#anyway i do think there is potential

[always-a-joyful-note]

Okay but you have to understand how READY I am to get a live action ORV film series. Quick disclaimer that I honestly know really little about film/visual media (and even less about East Asian media), but...

On a story level, it simply sounds like a Bad Idea. I mean, how do you translate a story about stories told through the medium of words into live action? How do you translate the way it makes sure to tell you that this story works as reality because you can't see it, because there concepts that you can really only visualise in your head through the written word?

But then again, they could go the direction of using the medium of film itself as Dokja's fourth wall. Make it seem like a cool but generic live action with subtle hints here and there that it's more than it seems. Have Dokja be hot rather than his plain and average...have fight scenes and choose which thoughts or not we get to hear. I mean, seriously...the film doesn't have to be cohesive or accurate to the book. It could literally just be the way Dokja wants you to experience his story and his narration - the film could be a depiction of his unreliable narrative. And as he and the walls begin to crack, so does the story...and maybe we'll get to see those thoughts and cracks in the beginning of the story through flashbacks rather than real time (could make the inner speech filters sound nicer but idk).

Or if it's truly just Bad(tm), it's still fun because yeah...guess who took on the role of the Star Stream and forced a story and its characters into a tale to pander to audiences simply for capital gain? (Or what if they really do make big changes to the ORV story so as to accommodate the medium of film as story? Make it so that the film itself is the Star Stream?)

And also, a last slightly less ironic and overenthusiastic observation....just that, yeah, I do wish ORV was animated instead of live action. But given that their animation industry is somewhat small, currently, and that means they might have to rely on Japanese studios, I prefer they just stick to live action. There's no telling how Japanese studios will localise Korean names/settings/history, as they've done with Solo Levelling and Raelina. Again, I have NO idea if this is a right assumption to make, so if someone knows more about it, I'm happy to be corrected.

The point is, though, that ORV live action has the potential to be spectacularly bad or good - either or. I don't think it's possible for it to be just mediocre or average and I wouldn't want it to. It's either KimCom definitely made this movie post-Dokja return to make money off their leader's stupidity or the studios will capture the essence of how stories and humans are fatefully intertwined but through the medium of film.

[kwadlayns]

talk to me in french, talk to me in spanish 🍒

[kaahmbem]

legend has it that the young witch circe and the once beautiful nymph scylla shared a complicated past...

[lotus-pear]

free will is drawing ur two favorite characters together and making them gay

[paintedcrows]

Assorted Gravity Falls doodles!

[thatpunnyperson]

According to NBC here in the US, the missing titanic sub has been found. As debris. Off the bow of the Titanic wreckage.

And it looks like the sub suffered what we all suspected, and what was undoubtedly the more merciful of the two options: a catastrophic implosion from the pressure.

Also, more info has come to light about the fishing trawler with the hundreds of migrants that sank cataclysmically off the coast of Greece, indicating that the greek coast guard knew about the vessel AND how much trouble the vessel was in, and were towing it at a speed that made it capsize, at which point they unhooked the tow line and watched the trawler sink without helping the passengers to safety. Despite a bunch of other ships trying to help as well throughout the whole ordeal.

So a lot of people are dead, all because of regulations (and the lack thereof) regarding sea-faring vessels and rescue protocols. People shouldnt be allowed to make a business charging a ton of money for a ride on an uncertified, unsafe, un-seaworthy ship going deep into the ocean with no distress beacon or tether to the mothership. People also shouldnt be allowed to enact laws that criminalize the ferrying of refugees, which then force the refugees to hitch rides on fishing trawlers, and which also prevent people from helping those fishing trawlers full of refugees due to fear of legal consequences.

Hopefully BOTH of these events spark changes on an international scale in terms of what is legally allowed to be sailed, who is legally allowed to be the passengers, and what the rescue protocols are in the event of disaster for any seafaring vessel, illegal or not. It shouldnt be just the global 1% who get 24/7 search parties and remote-operated submersibles helping rescue them.

[hinamie]

congrats on your recovery n all yuuji but unfortunately for you I thought the scars were cool >:/

[bixels]

Taking the current topic as an excuse to ask you to tell me all the reasons you love Rarijack. Your art for the ship is so sweet and intimate I'd love to hear any in depth thoughts you have.

Breathes in.

I think what makes their dynamic really strong is that they have opposing personalities but aligned values. It's deeper than just "opposites attract." Rarity's fancy, prissy, and femme while Applejack's modest, rough, and "masculine." But both value hard work (to the point of being workaholics), their families (both have guardianship over their little sisters), running successful businesses, and eventually each other. Their relationship can be boiled down to, "Despite our differences/disagreements, I still like you because we value the same things."

