#anyway can you tell which one of these i use references for and which ones i don't

[sevikas-biceps]

Since everyone's making theories about Maddie...

How long were you sidled-up with that self-serving war pig? She oinked poison in your ear, and you just ate it.

I could be wrong, but this is my take on this line from the A3 teaser.

It's Vi who says this, and to Caitlyn at that. Now, the camera cuts to Ambessa in the trailer, which I assume was to deliberately mislead the viewers into thinking it was about her. But we already know that Ambessa is a warlord—and Vi herself is already aware that Caitlyn sided with Ambessa in this whole shebang. Martial law? Attacking Viktor's commune? She already knew. It'd be redundant to make this line refer to Ambessa herself.

Honestly, there's a good chance it refers to Maddie.

Look at the words used: sidled-up, self-serving, pig.

We know Caitlyn and Maddie shagged, which would explain the reason for 'sidled-up'. To 'sidle-up' means to move close to someone in a quiet or secret way. And, as far as we can infer, only Ambessa seemed to be aware of this 'professional entanglement'—so this relationship must be a secret.

But what about the terms self-serving and pig?

Let's talk about the pig symbolism first. Why that animal specifically? Well, in Shamanic culture; pigs are often seen as the image of healing, fertility, sensuality, and most of all, are made as offerings to gods.

In this case, we can confirm a few things:

Maddie acts as Caitlyn's rebound after her breakup with Vi. Healing and sensuality. If Maddie was indeed a traitor, as most theories seem to suggest, then this means that the CaitVi breakup was a very lucky coincidence: it gave Maddie a reason to get even closer to Caitlyn, one of the figureheads of this war. Not only would she have direct access to any movements or resources regarding Piltover, but she would also act as Caitlyn's saviour: an emotional attachment, a distraction.

In the process of becoming a paramour, Maddie is also essentially selling herself out. In a way, she's offering herself to a god. This isn't too literal, of course, but the imagery stands. This move is very much reminiscent of a concubine's role: in forming that connection with Caitlyn, the time is ripe for a full-scale conflict. If Maddie sought to destabilise Piltover, and Caitlyn is the leader of the city; then Maddie would have the ability to make Topside a breeding ground for war.

Right after Vi says this to Caitlyn, the latter merely responds with a broken, I know!

What does it take for her to express herself in such a way? The last time we saw a breakdown from her, or when a breakdown was at least imminent, was that moment they shared in the tent after the attack on the councillors' memorial. She was pushed to the brink.

All they did was piss me off! What kind of animals...

Animals.

To think that Caitlyn would now sound so resigned?

It's interesting, isn't it?

The betrayal cuts deep—because if this traitor is indeed Maddie, then she'll bring up old wounds as well: Marcus, Grayson. The sheriffs whom Caitlyn knew and/or served—and, to some degree, likely idolised. You'd imagine that, ever since stepping to the role of Commander, she'd've gone over their old files. She knows Marcus was a double-agent; he'd pointed a gun at her on the bridge. But there'd also come a time when Vi would tell her the truth about Vander—about the Hound—and what he meant to Zaun. What he meant to Grayson. Another betrayal, even if a rational one.

Anyway; I really do hope this 'self-serving war pig' that Caitlyn's 'sidled-up with' is indeed Maddie, because all the pieces fit too perfectly into place to think otherwise.

[eff-plays]

You can wizardsplain at a bard, but watch out

[front-facing-pokemon]

[ganondoodle]

so with echoes of wisdom .. i havent watched any of the trailers beyond the very first one and the thumbnails/screenshots and what others have said about it-

but with the world inside the rift being called "Welt des Nichts" aka "world of nothing/void" in german ('still' in english, for some reason) and demises title in french being "avatar of nothing" ... yeah my anxiety is shooting through the roof again

(hopefully you can be a little more forgiving for me being anxious/weird about it bc demise is my blorbo)

i had similar worries with totk, that werent proven true thankfully, but the darn book is making it all worse again with all those weird lore things the game doesnt even so much as hint at AND potential retcons- im in for a really rough time huh, not just stress in real life (more in tags.. its alot) but now about my specific hyperfixation from two things even (AND artblock still..)

weird as it may sound, i dont want demise to get more lore, partly bc i dont believe theyd do anything with him that i would like (given their track record) but much more importantly- the fact that he has this little lore about him is precisely one of the reasons why i fell in love with him, i tend to like characters that are neglected by the narrative, and his story being both so flat and already done meant i can be very creative with what i come up with for him without necessarily contradicting anything in canon (which is ... or was a big point of how i wrote destiny's story and lore, working with canon in a way that reframes it all without straight up ignoring it ... but i suppose i urgently need to let go of that and accept i spend alot of time working things that will go to waste :( ) AND not having to worry that there will be more stuff with him that would massively change not only what im writing but also potentially how i feel about him since the game he was briefly in was the oldest chronologically and ended with his death- i didnt expect them to mess with anything that far back and thought theyd just go forward and leave the timeline behind and wouldnt mess with it again, given how botw seemed to be a sort of 'fresh start' that seemingly regarded the past as the past that needs to rest and that the timeline was finally no longer a discussion if everythings unified through botw and one thing going forward

but i suppose i was very wrong with that .__.

right now the only thing that motivates me still is the left over determination and spite to work on my zelda comic, since i have never gotten this far and really want to get something done for once, but i cant lie that im feeling like i should pause all work on it too to wait and see waht the book and the new game will do .. either to determine if i still have the will to keep working on it after those things are out (my love for tloz has been taking alot of hits lately ..) or if i have to change stuff (mostly bc of my lore problem trying to not ignore it ..)

