#anyway i tried to keep the worldbuilding as short as possible
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not-poignant · 7 months ago
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Tbh one of the reasons I haven't gotten around to Palmarosa yet is because I knew I had to do a fuckton more worldbuilding research and couldn't be bothered because I was like 'this is going to be a lot more work than it needs to be.'
And after 4 straight hours and over 50 tabs which distilled down into 2000 words of worldbuilding that isn't even me getting to the chapter yet, I was right lmao. But in good news, it means I can officially get started! We're going to Luskan, folks :D
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icewindandboringhorror · 4 months ago
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Lineup of all of the characters that appear long enough to need a visual representation of them in the game lol
#I added a few people that you can randomly run into around town (like at the inn or in the forest or etc) and have very short conversations#with just to kind of flesh out the world a little more in a more natural-ish seeming way. Like nobody in the main cast would really#have much reason to talk about the actual city you're in or anything. Since most of them havent lived there that long anyway.#But if there's a ''city inspector'' that you can run into whilst he's writing up notes examining the local inn. then maybe there could be a#few dialogue options with him where you can ask about things like that. since he would know more about the area as an offical Government#Worker or etc. Optional of course. since I have to be so wary of my natural inclination to lore dump lol and am trying extra hard to make i#all stuff thats easily avoided/skipped. But for the people like ME who deliberately choose to exhaust every possible optional dialogue#option and explore every single inch of the world and try to collect as much information as possible - then there are a few extra places to#do that. Though obviously not all of them just give exposition for like 15 paragraphs blandly. Some you don't really learn anything from#and it's kind of just.. random flavor to make the non-shop map locations more ''lived in'' feeling. Like the random#little girl you can talk to in the park doesn't bizarrely start reading out the wikipedia description of some War that happened 10 years ag#or whatever. she's just complains about school a little and asks if you've tried the nearby ice cream cart treats and etc lol#ANYWAY..#some of the art is so so evil but I'm not going to spend 800 years trying to clean it up and update it. whatever the hell mess I sketched#out in 2018 or whatever is just what I'm keeping lol... it is what it is#One of the many trials of the whole 'briefly work a few months on something and then abandon it almost entirely only to pick up work#on it literally like 4 - 5 yrs later and now you must contend with trying to decipher whatever weird shit you did years ago' experience lol#Also given the population breakdowns of the world in general I think there's an unrealistic amount of jhevona in this lineup since#they're a much rarer species to just see out and about anywhere but.. it IS a global trading center type area. and the game#takes place in the north (the country of Asen. near the coast. for the maybe 2 or less people who actually keep up with my worldbuilding#enough to know where that is lol (the same continent as Navyete (where the avirre'thel live)) and there's a decent concentration#of nothern jhevona only a short ways away so... tee hee..I shall pretend it makes sense and not merely me just wanting#to represent more of that species because I think their lore is interesting lol#I MEAN also realistically there would NOT be a human here because humans are extremely isolated species that don't even know the rest#of the world exists really and human territories are extremely protected from the outside world but... of course it's like.. well we need#at least One of them to be there for the Optional Lore. Same with the Ythrili. But at least those are like.. PLAUSIBLE.. not nonsensically#outlandish. If I had a Verrucalt or something in there THEN that would be truly lore-breaking almost lol#ANYWAY.. rambling that only means anything to me because nobody else knows what I'm even referencing but hbjh#also I think my character designs are so funny in the sense that I really do just love to do the same thing over and over again ghbjh#wow... random asymmetry and belts and arm straps and high collars where the neck is completely covered?? you dont say..how novel
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itsangelicasworld · 1 month ago
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i love your teen titans dr so much!
what’s the lore behind it, if you’re comfortable with sharing? how’d you get into the group? what was your life like before it??
ahh, sorry for the random questions, i’m just in the process of scripting my own tt dr, and i don’t know anyone else who shifts there too! :((
OMG TYSM FOR THE ASK ANON!! It surprises me just how many people like my TT life, and it makes me SO happy to see other DC/TT shifters!! I'll answer the questions you listed here, and if you have any other ones, feel free to DM me/send in another ask <33. Though I'll try to keep it as quick as possible, get ready for a long post ahead tgyhugfgh. (Oh, and I'd love to hear about your DR👀)
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Before I begin, I'd like to note that trauma doesn't really exist in this reality. Bad events still happen, and those emotions are still very real, but they can't have a negative lasting impact on me or the people I love. I JUST WANT MY FAMILY TO BE OKAY AFTER ALL THIS FTGHGFGHJ. So anyways, I was actually a kid villain before I joined the Titans! It's a long story LMAO. But in short, I was adopted by an underground crime group known as "The Syndicate" (work in progress title) when I was a kid. They trained me and used my powers as a weapon in heists. But they were really the only family I had. Until they betrayed me and I was sent to juvenile detention💀💀. After that experience, I hated anything that had to do with villainy, so I tried out being a hero. Not a total hero, but the effort was there. I've never looked back since!! In regards to how I met and became part of the Titans: we had actually interacted a few times before I joined them. I did have a record as a villain, but they stayed out of my business and I stayed out of theirs. UNTIL I HAD MY MAIN CHARACTER MOMENT. Basically, it was a normal day. The Titans were fighting a villain on a high rooftop in the city. There was a crowd below them (which included me). Just as the Titans secured a victory, Robin was caught off-guard, and ended up falling off the roof. Before the rest of the team even noticed, I jumped into action and saved him🤭🤭. Still stands as one of the coolest things I've done so far ngl. The Titans saw my skills, and said, "now wait a minute.. she might have potential". A few days later, they recruited me into the team, AND THE REST IS HISTORY!! Star was the first one to accept me into the group wholeheartedly, I love her beyond words😭🫶. There is a TON of lore to this reality, whether it's about me or the other team members or the general worldbuilding. So I will HAPPILY rant about it any time. Tysm for making it this far!! <33
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starwarspissorgy · 2 years ago
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You should watch Shadowstone Park. Testimonials:
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Shadowstone Park is a dramedy SF mystery webseries. The show seems to start as a sort of trope parody as funny animal murders are solved by Lark, a paraplegic cat who sees ghosts, and Pecan, a muscular pelican. It slowly ramps overall tension and goes deeper into worldbuilding until it quickly has the most compelling and unique apocalypse mystery I've ever seen - how exactly did this happen to the world, and what can the protagonists do to survive as the world's possibly last bastion of safety wanes?
Recent episodes have shown incredible pacing, giving you just a few more questions than answers to keep the mystery going while making good on the promise that there is a big picture. It is developing themes in a way that feels like a spoiler to even mention. So I really want more of you watching it so I can discuss them!
Why haven't you heard about this? Honestly, Jason Steele, AKA FilmCow, is suffering from success. His previous works were far less serious, and included Charlie the Unicorn and Llamas with Hats, which admittedly took interesting turns with later entries. Steele has been trying to break into animation work for years, pitching his comedy Magical Realm of Horse Man to AS and other networks, and more recently having a big gap in Shadowstone Park as he tried to get it picked up somewhere. But he seems to have this problem that his portfolio is the main example of a style of humour that is now considered outdated, and while he's outgrown it, nobody really sees a point in continuing to pay attention to him. So here we are with one of the best series on the internet, with really compelling SF worldbuilding and execution, but because it's from the Charlie the Unicorn guy nobody but me, some dude who likes hydrogen bombs, and 20k others are watching it.
And yes it's funny and yes jokes absolutely wind up paying off as plot points in stupid and wonderful ways.
Anyway it's also really short so just watch a few.
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janeafterdark · 13 days ago
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I'd love to hear more about your worldbuilding!!
oh heavens you know not what you ask for
SO basically the setting is an industrial revolutionary era on a future earth populated by several species of animal-people descended from human pets after humanity extincted itself through war and climate change. i've had this setting since 2019 and focused on two different campaigns, one in the colonized Appalachian mountains and one on the west coast where an Ancient silicon valley AI starts trying to rebuild the United States and colonize, as one does my lore rework is focusing on bringing in conlangs, as i tried to model the history of my nations through real languages, but it started getting hard to Keep That Up, especially with my AI California where they just spoke Modern English y'know? i was also unhappy with my lack of Mississippi Delta lore, given that naturally that is a huge economic corridor and would have Influence.
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still workin on conlangs while i write up history and stuff, so my maps tend to have very placeholder names lol
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here's my working conlang chart, i want to at least have Morhævokha and "Pahonnian" ready to go before I run the campaign i want to run on the brink of a WWI sorta conflict, using the conlangs for personal and place names
also i call this setting Comrades & Critters, and i run it with the Comrades system which is based on the Powered by the Apocalypse stuff; one day i hope to write a novel in this setting so this post might resurface again in the future in the funniest way possible if i end up doin that lol
anyway that's the short version lol, thank u for the question
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hyuccubus · 9 months ago
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Writer Q&A Tag Game!
Tagged by the cool+radical @cheetoflavoredpasta!
1. What motivates you to write?
I'm in a unique position to answer that with a snippet from Target Practice, because it's practically what keeps me going.
People in things I like always have something to say. Profound, deep things that make me think about how I live my life, or change how I make decisions, or what I do, or even how I think. They don't need big words to move me. I want to say something like that before my life is over. I want someone to hear it, or read it, and their life to change because of me. I want to be the first domino that crashes right through the life of someone who needs it, so they can pass it on to someone, and they might pass it on to two people, and then I'll have been something.  I'll have a whole pile of people that I changed, in a good way.
2. A line/short snippet of your writing that you are most proud/happy of. If not maybe share a line of someone else's work you love (just please credit them)
This comes after a particularly harsh twist that closes out Book 1. I am so proud of what is said here that I can't help but want to share it, though:
“Love?’ she croaked, her voice hoarse from screaming and then saying nothing.
“Huh?” I managed to mutter, confused at that being what she’d taken away.
“That’s what you think you felt for her? Love?”
