You try to beg no without revealing how terribly you tremble. He doesn't let you go. He insists. His eyes flash with an allure. You almost step close when he murmurs that you need to be good.

But then your sense of survival kicks adrenaline into your heart, and you turn to run—

He strikes faster than your eyes can follow. Two loops of his green and orange tail surrounded you in an instant. You're dragged to the ground, your arms pinned under his mass, and the back of your head cradled by his large palm as powerful muscles squeeze you in the slightest—a gentle rebuke for thinking you could get away. You're hyper-aware of the terrifying bulk of muscles as you lie trapped in his coils. One strong twist and your eyes could pop out of your skull, and every bone protecting your heart and lungs would crumble to shards. You gasp. An urge to kick your legs and struggle erupts in your panic; a sinking feeling tells you it would only make things worse.

He coos over you, hissing and humming in an ancient song of the jungle you have no name for. When you whimper, he shushes you and strokes your cheek. He tells you how lovely you'll be. When you talk back to him, somehow finding your tongue amid your horror, you find out his name. Eclipse. He moves you more upright, resting you on his tail so you're not petrified by how vulnerable you feel lying down, but he never loosens his scaly bindings. He hovers over you. You gaze into his stunning frills of yellow-orange and wonder how a being like him came to exist. He studies you as you study him. He grins at how you shiver when he traces your collarbone with a sharp fingertip.

You remind yourself that you can still breathe. He hasn't crushed you—yet—but you don't like how wide his smile is. Sometimes, his jaw stretches a little too long as if dislocating from his skull, ready to devour you. His eyes gleam with a ravenousness as scales twist around you, holding you close enough to smell the slick green water he had been in and deep musk.

He tells you that he'll see you again very soon—away from other humans, lest you bring him a fine gift for a meal. You can only flex your fingers, silently pleading in your heart that he won't unhook his jaw and eat you alive.

Then, he unravels himself from your limbs. But before he lets you go entirely, he leans in close, his serpentine tongue flickering close to your neck and by your hair, tasting the air around you as you muster all your strength to not scream. He inhales deeply, pleased, before he murmurs, "Sweet mouse. You are mine. Say it."

You don't understand, but you echo his command, and when he taps your chin once in what might have been a loving gesture, you force your jelly legs to solidify before you run and run, all the way back to base. You slam the door to your room behind you. You touch your ribs, your arms, still caught in the heavy sensation of his loops as if he were upon you right now.

The stories are true—there is a giant snake in this jungle, and he wants you. You're afraid to discover if Eclipse's intrigue with you is only an exotic way to satisfy his hunger.

[eastofaeon]

he can have a little medical malpractice. as a treat

my take on @majozzz 's crazy doctor ryo concept XP this ryo sorta gives me shou tucker vibes ngl

[good-beanswrites]

Fuuta x Kotoko?

Waah I hope the fact that this ran a little long makes up for the lateness -- I really love the idea and was so excited to get the request!! They'd be so interesting and affect each other so much...... it makes me crazy...... It becomes canon divergent at the end because I genuinely think being in each others' company more would influence them both

Kotoko was nothing if not observant. Over the years, she’d found herself in – and gotten herself out of – enough situations to get a good read on the people she interacted with. No matter what this world threw her way, she could always rely on those abilities. And from the moment she met Milgram’s third prisoner, those abilities told her he was nothing but trouble. 

“Oi,” he’d called across the dining table during the first meal they all had shared. “What did you do to get here?”

From the moment she woke up in this strange place, Kotoko had kept to herself. It’s dangerous to charge forward and introduce oneself to a group of mysterious murderers when there are no locks on the doors. She hadn’t spoken a word to anyone, the others smart enough to heed her intense look and stay away. 

Fuuta, on the other hand, was the first to speak directly to her. He stared impatiently.

“Well?”

She noted his directness. His volume. The brashness and vulgarity she’d heard earlier in the day. His motivations and values he’d let slip in his early defenses. His anger and his fear. The suspicion in his gaze, as well as the need for reassurance in his voice. In that moment, the information clicked together in her mind, and Kotoko realized two things:

Kajiyama Fuuta was a lot like her, in the obvious ways.

Kajiyama Fuuta was nothing like her, in the ways that really mattered.

“The same reason as everyone else, I suppose,” she said carefully. He may have revealed his whole hand, but from experience she knew better than to do the same.

