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saintzweig · 2 months ago

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older next door neighbor!reader x stanford!art

– teehee :3 proofread? do you even know me (of course it's not)

– edit: i actually dont know how to feel abt this so please let me know what u think!!

art donaldson has been harboring a big fat crush on the girl next door for years now. you're two years older than him, already well into college by the time he got accepted into stanford. 4.0 GPA, a great volleyball player and you volunteer at animal shelters, his grandmother loves you– heck, every mother in town loves you. you used to come over atleast once a week, having dinner with him and his grandma. when you started tutoring to earn money, he had you over three times a week to help him even though his grades are doing fine. he reckons he can do better but really he just wants to have you to himself, the two of you locked in his room for hours. of course that changed when you left for college, choosing a university miles away and leaving him alone for the rest of his highschool years.

you come home every break which means that art does too, hoping to catch you and maybe show off a little. after all, he's a man now– he's on the stanford tennis team, he's won multiple tournaments and he's no longer the little nerd you've known since you were kids.

you come over one afternoon, bringing over some fresh brownies that you've made for art and his grandma. he opens the door shirtless, telling you he was just about to jump in the pool but really, he saw you walking over through the window and took his shirt off. he asks you if you want to maybe join, the weather's nice and all and much to his surprise, you agree, saying you have nothing going on anyways. you excuse yourself for a while, wanting to change into something more suitable and he prays it's the red bikini he's seen you wear before.

and it is. you come in and he offers you a cold beer. "beer huh? i didn't know you drink now, donaldson." you say with a slight grin, taking the bottle from him. he watches the way your hands wrapped around the bottle, images of your black manicured nails wrapped around his co–

he makes a comment about having done stuff in stanford, stopping himself from telling you that he's been drinking since he was a teenager, at the academy. with patrick. he doesn't miss the way your eyes lingered on his lips as took a swig of the beer, making him smirk subtly. he leads you to the backyard and you help yourself to a floatie while he sits on the edge of the pool. you paddle yourself softly to the water, leaning back and savoring the sunlight on your skin. he doesn't even try to hide the way he's staring at your chest, not that you can see anyways because your eyes are closed. "my grandma's having a poker game at one of her friend's so it's just us" he tells you.

you begin to ask him questions about his first year in college– how was tennis, how were the parties, any girls?

tennis was great, he says his coaches are really helping him improve and prepare to go pro. parties were crazy, it was loud and sweaty but he doesn't let himself get carried away, being an athlete and all. he's gotten on a few dates and he tells you he's been asked out alot, exaggerating a little bit to show off. you say you weren't surprised and he asks what you mean.

"i mean look at you, you're not bad looking. you're tall, blonde, athletic– girls dig that. you've gotten bigger too"

he smirks, "bigger?" and you only roll your eyes, leaning your head to look up the sky. he jumps in, walking over to you, crossing his arms over the floatie, making you shift slightly. his elbow touching your thigh. "what about you? any guys?" you hum, sipping on your beer. "there was one, but I don't know. didn't really work out" he asks why and you tell him you just don't see yourself dating someone on campus, they're all assholes who don't take anything seriously.

"have you ever dated anyone younger?" to which you raise a brow, only for him to tilt his head with a stupid grin on his face. you shake your head, "i heard younger guys can treat you very well." he says, and you knew exactly what he meant.

that's how you ended up sitting on the edge of the floatie, legs apart with art standing in between. you're leaning back on your arms while his hands are on your thighs, pulling you closer as he place kisses on your skin. your bikini is beginning to get wet, not just from the pool water. he looks up at you, water dripping down from his hair down to his face. "you don't know how long i've been waiting for this."

you almost whined at his expression, eyes wide as he looked up and lips plump, aching to taste you. you lift your hair to push back his curls and he leans into your touch, closing his eyes. "wanna show me how well you can treat me?" he thinks he just died and came back to life. in a second, your bottoms are untied and floating somewhere in the pool. fully exposed to him now, your cunt soft glistening in the sunlight. he lets out a soft cuss as he takes in the sight. "you sure about this?" you only nod, smiling down at him.

he kisses your sensitive clit, keeping his eyes on you as you throw your head back. he watches as your adams apple bob when you let out a moan. he begins to circle his tongue around your clit, sending waves of pleasure throughout your body. butterflies floating in your stomach as he made his way down, sticking his tongue inside your hole, tasting every bit of you. he moans as he feels your slick cover his tongue, "you taste so sweet, angel." you tug on his hair and he takes it as a request to go deeper and he does. he fucks you with his tongue, lifting his hand to press the rough pad of his thumb on your clit. his eyes are closed, savoring every moment. he pulls away slowly, teasing his finger into your dripping hole before slipping it in, and you tense up. immediately enclosing him with your warm gummy walls, art starts to feel pain inside his swimming trunks. he moves his hips slightly, hoping the water will create a friction to relieve the ache.

he attaches himself to your clit once more, sucking on it this time while he curls his fingers inside you at the same time. your stomach tightens as you feel your climax approaching, making you tug on his hair harder. "f–fuck, how are you so good at this" you gasp, bucking your hips. he chuckles, you feel the vibration against your core. "art– shit, i'm so close, baby" he groans at the pet name, his other hand gripping your thigh harder.

"you like that, huh?" your voice breathless, "you like it when i call you baby?" he nods feverishly, lapping up your juices, his own hips bucking softly underwater. you wrap your legs around his back, "i'm gonna cum, artie– fuck, baby just like that. doing so good f'me" within seconds, you're shaking violently into his mouth. feeling warm fluid ooze out of you, which he immediately takes into his mouth. you struggle to hold yourself up, leaning back on your arms as you catch your breath.

if only you could see the string of white floating out of his trunks under the water.

#boy next door art :(#need him painfully pining for years #saintzweig writes ⋅˚₊‧ ୨୧ ‧₊˚ ⋅#challengers #challengers x reader #art donaldson #art donaldson x reader #challengers fic

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ttshihiro · 7 months ago

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pspspps.. totally not golden groovy woops

ANYWAYS HII!! heard u were open for requests. may i request tammy + qiu with and an artist reader :00

requests of my favorite fandoms are my catnip good gof woa who could this be‽‽ my reqs and my ask box are like always open btw >◡<

extra note/s: I refer to step 1 Qiu as he/him. Uhhh take this as platonic or romantic, I'll add an indicator for romance (𐙚) ^^

more under the cut > o

✧ At 10 years old, QIU's fascinated. How he discovers your interest and skill in arts varies but his reaction doesn't. He's impressed! Whether digital or traditional, Qiu would love to participate especially if you asked him yourself.