“Ira, I don’t-”
“Let me tell you something." When she spoke that threatening line, she was up on her feet with the agility years of martial arts had granted her, those strong hands that had saved me from drowning now gripping my shirt with white-knuckle fury. She yanked me close, so close that my eyes couldn’t possibly avoid those hazel irises, smoky in the dusk sun. “You don’t know a fucking thing about what it’s like to love a woman who didn’t birth you, you dense motherfucker. You wanted someone to validate you. Someone to help you believe that you have value, that you matter. You wanted to use her, and who was I to say anything? Doing something physical to a woman without her consent isn’t the only way you can use her, so you can feel bad about what I’m saying all you want, but you can’t pretend I'm wrong. I could see it in your eyes, Swift. I could see it in the way you let her walk behind you, in the way you didn’t make sure she was eating well, in the way you tried to impress her before you really knew her. You didn't care how she was feeling, you just wanted to know how she was feeling about you. And if you had the chance to go through with what you felt for her, maybe act out your little fairy-tale romance, she would have gotten sick of you always wondering how she felt about you, always absorbed in your own impossible fantasy. And you would have had the nerve to tell her she broke your heart when she told you so. That’s all men like you do, before you know any fucking better. You think you’re so special, so unique, that you’re above making a juvenile mistake like that. All we can do is hope you learn something when it does happen, rather than hoping it doesn’t happen at all. All you’d do if I told you was rebel against me, and then end up hurting her anyway. So don't say that shit to me. Don't talk about love. Just don't.”
5. What part of writing do you think you are the best at? (Yes stroke your own ego it's okay)
Definitely dialogue. I don't do much worldbuilding in the way so many of my peers that write fantasy do, and settings end up being the backdrop for the character interactions that really satisfy my writer's itch. I do take pride in the way my prose flows sometimes, I've developed a style I'm quite proud of, and I think I can only get better with time.
6. What do you enjoy most about the Writeblr community?
Everyone seems equally as invested in the art of creation as the results of that passion. It's a unique perspective I really value, as well as it feeling a little more tight-knit than Twitter, where I immigrated from.
7. A writing tool/device you use that helps you with writing? (It could be speech to text, a writing program etc)
I'm gonna cheat here, I couldn't write without a music player, silence is like kryptonite for my flow. I will say, I switched to Obsidian, and it's really helped my focus, since I was using Google Docs before that and the urge to click off to another piece of internet was always high. ... that still happens when I'm doing research, though...
8. A piece of worldbuilding that you like in your own story? (It could be the magic system, a particular place in the story, a law etc)
This is such a silly, inconsequential detail, but idk I love it
...There was a boy playing NavBall with another friend of his, pinching his fingers together over the display of his NavWrist and letting the projected ball fly as if out of a catapult, disappearing outside the radius of his unit to land in a projected target on his friend’s.
9. What piece of advice would you say to encourage others to write if they are having a rough patch?
The bad feelings always go away. Whether it's a battle with impostor syndrome you feel like you can't win, or a fear that your writing will never be noticed, nevermind hated, or a block you can't seem to escape from, it all goes away if you give it time. If you give up, if you ball up that paper or delete that file in an impassioned moment of despair, you don't get that time back. You don't stop caring about it. So take a breath, have a snack, take a walk, grab a shower, and let the bad feelings see themselves out. And then, keep trying 💜
Tagging some new folks I've gotten to know at the writblr-cafe! @the-down-upside-finch @hippiewrites @lexiklecksi, and anyone else who wants to participate, feel free to use this!
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tinycowboyart · 5 months ago
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ooooh, I love Doc's new references!!! If you don't mind me asking, can I ask about his curse? I'm sorry if you've talked about it before, but I'm very curious. I fucking LOVE cursed characters, and they're SO MUCH FUN to play with, especially if you have a good DM (especially especially if you have a good DM who likes to "yes, and..." your crazy ideas, akjdsakdas.).
One of my current dnd characters is also cursed, and it's a lot of fun, especially because he's determined to hide it and pretend that he's fine for as long as he physically possibly can, and then keep lying to cover it up. (My boy is a swashbuckler with expertise in both persuasion and deception, and also happens to be more or less a compulsive liar.)
(Oh, speaking of swashbucklers, that one pirate NPC you drew and posted a while back? He is GORGEOUS. I'm about as (aesthetically) in love with him as an aroace person can be. Though I won't deny the fact that he's a pirate makes it even better...)
I’M SO HAPPY YOU ASKED, I’m always down to info dump about my characters!!!!
So Doc was born into a well know adventuring family, whose bloodline were blessed by the gods and divine, leading to everyone having innate magic of some kind, except when he was born, he didn’t get any. All throughout his childhood, he tried to learn magic in a lot of different ways, but to no avail. The lack of magic also led to him being sort of the disappointment child of the family.
Later in Docs life, a few years back from where we’re at in the campaign, he got pretty desperate and conducted an ancient and mysterious ritual, in a last ditch effort to gain any type of magic. The ritual backfired and he gained his curse! At least thats his conclusion, he thinks it’s either a curse of a magical disease of some kind.
Currently Doc absolutely despises magic, he doesn’t want anything cast on him, and he’s always saying whatever magic can do, he can do better with machinery and science. (He knows this isn’t true, but he’s stubborn and arrogant, and refuses to accept it)
Anyways the curse was only up to his wrist when the campaign started, he kept it well hidden from his party members
But then we went into “the nothing”. To understand what that is I have to explain the campaign setting, so; basically, around 500 years ago, a rift opened where the sun was, blocking it out. Then a darkness started pouring out of the rift. This darkness is filled with unimaginable horrors, and few survive going in there, the ones that do come back changed. (They are called the ashfallen, one of our party member, Il, is one)
This darkness, later dubbed the nothing, started expanding, and has been consuming the world slowly over centuries. Currently there’s only one continent left, called Ethnass, a newly discovered, wildly magical land thats now a culture clash filled with conflict
ANYWAYS, long story short, at the ripe level of 2, we went into the nothing. It was wild (and a long story, if anyones interested I’ll talk more about it)
When we eventually got out of the nothing, freshly traumatised, Doc’s curse had grown all the way up to under his shoulder. And when he tried to inspect or look at it, he got a deep feeling of dread and discomfort, like the hand wasn’t his own. So he’s covered it up for now, trying to find a way to get rid of it
Last session we actually met an NPC with the same looking curse, and Doc got to ask him a few questions (it was rushed, he’s going to ask more questions next session). He figured out the curse is called void decay, and it shows up when people find out too much, or get too close magically to the nothing, so I now know it’s connected to the nothing!
Anyways our DM is AMAZING, and such a good storyteller. I’m his biggest fan fr. The way he worldbuilds and drags our characters into the world is absolutely amazing, he really makes out characters connected to the world! We’ve played about 11 sessions so far and I’m so attached to the world and characters
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attourney-at-lycan · 2 years ago
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You have mentioned before your idea that the Divine Warriors may have destroyed or taken the place of the previous "gods" before them, which is an interesting idea because it sounds a lot like what happens in Theogony, a.k.a. the Greek creation myth (the channel Overly Sarcastic Productions has a nice short video on the subject). 
Basically, the myth is a never-ending cycle of powerful entities being usurped by their children due to the previous generations' transgressions (the titan Kronos overthrew his primordial father Ouranos for locking his more "monstrous" children away, then Zues, with the eventual help of the other Greek gods, would go on to overthrow Kronos himself due to the mistreatment of his own children in an attempt to keep himself in power after learning one of his children would also overthrow him, Zeus gets almost the exact same prophecy that Kronos got and tries to prevent it by absorbing his first wife so she doesn’t bear that supposed son, etc.)
The Greeks would also tend to base their pantheon around concepts they deemed important during that time period, and although the Divine Warriors were given admittedly vague titles, it's safe to say that they are supposed to represent... something. And, to be honest, I'm fine with these titles (aside from the fact that they were apparently lifted from Final Fantasy, like so much of Jess' world building); the only real issue is that the titles never stop being vague. For example, if Shad is given the title "Destroyer," this would be fine if we were told more clearly what it's supposed to mean because "Destroyer" could mean and represent so many things. He’s clearly represented by some kind of underworld? (Seriously, though, what even is the Nether? It can’t be an afterlife or purgatory of any kind because Irene created the dimension), and his shadow knights can be very destructive, but he was given the title of destroyer before all of that. An idea could be that he was supposed to be a kind of war god. He came from the era of monarchs, so it could make sense that kingdoms would find it important to gain the favor of someone strong enough to sway one of these violent conflicts in their favor. Maybe that is one of the reasons he and Irene fell apart. Irene is a natural healer; it would only make sense that despite her feelings, she would grow to detest a being whose existence brings about conflict.
Also, from a narrative and worldbuilding standpoint, viewing the Divine Warriors as these temperamental beings that represent the worst and best of humanity, such as with the Greek pantheon, would make a lot more sense than viewing them as perfect beings that we should strive to imitate, as Christianity does with the Holy Trinity. Because we are shown throughout MC: Diaries and most of the Aphmau cinematic universe that the Warriors (particularly Irene) were very flawed individuals who would act on their own personal desires even if it meant endangering innocent parties. The cruel actions of the Divine Warriors can be obvious, like Irene murdering her daughter in order to create her relic, or in a more subtle way, like with how they left the world. The whole "Lord system," as you have pointed out before yourself, is a very flawed form of government and doesn’t in any way stop the rise of a monarchy (as shown in the series with O'khasis).
dude… i just woke up.
anyway i took a minute to read all of this and how far did u go to find out all my lore ideas/complaints???
but the idea of theogony placed in the setting of mcd is such a fucking smart idea because it’s almost as if you’re just seeing it happen in real time while the story is going on. you can just see history basically repeat itself with the possibility of aphmau, garroth, laurance, katelyn etc etc being ones next up to claim the role of being the next pantheon (??? i took intro to religion but we didnt touch up on polytheism much wkfsbawh)
even if they dont become gods, with the way that they save the world multiple times and how famous they are, you’d think they’d be seen as some sort of godly beings or next gen divine warriors by people who just watched on the sidelines
for me, i feel like the names of the titles make sense mostly because there are only a handful of them- keep them vague for a way to generalize their reach on concepts? however what DOES bother me is that why is there no origin story for the world that they live in. what is the reason the people of mcd live for? do theh believe in an afterlife? do they have a reason why the sun exists or why they exist? where they come from? because irene and the divine warriors cannot be the reason they exist if they had people living before they popped up-
ALSO YES I LOVE THE CONCEPT OF FLAWED GODLY BEINGS!!!!! it makes sense especially for them because they’re not even gods technically, yes they were the most powerful being at the time, but that’s because they had the relics, even irene used to be a human before she got her relic, or so wiki says. (which SUCKS BC WHERE DO THE RELICS COME FROM???) therefore they’re just as flawed as humans, have just as much desire as humans but much more dangerous because they can do so much damage, exhibit a, shad’s heartbreak for irene
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aroace-poly-show · 2 years ago
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follow up to my last oc rant: im gonna cover weiss and jex here since im brain rotting about them again sigh
also i tried my best with the sort of worldbuilding dont come for me if its not great this was for fun
jex’s illness specifically was inspired by this fictional disease thing i saw on pinterest and im so sad bc i didnt save it so i cant link it FUCK anyway specifically it was heavily inspired by the ink cough one. essentially jex’s body pretty much starts to slowly fail on them. throughout the life of one affected by this, they’ll slowly become weaker and weaker, getting sick much more easily (and those sicknesses tend to affect them much worse), having more and more violent coughing fits, being unable to heal very quickly/properly/more prone to infections, and blood from any injuries gets darker overtime, eventually becoming black. a lot of people often become eventually paralyzed. nearly everyone who has it has their expected lifespan cut incredibly short. those rare people that live longer spend their last days pretty much suffering. (no one really knows what causes it, theres rumors that it was a curse from an old dead god, placed upon the world in their final breath.. 👀 hehe)
stress tends to trigger jex’s cough but its not ink its like blackened blood. while they do tend to cough occasionally just in general, stressful situations will trigger a really really bad coughing fit, its worse depending how distressing it is to jex.