A lot of her experiences returned to her as the trial went on. She went through the motions of coaxing secrets out of quiet men, or playing along with cheery girls’ games to uncover what she was looking for. She remembered how it felt on stakeouts as she kept her eye on the warden’s door, and recalled the thrill of negotiation when she had a moment alone with them. And unfortunately, she recognized the immediate sensation of being tailed. She was used to shaking an unwanted follower out on the streets, but it was difficult to do the same when the only places to go consisted of three rooms and a corridor. 

No matter how inconspicuous Fuuta thought he was being, Kotoko got a glimpse of that bright hair retreating around corners just behind her. She could feel his eyes boring into her back, always conveniently whipping away by the time she turned to look. The only thing that seemed to affect his permanently blaring volume was when she was speaking nearby – unlike a real stalker who would tactfully pretend not to be listening in, Fuuta would use the opportunity to jump into all her conversations.

Kotoko was in the middle of her morning stretches when she became aware of his presence lurking around the doorway. After several weeks of the behavior, she’d had quite enough. Kotoko knew that if you can’t shake a tail, there’s only one other option. 

She stepped out of her cell, swiftly reaching for Fuuta’s collar. With a handful of his uniform, she shoved him back against the cell bars. For someone that had creeped on all her daily exercise routines, he seemed awfully shocked at how strong she was.

“Stop following me.” She kept her voice low and even. “I don’t know what you want from me, nor do I care. I will –”

“I don’t want anything from you!” 

He raised his voice in an attempt to sound tough, but only succeeded in coming off desperate. He tried to weasel out of her grasp to no avail. She’d had practice intimidating guys three times her height – it was almost too easy now that she had an inch or so on Fuuta. 

“Don’t give me that oblivious crap. Every day. Every single day, you –”

“I don’t know what you’re talking about! You’re the one who acting fucking crazy!”

Even after knowing it was in vain, he kept squirming under her harsh look. His eyes flicked frantically around the room, only able to take in her stone cold expression for a brief moment at a time. He kept shouting his own defenses, his cheeks growing more red by the second.

This time, the information gathered took a bit longer to fall into place. One of her conclusions was something Kotoko was very used to. The other was something she’d never quite experienced before. For the first time in long career of poker faces, she visibly started upon realizing two things:

Kajiyama Fuuta was downright terrified of her.

Kajiyama Fuuta was hopelessly attracted to her.

She hurriedly released him, jerking herself away. “Just… stay out of my way.”  

“I was never in your way!” He shouted after her, his voice still shaking.

She should have stuck to her own demand and kept her distance; she was already aware of how much trouble this prisoner was capable of. But she took pride in her abilities to gather information of interest. And god, was Fuuta interesting. 

Between his constantly running mouth and his never running filter, he was always keeping her on her toes. She’d never met anyone who pressed her for answers like that – Fuuta was never satisfied with the explanations that could placate everyone else. He was always questioning, always pushing back. Though his talk could be as shallow as the older prisoners' melancholy musings, or the children’s gossipy chatter, it was different when he and Kotoko really went at it in a debate.

Fuuta talked shamelessly about society, about the other prisoners, and about her. The others kept their distance from someone as quietly calculating as her, but Fuuta would pour out his thoughts right to her face. He had her back when she was trying to prove a point to the others, but was too stubborn to compromise on any of own opinions when they conflicted. It was refreshing. 

And that was all it was, she would remind herself. The man would be insufferable if he was ever under the impression that she so much as tolerated his company. For everyone’s sake, he should remain completely unaware.

Awareness, however, was the very thing Kotoko prided herself in. She picked up on exactly what the warden was trying to communicate by granting her innocence. She was aware of the opportunities that arose with their disappearance. She noted the best time to fulfill her duties to them. She knew the optimal order to attack each prisoner in, to guarantee success.

It was due to her beloved observation skills that she found herself in cell 003 in the middle of the night. It didn’t matter how many training sessions Fuuta had spectated, or how many she’d invited him to join – he wasn’t as perceptive as she. He couldn’t predict or counter a single one of her movements. It only took a few moments for her to have him pinned on the ground.

“Y-you were serious?” Fuuta managed, even as her weight made it difficult for him to breathe. 

