#anyway i know this isn't what you wanted :)

[egophiliac]

so on the subject of the "Crowley is secretly Revaan/Laverne/Levin/please Twst give us his name" theory, I think my feelings are best summed up as "I don't really buy it, but it's funny". like, in all seriousness, I'm not opposed to it; I have enjoyed the writing in Twst so far and I'm willing to trust that whatever happens will, you know, make sense and not be terrible. but I'm just not really convinced by the current evidence! maybe that'll change once we learn more, we'll see!

with that said, may I propose a few alternate theories about the possible Crowley/Revaan connection:

[fridgrave2-0]

hehe ghost-turbo haunting felix au

turbo is connected to the last piece of his code in the whole arcade - a trophy he gifted to felix in mid 80s as a symbol of him genuinely caring about their relationships on par with being the best racer. felix also gave him one of his medals and both kept their gifts next to other rewards, but when roadblasters and turbotime were unplugged, the medal was gone with everything else

now, after burning in cola-lava turbo is basically dead, but scraps of his code still were intertwined with the trophy (after all, it was his first winner's cup, but felix never knew about it), giving turbo an opportunity to exist as a shadow incapable of interacting with anything and anyone besides felix, who kept the trophy even after the roadblasters incident

also I went crazy in tags, feel free to check them out

[vellichorom]

you silly kids growing up with bfdi meanwhile i grew up on object terror

wait. wrong show

[mayasaura]

Harrow got so unbelievablely horny dreaming about Gideon's rolled up sleeves exposing her lean, taut muscle, a little dewy with sweat and steam but you know what.... thinking about it. Gideon does not disrobe basically ever, except in private to bathe. A tantalizing glimpse of forearm may legitimately be the most Harrow's imagination has to work with

[sweetlullabyebye]

Charles' thing is that he wants to feel alive and that's part of the reason why he decided to never move on to the afterlife right? Meanwhile Edwin thinks Charles will move on and that he'll be alone again because 'he isn't good with people'.

But then when the Night Nurse shows up a second time Charles is ready to go wherever -including Hell- as long as Edwin shouldn't have to go back there, meanwhile Edwin refuses that they be split up, and both are okay with being sent together to the Lost and Found Department to be sorted out later as long as they're together-

[greywoe]

"The she-wolf laid into the squires with a tourney sword, scattering them all. The crannogman was bruised and bloodied, so she took him back to her lair to clean his cuts and bind them up with linen."

[rawliverandgoronspice]

Always a bit puzzled by people saying that anyone who wanted long-term consequences for TotK Zelda's sacrifice are "edgy".

I'm not even particularly in the camp that she should have remained a dragon forever (I think this should have been Ganondorf's fate, it would have been sooo much more impactful than to explode him and move on but anyway). To be honest, I wish the rules for turning back would have been 1) clear 2) active gameplay on the player so that it feels like it's something we have earned, and 3) not make her have amnesia about it and/or at least having her gain some crucial insight because of the experience.

(also: doesn't she crave knowledge? isn't that insanely mean to have her watch over every civilization and every bit of history ever and then take it away from her? kind of dislike how totk privileges the comfort of the player's feelings over what the characters would actually want or need tbh)

To be perfectly honest, I fully expected us needing to turn her back before engaging Ganondorf so we would fight him together, especially since Zelda as a compagnon exists in the game code already (though in a very subdued state). It feels very very strange to me that all of this mechanic of Sages following us existing and yet we never have the very climactic cool Zelda-staple moment of facing Ganondorf or Ganon together (OoT, WW, TP, ST and probably more that I'm forgetting all did this in some way --even BotW had Zelda more involved than in TotK). I'm not sure Mineru was a compagnon that was needed over Zelda honestly, especially given the kind of non-insight she gives us on the zonai (even if the idea of the mecha is cool, it really could have been Zelda using her zonai + sheikah knowledge to pilot one for us or something).

But anyway: yeah, even if this isn't what I would have wanted personally, I think wanting Zelda to remain a dragon is kind of arguably more respectful of her relationship to Link, in a way, that what the game ended up doing. When she enacted this sacrifice, Zelda decided to trust him to such a extent that she lost herself, reciprocated his trust in her and his devotion to her, and now the future of Hyrule exists beyond her and beyond what Hyrule once was, but she trusts them to follow through and be happy and she will watch over them from the stars moving on. It's fine if we manage to save her from that fate, but even if we don't, honestly this sounds like a beautiful story/tragic romance to me, if you want to read it that way. Tragedy doesn't necesserily involve edginess. Fictional pain isn't always mean, or out to get you.

