#anyway multiple versions of any character/story can and should coexist

[regenderate]

my least favorite thing some people in doctor who fandom do is try and argue that, because of spin-off non-tv media released years after a character's last appearance, a particular trait is immutable canon and you're a bad person if you say otherwise. eu writers are doing just as much after-the-fact interpretation as the rest of us and the only difference is they're getting paid for it.

[nyc3]

hello I recently and after going through it I would like to ask some questions if that’s ok of course and sorry if you perhaps got one of theses questions before

1.what is your general opinion on Shigaraki cause I’m curious as a shiggy fan and just curious in general what other people who don’t like him as much or just in general don’t like him think of him

2. How would you write/rewrite shigaraki just in general or if nine was the main villian and Shigaraki was like a secondary villian and or maybe him joining up with nine

3. What do you think would have happened if nine found tenko

sorry if this ask comes off as annoying or rude I’m just general curious hope you having a good/night

Hello!

It's ok, I would try to answer the question the best I can as english isn't my first lenguage so sorry if you find errors here and there. So let's go:

1_ This may sound strange as my constant comments and critiques about Shigaraki may make look like I hate him, but isn't really the case.

I think is more he's a frustrating character to me because while on paper his concept is fine, I feel his presence ends up being detrimental to the quality of the story because the mangaka didn't know how kept Shigaraki relevant and his solution was artificially increase his status sacrificing other more interesting characters with potential just to elevate Shigaraki, especially Nine and Overhaul.

2_ Honestly I never thought on an in deep rewrite of Shigaraki overall character.

But If I have to say something he did works as a early antagonist considering the initial states of MHA and while I'm not fan of having a singular main villain (because in my ideal story multiple major villains should fight for the power) I think Shigaraki and Nine surely can coexist in the same story. They can even influence each other in fact.

After all an important part of Shigaraki as a character is how he develops a sense camaraderie and tries to became a better leader (even if there's a lot of problems with the execution if that idea in canon).

But Nine already had those qualities since the beginning, he's a good leader who always cared about his teamates and tried his best to protect them. He was a hero for them basically.

So why not make Nine a figure which inspires Shigaraki rather than his rival and Tomura attemps to became a better version of himself while looking what makes Nine a beloved leader, while at the same it time creates a contrast with AFO who was the only prominent figure on his life before.

It would also be funny if AFO didn't see coming how his two attempts of "successors" would became closer allies rather than rivals and join forces, eventually opposing him. Nine would never follow AFO selfish ideals, and he probably will fight to free Shigaraki from his control.

3_ This one is interesting, because I don't think Nine and Shigaraki have a big age difference in the first place.

Despite Nine got a more adult vibe he probably is at best middle 20s, which would make him 4-5 years older than Shigaraki in terms of canon age.

So in a scenario where Nine found Tenko after what happened to his family that day they both will still be kids.

But despite Nine seem to only care about people with stronger quirks and you can think "why he would care about a random kid in the streets?" I actually think Nine has this unconsious instict to protect others in a vulnerable situation regardless of their actual power. After all how he could guess people like Slice and Mummy were strong but he helped them anyway?

That being said I think Nine would do exactly the same for Tenko if he found him that day, extending a hand to him (metaphorically at least lol) and both would escape together while trying to survive on the cruel world of the streets as two orphans without any place to go.

Think about it as Nine being the big bro who tries to protect Tenko the best he can, because he knows Tenko can be a really strong person and both could take on the world someday. Of course Nine won't try to fuel Tenko's trauma unlike AFO, perhaps he will attempt to heal him and Tenko will recover a bit of his own selfless and sweet self with time.

While they grown together as a found family they eventually will meet Chimera, Slice and Mummy like Nine did in canon.

Idk how their lives should continue from there, but pretty sure all them will still fight for create the ideal world Nine always wanted for all of them.

So that's it, I tried my best to answer each question but probably I could've added a lot more but didn't want to make this too long either.

Perhaps one day I will do more post with ideas about how I would like the story to be. It's very fun write about Nine and Shigaraki actually.

Thank you for ask and read!

[olderthannetfic]

Let’s take a break from specific fandoms to talk about:

Platform Wars

In 2020, we’re all asking what’s next after Tumblr. This is nothing new. “Is thing X killing thing Y?” is a question fandom has been asking since long before Escapade. But these panels offer comfort and insight into our current fear of change.