oh, and i forgot to mention!! weiss also has a sort of condition!! basically whenever they have an injury that draws blood, flowers will bloom from them. these flowers often help the wound to heal faster than if they weren’t there!! weiss was always fascinated by this, and (!!!possible tw: sh!!!) !!!sometimes would get hurt on purpose to draw blood and see the flowers bloom. its pretty cool having basically blood flowers that help you heal faster...until its like an internal injury then theyre an absolutely fucking pain in the ass to deal with.
so, weiss and jex were childhood best friends. they’ve been best friends foreverrr (and now romantic partners <3) since the one time jex fell out of a tree like a foot away from where weiss was messing with mechanical stuff. how fun!! jex had pretty much hopped out the window of their house after their caretaker left their room for like 2 seconds to grab their tea (which they absolutely fucking despise). before weiss can even say anything jex is just like “OOOOO WHATS THAT OMG” and just. fucking grabs the lil mechanical thing weiss was messing with.
weiss got pissed off at first bc “hey who are you why are you touching my stuff??” but then was overjoyed at the opportunity to infodump about her machines and stuff. boom now theyre besties. weiss used to help jex sneak out all the time. jex absolutely loved weiss for this, she was helping them live their childhood and god they’d do anything for her already.
weiss learned why jex had to stay inside all the time but it never really hit her until she actually witnessed one of their coughing fits. jex’s parents flipped the fuck out and weiss saw the amount of panic from them. jex had always played it off as it not being a big deal but seeing them struggle to just fucking breathe really shook weiss. the next time weiss saw them she made a promise that she’d find a way to help her, no matter what.
jex just kind of went along with that promise not thinking it was gonna be a serious thing, but weiss took that promise very seriously. she started focusing less on her interest in mechanical things and focused entirely on studying to help jex out. unfortunately…it resulted in them starting to drifting apart. jex was kept at home more especially since there wasn’t anyone to help them sneak out. eventually weiss hears about this group working towards learning more about their world, pretty much just scientists. she hears about one of their goals to help heal those illness that keep taking lives and she immediately fucking joins. goddamn shes excited!!! she can finally help her best friends!!! if only she read the fine print…sigh
so the group she joins, fucking sucks. very unethical experiments and projects but uh oh!! it seems theyre working with the shitty corrupt people that have wayyy too much power for anyone to do anything major about. so uh oh!!! no one’s coming to sue their asses!!! how sad for these (non)human lab rats :(
weiss had no idea about it at the beginning until shes offered a higher position in an important project, and she takes it bc she was told theyre working on the exact illness that jex has!! so of course shes gonna take that opportunity!! but unfortunately shes gonna be even busier, and jex wasnt happy about it. they already barely get to se weiss, and now they might not see them at all? theyre kind of hurt, and feel like shes treating them the same as their parents did. not letting them live the life they do have, just focusing on trying to extend it. it results in an argument between them, with weiss storming out. weiss didnt really get it, why would jex be upset??? shes trying to save them??? the fuck is their problem??? but she brushes it off and goes to start her new project, yay...
shes totally having a great time until she finds out just how far theyre willing to go “for research” (theyre really just pretentious fucking assholes who are basically torturing people and using “but science!!!” as an excuse). girl witnesses them recruiting fucking CHILDREN for these experiments and nopes the fuck out. and steals a child in the process. oopsies!! (she returned that kid to their parents and told them to get the fuck outta here) unfortunately!! they dont take kindly to people who know too much leaving their little group!! especially ones that also steal their lab rats!! uh oh!!
so weiss goes to see jex in the middle of the night, scares the everloving shit out of them, scares them EVEN MORE after she explains her situation, and they make up really quick and go on the run together!! how sweet!! (they make up properly later, weiss said sorry like a million times <3)
nowadays they travel around under new identities (their current names are the new identities btw i just refer to them in the past with the same name for simplicity [*cough* i didnt come up with previous names.. *cough*]). they visit bars and jex often does little perfomances and magic tricks there! if anyone's up to it, jex'll have a little spar with someone as well. they get by asking for tips for their performances. they often move from town to town, but they're fairly happy together <3 weiss is still looking around for any leads on possible solutions to jex's condition though, its how she got to know dorian. they crossed paths once and dorian was more than happy to help with her goal!! jex is here mostly to just enjoy themselves with their beloved. <3
notes:
jex fucking LOVES spicy food. doesn't matter how spicy it is, doesn't care how much they always end up coughing afterward, they will eat any kind of spicy food they'll see at any restaurant. (weiss has to beg them not to eat too much otherwise they'll be coughing for hours)
i think about them alot to "if i could ride a bike" - park bird/chevy , specifically in a modern setting. i love them dearly
i ended up writing...way more.. than i thought i had oh my god?? pls i originally did them first bc i thought they had a lot less but..jesus fucking christ man;;
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dnrue · 3 months ago
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Trigger warning for scary stuff. (Trauma, horror, murdering robots, random anecdotes) Also this is a long rant.
I have a love-hate relationship with the horror genre.
Cause on one hand, I love Invader Zim, Coraline, and 9. I guess those fall more under psycological horror?
But the moody colors, plot, character dynamics, and clear thought put into worldbuilding is so cool. I read a book with (pretty sure this is the wrong word) but melancholy theming with stars and purple tears and roses and I thought it was neat. If my obsession with my little pony and cute characters didn’t win over i’d probably be goth (is that the right grammar? Anyway)
On the other hand. I was traumatized as a kid from FNAF. I still can’t stand it today. I hate those roblox horror games. I hate that scps, creepypastas, and other scary stuff typically has no warning and is advertised to children. Just the concept of a monster with no morality or soul that will mercilessly hunt you down and kill you and there’s nothing you can do to stop it.
And i can perfectly understand that a lot of people like that stuff! It’s fun to come up with stories, and I myself have tried to do horror characters (i’m not very good at it and i stopped cause it makes me remember all of the above). But it still bothers me. Years later. Like years ago I accidentally clicked on quite a few youtube videos, not really knowing the extent of how horrifying it really is, with no clarification if it’s even real, cause sometimes its hard to tell. And i still get this today! I like listening to iceberg videos because of the facts and for background noise, when all of a sudden at the bottom there’s a fact about dead puppies or something and im like .. what?? And then i think about it for weeks and I have no rest- And the horror stuff can very easily change the way you think about things and it takes you years to realize. I thought I was going to be eaten alive when I was asleep when I was loosely EIGHT. I developed a weird thing with eye contact cause I hated when my dolls were looking at me. I probably had a couple extra years of playing ahead of me that got cut short because I was scared. I went out of my way to design a line of dolls that had blindfolds. I still have the concept in my digital art folder somewhere. Every once in a while I have a weird thought or strong aversion to something random that later I realise stemmed from the whole thing. Half the time I don’t even like to bring it up and I just mention it vaguely. (It’s hard cause my bff’s little brother keeps trying to show us videos of whatever bloody monster is recommended to him) (ive been trying not to overstep but it feels like i have an oppurtunity to save baby me from the same fate when i know its not like that at all.)
And another facet to the whole thing is that I have an interest in robotics.. like I still flinch when the halloween robots at sam’s make eye contact with me. Yet I love ye olde robot entertainment restaurants for the characters and electronics and engineering, and even down to the vibe of the red curtains. How is it even possible to love something that scares you to your core?? I think i’m mostly over that part but I still wonder about it. Also the Rockafire Explosion is great and I have a headcanon that Mitzi broke the rear axle of her boyfriend’s car. Mini’s line delivery in the version of the song adds to the headcanon that she’s innocent but Mitzi is just like that (tm)
Experimentally I made a game exploring the concept of robot mascots in disrepair that DONT want to kill you but are a hazard because they’ve been abandoned. And this was in coding class in high school, where we used Alice for some reason. Anyway the game wasn’t very good but I failed in my point because litterally the five other people in the class were teasing me that it was fnaf when that was not the point.
(One person really liked my game though, and he came up with speedrunning categories like Void% [there was a fog effect] and CatsHead% because there was a glitch where if you stood behind the cat character at the right angle, the head deforms in a way that isnt possible using just code [the game engine was Alice, ther version we used was the 2004 one lol] and it crashes the game. It was kind of funny and I kept crashing the game cause I was having a hard time with the whole thing (exposure therapy I guess?) and it was the only thing that stopped my fingers from going cold. Anyway it was really cool that he liked my game even though it was glitchy and half finished)
So um I rambled a lot but my point is that the brain is a weird thing and people should not advertise horror to children. Also please be kind and give proper trigger warnings please, other than (This is scary! If youre a wimp turn back now!). Also i proofread this like ten times but im worried something bad will happen? Why brain do that?? Is this an ominous warning or because i just dont like talking about this stuff??
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guaxinimraccoon · 4 years ago
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How did Toby and Brad meet? ;-; I need so much more of them in my life💕❤️
Oh dear I shall apologize to you because you asked me a question that I would never be able to answer in a short way. So I’ll suggest you to prepare yourself for a long and extremely detailed, totally unintended and unnecessary presentation of how these two idiots met.