[thesmegalodon]

idk how many people have seen this going around on instagram and i have a lot of thoughts that i don't feel like posting on personal socials cause ive been nonstop yapping there anyways.

it's great to see this many shares of support, don't get me wrong. but there's something so hollow and cynical about a sanitized, ai generated, literal mile high view of some neat rows of refugee tents when there is real footage of people burning alive. there are probably more "tents" in that picture than there are people left in rafah.

there is real art, real pictures, real video, real stories coming out of palestine, and yet this is what people decide to share. this puts no eyes on rafah. this does nothing except placate people into feeling like they've done enough, and to not search for any real direct action. it's just fuckin frustrating man

[theminecraftbee]

the "how to write a rec post or masterpost" post

i promised this a few days ago, so here it is: my brief guide on how to pitch yourself or someone else on tumblr to other people in such a way that they might actually click on it! this is what i've found is the most effective way to format a set of fic recs or your own masterpost will typically be, at least to me. this is meant for when you're listing multiple fics in one post, typically intending to help a reader choose one they want to read!

the biggest thing to remember is a rec post or masterpost is a tool for a potential reader. therefore, you want to include the information they need in the easiest-to-read way possible.

first off: if you are trying to list or rec more than one fic, do not use the tumblr 'link' embed function. like, you CAN, but ao3 link embeds get ugly when you have more than about one of them. instead, do an in-line link, like this! this will make a longer post much easier to read.

next, with each link, include the following information: a brief summary (it doesn't have to be the same as the summary/pitch you used for ao3, and probably shouldn't be; instead, a one or two sentence description of what the fic is about is best), the fandom it's in, a sense of the fic's length, and rating. (note that you DON'T need to include all the tags and trigger warnings--if someone is intrigued enough to read it, they'll click on the link, and from there they will see the tags and trigger warnings. this should only be enough information to get someone interested.)

finally, ESPECIALLY if it's a rec post, include at least one sentence about why someone should read it. why are you recommending it? this is different from the summary; if a summary of the fic is "joe hills gets stuck in a time loop", the sentence about why someone should read it shouldn't be "haven't you ever wanted to see joe in a time loop?"

the point of rec posts--and indeed promoing on tumblr--is that people trust word of mouth more than they trust a random summary. so give them that word of mouth! if it's a rec post, say something like "it's a fic that made me cry", or "i never thought i'd laugh so much at a fic until i read this", or "the character-voices are on point", or "i stayed up all night reading this". if it's your own master post. include something like "this might be the fic i'm the most proud of", or "this one is great if you like joe hills and enjoy tragedy", or "this one was an experiment in style". something that is NOT just further summary of the fic, but instead describes a good reason to read it!

so, for example, an entry in my own hypothetical master post might look like this:

to convey a certain brilliance, hermitcraft, T, 21k. joe hills and zombiecleo slowly, and through many death loops, drag their way out of their collapsed base to try to survive after a lunar apocalypse. this is the second hermitcraft fic i ever wrote and i wrote it before we knew how moon's big would end, inspired by super hostile; people still tell me it has some of their favorite joe characterization.

and an entry in a hypothetical rec post i might write could look like this:

the sky weighs heavy tonight by mawofthemagnetar, hermitcraft, T, 79k. an ensemble fic in which a plane being flown by keralis and zedaph crashes, and in which the world is still recovering from the scars of a deadly war. i LOVE snake's writing, and this fic was basically designed to capture me specifically; it has cool worldbuilding, body horror, PLANES, a really cool aircraft investigation plot, one of the best-executed ensemble casts in the fandom, and a fun tone! it's a fairly easy read even given it's length, too; if you haven't read it, you absolutely should.

my only remaining recommendation is that if you're writing a LONG fic rec post or a LONG masterpost, you organize it by categories. these categories can be whatever is most useful for you--by relationship tag, by fandom, by ship or not ship, by genre, etc., it's mostly just to make scanning through the post a little easier.

and hopefully this is helpful for some folks out there! if people are interested i can also do one on "how to promo my individual fic", i also have observations and opinions on that.

[fairyroses]

He was about to kill you, Lex. Or divulge something you didn't want me to know.

— SMALLVILLE, "Forever" (4.21)

+ bonus from "Arctic" (7.20):

[shakingparadigm]

what is the theory that ivan manipulated the event where till and mizi met the wagyein?

