#anyway who want to see my very bad very simple game

[solace-seekers]

actually i am a genius and everyone else sucks because i had a coding breakthrough at 3 am and now actually have a game for my sdp final project

[theoccultz]

How will your future spouse pursue you ?

Ok you guys the series is finally here

All of my pacs are queer friendly

It can be anyone, your s/o or your longterm connection

Pics and dividers not mine , credits to their rightful owners @/saradika

Apologies for any mistakes

Let me know which pile you picked and don't be afraid to express your thoughts (:

Pile l . Pile ll. Pile lll.

🫀 Pile l.

For this series if you have any topic suggestion let me know I'll include it

>>> | Queen of swords , 4of wands , 5 of cups |

This person is gonna be competitive for your attention , they dont fall in love easily and when they do its ride or die , they are your typical bad boy stereotype that you see in the movies , they are someone who knows they are the best in the room this person's self esteem & self concept is amazing, their confidence speak for itself, they are someone who has seen a lot of things in life and their way of getting to you is very simple and straightforward, maybe in the past people weren't as actively pursuing you as you would love them too but this person is not like this , they are on your face they know they want you and they're gonna be sincere & upfront about it , this person is generally very quiet and people have a lot of ridiculous assumptions about them like they're a player etc etc but best believe me they're really not what others think of him , this person is hot asf , you could be a very stubborn person who takes decision carefully about their life and this will stress them out n,ot in a way to deceit anyone but they know they have to prove everyone wrong so that you see them truly for who they are awww:(

Anyways this person is very masculine in nature , they are gonna act as a mentor and a caregiver, you want this ? I got it , you need this ? Its on me ....and you're like wtf i can do that myself but its just their way to make you feel special , this person does not do that for everyone if they are doing 50% for you then they are gonna do 20% for their friends its like they value your connection a lot and they don't want you to feel like you're just like everyone else in their life , this person is gonna defend you in every situation be it with their family or friends they dont give a shit , this person is also very keen on you they notice everything about you , how you care for people what you like to wear so their another hobby will be gift giving they are very thoughtful and they'd love to make you smile . The four of wands with the five of cups rx is very much i don't want to see them sad , i don't want them to doubt our connection, i want to put efforts for them , i want to do SO much that this person never feel less about themselves, i feel like being with this person , one of the best things about them ...that you're gonna like is they are deadly whatever they do its 100% efforts they dont like to tease their partner even in a slightest way because they know words can stick with a person forever so they're very mindful ,people can envy this the most about you guys its like no one can say anything bad abt my partner if you're gonna be passive then i might play this game as well , they could have a scorpio mercury or virgo so whatever they say is gonna hurt the other person because scorpions and virgos are known for their details , they study people very deeply , whatever they say hold meaning.

This person is definately that cold hearted girl/ guy or you are because i'm picking up on this black cat energy from you and cats do not chose their owners instantly neither do they love everyone. I Also picked up on a very rockstar appearance like long hairs , leather jacket, ripped jeans , its so cool , they remind me of early 2000's era

How will they pursue you : competitively , your friends post you every week ?? ...i'm gonna post you everyday its that kind of person lol , the back of the deck I usually take that as an overall energy is ace of pentacle which is a very stable and set energy in its own so whatever they do , they do it to achieve victory , to be recognised, to show you that they are the shit (;

Channelled song :

Thank you for reading!!

🫀Pile ll .

For this series if you have any topic suggestion let me know I'll include it

| 10 of cups , strength, four of swords |

Ok so this is our cool guy /girl lmao

Even though they will be putting in efforts to pursue you , you shouldn't know that they are doing that , i feel like they will be pursuing you from the get go like this person on a random monday evening will just accept i have feelings for this person and i want them , now this person will try to make it seem like its all a coincidence, this could be a leo mercury or gemini they try to entertain people with their words but their words hold honesty which people cant always catch so they will try to make you feel comfortable like you should feel happy in their presence and it will satisfy them and they will replay this in their mind at night like oh this person laughed at my joke they touched me i made them happy and it brings a smile on their face , they might say or do things which will make you laugh take a scenario like OH ...and you're like what happened and this person is like deja vu darling i think we belong together the universe knows and its so cheesy but its also so cute , they like to break this barrier between you guys , this person will be friendly towards you , they will flirt with you , they're also very spontaneous and a little bit tricky they love to play with you , lets say you guys have a dinner plan and you're excited you're dressed up you have already reached the venue but they will purposefully show up late and when you text them they're like WHAT...? We had plans ? but they are just joking they are alrdy at the venue waiting for you to see them , they might even joke with you like oh i have 5 kids to feed ofcourse i'm late & its a very playfully banter , you play along like YOU match their freak ... its ridiculous you wanna be mad at them but you can't but i understand your feelings pile 2 and i validate 🙂‍↔️✋🏽

I really think this person is gonna steal your parents love like 😭✋🏽they are the favourite child now , this person has a tendency to play cool like they dont wanna give in first..... they want you to give in first its kind of a cute ego idk , let's take a scenario they say "love you " and you're like where's my " I LOVE YOU " and they're like yes "I LOVE YOU TOO" so petty 😭 they have this natural ability to piss you off , this is the type of person when someone would ask you guys ..."so who confessed first ??...they're gonna jump in like ofcourse it was them , they were crazy about me like you dont know i had to give in but its not true its the opposite. So as you can already guess their ass ? Dramatic ...but you cant say they are dramatic because they are gonna be MORE dramatic about it .

How will they pursue you ? With fear because i feel like they will mask their desire to make you theirs with humour you could start off as friends or colleagues so they cant be very open about their feelings because they feel like you are not focused on love and you might reject them so it's their little cute tactics to get to your heart yeah but they are gonna be very anxious about it they could even suffer from inferiority complex.

Channelled song:

Thank you for reading!!

🫀Pile lll.

For this series if you have any topic suggestion let me know I'll include it

• 3ofcoins, wheel of fortune rx , seven of swords rx •

This person will absolutely be focused on providing comfort to you whether it be emotional or sexual , they love to do things with you they love to hang out with you , they creatively express themselves, they are someone who's gonna listen to your rants they are gonna embrace every flaw & every good thing about you , you are gonna feel exposed in their presence there's something about this person knowing you more than you know them , they really love to spend time with you , i'm seeing this person pushing you towards better goals like your life is gonna improve being with them ,this person will be very happy for your success, they are gonna put you on pedestal they think you are more lovable than them and you deserve more than them and i can confidently say they'll always love you more than you love them its very sweet but also sad , they have insecurities yet they are here trying to soothe your heart, they are gonna apologise first its like they dont wanna lose you they know how to keep a connection you wouldn't need to worry this is a connection where you can let yourself just be you aint gonna walk on eggshells, they are mature , i feel like this person cannot express themselves through words so they prefer to write to you , take you to places with them , praise you infornt of others , make you something, i feel like this persons love is comforting and sweet , you are their equal and they want you to feel like that.

This person will definately engage more in your life , they are gonna be supportive towards you like a best friend, they will overgive to you , they can even say stuff like ...." as long as i'm here i'm gonna be there for you ".....they will hold your hand while you walk they will listen to your problems, they will embrace your silly nature , take you out , spend time with you " i'm getting this line you came and the other one is like you called " it went viral on tiktok i think its from a movie but yeah the energy is very much sweet

Oh you guys this is so sweet , you guys dont speak the same language? They're gonna learn for you we have that kind of person here , you know when they are in love they get hearty eyes it shows on their face and in their behaviour, those sneaky eye contacts , those blush when you are mentioned, the sincerity in their words ,its all there .

How they're gonna pursue you ? Its very passionate and being Passionate does not mean always having hots for each other and that is exactly how they will make you feel , you feel this wholeness i'm having a hard time describing it...its so divine...you know just so grateful and lucky to have a connection like this in this day n age , Yeah 😭this is sooooooo damnnn cuteee i'm scared of this person's energy its very intense , i mean your partner is into worshipping & if you like this then this is definitely your pile (:

Channelled song:

Thanks for reading!!

[jaal-ama-daravv]

dissecting the Emmrich graveyard scene below for how down bad they are for eachother

dissecting the alternate romance path dissecting the argument scene (lich path) dissecting the emmrich romance scene (lich path) emmrich x rook cinematic

find my original post here

we begin -

"I would hate to lose you whilst I am still mortal"

this line is directly after Rook questioning all the flirting and what that means for them should he become a lich. which Emmrich responds witht he above. this is a tough one for me to break down as either way Emmrich retains his soul, emotions, and thoughts if he becomes a lich. I believe this line is tied to the fact of being afraid Rook will not want him anymore once he explains his desire to be a lich, as alluded to throughout the rest of the scene.

this one is kind of self explanatory. Emmrich states that nothing will change if he becomes a lich, apart form the no death thing, but would still consider Rook in the decision.

then we are met with a sigh - this is a sigh of desperation. 'how do i choose my words so carefully that Rook see's my desire and doesn't shun me for it' - hence Emmrich goes on to explain what being a lich would mean in hopes rook will still desire him. (this becomes a big factor throughout the rest of the lich romance - desire)

'considerations'

as above, and again now with considering rook. now the first conversation cuts out after this. it is my belief that these considerations are considering Rook and their perspective, whilst also including the fact that it is later revealed that Emmrich might die during the rite, therefore losing Rook whilst still mortal. I believe this line is both a statement of care for Rook, and his fear od death.

throughout the quest, Rook asks Emmrich a bunch of questions, more so just filler content so Rook can understand lichdom and the process.

then Emmrich shows you something that is probably the closest thing to his heart before Rook. his parents graves. keep in mind that Emmrich had these made, and he engraved 'they walk eternity hand in hand'. Then the next shot is Rook and Emmrich walking side by side to the shrine.

walking eternity hand in hand is also mentioned in the lich romance scene,"find you in another world" aka the fade. this man has believed in soulmates for decades.

subtle conversation tactic of, 'what would you want me to be, rook'. here you either say happy with someone who cares about him, or break up with him (i do nOT reccommend).

simple to the point, emmrich is looking for subtle validation here for rooks feelings

and the fact that there is only one correct option is wild too.

If you choose, "Whatever you want", you reply by saying Happy. which very close to the romance committment line of "Happy with someone who cares for you."

Emmrich is looking for that connection so so badly, hence why only one option

Emmrich's gaze towards Rook as he asks them what shes wants, and baring his soul to her.

after committing - Emmrich does not look away from rook once.

rook is fucked. rook is head over heels in love and smitten with this man. keep in mind that throughout the rest of the game, there are conversations with companions where Emmrich will straight up shut them down when pressed about them 'moving too fast' or 'do you know what you are doing'. Emmrich is very clearly defensive about these things, which is so hot.

in my playthrough, they are necromancers, well aware of how short life is, especially facing the apocolypse. ofc they are going all in.

this man is gonna go home and jump up and down on his bed

do i need to explain this? the shrine of passion and devotion, the ETERNAL SHRINE.

anyway im really, really down bad for this dynamic and them. im also in love with my rook so that doesnt help.

ill most likely do a break down of each scene

[dr-spectre]

Hey all, so i wanted to discuss something a little bit different compared to my usual Splatoon ramblings because i have something that's been floating in my brain for a while now and I really wanna talk about it! But don't worry, I'll tie it back to Splatoon in this blog post!

So i have been seeing a lot of criticisms towards the new "hit game" Concord and a lot of it is very VERY well deserved. And one of the MANY criticisms is aimed towards the character designs and mostly on these characters who have become punching bags for the entire gaming community.

NOW! Let me come and say it, i am NOT going to be defending these designs at all, i am NOT a professional character designer but, these designs are flat-out dogshit and it's not for the reasons you think. I am not saying these character designs are bad because "WAHH!!!! FAT PEOPLE!!! WAHH!!! I HATE BLACK PEOPLE!! WAHH!! I CAN'T GOON TO THIS CHARACTER NOOO!!! WAHHH!!! I ONLY WANT STRAIGHT WHITE BARBIE DOLLS TO JERK OFF TO!! WAHH!!" If you're someone like... ahem.... asmondgold. And whine about how you can't goon to these characters and you're scared of fat and black people. Then you need to fuck off and genuinely go outside. And like... Idk, jump into a pit of lava.

The reasons why these designs suck is because they have terrible silhouettes, poor balancing, too many random colours that have no harmony whatsoever, lack of strong shapes and a lack of any clear cut qualities to tell us who the fuck these characters are. A good character design will tell you who a character is based on looks alone.

Let's take a look at how to properly do character design in a video game, shall we?

We will first start off with an iconic tank character, Heavy from TF2.

Heavy has a strong use of squares on his body, arms and hands, showing us that he is a strong and meaty character. Squares are used in larger characters to show that they are durable and strong. Heavy also has appropriate accessories on his body to show us what kind of character he is, like his bandolier, pouch, fingerless gloves and tactical looking vest. His legs are also small compared to the rest of his body which tells us that he probably isn't the fastest runner out there.

All of these simple design decisions the characters designers chose to include add up to create an iconic character who you can gather that he is a large and in charge weapons expert from the design alone.

Tell me something, what the FUCK do you get from this character?

He's a big person... That's it. I can barely gather any sort of character traits from this character. There's nothing. THEIR GUN IS FUCKING BORING TOO! AT LEAST HEAVY HAS A BIG ASS GUN! THAT'S JUST A BASIC BITCH ASSUALT RIFILE!

Now let's look at another iconic tank character. Reinhardt from Overwatch.

Reinhardt has a VERY strong silhouette, with his iconic helmet with the 3 spikes/horns, his giant shoulder pads, the pointy tips on his boots, his... groan... flap? thingy? idfk what that is but anyways, Reinhardt is an iconic tank character because his design is super well balanced, his concept of a futuristic knight is dope, and the lion emblem on arm showcase Rein's personality and origins.

I genuinely get nothing from this design. Like... Fuck all, i get NOTHING!!!

They are a tank character with a big gun... Okay? Is there... any cool details? Uh... there's a tiny flag.... What the fuck is that supposed to tell me about the character? The silhouette is boring, the character looks like a Fallout knock off. It's just... BORING!!

I could talk about the other tanks in Overwatch and how incredibly well designed they are compared to Concord's "anchors" and other classes but i don't wanna be here all day. Just know that D.VA slaps, Doomfist slaps, Ramattra slaps, ALL OF THEM SLAP HARD AND HAVE SUPER GOOD SILHOUETTES AND COLOURS!!

Now for our final "tanky" design, let's roll it back to Splatoon and talk about a character who is bigger compared to the rest of the cast.

BIG MAN!

His silhouette is actually so well done and is a masterpiece in character design, it is so incredibly distinctive and unique from other characters. He has a unique headpiece too, he has these droopy eyes that give him a relaxed look. He has some cool patterns, he's just a really well designed character that you can gather his personality from really well.

The reason why Concord's character designs fail is because it feels like Sony brought in a novice fashion designer to make characters in an hour and call it a day. The only designs from that game i can say with my full chest are okay are these guys, and even then they have ISSUES!

Haymar is supposed to be this fire user yet nothing tells me that they use fire. It's so easy to... oh i don't know... USE MORE RED?!?!? ADD FIERY PATTERNS?!?! WHY IS SHE COVERED IN FUCKING ANAL BEADS?!??! HELLO?!?!??

Roka is just.. fine, her colours suck but... I guess i like the helmet?

When the best looking characters out of your fucking 5V5 HERO SHOOTER are just... eh? You know got a massive problem. If we take a game like TF2 you can see just how well the designs are at showing the player what kind of personality and traits they have.

Scout has rolled up pants with tight socks on, bandages on his hands and a cap on his head, showing us that Scout is a fast and somewhat reckless character who gets into trouble but can get out due to his speed and wit. Medic has a simple pallet of white and red which are common colours used in hospitals and doctors. I could go on but you get the point.

If you're going to create a new hero shooter with a large roster, for the love of god, actually have characters with better silhouettes, colour balancing, accessories, etc.

Take a page out of their books and come back with a better fucking game. Or not. Sony... You piece of shit. You ain't beating the "PS5 has no games" allegations with these wack ass games. (This is coming from someone who has a PS5.)

[featherwurm]

I'm going to get a lot more personal on here than I usually do:

Baulder's Gate 3, and especially Karlach, make me feel seen in a way no price of media I've ever engaged with before has. It's a big reason why I love it and why it's sticking with me like it is. I too am a big, loud, enthusiastic woman who says out of pocket shit. I have a heavy internal dialogue with myself. I have a temper, I'm bisexual, I love cute shit. I endured years of being utterly touch starved. I love sex and food and being alive...

I also have cancer; it's Follicular B-Cell Lymphoma. I was diagnosed in 2020 when it had reached stage 3A. It's currently under control after chemo* and I'm living my life normally. But while it's a very treatable kind of cancer, it's not fully curable**. There's nothing in me they can remove (it's my whole lymphatic system that's broken) and no drug currently that can wholly knock it out. It's cause is not known (genetically or environmentally), and its unusual for this type of cancer to affect someone as young as I am (I was diagnosed at 35 - it's much more common 65+***). So every three months I go into oncology and they check my blood and symptoms and see if I'm doing ok. I get imaging and biopsies occasionally too. This will go on until I'm not ok (hopefully a long time yet). I'll have to have still manageable but more invasive treatment the next time around. It's a well researched kind of cancer, and my oncologist hopes that in the next decade there may be some more permanent cure for it.

So you can see where I'm going with this. When you hit Karlach's monologue after killing Gortash, I've never felt better understood. I have no one to blame for my condition, no revenge arc of course, but the very same fear, frustration, grief, and anger are all things my husband has heard from me. I've never seen a more beautiful and moving and real exploration of the topic that resonates with me so meaningfully out of a piece of fiction that I love. Béart's performance is amazing - capturing a whole spectrum of emotion.

Karlach's story is absolutely not incomplete as written, confirmed by both the devs and Sam Béart - a terminal condition is just that. You don't get to fix or save her, you get to go with her through tremendous trial and difficulty. If you want to continue that story in your mind that's great (I know I'm eager to do so, for my own personal encouragement if nothing else) but on it's own it's a whole story about coming to terms with something that doesn't have a quick and easy little fetch-quest resolution.

So - every time I see another whinging post/essay/bitchfest about how her story feels "unfinished" or "incomplete" or "has too much cut content" you can see why I might take it a bit personally - knowing that the life I have, the easy solutions I don't get, and the frustration and grief I live with is seen as incorrect and wrong and bad writing makes me a little pissed off. If you think the story is incomplete as told and think a 'third engine upgrade' is missing you completely missed the point.

Karlach doesn't get a simple easy ending because people like me**** don't get that either. And like my husband and the others who love me you can choose to follow that story anyway. And that's fucking beautiful.

*Yeah dealing with cancer and undergoing chemo during a pandemic was really a peach.

**XKCD hits the nail on the head here and here.

***Current treatments have good decade long prognoses... but saying 'you'll probably be fine for the next 10 years' is a lot different at 35 than it is at 65.

****And believe me I've heard from a lot of chronic/terminally ill folks who love the game for the way it represents these things and feel the same, with her Gale, and Shadowheart too.

[richeeduvie]

Birds of a Feather - PART ONE?

Darkish!Aaron Hotchner x Reader Sorry Lalo and Roman girlies I was on an Criminal Minds binge and I had to...and I also want to write more idkidk

It's moments he's remembering, from when you joined the team to when Aaron realized there was feelings in him for you. It all comes down to use for the justification of things he's done. He will do.

The person he's become for you. For you. That three letter word is easier on the tongue than the word because. It's less of an excuse that way.

.・。.・゜✭・.・✫・゜・。. .・。.

WARNING: Mentions of death, violence, things of a graphic nature. Criminal minds stuff. Jealous, possessive Hotchner. Entitled behavior. Toxic behavior and relationships. OC!Hotch sorta cause I don't think he'd turn into this crazy of a person, but reader's just that hot lol. More tags to come maybe cause Hotch is only going to get worse.

.・。.・゜✭・.・✫・゜・。. .・。.

Aaron never thought that the person that would change him would be the woman who smiled too much. He never thought this change would come harshly - all for you, the one who joined the BAU's team 6 months ago.

The one who currently has the whole team looking for their retainer case, including him.

He's almost silent when his head hits the bottom of the jet table. But Aaron hears your giggle and he's sure he hears Rossi's smile.

"I don't think it's right for you to have the leader of this team on the floor to help you and then for you to laugh at him."

"Oh, lighten up on the kid, Hotch."

Aaron stays under the table, Rossi's not able to catch the stern, even sterner way he looks there at the older man's words.

"And I'm not understanding why you - on how we have let Rossi off the hook when it comes to finding your retainer case."

Aaron's voice stays leveled talking to you, never rising in tone or going low. It's him as he always is, but under the table with you. It's not different.

It's not different. The way the blood in his cheeks come warm, it's not different. And it has to be that way for a multitude of reasons.

"We've silently agreed it's because he's old. Or, that's what I assume. And I assume I'm right."

It's Spencer coming out from the bathroom, his voice dragging out the word 'old' factually, casual. Not unkind, just the way Spencer is - and it makes the team smile and scoff. Or both. Unless you're the team's leader, then Spencer's words only bring a simple, slight curve to the corners of his mouth.

And what was barely there in humor drops at the sight of you smiling at Spencer. Spencer's words. Not at Spencer. It's all innocent.

What it is shouldn't matter anyway.

It drops, Aaron ignores the uneven, heavy feeling around his chest to the point he doesn't know why it's there when he can't anymore.

You smile too much.

"I'm old, and when you're old, you'll take the word as an insult when it is, and you'll use your age as an advantage when it benefits you. I think if my bad knees were going to ever be beneficial, it'd be now."

