#anyway that my word vomit

[pants-lint]

Just had a Thought and now I'm curious. What's you guy's strangest comfort media? It doesn't have to be strange as in like creepy/fucked up/whatever, it can just be smthn a lil odd.

[kevinsdsy]

thinking about kevin day winning his first olympic gold medal.

kevin day who appears to the media as a confident athlete who knows how talented he is. everyone knew the gold medal was only a matter of when he’d get it and not if he gets it— he’s the son of exy after all. they might have seen him a bit stiff in his earlier years and people did not forget about his class i exy interviews in which he confirms he had never been skiing or that the palmetto state foxes’ coach is actually his father— but he has always maintained that kevin day winning smile and his polite composure with the perfect amount of charisma.

but then the US exy team wins the final game at the olympics. it’s the first time he has won the olympic medal and when the final whistle fills his ears, he quite literally drops to his knees, he yells out in celebration, and then when he takes off his helmet he is crying. he has finally done it. he has won the gold medal which he was so determined to win ever since he could remember.

and most people do not know the extend of what he had to sacrifice for it. they don’t realise the extend of how hard he had to work to get back to exy after his hand got broken— both mentally and physically. nor do they know the amount of panic attacks he had to deal with and the same amount of times he had to drown his feelings away with a bottle or three.

and he’s crying. the fans cheer him on. and it’s not just the USA fans— but it feels like the whole stadium starts cheering his name in celebration and support. because at the end of the day that’s kevin day and he has finally done it. he has gotten the medal and it’s literally going to be a historic moment.

andrew makes his way to kevin’s side and he helps kevin take off his gloves like he has done many times before. andrew wants to say something, maybe a remark that will get under kevin’s skin— but then he looks at kevin’s expression and he realises this is all they’ve been building up to for the past years.

and it’s not just kevin who has won the golden medal right now. it’s him too. his team. their team. and they’re all a bit speechless and astonished by this moment. so andrew helps kevin up and neither of them say a word to each other just yet, but kevin feels andrew’s weight shifting into him too— they’re both leaning onto each other; they’re both holding each other up.

[eddiesghxst]

rockstar!eddie who only sees you when he’s in your city. doesn’t tell you when, doesn’t hit you up or anything— you really only know he’s coming because of the plethora of billboards and ads that pop up around the time of the performance.

and he doesn’t even really have to call you to let you know he’ll be coming over, you just know— as soon as eddie lands in your city, you’re his.

that’s how it is, that’s how it’s always been.

and you don’t exactly think you’re the only girl. the only one he flees to when he touches down in a new city— but you’re glad you’re his girl for this city. out of the millions of people he could’ve chose in your town, he chose you and that’s enough to get you to open your door for him post show, let him smoke all your shit and spend hours fucking you.

you don’t bother going to the shows— you did once, hated the scene of bitchy groupies that throw themselves at him and you never went again.

so he just comes to you.

probably doesn’t even bother taking a shower or wiping off all that sweat and liquor from another hectic show, just books it straight to you.

plays house with you for a day or two. calls you his girl, fucks you hard and rough and then slow and soft and then rough again. he says he missed you, doesn’t know how he lasted a year without your pussy, swears he’ll lose his mind if he goes that long without seeing you again. snaps a few photos of you. some cute and wholesome, naked and shying away from the lens with the sun beaming through your window. and the others are raunchy, dirty and gross. you split open on his cock, spread open for him. you on your knees for him, worshiping his cock. you cumming on his tongue. you with his necklace swaying between your tits, sweaty and bruised up neck on display.

he keeps them. tucks them in his pants. probably forgets they’re even there, honestly, only remembers them when they fall out in the next city as he’s pulling his pants back up after fucking some random girl.

feels his chest twist up, thinks about booking a flight to you because despite the fact that he’s a fucking player to his core, he really does have a soft spot for you. you really are his girl. his number one girl, best of them all.

doesn’t matter though. because even though you’re eddie’s girl, he still leaves you for another year. it’s just easier this way, really.

[soulerflaire]

So I just want to start by pointing out that this kind of vitriolic response to an offhand comment in the tags is completely uncalled for. If you don't like someone's take on your favorite show, you're free to respond, but there's really no need to dive straight to abusive language like this. You come off as very childish and rude, and most of the time this would just get you ignored or blocked. But you just so happened to catch me on a day when I feel like diving into the reasons I fell out of love with RWBY. So here we go!

For a very long time, I was a die hard fan of RWBY. I first started watching the show around when Volume 3 had come out, and at the time, I was in a pretty bad place. RWBY helped me not think about shit for a while, and I think that's part of why it became so cemented in my heart. Even to this day, I keep my RWBY chibi figures up on my desk, I listen to the soundtracks, and I've kept up with the show. I'm not longer the die hard fan I was, but I don't hate RWBY by any means.

My love for the show was still going strong all the way through Volume 6. In fact, Volume 6 is my favorite season of the show. We finally got to see Bumblebee going somewhere, with real character development for both Yang and Blake, not to mention putting Adam's arc to a satisfying end. We got a massive, fascinating lore dump, the gang all reunites, just all around it's a good time.

Then we hit Volume 7.

We start getting weird forced drama between Ren and Nora that comes out of nowhere. Volume 6 they're fine and happy and everything's okay. Volume 7, Ren starts bickering with Nora because he's suddenly scared to be in a relationship, even though I had pretty much assumed they were together since Volume 4.

