#anyways enjoy my rambling

[lucabyte]

On autonomy, and what it means to be Obliged to Help.

Bonus:

[aethersea]

I do think Blazing Saddles handled its one depiction of native americans very poorly, and the full extent of its representation of chinese workers on the railroad is they were literally just there. not even one single speaking line. unclear if this is worse or better than the redface.

it's fucking phenomenal at lampooning antiblack racism though. extremely blatant, extremely funny satire, which is constantly and loudly saying "racism is the philosophy of the terminally stupid at best and morally depraved at worst, and we should all be pointing and laughing at them 24/7"

plus the main character is a heroic black man who has to navigate a whole lot of bullshit but is constantly smirking at the extraordinarily stupid racists and inviting the audience into the joke. the one heroic white character is a guy who was suicidally depressed until he met the protagonist and they just instantly became buds, and he's firmly in a supporting role the whole time and happy to be there. the protagonist saves the day with the help of his black friends from the railroad, and uses the position of power he was given to uplift not only those friends, but all the railroad workers of other minorities too, in an explicit show of solidarity.

anyone saying "Blazing Saddles is racist" had better be talking about its treatment of non-black minorities. it had better not be such superficial takes as "oh but they say the n-word all the time" or "they have nazis and the kkk in there!" because goddamn if that's the full extent of your critique I very seriously suggest you read up on media analysis. there is too much going over your head, you need to learn to recognize satire.

[fudgecake-charlie]

to my IRL(s) who keeps sending me disco elysium memes despite the fact i haven't played it in months THIS IS BECAUSE OF YOU. HELP ME. If people have ideas on this AU feel free to have fun with it considering I. have only a few!

[xxplastic-cubexx]

what kind of underwear do you think Erik and Charles wear (i'm not asking this to see them half naked) ((please believe me)) (((PLEASE)))

My Personal Belief is charles is a briefs guy while erik's a trunks guy. trunks/briefs kinda couple because i can

and idk just a lil bonus or somethin. as i do.

[ao3-shenanigans]

Shout out to all the beginning authors, don’t be afraid to write badly and to write for yourself

we will love you regardless

[tarufai]

[staticymaticyyourlifeisatravesty]

Primarchs as Cards Against Humanity

Fulgrim

Konrad:

Sanguinius:

Magnus:

Perturabo:

Leman Russ:

Mortarion:

Jaghatai:

Corvus:

Horus:

Vulkan:

Lion:

Rogal Dorn:

Lorgar:

Roboute Guilliman:

Angron:

Alpharius/Omegon:

Ferrus:

[mozart-the-meerkitten]

*rolls up 15 years late with Avatar the Last Airbender thoughts*

So I've been rewatching clips from the show lately to refresh my memory while I'm writing my Zuko Alone fanfic. And last night I rewatched the clip where Iroh teaches Zuko how to redirect lightning and I have had thoughts about this scene for years so I might as well finally throw them into the void of tumblr.

So, this scene is insane to me, because at the end of learning how he could-hypothetically- redirect lightning, Zuko looks at Iroh and, completely seriously says "okay I'm ready to try it with the real thing now". Like, Zuko, the boy with a massive scar on his face from where his father burned him just looks at his uncle and says, "shoot me with lightning".

And yes, he's 16 and not thinking but that's part of the point because the amount of blind, complete trust Zuko has in Iroh to look at him and say "shoot lightning at me" after the insane trauma he had at the hands of his own father- that is WILD to me. Zuko literally trusts Iroh so much that he just assumes, without even having to think about it, that no matter how volatile and unpredictable the lightning is, Iroh won't hurt him because Zuko cannot fathom his uncle hurting him.

