#anyway I put a bunch here

[sylvs0l]

“You’d turn on me after all we’ve been through?”

[egophiliac]

ENG PLAYERS I BESEECH YOU

I have been informed that you guys are getting part 4 of episode 7 tomorrow, which means we are FINALLY going to get the official romanization of Revaan's name, somebody please tell me because I need to know what it is.

like, yes, it's probably just Revan/Levan, but look, I'm sitting here with my finger over the button of all these Laverne and Shirley jokes and just waiting for the opportunity to deploy them --

[golyadkin]

I cannot express enough that if your reaction, as a hobby artist, to not getting that many notes on your art is to say "maybe I should just stop doing art altogether" you need to stop posting art to tumblr

not necessarily forever, not even for long, but just stop putting your art on here and start doing it for you again, remember why you enjoyed doing art in the first place and stop relying on the attention of faceless people on the internet for your enjoyment of your hard work

believe me, I get it, nothing crushes the artistic soul quite like labouring for hours on a piece only for it to get like 10 notes, so you need to find your own source of joy in the act of creation and a lot of the time that means making art and not showing it to anybody

[exhausted-undead]

sorry for the surplus of Viktor getting cultified but. I had this in my drafts from about a month ago and figured I may as well share him

zoom in for details :)

[sergle]

I'm thinking abt that pretty fall leaves embroidery pattern post and about how like... it is categorically a repost, it's a reupload. right? a thing that is generally disliked. but because it's credited, it's genuinely boosting the artist in question. and it could ALWAYS be like this. reposting content could ALWAYS be a symbiotic relationship, but because sourcing back to the original creator of something is so uncommon, it's just easier to ask people not to repost it at all. and people still don't understand the difference. or they'll go to the effort of cropping out usernames/signatures to repost something, which is More Effort than literally crediting the creator of something you liked enough to want to repost. Like. I literally don't actually care if my own shit gets reposted, you have to understand. I just don't want it STOLEN. But "do not repost" is easier to write on my art than "you can repost this, but don't alter the image/remove my signature, don't you dare write 'credit goes to the artist' because that is not credit, please link back to my original post or someplace that you can actually find me. please use an actual link/url instead of writing a non-clickable link of my username, because making it text instead of a clickable link cuts the number of people who will go to the effort of visiting my own page in Half." All those aggregate themed accounts, those fuckin annoying as hell instagrams and facebook groups that are like "body positive art we love wamen 💕 hashtag feminism" and then MASS-STEAL plus sized art created by women, if pages like these that always go and steal my older self-portraits and other works... If they just put a link to my prints of those pieces in the text of those posts, or, fuck, my commission info page? I would literally be living on the moon right now. I would have a house on the moon

[nightmanatee]

reasons why it might be safi all along (i mean why not).

disclaimer! i don't THINK i'm going to be right but i have been thinking about this game and all it's characters for so long that i won't stop until the next game is out i guess. do take this with a grain of salt just in case..

so. yeah. in a perfect circumstances the next game is going to be about max again. and safi. again. and many other things that i'll explain below but i also have tl;dr at the bottom bc there's a lot to talk about.

before we start i want to establish a few things about safi: she can turn into anybody she's met irl. she can leave parts of herself in people when she turns into them. these parts act as things that "change" people making them more like safi (something poetic about her losing parts of herself and being more like others she turns into and others becoming more and more like her). and she can potentially manipulate people.

part 1: all the things that happened before.

there are some weird things that are mentioned even before lis:de timeline. max has a part in her journal about how yasmin "was just some hot older lady who seemed to really want to be my friend" and safi CAN become her mother if she wants to. and even if it's actually yasmin it might be safi's part in her that wants max here. max is also promised an apartment where she "could bring friends over if she had any" and then the first day at uni safi comes in and says hi "like we've been friends for years"??? FOR YEARS??

"did you snoop into my wallet??" seriously how come we moved on from this THIS FAST???? like i get it safi getting into max's house in ep3 to see what max is up to but ep1? why would she want to get to learn about max this way?

i've checked their sms and there's one interesting thing when safi is being like "not to sound like a creeper but are you still at turtle?" or something and it IS interesting how she knows it (max being all alone at thanksgiving at turtle).

what could this all mean? well, 2 things. either safi is really interested in max's life and wants to know her and she doesn't care about consent, personal space and privacy (something max does if she romances amanda btw). or she needs to know not who max is but what, but more on that later.

part 2: max as a character.

although i do think that it's possible for max to be who she is in de given 10 years of growth but also given all the previous things i've said it might be safi's part in her making her act like this. max's freakiness totally comes from safi (remember ep4 dialogue between them), her confidence comes from her too (is it about her having more confidence or max having a lot of confidence through the years before (enough for her to win a few competitions)).

also! remember that max has taken out safi's parts out of moses, gwen and herself? and still safi can turn into her (vinh, yasmin and amanda). i also do wonder if it means that safi doesn't have "influence" on these people she can just turn into them? but then also -

part 2.5: "why isn't it hurting me?"