There's this whole idea of the Ruby gang training together and going on missions with the Atlas crew, and them all growing closer and bonding, except we only see like 10 minutes of that. I honestly to this day am not sure how much time actually passes during Volume 7. It feels like just a week or so, but the show acts like it's been months. But they don't show us that at all. Which means later on when the Atlas crew "betrays" the Ruby gang, it doesn't have any real impact. We the viewers have known them for a couple hours, of course they're completely loyal to Ironwood. The show tells us it's a terrible betrayal, but it doesn't feel like one.

And then there's Clover and Qrow. You are probably aware of the shitstorm that whole fiasco created, and I will be the first to admit that I reacted very badly to it myself. I will no longer cry foul about queerbaiting or bury your gays here, but I will maintain that Clover's death doesn't make one damn bit of sense. In what world would Qrow ever side with a known serial killer (who specifically targeted Qrow's niece!) over the guy he's been friends with for [insert length of Volume 7 here]? There are so many out of character things leading up to that moment, and it's clear the writers of the show were forcing their chosen plot through regardless of what made sense for the characters.

I stopped watching the show for a while after that. But eventually I dragged myself back to watch Volume 8. Lemme go ahead and preface this by saying Penny was (and remains) my favorite character in the entire show. So you can probably guess how I feel about this season.

This was my first season watching the show with my rose-tinted glasses gone. And I really started to see the problems. Characters being moved around like chess pieces to make the plot work. Fights between characters that come out of nowhere, just for the sake of splitting the party because they needed the party split for plot reasons. And ooh boy the numerous character deaths. The very second the plot is done with a character, ice 'em. Penny's entire purpose this season was to transfer the maiden's powers to Winter. I don't have a lot to say about this season because there really wasn't much to like, for me. Oh also that one grimm is just straight up a hydralisk and how did Blizz not go feral over that?

After that, I took another break from the show. I wasn't happy with the way the writing was treating the characters, and Penny getting killed off again so soon after being brought back just felt like spite and shock value. But eventually curiosity got the better of me, and I tried out Volume 9.

And was pleasantly surprised! It was much better than the previous two seasons. I certainly have my complaints, not least of which being the complete and total waste of Neo as a character. They could have done so much more with her, but instead, much like Penny, she fulfilled her plot purpose and promptly died.

So you may wonder why I still say RWBY's writing is terrible now. I liked Volume 9, I said it was much better than 7 and 8. Clearly they're improving, right? Except Volume 9 is very much a filler arc. Nothing major happens in it. Sure, we see Yang and Blake finally confirm they're in a relationship, and they do actually kiss on screen, but...they were already confirmed in a relationship by the end of Volume 8. So the only actual character progression there was the kiss. And considering how hard they were emphasizing "They're together now!" with characters on three separate occasions saying "Finally!" in response to them doing something romantic, it felt like the writers went into this season with "Yang and Blake kiss" as the only notes for their entire character arcs.

I'm getting sidetracked here. My point is, I shouldn't be enjoying a filler arc more than the main story. It's the same complaint I had after the Skypiea arc in One Piece: the writing for the subsequent filler arc* was much smoother and more natural than for the main plot. And for RWBY, the reason is pretty easy to see: what I hated most about the writing in Volumes 7 and 8 was the way characters were being forced towards plot points. In a filler arc, they didn't need to do that. This was a short, self-contained story with no far reaching consequences, so it was much easier to write around the characters instead of over them.

At this point, I just cannot say that the writing is good. Maybe it will change in Volume 10, but I'm not getting my hopes up.

I do recommend watching hbomberguy's video on RWBY: https://www.youtube.com/watch?v=81fdKWOHrdE. He's much more eloquent than I am, and goes over way more stuff. But you have to promise that if you disagree with him, you won't leave hate in his comment section. You're welcome to turn off the video and move on with your life.

*I should clarify I am specifically referring to the Marine Base arc, NOT the Foxy arc. God I hate the Foxy arc.

Tumblr Top Ships Bracket - Round 2 Side 2

This poll is a celebration of fandom and fandom history; we're aware that there are certain issues with many of the listed pairings and sources, but they are a part of that history. Please do not take this as an endorsement, and refrain from harassment.

[sunclown]

Zs dads part 3: Name stories

[ivvyela]

thinking about that theory where peter parker is the mcu's anchor being. and like. the possibilities of it. imagine learning your entire universe's anchor being, the person who pretty much controls the fate of the universe, is some guy who just doesn't exist??? not even dropped off the face of the earth, but there is no proof of this person even existing in the first place???? and maybe strange or the fantastic four or whoever feels responsible for/is tasked with finding and protecting this anchor being but that's kinda hard to do when you have Absolutely Nothing to go off of.

or alternatively, peter himself learning that the entire universe is basically relying on him staying alive, and he already has a lot on his shoulders but this??? having lost everything and everyone and now learning that the weight of the world is literally on his shoulders and fuck!!! he just wanted to be a friendly neighborhood spider-man but that's parker luck for you!!

and like. there's so many ways to take it and i haven't seen anyone considering this and guys. guys. consider it. take it and run with it or what have you. fuck it and throw doctor doom in the mix for the irondad girlies because surely that will be fun.

and i know i know the theory doesn't fully go hand in hand with the mcu cannon but. fuck the cannon. let me scream into the void about this. let me shove it in your faces and hope someone does something with it. let me have my silly where's waldo peter parker anchor being au.