She’d confided in him about her deal with the warden, one late night long before verdicts were announced. She didn’t know what had driven her to do it. It had been a rare lapse in her judgment. The current situation only confirmed why she should never reveal more information than necessary. Why she should get closer to someone than necessary. 

“I am always serious.”

“Kotoko…”

She knew all of Fuuta’s typical arguments and excuses, and she had a rebuttal for each. She wound her arm back, her brass knuckles reflecting in the dim panopticon light. 

“...J-just… do it fast.”

Kotoko’s arm wavered. 

“What?”

“I’m not a fucking idiot. Even before that brat called you innocent, I knew that y-you were the one in the right. I used to think that you and I were the same, but I know that was all a lie. You were always the real hero. M-more than anyone else in this shithole. So…” Fuuta closed his eyes, squeezing tears from them. “Make it quicker than you did for that asshole, will ya?” 

Kotoko gripped her fight tighter. It was trembling. 

Fuuta’s eyes remained shut in fear. In trust. His breathing was erratic as he pretended not to be crying or struggling from the pressure on his lungs. He grit his teeth, preparing himself for what was to come. Kotoko prepared herself as well. 

Releasing a cry, she swung forward. The moment before her brass knuckles clashed with the floor, just to the left of Fuuta’s face, Kotoko realized one thing:

Kajiyama Fuuta was indeed nothing but trouble.

[triglycercule]

alright!!!! kitchen CLEANED ‼️ carry on PACKED ‼️ now i just need to do my homework and then maybe take a really really really quick (4 hour long) nap before dinner/online class. then i will grind on the silly silly why did i decide to do this animation meme/animatic until 3 am hits and i've gotta hit the port. the AIRport :3

in exchange for my incredible unprecedented productiveness i made this little doodle just now. i'm actually a liar i did this in school but still

[wren-likethe-bird]

wren rambles about the borderlands movie in tags

[alltimefail]

As a diehard Byler, I personally haven't cared about the Stranger Things reddit "worst ship" poll going on (and I'm sure many of you feel the same way). I have found it silly how worked up people seem over there because people are *checks notes* um... voting. In the public poll. Many times they're even voting in line with what the comments want (so in agreement with the redditors) but somehow having a shared opinion is... unionizing? Idk lmao it's just very funny to me!!! (Especially because I honestly think the current final 4 make the most sense.)

That being said, I have to admit that I'm lowkey excited to FINALLY vote Jancy out. Praying it is their time to go. 🙌

(I promise I don't hate Nancy/Jonathan/or Steve. My jumbled thoughts are in the tags, please ignore any typos I noticed later and was too lazy to fix.)

[anonyanonymouse]

ahhh :')

[dangoulains-devotion]

every time I have to wade through inane ship wars where people are willfully ignorant to the depth and facets of cloud strife's character, circumstance, and story just so I can find some cool screenshots or fanart my 'cloud is ace' agenda simply grows more potent out of spite

[vynxwave]

tf skybound issue 14 thoughts / analysis / connections n whatnot. spoilers for the issue 15 preview too.

absolutely gorgeous art

VERY G1 starscream vibes in some places xD... i could practically hear his voice

more of starscream's origin and a bit more of megatron! i like megatron's characterization in skybound so far plus the decepticon cause's. i think skybound's decepticon ideology's gotta be my favorite, it just meshes their violence with their believed righteousness in such a great way.

this issue gives starscream quite a different initial approach to morality than seen in previous continuities (iirc) where here in #14 he is against killing prisoners of war while being a decepticon (often he's with loose morals even before becoming a decepticon).

megatron has the ability to mentally coerce the one wielding him to bend to his will (painfully), which i think is a really cool concept.

this makes starscream's evil directly caused by megatron from prolonged exposure to his influence conditioning/corrupting him. as seen in the mini background panels, over time blasting many Autobots to scrap, starscream grows to enjoy it

i've personally always loved starscream's evil to be completely independent of megatron('s) (as it has been) so i'm a bit conflicted on this aspect of skybound starscream... but i do understand its purpose/role in the story though.

issues #13/#14 run a parallel between then starscream & megatron and present starscream & those humans: both purport to Starscream they want to help him, but in reality they just want to use him for their own benefit. with that then story running parallel to the present one, starscream's dialogue about those humans also reflects upon how he felt under megatron's control

megatron forcing starscream to wield him definitely felt like it was expounding upon a question one might have had watching G1 — "why would megatron let someone who openly covets his position wield him?" of course, skybound isn't g1 and takes the idea and angle quite differently than the show did. with this it also supplies the reason of why starscream resents megatron and wants to overthrow and kill him.