"I'll take your word for it, Dave."

"I think it's a great show of a leader to do this for one of their members of the team. To put in the work to find something very valuable to me."

"...It's a retainer case."

You smile at Aaron. He doesn't blink, but his eyes are never wide. There's nothing to smile about.

"And it wasn't in the bathroom."

"I don't think it's anywhere on this plane, my love."

Derek sits back in his seat, almost slumped when he does. "I know this seems dorkish, I think Reid being my plane seat partner recently has been affecting me, but I'm in the mood for a board game. Sorry, Reid."

You can see Reid turn to Derek Morgan to J.J across from them, then back to Reid.

"What's so dorkish about board games?"

"Come on, man. When you hear the word board games, do you think of the word cool, do you imagine a cool person who constantly plays board games?"

"I think of them as a way to cheaply and effectively spend time with loved ones and friends while igniting competition and entertainment. My favorite is Clue if we're going for a more simple conversation, but there are many, especially more modern ones that require more strategy, have deeper narratives, or are particularly just beautiful in design. I'd have to see a list."

Derek smiles with teeth at J.J. She leans her head back and smiles without.

"I feel like the point I was trying to make was proven there."

"What point?"

Your smile never lets up. It doesn't make Hotch smile, but it makes him unable to turn away.

With you, he's beginning to have moments where he doesn't understand why he does the things that he does. It goes against everything he's ever learned. But, he's not about to profile himself to see if he can fix that. Not yet, anyway.

Maybe he'll be able to look away, and you'll stop being someone whose smile and eyes and tilt of the head makes him warm and nearly angry. You don't deserve that anger even if you don't know it's there.

"I think going up against Spencer in a boardgame is a losing game. But I kinda want to, now."

"...Let's get up."

You listen to him, taking his hand when he helps you rise on your feet.

"I think I'll take to the corner, do a cognitive interview on myself to see if I can remember where I put the fuc...damn thing."

"I've told you to watch your language."

You have a problem with swearing. You have the skill of making it sound bright, charming. It's unprofessional. Hotch doesn't know or care to see the way his group softens their banter to look at you and him.

"I just did, I feel proud of myself. But sorry."

He doesn't say anything, but he watches your throat bob.

"And it may be a retainer case with my retainer, but not just just, Mr. Hotchner. Mr. Hotchner, Sir. Mr-"

"Don't hurt yourself, kid."

Your smile turns to Rossi, Hotch tilts his head - moves his body into your line of sight a bit more.

You're talking to him right now, it's unprofessional to suddenly shift the conversation, especially when it's one you were having with your boss. An explanation, but you don't have to smile at him the way you do. Aaron will take what he can get.

"But it'll probably be less than a week and a half before my teeth start to shift. That's thousands of dollars down the drain, all those wire tightening appointments poor seven year old me had to go through will have been in vain."

"She's right. No matter how rigorous the medical process is to literally break the gums so your teeth can shift into a more aesthetically pleasing position, it's almost as if your mouth has memory to shift them back-"

"No need for the ortho lesson, Spence." Emily takes a sip of her coffee, it clearing down her throat. "I can say with experience and visual evidence that if you don't wear those little plastic molds of your teeth for the rest of your life, they'll punish you by moving back."

The black-haired agent bares her bottom teeth and its slight crookedness. J.J leans in, Spencer tilts his head.

"It looks nice, still."

"Did you start to wear them after you noticed them shifting?"

Emily takes another sip. "Hell no."

You and Hotch turn away from that conversation as you sit in your corner. Settling. He watches you settle.

"Or I could just get braces again. I don't know how many people would take a twenty-six year old with braces seriously in this field but...we'll see."

The silence settles with you for a bit, no one expects Hotch to say anything. Hotch doesn't expect himself to say anything.

"I've been thinking about getting Jack braces."

They certainly don't expect it's something so personal. Personal for him, suddenly personal. And they - Reid, Morgan, J.J, Prentiss, Rossi, they've seen how the stern, small-eyed stare of Aaron Hotchner gets even more...silently harsh at the sight of you. Garcia would agree if she was here. So for that personal comment to be brought upon you, the charming, all-too-bright newbie? They can't help but stare.

But Rossi, Dave - he's a step ahead, he could question a thing or two about what it could mean.

You look at Aaron. He doesn't look away. He can't. He wants to.

He wants to look away. He doesn't know if he does.

"Oh. Well, tell the little man it's worth it in the end...and that the ortho-guy is lying, you can eat as many chips and nuts as you want."

Aaron doesn't nod, but his eyes are enough. "I'll be sure to tell him."

He turns to go back to seat before he can catch another smile, not yours, anyway.

"What?"

Rossi takes to looking out the window, Aaron looks at...files, he'll focus on the lines and catch-up work. There's nothing to turn away from when you're behind him.

"I think she did really well on this case."

"You'd be right." There's a pause. "Is there anything else?"

"I think that'd be you to decide."

His eyes flicker up to the older man. It's that type of comment, that insinuation that would get anyone else reprimanded, whether or not they're in front of the rest of the team. But David Rossi is David Rossi, there's a reason why he's so bold now, fixing that reason is not anywhere near Hotch's list of priorities. He's too tired now, at least.

And yet, he's always the last to fall asleep on the plane ride home. He turns behind him just to check. In your time here, they've learned you're second to last.

.・。.・゜✭・.・✫・゜・。. .・。.

Out of the line-up to pick someone new, readily skilled and able to fit in with the BAU, Aaron knew it would be you. From a completely platonic and professional perspective, you were it. You had to be, it's something he can admit. Your name didn't reach him by a resume or interview, but the moment he met you, Aaron knew you would be an asset to the team.

And maybe, from a more personalized perspective, he thought Reid would do well with someone younger with them for the work.

But to be twenty-six, that's three years between now and your graduation with a public college in New York - and in those three years, you did quite a lot. Impressive work for someone so young. Nothing of titles or accreditation, but when his team is called out to find the killer of three women and your profile is at the center of it, it calls into question as to whether or not Aaron should make use of your talents, to let that go unappreciated would've been a mistake. He remembers how the team agreed.

Girl Sherlock. Silly. Silly girl. He doesn't care when anyone is named, killer or hero - but you deserve a better one.

It was a killer with no name in Virginia, so they didn't have to go far for the investigation, but you did. You came in the day they did, papers and files in your hand. A coat too big for you to wear. You look like you couldn't handle the cold, even though he wouldn't agree that it was cold at all that day.

"H-hi. Hello. I never thought I would have the chance to bother the FBI, but I...fuck."

He remembers Morgan's brow rising, his was already raised.

"Sorry, I didn't think this would be nerve-wracki...."

You trailed off when your eyes caught Aaron. A nervous, young woman who obviously wasn't from Virginia. Someone who possibly has a problem with authority, you wouldn't have stuttered and stumbled as much as you did around him if that was the case.

Though, you've built familiarity between the both of you. He's allowed you to. So, if he looks back on it, not someone who has fear of authority, you wouldn't be so open to asking him to get on the floor of a jet if that was the case. You were just nervous the first time.

"I have reason to believe that whoever took the lives of these women in the past week is the Northwind Killer. And the Wyoming Skinner. And the Akron Phantom."

You, this nervous, young woman with scrambles of writings, news clippings. At first, you appeared like an obsessive fan of true crime, someone they would turn away with pity and second-hand embarrassment. But then, the way you spoke, the way you profiled. It was professional, investigative. You knew what you were doing and you've been doing it for a while.

It didn't help that you were beautiful. But he doesn't remember thinking that the first time he met you. Aaron thinks he's only realized it over time, or...now it's personalized - the way you look on his chest, it's no longer just a fact of your face.

It didn't help that the coat looked too big on you.

"You're Girl Sherlock."

Aaron saw the way you cringed at Reid's reveal.

"I never not feel like I'm twelve years old when someone calls me that. I've just turned twenty-six. But yeah, that's me." 

Prentiss’s head leaned up, then she nodded with her mouth parted. 

“Well, nice to meet you, Girl Sherlock. But considering that makes me feel like I’m twelve, I assume you want to be called your actual name? I’m Emily Prentiss. This is Spencer Reid, don’t be surprised he somehow knows you.” 

You smiled before you gave your name. 

He doesn’t know what to think of how much he likes your name, he would’ve named Jack that if he was born a girl. 

But, maybe Aaron never thought that, maybe he’s making himself into a fool. Aaron wouldn’t know why he’d do that when he doesn’t want anything to do with you outside of a professional matter. Where he can care for you professionally, maybe even to the point where you become close to him on the team, as he is with everyone else. 

Not someone to resent when he dreams about you instead of Haley at night. You wouldn’t deserve that, but Aaron Hotchner would hope he’s done some good enough in his life where you could leave him alone in his own head, where there would be a part of him that doesn’t allow this to turn into anything. 

But he should know by now, what he’s seen in his line of work - the dangers of what happens when you keep yourself convinced. But this wouldn’t be dangerous, it’d be right. This isn’t an unsub convincing himself that thoughts, fantasies of murder and wrongdoing are justified or something he’s entitled to, this is him convincing himself and rightly so that there’s nothing different about you. There is no bodily or mental reaction when it comes to you. Not then, not now. 

Aaron tilted his head at the smile growing brighter. The smile was warranted then. He couldn’t profile just how much you think it’s needed to smile and make others smile then. Aaron was too busy with the fact three women were dead and you were there to turn the case upside down. 

That and your four-pointed star earrings. Gold, old. Your neck held no jewelry. 

“How do you know her?”

“She’s a private investigator. She’s made a name for herself internet wise, although her work in criminal investigation is just…I think this is one of those moments where I am self-aware enough to stop myself from making a socially-inept mistake. It would be an odd experience for you if a stranger began to delineate your life story and career progression, wouldn’t it?” 

“On the nose, Spencer. But thanks for the introduction.” 

There was silence between you all until Rossi chimed in, because of course he would. “Well, Girl Sherlock?” 

There was no trailing off at the sight of Rossi, no. It was eyes widened. Hotch shared a look with Morgan, then Prentiss. 

“You’re David Rossi.” 

“You know me?” 

“It’s a fan club.” 

It’s something he almost whispered, nothing sarcastic or demeaning in voice, but it was a quip at the fact this was happening during a case. A bit humorous, because Aaron can admit it was, but mostly and barely frustrated. You were interesting, he wouldn’t blame the team for their attention shifting onto you. 

“And you’re Aaron Hotchner.” 

He blinked at that, he rolls his shoulders leaning forward remembering the way you said his name. 

“I’ve read a few articles about you.” 

Your mouth parted and Aaron knew what would’ve come out. 

I’m sorry about your wife. 

It wasn’t any question of what articles you read and it wasn’t any question that the team knew what they were too. The most recent ones would be the obvious answer. Haley, George Foyet. SSA Widower Aaron Hotchner, a man who was already closed off trying to break the walls down, for the sake of his team. His friendships - his son. 

“Yeah, hi. Again,” And again, you said your name. “I’m twenty-six. I live and work out of San Diego usually. I used to work at a private investigation agency, it was mostly figuring out if someone’s husband or wife was fuc…fooling around on them and I wanted more so I marketed myself…more. It got me more work, robberies with leads that went cold, missing persons - which were usually twenty-somethings running away from their families. But one day, almost three years ago, the mother of a boy who went missing seven years ago paid me money I did not deserve to help her. I tried my best.” 

“You found a boy who was missing for nearly a decade in a week, I would say your best is more than subpar.” 

The team looked from Reid to you. Aaron couldn’t believe it. 

He didn’t want to be cruel, to say it was luck - and he didn’t, which was good. He was proven wrong nearly after. 

“Did she choose you for a specific reason?” 

J.J crossed her arms. You shook your head. “She was a mother looking for anyone to help her when everyone else turned her away. I was there. After that, I got more cases. More serious cases. I almost went on Alprazolam which is so…not like me, I think? Sorry, but yeah. Murder cases, most of them older and unsolved ones.” 

“And most you solved.” 

You looked to the floor. “It was usually just things the police overlooked, missteps I could go back over. I don’t want to give myself credit where it’s not due but…yeah, I did nicely for a bit and that got around - got around enough to get some news articles thrown on me and the name Girl Sherlock.” 

“It was the New Yorker who honored her with that one. I would agree, there’s a better name somewhere.” 

“The New Yorker?” 

Emily’s brows curved. 

“It’s recent, for the most part. I was building rapport and promotion and it was alright until people were bringing me recent cases. These were family members and loved ones of victims or missing persons who were not waiting for the police to do their jobs, cases rejected by the FBI…sorry.” 

“I don’t think there’s any offense taken.” 

Morgan took a seat, crossed his arms too. You smiled at him, at Reid, Prentiss - J.J, you went down the line. 

All for your mouth and eyes to soften at him when you reach him. 

“There were these murders in Montana, which I’m sure Boy Wiki could tell you about.” 

Morgan nearly snorted, as well as Rossi. Reid blinked, head pulled back. There was that natural banter you had with them already, good-natured raillery that he accepts now. Aaron accepts it. He doesn’t resent the way you laugh with them. He doesn’t, because that'd make you different. 

That would mean he’s becoming worse of a person because of it. 

Maybe it’d be easier to accept what’s happening to him if what was happening to him at the sight and sound of you were things that were more conventional. Nothing like what he feels when he takes listening in on Reid or Morgan when he swears he can hear you laughing all the way outside of his office. Nothing like him wanting you to stay behind on every other case because it means you’d have to do your job like the rest of them, putting yourself in danger. 

Nothing like him thinking the person he hired only six months ago is incapable of doing this job, because then it means you’re helpless. You’re safe, as small as you are in a winter coat worn in the fall. 

It’s all happening too fast, and it needs to stop quickly. 

“Two pairs of parents from the same killer, that wasn’t my conclusion. Police knew it had to be the same man. I was investigating and another murder came, then another. They named him the Northwind Killer. This was a year ago. I was on it and then they stopped. Out of nowhere, I was trying to stay on it. Most of the murders I solved weren’t serial. I was lucky to get hired by someone whose daughter was the victim of the Wyoming Skinner.” You turned, Hotch watched the grip on your bag. “I shouldn’t say lucky, but it was in the sense that I knew this man was the same guy who committed the Northwind killings.” 

“Each victim had their back skinned. Not post-mortem.” 

“He didn’t do that in Montana, but I knew it was him.” 

“How so?” 

“I came in on the third victim each time, just like now. But I think it’s five. It’s always five victims in the end before he moves off to another state. Almost always, I may have not been FBI or of no legal authority but my presence in Wyoming brought enough attention that I think he was scared. Also…the police were doing their job well enough. He stopped at the fourth and didn’t kill for two months. On the dot, same in Montana. He started up again in Akron, Ohio. All of these are brunette women who end up lying face down, he kills five and moves on to a Northern state within two months. I know the signature is different every time, but I think that’s the point with him. Each state, he gets to try something new. Wyoming was skinning, Akron was decapitation. I just don’t know what it means.” 

You put your bag down. 

“Nobody called me for the Akron Phantom, I forced my way in. Same with here, but I think there are things with what I found in the other states that could help you here, maybe before they give him another stupid-ass name too.” 

“It’s not money you’re looking for? Cause we don’t have it.” 

It was the Police Chief you shook your head at. “No, Sir. Honestly? I’m too deep into this now. I know I have no legal jurisdiction or right to this case, I didn’t with Akron. I barely have time when people pay me, but I know I can help. I know this will help the families who’ve put their trust in me.” 

Aaron knew to say yes. There was nothing but things to benefit from if he said yes. You were legitimate according to the words of Reid. You sounded genuine. There was no reason to turn you away. 

“You’ll give a run-down on what you have for each killer?” 

“Yes, Sir. Mr. Hotchner. I can get everything laid out. It’ll take a second, I think I lost my hair clip on my way in. I don’t know how that happened.”

Aaron’s decided not to realize he wouldn’t have turned you away if there was every reason to.

[elyvorg]

The Real Reason That Sissel Refused to Help

(or: the subtle genius of Ghost Trick’s tutorial)

“I just want to find my own lost memory. I’m sorry, but I can’t help you.”

Here’s a post in which I talk about this particular part of Ghost Trick’s story, which I’m keeping as vague as possible outside of the spoiler cut, but those who’ve finished the game should know what I’m referring to. What’s actually going on here is rather interesting, and paints our friend Sissel in a much less negative light than the face-value assumption I tend to see most people jumping to with this.

First, though, I have written a fic illustrating this idea in narrative form rather than lengthily explaining it. If you’re interested, I recommend you go read that first before reading this, because being shown is more fun than being told!

(Also, spoilers, obviously. Go play Ghost Trick if you haven’t; it’s so good and absolutely not the kind of thing you want to be spoiled for.)

So, in the original timeline, Sissel refused to help Missile save his mistresses, stating that he just wants to find his own lost memories.

It could easily seem at a glance like Sissel’s character development over the course of the game is that he started off selfish, only caring about his own mystery, and it’s only through getting attached to everyone throughout the night that he begins to care about others and the bigger picture. As such, his refusal to help Missile in the original timeline is easy to read as being born of that, since this was early on when Sissel still only cared about himself.

But… it’s not actually that simple, because Sissel isn’t as selfish in the beginning as one might think. Sure, he’ll say things like “I have to focus on my own mystery”, or “this is all for my own benefit”. But that doesn’t actually match up with his actions. His own mystery may be, in theory, his number one priority, but a remarkably close second priority for him is to save the lives of any dead person he happens to come across. Even very early on, before he’s grown to care about any of these people!

He doesn’t hesitate to save Missile, despite having zero reason to assume that this little doggie will be any help with his mystery. The second time he finds Lynne dead, when he’s getting to talk to her and learns that she doesn’t actually know much about him and probably won’t be able to help him because she’s got her own case to pursue tonight, he still reassures her that she doesn’t owe him and he’s going to save her life anyway.

And even right at Lynne’s very first death, in the game’s opening narration, Sissel makes a point that he doesn’t want to stand back and let her get shot, and that he feels bad for her, despite her being a complete stranger!

Evidently, even right at the beginning, Sissel isn’t selfish. He just thinks he is. Because cats can be tsundere like that.

Sissel:  “Why am I so determined to save this woman? After all, it’s not as if I know her. My reason is twofold. Number one, I’m not the type to leave women lying around, discarded like trash.”

(Here’s a bit from later in chapter 1 featuring Sissel being amusingly surprised by his own altruistic streak. He seems to expect to only care about himself – yet here he is, not wanting to leave a stranger lying dead if he can help it. Not so selfish after all, huh?)

So if that’s not the problem in the original timeline, then what is? Why does Sissel leave Missile to deal with saving his ladies alone when he’d have no reason not to try and help? – after all, he hasn’t been given a fake time limit in this timeline! He’s not even in a hurry with his own mystery! For that matter, Sissel was still there in the junkyard at the beginning – why didn’t he just save Lynne himself?

We can get a good indication of what the issue is from that very same opening narration I was just talking about.

Sissel:  “Now, I’m not the kind of guy who can just stand back and watch a poor woman get shot. But I have just one little problem… I’m already dead myself.”

Sissel:  “I feel bad for her, sure. But what can I do? I’m dead. But just as I was thinking that…”

The real problem is not that he doesn’t care about saving a stranger’s life. Rather, it’s that, because he’s dead, he doesn’t think he can. He’s not expecting to magically have ghost superpowers; why would he?

And it’s just as he was thinking that he can’t do anything (which, while part of his screen-filling monologue narration, was still his thoughts and therefore something any nearby ghost could hear)… that Ray speaks up to tell him that actually he can save her.

Sissel:  “Huh?” (Me? Save her? Uh, how?)

Immediately, Sissel questions the notion once again, not with a why but with a how. It’s not that he doesn’t want to; he simply doesn’t think it’s possible.

This general idea continues throughout the entire tutorial, which is absolutely packed with lines that show Sissel being deeply sceptical about the idea that he could possibly save someone’s life or alter someone’s fate.

Once Ray’s taught him about his basic ghost tricks and he’s managed to delay Lynne’s death by a few moments… she still ends up dead anyway. And Sissel thinks that’s it. Because of course he does. Even if he can stop time and manipulate objects, he has zero reason to believe that his powers can undo a death that’s already happened.

Sissel:  “In the end, it looks like her fate remains unchanged. So what good are these ‘ghost tricks’ of mine? But just as I was thinking this…”

Sissel:  “It looks like my ghost tricks didn’t do much good.” (She still ended up just as dead as before.)

He even ends up feeling like his new superpowers are barely worth anything, because he can play a few little tricks on someone, but that’s not enough to save someone’s life, is it?

Ray:  “Isn’t it a shame to see such a pretty young woman lying here discarded like a piece of trash?” Sissel:  “But what can I do? She’s already dead.”

Ray:  “And while she’s resting, you can save her life.” Sissel:  “Oh, sure. You make it sound so easy.”

And again, he’s very dismissive of Ray implying or telling him that he can do something about this. After all, how could that be possible any more?

In particular, there’s this vital little bit of trickery here…

Ray:  “Now what do you suppose will happen if you possess a corpse?” Sissel:  “Nothing, because I already tried that, remember? And nothing happened at all.”

…in which Sissel assumes his powers just don’t work on corpses, because he’s already tried and failed to do anything with “his” corpse. If he’d been alone, without Ray to guide him through things, he most likely wouldn’t have even tried to possess Lynne’s corpse in the first place, because he would have had no reason to believe it would achieve anything!

(Meanwhile, Missile in the original timeline also had zero reason to believe he could do anything for Kamila, but he was so anguished and desperate that of course he would have tried anyway. He’d try anything to save her, because he is good and loyal and Dog. So he was able to discover his time-rewinding powers where Sissel didn’t, and thus he passed that knowledge onto Sissel in the game’s timeline.)

