#anyway i was rooting for Japan

[miyku]

[afterthelambs]

Oh my god haikyuu is so right volleyball is so FUNNNN

[medicinemane]

You know, looking at a diet soda can it occurs to me that it might not be so wretched to me if the cans weren't so unpleasant

Like we know that things like color play a role in how our brain perceives things, and I realized looking at the can that they're always this bland but at the same time nasty looking silver and it just... it looks foul and I think that compounds with the fact that I also just plain don't like diet soda

My point here isn't to say anyone else shouldn't like diet soda, just how I never realized how much of an impact the can has on me not liking it... there's just something offputting about it to me

[red-ruth]

So many Enea fans awwwww

[lozey]

I've been watching so many Godzilla movies since I lost my job and anyway I'm almost done watching the original 1954 Godzilla and it actually is kind of a fantastic movie, like despite the dated special effects, I think it holds up pretty well! Even with the special effects!

I like to put myself in the mindset of the people who watched that movie for the first time in 1954 and yeah man, I'd be sitting there like "OMG HOW'D THEY DO THAT"

Fave Godzilla movie so far is Shin Godzilla. Kicking myself that I didn't get big into Godzilla until NOW when I could have gotten into it when Godzilla Minus One was still in theaters but nooooooo (but as SOON as its available to either stream or pirate, I'm watching it immediately. I mean technically I can watch it right now on kissmovies, thats where I've been watching most all of these movies, but its terrible quality and the sound is bad so I don't want to watch it until an HD version is available)

Anyway the monsterverse movies aren't my favoooorite but they have Godzilla and I'll take it. Though I don't much care for King Kong. But the King Kong: Skull Island movie was pretty good, I just prefer my boy Godzilla

[wttcsms]

come right on me (i mean camaraderie!)

ᝰ.ᐟ starting a new job is scary, especially when it seems like you can’t do anything correctly. good thing that your manager is always so kind and reassuring and supportive. when a client meeting ends terribly and runs so late that the two of you have to check into a hotel to spend the night, your sweet manager knows a good way to cheer you up… ( fem!reader )

pairing tetsurou kuroo x reader word count 4.9k content contains praise kink, oh no!!! there's only one bed!!!, coworkers/power imbalance (he's your manager, you're the newest and youngest member on the team), slight manipulation from kuroo (he's aware of your crush on him and uses your admiration as leverage), occasionally refers to you as his kouhai, you call him kuroo-senpai, creampie, sex in an enclosed, semi-public space (the office's supply closet), first time blowjobs kinktober masterlist

If you had known that your transfer would have resulted in you getting fucked boneless in the supply closet of the company you work for…

Well, you would have announced your job transfer a little bit sooner.

“Kuroo— Ah!” You let out a helpless yelp as you feel Kuroo’s teeth bite down on the soft part of your shoulder, sure to leave a mark. “K-Kuroo, slow down!”

“Kuroo? Really?” He snarls, lifting his head up to glare down at you. “Tsk, and here I thought you were a star employee. Is that any way to speak to your manager, or is it because you’re moving that you’re deciding to drop the formalities?” 

Your heart drops at the sound of Kuroo seemingly dissatisfied with you. Out of everyone in this office, he’s always been the one to root for you the hardest. You look up to him! Even when he’s upset, all you want to do is make him feel better. Just like how he made you feel better that time after that horrendous client meeting last month…

“Kuroo-senpai,” you mutter out, avoiding staring at him entirely. “I’m sorry.”

You’re bowing your head in apology, but Kuroo merely laughs, shaking his head.

“Don’t apologize. These things happen.” Kuroo is smiling, and from the crinkle of his eye and the carefree tone he’s using, it’s genuine. Kuroo isn’t upset with you, and somehow, this only makes you feel worse.

“But I ruined the meeting.” You remind him. “I stuttered when speaking to the client, and then I totally didn’t know how to properly react whenever he—” 

This is when Kuroo’s friendly demeanor darkens. “There would be no proper reaction to what he said.” The client, an older man who’s been working for so long in corporate Japan that back in his day, women could only serve as secretaries and belittled assistants, had made a less-than-savory remark on you and the way your pencil skirt hugs your figure. It had been a test of self-restraint for Kuroo to remain civil and smiling and to not punch him from across the table, but you don’t know that. “Our company shouldn’t sign contracts with men like him, anyway. I’ll write up everything in the report, and you won’t get reprimanded at all, okay?” He’s back to his normal, cheery self, and you nod.

Kuroo always knows what to do. 

And in your case, Kuroo is always making you feel better for being inadequate. A fresh college graduate, it’s a wonder how you managed to snag a position on one of the marketing teams for Japan’s Volleyball Association. Now, in your head, it’s a wonder how you manage to keep the damn position. You just can’t seem to do anything right, and even your coworkers are no longer shy in shaking their heads and sighing every time you mess something up. 

The only person who doesn’t seem to mind the little mistakes you make or the minor trouble you cause is Tetsurou Kuroo, the official unofficial golden boy of the sports promotion division. He’s a bit older than you, but still one of the youngest members belonging to the JVA’s marketing and promotional division. Already, there’s whispers about how Kuroo is most likely going to move up the hierarchy and soon — the Chief of Public Relations position will be opening up due to an early retirement from the current chief, and everyone knows that Kuroo has connections with a majority of the monster generation; not to mention, he’s charming enough to get everyone to go along with what he says.

You admire your senior colleague greatly, and because of your admiration and the fact that he’s the most sympathetic towards you, causing him trouble always makes you feel ten times worse than when you normally mess up. Even if he tells you everything is alright, you’re still frowning, staring down at your shoes. 

“Ah, shit.” Kuroo curses, staring up at the darkening sky as rain starts to descend down on the two of you. “Looks like the storm is coming early.” 

“It’s more like we’re just running late.” You say miserably. Because of you, the client meeting dragged on for even longer than scheduled, and the two of you were already running on a tight enough schedule as is. The JVA needed to secure a contract with a sneaker company to do some joint collaboration billboards, and even with a major thunderstorm predicted for this evening, the company was convinced Kuroo would be able to wrap up the meeting (successfully) and get the both of you on the train home before the storm came.

Now, though, it’s later than when you two were supposed to catch the train, and with the way the weather is worsening at such a rapid speed, it seems like making it to the train station before the last one runs will be impossible. 

“Follow me.” Kuroo tells you, trying to be heard over the wind. You nod, but you don’t expect him to grab your hand. With the wind whipping in your face and the chill of rain soaking through your work clothes, Kuroo’s hand is surprisingly warm. You allow yourself to be practically dragged behind him as he jogs to the nearest inn. Even in a soaked suit, running against the storm’s wind, Kuroo still manages to hold his own just fine. You’re glad his back is turned to you; at least this way, you can admire his athleticism in private.

Kuroo leads the two of you into a nearby hotel. The place looks fancy; way out of your budget. You feel bad as you practically stand there awkwardly, wetting the nice, expensive looking marble floors of the hotel while Kuroo talks to the woman up front. You notice that she’s biting her lip, eyeing the way the fabric of Kuroo’s suit clings to his body because of the rainwater. It only serves to emphasize the muscles he continues to maintain despite no longer playing the sport he’s paid to promote. Seeing the way she’s admiring him gives you a weird feeling inside, so you turn away, avoiding looking at them. 

“Bad news.” Kuroo runs a hand through the wet strands of his hair. “Turns out they’re fully booked. There’s only one room left, but it’s a couple’s suite.”

“Oh.” It makes sense that the two of you would have to spend the night in the city. The trains have probably stopped running now, and with the storm, it’s only reasonable to just wait it out ‘til the morning. “Well… A couple’s suite should be big enough, right?” 

“Space wise, yes.” Kuroo clears his throat. “But it’s for couples. There’s only going to be one bed.” 

Oh. 

You feel heat rising to your cheeks as you let this information sink in. A fancy hotel. A fancy hotel with a fancy couple’s suite. A fancy hotel with a fancy couple’s suite that only has one bed. And you’re with Kuroo, your very kind, understanding coworker. Your senior colleague. Your manager. Your totally hot manager. 

“What should we do?” You peer up at him, looking at him for the solution. You don’t know it, but he loves the face you make when you’re asking him for help. Your eyes go all wide and seek him out, eagerly awaiting for him to guide you.

“You can have the room. This isn’t the only hotel in existence, so I’ll probably head out and try to find a room somewhere else.” 