and of G1, the Decepticons siding with starscream are ones who have sided with him once in the cartoon — the Combaticons in Starscream's Brigade and Astrotrain in Triple Takeover (and of course, Astrotrain was also the one to crown Starscream in the 1986 movie).

with Soundwave having the Constructicons and Starscream the Combaticons, a cool fight between Devastator and Bruticus is sure to ensue (vol 3 [collects #13-#18 + the story from the 2024 special] is called "Combiner Chaos" anyway)

i will be delighted to see soundwave and his decepticons vs starscream and his decepticons.

soundwave looks to be a megatron loyalist in this continuity and shares a bit of his sentiments (a bit below).

neat how then starscream and present thundercracker both had objections to the treatment of prisoners of war.

not the first time there's been a similarity between them, here's panels (#1 & #8) that parallel each other:

and how they differ:

not 1:1, but megatron's words to starscream reminded me of soundwave's to thundercracker — a subordinate's objection met with a reminder of their place and that their objection is irrelevant to their superior.

also worth noting, soundwave keeps thundercracker by his side despite his continual disagreements with how things are going, which is similar to megatron keeping starscream (who resents him) by his side.

i'd guess these similarities serve to build up to thundercracker possibly eventually actively opposing soundwave (as opposed to just going along with it) — here in the #15 preview he gives the humans warning to flee before blasting the building

now, knowing megatron's gunmode has the ability to mentally coerce the wielder to bend to his will... looks like this is what's happening with optimus wearing megatron's cannon arm!! xD. "megatron's cannon arm is influencing prime" has been built up and noticed, but it's nice to have megatron's ability now explicitly shown.

In #5 Starscream comments on Optimus having Megatron's cannon arm, and Optimus has a bit to say to him before blasting him with it.

Many noticed the parallel between Megatron & Optimus's fight in the Energon Universe Special 2024 and Optimus & Shockwave's in #12 as well as his tinged eye color.

Now with #14 we can also see a a similar thing that happened to Optimus happen to Starscream — Megatron's influence practically forcing their hand, going against what they wanted. Note the green-yellow background gradient suggesting Megatron's mental coercion in Starscream's panels, and in Optimus's panels (above) when his eyes are tinged there's yellow or yellow-green used in the background.

[auriidae]

can i ask more info about the ethubs roadtrip au? it looks so fun and silly! also love your artstyle, its so squishable

HECK YEAH YOU CAN! and thank you so much aww :D i appreciate it!

ethubs roadtrip au is a story that exists mainly in my head atm !! i know i make it look silly with the doodles but it’s supposed to have a healthy mix of silliness as well as serious-ish stuff :’) in short, the plot follows bdubs n etho running from the same Thing From Their Past while. not realizing that the other is doing the exact same thing LOL. shenanigans as well as heartbreak ensue!

a more detailed summary of the hypothetical story, if anyone’s down for that, is like. bdubs n etho have been living together in etho’s apartment since bdubs Quite Literally crashed there a few months ago. modern day-ish setting, and ethubs r old friends from the same town/whatevs ✌️ one day the guys they’ve been running from show up! and ethubs simultaneously Flip The Freak Out while Trying Not to Look Like They Are Flipping The Freak Out. etho suggests a spur-of-the-moment road trip and bdubs goes Oh Haha Etho You’re So Smart And Cool And Have The Best Ideas so they pack up their things and book it. after that it’s lots of open road. nonsensical conversations after hours on the highway to keep each other sane. hushed phone calls at rest stops they try not to let the other hear. getting into hotels past midnight and sharing a bed in the few hours between then and morning ETC ETC ETC you see what i mean by ‘healthy mix of silliness and attempted real character studies’ pff. anyways i'm not getting into it all here because this post is already too long, but yeah it’s a whole! story!

i’m not sure if i’ll do anything with it (longform fic-wise, i mean) because i’m worried that the characterization is a liiittle self-indulgent lol. but it’s so cool to hear that other people r interested in the idea! so maybe i might?