[frozen-seagrass]

The WALL-E au no one asked for

[pearlescent-poppies]

I’m sick and tired of the Flower Husbands discourse. Like really truly it is just making me so upset now. They are my comfort ship. They are. My first tattoo is a poppy with the ESMP1 quote. I want to hold them in my hands and give them all of the good things in the world. When I see people calling them toxic and abusive, it really hurts me. And there’s not a tag to filter out all of it, not all of them tag “toxic flower husbands”. I get it, okay? I do. I get why you might see them like that. But if anything? If we’re going to see Flower Husbands as the most toxic duo, take a look at every other relationship Jimmy has in the Life Series (with the exception of Tango) and you’ll find the same thing. He’s the butt of the joke. He’s the canary they all poke fun of in his cage. He doesn’t care. But Scott does care. If Desert Duo never left the desert, Scott never stopped crying at Jimmy’s grave. Did you watch his series all the way through? Did you see his ideal afterlife? That Jimmy welcomed him home because that is what they had together? Did you hear the way Scott’s voice got sad talking about how quiet and weird it was not to have Jimmy with him? Have you not watched as Scott uses every single opportunity possible to bring up Flower Husbands? He misses Jimmy with every fiber of his being. Jimmy misses Scott too. Did you watch Last Life? Do you know what Martyn did to make Jimmy give him back the life? He promised a life together, Martyn says it himself! That it was all romantic promising to run away just the two of them. How Jimmy was so hopeful. So naive because this was the beginning, he’s not got all of the hope anymore. Jimmy has had to move on. Jimmy made himself move on. 30 seconds. Do you not imagine him turning away from that interaction resigned to his choice a single tear rolling down his face before he rejoins his boys in their shenanigans? Cause I do. That was a man he had devoted his life to. And yeah, maybe it was because of a joke and a silly a poppy. But do you know what a poppy means? Remembrance, dreams, death, and hope for a peaceful future. Do you know what the white daisy, blue cornflower, and red tulip meant at Jimmy’s grave? Purity, life, reanimation, hope, and true feelings. Do you think a character who conveys a message like that capable of the abuse you accuse him of? Scott’s general air of cattiness is just his character. Hard edges that once you’ve chipped away at, reveal someone who is extremely dedicated and fiercely loyal even and especially to his own detriment. Scott will make jokes about finally being free once his husband dies to the war, but I really think that’s just him preparing for the inevitable. Jimmy was going to die. Canary or not. They all were. So why not make a joke out of being lambs in a slaughterhouse. Isn’t that one of the main ways people cope? Scott loved his husband. Still does and will continue too. Jimmy is the same. But he let go. Had to. He would never have forgiven himself for dragging Scott down with him. How many times do you think that man apologised to Tango for dying first. How many times do you think that man apologised to Tango for dying first before they even lost their third life in the first place? I honestly think Scott himself sums this up best: “I don’t always put myself first and sure I’ve made plenty of mistakes and I’ve hurt people. But I’ve always done my best.”

So next time you wanna call them toxic, rewatch the series and think about this post.

[cherrirui-official]

Friendlocke Violet Gijinkas (Part 1/7)

Since the edited episodes are starting to come out, I figured that bc of that and the fact that I've been keeping this in the back burner for a loooong while now, might as well complete all my friendlocke violet gijinkas!! Some are gonna stay the same while others are gonna have slight/ complete redesigns, so please keep that in mind!

I plan on posting them in order by groups of three, so there's gonna be seven parts in total, all of which I'll be linking here when done vvv

(Part Two) (Part Three) (Part Four) (Part Five) (Part Six) (Part Seven)

!! These will contain personal headcanons I have for the cast, little fun facts, and also spoilers for Friendlocke Violet (for both the edited vids and the streams) !!

@saltydkart-reblogs

And that's pretty much it, designs under the cut!

LARK:

HUGE nerd. spent most of his time during the Uva Academy studying different kinds of pokemon as well as different fighting styles he can utilize once he is able to go out on his own journey with his very own trainer! Too bad that didn't really help in the long run...

His entire wardrobe consists of McDonald's related outfits. It's fucking insane. He even has some from long LONG ago that aren't available anywhere else.

The bubble pattern on his hair is able to move and change. Nobody knows how this is possible, not even Lark himself. All Lark knows is that his hair looks incredibly stylish!

Speaking of bubbles, he has the ability to blow bubbles whenever and wherever he pleases!

Often keeps himself extremely clean and gets upset if even a small speck of dirt gets on him, despite this he somehow smells like McDonald's food and axe body spray. Disgusting. He's so cool!

Even after death he still likes to hang around the other team members as a ghost, often getting to know the newer members as well as reuniting with the old ones. Sometimes they see him, sometimes they don't. It usually depends.

SARA:

Due to being a human in her past life, Sara is able to actually speak with the other humans in the pokemon world. However she usually doesn't due to it being seen as extremely weird and out of place. She did slip up once while talking in the presence of Arven, who thought it was the weed making him hear things.

Oinkologne are usually unable to do much with their hooves but Sara spent nights practicing how to knit with her new hooves and now she's able to do it flawlessly. I don't know how she managed to do that but go queen!

When first joining the team she'd often have the urge to eat her food related companions. It was a strange time for Sara, but she managed to overcome it.

When Peppy gets sick, she usually is the one who nurses him back to health. She was a human once so she often is able to figure out whatever sickness Peppy has and treat it properly. I suppose she's like a second mother to him.

The bag she carries with her is full of thread that she collected from various Tarountula she encountered on the journey, as well as little things she knits together in her spare time.

For the most part, Sara forgives... but NEVER forgets.

Did you guys know that Sara has a new YouTube channel? Check it out!

Pastey:

Before joining the team, Pastey was a nameless wanderer. He's been down every road in Paldea and knows almost the entire region (except for Area Zero) like the back of his hand.

He's gotten hurt pretty badly throughout the run (ie. the Mikey fight, the Atticus fight, and ESPECIALLY the final battle), however, he does not gain any (physical) scars from those fights. This is bc he's basically an axolotl, and axolotls are usually able to heal without scarring.