They’re also fucking hilarious.

So, without further ado, here are some past Escapade panels on the subject of Change Is Scary:

1997 - Effects of the Internet on Fandom & Slash (On the upside: more fans, more conventions, more excitement and a 24-hour party. On the downside: are the connections more shallow? Are the changes made to "fandom as we knew it" change what we enjoy? Do print fans have something to fear? Or is this simple another wave?)

2000 - Less is More: Gluttony & the Decline of Quality in Fanfic

2004 - Amusing Ourselves to Death (Fannish Discourse in the the Age of the Internet By sheer quantity, has the quality of our conversation declined to predominantly static?)

2004 - LiveJournal, Boon or Bane? (Has the advent of LiveJournal brought about the demise of mailing lists? Has it splintered the venue for discussion to the point where it's impossible to have meaningful conversation? Is the LJ phenomenon just one big egotrip? Come join us to discuss these and other questions.)

2007 - Is F’locked the New Black (Is the flocked post the future of fan communication? Are we returning to the dark ages of closed lists, zines under the table, and "have to know someone"? More and more LJ posts are locked, communities are closed, and groups are invitation only. Is there a way to protect our RL selves (and our fannish selves), yet share our fannish commentary and fic? How does this all look to a newbie? Where is our new comfort zone? And how do we keep track of all of this?)

2008 - The Organization for Transformative Works (The Best Thing Since Ever, or the End Of Days? The OTW is an incorporated nonprofit organization established by fans to serve the interests of fans in multiple ways, including by providing open-source archive software (and an archive), legal assistance, and various efforts to preserve the history of fanworks and fan culture.)

2011 - Delicious - Rumors of Death Greatly Exaggerated? (Delicious, fandom's favorite bookmarking site may be getting shut down (or at least sold out) by The Man. What to do?)

2016 - Fandom Is Fic: from BNF to TL;DR. (From paper through Usenet to Livejournal, text was king. On Tumblr, long text is an imposition—isn’t it? Has fic been dethroned from its place at the top of the heap and fic-writing BNFs along with it? Discuss the dirty little social dynamics of the shifting patterns of fannish value and how we define 'fandom' itself. And what of zines and zine eds?)

2017 - The Kids Are Not the Problem (In recent years, media fandom has grown enormously. It has also scattered, spreading out to new platforms and meeting spaces. You often hear talk about "the kids" vs. "the olds," Tumblr vs. LiveJournal, or the problem of recruiting and retaining new fans. In this panel, let’s try flipping that script. If kids are not the problem, how can we change and grow? What awesome things are other fans doing/trying that people at Escapade should know about? Most importantly, what strategies can we use to leave our fannish bubbles and more fully experience fandom in 2017?)

2019 - The fall of tumblr (Fans have always looked for a good place to build communities on line. Recent events with Tumblr and other platforms like Facebook are restricting our gathering places and even blocking and purging our self-made content. How are people dealing with this? Fandom will survive, but where? Come discuss the problems and options out there.)

And below the cut, a whole bunch more panels on platforms and change:

1991 - Quality Control in Zine Publication/Economics of Fandom (Who is making money in fandom? Should they be? How accountable are fans? Editors? Artists? Have you ever written an LOC?)

1993 -  Supply and Demand in Fandom (Can we have too much of a good thing? How many cons or zine is too many? Are we glutting the market?)

1994 - Changing Nature of Fannish Communication (E-mail, and virtual zines, computer video editing and morphing -- all the new toys at our disposal...)

1996 - Internet—Will it eat your brain? Or take you to the poorhouse? (Nearly everyone has or can get access to a computer and thereby the Internet and the World Wide Web. What's out there for fans? What should you look for? What might you want to watch out for? How can you protect your pocketbook at the same time?)

1997 - Net Fiction & Print Fiction (Is the very existence of net fic changing the characteristics or reducing the quantity of print fic? Are there really stylistic and/or content differences? What makes some shows predominantly produce netfic, while others happily generate both? How do the barriers of access to each affect the fan community?)

1997 - History of Fan Socialization (Was fandom really different in the "old days"? Was there a feeling of community that we're missing now? Or is that just nostalgia clouding our memories? In today's net-connected fandom, what is (or should be) different? And what elements of the past should we try and retain?)