And as Ray tells Sissel that he can in fact rewind time to redo the last moments of Lynne’s life, he’s completely dumbfounded and bewildered by the very idea of it.

Sissel:  “Are you serious?! Back through time?!”

Sissel:  “But this is crazy! None of it makes any sense!”

Ray:  “To the time four minutes before this woman was murdered!” Sissel:  “H-Hey, wait a second! I still don’t know what you’re talking about!”

What is this lamp even talking about?! Of course turning back time isn’t possible! He had no reason to believe it was possible, even as part of his new wacky ghost powers.

(Meanwhile, when Sissel is saving Missile in the game, we get a little exchange that shows Missile being completely unfazed by the idea that Sissel’s brought them back in time. It’s no weirder than humans walking around on two legs, right? One way or another, the cat can barely wrap his head around it, while the dog sees it as perfectly plausible.)

One thing Ray says more than once during the tutorial is, “The best thing to do is try it.” Because Sissel is being so stubbornly cynical that he will not take this desk lamp’s word about how useful his powers are and has to literally be pushed into trying it himself in order to believe it, every time.

Even after seeing for himself that he can go back in time and watch Lynne’s death again, Sissel still manages to be pessimistic about this.

Ray:  “And there you have it. The last four minutes of her life.” Sissel:  [strained] “No…!” Ray:  “It’s kind of ironic, when you think about it. A woman toyed with by fate, and a man toyed with by a ghost.” Sissel:  “But she still died.”

He went back in time, and she still died. There’s still apparently nothing he can do, right? No, Sissel, just have a bit of patience! This is just the mechanic that lets you understand what happens before you dive in and start changing things; you’ll get your chance soon!

And once he’s finally successfully saved Lynne…

Ray:  “You used your powers to avert that woman’s fate.” Sissel: “So I did that?”

Sissel still has a moment of being surprised at the notion that he was capable of something like this.

It’s really striking to me, watching over chapter 1 again with this thought about original-timeline Sissel in mind, just how many lines to this effect there are throughout the whole thing. The writers did not need to include this many moments of Sissel being sceptical, or even any of them at all, really, in order for the tutorial to do its job as a tutorial! But they’re here anyway, because it is in fact really important to the story that Sissel is somebody who would not have tried hard enough to figure out that his powers can undo deaths unless he had someone holding his hand through it the whole way.

The way old-Missile talks about it when he’s explaining himself at the end, it’s easy to get the takeaway that the most important thing he did as Ray was to take advantage of Sissel’s supposed self-interest: by not contradicting his misconception that he’s the man in red, by telling him Lynne is the key to his mystery (a half-truth at best), and by giving him a fake time limit. And it’s not that those things didn’t help, but they’re not really the most important thing at all.

The most important thing Ray did for Sissel, the thing that Missile absolutely most needed to spend those ten years waiting to do, was exactly what it appeared to be during chapter 1: to teach him how to use his powers to save lives. Because the number one thing the Sissel from the original timeline needed but didn’t get was, quite literally, a tutorial.

There’s a little bit more to it than this, though. So, okay, Sissel in the original timeline didn’t know he had the vital time-rewinding power. But then that begs the question: why didn’t Missile just tell him that while asking for his help?

For that matter, why did Sissel leave Missile shortly after being asked for help? It can’t just be because he urgently had to go and look elsewhere for answers to his own mystery, because he’s not pressed for time here. And he was apparently chilling at the junkyard just eavesdropping on the investigators’ conversations before Missile showed up. Why the sudden shift in locations now of all times, when there’s someone here who’s actually talking to him – the first person Sissel would have been able to talk to all night – and asking him for help?

The issue here, I believe, is that this isn’t just a matter of Sissel’s lack of understanding what his powers can do. It’s also a matter of emotional state – both Sissel’s, and Missile’s. Both of them would have been incredibly stressed out and upset, Sissel due to his loss of memory and seeing deaths in front of him that he doesn’t think he can do anything about, and Missile due to his mistresses’ deaths that he also can’t do anything about, even though he has a superpower that lets him try but it just isn’t quite enough.

How would Missile and Sissel’s interaction go when they’re both so upset like this? There’s actually a fun little bite-sized example of this in the actual canon timeline. During the last desperate struggle to escape the sinking submarine…

Missile:  “Sissel! Y-Y-Y… You’re not telling Miss Lynne to leave poor Miss Kamila behind, ARE YOU?!” Sissel:  *sigh* “Could you just be quiet for a minute, Missile?”

Missile and Sissel are bound to be both extremely anxious and stressed in this situation – trapped in the submarine, Lynne and Kamila in danger of drowning if they don’t do something. And in that state of mind, it seems that Missile is prone to eschewing logic to be even more loudly desperately protective of his mistresses… while Sissel especially does not enjoy Missile being Loudly Boisterously Dog in his ear when he’s stressed out. After all, cats and dogs have very opposite and very incompatible ways of dealing with stress!

So it follows that the conversation between Sissel and Missile in the original timeline would likely have been an incoherent emotional mess, in which neither of them properly communicated their side of things at all. Missile must have just never even thought to tell Sissel that he can rewind time and therefore saving his ladies is actually possible in theory, because that was already obvious to him! He wouldn’t be capable of understanding why Sissel would be so reluctant about this.

As for why Sissel wasn’t just reluctant to help but outright ran away and sealed the deal – I think, more than anything, it’s got to be down to the fact that he couldn’t stand having Missile being so loud and energetic at him when he was this upset. Especially not while repeatedly saying that he can save them, which would be the exact thing Sissel has been miserably convinced that he just can’t. It follows that he’d just have wanted to run and hide somewhere Missile isn’t, where he can have some peace and quiet. Cats who are upset often like to hide and isolate themselves to feel safer.

There’s one other part in the game’s tutorial that suggests the problem originally might have been partly a matter of Sissel’s emotions:

Ray:  “Hello there. How are you feeling? Not very well, I imagine. A terrible tragedy, what happened tonight.” Sissel:  “………” [neutral face] Ray:  “Ah, ignoring me, are you? It’s a little too early for you to be so stiff and cold, I’d say.” Sissel:  [smiling] “Ah, so it was you. You were that voice in my head, right?”

This is very noteworthy, because Ray is the only person in the entire game who ever takes the time to ask Sissel how he’s feeling. He wouldn’t be feeling great after waking up dead, watching a woman die in front of him and failing to save her, would he?

It seems like old-Missile, with his years of wisdom and time to reflect on everything, realised that his approach to getting Sissel’s help last time really was way too focused on his own problems, and he never even stopped to think about how Sissel must have been feeling. So here, he presents himself as a friend, someone who cares about Sissel and his journey, because that’s exactly what Sissel needs! This poor kitty must have felt so lonely and sad and helpless in the original timeline. But hearing Ray’s words, and realising that this desk lamp is someone semi-familiar, does seem to cheer him up at least a little bit here! Sissel really is a character whose core desperate need is to just not be alone, even if you’d be hard-pressed to get him to admit that at the beginning.

Interestingly, way back when I first played Ghost Trick, on the DS soon after it came out, I found myself intrigued by Sissel in the original timeline. I vaguely toyed with the idea of writing a fic exploring how he was feeling and why he refused, though I never got around to actually doing so. Then recently, the game coming out in HD rekindled my hyperfixation and made me think about it some more and actually end up writing that fic after all. And the thing is, back then, I didn’t remotely consciously understand any of this stuff I’ve just explained here. But even so, I find it neat how I still had this wordless sense that what was going on with Sissel must have been so much more than just selfishness – that he must have been so sad in that timeline and that had to be the real basis of why he didn’t help.

[datesinredink]

Ranking the yandere rottmnt boys by how likely they are to kidnap their darling

Just a little crumb to keep myself from losing my mind while staring at google docs this late at night. Sorry if this is super bad, it's way later at night than I'm used to staying up and election night stressed me the hell out.

Donnie.

I have absolutely no doubts that he's going to at least try very very hard to kidnap you. And honestly, I doubt it would be too hard. He's a highly trained, mystic wielding, tech inventing, mutant ninja turtle. And on top of that, he's very fond of planning absolutely everything. And to finish it all off, I think it would be once in a blue moon that he actually treats his darling as an equal. He already thinks he's better than almost everyone, and when he gets obsessed, he has to make himself feel better about it somehow, so he decides to cope by thinking you need him instead of it being the other way around. As a result, he treats you a bit like a very glorified songbird, and songbirds.. well, aren't they usually put in cages anyway? You won't even care after a week or two of adjustment! (He will get upset if you aren't content with being kidnapped by then, by the way.)

2. Raph

The only reason Raph is behind Donnie on this list is because I think he would take longer to justify it to himself. He thinks you're fragile, that you need to be protected from the harsh world! I mean, he barely trusts his youngest brother, who is also a highly trained ninja, to do a simple mission on his own. How do you think he'll treat you after the obsession sets in properly? Not really as an equal, I'll tell you that. He's much nicer to you than Donnie would be, but he still doesn't respect you enough to let you handle yourself, even if that's not how he sees his behavior. At the same time though... isn't he supposed to be a hero? Do heroes kidnap their darlings? Or would this make him the dragon... In the end though, he'll decide that he's fine with being the dragon so long as he knows that the rest of the world won't be able to run their metaphorical (or maybe literal, depending on how unpopular you are in the area) pitchforks right through your heart.

3. Mikey

Mikey wouldn't just.. outright kidnap his darling, I think. I think it would start with a fun sleepover at the lair! Then he insists you stay just one more day! You're having so much fun, after all! Don't you wanna hang out with your best friend for a while longer? You agree, of course- him and his brothers have been nothing but nice to you ever since you met them, and their company is always a delight, so it's worth a shot, isn't it? Then suddenly, the weekend is over, and school's ready to chew you up again, so you do leave. Then it's finally the weekend again! You've heard of a fun game from your school friends, so you plan on trying it when you get home this afternoon- it's friday, after all- when you get a text from Mikey in the group chat with his brothers. He wants you to come over again- and, of course, you say "sure". Not like you can't just play the game on sunday, or when you go home saturday. The sleepover flies by, but you're a bit weary by the time you're pretty sure you're supposed to go home- but here's Mikey, and he's so sure that you promised you'd stay at the lair until sunday again! So, you give in. There's always next weekend, right...? I think you get the pattern, but eventually, he'll be keeping you at the lair 24/7, and you'll be rubbing at your weary eyes wondering how you got into this mess. Sometimes you can even see his brothers shoot you worried looks.

4. Leo

Leo would only kidnap his darling as a last resort, and I think it's because of two reasons. One, he's the brother who sees you closest to being an equal (Donnie and Raph constantly go against your personal autonomy and Mikey puts you on an extremely restricting pedestal), though to be fair, that's not a high bar to pass- and two he much prefers to have some sort of interesting conflict to be present because he finds it entertaining. His life is a weird, morally incorrect soap opera at this point, and he's the number one viewer. Kidnapping would only really happen with him if he thought you were either seriously leaving him (moving or getting into a serious relationship with someone else) or if the circumstances around him got too stressful and he needed something to cling to for any semblance of support outside his brothers (who, at that point, would probably also be super stressed). Think post movie, when the city is still recovering. Man, he was probably freaking out thinking that you might've died to the kraang.

[yan-lorkai]

Hii, Lorks ~

Had see that your writing for my favorie earl now, have any hcs for older sibling reader and young brother Ciel? Sorry about bad english, is not my first language

.⁠｡⁠*⁠♡ A/N: Been busy with uni stuff but nothing couldn't stop me from writing this now that inspiration strikes me and since we're having a new season I began to reread the manga these past few days and wow, I still love this lil dude. Look at his smiled he knows he's adorable. The Green Witch arc remains my favorite <3

.⁠｡⁠*⁠♡ Warning: Yandere content, platonic yandere, protectiveness.

.⁠｡⁠*⁠♡ You were a few years older than the twins, but you were very close to them as well as being a constant figure for them as they grew up. You were what they would describe as the best sibling in the world, even though you liked to make fun of them and make jokes that embarrassed them in front of people, like any good old sibling would do.

.⁠｡⁠*⁠♡ When you had free time, you enjoyed teaching them chess and other logic games, loving the way the expressions on their faces were confusing whenever you used a different strategy. These were simple times when the whole family would get together to watch you play while everyone chatted. Times that were lost after the attack, all the joy, all the warmth, that mixed with the sad blue of the wallpaper until it turned the entire mansion into something cold.

.⁠｡⁠*⁠♡ Ciel came back, lost, deeply hurt, and you were the only person he told what happened. The whole kidnapping and the cult, and it broke your heart, your brilliant little brother was an unresponsive blank as he recounted the facts, as if he didn't want to realize the impact that that event had on him. As if he was still on autopilot and couldn't let his guard down. And things were worse now that he had lost his twin brother, who he was as attached to as you were.

.⁠｡⁠*⁠♡ But you were there to support him every step of the way, holding his hand after a nightmare, wiping the rare tears from his eyes, listening to everything he had to say. Ciel's stubborn and prideful, he never asks for help but he has this serene smile on his face when you go out of your way to help him anyway. You knew he was strong for withstanding all the pressure, for enduring everything he went through and for having the strength necessary to overcome everything, and you reminded him of that in each of his "weak moments". It reminded him that he was loved and that you would always be by his side.

.⁠｡⁠*⁠♡ He's still twelve, he's still a child, and you're always telling him stories to sleep and taking him out to take his mind off his trauma. Sometimes you just sit next to him and listen to him express his thoughts.

.⁠｡⁠*⁠♡ Ciel can be a little overprotective sometimes, which is funny considering you should be the overprotective one due to the age difference. He always sends Sebastian with you on your errands, to protect you from some attack or someone. And you don't complain, his intentions are good and you can understand the anxiety he feels upon knowing that those responsible for the attack are free and alive.

.⁠｡⁠*⁠♡ Being a few years older, you know a lot about balls, about every important person and how to negotiate with them. And you teach each of these things to Ciel when he decides to claim the title of Queen's Watchdog, giving advice and sharing your opinion whenever he asks you, being by his side as his left hand.

.⁠｡⁠*⁠♡ And being his left hand means that you and Sebastian interact on a daily basis, protecting Ciel, going on missions together, collecting information and the such.

.⁠｡⁠*⁠♡ In private, when your masks can finally fall, you call him by his real name, hug him lightly and let him know that no matter what, you'll be there for him. Always.

⠀

.⁠｡⁠*⁠♡ Ciel actually told you everything, everything except that he made a contract with a demon. He hopes you can forgive him when the contract is completed, when he and his soul disappear from this world, without any chance of seeing you one last time in the so-called paradise.

.⁠｡⁠*⁠♡ Even after your death, Ciel might remember the loving way you sat in the chair next to his bed when he was sick and took care of him. He will remember the silly promises you made, the bad jokes you told him to make him laugh until his stomach hurt, the little adventures to steal cookies on Christmas morning. Things too precious for him.

[starzshopoflove]

Simon "ghost" Riley x Reader

Notes: fem reader! i hc ghost doesn't wear a mask when he's off duty, this is just whatever rot my mouse brain creates, age gap but not to crazy, sfw mostly ,size kink if you squint, literally just me projecting onto reader sorry

no thoughts just ghost meeting cute little civvie reader in a shop when he's just trying to get his shopping done after coming back from a mission just wanting to fill his fridge with enough beer and groceries that vaguely resemble food

Simon watching you struggle to reach the flour from a set high shelf in the aisle, grumbling to yourself about "who fucking needs flour anyway" still trying to reach it and he just pluck it off the shelf and drops it in your cart before making his way to another aisle and your just left looking stupid watching this giant trudge away with a little blue tesco basket in tow

Simon who notices you at the same book shop he frequents, but your perched behind the counter doing god knows what ( vaguely resembles inventory but hey do what you will) calculator in hand as he peeks from behind a bookshelf trying to remember where he's seen you before.

Civvie reader who passes her days working quietly in a book shop and living in a simple one room flat indulging her romantic needs in fiction too nervous to actually talk to men, fictional ones satisfying her needs better. That is until you see some books on the counter sliding over to scan them.

"Your total's 23.55" you mumble looking at the screen "Cash or Card?" you add before lifting your head to meet the brick wall of a muscle man. Oh OH, no thoughts as you just stare at his pecs in your line of sight thanking whatever god you believe in for the sight before you, better then anything your little brain could muster up even with the detailed descriptions authors would spit out onto the pages you read

You violently peel your eyes away from the most beautiful pair of man tits you've ever seen to see what man was the owner, and by god do you wish you werent so bad around men. I mean the wind practically got knocked out of your lungs as you let out a barely audible squeak watching this man fish in his pockets for his wallet

Messy blonde hair that was in that weird phase of curly but not really, a nose that looks like its seen a good fight, deep set brown eyes, and a few healed scars settled on the skin. Aged but like wine, a really really fine wine

"Right, cash" His hands fiddling through the wallet to pull out the bank notes, while you prayed you didnt look like a hunger dog staring at his hands as they placed the cash on the counter.

Simon who watches the little bookshop employee look like she just got punched in the gut and was trying not groan as she quickly rang him up, Do i smell? he thinks to himself

Simon who watches your smaller hands shuffle the cash into the register, noting how they're free of calluses, nailed neat and slightly grown, soft.

Simon who leaves the bookstore thinking of a excuse to go again tomorrow, not to see the bookshop girl or anything, he has his reasons!! he just hasn't thought of it yet!!

You start looking up from your notes for your class when the shop bell jingles hoping to see the mystery man whos built exactly like your favorite webcomic character but with the gruff and mature aura of that mc from the game your friend made you play that you cant quite remember. Only disappointed when its just another customer , until later in the day the man returns again.

But its much later in the day and you've switched on the shops warm lights, turning off the ac letting the place warm up as you hear the door jingle again, mystery man making his way to the counter your eyes following his every step, meaty thighs

You who perks up when his forearms settle at the counter suddenly eyes locking onto yours and suddenly very glad you tidied up a bit today, tinted chapstick, perfume, cleaner turtle neck, lashes, lipgloss, earrings ahm

"Tesco" he grumbles out unmoving

"what" well thats not what you were expecting to hear

"You were the girl , couldnt reach the flour yeah?" oh that was him

"Oh, that was you? thank you?" oh what the fuck were you supposed to say?? oh thank you freakishly tall man who watched me struggle?? let me take your whole cock in my mouth while you call me a good pet feeding your meaty length down my throat??

"Yeah" Simon didnt think to much on what to do now, gaze getting awkward now that hes got his confirmation

"Did you need anything" you finally broke the silence, god its fuckin tense in here and hes so close, you wanna just get a sniff but thats hardly workplace behavior doesn't matter if its your dads shop or not.

"Mhm, ye got any cook books?"

"yeah, section 12, shelf 9" whos he cooking for? his wife? i dont see a ring? maybe a long time girlfriend?? who wouldnt snatch up this actual beefcake

"Thanks, tryna cook something new for myself. Flats been quiet" He mumbled like speaking too much would give him a headache

SImon purchased his books same stare at the girls hand like last time as she took his money. God do something you look like a creep staring at this poor girls hands.

"Got a notepad luv?" again that same punched face returned, is she alright? he thought to himself

Oh he just called me luv oh fuck dont wheeze dont wheeze just hand him the pen and paper like a good employee, come on. Oh god dont stare at his arms, are those tattoos oh my god

Sliding back the notepad simon made pace of grabbing his cook book a slipping out the shop just as quick as he went in

You who looked at the notepad almost slipping back out of your chair

"Simon 44 xxx xxx xxx"

Children were singing, the angels sang their songs, the trees regrew in that parking lot down the street, healthcare in america was just made free, and you just got the phone number of a man built like a double door fridge that you have every intention of climbing

[dokidokitsuna]

Tragic Sky

(very long salty rant ahead (+new Alterna backstory, though! ^^;))

So I've always thought Alterna’s backstory, despite being presented as a grand mystery that’s definitely worth fighting through 90% of the missions to uncover in its entirety…was kinda stupid. :/ I’m all for humanity destroying itself for ridiculous reasons, but trying to launch a rocket in an enclosed space?? Are you serious…? o_O How could the Alternans devote such immense amounts of time and energy to something like that without once thinking, “hey, uh…burning metric tons of high-energy fuel inside of our flammable safety dome might be a little unsafe, idk”.

And it shouldn’t even have been necessary! DX I mean, if they were able to build a dome like that in the first place, wouldn’t they have some sort of scaffolding or elevator system they could use to reach the top and just literally climb out if they wanted to leave that badly?? Had Alterna existed for so long that the technology used to create it was lost to time (seeing as it’s implied that Alterna was destroyed by its SECOND generation, I doubt it)...?? Or, did the writers suddenly realize that coming up with pseudo-scientific lore that explains why inkfishes resemble humanity is wholly unnecessary and adds nothing to the themes of Splatoon…but it was too late to rework the concept, so they just finished off the story with whatever-the-heck and called it a day. ¯_(ツ)_/¯ I guess we’ll never know...

Anyway, my version of Alterna’s backstory starts with a similar premise: humans invented crystal thingies that can manifest people’s desires and whatnot…but this alone caused conflict that eventually doomed Alterna. People began to make their own interpretations of other people’s desires, judging and condemning them for how they manifested. They began treating the crystals’ reflections as compulsory measures of morality and worth, rather than simple expressions of the human heart that exist outside of a good/bad binary. Alterna’s leaders envisioned themselves creating a society of ‘pure truth’, free from the destructive power of deceit and subterfuge…all the while ignoring the destructive power of paranoia and exclusion that they immersed themselves in.