For this reason, he carries an extra pen and even those colored ones just in case you get bored or if you're suddenly struck by creativity when you two are playing :3

✧ The first time you show him one of your doodles you made during class, he's compelled to do the same whether or not you actually give him it. And ever since, you two've been exchanging these sketches during class. It's the cutest scene to walk into.

✧ URGH AND THE THINGS HE DOES WHEN YOU TELL HIM ABOUT ART BLOCK DEPENDING ON HOW AND WHAT YOU DRAW

You're into drawing sceneries? Trust that he starts telling you and Tamarack about more "special things" in the forest and/or the town.

Like the sky? There's this clearing a lot further into the forest at your backyards. Stargaze, watch the clouds and the sunset together?

✧ It's also necessary for me to mention that unlike his notes, lazily pressed against eachother and constantly on the run, anything you give him goes to a safe space probably in between a books pages, under the the matress of his bed or inside a drawer/container.

"They broke into my backyard accidentally, 'cause they were on a crazy investigation about a paper airplane. Plus, they got here a day ago and they're already looking out for me. Normally, I'm the one doing that."

"Besides, they're pretty. And they make me pretty. Look! Look how they drew me!"

✧ As for 10-year-old TAMARACK, she's curious. The things you draw, are they based on actual places? Actual people? Oh, you draw based on your imagination? Elaborate.

✧ At some point in the prologue, she says "All the forests in the world are different, and some places don't even have forests. I can show you good spots to find things since you're newer to this forest than me."

And I can't not think of her running up to you to give you all of what she gathered for you to draw like omfg

With all those leaves and tiny branches sticking out of her hair and sweater, she smiles brightly with her hands filled with her treasures. AUGH SHE MAKES ME SO SICK I LOVE HER

✧ Like Qiu, she has her own safe spot designated for only your drawings if you've given her any.

She shows off all of them. Especially if you've drawn her?? It'll be the only thing she talks about during literally any time for the rest of the month and the few months after.

"Out of all the friends I have here, you're the best one. We came to the same exact neighborhood, almost at the same time, and are he same age. You have fun outside and I do too."

"I think you're pretty. How you draw me is pretty! I've never met a kid who was just like me. That's important. That's serious."

✧ Now, 14-year-old QIU's pretty much no different. They're even more impressed when they see just how much you've improved. Nonetheless, they treasure your old drawings just as much as they do they new.

They take the liberty of providing you with both a pen and paper to draw on when you're together, in case you don't bring your sketchbook (if you own one).

On those days where you two just sit in silence in their hideout, their gaze drifts to your side quietly a few times to watch your progress. After a while, they settle with sitting right next to you and watching the stroke of your pen against the paper as the scene forms with each hatch.

✧ As a teen, they've actually been a tad bit farther off the town when they feel like taking a ride on their bike. They've seen many sights and burn the route into their brain for them to tell you about. They'd even be happy as to bring you there themselves.

✧ If you ask them to be your muse, good god you'd need to tell them what to do.

It's almost a funny sight. Qiu, the kid who knew what to do their whole life asks you, "Should I pose? Where do I look? Ah- what's my good side?"

𐙚 They can feel their breath hitch under your scrutiny. Suddenly, they're concious of every single thing about them. Where do their eyes go? Should they move their hands? Is their hair in the way?

They avert their gaze flusteredly, their head ever so slightly moving to the side when they do so.

And good god do their hands clutch the fabric of their pants when you tell them to look at you properly.

✧ Same goes for TAMARACK at 14. She's as intrugued as ever to hear about your work. She admires (you)r style from then till now and has learned to appreciate the time gone into things as simple as this, whether or not you've made it with her in mind. BUT GOD IF YOU TELL HER IT IS, it's always sitting on her desk and she thinks constantly about what you've done for her.

✧ And while she doesn't exactly bring you a pen, she's more than glad to hand you hers when you need it.

✧ Unlike before, she'd now be at your side when you two hung out at her backyard. She'd be sitting across from you, practicing the cello. The hum of her instrument accompanied by the sound of nature and the scratch of your pen against paper gives her a sense of calmness.

This may also be when she realizes she's been your muse! Her fingers trace over where your pen has been and boy appreciate isn't even enough for her to describe how she felt. It was definitely happy, but that wasn't the word either.

𐙚 Her heart pounds alarmingly as she admires your work. It's almost concerning to you that she sits silently with a blank expression as she held your sketchbook in her hands.

But that concern washes off you as soon as a warm smile curls the corners of her lips, tender adoration displayed all over her face.

#🫧 ˎˊ˗ eunoia ✩#our life qiu lin #our life tamarack #our life qiu #our life x reader #our life #our life now and forever #tamarack baumann #tamarack baumann x reader #tamarack x reader #olnf x reader #olnf #olnf qiu #olnf tamarack #qiu autumn lin #qiu lin x reader #qiu lin #gb patch games

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brucebocchi · 11 days ago

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Ranking 2024 anime, Pt. 4: #20-11

hey, this post is also available on my ko-fi, so please check it out and consider tipping/donating as i do this for free and am currently between jobs. you can find part 1 of the list here, part 2 here, and part 3 here. thanks!

You know, I'd really planned to keep my re-reviews much shorter but I'm finding it harder to do so when I get into the anime I actually liked. Maybe that's a good thing.

And away we go.

20. Solo Leveling

Portal isekai, sad loser secretly gains crazy powers and instantly becomes a stoic gigachad, menu screens everywhere, entry-level power fantasy. You’ve seen it before. Honestly, Solo Leveling is total slop. I wouldn’t have it any other way.

If you’ve watched a couple isekai, like, ever, you’re not going to find much new here. There’s some interesting enough worldbuilding outside of the dungeon stuff; I did find myself intrigued by the level consideration given to how much this preponderance of portals would influence Korean economics and politics, and even moreso that much of the story so far revolves around how those corrupting powers can lead to hunters using dungeons as their own playgrounds for personal gain at others’ expense. There also seems to be a larger malefactor behind all of the menu screens driving protagonist Sung Jinwoo’s growth and titular leveling, so there’s the hook.