- also consider this: could it be so that safi lied to max and some part of her is still here. might as well explain why she hasn't replied to chloe's message anyways. or does it mean that safi has "been inside her" for so long that max doesn't even notice it yet.

it is rather interesting how there are a lot of moments specifially with safi that get brushed off and not mentioned again: the wallet thing, safi being too cruel in ep4 confession, her explanation for max not being hurt by her. could there be something more to it?

part 3: the reasoning.

ok. but really like why? why would she need to get max here in the first place? could this be just an accident with the universe being so kind to plot something like this? or could it be safi wanting more talented (like actually talented wink wink lucas) people here and she's noticed max and her work and decided to bring her here?

yeah it can be just it.

it can also be that safi just lied.

part ???: the one where i think safi lies.

ok but also let's imagine for a second that safi just. lied about many things. she did know about arcadia bay (weird how she's ready to snoop into max's wallet but can't google one thing about her? is it really THAT hard to either google who she is and to learn that she's from oregon or to go through her friends online see victoria chase and see that victoria probably posted about arcadia bay. like c'mon guys it can't be THAT hard). she did know that max has powers (just not what kind). she knew about chloe and met her personally.

if you go into the theory of safi becoming "others" who she shapeshifts as then her saying "partner in grime", doing the finger pistols, even her eagerness to "sacrifice herself for a greater good" - might all be from chloe.

she might've lied about not knowing anything to learn just how much max is weak for these things (something she's done for lucas).

part 5: the nightmare sequence.

it starts off pretty realistically with max encountering moses copying safi (one thing she talks about and it being potentially implied that she leaves a part of herself in people and they will act more like safi) but then something weird happens: the nightmare becomes personal. suddenly it's safi being in "chloe"'s position, it's blackwell's bathroom (max told safi about this) max having a weird unexplainable memory of her breaking up with chloe over safi's "coolness" (something she would've never said herself could it just be max). there are memories of her in the darkroom (mentioned in the diary), motels (something safi could've never known). it is kinda weird to focus on these things while the whole "nightmare" is more about helping safi becoming herself again. there's too much chloe for something that shouldn't include her in the first place (bc safi hasn't met her, has she?🤨🤫)

"she was in my head back there, and she didn't think of me at all" and "you know i was in love with her, or i thought i was" are two very interesting quotes from vinh that could mean that safi CAN make someone feel certain things she wants them to feel.

could she also make max feel like she needs to move on from chloe? given how eager she was to make max a move on amanda?

so yeah i do kinda feel like max hasn't finished her job fully and that something's got fixed but not all.

bonus part: aren't they merging already??? wait WHAT.

this thing is written at the very end of the game after safi, after nightmares after EVERYTHING. "something has been restored" and i wonder what, considering that it's not about safi or other peoples' memories. could it be that more that these two timelines merged? i mean it could also mean just max herself being "restored" by being able to save the day with everyone this time around but we'll see.

ok, wait! part 6: bay over bae.

almost forgot it. but yeah how can bay thing be somewhere here? well for once chloe is still important to max in this timeline the only problem is safi not being able to meet her "irl". i mean unless!! she evolves her powers enough to be able to "mimic" not only a person but their power/s as well. and given how she knows both of max's powers she can either timetravel to meet chloe or just travel to a parallel timeline to meet her future self (and to hurt max even more) or both. and now this will be the worst.

tl;dr? kinda?

what could that all mean? it could mean that safi has plotted max getting into caledon (to get what kind of powers max has/to exploit her talent to boost university's fame) and her only way to achieve that would be if max and chloe broke up (given how chloe didn't want to settle in with max yet. or if max wouldn't want to come "home" yet.

OR

it could mean that safi knows max's WEAKEST spot now and might, y'know, use it given a chance and a reason. and oh boy does she has a reason to (esp if you don't side with her). she can turn very fast against someone (did this to gwen and max), one wrong thing and she will want to hurt max in the worst way (remember how she's told all these awful things to robbie despite personally knowing him??? and it's all bc of his dad's actions?).

but only time will tell.

[anotherpapercut]

genuinely so many of you want to be leftist and "punk" and countercultural soooooo bad but you refuse to become comfortable with the concept of people taking drugs for fun because they like it and not because they were somehow tricked or forced into it without knowing what they were getting themselves into

you'll be like "addiction is a disease!!" but think you're better than those degenerate stoners because you only drink energy drinks and white claws and would never touch "illegal drugs"

many if not most drugs CAN be consumed completely safely with almost 0 risk to the user and even if that werent true and all drugs were extremely dangerous you still wouldn't be better than those of us who love doing drugs recreationally

lighten up and grow up. get offline, talk to real adults, and stop being shocked to discover that they enjoy doing stuff that adults do like have sex and do drugs and even listen to rock and roll

[starsweets]

you're just what your daddy always wanted you to be.

reblogs are appreciated!

[themaevethcometh]

okay i've had this scene from an au stuck in my head recently so here's 3k of timkon identity shenanigans where kon has been recently taken in by luthor for nefarious reasons and is forced to attend a gala where tim and bruce show up. robin hasn't revealed his identity to the team yet even though they've been friends for years. canon/timeline has been put in a blender and liquified.

Kon takes a deep breath in through his nose, holding it for a few seconds before slowly letting it out of his mouth.  It’s a technique that Robin taught the team when he was trying desperately to get them on a more bat-approved training regime, including meditation and an acrobatics routine that Nightwing allegedly used on the Teen Titans years ago.  Kon is fully aware that he’s got weird stuff going on with his body’s organs and systems compared to humans, but the slow, rhythmic breathing still brings comfort and helps center him, slowing everything down enough so he no longer feels like he’s going to accidentally fry someone with his heat vision.