[mccleans]

i've gone to sleep angry and woken up angry every day since last saturday

[marcsnuffy]

Using Lorenzo and Charles' interviews as reference, I'd love to see any assumptions of what Kaiser and Ness would answer here

[unbearable-lightness-of-ink]

so anyway I really did start compiling a kinyarwanda/english dictionary/grammar guide out of all the random resources i've been hoarding on my phone (it doesn't have to be great, it just has to be better than searching multiple different files every time I'm looking for some obscure vocab or grammar detail) and one of these resources is some PDF uploaded to the internet archive and it's... not great. from the writing and contents it's clearly

old (my guess is mid-1900s. I don't remember colonial and post-colonial Rwandan history specifically enough to guess well here, but based on some of the typos, it was done on a typewriter and then scanned with OCR)

intended for missionaries (some examples of actual sentences in the "translate this" exercises include "I praise God because He saved me and He gave me peace and joy" and, I shit u not, "The blind man cannot see the Word of God, but he can hear and he can know the love of Jesus." it's. well for one thing this is basically useless vocabulary for me, and also it's cringe af)

written by someone who was not a linguist (at one point instead of just saying "if T is preceded by an unvoiced consonant, it turns into D" they give you a list of every unvoiced consonant and then recommend that you invent a mnemonic phrase to memorise the list?! why?)

written by someone who was shit with pronunciation (legit so many places where they're like "there's no way to describe how this sounds, you just have to ask someone to make the sound for you" my good bitch the phoneme might not be in english but I could describe it just fine. skill issue.)

but the thing that's really killing me about all this is that every time they try to explain tonal vowels or phonemes that aren't in english, they tell you to "ask an African to say it for you."

an. an what now? an African? babe there are approximately 1.5 billion people in Africa. Africa accounts for about 20% of the land on earth, it's the second-biggest continent, and it has an estimated two thousand living languages spoken throughout the continent.

and kinyarwanda? it has maybe 15-25 million native speakers, depending on which source I trust. it's spoken (almost*) exclusively in rwanda, which is the 9th smallest country in Africa--and that roundup includes islands off the coast of the continent. It has the second densest population in Africa but it still only has like 13 million people in it. and it's a very unique language. its closest relatives do not have the same phonemes that kinyarwanda has, and its closest relatives are also spoken by relatively few people. I don't know enough about kirundi to say much but I do know that it doesn't have the same vowel tones in all instances and it doesn't have some of the same consonant clusters. and the more widely spoken related languages that you're more likely to stumble on someone who knows how to speak? they're even worse for a reference; ask someone who speaks kiswahili to pronounce kinyarwanda for you and they will not pronounce the difference between, say, umuceri (rice) and umucyeri (berry), or the tonal difference between words like umusambi (floor mat) and umusambi (crested crane).

so, like. it's just absolutely sending me, this random white lady who was obviously a colonialist missionary, bothering to make a whole language guide to teach me how to proselytise in kinyarwanda, but along the way she's like "just ask an african--any african--how to say this" lady less than 1% of them are going to know this language but go off i guess

*almost because there's the diaspora of rwandan expats and immigrants in other countries plus the banyamulenge which is a whole aspect of it that has so much fraught history on all sides that I won't even try to say something intelligent about it, it's totally not my place/something i'm educated enough about, but to my knowledge most of them speak dialects that are more or less dissimilar to kinyarwanda; kinyamulenge and kinyabwisha are not the same as kinyarwanda. take it from my munyamulenge coworker who could never pronounce the difference between c and cy

[fuwaprince]

When somebody only uses my chosen name while putting me down, it kind of makes me wish I didn't have a name at all.

And when somebody only uses my pronouns when they try to coerce me into something, then switch back to they/them when talking about me to anybody else, it kind of makes me uncomfortable af.

I sincerely do not enjoy being labeled or referred to. Being referred to is such a negative experience for me irl.

Yet not giving people a set of name/pronouns when they ask automatically seems to make them think you're secretly a serial killer trying to cover up something?????? Or like you're untrustworthy and must be hiding because you're a Bad Person instead of just not wanting to label yourself.

Can I just please not be forced to label myself for everybody else's comfort?

I feel like that information is so personally intimate anyways like unless you know me and we're close, why do you even care? I don't think it's necessary for the first stages of getting to know somebody even though in this culture we've normalized it to be that way.