Even putting aside the few interesting parts of the otherwise boilerplate story, Solo Leveling both looks and sounds pretty darn good. The soundtrack is laden with Hiroyuki Sawano’s trademark build-ups and drops, and though the character art and dungeon designs aren’t always the most eye-catching (early on it did look like A-1 Pictures was going to default to “fuck it, we’re making money anyway” mode), the action animation goes absolutely bonkers in its best moments.

The second season is already up and running, and although I can barely remember anyone’s name outside of the protagonist (maybe that’s on me, I consume very little Korean media and am not great at retaining Korean names), I’m in this for the long haul. Great turn-your-brain-off action schlock.

19. Wind Breaker

At this point you could put a sign that says “DELINQUENT WITH A HEART OF GOLD” underneath a box-and-stick trap and I’d walk right in. I am not immune to your Josukes Higashikata, your Ryujis Sakamoto, what have you. The angry and violent type who will nevertheless stick up for what’s right and remain fiercely loyal to those they care about. Wind Breaker is rife with characters who fit that archetype, but it’s not exactly a delinquent anime so much as it’s a Dudes anime. More specifically, a Dudes Rock anime.

Yes, Wind Breaker’s ensemble cast is almost entirely Dudes, and they do indeed Rock. Protagonist Haruka is a self-inflicted outcast, and his tsundere ass does not appreciate all the positive attention he’s receiving after proving himself in street combat prior to his transfer to an all-delinquents high school. Nevertheless, he wants to fight his way to the top of his new environment, and if that means sticking up for the little guy along the way, all the better.

I love that Wind Breaker’s overarching messages of self-improvement and helping the weak without expecting a reward are basically anathema for the base power fantasies that largely come from light novels over the past decade and change, but even moreso that Haruka, loner that he is, keeps having to learn that he’s not going to get anywhere without surrounding himself with the right people and relying on their support. Battle shonen are usually pretty blatant with this stuff, but to see it spelled out so clearly in a series like this just hits right.

Wind Breaker looks terrific at just about every step, too. Every single thing I’ve seen from CloverWorks from the past few years has been a bop, which makes it that much more maddening that this is the studio that bungled the Persona 5 anime and supposedly botched The Promised Neverland in its second season. I get that not everything works out as planned sometimes but I find myself waiting for the other shoe to drop sometimes. I’m glad it’s been smooth so far, at least. Some pacing issues and a weird place to end the show, but I know for a fact I'll be there when this comes back in spring.

18. Laid-Back Camp, season 3

I am not immune to the Cute Girls Doing Cute Things genre, and when all is said and done I think Yuru Camp could very well stand alone at the top. A show this directly responsible for the uptick in camping culture and countryside tourism in Japan clearly holds some sway over pop culture, and it’s clearly deserved.

Returning to the present day after the 2022 film gave us a look at the Outdoor Club in adulthood, Yuru Camp’s third season gives us exactly what we wanted: More of the same. We largely focus on the solo expeditions of Rin, Nadeshiko, and the latter’s hometown friend Ayano as they trek to their collective meetup spot, and as the seasons change we get the entire gang together for some springtime hanami. It’s cute, it’s funny, it’s whimsical, it’s Yuru Camp. You know what you’re getting into at this point.

With studio Eightbit taking over the series in its third season, Yuru Camp still largely looks the same, and wonderfully so, but it can be a bit off at times: CGI vehicles look far more distractingly out-of-place, and for as gorgeous as the background art was in the first two seasons and movie, it can come across as a bit more uncanny this time out. I don’t know whether some of the shots of sakura branches were traced or run through some kind of AI post-processing from archival photos, and I hate to speculate on that, but given that this is the same studio that bafflingly under-animates the money printer that is Blue Lock, I can’t exactly put it past them.

Production quibbles aside, I can’t really complain about more Yuru Camp. It’s a bit lighter on plot than previous seasons, but this is a series that was light on plot to begin with. We get to spend time with these goofs, learn about camping and the Japanese countryside, and then maybe go touch grass ourselves. That’s a good message for a Cute Girls Doing Cute Things series to have: Go do your own cute things.

17. NieR: Automata Ver. 1.1a, part 2

The second half of this adaptation was going to be the metric by which fans of the 2017 action-RPG judged the whole work. The first half in 2023, covering the game’s A and B routes, was a solid if troubled production that did a good job of covering the narrative and action, even implementing surprising easter eggs from NieR Replicant along the way. Sloppy CGI integration in early episodes and a COVID-induced delay hampered things, though, so there were some nerves about the show’s return.

Any fears were quickly allayed once the second half of the series began, covering the real meat of the story in routes C-E. Ver. 1.1a immediately looked exceptional, with expressive character animation and fluid action sequences. Real pathos was instilled into the route’s early tragedies. Most welcome of all was the serious work put into expanding A2’s character and role in the story (as well as her backside). It felt like she’d gotten the short end of the stick narratively in the game, so it felt right to spend more time with her, tie her story in the present back to the past that was hinted at in the Resistance flashbacks, and just get to see her be a tsundere a couple times. I’m gonna have to go back and rewatch the whole series dubbed because I just know Cherami Leigh crushed it.

I’m of two minds about Ver. 1.1a as a whole: On one hand, this is just about as good an adaptation of the game as we probably could have gotten. On the other, a big part of what makes the NieR games’ narratives work so well comes from the fact that they could pretty much only be told through the framework of a video game. While Ver. 1.1a does a perfectly fine job of delivering the game’s narrative and providing its own take on the game’s extremely video-game-y ending, much of what makes NieR’s tragedies so impactful is the player’s agency (and occasional lack thereof) in these matters.

Nothing can replace actually playing NieR: Automata as a means of experiencing its story, but Ver. 1.1a is a darn good companion piece, and one that may even hint at the future of the Drakengard/NieR franchise. Now if only Yoko Taro would focus on something other than gacha games and death game anime for two seconds…

16. Train to the End of the World

The writer/director duo behind Squid Girl came back to give us one of the best and most bizarre original anime this year. Train to the End of the World is overtly and unapologetically weird, and that’s the way I like ‘em.

This weird and wonderful trek across a warped and wildly varied landscape dazzles the eyes and rots the brain in unexpected ways, but it’s a stellar character comedy through and through. Shuumatsu Train’s oddball protagonists are goofy, galaxy-brained, and sometimes flat-out mean in ways that only teenage girls can be. The dialogue is expertly written and some of the punchiest I’ve ever seen in anime. The girls bicker, mess with strangers, and engage in the kinds of inane conversations you only have when you’re the most bored you’ve ever been in your life.

