#anyways i'm done rambling for this

[meraki-yao]

So I found this on Weibo and I couldn't stop laughing. This is incredibly niche but I feel the need to share and explain this to my friends on this side.

So the bottom half is the photos that we initially thought were the royal suitor photos before the movie came out, then realized it was in the texting montage, then confirmed by Matthew that this actually isn't Alex and Henry, it was Taylor and Nick chilling between takes.

NOW, the photo on top is a still from 1987 TV show adaptation of one of the four Chinese Classics: "The Dream of the Red Chamber". That is the main couple reading another classical Chinese novel (yes this is very meta) "Romance of the Western Chamber" together, and I think this book that they're reading is the first romance novel/love story to have the couple be in starkly different social standings yet be together in the end.

This isn't a case of parallel in the same sense as my posts putting firstprince and Rapunzel x Eugene or Simba x Nala or Jack x Rose together and finding similarities. In fact, the couple from Red Chamber is nothing like firstprince or Taylor and Nick, not even remotely close, and their relationship ended in tragedy: spoilers, the girl died of a broken heart and the boy lost the will to live and became a monk.

But the point here is that this pair? This is our culture's Romeo and Juliet, our Pyramus and Thisbe. This scene in particular, this imagery of them reading in the garden together, has the same significance as the balcony scene in Romeo and Juliet. Like, if you ask a Chinese person for an imagery from classical literature that depicts love, this is the image most people will say.

AND SOMEHOW THIS PHOTO OF TAYLOR AND NICK THAT WE ALL THOUGHT WAS ALEX AND HENRY LOOKS EXACTLY THE SAME AS IT

This is the most random connection and it's definitely a stretch but as someone who cried over the ship in the top half at the age of 11 I am so fucking amused by this comparison

[quadrantadvisor]

Thinking about DP x DC Jason Todd being a revenant again. Here's my scenario. Jason gets called that by some ghost. He's like "what the fuck is that supposed to mean?" He's heard the term before but he doesn't know any actual lore. He googles it. He scrolls past the Leonardo DiCaprio bear movie. He opens the wiki. Sees the words "animated corpse" and gets a chill diwn his spine. He starts reading the first section.

He closes Wikipedia.

That night he has a nightmare that his family buried him, again, this time with precautions. He wakes up in his own grave, full of stones, too heavy to move, to scream.

[lazylittledragon]

isn't it weird how if you get up at 7 or 8, do your work all day, then have free time and go to bed at 11 that's absolutely fine

but if i said i get up at 10, do fun stuff in the morning then work in the evening and go to bed late, i could be called lazy, nevermind that i'm getting just as much or MORE work done as i would in a traditional work day

[art-is-kayos]

Manager and their Knight.

[kagamikoi]

"You are a mystery, Ezio Auditore"

[demaparbat-hp]

Almost

[spacemothes]

The Sun/Moon (fnaf) fandom to In Stars and time pipeline needs to be studied in a lab.

[gingermintpepper]

In my Zeus bag today so I'm just gonna put it out there that exactly none of the great Ancient Greek warrior-heroes stayed loyal and faithful and completely monogamous and yet none of them have their greatness questioned nor do we question why they had the cultural prominence that they did and still do.

Jason, the brilliant leader of the Argo, got cold feet when it came to Medea - already put off by some of her magic and then exiled from his birthland because of her political ploys, he took Creusa to bed and fully intended on marrying her despite not properly dissolving things with Medea.

Theseus was a fierce warrior and an incredibly talented king but he had a horrible temper and was almost fatally weak to women. This is the man who got imprisoned in the Underworld for trying to get a friend laid, the man who started the whole Attic War because he couldn't keep his legs closed.

And we cannot at all forget Heracles for whom a not inconsiderable amount of his joy in life was loving people then losing the people around him that he loved. Wives, children, serving boys, mentors, Heracles had a list of lovers - male and female - long enough to rival some gods and even after completing his labours and coming down to the end of his life, he did not have one wife but three.

And y'know what, just because he's a cultural darling, I'll put Achilles up here too because that man was a Theseus type where he was fantastic at the thing he was born to do (that is, fight whereas Theseus' was to rule) but that was not enough to eclipse his horrid temper and his weakness to young pretty things. This is the man that killed two of Apollo's sons because they wouldn't let him hit - Tenes because he refused to let Achilles have his sister and Troilus who refused Achilles so vehemently that he ran into Apollo's temple to avoid him and still couldn't escape.

All four of these men are still celebrated as great heroes and men. All four of these men are given the dignity of nuance, of having their flaws treated as just that, flaws which enrich their character and can be used to discuss the wider cultural point of what truly makes a hero heroic. All four of these men still have their legacies respected.

Why can that same mindset not be applied to Zeus? Zeus, who was a warrior-king raised in seclusion apart from his family. Zeus who must have learned to embrace the violence of thunder for every time he cried as a babe, the Corybantes would bang their shields to hide the sound. Zeus learned to be great because being good would not see the universe's affairs in its order.

The wonderful thing about sympathy is that we never run out of it. There's no rule stopping us from being sympathetic to multiple plights at once, there's no law that necessitate things always exist on the good-evil binary. Yes, Zeus sentenced Prometheus to sufferation in Tartarus for what (to us) seems like a cruel reason. Prometheus only wanted to help humans! But when you think about Prometheus' actions from a king's perspective, the narrative is completely different: Prometheus stole divine knowledge and gifted it to humans after Zeus explicitly told him not to. And this was after Prometheus cheated all the gods out of a huge portion of wealth by having humans keep the best part of a sacrifice's meat while the gods must delight themselves with bones, fat and skin. Yes, Zeus gave Persephone away to Hades without consulting Demeter but what king consults a woman who is not his wife about the arrangement of his daughter's marriage to another king? Yes, Zeus breaks the marriage vows he set with Hera despite his love of her but what is the Master of Fate if not its staunchest slave?