“No!” You’re shocked he would even want to go back out in this storm. Your exclamation is literally punctuated with the crack of thunder booming from the sky. “You can’t go back out there.” And because you’re aware of how rude your outburst was, you soften your voice. “Kuroo-senpai, I don’t think it would be reasonable for you to put yourself in harm’s way. We’re both adults, right? I… I don’t mind— We can just figure out the sleeping arrangements when we get into the room?” 

Kuroo smiles. 

“My kouhai has a point. You’re always so sharp, [Name].” 

You don’t know why, but despite the chill of your wet clothes and the air conditioning of the hotel lobby, you feel a warmth settling in your tummy and rising all the way to your chest as you let Kuroo’s praise blanket you. 

For a couple’s suite, there really isn’t much space to work with. The bed takes up most of the room, a grand king-sized mattress, plenty of space for two people to sleep on (and with each other). There’s a tiny loveseat in the corner that might just have been there for decoration or the opportunity to try out a different position, you’re not quite sure. The bathroom is connected, and the place has rose petals all over the floor and floral scented candles lit up. 

Kuroo lets out a whistle. “They weren’t kidding when they said couple’s suite.” 

You can only nod in agreement. 

“Do you wanna shower first?” The minute Kuroo suggests this, you’re instantly aware of just how wet your clothes are. Your white blouse is clinging to your skin, and when you look down slowly, you’re horrified to realize just how transparent the material got when drenched. Before you can get too embarrassed over the situation, Kuroo puts you (or tries to, anyway) at ease, just like he always does. “I’m glad no one else was in the lobby when we came, because I’m sure I look a mess.”

A hot mess, maybe. And hot in the sense that Kuroo looks too good right now. He looks like he just came straight out of a designer cologne ad or something. 

“Y-you can shower first.” You manage to squeak out. “It’s only fair. You’re the one who’s been doing most of the work all day.” 

While Kuroo’s in the bathroom, you’re practically spiraling. How are the two of you going to explain the charge of a couple’s suite on the company credit card? It wouldn’t have been so weird if you had been with one of your female managers or vice versa, but you and Kuroo are the closest in age to each other. The meeting dragged out for far longer than originally planned, and you’re worried about how the two of you will be perceived. If anything, Kuroo has the most to lose. Any enemies of his could easily use this as a way to stop him from getting his well deserved promotion. Oh God, you definitely ruined his shot at promotion. You’re terrible. You’re—

“Seems like someone’s thinking a little too hard.” Kuroo’s teasing tone pulls you from your rapid fire overthinking. 

You wish you hadn’t looked up. Standing in front of you is a shirtless Kuroo, his abs tight and glistening with droplets of water left over from his shower. The white towel is wrapped around his waist, but the view he’s providing is already enough to make you acutely aware of the fact that Kuroo is a man. His normally uncontrollable hair is weighed down with water, damp strands hanging in his face. And he has the nerve to just stand in front of you so casually, as if he isn’t practically naked! 

Maybe you’re the weird one. Great. So you’re practically eye-fucking your manager after despairing over how you basically might be the reason why he’s going to miss out on a great job opportunity. Right after you performed horribly during a client meeting, and then made him save you by finding you shelter in a very nice hotel. 

“I’m the worst.” You groan, frowning as you look up at him. 

“Hey, don’t say that.” He frowns right back at you. “That’s not true at all.” 

“You’re just saying that because you’re nice.” 

He lets out a short, sharp laugh. “A lot of people wouldn’t call me nice. It’s sweet that you would, though.” 

“How can that be true? Kuroo-senpai is the nicest person to me at work!” 

“Am I really?” You don’t notice how dangerous the glint in his eyes are, but you do have enough intuition to sense a shift in his demeanor. “Do you like that your senpai is so nice to you?” 

You don’t know what you do to him. It’s why you don’t realize how you’re essentially unchaining the beast locked up inside of him as you reply, “I like everything about Kuroo-senpai.” 

“I’m glad to hear that, because I like everything about my little kouhai, too.” 

Your eyes widen at this confession. The butterflies in your tummy are doing cartwheels right now. You can’t believe what you’re hearing, what you’re seeing. Are you hallucinating right now? That’s the only reasonable conclusion, but as Kuroo leans forward, you find yourself leaning a bit further back, just on instinct. He’s so much larger than you, more imposing. You feel like you have to shrink when he starts to close the distance between the two of you. He places his hands on the mattress you’re sitting on, effectively caging you in between his arms as he leans down even closer to you. So close that a drop of water from his hair lands right on your thigh. 

“Do you like me enough to let me kiss you?” 

Apparently, you like him enough to let him do much more than just kiss you. The kisses start off gentle enough. His lips are a bit chapped, but you like the feel of them against your much softer ones. He swallows up your little desperate whimpers, and he moves at a pace you can adapt to. When he notices you getting more confident in your movements, he gets rougher, more aggressive. It’s not just whimpers that he’s inhaling, now, but moans. Even in the heat of the moment, though, Kuroo still has enough restraint, enough decency, left in him to continue to ask for your permission. 

“Do you like me enough to let me do this?” He asks you, fingers prodding at the buttons of your work attire. You nod weakly, dizzy with pleasure from just a few kisses. He takes a sharp inhale of breath when your bra is revealed to him, and then he’s helping you slip out of your skirt, and he has to take a few seconds to admire the matching lace set you’re wearing. “I didn’t know my little kouhai was hiding this underneath her work clothes.” He mutters, and you can’t help but thrive off of the attention he’s giving you. 

He leans down ‘til his mouth is so close to your ear, you can practically feel the heat of his breath as he whispers, “Does my precious kouhai like me enough to let me play with her cute pussy?” 

You think you’re going to faint. You can barely breathe as you nod your permission, but he merely tsks. “Use your words, sweetheart. Otherwise, I won’t know.” 

He’s toying with you now. There’s a purpose to him asking his questions the way he does; he wants to see how far your admiration, your devotion, to him runs. A workplace crush might let him get away with a few kisses, but what about pounding into your sweet cunt? Do you like him enough to let him do that? 

Apparently, you do. Because you’re getting over your shyness. Because you’re whispering, “Yes. I l-like you enough to let you play with my pussy.” 

“Atta girl.” 

He’s on you within milliseconds. The pretty panties you’re wearing are now on the floor of this hotel room. He’s quick enough to figure out how to unclasp your bra, and that’s thrown to the ground as well. Laying completely bare and exposed, your work senpai wastes no time in having his hands explore your body, feeling out all the curvatures and angles that make you you. 

He takes a finger to pet at your cunt, humming approval when he already feels traces of slick gathering on the pad of his ring finger. “Did you get wet just from a couple lil’ kisses?” 

You don’t want to answer him, turning your head to the side in embarrassment because yes, you did, but his grin only widens. He presses a kiss to your cheek, finding you downright cute. “Don’t be shy. You did nothing wrong.” 

You did nothing wrong. 

He’s always telling you this, and the kind words never fail to make you feel all warm inside. That’s one of your favorite phrases to hear, but somehow, it hits differently whenever he’s pairing that heartwarming phrase with his finger in your cunt. 

“Ah, fuck, you’re so tight, baby.” He grunts out, moving his ring finger in and out, in and out. “You know what I think you need? I think you need your senpai’s help in loosening you up. It’ll be good for you, wouldn’t you agree?”

You nod your head enthusiastically, and because you think he might like to hear you say it, you admit what he already knows. “Kuroo-senpai is right. You always know what I need.” 

“Good girl.” The praise has you tightening around his finger, and your reaction doesn’t go unnoticed. He smirks, pleased with how sweet and pliant you are for him. A few bits of praise thrown your way, and you become a slut for him.

It’s a good thing your senpai cares about you so much. He cares about you so much that he’s adding his middle finger to the mix, curling the two fingers against your walls, relishing in your little mewls of pleasure. He’ll have to stretch you out, get you all nice and prepped for his cock. He cares about you, which is why he’s going to let you cum. 

“Feelin’ good?” He asks, knowing that from your moans of pleasure, you definitely are. His fingers work wonders within you, and Kuroo can’t help but admire how cute you are, his little kouhai. What would you do without him, hm? He loves the way your knees jerk and how you whimper every time his fingers curl right up against that sweet spot inside of you, the one your tiny fingers can’t seem to reach no matter how hard you try. Your cute little cunt is already so wet, so ready for his cock, that neither of you can seem to ignore the squelching sounds it’s making as he continues to work his fingers in and out of you. When he presses his thumb to your clit, rubbing tiny figure-eights on the bud, you cry out his name, tacking on that familiar honorific he loves to hear falling from your sweet lips, as you cum all over his fingers. You cum so much that your essence is dripping onto his palm, trailing down to his wrist, and he thinks that this is exactly where you should be, where you always should be. 