[cheez-cuits]

SCREAMS SCREAMS SCREAMS SCREAMS SCREAMS SCREAMS SCREAMS SCRE

Season 4 spoilers!!! But to keep it vague (and a snippet and more spoiler-y summary under the cut), basically a 3.6k oneshot exploring what MK could’ve been thinking while fighting! Takes place during s4e7 Pitiful Creatures.

Keep reading

[thesoftboiledegg]

"Unmortricken" was a lot. In fact, it might have been a little too much.

To start, I loved the glimpse of what exists outside the Central Finite Curve. The visuals were stunning and reminded me of M.C. Escher's drawings. The Jetson-like family was a nice touch--if anything can happen, who says they can't have different animation styles? All those colorful portals make me wonder what's lurking just out of sight.

It's also funny that the space outside the Curve is full of Rick's favorite thing: crystals. If he took a trip there, he'd come back with his pockets stuffed with gemstones.

Evil Morty's reappearance gave us a decent character study. Since he wasn't the antagonist, we saw him interact with the C-137s as a regular person. Morty's a little impressed, and Rick has a grudging respect for him. Others have called Evil Morty the Rickest Morty, and I agree: similar intelligence, similar technology and similar bloodthirst.

I was glad that he left in the end because that's what his character arc is about anyway. He doesn't want to be part of anyone else's story, not even another Morty's.

However, that's also part of the issue that I had with this episode. Seeing Evil Morty was great, but it was also a little...pointless? You could've had the same story without him. He's not working with Prime, and he has no ties to C-137 after "Rickmurai Jack," so it felt like the writers just said "Hey, you know what would be cool?"

I'm not against writers having fun and giving the audience what they want. "Spider-Man: No Way Home" (yeah, groan at me, Marvel haters) is fan service in blockbuster form, and it was one of the best theater experiences I've ever had.

Still, if Evil Morty came back, I think he should've had a separate episode. The episode juggled C-137 Rick, Morty, Evil Morty and Prime Rick pretty well, giving them satisfying interactions with each other, but no Evil Morty would've meant more relationship development for the C-137s.

Evil Morty's backstory also didn't reveal much about him. I mean--yeah, we all figured that he had an abusive Rick and got fed up. The fact that he had a "regular" Rick instead of a deranged lunatic does make a point about the banality of abuse. Monsters aren't always raving maniacs who torture people in their basements. Ordinary people can wear you down with a slow drip of toxicity and neglect.

I enjoyed this episode, and Evil Morty's return was exciting, but cramming the series' two biggest antagonists and storylines into twenty minutes was a little overwhelming. New plot developments kept showing up, too: Rick found Prime! Prime's various lairs! Omega device! I would've preferred a two-parter.

I'll admit that if you told me that we'd see Evil Morty and Rick Prime in the same shot, I never would have believed you, but here we are.

On that note, Prime's characterization was perfect. No attempt at a cutesy, sad backstory; he's a laughing monster until the end. And is it really the end? He has regeneration abilities, but C-137 acts like he's dead and even gives up the search. This leaves us with a few options:

C-137 killed him.

Prime fooled C-137 into thinking that he's dead when he isn't.

C-137's keeping him alive for later use.

Hopefully, this is more complicated than it looks because I'll be disappointed if this is the end of Prime. He's a brilliant reflection of C-137: the Rick he'd be without his tiny shred of humanity.

And Prime's a maniac, but he tells C-137 the truth. Rick broke into Prime's house. He pretended he belonged with this group of strangers. He latched on to Prime's grandson because he never had his own. His brutal, violent streak never went away no matter how long he tried to play house.

Prime says "Admit it! You would have been me!" In season three and parts of season four, Rick was close. His love for his family--love that he pretended he didn't have--and desire for their approval just barely pulled him back. But what kept that spark alive? How close was he to becoming a cold, unfeeling shell?

In the end, C-137's not satisfied after he destroys Prime--and weirdly, I'm not satisfied, either. Beating Prime to an unrecognizable pulp doesn't bring Rick's original family back. It doesn't erase the atrocities that Rick's committed. It doesn't make his grief go away. It doesn't change the fact that Rick teetered on the edge of turning into the monster that he despised.

What's more satisfying is that Rick didn't turn out like Prime. His Morty doesn't give two shits about Prime, but he loves him. He hugs him in relief (come on, Rick, hug him back already!), cries out "Rick? Rick!" and shakes his body when he thinks he's dead, and talks excitedly as they return home.