Exclusion escalated to oppression, which eventually spawned rebellion: plans were made to create a rocket that would allow a select group of ‘undesirables’ to escape Alterna for the surface world, destroying the integrity of their safe haven in the process. Despite not knowing what was waiting for them out there, they were willing to take the risk in the name of freedom. Eventually, this secret plan was revealed to the public, resulting in Alterna’s first and last civil war. As the Alternans began to fight and kill each other, the crystals were overwhelmed with the unprecedented ferocity of their clashing desires-- “a violent and terrible chain reaction ensued”, and the energy within them exploded outward. The sky dome, still filled with the beautiful blue of the peoples’ wishes for peace and happiness, came crumbling down, raining fire and shrapnel upon Alterna. The still-poisoned air of the outside world flowed freely into the cavern, ensuring the eventual death of anyone who might have survived.

…Then the crystals fell in the ocean, the sea creatures were imbued with human hopes and dreams, yadda yadda, all that’s basically the same as the canon too. And although I still think it’s unneeded (the mere concept of a bygone humanity in Splatoon carries plenty of weight without all this “lore”, imo), at least now the story isn’t stupid!

It speaks to the way humans actually treat each other, and blames their downfall on their long-established bad habits of cruelty and callousness, rather than morally-neutral traits like ambition and pursuit of the unknown (I would never have expected “curiosity killed the cat” as the lesson of the day from Splatoon, of all franchises. o_O This IS the same game that celebrates individual expression and forging your own path, right…?)

Anyway…I’m gonna be using elements of this rewritten backstory and the theme of “manifesting desires” to flesh out the final boss encounter and Agent 3’s subtle character arc. So please look forward to that~

[azurestarrysky]

I wanted to try to finish it before my birthday, and I did it!

The main first idea was to express that feeling when you get messages from people dear to you. How you can be happy to see it, how it warms up your heart and even can make you smile - in ideal case, I wanted to achieve this effect, so I needed proper face expression, and the overall atmosphere was supposed to be a combination of cute, happy & cozy. So at this point I decided to draw Nene in her room checking her phone. And it must have been something simple enough, because I had only five days And I got this

But, when everything was already more or less ready for lineart, I decided to go to the Nene's gallery on Wiki for some ideas about colors for her clothes, and then I suddenly remembered that she actually has a LOT of cool official outfits, and I always wanted to draw at least some of them

So I just felt that it would be shame to draw something this simple, while I could draw something really ✨beautiful✨. Of course, I'd need to change the background, because home background won't fit any fancy outfit anymore, but anyway I didn't manage to express needed emotion on Nene's face either (…it's hard to show it for her type of personality, who wouldn't have a ":D" face), so I didn't care about it either ¯_(ツ)_/¯ So I basically exchanged simple outfit with more or less detailed background to fancy clothes with very simple background

Still, I'm happy that I finally could try to draw something with Nene again. Funny enough, but before checking wiki I didn't even know about this outfit at all! After all, it isn't in the game, it was an outfit for some event I think?.. But it instantly stole my heart thanks to its colors and concert-like style 💙 In result, it wasn't even hard to choose which one I'll use. Meanwhile, if I'd like to draw her in one of other outfits someday again, then it'll be an interesting task: I really have no idea, they all are so pretty. Besides, I think I know where I can use something simple and casual like one in this first sketch too. Anyway, I wanna draw something creepy/gloomy for Halloween, and in that case I'll get an opposite situation: I'll feel bad to use any of fancy outfit for such a theme, so why not

[paper-mario-wiki]

hi, i'm not the person who asked you about the life update, but could you elaborate on how being a creator means to live in a world of ideas instead of the real world? i'm just really curious about your reasons for quitting, specially because i want to create things in the future (not necessarily streaming, but anyways), hope you have a good day!

i'll be talking mostly about streaming for the sake of this answer, but this is similarly applicable across a wide range of platforms:

the job of the streamer is, effectively, to be the life of the party every single day. your goal is to be the person that has something interesting to talk about, and is quick with a joke, and has nuanced understandings of certain things, without actually obtaining any sort of "expertise" in anything lest you alienate viewers. short of having a stated goal for a stream, the only goal of the streamer is to let people relax with a voice they enjoy, saying things they like hearing. you can become very strong in different aspects of streaming, like in the production, or as someone who focuses more on a skill they've honed like art or speedrunning, but the demographic of streamers which pulls, by far, the most significant viewership, is personality based streamers.

this becomes more complicated when, for example, you are very interactive with chat, or you stream with multiple people at once. now, to maintain this charismatic sway you have (the one that got you the job in the first place), you must be able to adapt to and bounce off of other people, as you are now no longer performing alone. naturally, there's a need to not only manage your own flow of consciousness, but also to be at least partially in sync with someone else's.

beyond these complications, you must also consider drawing in new viewership. when i was a streamer, i was quite successful, relatively speaking. pulling 300 viewers consistently is something a very slim amount of streamers can actually do, and even then i was still making under 50k a year, which is not bad, but also not good. in paying for my apartment, my insurance, my travel fare, and all the other stuff that living independently draws money out of you with, i was more often in the red than i was in the green. hence, the need to draw in new viewers, which cannot be done without something eye-catching.

think about this: there are, at any given time, TENS OF THOUSANDS of streamers live in your native language on twitch, and they are all FREE TO WATCH. the attention market is sparse because the streamer market is oversaturated. and considering all of THEM want new viewers too, everyone is constantly refining and improving their craft, which requires everyone to move creatively in tandem with each other lest they get left behind.

if you are a streamer making ass-dollars and ass-cents, it becomes easy to begin resenting people like jerma, solely because everything he touches seems to turn to gold. i personally found it easy to feel very disappointed in myself when peoples projects that seemed so simple would take off. it was a constant "why didn't i think of that!" situation, at least for me. and when you don't have the energy to keep that up, or the social stamina necessary to figure that all out while also being upbeat and happy in front of people near daily, it can become very draining.

what i mean specifically when i say the "world of ideas", is like. there would be times where i could schedule out my failures weeks in advance. i'd be so in my own head about the process, i could see the exact path i could see myself taking that would lead me directly to ruin. how playing games i actually enjoyed would steadily drop viewership, or how focusing on my studies would make people forget about me. and of course this is augmented by my anxiety, i know this is absolutely not the case for every streamer, but that overwhelming feeling of needing to find a new game to play, or a new gimmick to use, or a new ploy to get money that doesn't make you feel guilty even though your source of income is mostly queer and mostly poor young adults and your rent is coming up and you're $200 short but you also just had a fundraiser last month about a DIFFERENT emergency but you cant make it a bummer or else people wont want to tune in so you have to make it something fun like "you laugh you lose!" or "$1 art request streams!" while feeling nothing but anxiety while youre trying to sound like youre enjoying yourself even when youre asking 250 people to donate every 30 minutes or so and nobody seems to want to and chat is moving slowly and. and and.

well, it starts to eat away at you.

[scarfacemarston]

Could you maybe probably sort of kind of pretty please with a cherry on top write a Natasha x reader? Wlw preferred but nbreader is cool too. Maybe like a prank fic? I love pranks so much they bring so much serotonin into my veins 💋💋💋

Natasha x F! Reader prank people

Warnings: LOTS of cussing from Rumlow because that's just the type of guy he is. Takes place before the Hydra reveal. You loved a lot of things about Natasha. Who wouldn’t love the woman? You were the luckiest gal in the world to call her your partner. You loved how many layers she had to her and felt honored to see the softer, more playful side of her. Not many people knew that she had a penchant for pranks. It was quite simple for her to play pranks on people and let chaos reign because no one ever suspected it was the severe and stoic Black Widow.

Sometimes, she would prank people and give the most mischievous and playful smile -reserved only for you.

Well, there came a time when you wanted to join in. After all, it was a fun new way for you two to bond as a couple. Natasha quirked an eyebrow at your request but accepted it anyway.

Some of her favorite targets included Isaac Murphy, Brock Rumlow, and the IT guy from the 7th floor of the Shield Headquarters.

“You remember that I like to play the long game here, right? No salt in the sugar container or pie in the face antics. That’s child’s play. No, I want them to be either very confused, suffering or both. You can handle that, can’t you?” Natasha said with a quick of her lips. You scoffed.

“Of course I can! I have some ideas of my own, you know.” You defended yourself. Natasha crossed her arms. “Well this I have to hear.” “Well, I hate Brock Rumlow, too. I have a simple, but obnoxious prank on him, but he might tear up the room.” You warned.

“Hm, if it’s too awful, I’ll have to hear his loud mouth whining about it. Save your best idea for him to make it worth it.” Natasha thought aloud.

“Okay, will do. This Murphy guy, you have his email and number, right? Why not sign him up for the most famous mega church we can find? Joel Olsteen or Kenneth Copland, like that!.”

“He’s suspicious. I’m not sure what is off about him, but I will find out. But, not a bad idea, but I think we can do worse.”

“I’m getting there! What about various political campaigners? We could do Obama, Romney, Kennedy and even more local politicians. I receive those emails and texts daily despite donating to a Green Party campaign six years ago. That’s just one! Imagine how horrible three or more would be!” You enthused.

Natasha grinned. “Not bad, but I really want him to suffer.” “I was thinking we could give his name to various military recruiters? ” You suggested. “I’ll suggest his name to a multi-level marketing group so they can try to recruit him, too. Not bad for your first prank.” Nat said, hugging you from behind. “I think we can do even better.” Nat muttered in your ear.

“Okay, for Rumlow - I was thinking we trick him into thinking there’s somebody who takes his desk during the night shift. Uses his chair, desk, everything.” You said, a grin curling on your features. “Hm, sounds promising. Go on” She murmured. “Well, I was thinking we move his stuff around every day before he comes in. Maybe lay a crossword puzzle or newspapers scattered in the morning that look read? Move his pens, and everything else!” You laughed. Natasha nodded in approval. I think we should leave half-eaten bags of chips, half-drunk water bottles, and candy wrappers so he thinks someone has been eating there. That will get him. He’s quite possessive with his stuff.” Nat suggested. You gasped. “Oh, he’s going to hate that.” “Yep. And to end it up, we can have multiple files on his computer that look like they’re from Murphy, Jack Rollins and Sitwell. All of them sometimes work the night shifts.” Nat laughed as she turned to face you. ‘Imagine the fights!”

“I’ll be sure to tape them, don’t you worry, love,” Natasha said, tapping your nose.

It wasn’t long until Natasha invited you to have lunch with her at a SHIELD gathering. It was a relaxed affair where nothing intelligence-related was discussed. A few other SHIELD members invited their partners or children as well.

Natasha smirked as she took her seat next to you and placed a plate of sandwiches and milkshakes on the table for you to share.

“Might as well have something to eat while we enjoy the show. Murphy looks like he’s going to have a mental breakdown. His phone has been going off all day to the point that Rumlow threatened to break it, and Maria Hill threatened to take disciplinary action."

At that moment, you heard the buzz of a cellphone receiving a notification…and another…and another.

“They won’t leave me alone!” Murphy whined.

“Shut that damn phone up, or I’m smashing it. I don’t give a fuck about any “disciplinary action.”

“It’s the number, you idiot. Not the phone!” Murphy said, raising his voice.

“Then change the fucking number!” Rumlow raised his voice.

“I can’t! I have too many accounts associated with it! I’d have to start all over!” Murphy whined.

Rollins tromped over, glaring at Murphy. “

All of us are plotting your death, Murphy.” Rollins snapped as he pulled Rumlow by the shoulder away.

“Come on, let’s get you a beer.” Rollins muttered.

“I need more than a damn beer,” Rumlow muttered, stomping off. Soon, the noise was annoying, even the two of you.

Finally, Maria Hill herself made her way over, snatching the phone from Murphy’s hand. “You’re on thin ice, kid,” Hill said, pointing at his face.

Murphy sat, slumping into his chair. “It’s not my fault!” he whined.

You and Natasha exchanged looks as you slipped on your milkshake, stealing one of Natasha’s fries.

“I have to admit, I was close to breaking his phone myself.” Nat admitted.

“Yeah, this might have backfired on us.”

“But it is great to see them at each other’s throats. It distracts them from bothering Steve and I,” Natasha said, stopping your hand from stealing another fry.

“I could have bought you fries, you know.” Nat laughed.