“You’re so good for me. Look at how much my good girl came.” He coos, and you should be embarrassed about the mess you made, but when he sings out his praise for you like that, you can’t help but feel a tiny bit proud. 

“Can my good girl make me even prouder? Can you take my cock right now, [Name]?” 

Even if you couldn’t, you still wouldn’t have denied him. It’s a lucky thing, then, that you’re so desperate for him. You spread your legs even wider, inviting him, and who is Kuroo to leave such a precious girl waiting and wanting? It’d be cruel to. 

Which is why he doesn’t make you wait. 

Instead, he plunges his bare cock right into your pussy, groaning with satisfaction as he feels you clamp down on him. Of course you’d be clinging to him; you’re always clinging onto him, always following after him. Such a sweet girl, his lovely, adorable junior colleague. The kouhai who likes him so much, you’d allow him to fuck you nice and hard, to really make use of this couple’s suite and its obnoxious sized bed. 

He quickens his pace almost instantly, giving you no time to adapt to his girth and length. He grins when he sees your little fucked out expression, the way your tongue peeks out from between your pretty, pink lips and the way your cheeks are flushed, your hair a mess. The soft, breathy moans that escape from your mouth. You’re going dumb on his cock, and that’s perfectly fine by him. Let him do all the thinking, anyway. 

Kuroo places a hand on your lower belly, trying to gauge just how deep he’s thrusting into you, and when he finds out, he applies more pressure, pressing down on your soft skin, forcing you to take every inch he has to offer. He’s wringing out soft “ah ah ah!”s from you, and your legs wrap around him almost instinctively as you warn him that you’re about to cum once again. 

“So soon?” He grunts out, grinning meanly. “Normally, senpais don’t expect such slutty behavior from their coworkers, but since it’s me you’re going stupid for, I’ll let it pass.” Your legs are closing in on his body, your whole body jerking a bit as you start to lose control. “Go ahead and make me proud. Cum all over my cock like a good kouhai.” 

The minute the request leaves his mouth, you do. You cum all over his length, as he instructed, and he lets out a short laugh at how devoted you are to him.

“Good girl, my best girl.” He grunts out, fucking your cunt at a leisurely pace now before stilling, letting his own cum flood inside your perfect pussy. “My perfect little kouhai. You did so good for me.” 

And with your cunt full of your senpai’s cum, his cock still plugging you up and keeping everything tucked safely inside, he gives you a rather chaste forehead kiss that has you swooning.

Honestly, you don’t expect much to change between the two of you. It’s not like you think Kuroo’s just going to get down on one knee and let you take his last name or anything. You’re still trying to convince yourself that that night wasn’t some hyper-realistic dream, and the only proof that it was real was the remainder of his cum still settled inside your pussy when you woke up the morning after. 

Kuroo is still a good work senpai, always coming to your defense and fixing your mistakes. 

But you can’t help but wonder if he thinks that night he fucked you is just another work mistake of yours that he has to fix. Because of this, you’ve gone out of your way to avoid him as much as possible. So when the director of your team calls you to his office to let you know that the transfer request you put in months ago, way before that night at the hotel, finally got approved, all you can do is bow your head in thanks and return to your cubicle in a daze.

You don’t know what to do, and the person you would normally come to for guidance is the one person you’re trying to minimize interaction with.

However, word of your transfer spreads fast. After all, it’s a cause for celebration when the weakest link of the team is finally moving far, far away. Your coworkers are all being much kinder to you, and in the middle of them congratulating you on your move, you look across the room and lock eyes with Kuroo. His facial expression betrays nothing, but he quickly mouths supply closet before sneaking out of the office.

Five minutes later, you manage to follow him, gently opening the door to the closet, only to be dragged in immediately. The click of the door locking is loud, heard even above your rapidly rising heart beat, and that’s how you find yourself being ravished by Kuroo, during work hours, at your workplace.

When he chastises you for addressing him so casually, you immediately feel terrible. 

“Kuroo-senpai,” you mutter out, avoiding staring at him entirely. “I’m sorry.”

“Yeah?” He growls out, keeping you pressed firmly against the wall. “What’re you so sorry for? For avoiding me, or for withholding the fact that you’re going to move all the way to Kyoto?” 

You shake your head, tiny droplets of tears gathering up in your eyes. When you look at him like that, like a little puppy who just got kicked, it only makes him want to ruin you some more, if only so he can have the honor of being the one to piece you right back together again. 

“Senpai, I-I didn’t know what to do.” You wail out. “I was scared that that night at the hotel didn’t matter to you, and I was embarrassed of how I acted then, and I applied to transfer to the Kyoto office ages ago, and when they finally approved it, I didn’t know if it would be smart to pull back my request. I’m sorry, Kuroo-senpai. Please don’t be mad at me.” 

He leans down, pressing his forehead against your own. “Not mad, baby. I was just a bit upset, that’s all.” He rests a hand against your hip, toying with the waistband of your skirt. “You shouldn’t have been embarrassed, though.”

“R-really?”

He nods. “Yeah. I fuckin’ love my little kouhai’s reactions. You shouldn’t be embarrassed around me.” He looks you in the eyes, tugging down your skirt and enjoying the hitch in your breath. “But it doesn’t change the fact that I was hurt.”

“I’m sorry!” You squeak out again, and he sighs. 

“If you’re really sorry, you’ll show me.” 

Apparently, the proper way to show him you’re sorry is to get down on your knees, ignoring the cold tile of the closet, and to unbuckle his belt, pull down the zipper of his slacks, and tug at his briefs in order to free his cock. He’s already hard, the tip of his cock an angry red with pearly white droplets of precum already gathering at the head. You shouldn’t be nervous; you had the full length of his dick inside of your pussy, but somehow, the task of taking him down your throat seems rather daunting. 

“C’mon, [Name]. Is my little kouhai getting shy again?” Kuroo teases, gently nudging his cock against your parted lips. Your tongue reflexively comes out, and before you realize it, your giving tiny kitten licks, getting your first taste of salty precum. You must make a face, because he laughs, before carding his fingers through the locks of your hair and suddenly, very suddenly, pushes you forward. 

He isn’t rough, but the presence and pressure of his hand is firm. He doesn’t push you down any further, but the first few inches of his cock is now resting against your tongue, and he’s savoring the warmth of your mouth, groaning as he feels the vibrations of you mumbling something in surprise. 

“Mm, this is a good starting point for an apology, don’t you think?” He muses, knowing that in your current position, you can’t really reply back. “Such a good kouhai for me. What am I gonna do when you move to Kyoto?”

His voice gets a bit huskier as he forces you to take more of his length into your mouth. When he starts thrusting gently, slowly getting you used to the feeling of him fucking your mouth, he lets out a groan. “So good, baby, so good. Do you normally let your senpais fuck your mouth like this?”

You mumble something, finding enough room to shake your head. 

“No?” He says, picking up his face. Every time he thrusts back in, he hits the back of your throat a bit harder, forces more of his length in. “You’re so good at taking my dick right now, though. Don’t tell me that this is your first time?” He looks down at you, eyes lighting up and a smile brightening his expression. “This is your first time sucking off a cock? Of letting someone fuck you like this?” He laughs, the sound full of genuine joy. 

“You’re the fucking best.” He tells you, before tightening his grip in your hair and pushing you down onto his cock. This is the only warning he gives you before you feel spurts of hot cum flooding into your mouth, and your eyes widen in surprise at the sheer amount that’s being poured into you. He lets out a little groan, tilting his own head back in pleasure as he keeps your head pushed down. The stimulation from you gagging around his girth only prolongs his climax, and you still can’t find relief when he pulls out of your mouth because he’s instantly demanding you open up and show him what a mess he made inside of you. 

You whimper, giving into your senpai’s request. You open up wide, sticking out your tongue to reveal the thick globs of white cum coating the appendage. Fuck, just the sight of you all submissive, on your knees, teary eyed and ready to please, mouth full of his cum… It’s enough to get him hard again. 