Plus if I don't give you a name then I have the opportunity to earn one. Give me a name that you think I deserve and let it be what you honor me by instead! How about that? It's probably the only way I'll be comfortably perceived since some people will change my labels as they see fit regardless. Just call me what you like, I feel like my name/pronouns have been corrupted as is

[crescentfool]

never in my life did i think i need to makeout with a piece of software so badly but here we are i guess

[violentdevotion]

I had multiple dreams last night.

I had a bf </3

someone in my family got bit by a zombie </3

some guy made me explain narrative structure to him </3

[goldensunset]

cheers to this guest lecturer for nearly giving me a heart attack making me think there was a paper due tomorrow that i hadn’t even heard about so i couldn’t focus the rest of the lecture and like rushed home and opened the site to find there was nothing at all

[celestial-kestrel]

It's that time of year again where Mari Lwyd starts to be talked about and shared around and an INCREDIBLY misleading post gets shared a lot. As someone who grew up with Mari Lwyd I wanted to clear some things up.

Also hello, if you are unaware who Mari Lwyd is. This is about the Welsh tradition of the horse skull who visits houses during the Christmas to New Years period in Wales asking for alcohol.

First off and probably the most important one:

Mari Lwyd is not a cryptid!

I can not emphasise this enough. She. Is. Not. A. Cryptid. There is no story or mystery about a ghost or zombie horse roaming the Welsh valleys. She's not even supposed to be a ghost or a zombie. It's just a horse skull on a stick with a guy under a sheet. She's a hobbyhorse and a folk character used to tell Welsh stories and keep songs alive. When people spread the misinformation that she's a cryptid, it's the equivalent of saying Kermit the Frog is a cryptid.

She is actually only one character in a wider cast of characters who go door to door or, in more modern times, pub to pub. The cast of characters can change town to town and village to village but there are some common ones I see time and time again. The Leader, the Merryman, The Jester and The Lady are just some I see regularly. Punch and Judy used to be more popular a few years ago but I haven't seen them in a while as their tradition has mostly fallen out of popularity. In most cases, almost the whole cast will be played by men. Even the characters are considered and referred to as female. Though this again depends and varies by which group is partaking in the Mari Lwyd tradition.

This point also goes onto my second point,

Mari Lwyd does not rap.

I think this comes from a very common misunderstanding of what rap is vs spoken word. Rap is a very specific style of music originating from the African American communities of the USA and has it's own structure and motifs unique to it. It's a lot more complex than people give it credit for as a style of music and just flippantly assign anything similar to it as being rap. If someone is talking fast or reciting poetry, it is not rap. Or anything that is an exchange of words between two people is not a rap battle. Mari Lwyd does not do rap, actually something that gets left out of these posts is the fact Mari Lwyd does not even speak. It's actually the Leader, who does all the speaking and song based banter between the house/pub owner for entry. Mari Lwyd just clicks her mouth, bites people and bobs her head around.

I think Mari Lwyd is a really beautiful and unique part of Welsh culture. She's not actually as wildly celebrated as a lot of the posts make her out to be. Actually, I think most Welsh people themselves learn about Mari Lwyd through the internet as well. Her popularity is increasing thanks to the drive of local groups wanting to keep the traditions alive and a renewed desire to document Welsh traditions before they're gone. Which is why it's such a shame that she's turned into something she's not to earn horror points on the internet. I think this is why it bothers me so much to see the misunderstandings of the culture and the folk tradition. Mari Lwyd's origin is very hot debated as well as how long it's been going on for. But I think it's thanks to a lot of traditions like this that the Welsh language and our stories weren't lost forever. Welsh culture is recovering as is the language. But it's still in a very fragile place. I think it's why it's important to document and correct information when it's spread.

Anyway, if you want to see the tradition in action, here's a lovely video from the Cwmafan RFC going to one of the pubs for charity. It includes the song exchange with the pub owner for entry and the whole pub singing and joining in once Mari Lwyd and the rest are inside.

As well with another video from St Fagan's showcasing the more traditional and door to door form with the larger cast.

[inkskinned]

i love finding out how big this world is. my girlfriend has only visited boston a handful of times, but i grew up here. i told her we'd be going to do the tourist traps in salem, and she said - which salem?

to be fair to her, there are a lot of other states that have a town named "salem." and i think there's some evidence that the witch trials actually happened in what is now called Danvers. but the thing is - she thought "salem" was like, a made-up thing. there wasn't actually a salem, massachusetts - like there isn't a gotham city.

they don't talk about it that much where she grew up, is the thing! and this made me laugh. a week ago she was talking about her hometown and said something akin to "well the museum's kinda like the one in richmond," and i had to explain i still had no frame of reference for what the hell this museum was like.

i love finding out what knowledge i take for granted. i used to live with 5 other women. 3 of them were from south korea. they had to take, like, a solid fifteen minutes to explain their birthday system to my gay math-blind ass, laughing as they did.

that same month, our roommate from denmark taught me the danish word for wreath by accident - she'd been talking about decorations, used krans, and i'd been able to figure it out through context. i just picked it up and kept talking. our entire house used krans as the word. she came home and slammed the door one evening, mock-angry, shouting: you motherfuckers! it's a - a wreath!