“But I so enjoy stealing yours!” You smiled.

~~~~~ A week later, you received a text from Natasha. “Calling you in a second. Need you to hear this. Need to be silent, though.” “Ok” And with that, your phone began to ring. You picked up immediately only to hear shouting and cursing in the background…from a very familiar voice. It was most certainly Rumlow who had become fed up with the idea of someone “stealing his shit in his space.”

“If I find out which piece of shit is using my desk, I’m going to dismember them! Slowly!” Rumlow bellowed.

You heard a second voice. “No one sits there! Calm down there, alpha male. It’s your space.” Rollins snarked.

“Then where the fuck is this shit coming from? You work the night shift! Why are there files from you, Murphy and Sitwell? “ he shouted.

“Yeah, Over there. That’s how I know no one sits there. I don't know how they got that, Rumlow. I didn't do it." Rollins defended.

“Where did this come from? Or this?” - the sound of objects being thrown came through the phone.”

“Fine, ask Murphy!”

You hear another voice in the background.

“That asshole is on thin ice. If it’s him, good luck finding the body.” Rumlow growled.

“It wasn’t me! I quit working nights last month!” Murphy squeaked.

“That leaves Sitwell, then.” You heard Rollins speak up.

You heard Rumlow growl. “Damn it. That nerd is higher on the ladder than we are…but how about we pay the dweeb a visit anyway?” You heard Rumlow’s voice fade in the background.

You heard Natasha’s voice. “I hope you’re proud of yourself and the chaos you caused,” Nat said, snickering.

“Oh, so proud! I’m sorry you’re having to deal with this, though.” You apologized.

“Don’t worry about it, sweetheart. I can handle a few mens’ fragile egos and I can drown them out pretty well. I have to say, you impressed me with your pranks. I might need to watch out…but just know that any pranks you play on me, I’ll get you back with a vengence.” Nat warned.

“….. okay, then it will only be fun ones then! A surprise room of puppies, or baklava randomly appearing in places.” You appeased. Nat gave one of her rare laughs.

“I can live with that. Let’s give the boys a break for now, but we are definitely going to prank them again. Maybe we’ll go after new targets. I have to go. Dinner at Demo’s tonight, same time as usual?”

“Wouldn’t miss it. Love you, Tasha.”

“Love you, Y/N”.

[katyspersonal]

In defence of Shadow of the Erdtree + Getting my grudges with the fandom's bad takes off my chest

(! if you are seeing this caption it means the post was shared via queue feature, thus I must be STILL on my hiatus! will respond to comments when I am back online and thank all 5 of you for waiting for me! )

*deep, tired sigh* Allllright so... Ever since SoTE came out, it has been a rocky patch for me growing past initial shock, absorbing new lore and above all, dealing with some conflicts that transpired over it! In the end my grudges, as well as disagreements with popular attacks on this DLC accumulated enough to make me feel like smoking volcano, I swear.. You might have observed some anger already slipping through the cracks, but I've decided to place ALL of my opinions in one easily skippable post instead of turning my blog into a toxic pool with endless negative posts, so I'll just get to it!!

YEAH YEAH I know, a TRUE comedy genius remaking my DLC predictions bingo post to structure what I want to address fdhhdsf This is basically a 'so how is checking Elden Ring tag going today? :)' bingo but... it is easier to put it like this. I just need some way to simply vent my own frustrations because I hate everything featured in this image with THE burning rage. Putting my opinions and everything under cut but fair warning, not only it is going to be very long as if anyone who knows me is surprised dfhshfsd, but also very ANGRY! ANYWAYS!

1) "They excused genocide by giving Marika a sad backstory"

Sigh… Instantly off to a terrible start, and it is truly the most Tumblr take out of all Tumblr takes imaginable. So let me suggest something actually ground-breaking here… Giving your villain reasoning not only makes for a more realistic and interesting character, but is also crucial because nobody is just BORN evil.

sorry I had to I understand the temptation of wanting a villain whose sole drive is power control preserving privileges etc because it resonates more with the narratives proposed in real life and people's struggles, but not only even in real life things are FAR not as often as simple… but even if they were, Fromsoft is always dealing with more complicated matters that touch the nature of existence in general, and not just power and control over it someone could gain! Marika was not "just" evil even in the base game either, giving off the impression of someone wanting to build a perfect world of light, life, safety and abundance even at the expense of oppressing "potential threat" species (Omens serving as…. well, omens of the threat of returning to the primordial state of things or Albinaurics, creation of Nox, who angered the Greater Will itself once).

She waged war on the Fire Giants who had 'evil god of fire', caused natural disasters and whose fire existed as anathema to the Erdtree and declared her victory the start of the "better age"! That already spoke of a lot of complexity, without forcing the audience to agree with her motivations and actions but instead understand what weight they held in the grand scheme of things! Again: much like Gwyn who destroyed Dragons thus creating time, light and life the way it is known now and who for all his agenda against humans had a pretty solid reason to fear the darkness within them, which effects we've seen across the trilogy!

What DLC did add was simply a lore on Marika's origins as a Goddess, and what made her vulnerable enough for the Two Fingers to seek her! Divinity is further stated to not be a great thing via Miquella's whole arc, but the wish to change the world to the better hits harder when you personally were a victim of its fundamental corruption! She did not instantly become a good person over DLC lore, nor she was just evil person and nothing else in the base game! War against Fire Giants (maybe Dragons?) was the means to topple the current powers and establish her reign, oppressing certain species was the mean to preserve it. She searched not solely to take revenge on the Hornsent, but to build a different world where what they did would not happen, ironically ending up causing more injustice ANYWAYS! Miquella fell into this trap. Heck, GIDEON fell into this trap!

Even then, her machiavellian character does not explain why even after Hornsent were completely defeated that war continues forever through Messmer and his forces. Could this be just what Messmer insisted on and THUS she cast him away, or she lost any and all sight of what pusher her to it initially? In either case, even the game itself makes it very clear that Marika/Messmer are not heroes here in the SLIGHTEST!

On a more general note, detached from the specifics of this game: I do still find it more strange to be angry about villains being given sympathetic traits, as a concept. People who are just "born evil" are such a minority that they hardly can say anything about nature of men. Bad people, by proxy, are a combination of some sort of unhappy event (trauma, bad upbringing, faced oppression, mental illness that was not treated if not had its negative traits amplified due to environment, growing in propaganda and ignorance, abuse etc) and person's unwillingness or even inability to heal and stop the cycle of pain by refusing to cause more of it. It is not that simple, and often, people who were hurt so are past the point of not letting it make THEM evil, or lack resources to do so, or have their attempts to change if they WERE bad actively sabotaged.

This IS the true horror of existence: freedom of will itself being put in question. We might be not defined by our pain, but how we will respond to it might be defined by prior events, information we had, circumstances and society around us. How can ANYONE tell what they would be like if they endured the same? Can we be sure that we "endured the same but reacted differently" wasn't predefined by other, nicer factors? To be angry at the fact that a bad person who did bad things had a reasonable, even sympathetic explanation at the core of it all is to be angry that one's privilege to use "born evil" to mistreat and emotionally distance from those people is put into question!

In any case, 'explanation is not an excuse' works not only as a tool to still judge someone's sins, but ALSO to explain that writers making a character more elaborate is not a demand to like this character or excuse their actions! Everything has reason… This is why no one is entitled to declare they know what is good and bad for everyone. Not just people like Marika or Gwyn, but even us.

2) "Hornsent are dangerous and deserved extermination"

…okay, look, yes this is another heavy topic, and it does deserve a separate post which I did make already in the past ( x )! It is another topic that sort of transcends the boundaries of this story (another common Fromsoft W for making people question life and society themselves)! To put it down simply, of course no race is inherently evil, what is the reoccurring topic here is the culture! And what is on the surface is that Hornsent as culture and species, in many ways, are victims of its own oppressive religious institution and questionable traditions. Bonny Village's potentates are hostile, dangerous cult serving as a the weapon of """justice""" and """purification""" within Hornsent! They possibly go back-to-back with their religion but except they are extremist. We cannot tell whether general face of the religion, the Inquisitor hags, would do anything about it had they have more control, whether they tolerate it for convenience, or whether they encourage and utilise its existence. But what we CAN tell is that not only "impure races" are punished/killed, but even "unfaithful" Hornsent themselves!

Yes, definitely there are also Hornsent children who would have no choice regarding their upbringing, information, nor much agency over their actions, and we know they did not spare the children either from the story of Hornsent NPC that we follow! But even then, it is clear that Hornsent that were in disagreement about their culture's demands had to be quiet about it either, or else they'd likewise be persecuted!

"Why could not they just have started a revolution" is a very unfair criticism towards a culture/place oppressed by corrupt religious (and military?) institution on many levels! As someone from the country ruled by a tyrant feeding the civilians propaganda excusing genocide and promoting xenophobia, as well as very corrupt and oppressive religious institution that yet is hardly a HALFWAY as awful as some countries I could explain how hard (impossible) it is to reliably as much as gather enough people to rebel (with no results but legal troubles down to getting imprisoned). Let alone gather enough people to go an die for the cause. Especially when almost everyone with ANY power and weapons is already by the government's side completely rotten by propaganda. Feeling outnumbered, not having any resources because they're all in the hands of people who ARE corrupt, knowing even out of other people who disagree most would not risk leaving their children and sick relatives and alike in trouble rising up against the enemy they can't reliably take down is already a huge problem here. Even considering the (very idealistic) sentiment that dire consequences doesn't erase the blame that comes from not speaking up, it doesn't change that there are real and reasonable people who don't agree! Let alone the separate topic of how even people rotten by propaganda deserve a chance for rehabilitation! Propaganda is a horrifying tool and not having immunity to it should not be automatic death sentence!

Shadow Realm is already full of burn Hornsent spirits questioning what did they even do wrong and claiming they only wanted to live and didn't do anything, further proving that they might not even be much aware of what their Inquisitors and Potentates do, let alone not being a solid monolith race of those who agree with extermination of the "impure"! They are people, living in conditions of the culture held by the throat of those truly evil! It were a bunch of civilians burnt, as well as Hornsent's (NPC) wife and child who 99.99% didn't do anything. To think of it, it makes it very bitter that Bonny's Village and Inquisitors in the Tower clearly were able to recover and bounce back, when it were civilians who payed the price. Very grim yet clever remark about the real world as well, but I am sidetracking. In general, yes, a culture that considers itself holier than others with extremist forms of it deeming them unworthy of living should be stopped and criticised, but genocide can NEVER be the answer!

^^^ It fact, something already suggests there was a different answer, an even obvious one. Marika's "betrayal" suggests a long social game on her part, as well as the fact that Hornsent culture were trusting her! Maybe they knew she was a shaman and things were happening past the point where they stopped persecuting them, maybe they had no idea. Yet, in any case, Marika held enough social power to bridge the gap between the cultures, to let them evolve beyond their past, traditions and prejudice against 'outsider' cultures and instead learn from them!

^^^ In fact, the gap was bridged, since Crucible, THE Hornsent thing, WAS considered divine even as Golden Order was established! That was like… after getting Elden Ring instead of Dragons (whatever the reason was), war with the Fire Giants and murder of the Fell God and removal of Destined Death from the Elden Ring? Nonetheless, with the power to stop vicious cycle and to let the horrible practices and past be buried and dissolve in her new order of life and radiance, so-to-say "civilization", she chose the path of genocide and revenge that has not ended even to this day! As well as essentially became "the very thing she sworn to destroy" by keeping those like Omens and Albinaurics oppressed!

And to bring back the previous chapter of this post, it is not an invitation to say 'aww then it is fair that she hates Omens so much 🥺', but a pointer that what she did was wrong. And so, yet again, the cycle continues, take Vengeance-Seeking Hornsent that swears to kill not only her and her family, but everyone affiliated with her in any way even if they were innocent and simply were born under such order! He mirrors how she/Messmer did not simply stop at punishing those who WERE guilty, how violence and revenge will always only birth more of violence and revenge, until someone decides to stop it and chose to solve the situation the pacifist way to their best ability. Even when some people claim that within this option those who will want their power back can survive and ruin everything again: likewise, if culture is exterminated, victims will survive and come back with revenge. Either way suggests the risk, but only one of these ways has even a CHANCE of better future! What IS certain is that humanity could never be at better place unless we as species keep trying peace over and over, that won't banish all evil from the first try, but we must choose peace and not genocide over and over!

3) "Miquella's character was assassinated"

No, it wasn't.

OKAY FINE but it is one of the topics that are hard to approach seriously, when someone mistakes the arc of the character falling from grace to a complete rewrite of the character's personality! How falling from grace inherently suggests there was no grace to BEGIN with? Character assassination suggests Chloé Bourgeois from Ladybug that the character has been written a certain way, but then deliberate effort was done by the writers to damage their image and make the audience hate them or no longer care about them!

What we learned about Miquella from the base game was all information about him from the times long before we, player, arrived in the game, and before his departure in the Shadow Realm! He was kind, he cared about his sister to the point of creating a new school of magic and then creating Unalloyed Gold all to heal her, he wanted a gentler order than the Golden Order and created his own tree that welcomed everyone but first of all those oppressed by the Golden Order, he wished his brother Godwyn could die honourably instead of being a growing virus to all living past death. At the same time, he naturally needed military force to protect his Haligtree, as well as was able to bewitch people with his powers!

In Shadow of the Erdtree, nothing that followed erased that information! In fact, he still boldly stated that he wanted Age of Compassion! What we DID witness though were two things: 1) the fact that he had to get a bit machiavellian, something that already was obvious from the base game because kindness alone is not enough to survive in this world and you HAVE to do some planning as the leader up against the current order with its own fans, as well as people who hate the compassion as an idea and 2) that he has been leaving behind what made him the person that he was, including his feelings and attachments, which logically included caring for Malenia for example! So, the dearest sister is 'loyal blade', because he abandoned his love! He does not still love Radahn either, but Radahn was a part of the promise; a very pragmatic thing and memory that did not have to go as his feelings did. He simply was part of the initial plan to ascend to Godhood; Miquella sounded scared of the idea when he asked Radahn to be there for him, but abandoning his fears and doubts would not automatically erase the OATH. Effectively, a "contract".

Miquella was hyped up as that kind, almost perfect, noble person, for us to find out that he is not anymore. The 'anymore' part here is crucial! Fromsoft have previously did the trick with hyping a character up to be great but us finding out they were not with Vendrick and Gwyn (and very briefly with Artorias who didn't DO anything yet was hyped as THE hero when he was in fact defeated)! Miquella repeats the trend with reveal that he did charm Mohg back then (was not perfect in his actions, but I'll get to it later), but also has the story of further descent from that not-perfect-yet-GOOD person that we follow! He is effectively the most elaborate incarnation of the concept, and we know Elden Ring includes Fromsoft learning from their previous games a lot, polishing the concepts they want to use! Miyazaki confirmed that Elden Ring is "close" to the dark fantasy game of his dream, yet is still not it (someone stop this madman fhfdhs)!

To suggest that revealing him as complex, as well as adding the tragedy of repeating Marika's mistakes no matter how much he was running from this sad fate, equates the devs wanting us to hate him (that is what CA is) is ABSURD! He REALLY did not want to be Marika, he was AVOIDING it, yet no matter what, it caught up to him... How comes you equate tragedy and imperfection with suggesting that you should hate him according to the writers' intention? I will go further and say that if your expected reaction to finding out your fav was never perfect in the world where perfection doesn't survive, and had road to Hell paved with good intentions is 'oh devs made him hateable' it only speaks of your own lack of understanding and compassion. Miquella is as much of the victim of this wretched world as everyone else, where you die a hero, remain a lazy fence-sitter or try to do something but only drastic means to do it make a change. Really, this is just Fromsoft's world and Elden Ring is in no obligation to change their philosophy of existential horror!

4) "Fromsoft failed fans by not making it [insert a thing from a wishlist]"

It could be a bit subjective, but personally I think this is simply not how creativity works as a concept. This kind of criticism suggests that upon deciding on the DLC, developers were supposed to look at the fandom's discussions, determine what would be most emotionally satisfying for them, and go that route regardless of what their vision of the story was or what…? It feels like a very entitled kind of thinking for me. Creator's one task is to bring their own vision to life and tell the story and messages they want to deliver! Not to cater to the audience, not to tell them what they want to hear, not to do what sells well or, god forbid, fanservice. (and you can probably see in which paragraph I will need to touch this one too!)

Miyazaki has a rather grim vision of the world and humanity, that is not completely nihilist and devoid of hope, but never gives the coherent answer to what the better future IS either. Character Aldia from Dark Souls 2 (and vaguely in DS3) is probably the best personification of his philosophy. The world is wretched, but the means to change it are so terrible that one might question whether it is even all worth it and whether the new world built on sacrifices is truly better, toppling the corrupt power just replaces it with the other corrupt power unless you decide to straight up destroy the world, but there must be something, right? We just lack insight to understand what it IS, but how can we obtain that knowledge without losing our humanity? Happy ending or blunt message about how if you remove corrupt authority things will magically be good are not his style.

And… regarding smaller things, honestly? He had a right to throw in a random ship that didn't have any foreshadowing if he wanted! It is HIS story and HIS characters! Creator must not obstruct THEIR vision and preferences for anyone, but it is OUR choice whether to take it or leave it. Just because we gave Elden Ring that kind of popularity and influence with huge amount of support and bought copies of the game doesn't mean that now Miyazaki is under obligation to serve us and think about our reception and tastes as sort of "gratitude" or whatever… And on a relevant note, it is his choice which topics he wanted to explore in SoTE and which topics he was done with and decided to leave be.

Again I might be different, as the very moment we had a DLC confirmed I emotionally distanced from Elden Ring knowing that any headcanons and expectations could get jossed at this rate! Getting invested into series that is still in development suggests obvious risks! No one is obligated to ENJOY whatever choices he made, but what we should do is to remember that he had RIGHT to HIS choices.

5) *claiming all hinted that it obviously should have been Godwyn*

I've heard it often that base game all foreshadowed that Miquella was departing in the Shadow Realm to bring Godwyn back to life, Eclipse thing and all, therefore SoTE "betrayed" fans by not focusing on Godwyn. Everything was supposedly set up for him to be prominent or maybe to be a final boss instead, even if he'd be a through and through failed attempt of resurrecting him! But…

Even in the base game, it was suggested that 'Eclipse' was already attempted, and failed. Nothing to suggest that they would go and try again via different means. And, in fact, there is another piece of evidence that Miquella was not going to attempt another way of resurrecting Godwyn! 'Please die a true death' suggests that Miquella wanted Godwyn to not exist as Prince of Death, but to die fully; with his body too, not only his soul.

This is certainly not about resurrection, so it is safe to assume that Golden Epitaph was made as Miquella gave up the hope of returning Godwyn's soul to him! 'Eclipse' was attempted, and it failed! Moreover, 'Eclipse' is a thing associated with the Castle Sol / Mountaintops! Nothing to suggest that it is properly done in the Shadow Realm, it is very much Lands Between's thing to do. (could it be relevant that Fell God of the Fire Giants was killed, and even before Furnace Visage thing his fire was shaped like an orb, so like a sun? no sun to eclipse to begin with? now Erdtree is THE source of light? some fuel for interpretations)

This is not the only reason, as we have a more bold one, that is Fia's quest getting broken! One of the endings is Fia laying with Godwyn and bearing a Rune to bring Those who live in Death back in the Elden Ring, and one of the remembrance bosses is Fortissax fighting within his dream! If Miquella's goal was to go and try to resurrect Godwyn, that would already remove his body from that area by the very existence of the DLC! So, should have Fia's quest/ending and Fortissax battle been timed events only for pre-DLC era? Or, again, if you say that event would only happen if we followed the entire DLC story to the final battle: Fromsoft's DLCs typically do not have any significant effects on the base games, it is usually just some extra dialogues here and there. And what would be about Godwyn's "virus" growing in Stormveil, as well as on some enemies and deathroots in the ruins where Mariners resided? What is considered his body goes FAR beyond just Deeproot Depths, should they have programmed removing of ALL that to not contradict their own lore, then? It really doesn't feel like the case even from technical standpoint already!

From narrative standpoint, both Godwyn and Radahn should (have) stay(ed) dead for the story and emotional weight, however, elaborating Radahn didn't make his presence overbearing for Fromsoft's standards! On the contrary, he got more role besides kinda 'just being there' compared to other Demigods! Godwyn had a lot of impact and presence all over the story in the base game and one of the endings being tied to him! I will get to it in the paragraph about devs allegedly 'abandoning' some things that needed elaboration though!

Yet even then, devs still added Godwyn bits with Knights of Death getting sort of rebranding to still stand by him in death and the bit about Godwyn having custom-made medallions for his special knights! It is very clear that devs have not forgotten or forsaken Godwyn but instead keep reminding us how much he mattered for the idiots living in this fictional universe! However, they know where to stop so the character isn't devouring the story too much as they have their own style with balancing characters' presence! Saying that "only" adding Knights of Death going to protect what's left of their Lord like sort of fucked up plant culture in Shadow Realm is some sort of grave insult to his fans is just weird, because in fact devs were not supposed to add this EITHER!

6) "Scadutree fragments is a cheap way to force players to explore the map"

I don't think there is anything wrong about rewarding the players for exploring the open world map that is meant to be explored! And, yes, it is rewarding, not forcing! The bosses COULD be beat even without Scadutree fragments if you know what you are doing! Like, what surprises me the most is that this take typically comes from the gamers! You know, THE people who would know a thing or two about imbalanced builds or weapons, or have enough time and patience to memorise every single movement by the boss, let alone liking to challenge themselves!

Even then, Scadutree Fragments are supposed to be discovered naturally as you walk around, check niche places on the map, do platforming and search for optional enemies and bosses! If all you wanted from this DLC was to run very straightforward to just beat the boss already with ease so you check the remembrances faster, are you sure that you actually like PLAYING this game? Getting into an open world game when you don't want the 'open world' aspect seems counter-productive to me :/

Bonus mention: some people finding Abyssal Woods sequence frustrating and annoying! It is somewhat relevant to this complaint! Losing Torrent in this area perfectly adds to the sense of not being able to escape, and stealth game with Aging Untoucheable is straight up horror stuff! How are you supposed to experience getting into the forbidden area infested by the force that every living (and dead!) being in the setting fears, if you just can run straightforward to the boss willy-nilly without any buildup or obstacle! It feels like the same sort of complaint as Malenia being unfair boss when she should be hard as someone who "never knew defeat"! Fromsoft is very good at using gameplay elements to confirm what the lore says! This "criticism" just looks like straight up impatience to get your dopamine injection already instead of enjoying the process of learning this story like devs intended!

7) "Miquella has always been evil"

I suppose it goes as a sibling paragraph to 'Miquella's character was assassinated', except this time from the standpoint of those who either liked the "twist" or were indifferent to it… I think this is just a confirmation bias at play from the people who assumed this about the character from the start, often including but not limited to Berserk fanboys. I agree that the fact he has never been perfect was plain to see either, with Bewitching Branches being a sinister power as a concept and Haligtree Soldiers suicide-bombing being a bit too fanatical, but yet again: nothing erases the notion that he had good intentions!

Ansbach kind of reminds me of the same effect Kenneth once had; Kenneth described Godrick as pathetic and everyone agreed completely ignoring the bits that suggested otherwise, and now Ansbach described Miquella as a monster and this is what some people believe! Honestly, how do I develop this level of charisma to make people believe me uncritically fhfdhhfsd In any case, the "unreliable narrator" effect is very prominent in the game, and it is important to remember that developers make the character say what the character would, not give us the directions on what opinion to have!

Miquella's power is further elaborated upon in SoTE, as not inherently brainwashing one but a very strong remedy for someone's problems! Leda's fanatical murderous fixation, Hornsent's obsession with revenge, Moore's insecurities and Ansbach's fixation on avenging Mohg's "honor" (which is likewise a very questionable concept lol) all were muted, giving them peace and friendship instead of attacking each other OR himself! The key to them being pacified and happier being to fix their love on someone else doesn't make Miquella evil megalomaniac wanting an army of loyal dolls.. on the contrary, often caring for someone else IS the feeling that brings out the best in us humans!