“You’re the best kouhai in the world.” He hums, patting your head, and you swallow up his praise just like you do his cum. 

[phagodyke]

i will ALWAYS be salty abt the ed-sheeranification of one ok rock (one of my fave personality-building anecdotes i explain at parties to ppl getting to know me) but the fact is that takas voice is soooo hot he could sing the words on the back of a milk carton to the tune of a t*ylor sw*ft song + id probably still listen to him. sorry

[pinkiemachine]

I made something…

Figured that since Ozai looked so young in his portrait, that must mean it was made shortly after his coronation, or thereabouts, so applying that logic here, ZuZu stills looks young and handsome. The dragons, I know, that event was meant to be kept secret, but counter argument, this painting doesn’t necessarily say, “Hey, Dragons are still alive—here’s a map!” It’s just a bit of artsy-fartsy majestic embellishment. Also, I feel like Zuko might want to rebrand the Fire Nation, just a little, you know, after the 100 year war. So instead of just pure fire iconography, he brings things back to their roots, aka, the dragon. More dragon iconography!!! In this portrait, Zuko isn’t the one firebending, it’s the dragons, the first Firebenders. And in the meantime, he’s holding out a White Lotus. Now, I tried to use my Google Fu to find out if there was ever any symbol in Japan or Korea or China that meant “peace,” but my search results came up empty, so I figured that perhaps the lotus could become their version of, say, the olive branch. A discreet and tasteful way to include such a major part of the final battle while having a double meaning. Also, take note of the fact that he’s holding it with BOTH hands. In Japan, when one offers a gift, you always do so with both hands. And while I know it may look a little strange, Zuko towering over his friends—bro—this was always going to be Zuko’s Firelord portrait. He was always going to be the main focus. He just wanted to also include his friends and commemorate the day the war finally ended/his coronation. Anyway, that’s all for now… hope that wasn’t too much… and if anyone has any ideas for how to make it even better, pls let me know.

And to all those who say the element order is backwards…

*ahem*

Japanese and traditional Chinese text layouts are read -right to left-

THANK YOU FOR YOUR TIME 👏

[catacini]

it's not en vogue to hate women, even jokingly, anymore, but it's not like men have stopped hating women. they've gotten quieter about it in some places. speaking as an anime fan, a sentiment i've picked up on is "we left to keep our opinions to ourselves while watching vtubers and playing gacha games, so if you get into those things and get upset when the subculture is misogynist, that's your own fault - this is our only refuge." in a way i can sort of appreciate that effort of self containment, even if it's horrifying.

to that end, if a vtuber/company or gacha game does something "feminist," the hatred is swift and vitriolic. there's an impulse to extinguish it to the roots before it can "poison their sanctuary." i've seen guys spewing the same sentiment YOU thought was over - women belong in the kitchen, they have no minds of their own, and if they start acting like they can think we need to punish them severely before they hurt others or themselves. it becoming the norm for japanese companies and artists to treat women as people is literally nightmarish to them (in part due to racist wishes projected onto japan obviously), and they will become physically violent in an effort to terrify people back into their place. it hasn't stopped.

what a shame that antifeminism is so prevalent that companies in other countries have to worry about violent threats and escalation if they work with a feminist artist. what a shame that nobody that's not an anime fan is talking about this, because the entire subculture has been mostly written off as unsalvageable anyway. what a shame that feminism has become a shambling corpse of reactionary ideology paraded about by corporations for a quick buck, while abject hatred continues to fester in plain sight. what a shame that it's not just an american issue, and the situation sparking this post (artist being fired for being pro-choice since the company that hired them is getting violent threats) is happening due to men's hatred of feminism in south korea.

and the saddest part of it is i see how much energy and unity these men display in eradicating feminist thought in their subcultures - the organization and commitment is impressive. i see that, and i have to reckon with the fact that i will never see that level of devotion from the rest of us in stomping out misogyny. i think about how republicans are better at organizing than democrats, i think about how feminism as a movement is more or less "over and solved" in most people's minds, and i find myself asking why are we so fucking lazy.

[formulawolff]

vi. morning confessional - t.w.

pairing: female driver! x toto wolff

word count: 2.5k

warnings: i typed this entire chapter on my phone while i was at work, so if there are any spelling errors, oopsies! cursing, age gaps, power imbalances, yearning, tons of yearning, oral (f! receiving), mentions of sex, teasing, slight praise kink, slight size kink, yadayadayada

prev. | next.

rays of sunlight filter through the curtains, causing you to stir. scrunching your nose, a yawn takes hold. at the action, his arms instinctively pull you in closer, smothering your face in his chest.

“good morning.”

“good morning beautiful girl,” his voice is thick with sleep, and oh so sexy, “how did you sleep?”

˖⁺‧₊˚♡˚₊‧⁺˖✩₊˚.⋆☾⋆⁺₊✧˖⁺‧₊˚♡˚₊‧⁺˖✩₊˚.⋆☾⋆⁺₊✧˖⁺‧₊˚♡˚₊‧⁺˖✩₊˚.⋆☾⋆⁺₊✧˖⁺‧₊˚♡˚₊‧⁺˖

“better than usual.”

“me too,” soft lips connect with your temple, “what time is it?”

yawning once more, you roll over, plucking your phone off the nightstand.

“8:38 a.m.”

“shit.”

“somewhere to be?”

“yes,” the team principal groans, rubbing his eyes, “unfortunately i am running very late for it. i’ll just let my assistant know i can’t make it.”

“oops,” you shrug, collapsing back into his arms, “why can’t you just stay every night?”

“you know why, schatzi,” he murmurs, squeezing you, “this is going to be a long two weeks.”

“awww,” you tease, ruffling his hair, “is someone going to miss me?”

“you have no idea.”

“we’ll be in japan. that will surely be exciting,” you begin to run your hand through his hair, melting as his lashes flutter.

“and you know what comes after japan.”

“miami,” you suck in a breath, “that still gives me some time to consider everything.”

“just don’t overthink it,” one eye opens, “if you overdo it, you’ll start to reconsider every little thing.”

“i know,” you exhale, “it’s just overwhelming. i don’t like disappointing people either.”

“oh i know,” toto leans in, the tip of his nose brushing yours, “you tend to put on this facade that you’re selfish, doing things only for your gain. however, i have learned that deep down, you’re a huge people pleaser. that’s why you’ve been dragging your feet in giving me your answer. you don’t want hurt james. you don’t want to disappoint the team. most of all, you don’t want to face the backlash that will follow.”

your lower lip trembles, tears welling up in your eyes. they threaten to spill over, and his brows furrow, “oh schatzi, i didn’t mean to hurt your—“

“no,” you sniffle, “i just hate that you’re right.”

“you don’t have to spend your life pleasing others, you know,” his arms engulf you in an embrace, rubbing circles on your back as you weep into his chest, “you’re allowed to make decisions for yourself. you need to do what you feel is best.”

“but there’s just one thing that i can’t shake,” the words are barely coherent, but he hears them anyway.

“and that is?” he inquires, kneading into your shoulder blades.

“i want to be with you at mercedes. i’m just scared that if something happens between us, i’ll regret my decision.”

“us?”

your eyes snap open, panic settling in, “i-i, um, i — i didn’t mean anything by that, i just—“

“you want an us?” fingers grasp your chin, tilting your head to meet his gaze.

“i-i mean,” your voice falters, “isn’t it inevitably going to happen if we keep seeing one another? one of us is going to develop feelings and we’re going to—“

lips crash into yours, nearly knocking the wind out of your lungs. it’s a passionate kiss, needy and brimmed with hunger. fingers tangle in your hair, tugging at the roots as you whimper, his tongue licking along your lower lip. he sucks on it, the hand on your back delving lower and lower, gripping the curve of your ass.

a noise rumbles in the base of this throat as you suck on his tongue, the kisses growing sloppier and messier by the second. the noise is guttural, almost like a growl.

he pulls away momentarily, panting slightly, “who is to say that the feelings aren’t already there?”

“toto you don’t—“

“i do,” shifting his weight, he pins you to the bed, “like i said, i didn’t have a crush. i can’t stop thinking about you. every single time i think about racing, or my drivers, or even mercedes in general, my thoughts wander to you.”

as he takes you in, you can’t help but gaze into his eyes, your hand reaching out. fingers brush his cheek tenderly, tracing the lines that scoured his face. his lashes flutter at your touch, his chest heaving as your fingertips wander, memorizing every minuscule detail.

your fingertips land on his lips, “i just need to know one thing.”