He tugs at the collar of his dress shirt, gulping and taking a deep breath again.  The shirt and tie feels so much more restrictive than his Superboy uniform, tightening like a noose around his neck, and the inflexibility of the suit coat makes him feel like a stiff, awkward mannequin.

“Stop that,” Luthor says, putting a heavy hand on his shoulder.  Kon immediately stills, straightening and trying to relax at the same time.

“These people are vultures,” Lex says, voice low.  Kon tries to focus his super hearing on him, rather than the woman with the loud laugh across the ballroom or the clink of glasses down the hall where the staff is continuously loading and unloading equipment.  He can hear the steady beat of Lex’s heart, the rhythmic whoosh of air traveling in his lungs, the slight gurgle of his stomach (gross!).  Kon decides he doesn’t like listening to Lex Luthor very much.

“Remember what I told you,” Lex is still saying.  “Be on your best behavior.  Today is about getting your name and your face out there.  Be polite, but not a pushover.  Never let them see weakness.”

Kon forcibly bites back the retort that his only weakness is kryptonite and makes himself nod instead.

Luthor leads him over to a group of people with his hand still clamped on Connor’s shoulder like a shackle.  From there, it’s an exhausting parade of schmoozing with millionaires and billionaires, shaking hands firmly (but not too firmly!), laughing at unfunny jokes, and pretending that he loves dear old Dad instead of wanting to punt him through the nearest wall.

Kon is charming.  He knows this.  It’s something that he’s known since he freshly came out of a test tube, and it’s something that he’s perfected with smiles and body language and a well-placed word or phrase.  Kon can get most people eating out of his hand with barely any effort, but it��s usually normal people a little closer to his age, not rich, egotistical, out-of-touch old people who want to pinch his cheeks but absolutely cannot be allowed to due to his invulnerable skin.  Kon forgets everyone’s name almost as soon as he hears it, clutching his flute of sparkling cider like a lifeline (but not hard enough to shatter).

Kon doesn’t know how long he gets paraded around as Luthor’s newest pet, but it feels like forever.  Everyone talks around where he’s been for the past 17 years of his life (nonexistent and then in a lab and then gallivanting around with superheroes and then, finally, as of two month ago a little farm in Kansas until Lex Luthor uprooted everything with a few well-placed threats), and Kon lets Lex tell the cover story about how he didn’t find out about Connor until recently, but he’s happy to be reunited with his son now.

Son.  Connor isn’t anyone’s son.  He was maybe getting to be a family member to the Kents finally, but Luthor threw a wrench into all of that.

Connor had a room at the farm.  He had a chore list to do and homemade meals to eat, and Clark has finally stopped flinching when he sees him.  Clark grinned at him the other day, not his public smile or a small, polite thing, but an actual, honest to goodness grin.  Connor bets he can kiss that goodbye now, just like he can kiss goodbye ever knowing Robin’s real identity, because there’s no way that Batman will let him tell Kon now that Kon is semi-legally under the guardianship of a supervillain, and just like there’s no way that Kon can have anything remotely resembling a normal teenage experience as the ward of a billionaire and forced showpony, and just like–

“I’ll be damned,” Lex breathes next to him, interrupting Kon’s spiral.  Kon follows his gaze to the entrance of the ballroom, ears picking up the loud, boisterous laugh of Bruce Wayne clapping someone on the back a little too forcefully.  Kon has never seen Bruce Wayne in person, but he’s difficult to miss in the papers, especially with how often he finds himself in trouble.  Robin has told him of a few instances when he or one of the other Gotham vigilantes has had to rescue him, and Kon knows that Lois interviewed him once and Clark has informally run into him at a gala such as this.

Clark says he tried really hard to be the journalist from the Planet here tonight once Lex demanded that Connor be there, but it was too late notice.  Neither Clark nor Lois are among the reporters clustered in the corner.  Kon is alone.

“He didn’t RSVP,” Lex says, miffed.  Kon immediately likes Bruce Wayne significantly more because of it.  “Oh, and he brought a friend.”

Kon peers around the crowd that has quickly amassed around Gotham’s favorite billionaire and finally spots the person Bruce Wayne has a hand on the shoulder of.  It’s a teenage boy, dressed in a dark suit with dark hair parted in the middle to keep it out of his eyes.  He’s slight, but not skinny, and he’s not overly tall, probably closer to Robin or Bart’s height than Connor’s.  He doesn’t show any signs of discomfort at the press of adults around him, offering polite handshakes and letting the women kiss his cheeks the way some of them have tried with Kon.  Bruce doesn’t stray far, taking the boy with him when they finally finish with the crowd near the door and head to the bar.  The boy doesn’t seem to mind the attention.  Kon, however, does not appreciate the tone of voice that Lex used when he said friend.  He’s ready to do some superheroing if he needs to.

“Let’s go,” Lex says, putting his hand on Connor’s shoulder again to steer him through the crowd.  “Let me handle Bruce Wayne.  The kid is Timothy Drake.  He recently became the head of his parent’s company when his father died.  This is the first time he’s been seen at an event since the death.  Bruce is almost certainly going to adopt him.  Timothy stayed with him when Jack Drake was in a coma, plus he has the dark hair and light eyes and Brucie favors in his kids.  He’s your focus for the rest of the night.  Forget about everyone else.”