We see their relationship develop so much. In the first season, they can't stop bickering about surface-level differences. By season four, they still bicker, but will mend their relationship because they can't help but do nice things for each other. In Trade Ya, they start off arguing over personality differences (Applejack likes old junk and Rarity likes useless crap). Then they pivot and start arguing that they value their relationship more than the other. In the end, they mend things by sacrificing their needs and buying each other a gift. Even if they don't understand it, they know it'd make the other happy. And that's all that really matters. It's a genuinely sweet moment that shows how arguing can be healthy and necessary for relationships to strengthen.

We even see them dropping their hang-ups about each others' personalities. In Made in Manehattan, when Rarity runs off in dramatics about someone's fashion, AJ doesn't roll her eyes or scoff, she smiles. Oftentimes, their conflicts are very common domestic conflicts romantic couples face. Applejack's Day Off is about a woman's inability to balance work and life and find time to properly spend with her partner, causing her partner to feel neglected.

By season seven, they're actively participating in each others' interests. Any problems or conflicts that arise are dealt with, and they come out the other end stronger and closer. In Honest Apple, AJ pretty much spells out why their relationship works so well: even though she doesn't understand fashion, she can recognize and appreciate how much work it takes and wants to respect that. When she realizes her mistake in the episode, AJ goes above and beyond to fix things and apologize to Rarity. They care about each other so much.

The two go out of their way, sacrificing their personal desires and beliefs and doing things they normally wouldn't, to make the other happy. That's just love.

There's Simple Ways, where AJ gets stuck in an unwanted love triangle between Rarity and her hipster crush. And her frustration and anger can be so easily interpreted as AJ finding herself in a terrible position; the girl she loves wants another man, and that man wants her.

I dunno. I've always had a preference for opposites attract ships, but Rarijack's stuck with me like a brain worm because they have the perfect chemistry. The way they show they care, or do things for each other, I've always read it as the truest representation of romance in the show.

[firestorm09890]

Penny stardewvalley makes me so sad because she's SO sensitive to, like, basically everything you tell her (telling her that you can't stand children while two children are nearby is a pretty lousy move but -1500 friendship?? being a jerk to other characters' faces typically loses you about 50 points, and if you choose the option labeled "creepy" and ask Leah for a kiss in her 2 heart event she physically hits you and kicks you out of her house but that's only -100 friendship…) and so if you want to befriend her it's a whole lot of lying and tiptoeing around her feelings (2 hearts: George was right but saying that makes her feel bad. 6 hearts: her food sucks but even if you try to be polite about it she feels like a failure; only a bald-faced lie pleases her. 8 hearts: saying you don't want to be tied down with a family loses you a little bit of friendship and she's only happy if you say you want kids) and I can't help but think she's a product of her environment. She lives in a trailer with only her mother, who gets drunk every night and has something of a temper. Penny's like a skittish rescue animal who won’t even come out from hiding under something unless you leave her lots of treats

[turtleblogatlast]

I think a lot about Leo’s tendency to push his way into the spotlight despite clearly being a natural in the shadows. Hell, you could argue that his worst moments are when he’s forcing himself onstage, and his best are when he does things no one notices until it’s already been done.

[urpersonalpublicgalaxy]

trying something out

[princema-k]

ouahg

[tomatoart]

too much

[poorly-drawn-mdzs]

M'lady, doth this harlot bother thee?

[First] Prev <–-> Next

[fist-of-vengeance]

so what do we think fiddleford saw when he looked into the gremloblin's eyes? dude was so traumatised that stanford "oblivious to my assistant's emotional turmoil" pines took notice. it's what motivated him to INVENT THE MEMORY GUN IN THE FIRST PLACE. I'm honestly surprised i haven't seen more speculation about this

[quaranmine]

i have to say the entire thing with blowing up mumbo's door was just. flawlessly executed in both concept and result. grian's like number one personality trait on the hermitcraft server, aside from being a troublemaker, is how much hes obsessed with mumbo. this man is completely deranged about mumbo. he's made it ABUNDANTLY clear he wants that crown just for the sake of having an object that proves he's mumbo's best friend. everyone knows this and has known this since he joined the server.

so to then take this desire, and trick/force grian into setting off a tnt trap that destroys mumbo's FANCY REDSTONE DOOR? oooh. ooohohohoh. it's so good. it immediately lands grian in a position that looks terrible, where he has to justify and explain what actually happened. it's redstone so he obviously can't fix it, unlike if just a portion of the build was blown up. he can't pretend it didn't happen and fix it before mumbo sees, because the tnt was placed where it actually hurts: the redstone design. it interplays perfectly back into the original sin of breaking doc's machine.

it also plays the psychological card--mumbo's only got one best friend, and it's not you. how could it be you? look how you just blew up something he worked so hard on! you can have the crown, but it's your actions that matter, and your greed to prove your friendship to mumbo with the crown has forced you to hurt him instead. it uses grian's desperation (insecurity?) against him to (potentially) drive them further apart. OUCH.

10/10 flawless torture. i'm incredibly pleased.