1998 - Professionals: Is the Circuit Dead? (Or has it just moved on-line? Is Pros fandom split on the subject of the internet? Many old circuit writers don't want anything to do with the new on-line library. They have objected to having their stories retyped an sent out, even on private e-mail. Has the paper circuit given way to the on-line library?)

1998 - Netfic Formatting A: How to Print It Prettily (An instructional panel, covering the basics of formatting, macros, and other time-saving tips to get the results you want.)

1998 - Privacy and Community: Pseudonyms, Screen Names and Face-to-Face Meetings (As more and more fandom is found online, how are we adapting to the anonymity that comes with it?)

1998  - Netfic Formatting B: From Word to Web, Making Shapely Net Slash (This panel is for everyone who wants to venture into the world of online slash, but gets nervous when faced with the myriad technical difficulties. Relax, it's easier than you think. We look at stylistic conventions, how to make your work newsgroup and e-mail friendly, and the dreaded subject header alphabet soup. We'll also cover some basic info on how to make a www archive site user friendly.)

1998 - Crossing the Line (An instructional panel on how to get what you want (more stories) in a world that may be unfamiliar to you (the web for print fans, and the insular world of zines for net fans).)

1999 - Does Print Fandom Have a Future? (In the age of instant, free net fic, is print fandom a dinosaur on its way to extinction, or a promise of reasonable quality in a sea of mediocrity? What are the key differences between zines and netfic, and what are the advantages and disadvantages of each? Can the two coexist happily? )

2000 - Promoting Critique on Mailing Lists (How to promote critical discussion and attention to the mechanics of writing on email lists?)

2000 - Changing Power Dynamics in Fandom (With the decline of zine editors and growth of the Net, what's changed, and how does it affect us and our fanfic?)

2001 - Website Workshop 2 by the lady of shalott (Setting up and maintaining a fanfic archive, and in particular how to set up the Automated Archive software used by 852 Prospect and the Due South archives.) [NB: Yes, she went through a bunch of name versions before ‘astolat’.]

2002 - How to run a Fiction Archive (and Maintain Your Sanity)

2002 - Nobody Here But Us Sockpuppets (How multiple personality disorder takes on a whole new meaning in the world of mailing lists.)

2003 - Getting slash onto your PalmPilot for computer free reading

2003 - Recs Databases! Creation and Commiseration (Do you run a recs database and want to commiserate? Do you currently have a recs page and want to become database-driven? Want to talk about the relative merits of using PHP, MySQL, or Access to organize smut?)

2003 - How to Set Up and Maintain Fanfiction Archives (If you're thinking of running an archive, or already do and need some help, this is the panel for you. We'll cover everything from choosing a method of archiving, handling fandom growth, dealing with troublemakers, and just how much time, webspace and money are we talking, anyway? Come pick the archivists' brains.)

2003 - Has Escapade Run Its Course (Scuttlebut says: It's not like it used to be. My old friends don't come any more. My new friends can't get in. It's too big. It's too small. Oxnard, for god's sake? I'm getting sick and tired of the same shit year after year. Is Escapade old and tired? Does it need to be retired?)

2004 - HTML and Website Introduction (if you don't have a website and want to create one. where doyoustart'This will cover creating basic HTML pages and common webhosting options, as well as things to think about as you set iin vour first website.)

2005 - Where Have All The Good Conversations Gone? Rise & Fall of the Escapade Panel (Are people still interested in talking about the characters, plots, and themes of their shows? Has in-depth analysis of our fandoms been abandoned in favor of meta and fannish introspection? The forums for analytical discussion are disappearing as self-censorship and over-moderation increase. Can we change this? Do we want to?)

2005 - The Fannish Wiki (So we have the directorium, the directory of All Things Fannish. We visit it and it's just so cool, and we look for our fandom to see what it says... and it's not there! How to add it? What sort of info belongs there? How does a wiki work?)

2005 - I Was So Much Older Then, I'm Younger Than That Now (We've all heard about or lived through the tumultuous era when fandom moved online. But how has slash fandom, particularly slash fandom, changed since then? Are the changes the result of online fandom, or simply of a change in culture?)

2005 - Fanfic Archives (Setting up and administering fanfic archives: concepts, considerations, techniques.)