While rarely laugh-out-loud funny, Train to the End of the World is intrinsically hilarious. The sheer absurdity on display is the kind that leaves you just shaking your head in disbelief. One episode they’re playing House of the Dead to get out of a real-life zombie situation, and in another they’re acting out their favorite fictional anime that you, the viewer, are just expected to know about already. It’s a stupid show in the smartest ways; a classical Homerian epic with ruminations on the future, but also one where the girls threaten to wipe out a Lilliputian colony by peeing on it. It’s both eschatological and scatological. With the recent discourse over modern adaptations and interpretations of The Odyssey, this anime might as well be the nuclear option.

Train to the End of the World was a standout in a strong spring season, but it didn’t shake out super high in a long and darn good year of anime. That’s fine and all, but I really hope it ends up attaining the cult hit status it seemed destined for.

15. Mayonaka Punch

This one had been distant on my radar for a couple of weeks after it premiered, but as soon as I found out it was a P.A. Works original, I picked it up immediately. Any original series by the studio that gave us Akiba Maid War’s glorious gut-wrenching insanity (as well as last year’s exceptional Skip and Loafer adaptation) is going to get my attention, and although Mayonaka Punch doesn’t quite reach the same highs as Akiba Maid War, it does try to match the latter’s most madcap moments.

I don’t have a better pitch than “Canceled YouTuber starts up a new channel with a house full of lesbian vampires,” nor do I really need one. Mayonaka Punch’s comedy largely revolves around the personality clash between the disaffected, avoidant Masaki and the pushy, hyperactive Live (who definitely wants Masaki for more than just her blood), but the whole cast is a riot. Throwing in a baby day trader, a taciturn fujoshi, and a big-titty pachinko fiend are just the right spices to make this a particularly tasty stew.

Chaos naturally ensues, and watching these women try to channel it into a successful YouTube channel is an easy recipe for comedy. Everyone has terrific chemistry and I was rapt with attention every time we got to learn more about each of these vampire girls’ history. What came as a huge surprise, though, was how potent some of the emotional hits ended up, even when it involved characters outside of the main pairing. The fact that the biggest one came in just the fourth episode was a masterstroke; I was already on board for the comedy but just like that I was fully invested in a character other than the one who wants to suck the protagonist dry. I’m not rephrasing that.

This one absolutely deserves to be a cult classic, and the door is left open just maddeningly enough at the end that I can only pray for more. Mayonaka Punch is a boatload of fun and deserves way more attention than it’s gotten. You can change that. Right now. Watch this show.

Prior to writing this, Fairouz Ai (Live’s voice actress and a huge presence in a handful of the shows I’ve already discussed) announced that she would be taking a hiatus from VA work following a PTSD diagnosis. I wish her all of the time, recovery, and support she needs.

14. Urusei Yatsura (2022), season 2

The opening salvo in the ongoing Rumiko Takahashi revival (weird thing to say about a mangaka who’s still alive and working, I know) returned this year for the second half of its “all-stars” run, marathoning us through retellings of the classic manga’s greatest hits, the oddest of its many oddballs, and its spectacular, heartfelt conclusion. More Lum is always a good thing.

I’ve written plenty about Urusei Yatsura’s remake following each cour except the first, and I don’t have much more to add at this point. It’s a classic for a reason and it laid the foundations for dozens of jokes, tropes, and standards that are fundamental to comedy in anime to this day. Even when some of the jokes may come off as trite or tropey, it’s easy to see just how and why it made Takahashi so successful. The exaggerated slice-of-life hijinks, outsized slapstick, and time-and-space surrealness are just as much of a treat as the deep, eclectic cast. And to top it all off, here’s Ataru and Lum being a couple of freaks who deserve each other.

Even though the 46-episode run certainly feels truncated compared to the 191 episodes, six films, and ten OVAs that came before it, David Production did a fine job of putting a modern touch on such a classic work and highlighting its strengths. And even though most of the run was an abridged run through the greatest hits, I’m really glad the studio made sure to dedicate the last few episodes to the manga’s final arc, bringing Lum and Ataru together in a beautiful and (briefly) satisfying climax.

And even for as satisfying as that ending was, it was nearly overshadowed by…

13. Ranma ½ (2024)

…the revival of Takahashi’s biggest hit.

Yes, right on the heels of the ending of the remake of her landmark romcom classic, came the announcement that her even BIGGER landmark romcom classic was also getting a remake. Ranma ½ is one of the hallmarks of 90s anime writ large, working late-80s Japan’s fascination with Chinese martial arts (partially due to Dragon Ball’s success) into a romantic-comedy framework that also accidentally served as the genesis of the harem genre. I’d somehow never actually engaged with Ranma prior to the remake, so I was happy to get in on a new ground floor and I was immediately sold.

As the youngest daughter of the Tendo Dojo, Akane Tendo is put in a predicament when her father betrothes her (at her sisters’ urging) to his friend’s son, Ranma Saotome. Though both are skilled fighters and a good match in that regard, Akane is a bit of a hothead and doesn’t much care for boys, so she’s not a fan of this arrangement, but it’s made all the more bizarre by the fact that Ranma is also a girl sometimes. Thanks to a bizarre accident in China, Ranma turns into a girl when soaked with cold water and back into a boy when hit with hot water. Shenanigans ensue as Ranma and Akane’s contentious relationship hits innumerable peaks and valleys, all the while fighting off an ever-growing menagerie of powerful, fight-happy suitors gunning for the hands and lips of Akane and both versions of Ranma.

MAPPA of all studios being the one to re-adapt Ranma came as a surprise, and you probably could’ve convinced me David Production took over this Takahashi adaptation as well. Ranma’s remake adopts several of the same visual flairs you’d see in Urusei Yatsura, including the Ben Day dots, color inversions, and manga-style onscreen onomatopoeias. On the other hand, while most of the moment-to-moment character animation is pretty much what you’d expect from any given anime, several of the action sequences are very well-animated to MAPPA’s typically high standard. I just hope the animators weren’t getting the Chainsaw Man or Jujutsu Kaisen treatment.