Truth be told: Tobias and Brad are two characters who were inspired by a short story from a g/t blog (some of you might know it, the name was big-fluffy-dragon). The blog is currently disabled, but it used to be my favorite from the g/t tumblr community and the blog's creator always posted magnificent g/t stories. One of them was called “An Impish Adventure” that gave rise to the current Tobias and Brad and to my own story that I happily call “Euphoria”. The way they met is an extremely important part of it and it also involves some aspects of Euphoria’s worldbuilding.
Anyway, after this little context, let's jump to the facts.
I don't think I've ever specified this before, but Toby's race is imp (Elisa and Siri are also imps). In Euphoria, imps are small magical humanoid creatures, some live as borrowers, others live in forests as nomads and some live in complex and developed social communities, isolated in forests. Tobias is an imp who used to live in one of these (its residents call it “The Colony”) and he was subject to the rules and laws of that place, buuuut since he is also a small marginal vagabond, these rules were never truly respected by him.
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In one beautiful and glorious day, Tobias committed the crime that was the last straw for the authorities of the Colony: he was responsible for the theft of one of the most precious and sacred books of magic of his community and tried to keep it under his possession in secret of it’s caretakers. Eventually, the investigations led to him and the punishment was certain and merciless: Tobias was sentenced to “death by human”, the most feared method of death penalty among the population. Siri, although a member of the Colony’s royal family and a childhood friend of Tobias, was unable to intervene in his sentence and could only watch her friend's horrible destination.
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This method basically consists in removing all the magical abilities of the condemned and teleporting them to the middle of a human house, without any resource that could possibly help them to survive. The expected effect is that the convict appears in a place in the house where they can be easily seen, found and have their fate decided by the human who lives there. As the Colony’s community has the worst possible idea of ​​how a human being would act in this situation, this is one of the most cruel methods of punishment and is hardly applied, but let's say Tobias was lucky.
Once his magic was withdrawn, Tobias was teleported to the house of… guess what.
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Obviously Brad would never kill anyone, so the method devised by the Colony authorities did not go as planned. After a first dramatic and chaotic meeting, Brad offered Tobias to stay in his house, since he had nowhere else to go and would hardly be a good borrower, since he had lived all his life in the Colony. Hesitantly, Tobias accepted the proposal and the rest of this story are several complicated situations of adaptation between them, but that gradually generated more and more confidence until they became this pair of idiots that you know.
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Euphoria is not just about how they met and I hope to have more opportunities to talk more about this story and develop it in some way. For now, Brad and Tobias play their role only in this garbage can that is my silly blog.
Again, sorry for the extremely long answer, but I hope I have answered your question!
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thevictorianghost · 4 years ago
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If you could rewrite legend of korra and make it your own(or just in general better) how would you do it? The villains would stay the same and korra and crew are the same(personalities you can definitely tweak a bit. I would definitely not have any love triangles and make korra and asami happen in the beginning) how would you do it with your ships being canon as well?
Okay so I’ve never actually watched LOK. I’ve heard A LOT about it through watching countless video essays on Youtube and reading Tumblr posts about it. I know the who, the what and the how, I just haven’t wanted to watch it because, even though it looks cinematically gorgeous, the story was written by Bry/ke and there’s a LOT of it, worldbuilding and storywise, that I just can’t bare to watch.
So here goes. This got long. Enjoy!
1) Remove the Decopunk world. 
A Decopunk world is a world where technology is 1920s-ish, but very advanced. We have cars, tanks, radio, bobs and faux bobs, cloche hats, short skirts, nice suits, etc. I adore Decopunk. The 1920s are one of my favourite eras. An optimistic way of looking at the world, partying, illegal alcohol, the remnants of the Great War... I love it. I really do. But it doesn’t work in the pre-established world of Avatar. It brings elements that are far too imperialistic and colonial in nature (which prompted the comics to be imperialistic and colonial in nature, with the Northern and Southern Water Tribe, you can find many posts about that), which came along hand in hand with the Industrial Revolution, as this article puts it so well. Please read it, it’s awesome.
Why did they feel they had to denature Avatar’s world? They already had everything they could possibly want. 
The Fire Nation could be more Steampunk, which is a little less advanced than Decopunk (First Industrial Revolution vs Second Industrial Revolution) because there were elements of Steampunk in the Fire Nation Army (such as the tanks, the navy and the dirigibles). But it could be for them only. It could show us how Zuko transformed the Fire Nation from a war industry to a steam-powered country. This could be the new way to channel firebending (and please, no more “anyone can do lightning bending”, you don’t need lightning bending to get electricity and it makes  Zuko, Iroh, Ozai and Azula weak in the show!). 
We’ve seen waterbending used in clever ways in the Northern Water Tribe. How could Katara’s waterbending and Sokka’s engineering influence the Southern Water Tribe to make them use waterbending more? Canals, waterfalls, waterways, etc.? In new and different ways? Could the Southern Water Tribe use hydroelectricity, but in a clean, sustainable way? Why does the Southern Water Tribe port look so... mundane? 
The Earth Kingdom already had a working train system in Ba Sing Se. And the postal system in Omashu. Toph could have taught earthbenders how to follow the Badgermoles way and dug tunnels throughout a nation in peace. Then boom. Subways. But instead of machines pushing the people along, you can have benders do it. Instead of messenger hawks, the postal system could run through the entire kingdom instead of just Omashu and be much more efficient. The Earth Kingdom could be praised for its fast postal system that could, maybe, work as telegrams.
I’ll come back to the Air Nomads.
Those are just examples from the top of my head. I don’t mean “never allow technology to “””progress””” (I use that word veeeeery loosely because it has huge imperialistic undertones). I mean instead of trashing the fun parts of bending to make way for Decopunk technology that doesn’t need bending, work with it! Get creative! This worldbuilding feels... too easy. When Avatar: The Last Airbender was praised for its worldbuilding.
I adore Decopunk. I enjoy it far more than Dieselpunk and it’s much less known that Steampunk. But it has no place in the Avatar world.
2) That doesn’t mean “remove Republic City”.
First of all, it should honestly have a better name. It’s kind of like naming a city “Democracy City”. Which is way too on the nose. Harmony City sounds better, and that’s the first thing that came to mind. Anyway.
I really like the idea of a city being built in the spirit of Iroh and the White Lotus. To allow the Four Nations to live together in harmony in one city. But why is Republic City literally New York City with an “““Asian””” flair? What is up with that? I know New York is the MOST Decopunk city ever (you can’t encounter anything Decopunk without seeing New York, with its Art Deco buildings, the Harlem Renaissance, the Prohibition, etc.). But they do NOTHING with it! They just take New York, change some names, add some Asian flair, and call it a day. 
I don’t want 1920s New York for Republic City. I want Zootopia.
What happens in a city where all the Four Nations are represented? How does Water, Earth, Fire and Air work together? Big cities tend to be quartered in neighborhoods, so each neighborhood could be a smaller version of their nation. We could have a Northern Water Tribe next to an Earth Kingdom next to... you know what I mean? Each neighborhood could be a small-scale introduction to the nation for Korra first, then you can send her to that nation afterwards!
Which leads us to this.
3) Have Korra follow a traditional Avatar’s journey. 
I really don’t know why they decided that Korra would learn three elements before the age of sixteen (when that’s the age Avatars usually START their journeys) and then only have her learn Airbending during the entire show. Wasn’t the structure of each Book being about Aang learning one element at a time a good structure? Why go out of their way to NOT do that? Why was it the White Lotus’ prerogative to train the Avatar in the first place, too?  
So let’s have Korra know waterbending first (and show Katara teaching her, please!), then she can learn Earth, Fire and Air. By going to the Earth Kingdom, to the Fire Nation, and to the Air Temples. This could help develop each nation and show us how they have grown through the years. And it could lead Korra and the audience to figure out that there’s not only Aang who has had children to represent the Air Nomads, but there were other Air Nomads who survived the genocide and we can actually see the Air Nomads as a thriving culture.
So about Republic City. As I said, we could keep it. But now that Korra is going on a traditional Avatar journey, you could have, say, one episode at the beginning and one episode at the end of each season taking place in Republic City. To show us how each Nation’s neighborhood works and as an introduction to Korra before she actually takes the plunge to travel to that nation. 
Please! Build upon the Avatar world at large more! Come on!
4) Stop it with the love triangles. 
Many have talked about the Mako, Korra, Bolin and Asami love triangles. I’ve read once that they don’t exactly feel like friends, they’re only colleagues who share the fact they all dated Korra at one point. Which is sad. Knowing that the Gaang is so beloved because they’re such GOOD FRIENDS first!
So work to build strong, healthy friendships first, THEN start thinking about romance if you have to. And please, if you want a ship to be endgame, don’t have it so you have to confirm it on Twitter. 
Don’t.
Oh! And also. Bolin and Eska’s relationship was unhealthy as all hell and treated as “funny” and “comic relief” because a woman was being emotionally abusive to a man. That’s terrible. Please don’t do that.
5) Don’t let Katara fall to the side like she did. 
Many, MANY before me have talked about how Katara got the short end of the stick in LOK. Where’s her statue? Where’s her recognition as the Greatest Waterbender in the World? Why is she day in and day out in the healing hut, when she said “I don’t want to heal, I want to FIGHT”? Does she even have a waterbending school? Or is that completely fanon? Why does she allow Aang to take one of their children on life-changing field trips while leaving their other kids behind? Aren’t they also Air Nomads by birth??
It’s okay to worship the old Gaang because, well, we all love them! I do love Aang, even if I give him a hard time a lot, but I love the character. I just don’t like the way Book 3 Aang was written. But some characters shouldn’t have everything while others have nothing. Aang is LITERALLY THE STATUE OF LIBERTY. But where was Katara’s statue? And also, what happened to Suki?? What happened to Mai or Ty Lee, too?? Or even Sokka?? He died some time ago and... that’s it??
Which brings us to this.
6) Zutara, Taang, Sukka and Mailee.
I’ve seen that picture of Toph, Aang, Sokka and Katara being edited with Zuko and Katara next to each other, Toph and Aang next to each other, and a (suddenly alive!) Suki next to Sokka. I think that’s so good! It feels so healthy!
Not all relationships that started when people were kids work out. Sokka and Suki seem the strongest relationship at the end of the show and they’re probably the only ones I could see working out in the end. Sokka could become the Southern Water Tribe Chief and Suki could become his Queen when she’s retired from the Kyoshi Warriors.
Katara and Aang would be lifelong friends, of course they would be, but I don’t really see them lasting. Aang was twelve when they started dating. They’d date a few years, then they’d decide they want other things. That’s a good thing to show kids!