“Lex!  I didn’t know you’d be here, you old dog!” Bruce calls before Connor has time to process all of that, slinging an arm around Luthor’s shoulders and seemingly crushing all of the air out of him in less than a second.

“It’s my party,” Lex wheezes.

“Good thing I’m here to liven it up, eh?” Bruce asks, elbowing Luthor in the ribs.

Kon really hopes that Bruce Wayne’s obsession with dark haired, light eyed boys is an innocent coincidence, because he doesn’t want to apprehend him for being a pedophile when he’s pissing Lex off so easily.

“Hello, Timothy,” Luthor greets, holding out his hand.  Bruce pouts at being ignored while Timothy shakes politely.  “May I just say, it’s refreshing to see you out and about.  I’m sure running your parent’s company is stressful all by yourself.”

Timothy tilts his head, reminding Connor vaguely of a bird.

“I’m happy to do it,” he says, polite but firm.  “It’s what my parents would have wanted, and they left things well organized for me.”

“And I suppose Bruce here has been giving you advice?”

“Now Lex,” Bruce says, wagging his finger at him, “you know that’d be a conflict of interest.  Besides, Tim could run circles around me.  I should be asking him for advice!”

Connor feels his eyes start to glaze over as Luthor and Bruce volley back and forth, seemingly forgetting that he’s even there.  Having Lex’s attention off of him and on someone else is a much needed break, so he’s not about to complain, but it’s also really fucking rude.  Connor hasn’t even been introduced to these two.

Timothy catches his eye, sweeping his gaze over to Luthor and Bruce and rolling his eyes.  Connor smirks.  Timothy raises an eyebrow and Connor mirrors him, just a slight quirk.

Timothy looks pretty nice, up close.  His eyes are the promised light blue, but his dark eyelashes are long and thick, framing them beautifully.  He’s pale, almost reflective in the glittering chandelier light, and he carries himself with a self-assuredness that Connor envies in this environment.  The suit fits him really nicely, hugging his shoulders and accenting his trim waist and long legs.  When he raises his flute to take a sip of the drink inside, Kon finds himself tracking the liquid as it disappears past his pale pink lips, his throat flexing as he swallows.

He’s not bad to look at.  He could easily turn out to be dull as a brick or a total douchebag, but so far first impressions are good.

“And who is this young man?” Bruce asks, snapping him out of his thoughts.  Luthor puts a hand on his back to push him forward a step, and Kon doesn’t have to move, but Lex is going to be mad if he doesn’t and the situation is delicate.

“This is my son, Connor,” Luthor introduces.  Kon offers his hand with his most charming smile.

“Nice to meet you,” he says, shaking first Bruce’s hand (better grip than he expected) and then Timothy’s (rougher than he thought it’d be, skin warm).

“Son, eh?  He must take after his mother!” Bruce laughs.  Lex’s face pinches, but Connor doesn’t have a chance to relish in it before Bruce is sweeping Luthor away with another arm around his shoulder, talking loudly about secret children and parenting hacks.  Luthor tries to protest, but it’s quickly drowned out by Bruce, and he doesn’t have a chance to so much as glance back at Connor before they’re swallowed by the crowd.

Kon blinks.

“Bruce will keep him busy for a while, sorry,” Timothy says, not sounding very sorry.  He takes another sip from his glass, then leans in.  Cologne tickles Connor’s nose.

“Hold your drink by the stem, not the glass,” he says quietly.  “It’s supposed to keep your drink from getting warm, an old etiquette thing.  It’s small, but it’ll help you blend in a little more.”

Kon looks around the room, taking in the people with flutes like him and where they’re holding it.  The majority are holding the stem, and the ones that aren’t are people that Luthor hasn’t bothered to introduce him to yet.  Kon adjusts his grip accordingly, off-balance and embarrassed.

“Thanks,” he says.  Timothy tilts his head.

“You want to get some air?  There’s a balcony over there.  Your father will be able to find you easily once Bruce releases him.”

“Yes,” Kon agrees immediately.  He’s used to not fitting in, but having the eyes of so many judgy rich people on him when he’s pretending to be Lex Luthor’s human son has been exhausting.  No one has been too rude so far, but the weight of Lex’s hand on his shoulder is heavy, and this complicated set of social rules that he still doesn’t understand puts him on edge.

Normally he’d say fuck the rules and do what he wants, but the situation is too delicate for that.  Clarke and Robin both told him that he needs to be careful and think twice about every move he makes, and for once neither of them sounded condescending about it.  He could tell that they don’t like the situation, either, worry and sympathy clear in their faces.

“Come on,” Timothy says, heading towards a set of double doors.  He doesn’t glance back, trusting Connor to follow him, and Connor does, stepping in his footsteps as he expertly weaves through the crowd, deflecting anyone trying to stop to speak to them with smooth excuses and a well-placed smile.  In no time at all he’s pushing open the large french doors, releasing them from the ballroom and into the cool night air.

Kon tilts his head up, blinking at the night sky above him.  It’s cloudy, obscuring what few stars manage to make their way through the light pollution to reach Metropolis.  Connor wishes he could fly up there, feel the dampness of early rain on his face, burst into the dark and escape everything.  For now, he keeps his feet on the ground, instead joining Timothy by the railing.

“So, how often do you come to these things, Timothy?” Connor asks, leaning back on his elbows.  The other boy perches with a hip pressed against the railing, arms crossed over his chest.