2006 - Putting your fic on the web (Basic skills for putting your fic on the web, including building your own very basic website, using LJ as a fic-site building tool, various options for labeling adult content, and using the standard upload interfaces for popular self-submit story archive software.)

2006 - Nifty Technology and the Future of Fandom (Fandom is quick to adapt to change and continues to bring fen together and to create fannish product. Fans have thrived regardless of how they communicate; via the post office, mailing lists, message boards, and Livejournal; they've pushed the frontiers of video and audio technology; and have managed to survive changes in copyright, pornography, and other laws. What are the upcoming trends and shiny new technologies on the horizon and how will fen use them to enhance fandom?)

2006 - Intermediate Webmastering (Designing your website for usability, options for restricting access to your website, making your stories easily accessed by mobile devices, and things to consider so fans can easily locale your site.)

2007 - Free Webtools and How to Take Fandom Advantage (Lots of free tools are available on the web to help the needy fan! Tools to edit pictures, make icons, write stories, share recommendations, share stories, and be fannish are becoming more available and more user friendly. Come chat about tools like del.icio.us, google docs, pxn8 audacity, itunes, the gimp, bittorrent, imeem, youtube and lll other things that you come and tell us about!)

2008 - E-book Readers (Sony PRS-505 or Amazon Kindle what's all the fuss about? Introduction to E-Ink and other mobile devices. What are the pros and cons of various devices? Where do you find e- books and fan fiction, and most importantly how do you get fan fiction formatted so you can read it on your ebook reader?)

2008 - If You Build It, Will They Come? (Roundtable on meta fannish infrastructure building strategies. bethbethbeth can talk about some of the specific challenges OTW is facing in its brave new fan territory, while oulangi can talk about why metafandom has flourished while very similar projects have failed, while we'll both discuss some of the challenges of the established meta/fannish structure of new communities, new fans, new technologies—and most of all, how do you keep the meta-fan conversation moving forward?)

2008 - Livejournal: Should Fans Take Their Business Elsewhere? (A discussion of the pros and cons of fannish communication on the various blogging entities.)

2008 - How to Find and Use Free Stuff on the Web (All kinds of free webapps are available for fic, art, icons, communication, and all sort of other fannish stuff. Come share favorite sites—we can bookmark everything we talk about on del.icio.us in real time!)

2009 - The Organization for Transformative Works (Off the ground and starting to soar! Come here about the latest developments in the OTW's projects and discuss where you'd like to see it go next.)

2010 - Is Somebody Taking Notes On This?: A Discussion of the Role of Fannish History (In honor of Escapade's 20th anniversary, let's talk about recording fannish history. What are the challenges? Is it worth doing? Can it be done in a fair way? What are we afraid of happening if we try? Is Fanlore the right vehicle for the project?)

2010 - The OTW in Its Third Year led by Elke Tanzer and Shoshanna (Okay, sure, the Organization for Transformative Works bought its own goddamn servers and hosted an archive (that hosted Yuletide) and published a journal (with a special issue on Supernatural) and saved a bunch of Geocities sites and testified at the DMCA hearings (supporting the FFF's proposed exemptions for vidders and other remix artists) and made a bunch of lolcats—but what have they done for us lately? [5] What do you want them to do?)

2010 - We Are All Naked (On The Internet Now) led by treewishes (Social networking platforms like Facebook and Twitter are conspiring with Google and your ISP to out your slash pseudonym to your RL friends, and to tell all your slash buddies your real name. Is there any way to stop the wave of facial recognition software or your oh-so-helpful friends who type your birthday into the cloud? Or is all this an inevitable consequence of evolving technology? Come on in and let's talk conspiracy theories!)

2011 - Fanlore: Are BNFs Writing Our History?, led by Sandy H (Fanlore has an official policy of 'plural points of view', but is that really happening? Have you ever looked up a kerfluffle you were involved in, and seen how your side of the battle was portrayed.' And on the other side, are we afraid of conflict, to the point that Fanlore is bland and safe?)

2011 - OTW/AO3 Wish List Conversation, led by Sandy H (Do you feel like you don't know how to get your A03 or OTW wishlist through the bureaucracy? A03 is getting better all the time, but there's a ways to go. Let's brainstorm and turn a list over at the end of the panel.)