Again, this one is subjective, and of course people can read the character any way they want! But I start to take an issue with this reading when people claim that it is canon and dig at the base game saying how he never cared for the compassion but just was sort of narcissist seeking the oppressed to make an army of admirers from or whatever… The DLC accentuates on how he has been abandoning the 'humane' parts of himself, that were making him vulnerable and as Demigod more human than God, so we meet him at his "lowest". Even then, he states his motivation to make a better world full of compassion and free of evil! He would make everyone hold hands in more peaceful ways if he could, but even from the base game his arc was basically trying and failing to heal his sister. Besides, Dane's last and only words are asking him to make a gentler world, without his spell in the effect-

Like, there are enough things that show he had enough reasons to make people see him as symbol of hope even without MAKING them to. With Radahn, we are repeatedly told that "he and Malenia helped him to cosplay Godfrey" stems from the oath they shared and Radahn agreed to! Whether you see Caelid battle as him wanting to die (to go to Shadow Realm) in a battle, or him rebelling against Miquella's world of shining flowers and kissing bunnies in the end as a warmonger but twins not having this "change" it still doesn't straight up speak of evil intent. Could be taken as despair and reaching that 'giving up' state! With Mohg we are not sure either. Maybe Miquella just wanted to "heal" his pain but his personality persisted and obsession/kidnapping happened, so he knew he was beyond help and TOO soaked in blood and sin! Or he was beyond help / didn't want help from the start, so EVENTUALLY (key word) amounted only to sacrifice in Miquella's eyes on his path to Godhood as he NEEDED one, maybe it was even seen as 'mercy'. Help is to build a better world as a honor and all.

He very likely wanted to make a better world for him too! Both their goals were connected to "love" after all! The reading of the character as evil is not as cut in stone and evident as some people make it look like!

(In fact, shortly after BASE game released, Miyazaki confirmed that Martin wrote some nice characters and Miyazaki wrote the ways to corrupt them. So, Martin wrote the kind guy, and Miyazaki put him through corruption arc. But I will get to it in due time -_-.....)

8) *views Messmer as just another (boring?) victim of Marika* (and variations)

This one I kind of saw in two forms: people who dislike the character or not care about him writing him down as "boring" for this one, and simps who kind of lift agency off the character in order to be able to like him! This is to put it roughly, as again, there are various variations but with the same sentiment at its core!

I do think that Marika having enough influence over his actions, and even having abused him emotionally in some way, is entirely palatable interpretation! The nature of Base Serpent, as well as supposed connection with the Fell God, is debatable and can vary from truly harmful thing to simply a force of nature that exists to ensure forces like Erdtree can't live forever. Regardless of interpretation, would a kind, loving mother truly allow for her child to hate himself so much?

Marika has….. a problem with fire. Waging war to put down the Flame of Ruin because it could burn the Erdtree and removing Destined Death that was fire-affiliated power already showed it; as 'Eternal', she of course wanted to live forever, same for her Erdtree! Messmer manifesting fire element would certainly be a problem for her, but was it though? Base Serpent is malicious but for this reason Winged Serpent exists, no? Can another side of universal balance be something that must be removed from the scheme of things? Can fire, or death, truly count as 'evil' things? Are not they simply forces of nature that Marika being the MILF Gwyn that she is did not desire personally, in her vision of a brighter, bountiful world?

My point is, even though she created many Divine Blessings to help him, she did likely inflict some sort of negative self-image on him anyways. Maybe it was not her intention, but she always feared him and eventually that brought her to hide him away!

So like, how does this NOT make Messmer just a victim? Okay, so here is the error that kind of started it all:

User drenched-in-sunlight explained it better in this ( x ) post, but the point is that taking up the Crusade that Marika wanted was Messmer's own initiative and not something she forced him to do like English localisation made it sound! So, she was still possessed with the wish for revenge, but Messmer was like 'hey no need to make your hands dirty, I can do it'! Like drenched-in-sunlight explained, Marika's 'wish' here is the same as in the description of her braid (same symbols), so Messmer sees what is hurting her, and ASKS to be the tool of her vengeance! I'd say that even without this bit, simply the fact that he is a grown ass man should give him agency and hold him up to proper judgement, but nuance is always important!

This does paint an interesting picture though: Marika has been trying to "heal" him (which is a debatable concept considering her character and what fire, save for Frenzied Flame, means in the setting, but I don't insist), he asked to deliver her vengeance FOR her, but also despite having sealed the Base Serpent within him she was still scared of him and sealed him away making everything connected with him heretical and warriors standing by him still shunned, and Messmer lived in hatred, begging her forgiveness before crashing her seal yet cursing her name upon his death! It looks to me as though she grew truly scared of him and decided she wanted him gone BECAUSE of seeing him in action during crusade! Him hating her for ditching him implies that was not something he expected, so maybe seeing him in Crusade made her go 'wow, my son is actually more scary than I thought'!

That speaks of Messmer as someone who can get carried away with cruelty in blind, fanatical devotion! (that also makes Queelign an interesting mirror into his youthful, more """innocent""" self but that's not the point fdhfhds) Marika might have been horrified by it, or horrified by her own ugly reflection in the monster she (unintentionally) created with her parenting, but nonetheless it describes Messmer's personality more. Someone whose reaction to his mother's trauma and yearning for vengeance was to not only take such terrible plan in his arms, but also to go too far with it, maybe even too far for HER. Not everyone would react the same way. A better person would've probably focus on helping his mother to heal and move on, or maybe even turn around and refuse to comply with such harmful intentions. But he, being a grown man who could think and choose, chose to commit genocide. He is evil! He is not JUST evil, either. He is NOT boring tool of Marika with no agency, though!

And on a relevant note, for the simps..

No but seriously fdhfhdfds I understand how that sentiment could have left a sour taste after SA Mohg truthers kept saying 'hey guys you aren't real fan of Mohg if you ignore what he did 🙄' (that certainly aged…….), but I still want to remind that a fictional character doesn't need to be stripped out of his agency to be found attractive! With Messmer what he is doing is a bit more direct, and it is NORMAL to simp for the characters you could not stand in real life! What is the fun of engaging in fictional worlds if you turn it into a morality contest and sort of a "practice" for what kind of endeavours and relationships you'd want in real life? It is for going wild and satisfying curiosity and dark impulses. No limits needed. This is just an advice if anyone needed one like this, because we just never know really.

9) *"corrects" people's interpretations (especially of Nanaya)*

Sigh...

This kind of behavior in the fandom is certainly not exclusive for the past-DLC era, but it really felt more relevant to address again and- yes, like I said, with Nanaya thing it is something I've witnessed the most! Not long ago I said that despite hearing people question why there are so many uncharitable takes on Nanaya I haven't really seen any? But yes, like usual, it happened because Tumblr bubble is often different and you need to catch updates from Reddit and Twitter to have full fandom picture! An example: not reposting the art of course, but here is a cute comic of Midra reuniting with Nanaya in spirit after death ( x ). And do you know why the artist had to add a caption to ask people to not correct their headcanons? …..because on Twitter, they got pestered with people "correcting" them that Nanaya was aKtUaly evil / Shabriri / etc. 🤡🤡🤡

Honestly, I approve of correcting people when they legitimately, objectively contradicted or missed something stated in canon! I disagree with the notion that canon is just a suggestion and the whole fun is to just use names and concepts from it to create one's own thing! I am one of the guys that wears the T-Shirt that says "Just make an OC then" because primarily fandoms are about studying and enjoying the source material! A good headcanon knowingly differs from canon, know rules to break them at the right places, all that. It is especially relevant in Fromsoft's games because the information in them is very scattered and obscured. You WILL miss something, and so communicating with the fans, double-checking wikis etc is crucial! Similarly with fanart: there is a difference between giving a character heterochromia and more interesting look to add flavor in design and drawing them incorrectly because you haven't SEEN their datamined face and need a pointer (looking at you, white Henryk Bloodborne fanarts all because not everyone checked datamined faces!)!

As I got this off my chest that I am not an absolutist with the 'let fans do what they want' because if someone doesn't need canon that much they can always make OCs or original settings…. …when something is not canon but simply a popular interpretation, don't "correct" people! Midra asks Nanaya to forgive him when he succumbs, and it is anyone's own choice whether they take it as her never having wanted him to succumb when she was still alive or her having been secretly lyinh and ensuring long endurance would made him explode into more "sufficient result"! Fromsoft's lore often leaves bits of information that can be used to justify any interpretation! And discussions, even debates, to prove why your version is better are very interesting! Fromsoft's lore community at its best feels like we are all academics defending our thesis before the audience! But the whole "well aktualy" + "there is no proof so your headcanon is bad" + "let me educate you media illiterate casual" + "but [popular loretuber] said this" attitude just isn't it.

The last example is important! This problem IS also often the result of latching onto what a popular loredigger says. Usually Vaatividya (video lore), charredthermos (wrote a popular Bloodborne interpretation document), Lokey's Lore (has whole website with his interpretation of Fromsoft games bits) and so. And I often see people hate these popular Youtubers too, but I think that the blame lays on the crowd! It is none of these guys' fault that the crowd decided to promote them to the fandom's idols and give them this sort of influence! They were not loredigging to gain this kind of power, they probably never expected the popularity, and they would sure be unhappy to know that their work is used to shun creativity and start fights in the community that they care about! Yes, even when they 'lokey' (haha geddit?) speak in the manner that suggests being close-minded to other interpretations, they are not forcing and CAN'T force fans to idolize them.

In the end, they were just doing what they loved, and popularity probably came from them being pioneers. But instead of spilling vitriol towards them and saying how they should be "dethroned" as if they damage the fandom, why not turn our anger towards THE people who idealize them? We are all angry when we are "corrected" and they use lore of someone popular as a "proof", but this is the fault of THE people who "correct". Discourage this behavior, encourage thinking like individuals and not like sheep. No one asked for the popularity or the power to stomp out any curiousity and creativity. Don't hate the big guy AND don't take the big guy's word as a gospel. In the end, we are all just guys looking for answers in the places where they were NOT given.

10) "Mohg beating allegations made the story worse"

Sibling paragraph to 'they've failed the fans by not making it a thing from my wishlist'. Themes of sexual abuse and incest ARE quite interesting and important, but not inherently THE most important, or more important than any other themes! The information about Miquella having put Mohg under spell opens up equally interesting things to talk about and look for! How did he end up like this? Was it an accident of him trying to "heal" Mohg and it no working, and then he decided to just use what he had when he followed his plan? Had he written Mohg down as only working as vessel sacrifice for that mad plan from the start? What was the backstory between Miquella and Mohg considering this? There are still interesting things to work with, regarding relationship of the two, but now with added spin of Miquella's fall from grace arc that starts with following the plan with Radahn. Because, I remind you, requirement for a vessel, so, someone powerful dying and being used, was part of it from the start! Since Radahn needed to die! It is dark, just in a different way, and divided between two characters instead of just clear stated victim and abuser without shades of grey or nuance!

I say 'divided between two characters' instead of 'they've switched' because Mohg didn't instantly become a GOOD person over this reveal! I praised him as a valid character to point out that not all victims of awful childhood and mistreatment are automatically good people, which is a good way to diversify the characters! Make things more realistic than black and white thinking. Similarly how Rykard or Dung Eater are evidence that not all people up against the oppressive system are automatically good people. That benefit of Mohg as a character didn't evaporate, he still serves that point well enough! Nothing in the DLC said that all the kidnapping of surgeons, corrupting people with the blood and bringing in sacrifices happened because of Miquella's charm. Ansbach, in fact, confirms that the blood cult madness existed before Miquella's charm! When we admit to him that we killed Mohg, he also states that such were understandable risks of seeking Lordship, implying that Mohgwyn Dynasty, so, attempt to insert himself into Golden Lineage through mad, violent means, was also already a plan before! To think of it, SA accusation is the one and only thing he beat x) Reminds me of this meme: ( x )

Again, the story allegedly becoming "worse" solely boils down to 'they've made it about a starter point in Miquella's descent from grace and not about sexual abuse' that is simply not true. It is still interesting and valid story, just in a different way! I would normally argue that as far as fandom life goes, it should have in fact improved things; whereas Mohg was never addressed and explored as a character beyond "mohglester" thing, now he should get proper respect and analysis by the fandom, right? …right? WRONG, now people do often simplify him in a different way and forget that he DID do all that other bad shit! 🤦🏻‍♂️

And I can imagine that complaint about this reveal is not limited to but INCLUDES fans being annoyed by how people simplify Mohg and make him a good guy now! But fandom's habit of selectively reducing characters to just one trait ("mohglester" before, "victim of brainwashing" now) is not the fault of writers. How exactly the fact that we, as a community, are too shallow and unprepared for complex story and characters Fromsoft offers to us, is the fault of Fromsoft? Creator should not simplify their writing or direct it a certain way just because of the notion that majority will lack attention span or insight to understand it! We are the ones who should do better! Mohg offered enough complexity in SA allegations era, he still offers enough complexity now, it is right there in the source material for those who seek and care!

11) "Why some people are still coping instead of admitting the writing is bad???"

Yeah very mature of me to single out this paragraph by making the headline sound like the speaker is having a fit, I know. 🙄 In my defence, this particular one also truly got on my nerves, but it lacks the same huge gravity as the topic of approving of Hornsent genocide did so it is just… it is certainly something right.

Certain kind of fans that I lovingly call 'Twins Cultists' (as opposing camp to 'Chadahn Simps') has been terrorizing the fandom with the attitude of singling out and shaming other fans for "wrong" interpretations, saying how they "disrespected story and characters" with the awful sin of not reading characters Malenia and Miquella deeply enough while at the same time reducing Godrick and Mohg to a bad punchline and insulting fans that read deep into THEM, trashing everyone outside of their echo chamber, putting characters/ships malicious ragebait takes in the TAGS and then playing victims of the "toxic community" and such and such. And you would expect this kind of behavior to get significantly humbled up and them to self-reflect on how they were treating fans when THEIR takes were disproven? And I am glad that some people DID!

Full respect to the guys who reconsidered the attitude of swinging their One True Reading at the heads of "heretical" fans like a bat now knowing Fromsoft always has some cards up their sleeves! Especially if they apologised to the fans they were rude to! But also enough people didn't and now not only hate differing fans harder, but also are furious that writers sorta took away their privilege to be mean to "media illiterate weirdos". I wish I had the patience to accept the fact that of course people are angry, because something so important for them was……. no, fuck that lol I don't.

Okay jokes aside, yes I am aware that it is not possible to care about something passionately without at least somewhat slipping into the territory of defending your understanding from "threats". All we can really do is to draw the line between getting too carried away by our passion and outright obnoxious toxicity in the fandom and TRY to not cross it. To CHOOSE to not cross it when we see it, and step back if we did cross it. I do, however, take an issue with people who refuse to try and even encourages the mentality of seeing fellow fans as "enemies" and gets proud knowing they angered someone or discouraged them to check the tag. In Fromsoft fandoms, it is almost exclusively Tumblr behavior, we are sure luckier than every other fandom in the internets, but I still want to get it off my chest. Like I said, this particular attitude developed a new form after SoTE released, attacking the fans who seek reasoning within the writing decisions they deemed badly written or fundamentally wrong.

And these instances are EXACTLY where I put "just caring passionately" as their motivation into question. Because if someone says it makes sense to say that Miquella and Malenia admired Radahn's kindness when they all were younger and thus he likely faced a negative character arc since then into becoming obsessed with war instead, and you get mad at them for "coping when calling a warmonger kind is dumb and makes no sense"…? Sorry, but who cares about characters MORE in this situation: the person offering proper thought about them given some new information, or the person who is mad that their one-dimensional vision got broken?

People finding creative, interesting and reasonable ways to incorporate new information into lore, in the ways that do not contradict the base game (!!!) is not "coping" or "seeing through pink glasses" or "refusing to admit their fav dev can do wrong" or whatever you choose to call it. It is simply using analysis and imagination, it is adapting and accepting. If you can't do it, you are welcomed to do rewrites of SoTE reveals and characters and ending, it is not illegal! But don't go and say that the writing is so awful and broken that everyone who accepts it "never actually loved Elden Ring" or other nonsense just because for YOU this writing didn't work! The one and only unforgivable thing the devs did starts and ends at the fact that Radahn thing was not foreshadowed, and yet even HERE his relevance is EASILY incorporated and developed into backstory if you are willing to put in effort! This retcon is such a nothing thing compared to what some other writers do glares at Ladybug retcons for comparison. Like, working with it is possible, and if you don't want to it doesn't mean others shouldn't.

And in fact, at first I saw a lot of enthusiasm regarding the rewrites, AUs, "fixes", dwelling on pre-existing lore ignoring SoTE and all that. I really did, and it was valid. But then what I saw, personally, was that flame dying down and amount of such posts shortening but out of those who left this brand of toxicity followed! My interpretation of this change is that when initial shock and frustration waned, more people started to notice SoTE was not bad.. and THAT made people who continued hating SoTE feel less validated, in a way. When people started to warm up to certain plot twists and decisions, to elaborate new information into their vision of the lore… people that still hated and disapproved of the thing lost the image of being "the saviors of the fandom from Miyazaki's garbage writing" and became simply people who do their own thing. And for people who are driven with negative impulses, 'just enjoying the things they like' is usually not enough. They need to be "right", they need to "contribute to the fandom", they need to be "better" and so on. It is a known thing about fandoms even aside of SoTE and Soulsborne fandoms altogether, and I feel like this situation is the return of it, personally.

Of course, this is all speculation and the dynamic I've observed. Maybe someone observed different processes entirely! I just think it is safe to assume as I've seen absurd level of toxicity even despite staying away from 'active' fandom (no 'cool kids' circles, no following popular creators, no open Discord servers, no checking tag or Reddittube etc)!

Still, "I'll fix awful creators' writing because I actually love and respect the characters unlike they" is already a very questionable sentiment, but to attack the fellow fans over this is beyond any patience and understanding! Eventually there is no "right" or "wrong" way to love the characters and story and to be passionate, even if we are naturally inclined to believe in our own vision the most! Perhaps you express your love by putting in a lot of effort to give the characters different writing entirely, to "save" them from decisions of creators you don't agree with. But it is an OPTION, not the One True Way, and… really, it is strange to be mad at people for being happy and satisfied with the story and finding a lot of valid things in it and call them blinded Fromsoft dickriders incapable of critical thinking or whatever! Bonus points when such sentiments come from EXACT same people who resent the Youtube bros that bash every other new TV series AND insult people who dared to enjoy such aaaaawful product or whatever… You guys really hate the type of YouTube "critics" who take personal insult in people who enjoyed a thing and even reasonably justified the parts that THEY declared disgrace to the series and disrespect to true fans? Yeah most reasonable people hate them. We all know at least one modern TV show whose fans got this sort of treatment. But don't you guys see how you've became exactly the same type of "critic" at this rate? Unacceptable behaviour, not justified by 'but it comes from place of passion'! I am passionate about Soulsborne as you could tell and I disapprove of it, no correlation!

12) "Fromsoft became woke" (and variations)

For startes, I have to wonder whether we've been playing the same games all along. Where was it when Gwyndolin was intersexual and affirmed himself as a trans man later? Seath is also blind and has what is a disability for his species? Where was it when Pharis/Evlana was a very GNC woman in Japanese original, but for you she looked a trans woman because English localisation made Pharis a he/him a removed Pharis' nametag from "female archer" in the woods? Where was it when our good friend intersexual trans man was literally killed by the church? Where was it when they had female doctors, church leaders and scholars in Victorian era? As well as strong female hunters like Maria or Gratia? Gratia and Rom are also confirmed intellectual disability rep via Japanese script? Or when both male OR female hunter could propose to Annalise? Or positive sex worker representation in Arianna being the only kind person to step in Oedon Chapel? Where was it in the BASE Elden Ring with Ranni being bisexual, Malenia representing severe physical and mental illness, Miquella being GNC at least and trans+neurodivergent-coded at most, Dolores being a return of GNC woman, Blind Swordsman, Niall being another prosthetic-using fighter and Marika/Radagon? Speaking of blindness there were also Maiden in Black, Firekeeper, Irina 1, Irina 2 and Hyetta? Where was it when through their whole games they never sexualized their female characters and the ONE exception in Gwynevere was not even on purpose? WHERE WAS IT WHEN TRANS COFFIN???

...okay, I can continue and I'd love to be reminded of more examples. But on the serious note, this complaint has two ways to go about it: 1) an understandable fatigue with writers and stories placing pseudofeminist agenda on bland unsympathetic female characters, retconning pre-established characters to pretend to care for diversity and generally hating the audience for merely being born cis/white/male and 2) people being upset at diversity in the cast to begin with and complaining about "forcing the politics in art". And in both cases, this just doesn't apply to Fromsoft.

In the first case, they simply aren't hating their "privileged demographics" audience through characters and narrative, and doesn't seem like they will. They write very compelling, nuanced and even sympathetic characters, as well as the stories that make you ask questions to yourself! They insist on messages against corruption of religious institutions and fascism, but even THEN they'll give sympathetic characters on that side (!), show that not all people who oppose them are good either (!!) and make damn sure to recognise at the start of it all were good intentions (!!!!!!). From this angle, you could argue they are not woke ENOUGH, actually, because of how merciful, open-minded and non-forceful their messages are! They deliver their points through characters who are actual people, rather than writing characters as bland plot devices that hate you!

In the second case... Yeah, as memey as the phrase is, but "they've always been woke". Just because Miyazaki loves motherly woman archetype and and Fromsoft games always had compelling married hetero couples doesn't mean they are your allies in "preserving traditional values"! Again, messages against religious corruption and preserving long-overdue order of things fearing change are plain. Elden Ring had a slight increase in diversity, but to think of it, Elden Ring is also a bigger game with bigger cast. I do want to point out though that the very concept of worrying that with more diverse characters somehow cis and white cast will no longer be a part of From's stories is strange. They'll never make it all about JUST one demographic because they cover nature of humanity in general, but if anything, adding way more angles than their staple Medieval Europe culture route gives them more power for TYPE of the messages they want to tell! Because their power is, and always been, showing the situation from different perspectives.

13) COMMERCIAL BREAK LOL

14) "Devs artificially increased difficulty instead of WORKING to make battles"

This is very unfair criticism already from the very concept! Players had two years to advance through the base game, and if you play consistently, it is enough time to become ridiculously overleleved! Overleveled to the point of not being able to enjoy playing SoTE at all, as all enemies would drop dead instantly! It was easy to sabotage the challenge and simply not let the devs give us the fun experience they intended. But, no! Devs cared to make things so that even if you are 300+ level and have godly build, you'll be down in two hits by the first Furnace Golem, let alone bosses! So, yes, you either need to run around and collect Scadutree Fragments, or seriously study your boss and come up with clever strategy! I am still proud of a really smart way to fight Rellana I invented x)

This complaint did have a period of initial shock when it was really blown out of proportion due to the comfort zone of being overpowered broken, but this opinion still lingers and I just find it strange! Why NOT make sure that players of any level physically can't be too strong to actually PLAY SoTE, instead of just running through it with ease? Even then, how comes they "didn't work on bosses"? Boss battles like Messmer, Bayle and Midra are absolutely wonderfully well done on every level! Romina, Rellana and Putrescent Knight are really great and have super interesting battles even if not as epic and show-stopping, aesthetic and moves alone are immaculate. Non-remembrance bosses who are also very fun and beautifully designed! There are annoying bits about Scadutree Avatar and Gaius, but you can't seriously say they did not WORK on them! The bosses are challenging not only due to artificial difficulty, because even at high Scadutree Fragments level you still need to give them thought! And while you do… right, you can admire the sound and the battle design!