“Tim, please,” he says.  “Timothy makes me feel like I’m in trouble or you’re trying to swindle me out of a business deal.”

“Okay.  How often do you come to these things, Tim?” Connor corrects, testing the feel of it in his mouth.  Tim relaxes at the sound.

“Decently often, but I usually stick to Gotham,” he says.  “I’ll have to start coming to more now that I’m in charge of Drake Industries, but I grew up going to galas.  Is this your first one since Luthor found you?”

“Is it that obvious?” Connor asks.  Tim smirks, but shakes his head.

“I think I’d remember if I’d seen you at one of these before.”

Connor flashes him a charming smile.

“I bet you say that to all the boys.”  Tim’s cheeks turn pink, his blush noticeable against his pale skin even with the limited light out here.  Kon takes a sip of his sparkling cider, satisfaction making it taste sweeter on his tongue.

“I don’t know if you noticed, but we’re probably the only people under thirty in the whole building besides some of the catering staff,” Tim says. 

“You missed the toddler earlier,” Connor hums.  “She was throwing a tantrum.  I very much sympathized.”

“Did I really?” Tim asks dryly.  “What a pity.  Oh no.  How unfortunate that Bruce likes being fashionably late to everything.”

Connor snorts.

“Bruce Wayne, huh?” he says.  “How’d you two meet?”

Tim shifts so he’s leaning back against the railing like Kon.  Kon takes a moment to drink in his profile, tracing the sharp jut of his nose, the hair shielding his eyes from him at this angle.

“He’s my neighbor,” Tim says.  “I’ve kind of always known him, but our families weren’t really close until a few years ago.  When my dad was in a coma, Bruce took me in.  My uncle was supposed to get custody of me now, but…”

Tim trails off, searching for words.  Eventually, he shrugs.

“He’s fostering me right now.  We’ll see where it goes from there.”

“Do you want to stay with him?” Kon asks.  Tim considers his words carefully.  Connor’s mouth is always running away with him, but Tim seems to have the opposite approach.  Everything is measured and careful, cold and tactical.  It reminds Kon of Robin in the middle of missions, keeping his reactions even and methodical to counteract the impulsiveness of the rest of the team.  Kon wonders if Tim is the type of person to let himself be stupid and emotional around friends like Robin is, or if he always keeps everything bottled up.

“Yeah, I do,” Tim breathes eventually.  “But it’s complicated.”

“What do you mean?”

Another pause.  Kon does Robin’s breathing exercise, staying patient.  Some people need time to talk, and Kon can’t help if he doesn’t know what’s wrong.

“I guess I don’t want him to adopt me because he feels obligated,” Tim says.  “He has a family.  There’s–It’s a long story, too long to explain now.  Sorry, this is a weird first impression, huh? But enough about me!  What about you?  Where were you before Luthor found you?”

“Uh,” Connor says, still recovering from the whiplash of topics and searching for Luthor’s cover story.  “Kansas.”

“Kansas?” Tim prompts.

“Yeah, Kansas. I was in the foster system for a while, then I got adopted by this nice old couple who live on a farm in Smallville, which is just as small as it sounds.  I didn’t know anything about my birth parents until Lex showed up.”

“Wow,” Tim says.  “This has to be a big adjustment, then.”

Connor scratches the back of his neck.

“Yeah, kinda.”

Kon’s whole life feels like a big adjustment, from adjusting to existing and Clark’s negative feelings towards him, to adjusting to working for Camdus and living in Hawaii, to adjusting to Young Justice and Teen Titans, to finally trying to adjust to Smallville, only to be ripped away from that and forced into Metropolis high society.

“Do you miss them?” Tim asks.  “The old couple who adopted you?”

Kon swallows against the unexpected pang that rolls through him.  He can almost taste Martha’s pancakes on his tongue and hear the crinkle of the newspaper as Jonathan hands him the cartoons.

“I wasn’t with them very long.  Only a few months.”

Tim tilts his head.

“That doesn’t answer the question.”

Connor shrugs.  He doesn’t know what the right answer is here.  Martha and Jonathan are the closest thing he’s ever had to parents, but part of him never expected to stay with them.  When Luthor ripped him away from them, there was a part of Kon that wasn’t surprised at all, even if a bigger part was in agony.

Martha kissed his forehead when he left the farm and gave him a sad smile.

“You can always come back here, okay?  This is your home, no matter what Lex Luthor has to say about it.”

“If they formally adopted you, Lex Luthor’s claim as your biological father isn’t enough to force cut contact,” Tim says, pushing off the railing and taking a few steps closer.  “Trust me.  I researched this stuff when my dad came out of his coma.”

Kon frowns.

“He didn’t like Bruce?”

Tim wavers.

“It’s complicated,” he offers.  Kon snorts.

“Yeah, I get that.”

Tim’s mouth quirks up, giving Connor the shadow of a smile again.

“It’s not really a first meeting story.”

“Guess we need a second meeting, then,” Connor says.

“Yeah?” Tim asks.  “My weird family dynamic really captivated you, huh?”

“It was your eyes first, actually,” Connor says.  Tim opens his mouth, then closes it again, eyes wide.  Kon holds his breath.  He says flirty things all the time, both to his friends and to people he rescues who seem like they need a pick-me-up, but it’s been a while since he sincerely flirted with someone he plans to see again.  He almost never does it with someone who only knows him as Connor rather than Superboy, much less a boy.