Ranma ½ is as hilarious as ever, but it can get a little wonky thematically when it comes to gender politics, boundaries, and expectations, as I’d been made aware before ever engaging with the work. I also knew from the Urusei Yatsura remake that this was basically Takahashi’s wheelhouse, as there are a couple of pretty genderbendy characters in there as well. Several of the male antagonists in Ranma are more than a little pushy when it comes to women who catch their eye, and a lot of the humor around Ranma’s gender swaps revolves around how their male socialization affects the lack of modesty with which they present their female form (more on that later). People who are much better versed in gender matters than myself, both academically and personally, can speak on the positives and negatives of these things much better than I can, and it’s too early in the series for me to really make a judgment call. I do think it’s odd, though, that even with the central romance, Akane doesn’t seem to remotely entertain the thought of getting involved with Ranma’s female side, and unfortunately I don’t really see that ever happening. So far, all of these things just come across as flat-out silly and more of a product of its time than anything nefarious.

The original Ranma ½ adaptation remains a seminal work for a solid generation and a half of anime fans, so of course a remake was going to be met with some criticism. Some didn’t appreciate the more muted color palette compared to the late 80s/early 90s Studio Deen version, and while it’s certainly missing some of the flair of the hand-painted backgrounds and saturated lighting effects the medium has missed since that era, I personally like the softer hues; I find them a lot more reminiscent of Rumiko Takahashi’s own colorations for her art outside of the manga. It’s not as technicolor as the Urusei Yatsura remake, but I think that actually helps set the new Ranma apart rather than riding the former’s coattails.

The main difference people seem to be complaining about, however, has more to do with boobs. Takahashi has never been shy about including nudity in her manga, and in an era where uncensored bazongas were perfectly fine to publish in boys’ manga magazines, she was typically more matter-of-fact about the female form instead of pursuing titillation. As such, a story like Ranma’s, in which its title character is typically blase about presenting their female incarnation modestly, had a lot to work with on that front, and the original anime played along.

Not so with the MAPPA version. Nipples are conspicuously missing in scenes that legitimately do call for nudity, and an ass crack appears to be missing from an early scene as well. Personally, I don’t mind the Barbie doll treatment, and as I’d been reading the manga as the anime’s story progressed, I didn't find all that much missing in the transition from page to screen. Weebs tend to convince themselves they’re the most oppressed people on earth, so of course there were cries of censorship, which is a claim I don’t really care to entertain. These are different times, broadcast regulations in Japan are almost certainly different from what they were 35 years ago, and Netflix and/or MAPPA likely didn’t see the need for it. Could be any of those things. I’m not losing sleep over it.

And with that, I’m done talking about Rumiko Takahashi (for now). I’m grateful for everything related to her work, even tangentially, that came out this year, and my life is richer for it. I’m glad to have gotten into her work in earnest this year, and I can say with all conviction (hot take incoming) that she’s one of the greatest mangaka ever. I look forward to diving further into even more of her work.

12. The Elusive Samurai

I’d have been perfectly happy if Wind Breaker had been CloverWorks’ only beautifully-animated oddball shonen hit this year, and then they went and outdid themselves the very next season with this one.

The Elusive Samurai is a gorgeous, timeless-looking piece of historical fiction beginning at the very end of the Kamakura period, following the last survivor of the Hojo clan, the young Tokiyuki, as he’s urged by an eccentric priest to lead a pack of freedom fighters and take revenge. Despite coming from a prominent family within the shogunate, Tokiyuki was an impertinent kid and preferred to play hide-and-seek instead of attending any combat training. The priest, Yorishige, receives a vision of the future that predicts that Tokiyuki will fell his family’s usurper not by becoming a powerful warrior, but by doing what he’s already best at: Being a squirrelly little shit.

I just gushed about how good this show looks three months ago, and even now I’m thinking back fondly on how well it blends whimsy with brutality. You can have Yorishige and the kids goofing off and cracking jokes one minute and vibrant crimson beheadings the next. Even little Tokiyuki makes a joyful game out of slicing a bandit’s veins to ribbons later in the season. It feels like a callback to anime films and OVAs of the 80s, with the film grain effect to match. Almost every single thing about this show looks and sounds incredible.

Of course, there’s the CGI. I really don’t like complaining about that sort of thing, but it was such a blatant and unnecessary cost-cutting move that it almost cheapens the rest of the show. Look, I get that horses can be a pain to hand-animate after a while, but having characters’s CGI models speaking while riding on horseback is just enough to take me out of the show, especially when they already look as bizarre as, say, Sadamune. How that passed muster with the rest of the show’s standard is beyond me.

So, maybe I did dock it a spot or two for that, but I see that as a wrinkle that can be ironed out. The Elusive Samurai is absurdly promising, and its debut season is a tremendous statement. Can’t wait for more.

11. Makeine: Too Many Losing Heroines!

As I made clear last year by putting 100 Girlfriends’ debut season in my top ten for 2023, for as much as I love a good straight-up romance story, I have ample room in my heart for trashy dipshit romcoms as well. Makeine shares that affection and forges its own identity from it, establishing its own throne atop a hill of garbage.

This is not a “yeah it’s good if you can look past the tropes” show. Makeine is firmly on its bullshit, and it is firmly about its bullshit. It’s not nearly as off-the-wall as 100 Girlfriends, few shows are, but it’s well aware of your expectations and leaves you guessing whether you’ll have them expertly subverted or just thrown right back in your face. Even the protagonist, the light novel fanatic Nukumizu, is calling out the tropes as they happen, but it’s been a fun time watching him learn that he’s more than just a wet-blanket LN protagonist. He thinks he’s just along for the ride like any other blank-faced self-insert in these stories, as gets roped into the personal lives of these poor girls and learns that, yes, they are real people and that, yes, he is too.

I could go on and on about Too Many Losing Heroines’ idiosyncrasies and offbeat characters and punchy dialogue, but I did that plenty just a few months ago. Instead, I want to call attention once more to just how freakishly well-made this show is. A-1 Pictures had zero reason to go this hard on a goofy, trashy light novel romcom adaptation, and yet here they were, throwing their A-team at the whole project. Character animations are intricate, background art is sumptuous, lighting effects immaculate, and music on point at all times. The OP is an earworm (and one of a surprising number of ska intros and outros I’ve taken in this year), and having each of the main titular heroines perform her own story-appropriate ED was a masterstroke. Even the visual gags are perfect and allowed to land on their own.

I already cannot wait for more of this. If A-1 has given us all we’re going to get of the Kaguya-sama anime, then I’m as all-in on Makeine as they are. Not the best romcom out there, but easily one of the best-made out there.

#anime reviews #solo leveling #wind breaker #yuru camp #train to the end of the world #mayonaka punch #urusei yatsura #ranma 1/2 #the elusive samurai #makeine

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emeraldotter · 15 days ago

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2024 art summary! Some detailed thoughts and considerations on another year of drawing every day under the cut.