Pastey's "arms" are, to put it simply, mud prosthetics. More info here vvv

Pastey HAS met Mall Bingo once before the run, however, he doesn't recognize her. The only reason he does not recognize her is bc she wears glasses. (You know how people somehow aren't able to recognize Superman bc he wears glasses in his civilian attire even tho his face remains the same? It's basically like that lmao)

Unlike the lightbulbs he eats, the gasoline he drinks isn't really mandatory to his diet. Gasoline is like alcohol to him and he drinks it like an absolute CHAMP.

He goes fishing when there's nothing else to do or when he can't sleep at night. He doesn't do this bc he thinks it's fun or anything, only bc it's a "good time passer" or so he claims. Other members of the team will often sit with him and vent out anything that's troubling them at the moment, and Pastey is always there to listen to them.

And that's pretty much it. Next is Joe, Hannah Ü, and Mykyie!

[pettyprocrastination]

whoever this beloved anon was I am so touched by your kindness! You definitely didn’t have to do this but I am so happy you enjoy this idea and I will happily expand upon it for you!

this is just a collection of word vomit bullet points for the time being but I will happily answer any and all questions about this pair!!

warnings: violence, angst, child death (Sarah Miller), foul language, the same warnings that apply to tlou, reader is Sarah's mom and described as having similar features to her. 

So the general Idea is that you and Joel are happily married before the outbreak. 

You had been Sarah's mother, his high school sweetheart he got pregnant when neither of you were old enough to have any reaction to the pregnancy test other than a fucking panic attack in one another’s arms. but you made it work 

you both worked but made time for one another and your sweet girl, going to museums every other weekend and joel insisting on swooping you off for a date every now and then 

nothing special. He knows you’re more of a diner gal than anything too fancy that makes you both feel out of place. 

On his birthday in 2003, you had planned to tell him that you were pregnant again. But the memories of your own fears of motherhood from all those years ago begin to swirl through your head again and you get cold feel. deciding to tell him the morning after

it is his birthday afterall, you want to focus on him. 

but when you’re woken up in the middle of the night because tommy needs to get bailed out, Joel kisses you sweetly one last time before promising he’ll be back and you can’t shake the feeling that something bad is happening. 

its you that shakes sarah awake that night. shouting at her to put on her shoes when she’s still rubbing the sleep from her eyes because you’ve been listening to the radio for the past two hours, calling joel again and again and again praying for him to fucking pick up but to no avail. 

Sarah, bless your little girl’s bleeding heart is the one who insists you check on the adler’s against your better suspicions and when you find the eldest looming over her daughter, blood and sinew dripping from her mouth, you grab your daughter hand and burst into a full sprint until something slams into your back and sends you tumbling onto their front lawn

its how joel finds you, struggling to keep the once sweet old woman, whose now nothing more than dead eyes and gnashing teeth straining to snap at your pulse point as you push against her while sarah shrieks before your husband runs forward and cracks her skull with a wrench. 

there’s hardly a moment of pause, just enough for him to pull you up and into his arms before he’s ushering you both into the car with an urgency. 

when the truck crashes, you get separated from them. Perhaps at Tommy’s side when the flames rise and create a wall, separating you from your husband, or maybe pulled into the mob of chaos when trying to escape from those already infected-

all joel knows is that you promise you’ll find him: just get sarah to safety and you’ll meet him at the river

Poor thing is already so frightened, held in her father’s arms with tears streaming down her face insisting they can’t leave you they just can’t but her father kisses her forehead and reassures her its going to be okay 

“we just need to be brave, okay babygirl? Your mama’s real tough, she’s gonna be alright.” 

he isn’t sure if he’s saying it to his daughter or himself. 

but when he comes to the river you aren’t there. Only a soldier who points a gun at the scared little girl in his arms and then he loses everything

its when the light is gone from his daughter’s eyes that he realizes. His voice cracked and raw from sobbing that he looks around to see his brother with drawn in shoulders and tears in his eyes but his wife is nowhere to be found. 

Tommy says you got lost in the chaos. Everything was so loud, so sudden that he turned around and suddenly you weren’t there. 

Joel wants to go back but its Tommy that stops him, that dulls the red in his vision to a sad faded pink because his brother points at the orange horizon not too far from them, so much of the city is already in flames. 

“We’re gonna find her, but not there.” 

So Joel searches. for the first year spent in the world post-outbreak its all he did. 

He became a smuggler because of it. 

Information came at a price and he needed to be able to fucking pay it, whether it be in blood or ration cards. He was willing to do anything to find you or any thin thread that lead your way. 

But it’s Tommy that asks him to give up. Not in those words of course. 

The youngest Miller knows better than to say something so cruel that would make his brother, the only person he has in this world turn on him. 

But his voice is worried when he asks him one night in Boston when he hasn’t even had the chance to wash the blood from his knuckles 

“You think she would have wanted this for you?” 

the fight that followed his words was brutal. Vicious insults and scarred fists slamming against each brother until they're both too tired and bloody to continue. Each leaning against a wall for support and Tommy’s wavering voice breaking the silence. 

“I don’t know where she is, Joel. But I do know you're gonna get yourself killed if you keep lookin’ for her.” 

All he can do is nod. 

It’s a few days later when he meets Tess. Who has heard plenty of stories about the elder miller’s brutality and wants him to put that muscle to good use for some extra profit. 

It begins his new life. One that empty and cold but one he can live. 