and how often do you use certain words, anyway! i am cuban, so i was raised with certain spanish words sort of sprinkled in there; but never how you'd think. in middle school i asked someone to pass me the recogedor - in a completely american accent, like i was speaking english. i hadn't registered it as a spanish word. i mean, how often in school do you actually use the word "dustpan" - i'd only ever heard it in the context of cleaning my house.

there are places that you grew up that you, just, like, know. that you assume everyone knows. there are things and people and "common knowledge" that you have that, just, like. doesn't exist for me. i don't know what you call your public transportation system, but in boston we call it "the T". our train cards are called charlie cards because of a song where a father accidentally abandons his family, which was written because our system of transportation. in boston, most people would snort and say everyone knows that, kid.

i think you and i should go on a long walk - it's getting dark early these days and we need any sun we can manage. tell me about the first time you saw snow. tell me about the stuff everyone knows about your home. tell me about the cities "everyone's been to," about the food "everyone's already tried." who knows. maybe it will feel nice to you - watching someone learn about it for the very first time.

[shadowtraveled]

"mithrun is the only real monsterfucker in dungeon meshi" is objectively the funniest bit you can get out of his everything, but in all seriousness i think his attraction to his love interest is deliberately overstated—and that makes sense, because romantic jealousy is a classic and digestible motive, which is explicitly what kabru was aiming for in condensing mithrun's backstory, and also because until chapter 94, mithrun wasn't willing to admit to the true nature of his desires.

but because romantic envy is both classic and digestible, it probably isn’t a unique enough or complicated enough desire to tempt a demon’s appetite. mithrun’s wish, as far as we can figure from kabru’s reduced retelling, was to have a life in which he had never become one of the canaries, and that carries like 3857 implications and desires within it. that’s delicious. his love interest acts as sort of a red herring to his motivation for making it, though. (side note: i'm saying "love interest" here because, keeping in mind that i barely speak japanese on a good day anymore, "想い人" is something i'd usually take as just kind of an old-fashioned and romantic way to refer to a lover, but in context i wonder if both the connotation of yearning and the vagueness are intentional, and i think this phrasing gets those aspects of it more effectively. anyway.)

mithrun considered his love interest to be untrustworthy. there was a minute where i thought that comment might be about a similar-looking elf (yugin, one of his squad members), but comparing the two…

the "sketchy" arrow is definitely referring to the elf we know as his love interest—the bangs go toward her right, she only has the one forehead ornament, and, most notably, her ears aren't notched.

every time she’s given a full-body depiction in his dungeon, she’s drawn as a chimera, with the body of a snake from the waist down. (side note: the “what if a dungeon has chimeras before reaching level 4?”/“then the dungeon lord is unstable” exchange just being mithrun grilling his past self alive is so funny. he’s so. but anyway) there are a couple things about this.

first, the snake part of the chimera appears to be modeled after some species of coral snake mimic

which, in the biology-for-fun manga, i… doubt is a coincidence, especially with the added context of the “untrustworthy” comment. the dungeon’s conjured illusion of mithrun’s love interest was a harmless copycat of a venomous original. for whatever reason, he felt this person was a threat and made up a "safe" version of her to be in a relationship with, and while it’s definitely possible to be attracted to or even love someone you find to be toxic and/or intimidating, when you take that into consideration alongside the configuration of her body, you get some interesting implications.

which brings us to our second point: if we assume that mithrun was not in fact fucking a snake, then sexual attraction, at least, was so far removed from his idea of a relationship with this person that he did not even bother to keep her dungeon copy human enough to maintain the illusion of the option of a sexual relationship. this is somewhat echoed in the depictions of their interactions, which also imply a frankly unexpected romantic distance. she kisses his cheek and he doesn't seem to react; she's at the edge of a narrow bed with only one set of pillows, on top of his blankets while he's underneath them.

the kiss is particularly interesting because it seems to contrast the text. kabru's narration tells us this was everything mithrun could have asked for, but mithrun is there looking unreadable to pensive, likely because this is right before the panel that makes it clear things in the dungeon are beginning to go wrong.

walking through this backwards for a minute, we have the physical barrier of his bedding and the spatial separation inherent in a bed made for one person, the emotional barrier of his mounting anxiety getting in the way of his ability to enjoy the affection he sought, and... the snake, which historically carries the connotation of temptation, yes, but also mistrust, barring physical intimacy. okay. ok. if a dungeon reflects the mentality of its lord, all of this might suggest that mithrun was not able to have any real desire for a relationship with this person. his unwillingness to be vulnerable or let another person in was insurmountable. but in that case, why was she such a focal point that she remained to the end, after his dungeon had stopped creating iterations of his friends to come and visit him? why would he get so upset over her meeting with his brother that he became lord of a dungeon about it?

well. mithrun's brother was also interested in her, probably genuinely. and mithrun had to win.

you have an older brother who your parents completely ignore, probably in part because he is chronically ill/disabled and almost definitely in part because he received a ton of recessive traits that resulted in rumors that he was an illegitimate child. you are aware, most likely because those same parents fucking told you, that you actually are an illegitimate child. but they keep you around because you had the good fortune of looking just like your mother. what can that possibly teach you but that you, like your brother, are disposable?