I’ve written many metas about Zutara, but Ambassador then Fire Lady Katara would show a changing world, where the Fire Nation, now no longer a war industry but a Steampunk country, is moving forward, with Zuko literally marrying a woman the Fire Nation tried to wipe out. They would be equals and leave an equal mark upon the world. Together.
Toph and Aang would be amazing together. They’d be a great team, working in the Earth Kindom, helping rebuild the old Temples when the Air Nomads came out of hiding, and bringing peace around the world. I don’t think they’d be a conventional relationship. They’d do their own thing for a while, find each other for a while, work together on some projects, then continue doing their own thing. Aang being the Avatar who travels the world and Toph teaching metalbenders and working with the King in Ba Sing Se and Bumi in Omashu and wherever she’s needed. I think Toph would be much more fulfilled than what we’ve seen of elderly Katara. She doesn’t have Katara’s abandonment issues (I’ve talked about them here) and she’s more independent, I believe.
I know I haven’t talked about them much yet, but I want Mai and Ty Lee together in the end. Badass ladies challenging their respective stereotypes and create a new world for themselves. Mai could find herself away from the Fire Nation court (I don’t know what she’d do, but circuses love people who throw knives, don’t they? She could be a circus performer for a while), and I think Ty Lee, in this version, could work at the circus and with Aang to rebuild the Air Nomads. I love the idea of Ty Lee being a descendant of the Air Nomads.
All of them should be shown creating Zootopia-like Republic City. Because of course they should be! They’re the Gaang!
So yeah, that’s how I would see the world of Avatar grow beyond the borders of the original show! :)
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popculturebuffet · 4 years ago
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The Owl House: Enchanting Grom Fright: Happy Valentine’s Gays
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Happy Valentine’s Day owl ladies, gentleman and non-binary folks! It’s time to finish off this holiday in proper style with a LONG overdue review of enchanting Grom Fright and even longer overdue coverage of the Owl House.  The Owl House was one of the best debuts of last year if not THE best, only in contention because Close Enough also started last year and looks to surpass regular show in terms of quality. But with stunning animation, tons of representation, and colossal worldbuilding. And given how i’m on record for thinking Star Vs went so far down the tubes they bumped into where Cthulu is sleeping, it’s nice to have another magic based show that seems to be on the right track: carefully building i’ts world, supporting cast and for today’s topic main romance. It also rather than just obliquely hint one character was bi and the other pan, actually goes out of it’s way to have a bisexual protaginst with a gay love intrest. As my good friend @jess-the-vampire has brought up quite a bit, star had plnety of options. .but no willingness to actually campaign for any queer rep, the way Gravity Falls head Alex Hirsch tried to, he still gets credit for trying, and Owl House creator Dana Terrace gets full credit for. 
Terrace got her start working on Gravity Falls in line production before working her way up to directing for ducktales, being instrumental in how Webby was animated and how she moves and acts, and being the director for several classic season one episodes including “Woo-Hoo!”, “The Spear of Selene” , “Day of the Only Child!” which was one of my faviorites from season 1 and “The Beagle Birthday Massacre!”. And while I can’t 100% confirm she’s the only part responsible for starting Weblena, given she was director on an episode where a lot of the romantic subtext was in the visuals, she certainly helped so thank you Dana. Thank you a lot. Their adorable. Point is she’s a talented lady and wasn’t satisfied with directing, so she pitched her own show, combining tons of ides and stuff including of all things, Pokemon Red. I checked the article wikipedia had sourced, it was one of her happy childhood memories as it was one of the last things her dad gave her. Awwwwwww. That’s as sweet as it is painful. She’s also currently dating Alex Hirsch, something I was entirely unaware of but find also adorable. Point is i’m glad I looked into her as she’s a very nice person, and very much my kind of weirdo and i’m happy for her sucess and her singuarly weird show that sprung from that sucess. 
Now that part of it’s out of the way the episode itself was an uphill battle as you’d expect. As anyone familiar with this blog is aware, but just in case your new, you tend to hear me bitching about Disney’s handling of queer represntation a LOT
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For the most part Disney’s pretty bad at it: There was the string of “FIRST GAY CHARACTER IN AN X” they had going for a while.. that consisted of a character I dind’t realize was gay, a kiss I didn’t see, and a talk with a character who I honestly wouldn’t of been looking for had disney not patted themselves on the back with some giant sized hands because htey saved some pym particles for that occasion. Ducktales was unable to have Penumbra come out as gay more clearly because I don’t know Ducks can’t be day.. but they can be IMPLIED to be gay or pansexual as hard as the crew possibly can so they win anyway. Pixar was able to have a gay lead character for one of it’s sparks shorts out and even focused on him coming out of the closet and it’s very good and something I WILL give Pixar credit for... but not Disney Plus who go out of their way to not mention the lead being gay.. despite the fact the short opens with a gay space cat riding a gay space dog out of a rainbow and then it being revaled our lead is in a relationship not long into the short. My point is the idiots who won’t watch this for having gay characters are just going to turn it off, who cares what they think, why are you like this Disney. They need to do better, and be better and i’m getting tired of this shit.
That being said... this episode is a step in the right directoin as despite having to get past one obstructive asshole, not her words but damn if it isn’t the truth, as the rest of hte execs were fine with having a gay character, Terrace fought hard for it and WON, having a clearly gay character, and a clear road to a gay romace as the lead one, all because she wanted some representation in her works. So to honor this, I present this review in honor of love, effort and saying screw you to not having represntation because money. Join me under the cut and allt hat. 
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We open in the owl house, in the owl house, duck dodge push and shove, it’s how we show our love in the.. you get the point. Luz is learning yet another Rune, this time plant runes.. and already something I love about the series pops up: the fact Luz’s rise in skill is gradual but noticable. Each spell noticably improves in potency with time,  going from simple lights to shaping them into simple constructs, and learning to control or time her spells and glpyhs so they launch she she says so, with each one getting more powerful the more she learns. And on top of that osmething I just noticed on rewatch of this episode is her tecnique in finding them evolved, something I dind’t notice the first time because I hadn’t fully caught up and checked this one out to see if Disney would actually let them go through with it.. and they did. Point is her first spell is found by accident, her second by realizing how her magic works fundemntally, both require skilled deduction and on the fly thinking and casting, so she’s already pretty skilled.. but now sh’es ACTIVELY seeking out a new spell here for the first time. She knows how she gets them, she knows each school is tied to a form, and she likely got the plant from williow since that’s her thing and she’s a saint. A demon but also a saint. They can have those too. It’s what I assume relicor is. 
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I miss that goblin demon bat man. Point is it shows an evolution in Luz’s thinking: while it’s a subtle thing she took a more proactive approach this time even if it took a lot of practice.. and it pay soff as by the time of her next rune, while it’s once again sorta handed to her she has less time to learn it, almost none, and finds it singed onto a ball.. and learns it effortlessly to the point where by the next episode it’s a crucial plot point. IT’s subtle but clever character progression, and stuff I really enjoy, showing our hero going from a bit inept but not helpless or incomptient.. to a force to be reckconed with and far more clever and strategic than yo’ud expect given her sometimes reckless and almost always happy go lucky attitude. 
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Luz worries teaching King about the internet was a bad idea because he gets excited about a literal cat fight which .. yeah... it was a bad idea but not because of that.. but because next he finds someone saying the earth is flat and she wisely yanks it away. It’s.. very sad that the absolutley maddening and easily debunked flat earth theory is still RELATIVLEY more sane than the stuff we’ve had pop up during the trump era and the cornoavirus pandemic. 
But one of the main conlficts of the episode pops up as Luz’s mom messages her and Luz can’t bring herself to tell her anything and just sends a thumbs up.  I do think this episode helps even things from the pilot a bit as it was a bit lopsided: While I got that Camillia was genuinely struggling with how to deal with Luz, and was offered an out and had to take it... the fact she sees NO problem with the normalcy camp, which comes off intentioanlly or not a sa parallel to conversion camps or camps to make autistic kids “Normal”. And as someone whose both bisexual and autistic, I naturally relate to luz way more as someone whose intrests sometimes just don’t quite fit with everyone else, and who dosen’t get how bad some of their actions were.  THat’s why this episode feels like a necessary course correction: Luz is shown to genuinely love her mama and feel guilty.. but we see camilia genuinlely loves and supports her daughter a bit more. While it was clear from the pilot this shows it more, with her genuinely just wanting to know her daughter’s okay and checking up on her, and giving me the feeling that possible consequences or no if something bad WAS happening or she didn’t hear from her for a long time, she would’ve drove up there to get her. It feels like the writers realized the implications they accidently created and wanted to fix it, though I can’t say for certain. But if so good on you for course correcting, not every show does that. 
But King encourages her, telling her she’s doing the right thing by lying and to “trust the demon on your shoulder”. Keep this in mind for later, but that joke is great on it’s own. But soon i’ts time for school and Hooty.. barfs out Luz’s books for her. 
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I haven’t been this disturbed since.. (Looks at the clock) About 2 maybe three hours ago when I watched a man have, if apparently shorter than the oriiginal cut as I wanted to see everyone else’s reactions dammit, sex with hiis car which was possesed by the mad ghost of his dead wife. Because that’s the kind of stuff i’m into when i’m not reviewing stuff. And before that Tinky.. just everything about tinky. 
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I do not have enough time to get into TInky here or why he exestially horrifies me. Or why Jeff blim is a living god. I will save that for a proper review if I have the time tomorrow. Point is I saw a lot today and that still tops it. Willow and Gus are likewise grossed out and want to leave. 
Cut to school where Luz wonders what’s with all the decorations.. that remind me of this honestly
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And frankly given the whole state of the boiling isles it REALLY wouldn’t surprise me if the decorations were indeed well cooked faces. But i’ts Grom time, which means elaborate gromposals (Some Dude asks Skara out with a beating heart and an elaborate medical proposal.. which.. points for effort. And for using an actual heart. Couldn’t get one for mine. ), dancing and someone being chosen for Grom Queen. WHich Willow hints isn’t as nice as that sounds. Before we can get into that though Amity bumps into them and gets into a tizzy before meekly greeting “Luz.. and Co”. which.. not going to lie.. is my faviorite gag of the season. Just htw way she adds them and just the way Willow and Guz both smile widely at it as if to say “That’s us!”. Amity drops a note and snatches it back. This will be important later, you all know why, point is Amity becomes Grom Queen.. and is heavily depressed with Luz following her to find out why.  At the gym.. she does indeed ifnd out why: Turns out Grom is not some mutation of an earthname but is based around a horrifying entity lurking beneath the isles, Gromethious the Fear Bringer, who emerges from his slumber once a year and must be fought back and brings out his target’s greatest fears. Just like groundhog day only with less time loops and rodent abuse. Amity is scared of hers, and i’ll obviously get into this more later, and Luz simply suggests asking bump to opt out and Amity appricates the support. Awwww. 