Rick's going to therapy, which Prime would have mocked. He went from having nobody to living with FIVE kids if you count Morty and Summer. Even he and his Jerry are pretty tight.

Rick knows this, but he still feels empty all the time. Vengeance doesn't work, drinking doesn't work...wouldn't it be easier if he just switched off his humanity and laughed at everything, even his own death?

But now that he knows how it feels to be loved, especially by his hypothetical grandson, I think he'll always find himself at the Smiths' doorstep.

[lunee43]

Okay soooo I might get bashed for saying this but unpopular opinion coming and a rant hopefully this is a safe space;

.

.

Six hundred strike was amazing musically: unlike many I enjoyed the beginning of the song but by the end I was a bit put off because how does Odysseus, a mortal defeat a literal god, not just a god but POSEIDON god of the fricken sea and earthquakes? Like it’s a cool concept but it’s just… makes Poseidon look and seem weak then in the ocean saga. Sure Odysseus became a “monster” but he’s still a mortal, I also find the “six hundred strike” silly like Odysseus did that?…. Using a wind bag?

I enjoy the concept but the plot kinda turns it off for me (not that it’s bad please don’t bash me) Poseidon is one of the 3 major gods, I feel like Odysseus was made to be too overpowered I’d understand if there was a power boost or divine intervention. Poseidon is made to seem weak which contradicts seeing him as a threat. It strays from the original Odyssey way more in this song, and the song is very amazing though I find it silly how Poseidon was defeated and how Odysseus is way too over powered.

And let’s talk about the animation, the person who made it is so very talented but I feel it doesn’t fit, the jet pack windbag? Boss battle? Interesting but it really put me off when I listened and watched it it kinda ruined the aspects for me.

Overall in the end I feel six hundred strike had a good concept and was very great musically but I personally didn’t like the plot of Odysseus defeating Poseidon so easily I mean the man has many different powers aswell? Anyways this is just my personal opinion

Another rant: Also I loved the song “I’m not sorry for loving you” though I feel like if I even said that out loud I’d be bashed by the fandom because, yes, calypso is a bad person I know but the song is really nice and musical it doesnt mean I like the things she’s doing to Odysseus.

Another rant (apologies); I feel like everyone is too blindsided with Odysseus, a lot of people blame everyone but him a lot like he’s just a “cinnamon roll who loves his wife so much and the crew are all a-holes” because like eurylochus he also made mistakes aswell he tries to keep his crew alive abd get home but we do have to accept that this was from Greek mythology he is a flawed character aswell and I enjoy him for that. It makes the audience connect with Odysseus.

Another thing, wisdom saga— I feel Telemachus is used like a child a characterization of a child or teenager unlike the 20 year old he is. It’s a bit off putting for me. And it’s possible to make him innocent and grown such as the use of Polites. Personally he’s like an embodiment of a child and it’s weird to me because he’s a prince and will be king, shouldn’t he have some roles?

Now another thing connecting onto what I just said about “Odysseus does no wrong” ALOT of people in the fandom seem to use Eurylochus as a scapegoat for their hatred and anger to who’s at fault when it’s really the gods and fate, it’s just something the fandom has created to put the anger on why Odysseus couldn’t get home quickly, and I can understand because we look through Odysseus’s perspective throughout the musical. But personally I feel like Eurylochus gets too much hate he is sadly the scapegoat. Even the crew, but it’s saddening because they also have lives, they had family, they are mere mortals what are they to do? What would you all do in these situations if you didn’t know Odysseus’s plans and inner monologues? How would you act?

It’s honestly saddening you can’t like eurylochus without a person spewing about why they hate him, heck I’ve even seen just simple cute TikTok and art about the man but people place hatred within the comments about the character. And it’s only him, you could like Odysseus, polites, perimedies elpenor, Circe, etc. but hate Eurylochus?

<<This is all I have to rant about this is a safe space on my acc for all opinions so you can comment your own opinions, just don’t be mean to eachother>>

(I’m most likely gonna get hate or bashed sadly for having these opinions though I genuinely enjoy the musical a ton. I feel the fandoms grown a bit toxic lately.)

[zettaireido-emotion]

Camus character analysis: games VS anime

If you finished the Uta no Prince-sama anime and your opinion of this man is "wow, he's kinda terrible," I don't blame you. in fact I've seen a lot of people say this

In this post, I want to talk about his characterization in the games and give my two cents on what the anime was trying to do with him, especially in his single focus episode Saintly Territory (S3E6).