And of course, Iroh's appalled because Zuko's standing there with a massive scar on his face from when his father misused firebending against him and likewise, Iroh cannot fathom hurting Zuko. And since IROH knows how volatile and unpredictable lightning is and how it could literally kill his son nephew he is absolutely NOT going to use it just to let Zuko practice redirecting lightning, but he's so flabbergasted that Zuko would even ask him that that he just kind of splutters angrily that he will ABSOLUTELY NOT shoot lightning at Zuko. (it's also just another layer of how messed up Ozai is because he shot lightning at Zuko without a second thought later)

But I hope Iroh thought about it later and realized the amount of pure, unthinking trust Zuko has in him because ;-; the child didn't even THINK about it. "Okay uncle shoot lightning at me now. I know I'll be safe because it's you." I love them so much 😭😭

[lucabyte]

So does anybody else ever think about how Loop felt the need to demonstrate that the party's deaths wouldn't have any effect on the loops. I know I do but that's besides the point. Anyway I don't think Loop actually needs to bathe, they just like to feel included.

[capseycartwright]

every little thing the sun shows, well it’s worth it

ao3 link

Buck should – he should be freaking out, right? He’d lived thirty-two years of his life without coming close to kissing another man, and it should be making him freak out that tonight, he did – but Buck felt flooded with the oddest sense of calm he’d ever experienced in his life.

He’d kissed a man.

or - after his kiss with Tommy, Buck goes to Hen.

Buck can’t help but bring his hand to his lips as Tommy leaves, fingers brushing gently against where the other man’s lips had been just a few minutes previously.

The other man.

Buck should – he should be freaking out, right? He’d lived thirty-two years of his life without coming close to kissing another man, and it should be making him freak out that tonight, he did – but Buck felt flooded with the oddest sense of calm he’d ever experienced in his life.

He’d kissed a man.

He’d kissed Tommy Kinard.

The giggle escaped his mouth before Buck could even try and contain it, and one turning into a fit of laughter faster than he could control, Buck unable to wipe the smile from his face as he grinned. He’d just kissed Tommy Kinard – and he’d really fucking liked it, actually. It had been different, that much he was certain of – the way Tommy had tugged Buck closer, two fingers under Buck’s chin, purposeful and confident as he responded to Buck’s weak attempts at flirting with a kiss. Tommy had been solid, under his trembling hands, broad and big and nothing like Buck had ever experienced before.

And he’d liked it.

Buck was moving before he could even really think about it, his feet somehow knowing where to take him, on autopilot as he slid behind the wheel of his Jeep, too lost in his own thoughts to realise that the radio had been switched to some criminally bad pop music station (Eddie’s doing, he was sure), the music background noise as he drove, replaying that kiss over, and over, the phantom drag of Tommy’s facial hair against the sensitive skin of his upper lip a feeling he was sure he could come to get very used to, if he was allowed a little more kissing.

Buck was parking up in front of Hen and Karen’s house before he even realised where he was – but, now he was actually thinking about it, he wasn’t sure where else he would have gone, there and then. Hen was – Hen was another big sister, to him, and a lesbian big sister at that, so she was the right place to come in the midst of his –

Buck didn’t want to call it a crisis. He didn’t feel like he was having a crisis. But he was definitely experiencing something – and Hen would understand, he knew.

Knocking softly, so as not to wake up Denny, Buck waited patiently for someone to answer. He hoped Hen would answer. He wasn’t sure if he had the words to explain to Karen that he needed to speak to her wife because he’d kissed a boy for the first time in his life, and he’d liked it.

“Buck?” Hen answered the door with a raised eyebrow.

“Tommy Kinard kissed me,” Buck blurted, because why beat around the bush, right? He might as well dive right into it. “Tommy kissed me,” he repeated, in an effort to sound somewhat less manic. “And I liked it. I wanted him to kiss me.”

Hen’s surprised expression morphed into something softer, and she gestured for Buck to step inside, closing the door softly behind him. Gently – always gentle, because Hen was the gentlest soul Buck had ever known – she sat him down on her couch, bustling around the kitchen for a couple of minutes before she reappeared with a steaming cup of tea.

“Chamomile?” Buck breathed in the familiar smell, knowing that Hen would have added honey – the good one that Karen always bought at the farmers market – the sweetness a familiarity he had come to be grateful for over the years. “No tequila?”

“This is a tea conversation,” Hen replied firmly, sitting next to Buck on the couch. “So. You kissed Tommy.”