Until of course, Ellie comes along. The sweet and incredibly opinionated girl that makes him become something akin to the man he thought died twenty years ago. 

its when he’s traveling with Ellie, that it happens. When a warm familiarity has settled between the two because so much blood and pain has been shared he can’t help but see her as something close, something bright even though all he can force himself to utter in her reference is “cargo” 

when theyre traveling through the woods as Ellie chatters away, probing his memory about a movie that may or may not have existed thirty years ago because her descriptions of the plot are incredibly odd he hears a voice shout for them to stop and finds himself staring at a man- no, a boy- pointing a gun at them. 

Ellie stills, but Joel can see enough to know that from the lanky figure and dimpled face that he’s young. Maybe twenty, twenty-two at the oldest, but his eyes dart from Joel to Ellie with a pinprick of fear that allows Joel the time to charge forward and slam him to the ground before wrestling the gun from his hands. 

He has enough to time to tuck it under the stranger’s chin before he hears the sound of the safety being turned off and finds himself looking up and seeing a gun just inches from his face. 

Joel’s head whips around when Ellie’s voice calls out his name in fear, he turns to see another stranger holding her a gun point, shoulders drawn back and a shadow cast over their face by the had obstructing their identity. 

“You hurt one of mine, I hurt one of yours. That a fair deal?” 

Its takes him a moment to recognize you. It’s been so long since he’s heard your voice, the sweet tease when you would poke at him each time he woke up late despite the fact that you reminded him to set his alarm the night before, the times you’d chide him with a harsh “Joel Miller!” whispered in public anytime he was able to grab you a bit too passionately to be appropriate in public but the laughter in your voice let him know you were never truly mad at him. You didn’t know how to be. 

But that sweetness is buried under a cold rasp that cuts through the air as you point a rifle at the scared little girl in front of you.

“You think I won’t?” You’re older now, skin covered in scars from a life he didn’t know you got the chance to live and your eyes are cold as they regard your husband. “Put the gun down and get the fuck off of him, I won’t repeat myself.” 

Joel mumbles your name in awe. The woman he loved, the woman he mourned the one he fought so hard to find stands before him like some sort of hallucination and suddenly the world feels like its spinning until you bark orders at him again. 

“You’ve got five seconds Joel, make a fucking choice before I make it for you.” 

He looks down and realizes the boy under him, the one with the bleeding nose and snarling face has your eyes and his dimples. 

“One.” 

The one above him has Sarah’s hair. Soft brown curls that shine under the sun. 

“Two”

Wait. No, they both do.

“Three.” 

Twins. Jesus fucking Christ you had twins. 

“Four.” 

Joel holds the rifle up above his head and the one boy standing snatches it from his grasp, tossing it to the ground and kicking it far from his reach. He slowly stands, allowing your son- dear god your son- to scramble to his feet. 

Your voice softens just for a moment. “You okay, Duke?” 

Blood stains the bottom half of his face from where Joel slammed his fist into the boy’s nose just moments before, but he nods nonetheless. 

Now, they both stand on one side of you and he can see the resemblance clear as day the same way he would whenever Sarah was by your side.

When you order him to hand over his bag, he does so without question before telling Ellie to do the same. 

She watches him with wide eyes, her hands still up in the air but gaping at her companion as if he had grown a second head. 

“Joel!” “Just do it, alright?”

He doesn’t miss the way you watch their interaction with narrowed eyes until she tosses her bag to you and you slowly lower your gun. 

“Now, you want to tell me what the fuck you think you’re doin’ at my home?” 

[batboopp]

i like ghostmaker and batman as narrative foils not in the “ghostmaker is incapable of forming relationships with or feeling empathy for others, therefore batman is better” way but in the fact that ghostmaker IS better. literally. more stronger mentally, emotionally, physically. stronger in the way he carries himself and how he sees himself and how he treats others (depending on your definition of strong) and yet, he’s still so so miserable. he can lie to himself all he wants, or ignore everything but blatant fact, but it still doesn’t change the fact that even though he follows batman’s “I work alone” rule better than the actual batman ever could, he still loses to bruce in some way. bruce was willing to shoot someone for khoa, willing to follow and stay, and khoa straight up couldn’t handle it. therefore, he is worse in the one thing that makes batman, batman. that nothing will ever tie him down, no matter what. not Bruce or his city or his rouges.

except, that’s not entirely true anymore, is it? because this time, he does stay. he meets Bruce’s kids and indulges bruce in banter and playfighting and even fake ‘dates’. he stays, and leads, batman inc. and he does it considerably better than batman. of course, he still kills people. he can barely stand batmans kids and the feeling is entirely mutual. he still treats others as expendable next to his mission. but, he stays. he stays with bruce, with someone, in some way this time. he’s learning, he’s willing to learn.

[brotherscain]

precanon wincest hair washing drabble, 2.3k, teenchesters/weecest

The hunt that night went well. Dad had this shifter pinned under his thumb since the first night in town, all they had to do was get to the thing and kill it dead.

If Dad had only brought Dean along, they would’ve weeded it out a day earlier. He wanted Sam in on this one, though, and Sam was still new enough at hunting to warrant a training wheels protocol. It had to be nearest to a sure thing as they could hope doing what they did. And it was. For Sam—for John and Dean right there with him—it was no question. Dean staked the final blow, gravely recognizing it kept Sam from being a killer for however longer.

In the car, John stretched his hand behind Dean’s head and scruffed his nape firmly enough to jostle him. Father to son, man to emerging man. Dad smiled, disheveled and not quite happy, but proud. He wore it to glance at Dean, then Sam. Proud and grateful.

“You boys did good tonight.” John served up no elaboration, he didn’t need to. Dean let the praise wheedle its way into him. He wanted to look over at Sam but didn’t because he knew Sam had already forged himself indifferent to Dad’s opinion. Dean wanted to enjoy it for a second longer, Sam wouldn’t get it.