Disclaimer: I wrote this on a whim because I'm sick and stuck at home so if anyone reads this, sorry I might go all over the place

Spoilers for all of the games!

The "be my slave" thing

Starting with Anime Camus's most egregious crime: treating Haruka like a servant/slave (however you want to translate it)

Basically in his focus episode, Haruka is tasked with writing a song for Camus. She wants to learn more about him in order to write it, but Camus will only let her follow him if she acts as his servant. She accepts without complaining, Cecil is rightfully angry, Haruka continues anyway and the song gets completed.

Now, am I about to say that Game Camus would never do this? No because he literally does lmao.

The anime doesn't pull this "servant" plotline out of nowhere, here's the context in his route:

Haruka accidentally overhears Camus talking about a plot to assassinate Saotome on the phone. When he notices that she heard everything, he basically tells her that he has to kill her now. But if she served him, he'd be able to keep an eye on her, make sure she doesn't leak anything, so she could escape death.

Okay uh "work under me or DIE" isn't exactly better, nor is it a good start to a love story, but I'm not finished!!

(A side note: I have to add that the anime made him look like an even bigger asshole and borderline dumb when it came to the things he made her do. Like he expected her to know that snapping your fingers means you want coffee without prior explanation. bro

^This might have been for comedic effect but I promise he can be actually funny and endearing.)

What the anime couldn't cover

The Camus episode wraps up with Haruka pulling through and writing a song that makes Camus "sincere," he says it's cool at the very end and that's the episode. I think the problem is that we technically didn't see him being sincere or what that even means to him, besides when he was singing (banger song btw)

It's a shame because in a 20-minute episode you really can't show the game experience of slowly piecing together what this man's problem is.

First of all, in Debut and AS you'll be quick to notice that he always has homeland and duty on the mind, constantly reminding himself that he's in Shining Agency/Japan for a reason, and it's NOT to have fun or make friends

The truth is, he slowly starts to appreciate the banter with his colleagues, music, and working there in general.

But because of his initial mindset, he has to rationalize & justify every connection he forms, like "it's just for work" or worse: "actually it was ALL A LIE and I NEVER ENJOYED A SECOND OF THE TIME WE SPENT TOGETHER, I'm such a great actor haha"

He uses that to fool himself and to push the other person away so it doesn't happen again. This scene is probably the best example:

(I'll be using google lens because it's faster but I checked that the tls were okay)

He also does this in the Non-Fiction drama, which may or may not have actually happened, but I think it's still a pretty good reflection of what could happen in reality because he tells Ranmaru their bond was a lie, then mopes around in his guilt thinking about the good times and wondering why he's sad, and THEN later doubles down on the "it was a lie, I don't care about you" because he just can't let himself get attached to anything.

Basically, he's terrified at the thought of forming actual bonds because he genuinely thinks he's nothing if he stops being a cold weapon:

At one point he does admit he sucks (as a love interest)-

-which is pretty huge by utapri standards. I love these games, but the amount of times where a male lead does something icky, and everyone, including Haruka, acts like it's normal or like it's Haruka's fault is ehhh but I digress

Upbringing

Of course he's very proud of his homeland and status, but sometimes it's to the point of thinking he can't be anything other than his title. So why is he like this?

We got to hear about his childhood from Camus himself a few times, and it often ended with Haruka thinking "wait? that's kinda messed up?" and Camus insisting it's nothing/it's normal so yeah that's something...

His parents were in an unhappy arranged marriage, and his mother was forced to birth an heir which traumatized her so much that she can't see Camus without falling ill. Overall it's a pretty tragic situation since what happened to her was horrible, though not Camus's fault either. Even now she refuses to see him, and I wouldn't say that makes him sad because he never really met her, but simply knowing of her sacrifice probably adds a lot of pressure. As in, he only exists for this one purpose (inheriting his father's title and serving the country), so if he doesn't play his part correctly, it would have all been for nothing.

He was raised by his father not as a child or son but as the heir, always treated and judged as an adult (even during physical training apparently, make of that what you will)

When Haruka asks about childhood memories he has a very hard time finding something that doesn't have to do with his duties or the nation. And then admits he didn't truly have a "childhood" since he was never treated like a child

As for the queen, I think his love for her is sincere: she taught him a lot of things growing up, and according to him, she's also a victim trapped by her duties so he wants to ease the burden.