“He kissed me,” Buck corrected, because he didn’t want to take credit for the way Tommy had leaned in and kissed him, confident in a way that Buck wasn’t – not yet, at least.

“And you wanted him to?” Hen repeated Buck’s own words back to him, gentle even in the way she pried.

“I didn’t know I wanted him to until he did, if that makes sense,” Buck’s brow furrowed. “I – I didn’t know why I was so jealous, that he was spending so much time with Eddie. I thought I was jealous that he was replacing me in Eddie’s life.”

“But that wasn’t why you were jealous?”

“It was, a bit,” Buck admitted with a grin. Hen laughed, and Buck felt himself getting comfortable, genuinely comfortable. He – he’d never talked to anyone about his sexuality before. An hour ago, he thought he was straight. “But I – I think I was jealous that Tommy wanted to spend time with Eddie, and not me.”

Hen’s smile was soft, her expression new – it was new, he supposed. He was Hen’s annoying straight little brother, deep conversations about queer identity were new territory for them. “Was it a good kiss?”

Buck let out a spluttering breath. “Hen!”

“Oh, come on! You look like you’ve sat down and had a beer with God himself Buck, I’ve got to ask if it was a good kiss.”

Buck had been kissed a lot in his life. He didn’t say that to slut shame himself – that usually earned himself furious glances from Hen, and Eddie – it was the truth: he had been kissed a lot in his life, by people he loved and by people he’d only just met – and kissing Tommy had been nothing like he had ever experienced before.

“It was a good kiss,” he admitted, worrying the corner of his lip, his face burning as he spoke. “It was a really good kiss.”

“It sounds like there’s a but coming,” Hen drawled, taking a long sip of her tea. She knew Buck too well, sometimes. He supposed that was why he came here, to her – he could have gone to Maddie, or Eddie, or Bobby, even, but Hen had been the person he’d come to. He needed to be seen, there and then.

“But – how did I not know? How have I lived thirty something years of my life and not known I’m into guys that way?”

That was the confusing part, Buck had decided – he had never really even questioned his sexuality, shouldn’t he have questioned it long before now? Spent years being tortured with this great big queer secret he was carrying around?

Hen was quiet, for a second, contemplative. “There is no one queer experience,” she began, pausing again. “Some people – they don’t know until they know. There’s no requirement to have your big gay crisis when you’re fifteen, Buck.”

“That’s the thing – I don’t feel like I’m having a crisis,” Buck sighed. “That’s what makes it more confusing.”

At least – at least if he was having a crisis, he might be able to put words to the strange mix of feelings churning in the pit of his stomach, none of them bad, all of them unfamiliar.

“How do you feel?” Hen asked, giving Buck a gentle nudge.

He –

How did he feel?

Buck felt like he was on cloud nine, for one. He was still replaying the kiss with Tommy over, and over, in his head, remembering the way Tommy had lifted Buck’s chin, the way Buck’s heart had thudded to what had felt like a dramatic stop as the other man had moved closer, Buck forgetting how to breathe for a second when Tommy kissed him, soft, and gentle. He was excited, too, thinking about Saturday at eight. What would he wear? Where would Tommy decide to take him? Should Buck offer to pay?

Buck felt – well, he felt like every part of himself he had never understood had clicked into place, the puzzle that made up Evan Buckley finally taking shape and making a picture Buck could see himself in. Buck felt like everything in his life made infinitely more sense now, strange interactions and friendships making more sense as he looked back on his life with queer-tinted glasses, hindsight lifting a haze of confusion he’d carried with him for his entire life.

Buck felt –

“I feel like I can breathe properly, for the first time in my life,” he finally managed, tears rolling down his cheeks before he could even attempt to blink them away. That was the truth of it – Buck felt like he could breathe, his chest free of the strange tightness he’d felt for as long as he could remember. Buck felt like he was free.

Hen’s watery expression reflected his own, her voice gruff with tears as she spoke. “Welcome to the club, Buck,” she smiled, reaching for Buck’s free hand, giving it a tight squeeze. “We’re happy to have you.”