I feel like I had some big improvements with backgrounds and color choices. I like painting backgrounds; they're probably my favorite things to paint. I pushed myself on figure drawing more, too, but framing and posing has never come naturally to me. I made the plunge into drawing predominantly on single layer and just treating most digital paintings like I'm using acrylics. I think it's led to some more fluidity in my art, though it's definitely had its associated growing pains. It's so hard not to make things look muddy, but that's a problem I've always had with acrylics as well.

I admit, I'm very embarrassed by what I have to show this year and a lot that has to do with the subjects I painted. I'm trying very hard to push back against that negativity, though. Deku's a comforting character to me, so drawing him always makes me feel better. I should allow that sort of outlet for myself, I think. I feel better for it, anyways. Plus, the MHA manga had such talented people illustrating for it and its art evolution really inspired me—there's so much expressiveness there, and I love hands! MHA is the hand manga, haha.

I've also noticed that I get really nervous that people will think my art is bad if I post it online, so I've been interrogating that. I've definitely posted more duds than good stuff over the years, but I'm not a natural or talented artist. I'm just a guy who draws! And that's okay, I think. Not every athlete is meant for the world championships. But then I think: Do I think this way when I see other people's art? And the answer is no. I'm always happy to see art. I'm always happy to see people making art. I'm much more focused on the subject of the art, on how it makes me feel, than if it's "good enough." What does that even mean? Obviously, there are objective skill sets associated with drawing and painting, but it's a sliding scale of competency. I don't think it's as black and white as "good" and "bad" so much as "well developed" and "less developed." And art on both ends of that spectrum have spoken to me enormously over the years.

It's hard, sometimes, to make art that feels fulfilling or pushes you when you have a running daily queue. I've been doing this for over a decade. Kind of crazy, right? Whenever I draw something, I think, "Can I post this? Is this postable?" I've tried to move away from that. Making a lot of hours-long paintings that I don't show anybody has helped that, maybe. All the same, every time I'm working on a painting that isn't a commission or for this blog, I can't help but think, "You're using up your body's stamina and your limited time to make something that can't be used. You're going to have to set aside even more time to work on usable art." I've done a lot to push aside that guilt. If I can't paint for myself, then painting serves nothing for me. I already work a pretty demanding job; I cannot have everything I do turn into survival. Hobbies are so important.

Another thing that happened is that I got really into learning how to seriously make stickers, this year! I bought a printer on sale and everything. I hand-cut each sticker and apply a protective layer over it, usually with a holographic effect. Who doesn't love holographic stickers?

#yearly improvement #doodle #crappy art #this is more for me than for any of you #i'm trying to be more open and less ashamed about everything

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artroidsart · 3 months ago

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Now the original for THIS one is OLD!! I made that back in 2019!!!

It's surreal looking back at the original, seeing just how much my art has changed. I drew the old one back when I first got into Jackbox! That was over five years ago! That's… that's crazy! Party Pack 6 wasn't even a blink on the horizon yet! I just… I just had a feeling in my heart that TMP was special, ever since I first saw it. Even after all these years, I still love this series. A lot of people have come and gone, and a lot of things have changed in this fandom, but I'm amazed by how much love and talent is in this fandom.

Gosh, it's weird to say I'm feeling nostalgic over a horror trivia game, but it's true. Anyway, back to the remake here! Since this line is from the original Trivia Murder Party, I wanted to use a different outfit than the one I use for the sequel. (I made a different version of it for the ref sheet, but I wasn't happy with it. The colors didn't feel right. I like this one much better!) Just for the heck of it, I drew my human version of the Wrath doll. I haven't drawn the human dolls in a LONG while! I made a few small changed to this design, but nothing too crazy.

Also, I found out why I haven't felt inspired to make digital art lately! The new stylus I have works really well, but my shaky hands aren't steady. It make digital art a struggle for me. Thankfully, I found the solution! My laptop has a tablet mode, so I can pull it into my lap to work on art! It made using the stylus SO much easier!!! Now I won't be suffering through my digital work! (Hopefully, that means I can upload semi-regularly again!)

Wow, listen to me blabber on. Didn't mean for the description to go on THIS long. But hey, this piece makes me really happy. I hope you guys like it too. I can just FEEL how much I've improved, doing these remakes. If anyone else is feeling art-block, I'd highly recommend going back to old works and giving them new life! Thank you to everyone who has been with me on this journey, both old friends and new faces. You guys are the best. <3 <3 <3

The original, for reference:

#artroid's art #artroid #alanna artroid #my art #art #alanna #artists on tumblr #cute #jackbox #trivia murder party #redacted #remake #redraw #tmp #redacted tmp #jackbox games #jackbox party pack #jackbox fanart

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rockybloo · 18 days ago

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With it nearing the end of the year, I feel like it's a good time to just have some real talk about why I create art.

At some point during in high school, during those years where you are pressured to figure out what you want to do when you grow up and what you want to major in when you go to college, I had wanted to go to art school after high school. I decided against it ultimately because I just didn't see a true appeal for me. I started to realize that I enjoyed my art so much more when I didn't have the pressure on me to create something for a fancy final product. Yeah, I could go but then I'd have to change aspects of myself I didn't really want to change but had to because that's what the world says I gotta do if I want to be a good artist.

And that's the thing I sort of hate the most about being able to create anything. You have to be good. Otherwise you are wasting your time. You aren't allowed to just make stuff for fun and for a hobby - you have to constantly be striving for improvement at a pace others have set for you. You can't just have it as a hobby. If you make art then it's expected that you make good art.

You're not allowed to be satisfied with being mediocre.

I've been actively posting my art online since I opened a Deviantart account way back in middle school. I'm 26, on my way to becoming 27. And as someone who has spent a solid decade online, I feel more certain than ever that I am a hobby artist. Having a fulltime job DEFINIATELY has helped me come to that conclusion but even before, I knew I liked to draw for fun. I don't like to stress about what I am sharing to cyberspace, I like just having this digital archive of stuff I've made and stories I've written.

I call myself a self indulgent artist because I'm incredibly selfish draw things I want and write stories I'd enjoy.

That's not to say I don't care that people enjoy my work and feel represented at times. I love it when people share how happy they feel when they see my OCs and read my stories. I'm happy I can fulfill some niches for people. Honestly, it'll always be crazy to me when I make something so damn specific that I wanna see and share it just for some other people to get excited. There are benefits to having a public digital archive your art and reactions people may have are one of them.