If this goes badly and Tim tells the entire Metropolis elite that Lex’s son is a homosexual, maybe the scandal will be enough for Luthor to send him back to Smallville.  If it goes well…

“You have… very nice eyes, too,” Tim says eventually.  Connor beams, then beams even more at the sharp inhale Tim draws in response.  Tim shifts.

“Hey, do you want to get out of here?” he asks.  “There’s a decent ice cream place open late a few blocks away.  We can be there and back before anyone misses us.”

Connor glances towards Luthor in the ballroom.  He’s still talking to Bruce Wayne, and they’ve amassed a small crowd around them.

“Bruce will keep Lex busy for a while.  He likes to talk.  Besides, you can always tell him that you were networking,” Tim offers.

Luthor said that Tim should be his focus for the rest of the night.  He never said that they had to stay at the gala.

“Lead the way,” he says, gesturing grandly towards the French doors.  Tim blinks once, then again, then smiles.  His eyes light up with it, and Kon suddenly understands why Tim had to inhale before.

“Come on,” Tim says, leading the way.  Kon follows just as closely as he did before, trailing him until they spill out into the Metropolis night and he can stand next to him, almost close enough for their arms to brush.

Maybe living with Lex Luthor won’t be so bad if comes with seeing Tim Drake, too.

[kreftropod]

It's been another year, time to bring the October lists out. As is more or less tradition by now, I'll be doing the Goretober challenge again. Like last year I've decided to make my own, shorter list to give myself and anyone else who'd like to follow it more days for each prompt. Feel free to share and use however you like!

I'll be tagging all my Goretober related stuff with "goretober". Block that tag if you don't want any of that on your dash. I'll try to tag everything properly with more specific tags as well. Stay safe! <3

ID in alt text, and here's a text-version of the list below the cut:

Goretober 2023

A shorter Goretober list for myself and anyone else who want to participate, but want fewer prompts and more time for each prompt. Feel free to shorten the list even more by only doing the prompts on the left or on the right! (or every other day, if following the text-version)

There are 8 Prompts in total, and below each prompt there are three extra words. The extra words are there as inspiration, but are Not necessary to include if you don’t want to.

Day 1-4

Prompt: Infection

insects, illness, rot

Day 5-8

Prompt: Burned

melting, charred, blistered

Day 9-12

Prompt: Open wounds

blood, cuts, torn

Day 13-16

Prompt: Insides

bones, brains, viscera

Day 17-20

Prompt: Face Trauma

eyes, mouth, teeth

Day 21-24

Prompt: Broken

bruises, dislocation, amputation

Day 25-28

Prompt: Hands (or paws)

nails (claws), deformed, tools

Day 29-31

Prompt: Plants

invasive, suffocating, poison

[alongtidesoflight]

so here's my honest thoughts on dragon age: the veilguard, after ~40 hours of playing. i finished the main quest after having finished all companion quests and major faction quests. just to clear up what content i saw, i played as an elven transmasc rook who is a member of the lords of fortune. he romanced lucanis (although after finishing the game i'm now leaning towards taash). i don't know what's happening in playthroughs that have a different race, gender identity, romance or faction going on.

full spoilers ahead, i mean it. don't read further if you want to avoid them. i don't want complaining about it in my asks.

oh and also, if you're worried because of a few negative reviews online i can comfort you by saying don't give a fuck about a certain big name youtuber who is very much tied to bethesda franchises giving this a negative review. i'll explain why.

i'm starting off with the things i liked

the game looks really pretty. i was worried it wouldn't feel like thedas anymore (with them trying to "focus on northern thedas only" i thought they'd make a clear cut in environmental design. they do and they don't. it's complicated. i'll elaborate on it when talking about the negative stuff). anyway it does. minrathous feels like kirkwall. treviso enchanted me like the winter palace did. the hossberg wetlands reminded me of the hinterlands and a couple other inquisition maps. arlathan looked like... arlathan. the crossroads were different, but familiar. overall i like the way it looks and feels. it's thedas, with a twist. it's a good one, and gives everything a solid but unique feel.

combat is top tier. if you're a hardcore dragon age player you WILL miss the tactical aspect of it for a bit, but i promise you, once you're used to the way the combat works, you will be lapping that shit up. and once you get to ability combos you'll mourn the control you used to have over your companions in battle a bit less

the MAIN quest and its story. i expected worse, way worse. and for a while the game even had me tricked (harr harr you'll get it in a second) it is Really That Much Worse. but holy shit was it good. i walked away satisfied ngl.

your choices have SOLID weight. there's consequences, good AND bad. i got minrathous blighted, ruled over by venatori, and the leader of the shadow dragons ultimately died because of my decisions. i made those at the beginning and throughout the game. he died at the end. DAVRIN died because i didn't expect what i was saying to have that much weight. i thought i was in the clear. he had hero status. well turns out, your choices can still get your companions killed even if you do everything right. i fucking love him. he shouldn't have made that sacrifice just because i told him to do everything it takes once.

the inquisitor, morrigan and dorian being there, surprisingly. there's also negatives to this though, see below.

speaking of companions dying and the inquisitor playing a bigger role: the final quest feels like me2's suicide mission. i was blown away by it and the fact that i got to see the results of all my efforts playing out in front of me.