“what is it, love?”

“this offer, signing me as a driver to mercedes. is it business or is it personal?” preparing for the worst, you feel yourself instinctively shy away.

yet, he isn’t fazed, maintaining eye contact, “do you want my honest answer?”

“of course i do.”

“personal. completely personal,” there’s a glint in his mocha depths, an emotion you couldn’t quite read.

“ever since i saw that photo of you, signing that contract with williams, i knew i wouldn’t be able to resist you. i tried, i really tried to maintain my distance. to stay away. but i can’t. there’s something about you that draws me in. i don’t quite know what, but i know that i need you by my side. at mercedes, where i can make you a world champion. my world champion. i would make my golden girl a world champion.”

“toto,” you begin, but he continues, pressing a finger to your mouth.

“yes, it would be good for mercedes to sign on a driver with your talent. our reputation would benefit. you have the qualities of a mercedes driver. but this isn’t about business. this is personal. it always has been. it always will be.”

“i-i,” you stutter, the temperature of the room elevated as toto’s mouth inches closer and closer to yours, “i don’t know—“

“you don’t have to say anything right now,” his voice is low and thready, consumed with desire, “i know it’s a lot. there’s a lot to consider and a lot at stake. but for now, just focus on me. can you do that for me baby?”

nodding meekly, anticipation takes a hold as he lowers his head, mouth connecting with your heated skin. the kisses travel further and further down, his hands finding yours, intertwining your fingers together.

“so beautiful,” he whispers, “so, so, so breathtaking.”

“so are you—“

a moan fills the space as his mouth envelops your clit through your panties. he groans at your reaction, knuckles turning white as you squirm, gripping your hands tightly.

“take them off, please.”

“so you do beg,” he taunts, his breath hot as it fans against your inner thighs, “what do you need again, schatzi?”

“i need you,” you whimper, dripping with desire, “i need you, toto wolff.”

“i’ll take care of you baby,” his pupils are dilated, blush tinging his cheeks, “just relax, and let me take care of you.”

at the sight of you beneath him, aching for his touch, toto nearly unravels.

was he dreaming? or was this heaven?

god, you were so fucking beautiful like this. all needy and desperate. between your thighs, he couldn’t help but notice the wet spot pooling in your panties. goosebumps riddled your arms and legs, yet your skin was so soft and warm.

you were practically inviting him in.

and how could he resist?

“is this okay?” the team principal tugs on the hem of your panties.

“yes,” the corners of his lips curl into a smirk at your quick response, “please, toto.”

dragging the fabric down your legs, he relishes how they glow in the morning light.

every part of you was so beautiful. every. single. part.

“open your legs,” strong hands grasp your thighs, the command sending a shiver down your spine, “i need to see that perfect pussy.”

you can’t help but obey, shielding your face instinctively as he situates himself, mouth merely centimeters from your drenched pussy.

if your body was an altar, toto was prepared to worship, savoring and praising every inch of you until there was nothing left.

“don’t hide,” he tuts, “i want you to watch.”

“but—“

a hand, your hand, covers your mouth as his tongue delves between your folds, your back arching. fingertips dig into your hips, holding you in place.

toto was a starving man. and fuck, did you taste so fucking good.

he couldn’t get enough, the tip of his nose brushing against your clit as his tongue explores every inch of you. his tongue applies pressure to your clit as he sucks lightly, swirling in circles as you buck your hips.

“oh fuck, oh fuck, oh fuck.”

toto didn’t have to ask if you were close. he could sense it, the way your muscles were beginning to tense up. the way your hips rocked back and forth, practically riding his tongue. the way your voice was growing louder and louder, yearning for more and more.

already this close and he had barely even started?

fuck, was he going to have fun with you.

“toto,” there it was again, his name from your lips, “toto, i’m going to — you’re going to make me cum.”

“you deserve it,” he pulls away, mouth and chin glistening, “you deserve it baby. cum for me. be a good girl and cum for me.”

the words coax you to the edge, and you feel a finger wedge its way into your tight hole, your walls stretch, adjusting to the size of his finger. just as you get used to one, he shoves another inside, pumping them in and out, curling once they’re inside.

the euphoria crashes over you like a tidal wave as his mouth plants kisses over your clit, practically making out with your pussy. you feel your walls close in, the pleasure wound up tightly in your lower abdomen.

“toto,” you’re almost breathless, “i-i’m going to cum.”

moans flood toto’s ears as you orgasm, your thighs squeezing against his ears. your muscles twitch and shudder, juices dribbling down his chin.

pressing one last kiss to your pussy, he catches his breath, wiping his chin.

before you know it, two fingers are pressed against your lips, “taste yourself.”

opening wide, your tongue dances along the digits, licking them clean. toto watches in awe, a fiery hunger burning within.

it took every fiber of his being not to just spread you open again, filling you up, claiming you.

claiming what was rightfully his.

“oh my god,” you exhale, scrambling to muster a single coherent thought, “that was—“

“you’ll get more.”

your back meets with the mattress once again, hands on your head, “holy shit.”

“never had a man make you cum like that before?” you want to slap the smug smirk off his face.

but you stop yourself, feeling a frown form as he plucks his clothes off of the floor, shoving his legs into his slacks.

“leaving so soon?”

“i have to go,” relief ripples from your head to your toes as you sense his disappointment. he was just as upset to go, “i want to stay baby, but i have about sixty-two missed calls and seventy texts. they’re wondering where i am and i need to get going.”

“that’s all right,” reaching for own phone, you wonder if you were in a similar predicament.

you couldn’t quite remember, but you were sure you had missed a few meetings. one of them was more than likely with the press. one was probably a team meeting before the next destination.

“what’s going to be your excuse?”

toto pauses momentarily, leaning over to give you a swift peck, “the answer is simple. they won’t get one. they don’t need to know where i was.”

“someone’s grumpy,” you giggle as you notice the prominent frown.

“yeah i am.”

“and why’s that?” you arch a brow.

“because i want to fuck the shit out of you,” the casual delivery has you reeling, your heart fluttering as he shoves his arms into his dress shirt.

“i want to watch you cum again and again and again. but i can’t. i have to go about my day as if i didn’t just taste pure ambrosia on my tongue. i have to sit there and answer phone calls, emails, my team, and act like nothing ever happened.”

“is it hard for you?”

“of course it’s hard,” toto runs a hand through his hair, and you pick out the tightness of his jaw as he speaks, “i want to tell someone. i want to tell someone how the most beautiful woman in the world has me wrapped around her finger. how i’m putty in her hands. but i can’t.”

“toto, i—“

“i hate to interrupt you,” he crosses over to the bed once again, scooping you up in his embrace, “but i really have to go. i’ll text you, okay? maybe we can rendezvous at some point in these next few weeks. i’ll fly you out. you wouldn’t have to pay a single penny.”

“okay,” you nod, inhaling his scent one last time, attempting to memorize the way his arms feel around your frame. it was far too quick, toto pulling away, tousling your hair.

“be a good girl for me. i’ll see you soon.”

“i’ll see you soon, toto.”

and just like that, he was gone.

biting your lip, you curl up on the mattress, throwing the comforter over your body.

you shouldn’t cry. not over this.

but why did you feel that urge? why was it becoming increasingly more difficult to focus on anything other than the team principal?

yeah, you had a crush on him. that was years ago, when you were a teenager. that was innocent, a young girl swooning over a man nearly three times her age.

now, that crush was developing into something much more. something far more complex that you could have ever imagined.

you were falling head over heels for toto wolff, whether you liked it or not.

and you couldn’t fight it, no matter how hard you tried to push those feelings away. you had tried to seal them away in a box, throwing out the key.

somehow toto had found that damn key.

he was the key, really.

and who knew what would happen if you opened the lid to that box.

however, there were far more pressing matters.

picking up your phone, you scroll through your messages, notifications, and emails.

there was nothing too crazy you missed, just a quick debrief before you all left for home for the next week or so.

although, one particular text caught your eye.

it was james, sent about fifteen minutes ago.

good morning, american girl! i’m not sure if you’re aware, but the fia has made their decision concerning your tussle with george. it’s not good, but it’s not bad either. i figured you were probably not feeling up to the team meeting since you got pretty banged up from the crash. get some rest, then give me a call when you can.

also, is there a reason why toto wolff approached me yesterday? he was asking about your contract. do you have any idea what that was about?