Back in the motel lot, Dad fished his pocket for a few crumpled bills to give Dean. “Why don’t you take your brother to the vending machines? I’ll unload.” Dad stopped giving them so much junk food change right around the time Sam started wearing Dean’s too small hand-me-downs. Tonight he prompted Dean almost like he had a thousand times years ago, to a different kid.

Dean’s door creaked on its hinge, Sam’s following moments later. An ease settled over Dean. Everyone made it out okay. Dad wasn’t losing his head bunting orders at them about what they should’ve done better. Sam likewise kept whatever brewing comments he had under the lid. Dean figured he could count on at least one of the lit up vending machines having a Reese’s. As far as hunts went, it could’ve been a lot worse. They did do good.

The vending machine’s artificial blue-white beam bugged every so often, dimming before a kick-start into throbbing fluorescence. Sam scuffed his beat up sneakers against the pavement directly in front of it, eyeing up the options and sticking an open palm out in Dean’s direction. Dean slapped a bill down into his waiting hand.

He watched Sam hunch to look down at the buttons while punching in a code. Off behind him, Dad lifted a bag over his shoulder and reached inside the Impala for a second one. All around them cicadas chirped over one another and the night swelled with trapped mugginess. Dean thought about melted chocolate on his fingers and instead of feeding the leftover change into the slot, he stuffed it all in his back pocket.

Sam straightened to his full height, lifted the chilly soda can closer and tapped on the top rim three times before cracking it open. It burst in loud fizzy pops. Sam tipped his head back to swing a short, gulping chug. This way Dean could see parts of Sam in a new light. Small spatters of dried blood flecked the underside of his bottom jaw, a shiny red sheen bloomed on the high swell of his cheekbone. Dean kept himself from lacing his fingers through Sam’s hair, but made a face at the matted mess of it.

“You have monster guts in your hair,” he said, staring as Sam used the back of his limp hand to wipe the carbonated trickle from his mouth. Sam felt around his head curiously, coming away with a tacky coat of muddy crimson and a grimace. Dean laughed at him, couldn’t help but to. “That’s gonna be a bitch to get out, man.”

Sam cut a glare Dean’s way. He was extremely touchy after hunts, and Dean knew better than to prod him. Knowing better didn’t make it any less funny. That was Sam’s fault.

“Eat me,” he threw back dryly, annoyed Dean had the nerve to carry around a sense of humor about these things.

Sam wet his caked hand with driblets sweating off the soda can and cracked a small grin. Before Dean thought a little smarter about what that meant, Sam was dragging the mess all down the side of his shirt. Not that it hadn’t already been stained and ruined with a lot worse, that’s not what mattered. It was his snot-nosed brother thinking he could retaliate.

Dean jumped on him seconds after, first by shoving him away hard, then fisting the ribbed collar of his tee and tugging him closer. This past year Sam’s gone through a growth spurt, shot straight up like a beanstalk, but he still only came up to Dean’s shoulders. Between that and his knock kneed gangliness, Dean could still push and tilt and trip him any way he wanted. His shirt twisted up in Dean’s grip against the current of Sam’s squirming to get away. They were laughing together or maybe just panting or maybe they weren’t making any noises at all except for their shoes on the ground and their hands nipping each other’s skin. Dean thought about wrestling him to the concrete and shoving his face into all the boot prints. It would be easier to wrangle the drink out of his hands and spill it down his boxers. In all its sloshing, it had already splashed them enough times Dean could smell the cola while it dried sticky.

A door opened and shut firmly somewhere close in the long line of identical rooms. Dean didn’t really care to stop their roughhousing until the commanding voice boomed out. “Boys!” Dean positioned ramrod straight, Sam’s shoulders hunched while he uselessly looked to iron out all the wrinkles in his shirt. Dad waited for Sam to finally glance up. He was going to chew them out for being so loud at the late hour, for acting like mutts more than sternly raised men.

None of that happened. Dad stalked a few steps closer to the parked car, raising a brow at them as a wry smirk fixed itself to his face. “Gonna pick up some dinner. You boys get cleaned up before I get back.” He was in good spirits, but it was still a demand all the same.

“Yes sir,” Dean shot off. Sam didn’t say anything, only nodded his head to show he’d heard and understood. And if it had been a worse night Dad would call him out on it, start a whole thing that didn’t need to be started. Dean felt lucky when Dad just tapped the roof a few times before getting in.

In between the engine roaring to life and tires crunching gravel, Sam stuck Dean in the side with his pointy elbow. “Your bet?”

Dean zoned out on the glowing tail lights, thinking. “Burgers,” he finally said, blinking back to Sam. “Yours?”

Sam drew in a heaving breath before pressing his lips together. “Chinese.” They used to bet each other’s left overs on it. Now it’s habit enough just to go through the motions.

Mosquitoes ate him alive, buzzed around the lip of Sam’s drink enough to keep him from sipping any more. He really was a mess. Hair knotted in clumps, face scratched up. Sam wouldn’t mind until he saw all of it in the mirror and remembered other kids his age didn’t track monsters down for a living. Then he’d get all huffy for first dibs on a very long shower and not want to talk much the rest of the night. There was no such thing as a good hunt in Sam’s eyes.

“Come on.” Dean bobbed his head in the direction of their room. “First shower’s yours.”

Inside the A/C churned cool air out through a low and steady humming. It was prone to spit water out, so Dean couldn’t comfortably sit in front of it and soak up the chill. He dropped himself down on the couch and sprawled out, feeling gross and mucky but sated somewhere deep in the pit of his belly.