But ultimately I don't create to make others happy. If I did focus my art on just doing that, I promise you that my online presence and art would look DRASTICALLY different.

I share my stuff online because it's a whole lot easier to archive all my art as well as being able to share my stuff with the world and occasionally make some friends. Posting my art shows I was alive so MAYBE JUST MAYBE I will not be watered down when recalled in memories and people will always know I was insane about my OCs.

I'm pretty satisfied with be a mid artist. My finished work makes me happy, and what I care about is managing to create something of the fellas that reside in my head because seeing my OCs makes me happy...AND I'M THE ONLY SOURCE OF CONTENT FOR THEM SO I GOTTA COOK MY OWN FOOD AND EAT IT TOO--

ANYWAYS I am in no rush to level myself up. I'm 27 and human lifespans are pretty long. Even though it's slow and subtle, I have def been making improvements in my work...but mainly because there are aspects about my OCs that I occasionally realize I am struggling with and pull a "Do it for her" as I work on what I am having a hard time with. SURE they might not be improvements others would like to see but they are improvements that make me happy. And I am excited to see how my art develops over my existence on this planet.

...I am also excited to see if my black ass can finish any of my webcomics before I die. I KNOW I CAN DEF FINISH ONE OF 'EM I JUST DUNNO WHICH ONE IT'S GONNA BE! IT'S A RACE TO SEE WHO MAKES IT TO THE FINISH LINE BEFORE I KEEL OVER

#rocky rambles

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1driedpersimmon · 6 days ago

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Do you have any advice for people who might want to get into making comics like yours? I'm always pleasantly surprised by how fast you pump them out and even have other little projects/doodles on the side. How do you keep the quality consistent?

(sorry if this sounds a lil cold (?) i rlly love your peppercakes they r so skrunkly)

First off - Thank you !! I'm honored you like my lil guys and comics hehe! (and no worries on the tone !! I didn't think it sounded cold at all!)

Alright secondly lets see...

Short answer: You really just gotta start and keep going!! Once you start you get the momentum and it gets much easier (like riding a bike, which people like to use as comparison often).

Long answer:

Alright I thought about how to answer for this for a bit and I think I'll break it down to the main aspects.

So timing ! Basically I'm drawing 24/7 (and I'm currently not working as it's an off time for me, but I shall in a week and you will see that my posting frequency will decrease substantially). Ok maybe not 24/7 but I essentially am drawing from the moment I wake up to when I sleep (minus eating, restroom, working out, some errands) and while I do not say this is the key to being better, I'm just realistically displaying how much time I'm spending on drawing. (... one of my new years resolution is to not in fact do that and go out more because I feel like I'm being cooped up in my room a lot haha). But minus the amount of time I spend itself a lot of it has to do with the importance I take in speed drawing. And when I say that I mean quite literally how fast I can draw. AND I think a large part of where that speed comes from is how I like to generalize designs and just my overall process of drawing. (Which, I will not go over now but if you'd like I could make a separate post on how I go about doing my usual sketch, lines, colors, etc) Like, I love ff and all of it's crazy designs but it's so complicated I simplify everything till it's juussstt recognizable, and that's something I feel like really adds to the speed of things.

Also that's sweet of you to say for the quality haha (I always am thinking stuff like ah man this aint it... not my finest work, and then just post anyways cuz who cares I already made it heh)! That being said my quality wasn't alwaysss consistent! Here's an example of my very first "comic" I made for my characters:

And here's the same 4 panels I redrew just about 2 years later:

So I've been basically drawing comics for this for just about 2 years now (will be 2 years officially in a few months) and I most certainly did not get here in one night. I think, as I've mentioned, it's really important to keep up with the comic making (or drawing in general) so that, yes, you can get better, but the way you get better is that it becomes familiar to you. So you can approach concepts and ideas with a more experience. And I think a large part of what holds alot of people back is the idea that "ah I can't do this idea I'm not good enough." So what !! Still do it, I most certainly did it a couple years ago when I barely scribbled my ideas. And then you can totally go back and redraw it ! no "Rule" saying you can't go back and revisit your ideas, like hell even professional artists go back and republish their works with their improved art styles ! (ex. Tokyo Ghoul... even though I don't care for the story, it's still pretty cool! I think he even added more scenes? Anyways..). I think there was that one post going around where it was something like do it scared and that's really REALLY what you gotta do.

And that leads to my final point. You gotta love doing it. I like to make comics because I LOVE my characters, their story, and actually the act of putting it all together into a story, drawn comic, visuals, etc. And, I found my method of loving them. For me, what held me back was the "structure" of comics. I mean you can p much see that the way I like to do things is def not the "traditional" manga/western comic book style right? I won't go as far to say that I "made up this way" of comic making where it's one panel at a time but it certainly worked for me. (I have no idea how many comic wips I have collecting dust in my folders from my earilier days of making this comic where I just gave up 20% of the way in because I really could not vibe with the formatting, but then I figured out I really like to "thumbnail" comics (a result of when I was studying storyboards alot imo) and I went on from there).

This is where I feel like alot of people get stuck too. Where they really do like their ideas, their character, their stories and such, but as soon as they try and go through the process of creating in a certain way... the wind is just instantly taken out of their sails. And while I do believe sometimes you just gotta push through and do it anyways, sometimes that's not the right method to go about it. So instead of brute forcing a method of creation and eventually forming a bad relationship with the process, find a method that works for you. And maybe it doesn't look all that great or good compared to others, but that comes in time and as long as you like doing it, that's what really matters at the end of the day.

Tl;dr: be a lil freak, and lil weird about what you do (this applies to everything, not only art :3)

Alright so I think that's all the points? idk if you still want to ask me stuff, feel free to anytime :) Always happy to share my thoughts!

#asks #Yeah that got long but also I think those are important stuff to consider !