It's not a theory, actually! It's confirmed that Ivan orchestrated the whole event. The true reason as to why however is still unknown. The information provides more context to this scene, though:

During the earlier times of ALNST the most rational explanation for this scene was that Till ran after a flower crown (presumably Mizi's) and Ivan followed him in out of curiosity. Now we know that Ivan was conveniently just standing there because he was waiting.

Side note, I find it heartbreaking (and maybe a little funny, sorry) that Till most likely didn't notice Ivan in this scene. That's just like him, isn't it. Always too busy running after Mizi while Ivan trails behind, an ever-present shadow.

I'm not sure how Ivan manipulated the circumstances for both of them to end up there, but it is confirmed that everything was intentional. What strikes me most is how they describe this particular scene:

I can't copy down what they said word-for-word (Patreon info), but they described Ivan watching "creepily" as Till and Mizi are faced with danger. We know that Ivan was familiar with the Cerberus wagyein beforehand, enough to touch its teeth and even to rest himself inside its maw. To Ivan, the wagyein is not dangerous, but to Till and Mizi, it could be. Ivan prepared the wagyein, led them there, and watched "creepily" from afar as Till fell on his knees, seemingly injured.

The closest I can get to making sense of Ivan's "scheme" is that he wanted to see how other children would react in a dangerous situation. Ivan's always been an observer, after all, and he's learned to survive by copying the more "normal" behaviors of his peers. This situation occured when Ivan was still young and had not yet developed his more charming mask, so perhaps he staged this encounter to study a situational response, to learn and mimic the emotion of fear. And what better subjects for the experiment than two of the most expressive and reactive humans of their batch? It helps that he was already fixated on Till beforehand, too. I think Ivan became irreversibly obssessed after this incident, especially since it's framed as a turning point in Ivan's life, comparing Till to the stars.

This is just my attempt at an interpretation, though. It could very well be for another reason. He most likely chose Till and Mizi specifically for personal reasons, not just for reaction. I'm still not sure on the purpose behind the whole thing.

The team wanted to capture Ivan's "dark emotions" through the shot of his stalking, which could relate to his more sinister intentions. His gaze can be read in a few different ways, though. Curiosity, interest, fear, etc. Maybe that's why they decided to redraw the shot in ROUND 6.

I think this better sells the feeling they were trying to convey.

[egophiliac]

CROWLEY SSR THOUGHTS

there is zero basis for this, but I can't get this thought of my head

I don't know why I decided to draw it this way

[captainofthetidesbreath]

one of my favorite parts of speculating ahead of the Veilguard is the number of people talking themselves around and around in the loop of "Illario is extremely suspicious and the most obvious choice for who betrayed Lucanis → However, Illario seems like he genuinely cares for Lucanis and seemed sincerely distraught in The Wake → I know in my heart it must be Illario: there is no one else with means and motive → If Illario did it, I understand why given how Caterina has treated him and them, and he has arguably earned a bit of a villain era → The situation is ultimately caused by Caterina and Crow politics and, again, Caterina → I don't want it to be Illario because I want he and Lucanis to have a good relationship given all they've suffered together → However, there is already an existing bitterness between them because of the succession question and in Illario generally because he's seen as lesser → Illario is the most obvious choice"

[pennumbra]

So does anyone remember Storm Hawks

[royalarchivist]

[A sad violin song plays over an image of a sad hamster]

Pac: This doesn't have anything to do with me – I wear a blue sweatshirt, you're crazy, this mouse doesn't even have a sweatshirt, this hamster! [Reading chat] Am I a depressed hamster?

[ Transcript continued ↓ ]*

–

Pac: Actually– that's fine! I embrace that idea – of course I'm going to be depressed, are you crazy? [He hits his desk, then starts counting off people on his fingers] Fit is gone, Richarlyson is gone, Ramon is gone, Bagi and Empanada who were always there when we were there are also gone, I haven't seen them! It's just me and Tubbo, and sometimes Philza shows up.

Pac: I lost Chume Labs, I lost the Favela, I lost Murder Mystery, I lost Ilha Chume Labs, it's crazy! Look at how much I've lost, and I've gained nothing! Of course I'm going to be depressed, are you crazy?! How am I supposed to be happy?!

Pac: [Reading chat] "You have us Pac," that's true, thank you. No, that's true, sorry.

* NOTE: Please note that this is an incomplete transcript, as I was primarily relying on Aypierre's translation mod at the time and if I am not confident of the translation, I do not include it. As always, please feel free to add on translations or message me corrections.

[lazylittledragon]

i'm going to scream i got accused of being a transmisogynist by someone on twitter because of this specific part of my t4t steddie art