Luz heads home and we find out Eda is chaperoning and King is mcing. Eda is also rocking a suit. Just damn girl, damn. But Luz considers taking her place.. and gets laughed at, with Eda assuming she’ll have to save her and King just being kind of a dick. I mean he’s a loveable thoroughly cuddly dick but he’s still a dick... just more like a stuffed plushie of one.  So basically exactly like Tinky. Look I mention him more than once in this review he dosen’t put me in the bastard box. It’s a great system.  Naturally this makes Luz more determined than ever to prove herself and she finds Amity in the night, with Amity having been unable to get out of it.. and Bumps a resonable guy, he just wants a substitute and no one wants the job.. except Luz who galdly volunteers and insists ntohing scares her before the giant spider on the back of her head proves otherwise. Because of course it does, spiders are fucking terrifying. Kill then all.. except the pokemon ones. Galvaltula are sweethearts. As are Ariadoses. Sweethearts who can elctorcute or poison you but still. 
So the next way Luz begins preparing.. and by that I mean it’s time for training. Sadly we don’t get an episode of Luz and Amity getting trapped in an 80′s fashion montage... I mean yes Rise of the TMNT also did that plot the same year, but we had two diffrent plots about someone getting trapped in an eldtrich sitcom and a THIRD this year, all entertaingly unique. Though we do get Luz pulling out an otter suit that’s adorable and she sadly still hasn’t worn yet. “This one says i’m an otter, with a dark side”. She also got thrown out of a school dance for.. wearing an otter suit. Okay the other things we saw in the pilot were understandable but htis is just.. baffling. Who cares what you wear to a dance as long as it isn’t horribly racist of nothing at all. 
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Damn you flanders and your glorious ass. Point is Amity shows up and threatens hooty’s life because.. he’s hooty. The fact he isn’t dead already is a testiment to how badass he is and how much money he’d cost Eda to replace. Owl Tubes don’t come out of a stygian hole in the unvierse every day you know. That’s only every three years. It’s basic styigan owl tube science. 
But Amity wants her to be ready and that she’ll have to face her greatest fear.. and cue hooty popping up, poking amity in the face and asking if she wants to know her greatest fear. Really he can clearly hear everything in the house given he heard that, so he heard the death threat he just chose to ignore it. That.. was a mistake. And by mistake I mean we get a hilarious cut to the outside of the house as Luz tries to stop her love intrest from murdering her second mom’s tube monster. The result is some bandages and an eyepatch. To be fair that last one was just flaring up from a  previous beating. 
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For this solem task of training, Amity has brought in her local disaster bisexuals.. aka her twin siblgins Eldric and Elmyra, whose greatest fears are dying alone and being stuck with Eldric. Both understandable. They conjur luz’s greatest fears which are.. some of the funniest shit I heard all year.. and also very relatable. Human souls in cat bodies, which is genuinely terrifying good job Luz, Jerks on the internet who mansplain things, relatable, and soy milk. 
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But Amity knows this is just the openign act. it needs to be something deeper.. so while Luz dosen’t realize it’s probably her mom issues she brings up her issues with her other mom: that Eda dosen’t think she can do this. Hence we get a giant eda putting Luz in a babychair. Before we can unpack how wrong that sentence sounded, Eda comes out, and marvels at how hot giant her is. But she’s quickly distracted from sex with a giant version of herself, which is not an easy feat, by the relization “Wait Luz is going to fight grom isn’t she.. fuck i’m going to have to save her”, though Luz holds firm on doing it to prove she’s fine and dosen’t need to be saved constantly. it’s a good conflict. Eda IS right that Luz is not ready for this alone, that she’s overcompensating and that Eda would, in normal circumstances be the one to rescue her. As we’ll see it’s not her who does it but still, were this any other foe she probably would be. But Luz’s motivations are equally understandable: She wants to help her friend not have to do this and she wants to prove she can do it. She just wants her mentor, the only person in her life up to meeting her that GNEUINELY supported her in magic to respect her. To have faith in her and actually see how far she’s come. And given how her own mother writes off her dreams, if not unrealistically, and before this she had no friends or support system to speak of outside her mom, it’s easy to see why this is so improtant to Luz: she just wants to make the one person in her life whose ever support her actually think it was worth it when in truth Eda already thinks it does and just dosen’t want her to die. 
She’s just not good with talking to her or not condescending to her as her own ego is stacked sky high, probably because the whole curse thing meant Eda was an outcast by default and the system wants to either chain her to one form of magic and one only or shackle her to them as a hired goon. Her ego, while justified, is also a defense mechanism: a way to shield herself from the fact almost no one cares about her and one of the few people who DOES, dosen’t care what she wants or needs. Once the curse happened she lost just about everything and had to rebuild and thus build up walls around herself and kept everyone else at arms length till Luz changed her for the better. It’s just a tragic clash of two wills both with similar problems but both unwilling to talk about them. 
But with time up, our heroes need to get to the diggity dance. So they indeed do and we get some fun sight gags, Willow makes corsages,  that one girl with the cresent head somehow ended up with Mathomule and is not happy, as anyone who ends up with him should. And it’s time for Luz to face her destiny.. in a tux with a tutu because of course, and Amity likes it because also of course. 
IT’s time to rumble, with King getting nervous due to eda’s prodding about mcing since his co-mc gus is really good at it, and introducing our champion.
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No wait sorry he’s still trapped in Mojoworld. no it’s still Luz who shows off a seasons worth of skill by easily dispatching the first few fears and saying to grom let’s finish it.. before grom puts a tentacle on her head. 
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It’s to downlaod her fear.. which is Camillia. Granted we could all see it coming but still Luz obviously can’t fight her own mother or her own overwhelming guilt.. her mom did hurt her.. but she gets why and just loves her and wants her to be proud but dosen’t know what to do: tell her the trutha nd possibly loose a happy and fufilling life or wait until it all blows up. It’s a painful choice. So luz and king end up running. King runs first because he can’t handle it and Gus talks him back into the groove while Luz runs away because she can’t fight her own mom, understandable, and Gus encourages king to lead the crowd which he does. Amity and Eda follow Luz. 
So Luz is backed down, facing down a monster tha’ts going to go on to everyone else next if she fails... and Eda prepares to interfere.. but it’s AMITY who faces her fear and dives in. And we find out just what her fear was as grom turns into a humanoid shape and rips the letter in half.. it was a grom invitation. Though conviently the who it’s adressed to was ripped out. 
And yeah not going to save this one: It’s Luz. You know it I know it I didn’t even hide it in the intro. Even before the reveal in a bit it was obvious. But it also makes perfect sense. I’ve avoided talking about her character arc up to this point because I was waiting for now. Amity’s growth is the third major arc of the season behind Luz’s slow learning of magic and eventually induction into hexside and eda’s curse, which I lump in with Lilith chasing her since both were mildly entertwined and then entirely are once the reveal hits in the finale. When we meet her she’s an outright bully.. but we slowly see there’s more there. That she’s not really HAPPY or content, is contstantly under pressure by her family name, is outright bullied by her own siblings who don’t understand her. So Luz coming in, seemingly only being intrested in magic because i’ts neat.. understandably bothers her. She’s not a great person, bullying her old best friend because tha’ts what’s expected and being close with outright bullies because of that.. but it’s through Luz she starts to grow, realizing Luz is genuinely nice and genuinely sorry for any trouble she caused Amity, and evne then both cases were causaed by Amity’s own dickishness and outside forces, so it’s easy to see why she defrosts faster. Her siblings realize they’ve genuinely hurt her, and actually try to be good siblings from then on and help her, and slowly Amity learns to truth luz, trust in her, and accept her... and thus accept her feelings for her. There are gradual hints she’s growing attracted to her.. but her walls had to come down first, and it wouldn’t of worked from the outset. The show cleverly has the two build a genuine friendship, two opposities who work well together, so when feelings do happen it feels natural. It’s not “I’m in love with this person because I have to because you can’t be friends with someone your attracted to” bullshit or anything like that, cough star vs cough, it’s just well built catching feelings. I’ts how this kind of thing SHOULD go: niether went in intending for this to happen.. it’s just happening. 
And Amity’s reluctance is painfully understandable, as Luz is the ONLY friend and support she has. Sure she and willow are patching things up, but WIllow would understandably choose luz over her and she’s terrified of loosing the one good thing in her life. Of course Luz would either say yes, and probably will some day, or let her down gently, she’s nice.. but it’s also understandable to be afraid that someone won’t take the reveal well. I’ve been there trust me, it’s easier when you let it out even if you get rejected, but I get it being hard to let out because you don’t want to loose a friend. I did not, and niether would she, but I can see why she wouldn’t want ot take the plunge. At least not yet. We’ll see this summer hopefully. 
But we do get a shiptastic, gorgeously aniamted scene of the two dancing an fightin gin perfect synch, combinging luz’s new use of plant magic with amity’s mastery of abominations resulting in the two utterly decimating grom, likely in part because with two fast moving targets he can’t get a lock on and likely nees more fear and mass to attack multiple targets at once. Or just more tendrils. it’s a quick, beautful sequence that’s utterly glorious, being framed as romantic as any hetero scene of the type and rightfully so. A triumph and well deserving of this praise. 
Our heros have won, get crowns, and King gets praise. All is well.. except Luz drops the crown once she gets home because she feels like she failed and feels lost about her mom.. though at least king gets it “I’m king and queen, best of both things!”. You tell em sister. 
So we end with Luz genuinely responding to her mom, with some montage stuff as we see Gus and Willow poke a fear blob, willow fears bugs, understandable and Gus fears clowns... 
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Also understandable. Though I didn’t put up a bug picture because
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And Amity looks out folornly into the night. Camilla responds to Luz.. and mentions letters.. which while Luz brushes those off.. we see someone sent them. And by someone I probably mean king since we now know only eda and him had acess to the portal, and given he was actively encouraging her to lie.. yeah i’m supscious. But we’ll see next season. For now this episode is fan fucking tastic, showing off tons of character development, being representative and sweet as all hell.. and being really funny. Tons of great gags in this one including the turtle guy from an earlier episode being forced to be adisco ball.  This is easily the series best so far and if you haven’t checked it out, please do it’s fantastic as is this show. Check both out. Until the next rainbow i’ts been a pleasure. Tommorow more disney shenanigans this time with pete. And also more of this possibly we’ll see what I get done. 