˖⁺‧₊˚♡˚₊‧⁺˖✩₊˚.⋆☾⋆⁺₊✧˖⁺‧₊˚♡˚₊‧⁺˖✩₊˚.⋆☾⋆⁺₊✧˖⁺‧₊˚♡˚₊‧⁺˖✩₊˚.⋆☾⋆⁺₊✧˖⁺‧₊˚♡˚₊‧⁺˖

taglist: @toldyouitwasamelodrama @nebarious @whoisss @kravitzwhore @prettiest-at-the-party @persona1lies @zoeyjadetice2010

let me know if you would like to be added to the taglist! thank you for reading! <3

[olderthannetfic]

Now I'm wondering how countries like Japan and China teach literacy.

Since kanji / hanzi don't really have that much in the way of phonetic elements, they kinda have to teach them by memorization and I don't think they have many reading comprehension problems over there.

(Although both countries do have supplementary phonetic writing systems in the form of bopomofo and pinyin for China, and the kanas for Japan)

--

FAVORITE SOAPBOX TOPIC UNLOCKED!

RELEASE THE KRAKEN!

It's a little closer to teaching vocabulary than spelling, but the same kinds of principles apply: You teach the building blocks, like the traditional radicals, which aren't so different from teaching Latin and Greek roots in an English class for English speakers.

And, as a matter of fact, lots of those radicals do predict pronunciation, just not in every single case. They can also be clues to meaning, but again, not absolutely consistently. Many characters have a sound-cueing radical on one side and a meaning-cueing radical on the other. It's just that only some are still useful in the modern day, while others are more like the English word 'plumbing' where knowledge of Roman lead pipes explains why this word comes from the one for lead, but the root probably wouldn't help a kid learn the word in the first place.

One similarity to teaching phonics would be teaching students to tell very complicated and similar characters apart: you want to help a student spot all the little building blocks of the character and then spot the ones that are different, not just glance at the whole character and get a general overall vibe. If you do a whole look-based approach, too many characters are too easy to mistake for one another.

Remembering a bajillion Chinese characters is hard if you're trying to memorize them in a year and not all of elementary school, but I think people who don't read them underestimate how many component parts there are and how approachable they can be if you start by learning fundamentals, not just memorizing a few individual characters as though they have no relation to anything else.

They're actually pretty systematic, just in the way that English spelling is with its overlapping systems and historical artifacts, not in the way that highly regular Spanish spelling is.

Having taken a lot of Japanese classes, I will say that Japanese as a foreign language textbooks often do a piss poor job of this and totally do teach kanji in a sight words-y way... But my Mandarin class started with important foundational concepts that served me well in Japanese later even if I bombed out of Chinese class at the time.

Can you tell how irritated I am by all the foreign language learners who think characters are sooooo hard when, really, it's just their crappy textbook? Haha.

They're moderately hard in the way that learning a full adult spectrum of vocabulary is hard, but people do that for foreign languages all the time. The countries that use characters do tend to make sets that are smaller for certain kinds of applications, same as we have things like simple English wikipedia, but a literate adult will always know lots more, whether it's from their career in engineering or their predilection for historical romance novels.

Uh... anyway, the answer is "Bit by bit in elementary school, just like in any other country".

[hannie-dul-set]

AN UNLIKELY FANMEETING.

p — LEE JENO x female! reader. g — gang leader! jeno, actress! reader, humor, tension tension tension, jeno gets kidnapped by his celebrity crush, this is stupid, this is dumb, don't take this seriously. w — swearing, kidnapping, morally dubious characters HAHHAHA. 935 words.

note — happy birthday jeno. to the anon that sent the trope list curated for me, this is your fault. take responsibility. the prompt "accidentally kidnapping a mafia boss" suddenly terrorized my brain while i was studying. enjoy.

when lee jeno opens his eyes, a dull ringing in his ears, he sees nothing but the faint impression of a lightbulb burning through the sack covering his head. it’s dark. there’s an echo when he grunts and tries to move, but upon feeling the rope pressed against his wrists, the stiffness of his shoulders and the metal scratching of the chair against the rough ground— he’s quick to understand the situation he’s in.

the last thing he remembers, he was about to board a plane to japan. to spend a few months lying low after the particularly risky job his gang had to undertake not too long ago.

seems like someone managed to sniff him out before he could flee.

splash!

“wake up, you slimy son of a bitch.”

cold water hits, seeping into the fabric covering his face and crawling down to his collarbones. now, considering his line of work, jeno isn’t too fazed by this situation. he has a lot of enemies. maybe this one’s from a rival gang. could be a relative seeking revenge for a brother’s cracked skull, or some shit. doesn’t matter. he’s not gonna stay sitting for long anyway.

“did you really think you could cheat on me and run away scot free?”  

cheat? the sack gets thrown off from his head, a hand yanking a handful of his hair to pull his head back and he lets out a grunt. the chair is tipped back. jesus fucking christ, that felt personal. but when the sudden illumination stops blinding him, and he can finally see who the hell had the guts to jump and kidnap him, he’s a little taken aback.

jeno has a lot of enemies. the list goes on and on.

“use your fucking mouth, bast—”

but he’s pretty sure that the darling angel of south korea’s film industry isn’t on that list.

jeno watches as the vivid scorn and disgust in your eyes slowly meld into confusion, then realization, then a slow but sure descent into panic alongside the loosening of your grip.

“oh.”

must be the skills of an award winning actress. he feels almost a hint of disappointment when you stop pulling on the roots of his damp hair.

“oh, shit. one moment.”

clang! the chair he’s tied to settles once more into the ground with a clatter, and jeno watches as you quickly secure a distance between you and him, pulling your phone out of your sweats while biting the tips of your thumbnail. it’s a little funny seeing the nation’s sweetheart pacing back and forth all jittery in what looks like a basement— maybe your basement. as far as jeno can remember, you’re always casted for romance films. those feel-good, slice of lives and the pocari sweat commercial you once did echoes in the back of his head. but maybe you have a hidden knack for some thriller.

he starts fiddling with the ropes tied around his wrists right at the moment you screech into your phone. dispatch would have a field day if they see this.

“you got the wrong guy! my ex isn’t this hot!”

his fingers slip. his skin scratches the rough threads of the rope.

“i paid you useless fucks a shit ton of money to get the job done, but you can’t even get— ugh! nevermind. just go and bring me the actual son of a bitch i asked for this time.”

the knot is almost loose. this is quite the show. it’s better than all the movies he’s seen of you.

“what?! hello?! what do you mean you can’t help me anymore, what about our—”

drop. jeno gets up from the chair. he stretches his joints, neck cracking, watching as you sputter out a trove of profanities at your phone. his clothes are still damp from the water you splashed him earlier. maybe he should have a bit of fun first before leaving. it’s not everyday that you get to meet your celebrity crush.

“hey, dollface,” he calls out. you freeze. you look at him with the drop of a needle, eyes growing a little bit wider when you realize he should be sitting down. damn, they really need to cast you in a grittier film. “you should pay a bit more attention when you have someone hostage.”

a beat of silence. 

“uhm,” your voice croaks. jeno takes a step towards you. you take a step back. “listen, haha, there has been a misunderstanding.”

your steps stutter a little, moving back and back and you swallow nervously, looking at him with almost sheepishly— a sense of feigned bravery in the midst of retreat, teeth tugging on the skin of your lips. “oh, yeah?” he says, and you visibly rattle. you’re prettier like this than when you’re batting your eyes and flirting at the camera. you’re definitely prettier.

“yes, ahaha, there was a minor switch-up, you see i— i didn’t mean to...uh, escort you from the airport, i actually meant to target someone else, and— o–oh, and there’s a wall behind me. oops, haha. do you mind backing away a bit, um—”

“how about i help you with the ex boyfriend problem you have?”

the tables turn. it’s him digging his face up against yours this time, but the mention of your ex strikes a chord. you’re looking at him, gaze unbreaking. he can feel your shallow breaths on his skin.

“who are you exactly?”

“someone who can do the job better that the fuckers you sent me, definitely,” he chuckles. “how about it?”

he won’t ask for much. maybe just an autograph in return.

AN UNLIKELY FANMEETING. © hannie-dul-set, 2023.