2011 - The Reccing Crew (Recommending a fanwork is deeply woven into our culture. Are there new social mores at work when we make public recs? How has the move from letters to mailing lists to Livejournal and Delicious affected reccing? Delicious was conceived as a bookmarking site, but often operates as a recs and comments site. If it goes away, what would replace it?)

2012 - Tumblr, Twitter, and Pinboard, Oh My (and GetGlue, too!) (In the past year, the ongoing fannish diaspora has picked up speed, as more fannish activity has moved away from LiveJournal and Dreamwidth, and onto sites like Tumblr and Twitter. And then there was the Delicious implosion. Now there's GetGlue, a social network specifically for entertainment. Let's talk about navigating these sites—their strengths and weaknesses, and how to use them.)

2012 - The Kids These Days (Ever wanted to tell someone to get offa your lawn? Strangle the next person who said that? Revive a dead fandom? Joined a fandom you were 20 years "too old" (or young!) for? Did you go from Usenet to mailing lists? From zines to livejournal? Are you eyeing Tumblr and Twitter with alarm? Let's talk about weathering changes in fandom with grace—or at least a little humor.)

2013 - Privacy, Secrecy, and the Fourth Wall (The fourth wall between fans and The Powers That Be is shrinking day by day. Are the technologies we're using changing fannish etiquette {from invite-only mailing lists, to friends-locked journals, to all public all the time tumblr)? Should we run for the hills or embrace the change? Discuss!)

2013 - The What With the Where Now?! (Every time you turn around fandom is playing on a new site that has new functionality, new ways of interacting and new lingo. Join us in surveying places like tumblr, twitter and getglue.)

2014 - Tumblr: Missing Missing E (So you've just gotten the hang of Livejournal when all of a sudden fandom has jumped shipped to this new "microblogging" platform called Tumblr. What is "microblogging" anyway, and where do you even start? Join us in this tutorial/discussion on creating an account, deciphering the culture, finding fandom, and making Tumblr work for you.)

2014 - Out Of Step With the World (You have no current fandom. You can't even get Tumblr to load. What do you do when you're feeling disconnected and alienated, but you don't want to leave fandom for good? If this sounds like you, come join us to figure out some strategies for rekindling the love, making new friends, and finding your place.)

2014 - Real Fannish Community (Has AO3 ended the era of real fannish community or has it ushered in a new era of increased connectedness? Is Tumblr better or worse than the old days (and were the old days livejournal? yahoo groups? APA snail mail zine groups?)? I'm hoping for equal parts 'get off my lawn' and 'the future's so bright I gotta wear shades' debate here.)

2015 - Tumblr 102: Into Darkness. You’re here, now what? Here we talk about etiquette and xkit and making the most of your fannish tumblr experience.

2017 - Home on the Web (LJ's Russian overlords have removed HTTPS support and are moving the server activity to Russia; some say a shutdown of US services is on the horizon. Yahoo fails to make money with Tumblr. Dreamwidth is slow, and doesn't have media hosting. Email lists are a hassle. Imzy, a startup, places branding aesthetics over design usability. Where's the next place for fandom, or should we reclaim one or more of the platforms from the past?)

2018 - How to Tumblr (Like it or not (often, mostly not), tumblr is where fandom is most active right now. How do you find anything? How do you have conversations? How do you archive the bits you like best? The good news: the answers are not, "you don't; you don't; you don't." Bad news: Those aren't actually good questions for being fannish on tumblr.)

2019 - Social Network of Our Own (SNO3?) (Between FOSTA/SESTA, Article 13, Facebook's new "don't mention that sex exists" policy, and the Tumblrpocalypse, is it time for our own fannish social site? Or are Dreamwidth and Pillowfort enough?)

[ettadunham]

A Buffy rewatch 7x09 Never Leave Me

aka tired of subtle

We did it, guys! We made it to the last season! Also, hello if you’re new, and stumbled upon this without context. As usual, these impromptu text posts are the product of my fevered mind as I rant about the episode I just watched for an hour (okay, sometimes perhaps two). Anything goes!

And I prefer today’s episode to Sleeper as a post-Big-Bad-reveal kick-off to our season’s main arc in multiple ways. Also, Willow drags Andrew. Literally.