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Goodnight everybody!
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makeste · 4 years ago
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Bnha is a little too irregular for me right now (covid is the worst :( ), so I started reading One Piece and it's like, soooo long. Got me thinking, how long do you think Bnha will be? Personally I think we're just before time skip and it will take, like 300-400 chapters to end? So manga would be 600-700 chapters long. I could be wrong of course. Thoughts?
One Piece is fucking awesome, and the beauty of it is that is is 12 million chapters long so it will take approximately 182 years to finish reading, and you are almost guaranteed to be entertained for the vast majority of that time lol. I actually took a break from it a little ways into the Wano arc (sometime in the middle of what would later become volume 92) because it was getting harder for me to keep up with the plot week by week, especially since I was really into BnHA fandom by that time. my plan was to binge it once Wano ends. however when I was looking at the list of chapters on Wikipedia just now I saw that Oda is only 11 chapters away from breaking the 1k mark, which is pretty awesome. so I might try to catch up in the next month or two in celebration of that milestone, because damn.
with BnHA though, my own guess for how long the series will be is actually a lot shorter than most estimates I’ve seen. first of all, full disclosure that I am definitely biased regarding the timeskip part, because I personally am not the biggest fan of BnHA timeskip theories, unless they’re really short timeskips like the 3-month one we got recently. the thing is, this is explicitly a manga about their time at UA. it’s in the title and everything lol. and I like that. I like reading about them as kids, little hero eggs gradually growing into little hero chicks who will eventually become big hero birbs, but not just yet. a lot of the story’s appeal for me comes from that. there’s a certain... I don’t necessarily want to say innocence, but idealism, maybe?, that’s associated with stories about young adults, and doesn’t always carry over into the stories about those same adults once they’ve grown up. and I want the story to keep that.
there are a lot of things about the current setting that I’m very attached to and don’t want to lose. I like that they’re kids, and that they’re full of potential but don’t always know what they’re doing, and they screw up and make mistakes and get in over their heads, and are dealing with all of their messy jumbled teenage emotions. I like that they’re living with each other in the fanfic dorms and seeing each other every day in their classes. I like that romance isn’t a big part of the series (though there’s still plenty of shipping fuel to go around). I like that we get to see them interacting with their parents and siblings and get to see those relationships. and most of all, I like that -- unlike almost every other young adult series I can think of -- BnHA acknowledges that they are just kids, and the adults by and large actually treat them as such. and yes, I’m even including the child soldiers arc here, because the decision to basically draft them into a war was handed down by the HPSC (an organization that likely has a history with child abuse from what we’ve seen). U.A. was against it, and tried their best to keep them away from the front lines, chilling out in the woods and helping with evacuations instead of fighting villains. contrast this with, say, a:tla, which I love, but which is very much one of those series filled with full-grown adults who are all “it’s up to this 12-year-old and his assorted 12-to-15-year-old friends to lead the battle to save the world lulz.” and this includes possibly the most beloved full-grown adult of all time, who nonetheless peaces out with an ironclad argument of “while it is true that the final villain is my actual brother, I’m still going to let the 12-year-old handle it because something something politics slash destiny.”
but anyways lol got sidetracked there. so steering this back on course now, I genuinely, truly love that in BnHA there are all these adults in the characters’ lives who are trying to keep them safe and nurture them and shield them from that extra burden of responsibility for as long as possible while they’re still learning. and so the kids have that extra safety net of support, which to me as a reader is just... comforting, I guess. like, I understand that it’s not going to last forever, but it’s reassuring to know that it exists for them for now. and I’m not in any hurry to say goodbye to that in favor of just tossing them out into tHE REAL WORLD!! lol. like omg no my babies.
anyway but so the point is that, with respect to everyone else’s theories, I personally don’t want a timeskip lol. and tbh I don’t really see the need for one either? if anything, we’re about to enter the most chaotic period in the entire manga once this arc ends. I’m assuming Tomura will survive this and escape somehow, the better to live and fight another day. and so if that’s the case, I feel like this would be the absolute weirdest time to do a timeskip, because how far ahead can we even jump lol. too far and we’d basically be coming back to an already-destroyed world lol whoops. basically I just don’t see how we can jump ahead more than a few months at the most, assuming that the threat of Tomura is going to be looming over everyone’s heads the entire time. plus we’d miss out on what I’m betting is going to be some of the most intense worldbuilding drama in the entire series, with our beloved characters potentially being swept up in like half a dozen political controversies. I sure don’t want to miss out on any of that. we didn’t wait so long to see this war play out only to skip out on the highly entertaining aftermath of it all.
anyway so that’s my as-usual-longer-than-necessary rant about timeskips. so now let’s talk about the series length. and here, I’m basically just basing my guess off of what Horikoshi has said in interviews. off the top of my head, there are three times he’s mentioned the ending of the series in interviews. first, there’s this interview, published in July 2018:
Interviewer: Previously in SUGOI JAPAN*, you mentioned that you would like Boku No Hero Academia to be a short and concise story and not drawn out, but what percentage of the story is complete at this point?
Horikoshi: When the decision to extend the series happened, I personally thought “I guess I want to end it here” and it was around Volume 30.
Interviewer: So then are you 2/3 done with the story?
Horikoshi: That’s what I had originally planned, but when I think of all the things that must be set up before getting into the last arc, I realized, “Ending the series at Volume 30 will be impossible” (laughs). However, the current arc that is going on all has purpose that will be relevant in the last arc.
*this is referencing a remark he made back at an awards ceremony back in March 2017.
second, we have this interview from August 2018, where he again mentions wanting to keep the story concise:
Do you know what the ending of My Hero Academia is? Do you think it'll be 80+ volumes like One Piece?
No, it won't be infinite – I don't have the stamina for it to be as long as One Piece. I'd like to keep it concise.
and lastly,  this one which was published in December 2019:
What can you say about the future events of the manga?
I’m conscious of the end of the series, and writing towards that. I think the story will always be moving in big ways going forwards. My Hero Academia has a lot of characters, a lot of characters doing different things with different motivations, and the story is heading towards a conclusion where all of that comes together and heads towards the end.
my takeaways from these interviews are that (1) he originally planned for the story to be about 300 chapters long, (2) he’s had a clear idea of his overall endgame for a while now and has been steadily working towards that (as he put it in another interview, he knows all of the dots, but is still figuring out the lines to connect them all), and (3) he specifically said a couple years back that he did not want to write a long One Piece-length series, and his goal was to write a more concise story than that. Horikoshi’s pacing has always been much faster than Oda’s (or Kishimoto’s, or Kubo’s, etc.), and so I think it’s a realistic goal for him to wind up with a significantly shorter story in comparison.
my best guess is that BnHA won’t be much longer than 400 chapters, or a little over 40 volumes. he said back around chapter 180-something that he was nowhere close to being two-thirds of the way done. but it’s been two years since then, and if we haven’t reached at least the two-thirds mark by this point, I would honestly be very surprised. it would mean we’ve barely made any progress at all, and I don’t know about you, but the past few arcs have felt very purpose-driven to me. I think he has a pretty good idea of where he’s heading at this point, and that to me supports the idea of a shorter story than a lot of people have speculated. mind you, he might end up doing a sequel or something afterwards (although I kind of cringe thinking about all the ways we’ve seen that kind of thing go wrong in the past, ngl).
but as far as the series proper, yeah, I’d say 400 chapters is my best guess. ultimately I just hope he’s able to tell the story he wants to tell and gets as much time as he needs to do so, without feeling any pressure to then drag it on past that. knowing when to end your series is so underrated honestly. I have my fingers crossed that it’s a skill Horikoshi hopefully possesses.
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falsegoodnight · 4 years ago
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Hi Ris! First of all, I want to tell you that you are such an incredibly talented author and I enjoy your works so much. I'm curious as to how could you write a lot in short amount of time? I mean, can you explain a bit about how do you plan your fics, if that makes sense? Sorry to bother you, have a nice day❣️
hi!! ahh thank you so much!! i’m so glad you enjoy my fics! <3
so for your question, i got a bit carried away so i’ll be adding a cut so you can read more! 
just a quick ramble:
first of all, i just want to say that there’s going to be people that write really quickly and people who take more time to write but that difference doesn’t have any holding over one’s worth as a writer or anything like that! in other words, there’s nothing wrong with taking your time when writing a fic/story so i hope you keep that in mind and don’t be too hard on yourself when you’re struggling! every writer is different - it’s the same as how some writers have tons of ideas and some only get a good idea once in a blue moon or how some writers can write dialogue or a different element of a story easily and others can’t. it’s just a characteristic and not a representation of your success/achievement!! 
that little bit is hopefully unneeded but i wanted to include it just in case!!
anyways, even though speed is relative to your own person and it’s different for everyone - there are factors you can control!! and you’re right in that planning is one of them!! if you have a detailed outline (or basis for how the story is going to begin, progress, and then resolve at the end then you’re going to have less struggle when it comes to writing the story because you know what you’re characters are striving towards!! obviously, some writers don’t use outlines and i can’t speak for anyone because this is what’s worked for me but it has helped me a lot so if you haven’t tried an outline before, i’d definitely recommend doing it at least once!
i’ve talked about it before but my outlines tend to be super detailed!! once i get a basic idea of a fic, i like to delve as deep as i can into the characters/plot/world. the first thing i’ll do is type out my idea in full detail so i don’t forget anything important and so i can see it all in print. then i’ll usually make some character profiles for each of the main characters (usually just louis and harry but sometimes i’ll include small ones for side characters!!)
an example format:
louis:
- age: 
- job/career: (if they’re in school or it’s a fantasy/paranormal then this could be something like ‘student, english major’ or ‘witch’)
- background/history: (everything important to the story but also a lot that’s not dhjdk)
- positive traits:
- negative traits:
- character growth: (if i want to include character development, i always write that down!!)
then i begin my scene list which is basically a numbered list of every scene that takes place in the story!! it’ll usually start with a beginning scene, maybe a few scenes i know will take place somewhere in the middle, and also the ending scene (which is typically one of the first things i figure out when outlining the story!) and as i get more ideas and dive deeper and deeper into the story, this scene list grows longer and longer! some scenes are more outlined than others depend on how self-explanatory or complicated they are!