[bayesic-bitch]

There's this really long-running trope in Japanese media of "child with a penis is raised as a girl, who may or may not retain their socially-assigned gender into adulthood" (or vice-versa for a child raised as a boy), that I feel is in an extremely weird place with regards to modern language around transness. First off, it's weird that I've never really heard a name for this trope, although I'm inclined to call this kind of fictional child a torikae or changeling after the Heian period story where the trope seems to originate. But what's strange is that it's really hard to say whether these fictional children are cis or trans -- they seem tailor made to target gaps in our language. On one hand, a non-intersex child born with a penis who socially presents as a woman seems clearly trans, right? But on the other hand, part of the trope is that the child is not "assigned male at birth" -- they're a child with a penis who was assigned female in a very literal way. Is a child who was raised female and chose to stay that way a cis woman, despite her body? Is a child raised female in this way who finds femininity doesn't fit him a cis man (because he's a man with a penis) or a trans man (because he's rejecting the gender he was assigned and raised with in order to consciously transition)? These characters seems to generate a lot of discourse in the english-speaking trans community, most notably Gwyndolin in Dark Souls, but I'm really curious how they're viewed in the trans community in japan.

Anyway, I don't have a lot exactly to say about this trope, except that many people seem to take it as a one-off decision by the author, when it's clearly a trope with much deeper roots and a much longer history than that, and that it would probably be good to treat it as such.

[earlycuntsets]

translation: "my chemical romance interview. "for us, the live stage is the only place where we can be ourselves."

The songs are like a collection of rock anthems from all over the world, past and present, and it sets the hearts of listeners ablaze.

Who is the emo band that rocked the Summer Sonic stage?

My Chemical Romance, from New Jersey, who just released their major debut album "THREE CHEERS FOR SWEET REVENGE" in July, came to Japan for the first time at Summer Sonic 04. MCR's music is called "screamo" because of their friendship with their friends, including THE USED, and their style, and it contains the street/garage sensibility unique to the generation that went through American punk in recent years… but if you listen to it with a calm ear, you can see that although the vocals are "screamo style," the songs have a beautiful structure and tearful melodies that are related to British heavy metal, and they also feature beautiful guitar solos. In other words, MCR is a band that plays heavy metal at the street level… That's why they must have been so welcomed right from the start in Japan, a country that has a strong tradition of heavy metal music (probably) - their first performance in Japan was a big success.

45 minutes after the end of the thunderous "Summer Sonic" stage

We caught up with the two excited guitarists!

I've never been to a show like that before! I'll never forget this experience.

--Now Frank Iero (FI): This isn't real.

How was the live show you just finished?

FI: Seriously! I've never done a show like that before. It was a memorable moment in my life. I'll never forget it!

--You seem very excited. What was so amazing about it?

Ray Toro: No, not "What". WTF! I mean, they were so welcoming! I wasn't expecting that kind of reaction at all. It felt like a hometown show. Oh, what can I say… ahhhh… anyway, it feels great!-- (Laughs)

Was the positive reaction because the new york was great? Especially the first single "I'm Not Okay" it's really exciting… It's a great song, and the song structure is well-crafted, building up from the intro, and the solo is uplifting too. Did you feel any magic when you made it?

FI: Well, let me tell you something. This song is something that you can't really call "written".

Really? Is that so?

FI: That's true. The song itself only has four chords, right? Except for the solo, it's all four. So at first, I thought it would be a boring song. But when we got together in the studio and Ray was playing those four chords over and over… Gerald (Way/vocals) started singing. The other members were silent. I closed my eyes and listened carefully. Then I realized it was an incredibly beautiful song. I felt it was worth completing. So I tried to change it up with the chorus. The root remained four.

---The guitar solo in this song creates a harmony with the guitar, creating a grandeur that is reminiscent of Queen. How did this come about?

FI: That solo was all Ray!

RT: Of course we were totally inspired by Queen! We were all saying, "Let's have a big guitar solo. Nobody does that anymore!" So I layered the guitars on it and made it as epic as possible. Also, when we were writing the song originally, we talked about making it as production-heavy as possible in the studio… Another thing I did consciously was to think of all the '80s pop and '70s bands I liked. I thought, "What would they do to make a song that's really epic…?" That's also where the two-second piano in the middle of the song came from. It doesn't really mean anything, but it's a bit like a soundtrack.

In terms of age, he was still very much alive.

FI: To tell you the truth, that second part is from the live album "CHEAP TRICK AT BUDOKAN" (1978) [laughs] I really wanted to include it. To begin with, even though some people have performed it live, I've never heard it performed in a studio album. I tried to include that as well and create the biggest anthem I could think of.

Q: Not just "I'm Not Okay," but all of MCR's songs…The composition is designed to make the listeners excited. They are all uplifting and dramatic. Is this something you do consciously?

FI: I'm totally aware of it.

RT: Yes. You can hear it in the song, but I change parts one after another. For example, We never repeat the same parts twice, and as the song progresses, new elements are added. We want it to feel like it's building from one thing to the next. Every member of the band contributes to that. The drums, the vocals, the melodies…everything helps the song to go higher and higher.

FI: Especially the new album, "It's Not A Fashion Statement, It's a Deathwish" crescendos all the way through. It just gets stronger and stronger. It all comes together in a spectacular finale. The whole band sings together for an anthemic ending. Because I like it! Our styles are completely different, maybe that mismatch is a good thing?

MCR's music tends to be dramatic. Is that due to the influence of the music you've listened to up until now?

RT: I grew up listening to heavy metal, like Ozzy Osbourne. I was obsessed with guitar heroes. I like bands that feature guitar players such as the late Randy Rhoads (g/Ozzy Osbourne) and Joe Satriani, Jimi Hendrix… In other words, Randy is the one who combined heavy metal with classical music, but his guitar playing I think he is the person who has had the biggest influence on my style. It's a bit old-fashioned, but it has a melody. And it's timeless. Melody.

FI: Richie Havens. My first woodstock. He was the opening act for the concert. He took me to an acoustic I just played it with one guitar, like a solo. There wasn't much, just sitting on the stool. He played very melodic and rhythmic guitar. But it's a completely unique style that can't be imitated. He had tiles… Such a great performer. I've never seen him before! I've seen Richie on stage about 10 times now, and I'm blown away every time. He's one of the reasons I don't stop playing guitar. I also love Greg Ginn (guitar/Black Flag) and Thurston Moore (vocals, guitar/Sonic Youth). In other words, I like dirty and emotional guitar more than intellectual style.

——————Hmm. You two have completely different tastes…

FI: Well, we are completely different types of guitarists, but maybe that mismatch is a good thing.

--You mentioned a lot of artists, but listening to your album I can sense a strong influence from heavy metal. But you also listen to a lot of different music from the '70s and '80s, right?

RT: Well, you can't just listen to one type of music, you know? There's so much good music out there. We can't just pretend not to notice it! All of us in the band try to listen to as much as we can and want to absorb as much as we can from all kinds of music.

FI: What we heard was an influence in some way.

FI: I like to use a Marshall JCM900 connected to a SUNN cabinet, and an Epiphone Zak Wylde model Les Paul as the only guitar. I turn up the bass all the way (laughs). Treble is about mid-range. I add gain here and there. But I like to keep it sounding like a real guitar. Not a "buzzing" sound with too much gain, but more of a solid sound.

RT: Yes! And we both try to only use effects when absolutely necessary, and usually plug them straight into the amp. Oh, but we do use wah pedals. Personally, I'd love to see the wah come back!

--I see. So with Frank on the bass and Ray raising the middle, it feels like you've managed to balance the band sound well?

FI&RT: Exactly!

FI: That's how I make it clear that there are two guitars. It's better to have a difference where you can hear each guitar part and it doesn't sound too cluttered.

――――So, let's talk about your playing, not just the guitar sound.

RT: I've been in the middle of it all. But the best thing to do is come to a show and see for yourself! I think there have been times when people thought it was Frank and it was me, and vice versa. We've influenced each other so we have some similarities.

---So you're influenced by each other's playing?

RT: Yeah. At least I got it from Frank.

I learned to play dirty. Not just clean, but more emotional. Instead of being super technical and perfect, I gave myself a little more leeway and tried to avoid feedback and pick-squeezing.

Frank is especially good at pick slides. He likes to make noise out of the guitar, rather than a pretty sound.

He's really good at bringing that out. Making noise, not just playing, is something I'm still learning.

FI: I'm the opposite, I'm learning to play clean, to keep things under control, but still let out emotion when necessary.