So hypothetically, if he found things or people that made him happy in Japan, he would feel obligated to lock them away because that happiness is incompatible with his life: he'll have to leave when his mission ends, he shouldn't be spending time on things that aren't "useful" as he doesn't have the free will to pursue them

In his mind he's completely tied down by the fact that he was born and raised for a single reason, and the fact that he does want to serve the queen.

(This is Saotome describing him btw)

Also it might sound ridiculous to bring his self-worth into question because of how pretentious he is, but I've counted a few situations where he seemed to have complete disregard for his own life, only worrying about Haruka and Cecil's safety in scenes when they were present. And he thinks wanting to be loved unconditionally is a childish thought he shouldn't have.

"Double Face" was a lie. There's like at least 10 layers

On the surface he does have two personas, his perfect polite butler act for the media, and his cold bitchy attitude off camera. But honestly, even when he's not acting as a butler, he's often putting up a front to hide any form of vulnerability (from himself as well)

His main struggle is finding who he is outside of what he's being told to do. Before, he never actually stopped to think about what he WANTS because it just never occurs to him, or if it does he ignores it.

That's why realizing that he has his own desires is essential to his character development, and him staying with Quartet Night (and Haruka in his routes) is so important. It's why Reiji feels the need to reach out and when he does, Camus either freezes up or tears up;

This all makes him the opposite of Ranmaru (being true to yourself and sincere), and similar to Ai (gradually learning to view the world in a less cold and logical way), but I kind of want to save that for another post lmao

He is especially hard on Cecil because Cecil says & does whatever he wants, and everything still works out for him, which is a way of life that Camus can't imagine for himself at all (despite maybe wanting it?)

That he can realize this and eventually admit out loud, despite all his pride, is also one of my favorite things about him

Season 2 does hint at something, so that's pretty cool!

Side note, I really love that his theme in the new Oracle series is "Change," the melting of ice.

So what was the anime supposed to do??

Of course there's no way to show all this in a single episode or even during the runtime of the anime, and I never expected them to because the story is very surface-level (that goes for all characters).

It's just unfortunate since the anime is the most accessible and well-known utapri media in the western fandom, and the character's main episode is bound to leave the biggest impression.

I understand the choice of being laser-focused on the servant plotline, it's supposed to be funny (?) and waters him down to a trope that's easy to understand at first glance (the step-on-me guy I guess)

Still, I can't help but compare it to Ranmaru's episode, who was also hard to work with in the games but was chill in S3E7 and got to pet cats. Anime onlys will never know how much Camus loves to dote on his dog smh.....

[swindle-comic]

Hi hello, I'm Lolly!! :D It's very nice to see you again. I say that because my posts on this blog have gone from semi-frequent to rare to nonexistent in the last year or so. That's because I haven't really touched Swindle in quite a while. Though the last page of chapter 4 was only posted a few days ago, I finished writing the script for it in late 2021 and have since stepped back to focus on other things that provide mental enrichment.

I love this comic very much. I am insanely proud of it. Of myself and of Artsy. We've created something that is so fun and ridiculous. I think it is one of the most well crafted projects I've ever gotten to participate in. On all levels except physical I am placing it on my fridge for everybody to look at.

In all honestly, I haven't really been paying that much attention to this comic since the chapter 4 pages started rolling out. So I haven't really noticed that there is still a large consistent amount of readers interacting with it. I was surprised by the likes, the comments, the follower count, the art, the fics, the investment in general. It's all so cool, it made me really happy!!!

Thank you for all the support and patience and engagement!!!

Anyway, this comic being my pride and joy is the exact reason that it will be taking a rest for a while. I'm a perfectionist when it comes to building scenes and writing engaging and flowing dialogue and consistent characterization and BLAH. I want those ducks jumping off the pages. That is my goal. As a result, this comic takes an explosive amount of energy and commitment to write. Energy and commitment that I simply do not have to spare during this time. And I have no idea when I will.

So. It is time for Swindle to sleep for a while. It is time for Tybernation.

But wow!!! 4 chapters and 100 pages!!! That is super impressive I think!!!! So even if it takes a while for the story to resume, there's always plenty to revisit.

Anyway, that's all. Thank you for reading, I really appreciate it. Mwah mwah mwah <333