it's utterly unsurprising that mithrun, under these circumstances, developed a pathological need to be better than everyone around him. people don't keep you otherwise. i'd argue this is also why he says he looked down on everyone he knew while milsiril claims his dungeon reeked of feelings of inferiority—he sought out people's worst traits and prioritized them in his mind to protect his already extremely fragile sense of self-worth, and all the while he tried to be as likable and high-performing as he possibly could be. his parents disposed of him anyway, but even then he tried to keep up the performance. he was kind to everyone. he never once lost to a dungeon.

when he saw his "love interest" meeting up with his brother, what he saw was himself being replaced by a person his parents had always treated as worthless, and if that was what they thought of the child they'd kept, what value could anyone possibly see in the bastard they'd given away to die? mithrun and kabru tell the story like he wanted to win this unnamed elf's heart, but it was never about being with her. it was about cementing his worth, proving that he didn't deserve to be thrown away.

and so it's particularly cruel that his demon discarded him, too. but maybe it's also particularly gentle that, in the end, there was someone who refused to even consider giving up on him.

kui laid it out in three panels better than i could hope to.

yeah. it's love. you wanted to be loved, even when the only way you were able to understand it was through the desire to be wanted, and you wanted that so badly that the idea of being consumed felt like the promise of finally mattering to someone.

[fake-bleach]

ROAD TRIP STOP | LOGAN HOWLETT x READER

taking a small road trip with old man logan where you’re halfway to where you need to be, and you're bored out of your mind. unluckily for you, your boyfriend won't possibly give into your antics.

or, logan fucks you in a gas station bathroom <3

word count: 3.3k

WARNINGS/DISCLAIMERS: (18+ only!) fem!reader, porn w/ slight plot lol, piv, unprotected sex, this shit is roughhh, degrading, filthyyy dirty talk, use of pet names, slight choking, coming inside/creampie, manhandling? i guess?, logan refers to himself as "your old man" bc i'm insane, anddd happy ending bc we all know how much i love those! :D

a/n: there aren't nearly enough fics abt old man logan & i need him Badly.

+ logan pictures from @divinesols incredible moodboard <3

ao3 link! | my masterlist

you’re 4 hours into your road trip, and logan, well, being the man he is, hasn’t let you drive a single second.

he tells you that you can just sit there n’ look pretty and that’s good enough for him. but, he’s getting tired, and the nearest hotel isn’t for another 50 miles.

you notice his eyes getting heavier, his body slouching more, his grip on the steering wheel loosening. so, you do what you do best. why not have some harmless fun with your old boyfriend?

your hands subtly inch over to his thighs, fingers trailing the clothed skin just above his knee, and he flinches surprisingly, glancing at you for a moment with that tired face of his.

“what are y’doing? huh?” he asks, with a quirk in his eyebrow and his voice rasping more than usual from his fatigue; it only makes it all the more arousing for you.

you grin, your head turned to look up at him with a sly expression. “just waking you up a bit. you’re practically falling asleep here.”

your fingers move upwards now, slowly but surely, and right before you can reach the spot just below his bulge, he sighs out, gripping your hand to lightly push it off of him.

“not here. got another hour left til’ we’re at the hotel. then, we can rest up, baby.”

you pout, looking at him eagerly. “are you even gonna make it there, lo?” you tease, “your eyes are getting heavier, you’re tired.. why don’t you just let me drive?” you attempt, but you’re knocked down the second you try.

he huffs, shaking his head. “don’t you try that shit. you know what m’gonna say to that.”

you groan at that, rolling your eyes fussily as your head turns to look up at the roof of the car. “you’re insufferable,” you sigh out, jokingly, of course. but, you were with logan long enough to know just how stubborn he could be. that he could almost always be.

which means, you knew exactly how to get what you wanted, in more ways than one. 

let’s just say this way was more fun, anyway.

you let out an exasperated breath before turning back to face him, your eyes lighting up just slightly before you open up your mouth.

“guess i just gotta..” you trail off, hands now on your body with your fingertips grazing the skin on your chest; roaming around the loose shirt you had on. “..entertain myself for the next hour then..”

logan turns his head to you now, eyes fixing on your hand just long enough to catch you slip it underneath your bra, cupping one of your tits. you let out a low moan as you look into his eyes, fingers rolling the nipple there, and he scoffs.

it’s a sound that has your heart racing immediately.

“you’ve been a good girl so far, sweetheart. would hate for you to switch up when we’re almost fuckin’ there.” he warns you, turning his head back to the road, having seen enough. “don’t you start now. gonna make you regret it.”

a pang of arousal hits you just like that, pussy involuntarily clenching around nothing as he threatens you; a threat that you definitely need to see for yourself.

you merely pout at him again, but his words aren’t enough to stop you. not when you’re just getting started.

your hand leaves your breast, slowly inching down your stomach, then to the waistband of your shorts, all with your eyes still locked on him. you bite your lip as your hand breaches underneath the material, testing the waters before your fingers reach the hem of your panties.

fingertips aching to dip into the wet heat, you anticipate your own touch as your hands lower, but an immediate grasp at your wrist stops you completely, eliciting a gasp from your throat.

mouth falling open in shock, you turn to look at the man responsible with that gruff look on his face, and that snarl from him gives you more than enough of a warning.

you clear your throat, letting out a noise of frustration towards your boyfriend as he all but tosses your hand away carelessly.