RT: A classic example of what you're talking about is "The Jetset Life Is Gonna Kill You." Frank has a really great part here. After the second chorus, it gets really quiet.

"THREE CHEERS FOR SWEET REVENGE" Warner Music Japan [CD] WPCR-11883 Sensual vocal melodies and emotional guitars, as heard on the 1st single.Their popularity is on the rise thanks to the explosive emotion of their vocals. This is the band's second album and their major label debut. Ray's strengths are in his guitar playing, which always lifts the listener up. While talking about the existing screamo sound, such as the "screamo" part, a new sense of flavoring with the essence of gothic and metal shines. And it's the same with everyday experiences! Everything that comes out of it naturally comes out in the work, and the more I shut out certain types of music or certain experiences, the less fertilizer I have. The goal is the stage. Keep playing to the limit. From what I saw on stage a while ago, the live equipment was, you both used similar things. How do you differentiate between the sounds?

RT: I'm more into distortion. I play a lot of riffs and generally like to emphasize the mid-range.

My model was the crunch guitar sound of Metallica's "Master of Puppets" (1986).

FI: On the other hand, I only use distortion to a natural degree.

Can you tell me the specific equipment names?

RT: The amps are Marshall "JCM2000" and "1960".

Cabinet. The guitar was bought by my brother for Christmas 10 years ago.

It's a very easy one to make, but the sound is great!

I also use an Epiphone Les Paul.

036 GuitarBreakers Vol.8

He said it was a good example of how the differences between the two of them are well expressed.

Can you name any?

FI: You Know What They Do To Guys Like Us

In Prison, I guess?

RT: You're right!

FI: You Know What They Do To Guys Like Us

"In Prison" is huge! The first two verses are

It's rhythmic and dirty, and then…

Ray's guitar hero-like, epic solo begins (laughs). And it has a light rhythm. And then there's "To The End" too.

RT: Yes. In some ways, I play more technically than Frank, but "To the End" has a great guitar solo, it's fast, and it's got some rhythmic, dirty parts. But I think you can hear the difference in our playing styles on every song to some extent.

---By the way, on the album, which is left and which is right?

Are you playing the channel?

RT: Well, in the verses, I mostly play on the left.

Ray is on the left. And Frank is on the right in the chorus.

Frank really blossoms in this scene. It's totally different from his previous style.

FI: Mmhmm!

---Finally, could you tell us about your future goals regarding guitar and songwriting?

FI: For now, I'd like to be able to turn the parts I've written for the next album into proper songs.

Also, we have a clear goal as a band.

But I'll keep it a secret until I achieve it (lol).

RT: For me personally, I just want to keep improving.

FI: Me too!

RT: We both love playing guitar.

That's what life is all about, so I want to keep improving both in technique and melody.

FI: For us, it was a live show that lasted less than two hours. I think that the only chance I have is to be myself, to experience a pure and spiritual moment. So my goal is to continue to play all the way to the end. There is a joy that cannot be expressed in words. I don't think you can understand it unless you have experienced it!

My Chemical Playing - A magnificent world created with guitar

The key to My Chemical Romance's songs is the twin guitars. When the two guitars intertwine, sometimes intensely and sometimes elegantly, it gives the listener a great sense of exhilaration.

Ray was crazy about guitar heroes like Randy Rhoads and Joe Satriani, while Frank loves Greg Ginn and Thurston Moore. They come from completely different backgrounds, but as Ray says, "When we get together, we don't know why, but a special atmosphere is born," which is the characteristic of the My Chemical Romance sound. In fact, Alba

If you check out his playing, you can hear many good examples of two-guitar ensemble. One of the best is the backing for "I'm Not Okay (I Promise)." As mentioned in the interview, the bass in this song is a repeat of four chords (D → Bm Em → A), but it is amazing how the performance is not at all simple. Due to space limitations, I will not post an example.

"I'm Not Okay" style guitar solo sheet music.

I'm sorry I can't introduce it, but I definitely want you to check out the ensemble in the A-melody. So, I'll introduce the solo below. This performance was inspired by Queen and was meant to be grand. The harmonies are great, but the chord progression is deliberately E/G#, even though E would have been fine in the flow. This is one of the reasons why it feels so grand.

In the harmonies from bars 1 to 8, you want to be aware of the speed at which you raise the pitch of the choking, and the speed and depth of the vibrato.

The first half of bar 12 means "play five notes in two beats."

2004 volume 8 guitar breakers from theydrewblood.blogspot.com

[bubblebbg]

Okay. Imagine. A demon slayer reader x Mizu. Bruh. She out her with a long line of family that has killed demons all across Japan and they send the reader out with wisteria and mask and a very special katana to keep demons away or to kill them. Only to meet Mizu and find her beautiful and want her to teach them how to become a samurai. Tagging along on her travels for revenge completely content with just following her and helping her out. Not thinking she is a demon at all.

Thank you that’s all.

In a society that is deeply xenophobic and alienating, Mizu is so traumatized by her upbringing and experiences as to believe that she is a demon. Societal pressures, prejudices, and superstition, as well as deeply rooted self hatred have all contributed to the belief. This belief is so consistently reaffirmed in her daily life as an outcast to normality, that it's all but a truth to her.

Then comes Demon Slayer!reader. Someone who takes genuine interest in her and builds trust through their constant presence. Someone who Mizu can admit has an incredible set of skills and unmatched swordsmanship. Someone she comes to deeply respect, and to love.

In loving you, she doesn't wish to deceive you. She holds onto a dangerous hope that somehow, just this once, the person she cares for won't turn their back when faced with the ugly truth. She timidly asks you one night, eyes betraying some fraction of her anxiety, "Would you stay by my side if I were a demon?"

And you laugh, which does nothing to soothe her nerves. "You're not a demon. I'll never have to face that choice."

She scoffs. "Right."

You set aside your cup of tea and attempt eye contact, but she sadly stares into the bonfire. "Is that what you believe," you whisper, "that you're a demon?"

She nods, her expression a mixture of shame, anger, desperation. "I know I am. I'm an onni."

And she cares for you so deeply that she's about ready to apologize for deceiving you. But you're voice is filled with a determination she's never witnessed when you reply, "I come from generations of demon slaying. I have dedicated nearly every second of my life to tracking, hunting, and killing demons. Do you think you could have possibly deceived me all this time? Do you trust so little in my expertise that you think a demon could have fooled me for so long?"

She lifts her eyes to look at you, unsure of where you're headed.

"You are not a demon, Mizu. You aren't even close, and with me around, you never will be. I won't let you become one. However," your voice softens, your hand covering hers, "If it turned out that I was truly a fool, and that all of Japan and yourself were correct and you were a demon, I would still love you. You could have been a woman, a man, a breeze in the trees, or a storm approaching the shore, and I would have loved you anyway."

[robotbeetle]

would love to see more asian astarion thoughts/art if you're comfortable sharing!

I am always down to talk about my asian headcanons, anon. Been waiting for someone to ask honestly

I will admit, my head canon for Astarion started out as just projection and spite for fucking Cazador being the only asian character in bg3. Then I started actually thinking about it in serious and I thought it would be really neat storywise too. The drawings above aren’t too related to my headcanon of Asian Astarion, I just wanted to draw him in Joseon fashion.

I specifically imagine Astarion having roots in Koryo, official dnd’s equivalent of Korea (and not just because I’m korean, I swear). So he’s born and raised in Baldur’s Gate but his family is Koryoan by blood. Meanwhile Cazador is implied to be from Kozakura, official dnd’s equivalent of Japan. And paralleling real life, Koryo and Kozakura have bad blood between each other due to the latter always trying to invade the former, and their people despise eachother with Kozakurans thinking they are just inherently the better race and Koryoans thinking they’re just fucking assholes. Wotc was not subtle in drawing from their inspiration whatsoever.

ANYWAYS. I think it would strengthen the dynamic and add another layer to Cazador and Astarion’s relationship; where Cazador’s view of Astarion as lesser has a nationalistic flare to it. Maybe one of the reasons he made Astarion his spawn was because sadistically he wanted to dominate someone of Koryoan heritage and flaunt his status as the ‘superior’ Kozakuran. Maybe he would take pleasure in wiping Astarion’s memory of even being Koryoan. Imagine the angst where among other things, Astarion has also lost his cultural identity to Cazador. It would be an interesting detail for sure.

This has been my ted talk advocating for Asian Astarion, thank you 🫡