Season 7, as a whole, struggles from the main story arc taking up too much of its time. People often hate on filler episodes, but the truth is, you can’t fill out 22 episodes of television with a singular, focused story arc. And you shouldn’t.

Not to mention that fillers are a great way to explore characters without being bogged down by an overarching plot. (So stop hating on their concept, just because some shows do them badly.)

Buffy at its best realized that these things – your main arc, your character stories and your fillers – can coexist in the same episodes. Some of the best episodes of the show are one-off stories, using a unique set-up or villain of the week while focusing on characters and pushing the season arc on some level.

Unfortunately, the structure of season 7 makes it much harder to tell these kinds of stories. Our Big Bad is ever-present, and the battles and confrontations with it are constant throughout the season, once the reveal happens in episode 7.

I’m pointing this out not to criticize Never Leave Me, but to emphasize how good it is, and why the issue of the season has more to do with trying to keep up with the pace this episode sets.

Oh, yeah. Hot takes I guess about the episode that ranks 98th on iMDB. Never Leave Me is pretty good.

(I kinda wanna look up each episode’s iMDB ranking at this point before writing up on them, just for funsies, but I also don’t want to be influenced by the popular opinions? The struggle.)

To be fair though, part of my fondness for this episode comes from my feelings regarding the previous one. Watching it, I felt like I was seeing a much better version of what a follow up to Conversations with Dead People would look like.

And a lot of that has to do with Spike. And Buffy.

I spent the last time ranting at length about how I just don’t connect with Spike, and that’s okay. Pretty much all Buffy characters are incredibly flawed, and we all relate to and/or gravitate towards different ones, based on our own experiences. I love that. I love that these are well-rounded characters who change and grow in both surprising and consistent ways.

I also like Spike much better in this episode, because his story relates to Buffy much more strongly. Which does seem to be the best way for me to find a connection to Spike in any given episode (see also: Fool for Love).

I guess another aspect is that unlike Sleeper, this episode focuses much less on his romanticism. He instead talks about his past. About the horrific things he’s done. About his and Buffy’s self-hatred. About how he understands it and that she used him now, and how he didn’t back then.

More importantly, Buffy gets to fire back. She did tell him all those things last season. It’s why she ended things with him in the first place. She also challenges his assumptions about that self-hatred as a current motivation in what’s decidedly my favorite scene of the episode.

SPIKE:  “Have you ever really asked yourself why you can’t do it? Off me? […] You like men who hurt you.” BUFFY:  “No.” SPIKE:  “You need the pain we cause you. You need the hate. You need it to do your job, to be the Slayer.” BUFFY:  “No. I don’t hate like that. Not you, or myself. Not anymore. You think you have insight now because your soul’s drenched in blood. You don’t know me. You don’t even know you. […} Listen to me. You’re not alive because of hate or pain. You’re alive because I saw you change. Because I saw your penance. […] You faced the monster inside you and you fought back. You risked everything to be a better man.”

I love this scene, because Spike posits something that’s in line with Buffy’s own fears about her relationships, something that she voices as far back as season 4. That maybe she herself seeks out these painful, dramatic romances.

…But this discussion isn’t really just about that, isn’t it? And even if Buffy hasn’t quite landed yet on how to approach her romantic history, she has plenty of self-knowledge. She knows why she hasn’t and won’t kill Spike now.

Buffy sees and believes in the best of people. Even when they don’t. And here she shows the same compassion to Spike that she did to Angel as far back as season 1.

See, she’s a protector, not a killer. And one with a huge fucking heart at that.

That’s why she didn’t kill Spike. At worst, she saw him as non-threatening to others after his chip debacle, at best, she saw a potential for him to become better.

Still. How does one reconcile this characterization of Buffy with what we see in Selfless? Has Anya not proved more than enough times that she can be better? That she’s more than just the vengeance demon she used to be?

Worse, when Buffy and Xander argue about the difference between stopping Anya then, and Willow at the end of season 6, Buffy’s argument doesn’t really make sense once you think about it. She says that they weren’t planning on killing Willow, because Willow’s human. But from everything we know of vengeance demons, there really isn’t any distinction between them and a human with powers. They still have their souls.

So the distinction Buffy makes between Anya’s and Willow’s case feels arbitrary. And so does the decision to not kill Spike at certain points of the story.