“knock. it. off. don’t make me say it again.”

logan nearly growls at you, moving in closer to get right in your face; he isn’t playing around, and you know it.

but, god, does it only encourage you more.

it isn’t until logan’s focus is completely back on the road that you test the waters again; your fingers finally inserting themselves into your soft, warm folds, wet and waiting so impatiently.

it makes you moan, a hushed sound that you try your hardest to bite back from releasing, but you’re evidently unsuccessful.

so, before you know it, the truck is swerving, causing you to pull yourself back to hold onto the sides of the car, anywhere that you could grab onto. the wheels squeal loudly as the high pitch penetrates your ears, and logan makes a harsh u-turn without a second to waste.

“lo! what the fuck!” you exclaim loudly, wild eyes reaching for his own, but it’s no use. he’s dead set in front of him, shaking his head furiously as the white of his knuckles present itself from holding onto the wheel so tightly.

he’s had enough of your shit.

his eyes never leave the road in front of him once, never returning to you. no matter how much you talk or try to get him to respond, he doesn’t budge.

instead, for the next 5 minutes, silence fills the space between you as your eyes shut from your frustration. it’s all you really can do at this point.

but, it’s only when the high screech of the wheels halting and the gear being put into park has your eyes opening again, eyes latching onto the bright lights in front of you.

a gas station, and the convenience store’s white luminescent glass reflecting on logan’s face. he’s out the driver’s side as soon as you can look at him, and before you can process it, he’s dragging you out of the truck, slamming the door shut as he does so.

you scramble against him, fists almost pushing their hardest into his chest as you whine loudly, increasingly dazed and confused.

“logan, what the fuck are you doing?! let go of me!”

you fight against him harder, but there’s nothing stopping him. not now.

he lets out an exasperated breath, his heavy footsteps embedding themselves into the loud gravel beneath them as he drags you along.

“don’t play that shit with me. actin’ like you don’t know what the hell you’re doing,” he practically yells at you in a hushed voice, “you know what the fuck you’re doing.”

“walk.” he orders you instantly, and you don’t hesitate to obey. not when his voice gets like that.

most of all, because it makes your heart pound—pounding in your chest because he’s right. you know what you’re doing.. but, you can’t say you regret it. no, not one bit.

and if he’s gonna make you regret it, you might as well go all out. right?

his grip on your arm is tight as you walk side by side with him, leading you into the gas station with the door open for you. you can’t even acknowledge the cashier from how quick logan swifts the two of you past them; straight towards the bathroom, and it makes you gulp. 

it’s too late for anyone to be around, too late for anyone to care, and you know that. but, the thought exhilarates you anyway.

he shoves the door open with a hushed whisper—one that’s almost incoherent as it escapes his lips. “you wanna act like a fucking brat?” he shuts the door hurriedly, shoving your body against the sink, “i’m gonna treat you like a fucking brat.”

you yelp at the sudden movement, his fingers digging themselves into your skin as you cry out at the feeling. it’s rough and brutal and it burns, but it’s so fucking good.

“lo.. lo, please,” you whine as your eyes shut tightly, the overwhelming sensation of his hands on you and his hot breath hitting your skin being too much to handle.

your body is flush against the sink as you attempt to squirm, to try to get him to do something, anything.

that cruel laugh of his fills your ears—quiet yet booming in your head as it sends chills throughout your entire body, eyes flashing open to look at him in the mirror in front of you. “please? please?” logan mocks you, “do y’even know what you’re asking for, baby? nah.. you don’t.”

“you just want..” logan trails off, his hands mindlessly reaching for your shorts, “to get fucked.. like the whore you are.”

without a single warning, he yanks them down along with your panties, and your whines are impossible to stop when the cool air hits your bare skin. when his filthy words are the only thing you can think about.

“can’t keep these pretty hands to yourself, you gotta rile me up to do it for you?” you hear the clank of his belt unbuckling, the zipper of his jeans sliding down, “gotta piss me off every goddamn time you get so fucking needy? i mean,” he laughs harder now, “not that i really blame you..”

logan pauses, and his eyes that were once staring directly at you now shift to look straight ahead, latching onto your mirrored reflection instead. as if he was looking right into you now. “pretty girl like you.. would be a shame to let this cunt go to waste. so, i’ll do you a favor..”

your jaw falls open in complete shock as your face contorts, as the tip of his cock breaches your tight hole, making your eyes roll back instantaneously with a sob from your lips.

“i’ll use her real good. for what she’s made for, yeah?”

your hands grip the sink in front of you as tightly as possible, body trembling as logan groans into your ear, his hands on your body never loosening.

instead, his grip only tightens as his hips become flush against your ass, his entire cock piercing you to the hilt with a satisfied moan.