I am just really confused about this complaint because it could only be applied to reusing Radahn for the final boss.. but even then he is not fully reused, and sure not so reused for Stage 2 where you can't see shit because of Miquella's spells. One "kinda mid" boss can't and should not eclipse all those awesome bosses! If anything, he feels more like a hard to get joke! Fans have been saying things like 'oh if only we could fight Vendrick at his prime', 'oh if only we could fight Gehrman at his prime' etc etc… now, as they ALSO did want to fight Radahn at his prime, they got an option to do so, and he is not all that impressive, right? :p Let's be real he only sucks because Leonard isn't here hgfhhhgb

15) *admiring how fanatical Leda is while hating other (male) characters with the same quirk*

Sigh... I will just leave this meme by the user wraith-caller here: ( x )

Yes, fandom does have decent amount of simps for this type of male character, I know. Lautrec, Alfred, and D twins. (Coincidentally, all women-killers x) Even if Devin is actually justified) I suppose Queelign would go here too if people didn't write him down as a joke character by proxy over a cursed cleric haircut? 🤔 skill issue btw So of course it is not to say that they are not given enough love/lust/other positive interest…..

…but for some STRANGE reason, people who feverishly admire Leda and simp for her or at least hail her as such compelling character that ALSO hate Alfred or D for being such horrid fanatics are almost a staple by now! Why!!! This problem existed to a smaller extent with people who hated Alfred while simping for Adella and even shipping her with her victim- and no, it is cool and based, one does NOT get into a media with dark themes to demand healthy characters and healthy ships, but why so many times gender defines it? I don't care if you are a lesbian; whether you give character a justice should NOT depend on whether you are attracted to them, or else you are no different from straight girls that would like a male character and hate female character with the same issues! And sure I don't care if you are a feminist and are inclined to give "pay back" for years of misogyny in the fandoms by applying double standards!!

16) "Why could not we have JUST ONE genuinely nice character?"

Alllllright so… apparently, I was wrong this whole time about SoTE. I was convinced that it had no impact on the base game beyond like, Leda greeting us in Mohgwyn Palace, but I suppose I was misinformed very much? Because turns out that this whole time I was not aware that SoTE removed existence of Roderika, Hewg, Boc, Melina & Torrent, Latenna, Albus, Thops, Jar Bairn, Millicent and Enia from the base game!

….fine, okay, sarcasm is not my forte at all, but what I said still stands from both subjective and objective standpoint. Subjectively, I don't think counting out minor characters does any good for enjoying and analyzing the story! Should anything only "really" count when it is a significant, major character? This reminded me of that time when someone said it was 'incredibly fucked up how Bloodborne only had 2 non-white characters' when in reality it has 13 but minor characters supposedly didn't matter much…?

I want to specify though how this bit is more about how I interact with fictional worlds; I take them as just fictional realms that I enjoy exploring and "living through", I do not put much emphasis on how much 'weight' characters representing certain demographic OR worldview in the story as someone able to love every other minor gremlin genuinely! Maybe it is autism, maybe it is the fact that I am naturally hesitant to interact with the 'big guys' anyways with real people too. I enjoy tending to flowers and I suppose for most people the point or representation they want to see should be visible from every angle, like Erdtree x) With major characters, I think Rennala and Godwyn are the closest we have to good people, yet they were not able to be 100% good conceptually due to their high status.. much like Miquella himself, which brings me to a more objective point!

Conceptually, it is already impossible to be fully good when you as much as hold a lot of power! Some people have to be neglected if not straight up stomped out, for your own safety or safety of others, and it won't be a good thing *regardless *of intentions! Some sacrifices have to be made because if you are nice to everyone while having a lot of power, bad people will try to use you! Some social games, if not straight up violence, have to be applied if you want to make a change in the world! The big, important person can't be perfectly kind, because in that case they will no longer be big and important! It is just cruel truth about how society works! And Miquella HAD to be big and important. He had huge plans for the world, and as much as keeping himself and what tribe he has built within the Haligtree safe implied some morally questionable acts, let alone making his path through the position where he can change anything!

Pacifist character with unyielding principles who has a say in the fate of the world can often be portrayed from a very unpleasant angle, like, 'hug and forgive war criminals with unreal body count :3' angle (Steven Universe comes to mind first of all). Like, such decision make you wonder how this is being a GOOD guy here! But at the same time, is taking down those war criminals truly good either? When the character combines being the force of good AND being the force able to effect fate of the world, they inevitably are faced with the dilemma of either getting their hands dirty, thus sullying their grace at the very least, or making a decision that would feel like betrayal for the victims… which, again, sullies that grace but in another way. Miquella was already conceptually doomed to act Machiavellian by the virtue of being an Empyrean who wished change, much like Ranni except more subtly so!

And this is why true goodness could only come through the little guys. They don't have to make morally questionable decisions with no outcome that spares their innocence; their field of influence is to just care about their closest surrounding and to do their little tasks! They can't change the world, but they can change just the lives of their friends and their own.

Malenia, one of the key figures in the story, was faced with the choice to either "abandon her dignity" and nuke the continent to deliver Miquella's plan in full (the route she did end up doing), OR to preserve that "dignity" but thus hinder their plan that I remind you was against the Golden Order, to build a better world (which is also sort of morally questionable decision in the grand scheme of things)! She could not win and with all information we were given, more suffering in the setting would ensue no matter what! Do a drastic sacrifice for the greater good, or forsaken that greater good to preserve more lives but doom them to live in the same bad conditions forever was her picture! Yet Millicent, effectively a 'little guy' version of Malenia, had the privilege to die with her integrity intact without any big consequences for the world and great scheme of things! True good, certainly, can only exist in the smaller scale.

When it reaches the higher plane and higher decisions there is no way to remain 'unalloyed'. So, yes, we could NOT have 'just one genuinely nice character' out of people with huge power and importance. Not because Miyazaki allegedly hates hope and hates you! But because he is a writer that seems to understand such fundamental things and philosophical dilemmas from the track record of his games so far. ANY mature, insightful writer knows that the idea of someone 'important' forever being good might be a thing the audience wants, but not a genuine thing. "No matter how tender or exquisite a lie will remain a lie" and all.

17) *hating Radahn's inclusion because "dudebros got validated" and not over the story*

To be honest, this IS something I am also familiar with. I won't play the "unlike you snowflakes I don't care about online discourse uwu" persona because I SURE do! I used to dread Mariadeline ship because fans of it were easily the most toxic and unbearable type of Bloodborne fans, choosing to remain willfully ignorant about Gehrman's character actual lore, showing near-biphobia regarding Maria, having era of acting personally attacked when their ship was implied to be anything BUT cottagecore fluff dynamics without corners, playing victims of hate and "misogyny" when they themselves maliciously rage-baited fans that were just enjoying themselves, and doing that ableist 'no reading all this get a life' thing when shown where they were wrong! I had a period of really disliking Leda because she was an in-universe manifestation of aforementioned 'Twin Cultists' who act very similarly to common Mariadeline fans with spreading the "us CORRECT fans with MEDIA LITERACY who RESPECT story and characters vs them WEIRDOS" toxic mentality, with the whole joys of echo-chamber stuff, playing victims when they knew they were PROVOKING anger and feeling attacked when anyone dared to as much as to look at their favs as anything but perfect. I dealt with both and enjoy the ship now, and like Leda now. These are just two recent examples, but I faced a similar problem often, in previous fandoms as well. And I will be real here:

What helped me every time was to distance from the 'vocal' fandom, gather around a few friends to private chats and bounce around the ideas on our own. Without any outside influence, without deliberately skewing interpretation to "spite" anyone, without any motivation in it besides trying to look at things with clear gaze. The cure against the sour taste that bad fandom experiences have left is not to have the writers to "validate" you or to "spite" your opponents or whatever. The cure is ALSO not to completely abandon the ship/character/concept/etc giving up on it as if it was rotten and "not worth the stress". The cure is to hide away from this negative influence for a time being and build your own vision, that might have only like 3 other fans but be immune to everything! Us very few people here who like Mariadeline the different way keep FAR distance from its more 'common' fans, and we are pretty glad that we grew a Halightree in the contrary to their Erdtree x)

I do not really see why could not the same be done with Radahn as a character. In fact, it feels like there is an unspoken DEMAND for it. For 'reclaiming' him, even! My friend heraldofcrow made a post ( x ) about why Radahn is not 'Chadahn' at all but actually a sad character in his own right and just LOOK at the notes! Clearly, he does not have to remain a "mascot" of those dudebros and remain associated with the dumbest discourse you ever had to read!

I think the fandom really has lost the objective when prior the DLC you guys started to hope for certain outcomes based on the fandom experiences! People hoping for Miquella to be kind to make 'annoying Berserk fanboys' shut up, people hoping for Miquella to turn out evil to be vindicated after his annoying fans were toxic over "wrong" interpretations of him, people hoping for Mohg to be confirmed bewitched so everyone who called them media illiterate could eat their words, people hoping for the answer to Caelid battle to invalidate Malenia haters from Reddittube…… Like, how comes that we have forgotten that the first priority is to hear what the writer has to say and try to accept it as fans, or at least to have objective, reasonable wishes for the story rooted in our knowledge about writing and NOT in fandom discourse? It should not be a matter what group of fans gets validated or screwed over, it should be a matter of what it does to characters! It should not be important that now Malenia haters will NEVER shut up, but it SHOULD be important that we now have a better context for her moral failing and can work with it. She is not THEIR to trash on, she is YOURS to cherish as the girlfailure now with extra information!

There is a Russian saying: "Мышки кололись, плакали, но продолжали есть кактусы" (literally "(the) mice prickled themselves, cried, yet kept on eating the cacti"). It is a figure of speech describing someone who keeps stubbornly doing something that only brings them suffering without a reasonable purpose to it. This is exactly what those dudebros have been doing thinking about Malenia within the context of their fav and what they have been doing complaining about how hard it was fighting her when no one forced them to. But this is ALSO exactly what Malenia fans have been doing engaging in bad faith "debates" started by those guys and checking Reddittube knowing full well no good takes exist there!

If what you wish from it is effected not by your knowledge and tastes, but by your bias stemming from fandom experiences… really, distance from the fandom and heal. Characters are their own entities, not your tools to own other people in the fandom. It goes to both Reddittube AND Twitbr, to both people who started it and people who merely developed negativity as reaction. Fans are NOT part of the story and should never be, we are all just people observing it and reacting to it.

18) "They clearly gave Radahn spotlight because he was popular in (western) fanbase"

It is absurd to assume that Fromsoft would turn the planned story around because a lot of people on Reddit and their YouTube lore influencers declared 'Chadahn' their king. In fact, judging by the merch they're offering, Malenia is recognized as equally marketable if not MORE marketable! Besides, had they cared about Western fanbase's reception specifically (which IS where Radahn is loved), they would have likely avoided the potential backlash by that type of fans regarding making their fav LGBT+! With half-brother, no less. I've also heard a theory that they included Radahn as the very last moment solution, but I doubt that baking in Freyja into the story with her and Ansbach's questline, as well as creating Gaius, could've been something done in the last moment! I am not a game developer so correct me if anything, but it looks like a lot of work to do. Besides, there is not enough cut content in SoTE to suggest the plans were far different! And we all know that cut content always still lingers in the game's files with Fromsoft!

They can care about marketing- heck, using Vargram, an existing character with his own lore, to portray the "Tarnished" in promo materials because his set is more catchy than Knight/Tutorial set, for example! Or how replacing an option to murder Orphan of Kos as an infant with 'shadowy presence' because it felt too grim didn't undo the option to kill Arianna's infant and other celestial children, nor it undid how horrifying Fishing Hamlet was. They also obscured the fact that Annalise's baby got aborted, but not the fact that Queen Yharnam's baby was stolen while she has a bleeding wound where a big belly used to be. These are examples of making posters more eye-catching and dodging potential scandals about promoting abortion respectively, but nothing about nuking the plans for the story!

You know what sells even better than Radahn? Big boobs! Yet over and over they make their female characters have smaller chests, even Marika, and the ONE exception Miyazaki ever made, Gwynevere, was done because the guy who drew her concept was too happy! Heck, assuming that Miyazaki included Radahn because his coworker wrote a Miquella x Radahn fanfic he liked is more realistic assumption than him wanting to "sell better" jggfggfhgn In any case, my point is, they follow the vision they like and don't sacrifice integrity of the story!

(+On the relevant note, back then there was a scandal with press calling them "homophobic" for Mohg supposedly perpetuating a negative stereotype with incest/pedophilia accusation….. but while they debunked that impression, they've added consort thing with Radahn that falls for the exact same issues potential lol!!!! You know the only reason "Radahn is a groomer" takes don't exist is because people who care about Radahn aren't the discourse-starters of the fandom. They didn't escape certain side-eyeing even when they COULD and it is funny)

There is another thing I want to address though!

The screenshot is from this reveal trailer, and the excerpt is from Miyazaki's interview ( x ). I assume that this COULD be used as a reasoning behind thinking adding Radahn and final Miquella cutscene in the "last moment"; like 'you see, there was an ending where he 'reveals' (?) the Scadutree, but they cut it, and offered that unfinished clip of Miquella asking Radahn to come with him!' ..okay, sure, but you know what else was in that interview?

The confirmation that there would not be an extra ending for Elden Ring, of influence on the main game! Right off the bat, right after this trailer! Miquella "unveiling" the Shadow Realm or anything like that would have had consequences on the main game, certainly! They might have animated this prior because they wanted to add a new ending but then decided to not touch the main game under any circumstances but kept it for the cool trailer, or they animated it for the trailer from the start (like if Miquella is unveiling a new location for us, metanarratively)!

19) *refuses to use information and lore from the base game while looking at the DLC*

Yet AGAIN, "Free my man Mohg from SA allegations (he did do all that other shit though)". XD True, when it is not that people reduce (?) him to just a victim upon learning Miquella's Bewitching lore for the sentiment alone… it is then because they sort of forget. :clown: Ansbach's entire existence and what information we receive from him confirms that Mohg's scary bloody cult existed before Miquella's spell! It is up to anyone to interpret whether 'love' theme about his cult also existed before what Miquella did, or was, in fact, a side-effect, but kidnappings and sacrifices definitely were not caused by Miquella!

Another example off the top of my head is Maliketh and even Hoarax Loux / Godfrey basically evaporating from Marika's backstory, as though nothing ever existed besides her time at the Shaman village, Messmer and Fell God. And the latter one makes it especially odd, because base game hammered it down in every other Fire of the Giants' incantation that the motivation to put that fire down was because it was capable of burning the Erdtree and existed as anathema to it altogether, but now it got basically forgotten, as if all that ever existed about it was Messmer's presumed connection to it! I even got """corrected""" once when I stated that war with the Fire Giants happened to establish and protect the Erdtree, with something along the lines of 'we don't actually know what the motivation was but very likely to help with the curse that he caused on Messmer'! Also seeing the turning point of Marika's story in her becoming a God through Divine Gate, when in reality it was first her being chosen as an Empyrean by the Two Fingers! So, first someone now qualified to create the new order, and then actually creating it by entering the Divine Gate!

There were also Miquella things such as saying that he abandoned Malenia when she described his absence as "he will keep his promise", or saying that him forgetting Godwyn was a weird decision when the base game already suggested he failed and gave up with failed Eclipse and Golden Epitaph with words 'please die a true death'! To be honest, with Malenia one I myself fell for it at first, but… yeah, base game suggested he was going to return to her after/if his plan succeeded. Romina "creating" Scarlet Rot I also found to be often disconnected from (Outer) God of Rot existing 🤔

I suppose this could be justified because many people finished Elden Ring significant time prior the DLC, so many lore details got blurred and only general impressions of specific fixations stayed! It is just how memory works, and revisiting the source material from time to time is necessary! Even then, SoTE is so full of new information that it is easy to just completely fixate on it! I just think that it is important to remember that SoTE is still not just a whole game despite its absurd side and saturation with the new things, and things in it add into the base game! Not always like missing puzzle pieces but sometimes in a way that makes the puzzle itself bigger, but still. Gaius existing didn't replace Alabaster Lord that was Radahn's Gravity Magic teacher and Ogha, but he was also a "classmate"! Radahn being stated as an important sibling for Miquella and Malenia didn't replace Godwyn, but rather is added as someone also important! Hell, maybe he even became so close with them after Godwyn's assassination, but I'll get to the "it doesn't contradict stuff" in the meantime! Dryleafs and Needle Knights aren't supposed to make anyone forget about Loretta and the plan to find "proper" Haligtree Knights but never finding a master for such sword! They are just people who put faith into him after Erdtree started to die and his police force respectively! (Also no if I saw that Needle Knights are police then so have to you all, fuck you)

20) "How could they abandon [insert a thing that had enough place in the base game]?"

This kind of happens frequently, and usually it is about Godwyn! Sibling paragraph to 'it obviously should have been Godwyn' I suppose! Godwyn is not the first character who is very significant for the story yet everything happened behind the scenes, through descriptions and dialogues of other characters. In fact, meeting him in "person" is already a luxury by Fromsoft's standards! He had enough of spotlight already with his death triggering the VERY events of the plot with Shattering, one of Miquella's failed plans being about 'Eclipse' to bring him back, being grieved for by other characters, making peace with Ancient Dragons and thus a whole type of incantations in the game being linked to him, haunting the environment via Deathblight and being core figure in the questlines of Ranni, Fia and Rogier who are pretty significant characters all! He had enough development and presence in the narrative, I'd say to the point where bringing him into SoTE would overload the story with his presence! Not making him a core figure in the DLC and limiting new information about him to his most significant Knights rebranding into Knights of Death to protect the places where Prince of Death "grows", again, not some grave insult to his fans because what was there to tell about him happened in the base game!

With Fromsoft characters, THE tragic culmination of their story often happens behind the scenes and we are intended to meet the character at their lowest point, or just dead! With Godwyn, that culmination did happen behind the scenes, with such beloved, important, enigmatic figure getting assassinated and sending Marika over the edge, and we have a second emotional culmination for the character that we get to experience where we DO meet him at his lowest - an abomination on all living and mockery of former self, knowing Miquella did not get the wish to either return his soul OR let him die a true death! He did not have enough screen time, but he had enough presence in the story and feelings!

A similar complaint could be made regarding 'Well, Miyazaki said that Miquella would be a focus of the DLC, but we only meet Miquella in the end and he just sits on Radahn's back instead of at least fighting us himself'! (no not me making up a guy, it was an actual claim towards Miyazaki allegedly "lying") First, you people take it BACK about a very clever Dark Souls 3 reference and Miquella's spells not letting me see shit. Second, like I said, his presence is all over the narrative! All core NPCs talk about him, we follow his traces and find flowers growing from his blood, we learn more about him and his past, Radahn's story is now connected to his and Mohg's story with him given some insight, Trina is inseparable part of him, Dryleafs and Needle Knights are HIS covenants, we see effects with and without his spell… How is all this NOT 'being focused on the character'? Fromsoft's style of giving character time and space is not specifically to show them on screen or let us battle them or have dialogue with them!

Personally, I also at first wrongly assumed that they forsaken Miquella and Malenia's connection for the sake of Radahn, but this is, again, the case of one not excluding another! His connection had enough weight in the base game: he started Fundamentalism with Radagon primarily as a sort of magic to heal Malenia and abandoned it when it was not working, she always identified as 'Blade of Miquella' and it is the only thing she holds onto as she is falling apart, her clothes, prosthetics and armor pieces are made of his Unalloyed Gold and it even digs into her very body, all which he created for her, Ephael is full of statues depicting their younger selves holding each other, she was the one to have his needle (different from the gold needle) and she awaited him to keep his promise since he was "the most fearsome Empyrean"!

(Cut Rico's dialogue in the base game's files ( x ) ( x )) The original intention seemed to give Trina less of a 'personality', making her more inseparable entity from Miquella or even straight up just his disguise like with cut Merchants' questline, so the plan to ascend Miquella to Godhood was already in the plans! They have changed the dream realm thing since, recontextualizing Miquella going to sleep to ascend into presumed dream realm into Godhood with dream Trina persona to Miquella departing into the realm where rather all dead drift to, but the POINT of him leaving for that mad plan rather than mysteriously vanishing and Malenia not knowing why was there from the start! Writers didn't just "randomly made him abandon her" - he ALREADY did so in the very early draft of the story!

In the interview ( x ) about SoTE, Miyazaki also confirmed how many things that were planned from the start were cut from the base game's story because it was getting too big:

Miquella also abandoned not just her but everything, and Radahn logically got special treatment because he was part of the plan from the start! Miquella, who left every feeling that made him the person that he was, did not need to love Radahn or care for him to remember that a God requires 'consort' (in this setting's lore). It is not outlandish to assume that he wanted Radahn to share that fate (a fate so bad that Trina begged us to rather kill him that allow it, mind you!) and not Malenia because she already suffered enough for him in his eyes, for example. She depended on him for everything, so why not ask the other tough guy rather than a person that never knew independency and true agency outside of his influence?

My hot take is that not asking her to hold his hand through horrifying ordeal further proved him caring about her with all the context! He maybe ideally would not have asked Radahn either but if you need the Second Guy as a God, who will you rather ask: a person that already never knew life besides self-identifying as your tool or a kind tough guy who was the second most reliable figure for you BOTH after Godwyn? And would Godwyn be interested in the idea to abolish the Golden Order anyway? Radahn presumably changed his mind later in life, but Godwyn was THE Golden Order guy since the start! But my interpretation is not so relevant, it is subjective and again saying 'there is no glaring problem that people think there is, it comes down to interpretation'. There was still nothing else to add about how Malenia and Miquella were connected in SoTE, it was already all said in the base game!

I might be talking from the standpoint of someone who very much used to the way Fromsoft reveals information; they are very minimalist and precise, they give as much of it as needed to understand the gist, and bringing up something not in one description of an easily missed item but several times across unskippable lore is generous for them! They said enough in the base game for everyone to get the point and decided to not milk the same thing in SoTE, nor they erased or contradicted the information from the base game!

Wanting more information for the sake of it is valid and natural for fans, but Fromsoft doesn't give it just for the sake of it! They didn't abandon these topics, they simply finished talking about them! Even so, Godwyn got now got confirmed to have his version of Cleanrots/Redmines, and Romina offered a fantastic narrative parallel with Malenia as someone unable to bring Scarlet Rot to blooming from the buds state yet cherishing it, when Malenia wanted nothing more but to get rid of Scarlet Rot yet it kept getting through no matter what! They added some extras without exhausting the point itself!

21) "Sote was a mistake" (and variations)

YOU take that BACK about Thiollier and Ansbach. You take that back about Leda and her potential of interacting with Loretta, about Freyja, about insight on how Tanith looked like before marrying Rykard, about Moongrum having a twin sister- heck, about RENNALA having a super cool badass sister! You take that back about Midra and Nanaya and the whole cool Abyssal Woods location, about cool Midra's Manse lore and the best fucking boss battle and soundtrack ever. You take that back about Messmer and the Fire Knights. You take that back about cool battle mechanics additions with many two-handed arms, hand/legs combat mechanics and throwing weapons mechanics. You take that back about Romina and super cool insight on Scarlet Rot. You take that back about Ymir and super messed up cool cosmic eldrich stuff with cosmic fingers and Metyr being a return of Ebrietas archetype no one could expect. You take that back about how everyone finally pays more attention to the Fell God and worldbuilding in general. You take that back about immaculate aesthetic and captivating lore of Hornsent. You take that back about meeting Trina. You take that back about how significant and important topics they managed to raise- no, honestly, how cool is that that they got us to discuss the topics of fascism and genocide, as well as cycle of revenge and dilemma of limiting free will vs accepting cruelty of the world so hard that we FORGET to simp for [choose Messmer or Rellana or both depends on you] during such passionate debates? You take that back about coolest fucking sets ever and ability to become a dragon. You take that back about Igon, Florissax, finally getting an explanation about why Dragon Communion was a thing if Golden Order made a pact with Ancient Dragons and BAAAAAAAAAAAAAAAAYYYYYYLEEEEEEEEEE! You take that back about Gaius- actually no screw that man, remove his battle lol