Sam dug through some bags and came out with a fresh pair of boxers, a towel, and some small miscellaneous bottles. He padded in a direction opposite the shower, Dean didn’t have the energy to search his motive out. But then Sam was behind him, gazing down at him without saying a word. He’d taken his shirt off and since neither bothered turning on any lights when they were walked in, the moon pooled shimmering light across his chest as it fell and rose strongly.

“There won’t be enough time,” he said, keeping his voice soft. “Not for both of us before he gets back.”

The solution was easy. It was what it was. Sam knew that as well as Dean. “Okay Sam,” Dean replied slowly. Sam had red marks down the base of his throat, and Dean wondered if that was from earlier tonight or left hy him near the vending machine.

Sam didn’t break their tense staring, but he did inhale a terser breath. “Are you going to make me say it?” He didn’t look pained either way, only impatient and intentionally guarded.

“What are you talking about?” Dean still asked anyway. Like he didn’t intimately know. Like he didn’t lay awake thinking about it a lot more than he should, when Sam would look for him next. Ask for him. And pretending not to know should’ve made it easier, too. To stop letting it happen. But it didn’t.

Sam became fed up with Dean’s pretending. “There won’t be any warm water left for you.” He took off, headed toward the bathroom without turning around or faltering even once.

A panic peeled the skin from around the achy center of Dean’s chest, awoke the crescendo of its relentless pounding. It felt worse than anything Dean’s ever felt before, and it was always the same at this crossroads. One day he should see if it kills him in letting it run its course. One day, maybe.

“Sam.” Dean caught him as Sam’s finger flipped the light switch. “Okay.” He nodded and got up, trying not to give away his shakiness, hoping Sam would still wait.

They shut the door and turned off the flickering light since there was a window in here, too. The bathroom didn’t make space for two people, but neither of them wanted it anyway now that Dean had given in. He brushed past Sam’s warmed skin to turn the shower knob. Then he worked around Sam’s form, pressing into it, to get to the sink. He tried avoiding his own reflection as he bent for a drink of tap water.

Sam set down his things and caged Dean in from behind, his hands finding the hem of Dean’s top, skirting along and underneath it to dance goosebumps across his abdomen. He moved up, up, up. Traced the thick chain of Dean’s amulet, had it bouncing subtly off the plane between his ribs.

Dean rocked back against him, to push him off more than anything. But he was still trying to be gentle. He didn’t want Sam to get the wrong idea. Dean was here, he was with Sam. But— “Get in, it feels nice,” he whispered, pebble skipping his gaze around his baby brother’s face. “Let me wash you.”

Sam understood and found Dean’s eyes before tipping his head in agreement. He stripped completely bare, tapped Dean’s arm to let him through and allowed Dean to pull the curtain back for him. Sam closed his eyes under the stream, loosed some of the tension his body clung to.

Dean got to work, shrugging his top off before reaching for the shampoo bottle, squeezing a dollop into his palm and rubbing his hands together to coat them. “C’mere,” he murmured, even though he helped guide Sam close enough.

It had started when they were both younger, because Sam couldn’t do these kinds of things by himself yet but Dean could. Then, somewhere in all the gunk of their lives, it grew on them. There was routine in it; Sam would shut his eyes tight, roll his neck this way and that as Dean’s sudsy hands directed him, and they tried not to talk too much. Both began to understand there were going to be things Dad just shouldn’t know about.

Dean stayed careful around the tangles, worked them out with his fingers as gently as he could. Sam never winced or whined about it anymore or anything, but Dean couldn’t kick the habit. He threaded his hands through its soapy slickness, dug in by the base of his neck, eased the notches out.

Sam hummed and sighed, drooped and sagged. Content. His hand circled around Dean’s wrist for no reason other than to feel him.

Sometimes, more often than Dean could confess, it grew into more than this. Dean would undress himself, Sam would coax him under the water with him. They’d roam and glide their touch all over their slippery bodies. Tonight they would need to be quick, quicker than usual. So Dean crept in and pressed his chest to Sam’s back and scrubbed them both down without meaning to linger very often. Sam turned his cheek to Dean’s shoulder, pressed his open mouth to the wet flesh and scraped his teeth against him lightly. They were both close to hard, but there wasn’t time and Dean tried to believe it wasn’t about them, only bodies and their closeness.

Dean got to fooling himself this was better, as long as it was just this. Eventually he’d have the willpower to deny it altogether. Eventually.

[hannie-dul-set]

saw ur post abt idol and ship dynamic so can i request model ricky x fashion designer reader where all of the collection were designed for ricky? like there's a runway event and of course ricky being the main character of the event but also whipped for reader ^^

[when there’s a lock on the door]. ricky shen— whose face is on billboards and advertisements at every corner of the country, whose name is in the mouths of every tabloid, every passerby in the streets, and in every column and every article in weekly magazines— is currently on his knees on worn out the carpet of the dressing room floor.

“eyes up, pretty boy. look at me.”

he’s got his head resting on your lap, buried by his folded arms as a groan rumbles in his throat. the vibrations shoot into your bones when he peers up to look at you. “i’m tired,�� he says. “kiss me.” now, you can’t quite pinpoint the correlation between those two phrase, but does logic really matter when forbes-declared, one of the most unattainable men in the country, is driven senseless at the mercy of your touch?

“come and get it.”

those fierce eyes on the runway are gone— half-lidded and replaced by dark gems dipped in sweet, sweet, honey. his once perfectly styled hair is now a mess under your fingers, crisp jacket now wrinkled and folded when he scrambles to his feet, stumbling off-balance in the rush to capture your lips with his.

his entire frame eats up your own, a tight grip on the back of your chair as he groans into your mouth. if the journalists right outside the door could see him like this right now, a storm would brew.