“that was easier this time, wasn’t it? gettin’ used to me now. just needed to..” logan takes a moment to pull himself out of you, the tip resting against your entrance as he groans. he slams himself back inside of you so hard that your body fails you, your hands landing on the mirror to hold yourself up, bent over.

“break her in real fucking good.”

your body shakes against him as you cry out at his intrusion, stammering out a string of noises as your walls involuntarily clench around him over and over again. it’s almost as if you’re rapidly adapting to him; the way he stretches you out so much that it hurts in the best way possible. you’re pulsing around him, increasingly growing wetter by the second as your eyes water from the intense sensation.

your words slur with a few whines of what seem to be logan’s name as your hands move back to the sink, attempting to push yourself back up against him, but he stops you. grabbing one of your hands, he places it right against the mirror again, holding it still as he grinds himself into you. it makes you breathe out rapidly, body bent over the sink completely now.

“keep em’ right there. right fucking there. you don’t get to do that. y’don’t get to make any choices here.” he grunts in your ear, his thick beard grazing along your jaw as his eyes flicker from your face back to the mirror. he notices the way you’re trembling, eyes filled with those pretty tears of yours, and it makes him smile—a chuckle leaving him shamelessly.

he takes a moment to admire you, whispering out, “what i’m gonna do to you, baby..” and it makes your eyes flutter shut, warmth filling your core.

his other hand trails up the front of your body now, and it practically covers you completely because of how big it is—your stomach, your breasts, your chest, then finally, your neck. your gasp is loud; heavy, as his fingers wrap around your throat, holding you still for him.

all of you in the palm of his hand—all in his control.

you moan eagerly as he looks into your eyes through the mirror, grinning almost maliciously, “isn’t this what you wanted?” he laughs, his hips stirring a bit as he agonizingly pulls out of you, making you wince, “you wanted my attention so bad, wanted my cock so fucking bad..” he growls in your ear, his hand sliding from your throat to the back of your neck, pushing you down hard, and it makes you grip onto the side of the sink even more. 

“well, now you fucking got it.”

the sound of his rasping grunt hits you first; before you’re sobbing out on his cock, pelvis hammering inside of you with a tight hold on your neck, keeping you there with no chance of stopping, no squirming, no escaping.. no running away from this.

all you can do is take it as he pounds into you, the agonizing ache of his cock sliding in and out of you rapidly increasing the coil in your core, your loud cries and moans enough to make him go harder.

“there you go, there she is..” logan grits out, hands now grasping at your hips, smacking your ass, eliciting a grunt from you, “better fuckin’ hope no one walks in here, or else all they’re gonna see is some whore gettin’ used.”

you cry out as you feel the tip of his cock reach the deepest parts inside of you, nudging your g-spot suddenly as a tear slides down your cheek, your knuckles white from how tight you were grasping at your surroundings. your cheeks grow hot from the idea of that happening, stomach tightening as heat pools your core.

“what’d they think, huh? you think they’d wanna join in on the fun? bet they’d wanna fuck you too after i’m done with you. tightest fuckin’ hole i’ve ever had.”

you whine out now, shaking your head desperately in retaliation as you deny it. you couldn’t ever have another man like this, not now, not ever—only him.

logan sighs out, “no, no, no, i’d never let em’ baby, don’t you worry,” he reassures you, pressing his lips against the top of your head, “this,” he murmurs, his hand reaching to cup the front of your cunt, the rough skin on his palm grazing your clit just enough to make you squeal, “s’all fuckin’ mine. you hear me? not a single soul gets to use her like i can.”

“not like she’d want it anyway. only wants my cock in her. s’the only way she can really be filled up.. fucked stupid and cryin’ for me. ain’t that right? never got fucked by a man like me before y’met me, and i’m sure as hell no one will ever get her trembling like i do.”

you shake your head again, tears continuously spilling out of your eyes as your stomach tightens repeatedly, “n-no, lo, only you—” you stammer out as logan buries himself inside of you to the hilt, plunging into the warm heat of your walls, and he slows, relying on pure power than pace now. the harsh drive of his hips has your head fogging up, so close to reaching your peak with your cunt shuddering.

“ohh, there we go, she’s doing it now. shaking all over this fucking cock, squeezin’ me so tight,” he hisses, “that all you up in this pretty little head, or can you even control it? can’t even control it, can you, baby?”

a string of noises leaves your lips, breathless and mixed with whines and a few tears in your eyes as your core spasms out, his cock hitting deep inside of you repeatedly.

“what was that? can’t really.. understand you, baby, y’gotta speak up..” he teases, a mean laugh escaping his throat, “c’monnn, use your words, really think em’ out, say em’ clearly.”