Buck couldn’t help the half sob, half giggle that escaped his throat as he let Hen’s words wash over him. All his life, he’d been searching for a place he belonged, bouncing from job to job, bed to bed, and state to state, all in a desperate search for belonging. He’d found it – mostly – with the 118, but there had always been something that was missing, something he’d never had the words for.

The something was this – queerness. He was a part of a community he knew would fill that missing piece in, colour it in liberation and freedom and wrap him up in something bigger than himself.

Buck leaned into Hen’s embrace, his tea long forgotten on the coffee table, Hen’s warmth more of a comfort than the chamomile could ever be. “I’m so happy to be here,” he replied wetly, Hen’s arms wrapped tightly around him, and, well -

It was the truth. He was happy. Happier than he’d been in a long time. The happiest he’d ever been in his life, maybe. Happy, and free – and bisexual. Evan Buckley was bisexual. A bisexual man who had a date on Saturday, but he’d have time to freak out about that later.

For now, he was going to enjoy the way breathing came easier than it ever had done before.

[momomallowart]

He misses his dad.. 🥺

[xxplastic-cubexx]

evo doodling

[bitter--boxx]

briar releases her new single💗.. kinda XD

[otome-dissection]

Idk man I just think that mizu/ena5 and its progression was really beautiful actually. I just think that the release of the ena5 song was also really beautiful and kind of the nail in the coffin for me and I haven't been able to get the event(s) out of my head all week and that I kind of want to talk about it, actually.

It's about being hurt so deeply and continuously that any kindness that could be offered to you manages to feel like a sin, that it makes you crumble and shatter but for all the wrong reasons, not because of the newfound safety, not out of relief, but something worse and more deeply ingrained in you than kindness ever was. It's about carefully measuring the distance at which you keep others away from yourself, to ensure that it never happens again ("To save yourself the trouble", if that makes it easier).

It's about realizing that the people you've been spending all this time with are drifting closer, that they just might bump up against the unsightly parts of yourself that you've tried to keep locked away, it's about turning around and sprinting at full speed and slamming the door shut and holding onto the handle behind you to stop it from turning, because you're as frightened of the possibility of another wound being inflicted on you as you are of the possibility that kinder, gentler hands will reach out and smooth over the exposed scar. It's about hating eyes that judge and silently condemn you as much as you hate eyes that simply see you and take all of you in without scrutiny, because no matter what they're looking and they're looking at you and they know that your hand's on that door handle and they know that you're hiding something because, as much as you try to keep it shut, they've seen through the crack that you foolishly left open.

(The prominence of eyes in Bake no Hana, specifically eyes looking and searching, and finally landing on you, the viewer, Mizuki, is so fucking. Visceral in my opinion. Every character in the MV stares at the viewer in a deadpan, almost judging way. Even though Mizuki knows deep down that niigo won't really hate them, won't judge them, she just can't stand their kindness either; any gaze directed at her is a loss, another prick in their skin. It screams "don't look at me" while making sure that you know, with horrific certainty, that they're looking for you, that you're being watched. You can't go outside, can't leave your room, because they're searching for you, and while that should be reassuring, to you it's anything but).

It's about not wanting to be dissected, whether it's with hands that want to pull your organs apart or stitch them back together because no matter what they're there, and they're getting frighteningly close to your heart. It's about blinding yourself and covering your eyes to it all because seeing means exposure and exposure means they're taking something from you and you can't do anything about it, much less take it all back, much less have a say in the matter. Everyone's just taking and taking and taking and you wish you could just be alone. You wish everyone would just disappear and you could live in a world all to yourself, for only yourself (but is that really what you want?).

It's about the way that, near the beginning of the Yoka ni Mitoreta MV, Mizuki and her loneliness is represented as a dark, splotchy stain in the shadows. No colors, no patterns, no way to clean it or wash it all away, just raw ugliness marring a blank canvas. It's about the way that Ena reaches out to it anyway, the way she startles when the glass shatters just when she finally starts reaching forward, the way that the rest of the MV/song represents her searching for and reaching only further out to Mizuki, even if the broken shards of glass will only cut her fingers, potentially leaving scars.