But that’s what Buffy says in Selfless, isn’t it? “Someone has to draw the line.” And in a world with no clear-cut black and white morality, that line is arbitrary.

Buffy’s been acutely aware of the fact that the world she operates in is full of grey areas ever since Lie to Me. There are no easy answers or choices, even when you’re fighting literal creatures from hell, but someone has to makes these decisions regardless. Someone has to draw the line. And that’s Buffy.

But I think that’s why she finds it all the more important to choose hope sometimes. She has to be prepared, yes, and she can’t rely on the power of love alone, as discussed before. Her responsibilities come first. But she can offer a choice.

Even in Selfless, one of the most important moments for Buffy is when she implores Xander to find her another way to deal with Anya. Which is what Willow ends up doing, by asking D’Hoffryn to offer up the same kind of choice to Anya, that Buffy felt unable to in this situation.

Never Leave Me is also the episode where the gang meets Andrew again. More accurately, Willow runs into him, and he’s terrified. As he should be.

ANDREW:  “Warren killed Tara. I didn’t do it. And he was aiming for Buffy anyway.” WILLOW:  “Not making it better.”

In case you missed it, this was a direct callback to another scene:

WARREN:  “It was an accident, you know.” WILLOW:  “Oh. You mean, instead of killing my best friend, you killed my girlfriend.”

Listen, all I’m saying that if Willow flayed Andrew after that line? I wouldn’t have blamed her.

But Willow these days is less about the murder, so instead she just stares incredulously at Andrew after that little moment of rage-inducing blunder. And they both nerd-monologue at each other, I guess?

(Sidenote: I don’t think I ever got around to mention this with the last season, but there’s an interesting and somewhat uncomfortable interpretation of the Trio, as a mirror to Willow’s own character. Mostly the worst parts of her at that of course, but there are definitely some parallels here; particularly to Warren and his tech savviness, and Jonathan and his magical abilities. Andrew is probably the least obvious example though – unless we take his relentless gay-coding as a nod to that.)

This whole storyline of course ends up being played mostly for comedy, as Anya and Xander take it upon themselves to test their interrogation techniques on Andrew. And it’s fun, too, seeing them work together without the added baggage that was their romantic relationship. It makes me both root much more for them to get back together, and wish that they wouldn’t, because they work so much better like this.

Even if Xander’s speech to Andrew is obviously supposed to be about himself, and how he’s still not over Anya.

XANDER:  “There was this one guy, her hurt her real bad, so she paid him back. She killed him, but she did it real slow. See, first she stopped his heart, then she replaced it with darkness, then she made him live his life like that. But he still had to go do his job, and see his friends, and wake up in the morning, and go to bet ad night, but he had to do it all empty. Without anything to look forward to. Ever.”

Honey… I know you know this, but you did this to yourself.

Oh, and isn’t it fun that when the Harbringers attack, one of the first things they do is knock Willow unconscious? It’s almost as if the show is trying not to call attention to the fact, that she could probably take these guys out in a second with magic.

But at least this gives Dawn some chance to kick ass, so that’s always a plus.

Another side-plot that’s happening is with my boy, Robin, who finds Jonathan’s body in the basement. And decides to bury It instead of telling anyone about it.

I’m sure there’s an explanation to this other than making us believe that he’s a bad guy, but I honestly can’t even remember. We’ll see, I guess.

The episode ends with Buffy making the connection that they’re up against the First, and the First itself monologuing at Spike about how it’s tired of being subtle. Which feels very meta in an ironic kind of sense from the show, but also marks a questionable turn in the season arc.

There’s a lot of cool concept and potential (hehe) in the First as a Big Bad, that we’ve seen demonstrated in Conversations with Dead People. It knows things. It can appear as anyone you know who died. It can mess with you in infinite ways.

In this scene though, the First is talking about bringing these Uruk-hai vampires to the surface, and that’s just not as interesting as those other tactics. Even if Buffy gets to have cool fights with them.

But that’s still to come. Who knows, maybe I’ll appreciate the super vampires after all.

Also appreciated – those scene of Quentin and the Watcher’s Council being their usual, holier-than-thou selves, keeping information from Buffy, and relying on empty platitudes... immediately followed by them getting blown up.

Yeah. This show’s anything but subtle, that’s for sure.