“c’mon, show me that you’re still my good girl. my good little girl. speak up for your old man, honey.”

you yelp out at his filthy words, “m’.. i c-can’t.. control it, ah!” your moans involuntarily stringing out, eyes fluttering shut and rolling to the back of your head, your pussy convulsing around him intensely. “g-gonna–c-cum, lo, oh—” you spit out, your chest grasping for as much air as possible.

he hums in your ear now, fingers reaching for your clit and fastening tight, harsh circles at it, making you shudder, your cunt throbbing around his cock—pulsating over and over again as you start to see white. “gonna fill you up, sweetheart, gonna make you take it, fuck.”

you can’t even register him anymore as he talks you through it, the “come for me, baby,” muffled in your ears as you listen to him, cunt constricting around him tightly as you soak him, and the sound is filthy as logan chases his release, squelching loudly from your climax.

you let out a muffled sob as logan finally reaches his peak, slamming himself deep inside of you as he holds you there, the spurts of white hot spilling & coating your walls. all you can hear is the ringing in your ears, along with the mixture of your heavy breaths and logan’s rasps surrounding you.

logan’s strong arms pull you up against him as you catch your breath, heart rate slowing as your back leans against his chest tiredly. he mutters sweet nothings to you, praising you with kisses along your neck, cheek, then to your lips.

“my good fucking girl, my sweet girl—oh, baby,” he hums in your ear, eyes shut as he takes you in. you sigh out, breathing him in as your hand reaches behind, landing on the back of his head to pull him in closer, “god, i love you.”

you laugh, pressing a mindless kiss on his skin, “i love you more, lo, i–i’m sorry for acting out, for being such a—” you begin to apologize, but he just shuts you up with another peck to your lips. “shh, you hush now. i appreciate it.. you riling me up all the damn time. s’ the only way i can still feel so young.”

you giggle, eyes opening up to turn your head to him, taking in his disheveled look—tired, old, grumpy. the man you loved, as handsome as ever.

“always young in my eyes, lo..” you smile, “besides.. it’s the only way i can get you to fuck me that good.” you tease.

he huffs, rolling his eyes. “i fuck you that good every goddamn time, n’ don’t you deny it.”

you laugh, nodding. you can’t deny that fact. but, your eyebrows furrow slightly, suddenly thinking back to the previous events.

“did you really fuck me in a gas station bathroom, babe? what if someone walked in?!” you groan, pushing your forehead into his chest, embarrassed.

he chuckles, “locked it the minute we got in here, baby. wouldn’t let anyone see you like that,” he reassures you, gently gripping the side of your head to make you look up at him, “you got that?”

his face is stern now as he looks into your eyes, and those butterflies in your stomach erupt as if it were the first time you ever got them from him. you nod though, gleaming up at him.

“got it.”

he grins, “good. now, let’s get you cleaned up n’ back on the road. back’s killing me even more now n’ that bed’s calling my name.”

you laugh at him, teasing him further. “old man.”

you wouldn’t want it any other way.

[byoldervine]

Types Of Writer’s Block (And How To Fix Them)

1. High inspiration, low motivation. You have so many ideas to write, but you just don’t have the motivation to actually get them down, and even if you can make yourself start writing it you’ll often find yourself getting distracted or disengaged in favour of imagining everything playing out

Try just bullet pointing the ideas you have instead of writing them properly, especially if you won’t remember it afterwards if you don’t. At least you’ll have the ideas ready to use when you have the motivation later on

2. Low inspiration, high motivation. You’re all prepared, you’re so pumped to write, you open your document aaaaand… three hours later, that cursor is still blinking at the top of a blank page

RIP pantsers but this is where plotting wins out; refer back to your plans and figure out where to go from here. You can also use your bullet points from the last point if this is applicable

3. No inspiration, no motivation. You don’t have any ideas, you don’t feel like writing, all in all everything is just sucky when you think about it

Make a deal with yourself; usually when I’m feeling this way I can tell myself “Okay, just write anyway for ten minutes and after that, if you really want to stop, you can stop” and then once my ten minutes is up I’ve often found my flow. Just remember that, if you still don’t want to keep writing after your ten minutes is up, don’t keep writing anyway and break your deal - it’ll be harder to make deals with yourself in future if your brain knows you don’t honour them

4. Can’t bridge the gap. When you’re stuck on this one sentence/paragraph that you just don’t know how to progress through. Until you figure it out, productivity has slowed to a halt

Mark it up, bullet point what you want to happen here, then move on. A lot of people don’t know how to keep writing after skipping a part because they don’t know exactly what happened to lead up to this moment - but you have a general idea just like you do for everything else you’re writing, and that’s enough. Just keep it generic and know you can go back to edit later, at the same time as when you’re filling in the blank. It’ll give editing you a clear purpose, if nothing else

5. Perfectionism and self-doubt. You don’t think your writing is perfect first time, so you struggle to accept that it’s anything better than a total failure. Whether or not you’re aware of the fact that this is an unrealistic standard makes no difference

Perfection is stagnant. If you write the perfect story, which would require you to turn a good story into something objective rather than subjective, then after that you’d never write again, because nothing will ever meet that standard again. That or you would only ever write the same kind of stories over and over, never growing or developing as a writer. If you’re looking back on your writing and saying “This is so bad, I hate it”, that’s generally a good thing; it means you’ve grown and improved. Maybe your current writing isn’t bad, if just matched your skill level at the time, and since then you’re able to maintain a higher standard since you’ve learned more about your craft as time went on