It's about how, in every way, subtly, directly, consciously, and subconsciously, Ena shows that she fucking cares.

It's about the way that Ena lets Mizuki have autonomy, despite the situation being so horribly out of their control. And it's such a delicate thing: If she really wants to, Mizuki can take the opportunity to just run away, keep running forever, repeat the cycle over and over, and maybe she'll just destroy herself with it again, but it can't be denied that it's something important to them, something she can't quite live without just yet, their means of survival. Mizuki's autonomy is their identity, it's her tailoring her own clothes and choosing her own ribbons and styling her own hair the way she does. Ena letting them have that is as much about trust as it is about understanding that Mizuki of all people should have this right, when control was something stripped from her throughout so much of her life. She couldn't control how she was born, how people look at her or why, can't control what they think of her; lacking control has only left Mizuki vulnerable to the cruelties of others, has only caused them to suffer, which is why it's so important that it's given to them now.

She had the control to make the choice to see niigo's welcoming love and run away instead of staying, and she has the control to make the choice now whether she wants to keep things the way they are or take a step forward to be at their side again. She has every right to have it, and I think the fact that Ena realizes and respects that, even if it's subconsciously, is really beautiful (there is an entire fucking Verse about this in the new song and just. God Look at this. It's so caring, unconditional, and for fucking What. I think there is something to be said about how much Ena is willing to put aside for Mizuki, and maybe deep down it isn't healthy, but for now I'm just kind of in awe)

It's about how insanely patient Ena has been this whole time. Mizuki says that she basically lied to Ena's face about telling her their secret, even after Ena said with such conviction that she would wait for Mizuki as long as it takes, and Ena is just kept waiting and waiting and worrying like this seemingly indefinitely. It's about how Mizuki danced around it, avoided it, kept the distance, straight up ran when she was finally pushed, but Ena still chased anyway when she saw that she couldn't wait anymore, kept chasing just enough to intervene and get a straight answer out of Mizuki when she really needed to, but still leaving her enough space to leave if that was truly what she wanted. It's about how relieved Ena is the moment that Mizuki finally says outright how much they want to be with her and niigo, how much she wants to try, how much more light Ena's voice sounds when she grabs her hand, relieved, the way that the relief she feels can be felt through the music, throughout the entirety of Yoka ni Mitoreta, the way that warm colors always follow her when she chases after Mizuki, just to hold onto her and stop her from running away completely.

It's about how that careful combination of Ena's directness, Ena's persistence, Ena's warmth, her patience, her bluntness about her feelings, the way she chases and holds on but not too tight and her regard for how unsafe and exposed Mizuki feels actually works and breaks it all down. It's about how she really did reach through to Mizuki, despite the thorns and broken glass shards and nearly-unfulfilled promises, the way that Mizuki did finally let her turn the door handle and step through to see what she'd been hiding all this time, the way that Mizuki's hand, limp, when Ena first grabs onto it, shifts to hold hers back as they cry in the face of Ena's gentleness.

Despite how harsh Mizu/Ena5, and even Ena herself as a character can be (or at least was in the very beginning of pjsk), everything is somehow gentle and warm in the end, blindingly so. And you know what, I think that's beautiful. And what's even more beautiful than that is how Mizuki allows themself to crumble and shatter under that kindness, that warm light, but this time, finally, out of relief.

On a final note, I just want to say that I also appreciate how all that didn't have to solve everything. The scars haven't disappeared, haven't gone away, and Mizuki knows that their desire to run hasn't gone away forever, and maybe it never truly will. But for now they've calmed it, at least a little. She's learning to allow herself to be seen, learning that when someone's fingertips brush over their scars the way Ena's did that it's only out of care, and that maybe taking in that care and allowing herself to feel kindness and safety is okay. They're safe, for now, somehow. They're learning. They're trying. And I think that's cool :)

[yuzuuu4]

how did they even fit in the house??

[sandeewithtwoe]

Wouldn’t be the first time Dream took a nap on someone’s shoulder

Dream belongs to Jokublog