bioware are NOT trying to redeem solas. they love him as a character yes, but i wasn't forced to see any good in him. he betrays you. he fucked my rook over twice. he fucked him over right back, for good this time (the veil wasn't torn down, i anchored it by binding him to it, he's doomed to uphold it). but solas really lives up to his name as the trickster elven god. rip to all the people who grew really attached to him over the years.

varric died. if you like him that's probably as hard reading it as it was watching it. varric died and the game lies about it until the very end. when the realisation hits, it hurts. but in the very best way.

the amount of care they put into gender expression and trans identities this time around. (i'll add onto this with negative points as well too).

rook feels very much ingrained in the world of thedas. he doesn't ask questions that expose the player to lore through dialogue as if he's stepped foot into thedas for the first time. those conversations feel very solid and good. i hope other faction players got as much joy out of this as i did.

and the things i didn't like and boy there's a lot unfortunately

the music. let's just get that out of the way holy shit. it doesn't feel like it belongs in this universe. it gets so incredibly sci-fi-y at times you'd think it's taken straight from mass effect andromeda. there's not a single song unique to veilguard that i really enjoyed. it broke my immersion, real bad. hearing a busker play the tavern songs from inquisition on a lute right after i killed some venatori with wobbly bass songs playing in the background is just odd. weird tonal shift. don't like it. it's made for people who like flashy light-weight cinema.

tevinter nights is required reading. the podcasts are required listening exercises. the game is so fast paced, especially at the start, that there's no time to introduce you to characters and how much weight their names carry in-game. i would not have known who half these people are if i hadn't skimmed over tevinter nights. i'd care even less about them than i already did. there is no time to get properly attached to them. people will act as if you're talking to a legend personified and you'll be thinking man goddamn which chapter of tevinter night were they in again and what did they do???

there's a weird mismatch with the animations. you'll have beautifully fluid ones, like emmrich casting spells. and then you'll have rook's face animating in the most unnatural manner that's sorta reminiscent of mass effect andromeda's "my face is tired" addison, when their emotions SHOULD be landing with the player rn instead.

i'm not vibing with the art style. sometimes it works. most of the time it doesn't. at points i felt like i was watching tangled.

that also brings me to some of the dialogue. same issue. i am watching frozen. i am watching tangled. someone on the writer's team really likes the adorkable trope. bellara is its victim.

for all the talk about identity, bioware sure doesn't like theirs. the grey warden armor got a redesign again and it just makes them look like a generic army. i hate it lol

in general, i don't like the armor design. the wardrobe/appearances system is fine, but it's just not helping if all the armors are just... kinda bland or downight bad looking? and don't get me started on the lords of fortune armor. that is orientalism personified.

the world states should have been carried over, full stop. i know they said they didn't because they want to separate what happens in the north from what happens in the south, which... i could have lived with that. but the inquisitor sends you letters that keep you up to date on... the south of thedas. you learn that there's a blight again, that people are standing strong but it's difficult, denerim's fallen, the rulers are taking care of it, orlais is fighting and they're successful for a while, etc etc. what's good bioware. i thought we don't care about the south this time around. why are you feeding me so much boring generic information. if you're not gonna show any of it and just write letters, then carrying the world state over should not have been an issue. i have a game dev background. those few lines of code would not have broken your budget or pushed your engine's limits. fuck right off.

this gripe of mine carries over to all the cameos. as a lord of fortune you have to deal with isabela a lot. it's fun. i missed her. you get to go drinking with her and taash and bellara! also my hawke romanced her. she's not mentioned once. they had the opportunity to put a sentence or two about her in there with not a lot of effort, trust me.

when varric dies, all she has is a single line about it. for gold, for fortune, for varric. she only says it if you interact with her on your way to the final push. that's not mandatory.

morrigan is there. kieran isn't. the old god soul that mythal and then solas absorbed? who cares at this point, the gods are dead now and solas is locked away for eternity. i suppose? why is morrigan there. she feels unneeded. i wish they'd just left her down south, at least that way i wouldn't have had to witness her god awful redesign.

dorian at least feels as if he belongs in this story. the shadow dragons are a crucial part to protecting minrathous. he's also weirdly underutilised. isabela and morrigan had more lines than him in my playthrough.

on the topic of romance: bro that was underwhelming. no, genuinely. you know when romance picked up a bit? after the point of no return. i heard maybe two lines of companion banter about it before that. maybe i missed something which i honestly doubt, but romance did not play much of a role in lucanis's storyline. i saved his grandmother as he wished me to (and if you read tevinter nights you know she was rather abusive and their relationship not the healthiest) and told him to focus on his family. a reunified family my rook wasn't even introduced to as a partner at the end of all that.

really, do not buy this game if you're only in it for the romances. others might be better, lucanis's basically gave me nothing. except for an outing (the second coffee date i had with him, it was getting repetitive) all of it played out once i committed to the final quest. the sex scene was a fade to black. annoyingly right after davrin died. if you're looking for well paced and good spice, pick up something else. the sweet talk and the final goodbye were nice though.