…sorry had to add that punchline.

My point still stands: you cannot objectively say that SoTE was a mistake. Subjectively, you can; if you were a fan that solely cared about Miquella only through a certain lense and nothing else, then sure, SoTE fucked your headcanons over and all the cool stuff won't make you shift your hyperfixation. For you, it would have been better if SoTE never existed, you would've been better off in previous state of things, endlessly debating Radahn's fans and bullying people with charitable Mohg interpretations and whatever. But people like this do NOT represent the fandom as a whole at all! Not even in relevance to the gaming-only part of it, I am talking about artists-writers part of it as well! Objectively, SoTE contributed a lot of interesting lore and characters without breaking pre-established lore; as I stated earlier, importance of Godwyn and Malenia did NOT get erased just because Radahn had a retcon to also be important person! SoTE answered some questions that required answers, like origins of the Formless Mother, Dragon Communion, Trina's nature, what happened with Mohg, what was the reason for Caelid and what were these darn weird crawling hands enemies!

No I am not rofling, I was seriously very confused about them and made at least three attempts to solve the mystery of their nature, but SoTE finally freed me from that torment!!

Adding more characters absolutely was not a mistake! None of these characters broke pre-established things, they are merely more 'dolls' to play with! Answering some questions was also not a mistake; whereas people might not like what the answers ARE, tying some loose ends of the story was a good call! It is not as if they've written elaborate document explaining every single bit of lore to the point no one can make interpretations or create new stories anymore! All they did was putting an end to some arguments, however new questions arose in their place; questions more interesting than who is "misogynist" and who is "media illiterate".

From the gameplay standpoint alone, I do not understand this claim either. How exactly SoTE would ruin base game, which is intact and still accessible map without changes? Shadow Realm's map exists separately from the base game, none of it breaks the main game's locations and bosses! I doubt that new mechanics and weapons from the SoTE completely ruin the main game and make it imbalanced either! For most of them, having a strong weapon doesn't automatically make you skilled and even base game's bosses could still kick your ass. And as for "imbalanced" ones, gamer bros of the fandom have been doing great so far self-regulating themselves to shame people who used Mimic Tear, Comet Azur, Blasphemous Blade etc 🙄 Their field of creating artificial "honor"-based difficulty and challenging themselves would not suffer because of the weapons from SoTE! They are able to make the challenges and PvPs what they want within themselves, encourage or prohibit anything. It is not as if Miyazaki is holding them at the gunpoint telling them to use mechanics introduced in SoTE that they believe "ruin" the playing process! Simply not use new weapons or not go in the Shadow Realm altogether if you don't want to - and Elden Ring will remain what it used to be for you!

I guess I can only agree with the notion that aside of SOME story loose ends, base Elden Ring was not lacking in anything. It was a very huge game, with many characters, many locations, many worldbuilding things to touch upon and discuss, many mechanics, very contained and packed with things for years ahead to dissect, discuss and create art and writing and videos for! SoTE just made it even bigger! We were mostly living fine without these characters and new information, save for the frustrating arguments I've mentioned!

Mohg fans against SA interpretations could disagree entirely because as SoTE aired they all said "the night, and the hunt, were long…" But, like I said before, fandom experiences should not define what we want from the story! Some questions remaining unanswered was bearable from the STORY standpoint, but it is objectively NICE that they did get answers! And… just adding more characters is definitely not a problem. Not characters that break the story, just MORE characters. There is a Russian saying, "Кашу маслом не испортишь" ("you can't ruin the porrige by adding more butter in it"), and it applies here very much. Unless some people, for example, hate Messmer and are frustrated that they have to remember about him when writing Marika's backstory or anything.. I would not get it either way because giving a character a couple of sentences of acknowledgement and tossing them away feels like the easiest thing to do in my eyes. Fandom is always doing it, they have always been doing it, so why NOW this is something so hard to do?

22) *blames Martin for all the parts of the story they hate*

As funny as the joke about Martin being responsible for the "incest ship" is, considering his track record, Miyazaki actually confirmed in the interview right after the first SoTE trailer that Martin did not have anything new to add to the DLC story! But then, just because he didn't turn in to add new lore for SoTE specifically, how could we tell that he didn't write these "plot twists" previously? For this, we need to dial back to when his contributions to the Elden Ring were discussed after base game's release!

(Start watching from 6:00 to 7:25)

“Elden Ring was going to take place in, let’s say the present of their game universe. But what they wanted me to write was what happened like 5,000 years before that,” he said. “So I went back and wrote a history of what happened 5,000 years before the current game, and who all the characters were and who was killing each other and what powers they had. They had these runes that were at the center of the game, and the rune got split into many pieces, and that’s what screwed up the world. I laid all that out.”

So, he wrote the base premise for the backstory - what happened and existed before the Shattering, and up until that point! So, how characters got corrupted, how their plans changed and what happened to them later etc was up to Miyazaki to create! Take the concept of the character - who, what power, what status - and put them through the arc and development! Not Martin wrote the events that unraveled after the Shattering AND unravel as we play the game! Miyazaki himself also confirms this, according to this ( x ) interview:

“So it was more up to us to interpret this and say, ‘how did they become such inhuman monsters? And how did the mad taint of the shattered shards of the Elden Ring and its power affect them?’ So that was our job to take these grand heroes and sort of misshape them and distort them into something they were not.”

"…if we get a chance to show Martin and if he gets a chance to see the game and see these characters, I think he might be a bit shocked. When he wrote them, he was really envisioning something a little bit more human, a little bit more traditional human drama and fantasy characters. So I hope he gets a kick out of that.”

I recommend reading the whole page, but this is the gist of it! So, not only what events we are following are Miyazaki's work, but also their fall from grace, their sins, their mistakes and everything you might hate ('you' mostly as in, people upset that Miquella was not as perfect and pure as you wanted) is ALLLLLL on him! YOU leave Martin OUT of this! we also all know he only writes hetero incest fsdhfdghsfdg

23) "SoTE contradicted the base game's lore [example that doesn't contradict it]"

This one is less focused than it may seem, because it is not just about Godwyn and Malenia! In fact, it is rarer about them as complaints about them mostly do the "they got abandoned" route that I've already ranted a lot about! god it feels so good to finally rant lol I've seen some instances of people JUST throwing the 'ohh my GoD this new info is SOOOOO contradictory to [thing]' and refusing to elaborate, pouting and playing victims of blinded fanboys when questioned, which is in itself very infuriating! Regardless of how you are frustrated with SoTE, how it screwed your expectations and preferences personally, you are a garbage critic if you just waste your emotions without any real argument to your point, there is no way to put it lightly! That being said, for this particular reason, it would be easier to address concrete examples that HAD some explaining behind them from the critical people! But, it NEEDED to be said!

Personally, I've stumbled into a couple of things, in which I managed to add my say! The first was a claim that the whole story of the base game was not supposed to happen because if Marika got driven by the impulse of revenge and despair, she was supposed to succumb to Frenzied Flame but she didn't! And this is NOT some groundbreaking discovery about how the story is allegedly fundamentally broken, but simply a huge overlooking of pre-existing information, if not confirmation bias! Frenzied Flame and Three Fingers are very interesting topic in general, that I've covered in a couple of lore posts already, but for the subject: whereas the sickness of Frenzied Flame, aka the 'become too sad and you will start to burn' illness, is the case in the Lands Between and started because of Shabriri's crime, the story of Marika and Midra's Manse logically happened before Shabriri! Abyssal Woods and Midra's Manse have the eyeballs that are evidence of being directly grasped by the Three Fingers as the only eyeball items, whereas the Lands Between has Shabriri Grapes as eyes scorched from within but being grasped by Three Fingers became not a staple but an exception (Vyke)! Marika was contacted by the Two Fingers, not Three Fingers, to have the power that she does. Even then, is not it logical to assume that even after Shabriri caused his curse on the Lands Between, a God would be immune, especially if the "counterpart" of the Three Fingers is their guide? Not to mention how Messmer did take a lot of burden off her by doing her wish for revenge by himself-

Alright, you got the point. It is very easy to logically conclude why there is no glaring contradiction at all, and you don't even need to dig deep into lore to find out why! This is the brightest case from my memory that is best described as 'if you WANT to believe that Fromsoft completely broke the story, you WILL find a backup claim for it'! But unfair criticism that doesn't address the possible counter-evidence is not the way to analyze! When you want to make a claim, you need to scan the overall volume of information for possible objections to your claim and deal with them! Explain why they do not work, or why they are not truly saying anything! Sometimes, as you deal with the potential counter-evidence, you find that there are things you cannot reliably argue against and it might make your initial claim appear less solid or lose validity altogether! And this is fine! As big as the temptation to "prove" something is, the true purpose of having a claim should be to make sure that it is valid all things considered!

Just because you are already too upset with the story and the writers to give it proper effort and analysis doesn't mean you can just toss a bold, easily debunked statement and expect to not have any objection! This is not in particular to the 'Frenzied Flame makes Marika's backstory impossible' person at all, but about a behavior in the fandom I've also noticed; where someone's response to the information that deconfirms their criticism is 'well, but I am already too hurt and disappointed to dig deep and analyze, so…' No, not how it works. You are making a claim about existing piece of writing and thus put skill of the writer up to scrutiny, not writing your own AU/headcanon, therefore be ready to deal with counter-evidence if there is any!

Another example off the top of my head was that existence of Gaius allegedly contradicted the pre-established lore about oppression of Albinaurics! I want to point out though that the person who originally made this claim was nice and never denied validity of the counter-arguments! But as for the subject, I will repeat that it is very easy to assume that there would be some double standards put in action! Like 'oh yeah Albinaurics are cringe, but this one is nice to me so he is an exception'! Or 'yeah we all hate Albinaurics, but this one is HELPING us in the Crusade against those spurned of Grace, he is paying the price for being an impure species himself, let's be nice to him guys :)' (🤡🤡🤡).

In this case things are easy to explain not through digging into information in the game further, but through putting into consideration how humans tend to work! Though Messmer, for one, has his more humane traits stated with how he respected the wishes of his Fire Knights when some of them protested against burning Rauh Ruins, and Gaius might be an extension of that sympathetic side of him! Opinion that saying Radahn was admired by the twins for his kindness contradicts the lore falls apart even EASIER; it is not hard to assume he maybe used to be kind! Miquella even specifically revived his younger version, and it is very telling!

All in all, the writers do not need to overexplain every single thing to prove that there is no contradiction or things make sense! Elden Ring is entirely written in such a way where by just digging deeper, connecting the dots or even applying your imagination and experiences you can easily explain why things work! I just want to really, REALLY accentuate it that before you cry 'bad writing!!!' or 'contradiction!!!', give it SOME extra thought! And if you are not willing to because of disappointment/weak attention span/anger/etc, then don't make the claim to BEGIN with! What is the point of making a claim when you are not in the right state of mind to make SURE it is valid? Bashing a story or a writer while willfully not being fair to them with your effort and research is something better reserved for private chats with the friends just to let it all out, but not for the public blog for all other fans to read and REACT at!

24) "If fans have to fill the gaps and think themselves it's a bad writing"

Sigh… This is relevant to the earlier addressed complaint about fans 'coping', and somewhat relevant to the complaint about 'they should have given more information', AND reverse complaint to how they've answered some questions in SoTE, I suppose. For starters, this argument could not be further from truth at all! Do you really, genuinely, want to say that instead of provoking you to think, to express creativity and curiosity, to apply your knowledge or experience for understanding, writers should have just spoon-fed you every single thinkable bit of information as if you are a toddler? For sure, the discussion about how writers treat reading comprehension of their audience cannot come without addressing the demographics that supposedly would benefit from "over-explanation", so I'll jump RIGHT into it, skipping through the normies:

As an autistic person, I do have my own problems with sometimes skipping through a subtext or an "obvious" clue in the writing, this is true, and maybe people who want to state this are also autistic, I can't know for sure. But.. do we REALLY want to have our intellectual abilities insulted, as a group? Accommodating to autistic people should come locally, like in teaching the society to be more patient with 'stupid' questions and explaining the 'obvious' social cues! It SHOULD be about society being better! It should NOT be about quality of fiction in videogames and movies and TV shows dropping! It should NOT be about writers sacrificing the amazing language of subtlety, nonverbal storytelling and speaking through assumption that our own experiences as human beings will fill in the gaps! We can understand subtexts and unspoken lore, even if it might be harder. When we cannot, autists that did understand the subtext explain it to us! When THEY cannot, there will always be the guy on Youtuber or elsewhere musing about what they liked or disliked in the writing, revealing the information that we might have missed, and we will go 'huh'. We can help ourselves and each other!

Instead of being mad at the writers for not giving more spoken information and evidence, let's place the pieces of the whole puzzle that we did find together to discover a full picture and teach others AND themselves to be patient instead of screaming "reeee media illiterate!!!" at every sneeze! I have insulted another autist's intellectual abilities over not reading the clue I managed to. I had MY intellectual abilities insulted by another autist over not reading the clue THEY managed to! We should strive to be better and kinder as society, AND we should have pride in the ability to do so and ourselves, instead of implying that complicated, subtle writing is "too hard" for our "tiny toddler brains"!

Aside of the general sentiment that the writing that provokes you to use your brain/heart/both to fully comprehend it and gives fuel for debates and discussion, I want to address specifically Miyazaki and how he approaches writing, and why he does so. I want to link the video by Zullie regarding the topic, too:

To paraphrase it: Miyazaki, in his youth, loved reading English novels, but because he didn't have as great knowledge of English language at the time, some words or even sentences evaded him and he had to use his own imagination to understand what might have happened in the parts he could not read! The experience of having general layout and understanding of the story, but details being missed here and there and left up to you to think about, is precisely what he wanted to emulate! You might guess "the words lost in translation" correctly, or you might end up with a completely different meaning than the actual one, but what matters is the fun of this process! To include YOU, an individual, into completing the story! Bloodborne was the first Fromsoft's story I've gotten into, and even before knowing this information I had the feeling like, 'ah, they've written the full story, but then dragged an eraser across random parts'… and so, the hunch was correct!

Miyazaki doesn't just lazily drop ingredients in your direction expecting you to cook anything from them and then praise it as though it was HIS brilliant recipe, that some writers WILL do to sorta take the credit for your creativity! Nor he just cooks the full meal and gives it to you. He removes some ingredient from it so you CAN eat it and enjoy it, but you are always tempted to add something! Something feels missing, but it is up to you WHAT spice you add to complete it! Yet this meal is coherent enough for you to have a hunch on whether you should add something sour, sweet or salty, it is not quite JUST anything! But if you don't think hard about it and add what YOU like, regardless of whether you think it fits the meal or not, the meal won't necessarily taste bad… There IS recipe that exists. He DID write the story. He just lets you choose your own experience!

^^^ It goes in line with how he creates the games; he stated they are not adding the difficulty levels so players can overcome the challenge in some way that suits THEM as a player. Whether you want to cheat, or to grind levels until you become a God, or to cleverly use the tools and items you are given, or to study every move until you dodge them all or whatever! There is no "right" way to beat these games, though we could conclude from levels designs and tools what was 'intended' way to beat them! A 'suggestion'! You might end up going just the 'intended' way, or you might not! You might just happen to guess the missing story bits 'correctly', but also not, and this is okay!

We are endlessly teased with this feeling that if we think just a bit harder we will discover that hidden "right" way, and we all want to believe that we did! Fandom has two extremes between people who DO believe in One True reading of the story and stomp out every alternative suggestion AND people that claim there is no story and you can do whatever and canon doesn't matter and doesn't exist and all. The truth is somewhere in the middle, and it is so frustrating, it is so torturous at the times… but also, so clever and beautiful.

This approach is why discussion about the meaning of Dark Souls and Bloodborne is STILL alive a decade later and even "apparent" lore questions constantly get revisited, and Elden Ring will meet the same fate! Every boss will be beaten but there is always a different way. Every lore question will be answered, but there is always a different answer. Isn't it much better than if we just cOnSuMeD cOnTeNt in a short time and forgot it all, waiting the next one?

25) *frankly unfair toxicity towards creators, down to racism against Japanese*

(Jeez.. I am REALLY paying a hard price by not saving the screenshots of the terrible takes I am referencing, aren't I. -_-" Everyone will just decide that I've made up a guy because a take like this sounds too awful to be real, doesn't it…..) Look- Some lines should NOT be crossed. Say all you want about the writing quality, but how DARE you to bring in this sort of anime fetishes into this discussion? I am just without proper words, and I will not tolerate this slander of Miyazaki! Everyone, EVERYONE knows…. that his fetishes are feet and dying in absurd ways.

sdfjfdhfdsh OKAY OKAY SORRY I HAD TO, but in any case! Did you guys miss the part where Miquella's ever-young body was a curse, was acknowledged as a curse, was a counterpart to Malenia ever decaying as inability to change at all, and something he transcended when he became a God? At NO point his curse was brought up as something quirky and attractive, at NO point Radahn or anyone was addressed as someone finding guilty attraction to him! We had one (1) guy suggested to do that, Mohg, and they confirmed that his behavior was result of enchantment, but even if it was not: without the new information, it already looked like a BAD thing. Like a HORROR thing, even! Miquella wanted Radahn to be there for him as a consort/king, by STATUS, that we know as much! Nothing is there to outright state any of 'that' brand of attraction! It can range from 'yeah they kind of pulled the dynasty-preserving incest thing, very authentic to medieval royal dynasties vibe' to 'it was innocent and not romantic or sexual in any manner, consort is just a status of the second person after a titular God in this setting that doesn't have to be a partner'. You know what is missing from this range? This being a "fetish" that you could flail around in that 'well what else to expect from jApAnEsE developers, you know jApAn has a problem with such things right??????' (🤡🤡🤡🤡🤡🤡🤡)

________________________________

*long, relieved exhale*

So..... yeah, I am done I suppose fhhfds I know I forewarned it as sort of super angry and rude rant, but in a way, it turned out to be more of a love letter to SoTE than a hate letter to a certain kind of fandomry that I just was not able to avoid..

It is funny how it turned out, as at first I've had strong negative reaction of shock, and Radahn consort reveal even soured the first days of playing this DLC for me, heh. That disappointment hadn't vaned yet.. I do not vigorously oppose weird, problematic ships of course, I still stand by what I said about creative freedom. But I guess I kinda did not want Miquella to have any "ship" in canon...? It is hard to explain why, since I do not insist that he is mentally a child too. Maybe I've fallen for the person he WANTED to be, a 'God' that 'loves everyone equally / no one', so him singling out someone disagreed with that "possessive" streak more than I disagreed with how random Radahn felt?

Even so, aside of this, I've been slowly understanding writers' decisions more and more! And those I did not understand I've found to be valid and not broken at all as well! But despite warming up to SoTE more and more with every day and becoming a fan, I was not able to avoid the "window" to VERY toxic and awful takes, some from very toxic PEOPLE, that was my (ex) mutual abundantly reblogging them and.. I guess when I've finally snapped about how strongly I disapproved of that behaviour and how it was all passive aggression all along, my very only inhibitor was just- *snaps fingers*

Moral of the story: if something rubs you a very wrong way, do not keep it in and ADDRESS it. Because if you hope that the alert factor will go on its own, all you'll end with is telling each other very unpleasant things. Pent up aggression ALWAYS breaks through.

In this case, I just feel relieved after having finally written all these thoughts down SOMEwhere. They were eating me from inside, reducing my HP by randomly appearing in my brain even when I was busy and I just could not help but rotate them. Venting is good and healthy. I have some bad troubles with both mental and physical health these days, but at least now there is one LESS thing to siphon my energy away. 🛏️

[hotpinkstars]

Heya I'd like to ask if you write about hi3rd characters? If yes could you please write some crush headcanons with Mobius, Vill-V and Aponia?(them having a crush on fem!reader) of course it's ok if you don't write for them! Anyways love your writing and I hope you'll have a wonderful day or night!!

CRUSH - aponia, mobius, and vill-v x reader

- how do these girls deal with having a crush on you?

- BFJAKSOFKGKFIEOAKDKFKF MY FAVORITE FLAMECHASERS i wish i owned vill-v in game 😕 BUT YAYYYYY i loved this request so much thank you anon (should i show u guys my mobius plushie..... hmm....)

- might be ooc, referred back to the fc story.. mostly just fluff and feelings! wc 807

Mobius is certainly one who feels super confident about her feelings, but also has a hard time managing them.

Honestly, she gets more interested in you and everything about you when she realizes she possesses romantic feelings for you. She’s not the type to shy away and hide herself, but there's also times that it gets too overwhelming and she has to leave abruptly.

She also starts to pick up on the little things, such as what your favorite hobbies consist of, your favorite foods, and things such as that so she can potentially surprise you. She will brush these things off if you ask her about it, but not by making a big “oh my god no way I wouldn’t do that” scene, just a simple “must have been a coincidence I guess!”

She doesn’t really let others know about her feelings, but Elysia and Eden have definitely picked it up. Elysia teases her a lot, leaving you laughing and Mobius blushing like nothing else. Eden just raises her eyebrows as you pass by in the vicinity Mobius is in, and doesn’t really make a scene.

The others don’t really care, either they dislike Mobius, find her unapproachable, or just don’t necessarily want to get involved. If they tease, they’ll have to face her, and it might not be a very… good thing.

Honestly, does pretty well with hiding her feelings, it’s just Elysia that makes the word spread. It leaves for a very… unhappy Mobius, and a confused you. But overall, she’s pretty similar as she was beforehand, just doing a little bit more to try to get your eyes on her and her only.

Aponia having a crush on you will barely change anything. She just blushes occasionally when you’re around, and sometimes doesn’t speak as fluently as she would normally.

Although, she does also try to impress you a little bit, but in super discreet ways. She doesn’t want you to think that she’s the only person you can have eyes for, and if you like someone different, then that’s okay too. She doesn’t want to force you into anything, and will go as slow as you want her to

She probably lets Griseo in on this little secret, but also makes sure Griseo won’t tell anyone. She won’t, Griseo is too wholesome to go telling Mama Aponias secrets to everyone, but she’ll definitely remember it whenever she interacts with you.

I also feel like Aponia tells Eden, but also tells Elysia in a very discreet way. She trusts both of them to keep it to themselves (in which, Elysia won’t be like how she would be with Mobius), and also feels like she just needs to get it off her chest.

She still enjoys hanging out with you, but it just becomes a little bit suffocating for her. Not in a bad way, just a bit harder to phrase her words the right way, and you can definitely see a slight demeanor change when you’re engaged in a deep conversation with her.

She also prioritizes you over everyone else, in which you’ve started to notice. You’re always the first person she checks in on, the first person to receive treatment and be comforted if needed, and simply just the first person on her roster. She truly treasures you, and would hate it if something happened to you.

Oh, you know almost instantly when Vill-V has a crush on you.

It’s just so painfully obvious, that you simply cannot say anything to not hurt her heart. She becomes much more competitive with others when it comes to being the first to assist you, talk to you, go on missions with you, etc, you name it. And the spot is almost always open for the taking, in Vill-V’s case.

She tries hard to impress you with her magic tricks, and they’re lowkey pretty cool! And you’re usually her assistant during big shows, or the front and center seat in the audience.

She also enjoys doing little things with you, such as going out to eat, hanging around the Elysian Realm, or doing some sort of activity! She just loved to spend time with you, and she truly believes it strengthens your bond.

She doesn’t even have to tell people, they already know. Once again, it’s painfully obvious, and even Elysia doesn’t have to involve herself in this little crush-to-relationship affair. She’s also standing in the corner, frowning at the sight unveiling before her.

Vill-V has definitely been renamed to “lovesick puppy” amongst some of the others, but she doesn’t really know that. And maybe it’s good to keep it that way…

But Vill-V is generally smart, and knows that all of this is the way it is. But nothing stops love, and love is exactly what she feels when she looks in your direction.