it’s also important to note that outlines are fluid, in that you can tweak/change them anytime you want! even when you’re 3/4ths of the way through a story and you decide you don’t like the ending you initially had and have a better idea! i can’t count how many times i’ve changed things in the middle of the story!!
having a super detailed scene list helps me know exactly what’s going to happen in a scene so i can just write it instead of spending time trying to figure out what’s going to happen in this scene while i’m in the middle of writing it!
and if i’m writing a fantastical/paranormal world, then i also always write down every detail of the worldbuilding that i want to include in the story - but also a whole lot of information i don’t end up including! knowing your story and your world is KEY to writing something quickly!! 
i could go way more in detail if you wanted but i won’t ramble this time!! if you want more insight into outlining, i’d be happy to do a longer post one day (i already plan on it actually - i’m just lazy haha) but basically, planning has definitely had a huge impact on my writing productivity! 
it doesn’t work for everyone though!! so here are some other things that contribute to my productivity:
- finding as much time as possible to write
as a full-time student with a part-time job and other responsibilities and just a life in general, it’s difficult to find time to write! but i try my best to carve out even just ten minutes per day to write and when i get that time, i take advantage of it. i think we all know that there’s time in our days that we usually just let get away from us - whether that means scrolling through social media without actually retaining anything, staring aimlessly at the ceiling, or just sitting around and doing nothing - i’m not saying that’s a bad thing or anything (i do all three all the time) but i am saying that it’s possible to stop yourself from letting that time slip away and instead choose to channel it into getting down a few words! even if you only write eleven words, that’s eleven more than you had before!
it sounds a bit obsessive but here’s what i’ve been doing when i wrote my last few fics: waking up thirty minutes earlier every morning before class so i can start my day by writing (honestly this is one of my favorite things to do because it helps wake me up and also gets me feeling productive when i’m usually just groaning and complaining about exhaustion - ofc not everyone will be the same), staying up late to write on my phone while in bed (again, i have unhealthy sleeping habits so maybe this isn’t a good tip but the point is that i take advantage of free time hdjkdk), and my favorite thing to do to get out words quickly:
- writing sprints
this is honestly one of my favorite things to do whether it’s a ten minute sprint or an hour long one! just setting aside a time dedicated to getting as many words as possible on paper (don’t focus on whether they’re perfect, just write - everything else comes later!) is always beneficial to me!! i do this frequently!!!
setting goals also helps for goal-oriented people like myself!! well, goal-oriented and competitive people such as myself haha. i love a good challenge to reach a certain word count (or even a goal like finishing a certain scene!) so if you’re like me, this could help a lot!
- accountability
this one can relate back to the writing sprint/competition thing if you do a sprint with someone else (super fun!) and keep each other accountable!! you can even just tell someone close to you that you’re aiming for a certain word count in a certain time and then tell them to check in with you! the satisfaction of being able to tell this person that you succeeded rather than didn’t (once again, not that that’s a bad thing!) can be particularly motivating!
- incentives
again, if you’re someone like me who works on reaching goals and reaping rewards, then this could be really beneficial! rewards can be anything from candy (i used to let myself eat a sour patch kid for every 100 words i write and let me tell you, that really helped hdjkd) or letting yourself watch an episode of a show you want to see!! they can be big prizes for smaller chunks of words or small prizes for bigger chunks of words - it doesn’t matter!! just do whatever gets you motivated!!!
also:
- get rid of distractions 
i use sites like blocksite to keep myself from getting distracted by things like twitter/tumblr/youtube so i can focus!!! they have things like passwords so you can’t deactivate the block so if you have someone around you that can put in a password to make sure you don’t get tempted, taking advantage of that when you really want to get some work in is always good!
this is also something i do for assignments and other things in day to day life so just a helpful resource in general!
--- 
yeah so those are my main tips for writing a lot - do keep in mind that i’m naturally ambitious and also that i enjoy (or enjoy the results of) doing all of these things (even the harder ones!!!) but that may not be the same for everyone!! and not everyone writes as much or me, or even wants to in the first place! and that’s fine!
the most important thing to do is to cater to what you want. the goal you’re aiming for, the progress you want to make, etcetera. 
at the end of the day, progress is progress - no matter how miniscule it may seem to you!! and also, quality is always better than quantity in my opinion!!!
this is way longer than i intended but i really hope it helps even in the slightest and if anyone else that’s a writer sees this and wants to rb with their own input (or comment!), feel free!! <3
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onigiriico · 3 years ago
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Osora Interview translation (pt.2)
(printed in AnimaniA 4/2018, p.58 - 61 / interview originally given in March 2018 at the Manga-Comic-Con in Leipzig, Germany)
( pt.1 )
The Internet offers Let’s Players, but also all kinds of artists an opportunity for very direct communication with their fans. However, this can also have its downsides when it comes to potentially negative feedback. How do you deal with this issue?
—Sometimes you just stumble across negative feedback that you didn’t want to see, and that can chip away at your motivation and creativity. I try to prevent that by not really looking at reactions in the first place, and when I do happen to see negative feedback, I try to forget about it again as soon as possible. Of course, when I start a new series, I’m curious about the readers’ reactions and go looking for feedback, but if eight out of ten comments are very positive and two are negative, I still tend to get stuck thinking about those two negative comments. There even was a time when that negative feedback made me feel too depressed to draw for a couple of days. But the more often this happens, the more you learn to deal with this criticism. I can stomach it pretty well by now, and I think it’s important to not let negative feedback get to you.
Did your experience regarding interactions with readers change much from Boku to Senpai no Tekken Kousai to The Ones WIthin?
—Digital publications receive a lot more feedback than series that are only released in print - be it via email or via Twitter. Twitter is the main source of comments. With Boku to Senpai no Tekken Kousai, there was much less of a response, and the feedback that we did get was usually in the form of letters. Since readers had to buy the magazine first and then go out of their way to send a letter, that was a lot more complicated. (T/N: i.e. it takes more time to write/send a whole letter than to just send a tweet)
How do you handle responding to messages from your readers? For example, do you set specific times for yourself to reply?
—Since I get the most reader interaction on Twitter, I try to answer questions and comments there when I find the time for it. I always do that myself because I want to respond to my fans in my own words. That doesn’t feel like extra work to me, but rather like a pleasant change of pace. Aside from my personal account, there’s also the official account for The Ones Within, which is mostly for promotional use. My editor retweets my tweets there and forwards any questions that get asked there to me.
Could you describe your usual daily routine when working on The Ones Within?
—I’m a night owl, so I usually get up rather late at around 10 am. After that, I basically work in two rounds. The first lasts the entire day and ends in the evening, around dinner time. Then I take a short break, and the second round starts at around 9 pm and ends at roughly 2 am. If I’m close to a deadline, I sometimes just continue drawing until I pass out. (lol) I never take much time to eat at that point, either.
What advantages are there to drawing digitally in comparison to drawing traditionally?
—Oh, there’s a lot - especially how easy it is to make corrections and adjustments. Your work space is neater and other people can’t stare as easily at what you’re drawing. There’s no need to erase sketches or apply screentones by hand (T/N: see here how screentones are applied traditionally, it’s definitely faster digitally lol), so there’s not as many work steps either and you can finish your work even on your own [without assistants]. And since it’s all data anyway, it’s easy to save as well.
Do you have any advice for artists who are just starting to work digitally?
—Practice makes perfect! I used to have a private page online where I more or less kept a drawing diary, all about original characters. I still kind of do the same thing on Twitter nowadays. It’s important to keep at it and actually draw on a daily basis, that way you’ll get used to it. There’s also live streams from artists on Pixiv and Twitter - it’s helpful to watch those and adapt parts of their progress for your own work.
You’ve shown us a picture of one of your notebooks that you use to jot down your ideas - where do you usually come up with these? (*picture under the cut at the bottom of the post)
—There’s two main places where I tend to draw spontaneously. For one, on the train - usually after meetings with my editor. I can best sort out my thoughts right after those meetings and save some first ideas. Secondly, in bed, right before going to sleep. Ideas flow really easily when you’re sleepy and letting your thoughts wander. Also, I’d feel like I’m wasting my time if I did nothing and just waited to fall asleep, so instead I imagine as many scenarios as possible and jot down the best ones. When I come up with something I especially like, I might also get up again and draw it digitally right away. (lol) I don’t take my notebooks with me everywhere I go, though.
Both Boku to Senpai no Tekken Kousai and The Ones Within combine dark, mysterious elements with more comedic ones. How do you find a balance between these two aspects, and what do you like so much about combining these opposites?
—I like both comedy and serious plots, so I wanted to draw both - in the end, I combined the two without really thinking much about it. I usually just let this come to me naturally while I’m drawing too, although I do keep the timing in mind. For example, it wouldn’t be appropriate to make a joke in the middle of a sad or serious scene, and vice versa. So, I take care not to destroy the atmosphere that I’m trying to convey [in each given scene].
Personally, which character from The Ones Within is your favorite?
—I can’t really “rank” my characters because I love them all! Going by who’s the easiest to draw, it would be Anya. He’s a pretty straight-forward type, so he’s easy to understand. He’s also the only one who looks angry a lot of the time and has eye bags… and his accessories, like the helmet, his iron bar or the chewing gum - they make him stand out and thus easy to draw.
Do you already have an ending planned for The Ones Within or do you still have a few options to choose from?
—The ending is already planned out!
Do you maybe already have a new project in the works that you would like to tell us about?
—For now, I’m just really happy that The Ones Within is getting an anime adaptation and I can finally talk about it, now that it’s getting officially announced this May! I can’t wait to see my characters animated on the screen!
A final word to your fans?
—Thank you so much for reading my manga! There are so many Japanese manga series out there, and I’m really happy that you chose to read mine out of all of them. The Ones Within is getting an anime adaptation, and of course the manga is still ongoing as well, so I hope you will stick around and enjoy it until the end. Thank you!
Osora-sensei, thank you very much for the interview!
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I tried to decipher these but the picture was too small to read much sadly agdjsdvhs
The bigger page seems to be some Kudou bros goodness? They seem to be talking about Shinya having Kenya's piercings (and maybe about Anya getting piercings as well, considering his very resolute "I don't want to." lol) and they're also mentioning ramen at some point from what I can decipher
And the bottom right looks like some kind of character relationship chart / worldbuilding notes,,,
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