The nuance is there. Even in his most bizarre actions, the nuance and logic and reason is there. The Ancient Greeks weren't a daft people, they worshipped Zeus as their primary god for a reason and they did not associate him with half the vices modern audiences take issue with. Zeus was a father, a visitor, a protector, a fair judge of character, a guide for the lost, the arbiter of revenge for those that had been wronged, a pillar of strength for those who needed it and a shield to protect those who made their home among the biting snakes. His children were reflections of him, extensions of his will who acted both as his mercy and as his retribution, his brothers and sisters deferred to him because he was wise as well as powerful. Zeus didn't become king by accident and it is a damn shame he does not get more respect.

[somegrumpynerd]

When you find out years later that you accidentally named one of your henchmen

Image ID: A multi-panel comic featuring au sanses. Panel 1: In Killer's original universe. A dark figure stands in the foreground while Killer is sitting back in the snow, covered in blood. Killer says "wh-what are you?" Panel 2: The dark figure is Nightmare but only his smile is visible. He says "I am Nightmare, guardian of all negativity in the multiverse ...and I have a proposition for you, Sans." Panel 3: Nightmare's hand is outstreched, he says "Come with me willingly and I'll take you out of this desolate and barren universe and let you loose on many others." Panel 4: Killer is looking back at Nightmare warily, a thought bubble shows he is thinking "other universes...?". He says "...in exchange for what? What do you want with me?" Panel 5: Nightmare's tentacles are reaching out towards Killer. He says "I feed off the fear and misery and hatred in this world, stirring these up will keep me powerful enough to fight against the guardian of positivity. In short," Panel 6: Nightmare is looming over Killer now, his tentacles surrounding him. He says "I just need you to be a good little killer." The word killer is in red text. Panel 7: Killer is grasping Nightmare's hand, having accepted his offer. Panel 8: Now in a different au, Nightmare stands beside Killer as he taunts Dream, who is out of frame. He says "You're outnumbered now Dream, I have a killer with me this time." The word killer is in red text again. Panel 9: Dream is lying on the ground looking hurt and ruffed up. Killer is standing in the background, looking ready to continue beating Dream up. Nightmare says from out of frame "You should know better than to turn your back on a killer by now." The word killer is in red text again. Panel 10: Nightmare is standing by Killer again, looking smug. He says to Dream, who is not shown "You'll need more than that pathetic bow next time you meet with my killer here." The word killer is in red text again. Killer is looking towards Nightmare, pleased with this. Panel 11: We are now in Nightmare's castle, present day. It is revealed to be Killer telling these events to Dust, who looks bored. Killer says "-and the name stuck, so that's why I'm called Killer now." Dust says very quietly "did I ask" Panel 12: Nightmare is standing in the corner behind them, he looks very surprised and concerned after hearing all this. Text with an arrow pointing to him reads "Didn't realise he had done this." Killer from out of frame says "he doesn't really call me his killer anymore tho" with a frowny face. Dust, also out of frame, says "that's nice now shut up" End ID.

[cup-noodle]

the cruelest thing about the world is that there's so many languages and a girl can't learn all of them

[l0ganberry]

Here's Howdy! Now Barnaby won't be alone. (I will NEVER separate the two)

[missholoska]

I spent like 3 months knowing exactly what I was gonna draw for undertale's 9th anniversary but now that it's mere days away suddenly my brain goes "but what if... little guys"

[crystallizsch]

this was kalim's idea

[unsat-and-strange]

and you rip my ribcage open and devour what's truly yours

well! this is probably about as finished as it's going to get. I am. so normal about that unwanted animal. I tend towards platonic jarthur myself but I was physically incapable of NOT drawing them to that line in the song. id and closeups under the cut <3

image id: a digital drawing of John doe and Arthur lester from malevolent. Arthur stands facing towards the viewer, his face is tilted up and to his right, towards John. the hand that John inhabits claws at his chest and his right hand rests by his side. John is behind Arthur and slightly to his right, his white mask is turned towards Arthur's face. his left shoulder and arm are hidden from view by arthurs body, his right arm reaches down towards Arthur's hand. Arthur is a slim white man with greying brown hair, wearing a white shirt and brown pants with a belt. his eyes are closed with a tired or longing expression on his face. his left pinky finger is solid black with brown roots coming from it across his hand. the scar on his neck is highlighted gold, as well as his eyes and some of the folds of his clothes and the edges of his silhouette. John is a taller figure, all black shadows with a blank white mask with black eye holes. darker shadows show the shape of his arm and body and he has long hair the same color as him that morphs into the shadows overtaking the bottom half of the drawing. a few scribbles of gold highlight his hair and the shape of his arm, neck, and body. the background is a dark blueish gray with gold scribbles forming aurora-like formations in the sky. end image id.

also a second version I think I like better, it reminds me of da Vinci's sketches a bit

image id: a sketchier version of the same drawing. Arthur looks the same, but the background is off-white with the same gold scribbles. John is translucent gray against the background and the lighter color makes visible some geometric scribbles in johns hair towards the corners of the drawing. end image id.

[crow-with-a-pencil]

Hi @naffeclipse I'm very normal about your fic. Have some frantic midnight sketches as extra kudos along with some tag rambling :)

[kirby-the-gorb]