“i thought you were tired,” you laugh softly, fixing your hands on the back of his neck. your eyes flit over to his smudged lipstick. when you bring down a thumb to wipe it off, he presses a kiss to the pads of your fingertip, down to your palm and wrist until his face somehow sinks into the warmth between your neck and right shoulder. ricky is tired. he’s straddling your lap and sinking himself deeper into your scent, his body engulfing yours, and you let him. 

[turtleblogatlast]

Thinking about the Don Suave scene and what it means in terms of LGBTQ+ representation because my brain does nothing if not torment me with random topics to ramble about on the regular.

Anyway, I just wanted to ramble about why I like the scene but to get it out of the way - the scene can very easily be interpreted in so many different ways, and all of them are valid. I personally see it as Leo having at least some attraction to a man. And the following is an explanation of my own interpretation and thoughts on it and what it means especially for Leo’s portrayal in the grand scheme of things.

Long-winded interpretation under the cut!

Now, to start with, it’s important to me that in the scene Leo looks at Don Suave in the very beginning and then for the entirety of the rest of the time the man is on screen, Leo’s eyes are closed. Yet, in the end, he is still visibly enamored with Don Suave, happily cuddling up to him as he’s being carried away.

You can very easily interpret this as Leo being spellbound and that’s honestly super valid and I believe he likely was at least somewhat in the beginning, but considering how fast he looked away and how he never looked again, I personally think it makes more sense to read it as Leo just finding the man attractive, at least somewhat. (For the record, I personally headcanon Rise Leo as bisexual with a heavy preference for men, but I want to be blunt when I say that any interpretation is valid. Literally any. Ace, pan, gay, bi, none of the above or a mixture of something new literally all of it is more than okay and fair. Hell you could even interpret this entire scene as more romantic attraction than physical and it would still work. Anything goes!! Don’t bother people, guys, really.)

The main reason I take this scene to be at the very least LGBTQ+ adjacent isn’t just because of how it’s portrayed, but because of who Leonardo is. Not in terms of Rise of the TMNT, but in terms of the entire Teenage Mutant Ninja Turtles™️ franchise.

Leo’s a character who, while changing with each iteration, has still at his core been around for decades upon decades as “the blue one”. One fourth of the team. He’s the one most are going to look at as the Leader, and oftentimes he is the one closest to having the title of Main Character. Not to say the others aren’t just as important, but Leo’s presence in the A plots of basically all TMNT media is often something very main character-esque.

And that’s very, very important to note. Here we have a Main Character of a prolific and decades long-running franchise distributed by a children’s television network. You can play around with his and his brothers’ characters all you like, but there is always going to be challenges to dodge around, especially since this was still in 2018-2019.

For example, you can play around with their designs so long as they’re color coded turtles, but their sexualities? Now that’s tricky.

“But what about Hypno and Warren?” Not main characters and also they’re Rise originals. They have a lot more room to play around with than a character like Leo does. But even talking about main characters in the franchise, you could arguably have an easier time playing around with Donnie or Mikey’s sexualities than Leo or even Raph, as (unfortunately) the former two tend to get more B plots, so they’d likely have had a little more leeway (still not a lot though.)

So, where does this leave us?

It leaves us in a place where outright stating and/or showing undeniable proof of Leo’s attraction to men is very, very difficult. So, workarounds!

Workarounds like the entire Don Suave situation.

To be honest, as left up to interpretation and lowkey and deniable as it is, this whole scene means a lot to me because of who Leo is as a character. It’s just nice when we get so see even the bare bones of representation with characters that have been such a large part of pop culture for decades, y’know? Even if more would be so much nicer, this is better than I thought we’d ever get for these boys.

And, again, literally nothing I’ve said is the only way to interpret it, I’m more than happy when people interpret media on their own honestly, it’s just something I’ve been thinking of lately and I was wondering if others felt the same way.

Whatever you think when you interpret this scene or Rise Leo as a whole, I just thought this would be interesting to think about, even if it was ramble-y, haha.

[biqueuerious]

Quentin Beck

[chasedeys]

*whispers like a ghoul* You should write Joe’marr on a boat (maybe it’s Joes first time and he’s panicking) (MAYBE it’s their honeymoon)

*makes dying moose sound* god i really shouldddd just IMAGINEEE

joe's probably stoically uneasy wearing his eye searing tie dye swimming shorts and bright fucking orange life vest and stupid little expensive ass sunnies while ja'marr's rocking nothing but his tattoos and little black booty shorts he chose specifically for that day and demanding joe to loosen up but! no.

and ja'marr's just laughing at him because joe keeps answering in short sentences five words maximum in a tight voice very obviously bothered out of his mind but won't admit shit and then ja'marr is just yelling at the captain not to go so fast it's baby's first time (they're literally just static in the middle of the ocean) and joe finds it in himself to let go of the tight grip he has on the boat seats to leap up at ja'marr and try to throw him overboard and the captain is shouting at them to knock it off he will not be an accessory to murder aren't you both newlyweds???

they're given those wide inflatable pool float things to float on water so they can explore off the boat and they just lazily float on by in the ocean breeze tangled together making out in intervals and poking at each other's belly trying to tip the other off the float and talking (whispering really because they're tangled so close to each other they barely have to raise their voice sigh) about new floor plans and their turn to host team get togethers and what to get tee for his birthday (joint presents! ahaha) etc etc being so grossly comfortable in each other's space and In Love oughhhuhghuhh.

also. do you think they're the type of men to actually wear sunscreen. are they. or are they stupid.