for all the good the ever-presence of gender identity does, it is brought up in such a disruptive manner too. it doesn't even play out naturally if you CHOOSE the lines that are meant to be said. hearing the words trans and non-binary in this setting doesn't feel right, and i'm saying this as a trans guy. i think it could have been handled more gracefully. the amount of times my rook went "i'm a MAN" as if he's about to start drumming on his chest and roaring any second now got super nerve-grating. "i'm so glad you're into me... the me who is trans. remember?" just. tell me one trans person who'd talk like that to a person they've grown close with and are trying to romance. this game doesn't handle sexuality well, so all this hey my body might not look like the way you're expecting it to look talk amounts to nothing anyway. i feel about this the way i feel about krem: this is partial exposition to trans experiences... packaged up for cis consumption. the ONLY exception to that is interacting with taash. holy shit was all of that heartwarming and bro did it feel good and natural to talk to them about theirs and rook's gender.

rivain and nevarra are new locations added by veilguard. they're also incredibly underwhelming, small and constricted maps. rivain is a coastline with a few ruins. the hall of valor is a partial ruin nestled into a cave on a beach, with a fighting pit. isabela is there in her skimpy outfit commentating your pit fights. that's it. i'm sorry if you were looking for a bustling pirate cove or whatever. you're not gonna get it. the nevarran crypts btw are a long ass dungeon crawl. that's it.

speaking of maps. i thought people were being dramatic when they said you're gonna be fighting the same enemies on them again and again. i thought they were figure of speeching it. they're not. you WILL fight the same amount of enemies. in the same spot. every time you reload the map. best to stay on a map and clear out the enemies and do as much questing on that map as you can before leaving, because you WILL have to do it all over again once you return.

the three choices i made for my inquisitor didn't matter lol she didn't have to face solas and therefore couldn't stop him at any cost as she had sworn (maybe because my rook tricked solas into binding himself to the veil, there was also an option to fight him. would she have stepped in? who knows). blackwall wasn't mentioned. and either her using a small amount of her forces in the final fight was the reason the civilians of minrathous fared so well..... or it just didn't matter. ultimately i think she had very little impact on anything

[stone-stars]

actually it's. interesting to me the way clerics and paladins exist in naddpod. because divine magic isn't really ever about the divinity of it. it's about the devotion.

i'm going to loop back to beverly bc he's the most classic paladin naddpod has. but like. alright. you have erlin, who becomes a cleric not to serve pelor but to help people. he's so dedicated to bev, he wants to help the people he loves, and that's the way to do it. because he's not strong in the traditional sense, but he can be strong this way.

you have fia, who's a cleric because of her religious upbringing but mostly calls upon the trickster for her magic and if you really think about it the thing she is most devoted to isn't the trickster at all but irina. you have tarragon who becomes a cleric in repentance for her days as a soldier, but all of her cleric stuff manifests in dedication to her friends, to the bond they share.

and you have callie, who-- once she's freed from her tie to mothership-- has a paladin oath that is about her dedication to the wild and the serpents and her promise to help bring them home. her belief in and love and hope for them. and the idea that if she does she might redeem the memory of her mother.

and like. bev. who is very tied to pelor and the light. his oath morphs and changes with his worldview, and the way his powers manifest reflects what he cares about. in the end, when pelor is dead, he doesn't swear himself to another god. he swears himself to bahumia. the thing he's devoted to, the thing he's trying to protect.

it's like... divine casters aren't magical because some god chose them. it's because they chose to care. it's because they chose to look at something and say i am going to care about this so much that it becomes a source of strength.

[hanzajesthanza]

ida emean is the most mysterious witcher character to me. like she literally just showed up from the blue mountains (i thought the elves were starving up there last time we checked) (also last time we checked the elves which lived in the blue mountains wanted nothing to do with humans ever and that’s why they live in said mountains) (like filavandrel whom sapkowski said intentionally never showed up again after time of contempt because he was an old and wise elf that could not be fooled and was not persuaded by the nilfgaardianian bequeathing of land)

and she just shows up as francesca findabair’s plus one to the who run the world girls meeting. you know. which contains humans. and then her only thing is that she’s an elf. she showed up. and oh yeah she fucking slayed that shit so hard not wearing any stones or metals at all in her jewelry in a daffodil dress. and her red hair. of course. but her dialogue is basically just: “yep confirming that’s magic” and “you are being a bit racist don’tcha think”

but the thing that REALLY makes me throw my hands up here is that she’s an AEN SAEVHERNE ?? literally a title we know best from it also belonging to LARA DORREN and AVALLAC’H?? but she was just hanging out with francesca in dol blathanna like going over to her friend’s for tea, when it is said even among the elves it’s rare to known an aen saevherne. so what relationship do they have that… ? dunno.

and but of course, because she is an elf, she is aloof, taciturn, and inscrutable as all hell and so we learn practically nothing about her.

[volivolition]

don't talk to me or my son ever again

[steakout-05]

medic tf2 doodles?!?!?? in this economy!???!?!? (art from yesterday)

most gentle and sweet middle aged german man in the whole entire world smile vs planning to swap all of your organs with a series of interconnected frogs smile

a doodle i did of Medic and Archimedes.... he looks too round in this drawing, not smug and evil enough..... also Mitzi from the RAE appearance :D

i LOVE the voicelines Medic has with Haunted Archimedes, he's not disturbed or even slightly put off by the fact that his zombified dove is 1. talking and 2. has a violent and constant craving for brains. he's just like. being a slightly irritated pet owner about it. he's just like "ugh yes archimedes vants all zhe brains doesn't he. now shut up". also i think this is the most on-model medic drawing i've ever done wtf

[froggtogs]

various studies i did over the summer