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snobgoblin · 6 days ago

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It's crazy how having a Mary Sue oc was viewed as such a terrible thing back in the day? Like most of them were done by little kids who wanted to have fun yet they got so much hate? Imo unless you are trying to make a well-written character, then yes them being a Mary Sue is bad. But if your making your oc just for fun then it doesn't really matter.

god yeah. i also think it's that a lot of them were little girls specifically and you know it's the worst crime in the world when a woman has an interest, let alone a child because as we know, women and children are not people /sarcasm. see, because the thing is if a man or boy makes a mary sue nobody gives a shit. that's from my experience anyway lol. like oh some boy in my art class made this edgy op demon oc. nobody cares! he's cool! oh but I make a girl who's literally the same she's the worst character ever and she's op and I should really rework her. almost like you hate seeing women in positions of power. ALSO taking into account the history of the term Mary Sue... like it's always been targeted at female fans. female characters. those are the only ones who ever seem to come under fire for this near-religious "standards for a good character" shit. but I'm glad it's mostly over now. that or I've just been ignoring it for years. LMAO

and its also like okay what if the character is bad. what then. is it any of your business? no. so shut up. people need to learn that their input is not always wanted or needed, that kind of attitude of "i need to bully- i mean critique everyone when they don't ask and they should be thanking me because I helped them improve" pisses me off especially because it's never constructive it's just telling people they did bad

#asks #the-delighted-landfill #i also think its a result of people who didnt know what they were talking about #trying to make objective rules about art and harshly reinforcing them #thinking theyre universal- not realizing just how biased they are #THEY DIDNT EVEN KNOW HOW MUCH THEY DIDNT KNOW #also not everything caters to you. lmao. people expressing themselves do not have to follow these arbitrary rules #hell nobody does

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bloodsadx · 7 months ago

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thanks to everyone who has sent me asks and such saying i understand how to draw for being nice and stuff. i'm going to ramble about some influence/process stuff below if you want to read abt it

this might read as some kind of artistic statement or defense or something but i like to talk about this kind of thing just in case anybody can ever get anything meaningful out of my own thoughts and practices. i got to where i am after a lot of careful consideration and spending time thinking about what i like in other people's art, just like anybody else that makes art to any serious degree.

my "style" is very much a deliberate series of decisions that i have honed into being very fast for my own pleasure and enjoyment because i am very inspired by people like king terry/garo magazine/the heta-uma style, keiichi arawi, inio asano, hiroyuki imaishi, toru nakayama, phil elverum (as a cartoonist), gary panter (who was a friend of matt groening and wrote an essay about selling out that is worth reading and did a lot of stuff with RAW magazine which is one of my favorite things to think about), DIY/skatewear brand t shirt cartoons, early MSPA hussie stuff, etc. a lot of my favorite artists walk a line between constant high effort and low time investment art; often contrasting elaborately planned perspective grids or high resolution rendering with simple cartooning. asano and arawi i think are very clear and famous examples of artists that use 3d rendering and photography for backgrounds while drawing very deliberate and expressive characters on top of them. toru nakayama is really inspiring to me because he, like toriyama, has a very deep understanding of form AND cartooning and has a way of making extremely densely crafted cartoons which feel visceral and almost like plastic toys you can pick up and play with on the page. also just one of my favorite colorists. and i think hussie and arawi and imaishi are all fantastic character designers with very strong understandings of designing art styles that convey information very quickly and deliberately; i think bryan lee omalley and jamie hewlett were also big early influences on me for the same thing- they all have art styles with very clear line/negative space proportions, strong shape language, etc, and for a long time in my life i have sought to grasp a similar understanding of these things. and then i think phil elverum's fancy people adventures cartoons and just like skate brands and "shitty" DIY drawings and stuff (the album art for nana grizol's love it love it is like burned into my brain forever; seeing basquiat paintings and poems in a museum when i was 15 made me feel whatever and crazy and etc) are just something that serve as a constant reminder to me that some of the most effective art is art that is simply fun to look at, especially when it comes to making comic and cartoon art. simplicity and joie de vivre are very important to me as artistic concepts.

and i mean, i do fuck with crazy painter dudes and shit too; i was huge into goya when i was 14 and had a print of the witches sabbath taped to my wall until i was like 22, i fw waterhouse & bruegel the elder insanely. i am like a sponge for most kinds of art and i do a lot of art research all the time. most of my first book was heavily influenced by compositional techniques from pre-raphaelite painters and the iconography of egyptian & greek wall art and especially especially extremely crowded gothic art and the concept of horror vacui.

but anyway, im not really insecure about my art, i know how much effort and time and practice and research i've put in, i definitely know my strengths regarding cartooning and stuff, and i'm even more aware of where my work needs "improvement" in order to be "commercially viable." i've been in multiple positions in the past several years of taking art seriously where other people have been dismissive of my art and i've seen other people fail to capture the energy & simplicity that i am able to get in my own art, etc.

for people interested in my Process and the things that i work on to draw the way that i do, the way i have gotten whatever skills i have has been mostly through drawing the same things over and over and over (toenail, cavity, pimple, gunk, making different expressions and doing different poses); i draw in pen MOST of the time, and i have for a very long time, and i make few edits, and i focus on keeping energy and confidence in my lines; i do perspective studies, i've spent a lot of time doing gesture drawings and environmental studies inside and outside. i draw a lot of movie frames and do color studies of youtube videos and stuff like that. i remember reading some kind of criticism of post-KAWS/street art infiltration of commercial art that artists now are most rewarded for drawing literally the same thing over and over and over like their hands are printers and that the main thing artists are then allowed to do within that context is express themselves through minor variations within that key theme; i don't think im THAT rote but it has definitely informed my perpsective on what i do and what i am interested in doing. on some level i have designed my art to be easily reproducible by myself because i want to make comics and sometimes even to animate my characters and that requires me to be able to draw a lot of drawings relatively quickly. this is another reason why character designers and video game key artists are such massive influences on me, takehito harada and akiman and toshiyuki kusakihara being some huge ones i've spent a lot of time doing studies of i didn't mention previously.

and because the main way i make money at this point in my life is through screen printing & reproducing my drawings as items for sale, i spend a lot of time making my art Distinct, Eye Catching, and Iconic, to the degree of instant recognizability even on a t shirt or a sticker from far away, and i try to make my drawings strictly legible and generally focus on communicating ideas and emotions through big thematic and emotional gestures and strong colors that can be easily separated. this is one of the main reasons i havent developed as strong of a rendering/coloring habit; that kind of stuff is difficult to color separate for the purpose of solo DIY screen printing. but i've spent a pretty decent amount of time doing that stuff, and i spend time studying forms regardless, with the lines that i do use. a lot of my sketchbooks are me drawing literally the same thing over and over slightly differently until i have something that i feel is a strong enough cartoon to make into a shirt or patch or sticker design that satisfies a litany of criteria i have for what i consider strong cartooning.

anyway that was a very rambling post but i hope at least people get something out of it even if its just slight entertainment from me blowing hot air out of my mouth for 20 minutes.

#from the mind of the author

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