#any human made structure really

[anonymous-bastard]

Jfc you truly can't take me anywhere.

[drpicklesart]

they are going to mehnahnaroo

[bucephaly]

Basically. Gender and sexuality and race and a Lot of other things are social and cultural concepts that are not like Facts or intrinsic and honestly I wish more people would realize that these are things we made up and there are no actual rules and everyone's experiences are different

[jucomx]

Surprising absolutely noone except undergraduate math students, it turns out math actually is only about numbers in the end!

[themichaelvan]

litcherally me.at the beach

[caffeinewitchcraft]

AITA for divorcing my vampire husband because he lied to me about his human job?

I (542 vampire) and my husband (260 vampire) have been together for a little over two centuries. There’s a saying in the vampiric community that it takes a century for a tryst to become an enduring partnership and another century to become soulmates. I thought that was true and that Matthew (using his real name because fuck you, Matthew) and I would be together forever…until this week.

First, let me explain a few things to the mortals here. I don’t mean that negatively – I came here specifically to get the opinion of those with a finite lifespan. However, I want to be fair to Matthew as much as possible and some of his decisions are very immortal-minded.

Both Matthew and I are vampires who have chosen to forsake some of our powers in exchange for the ability to daywalk. We made the transition together on our 100th anniversary almost 115 years ago. It wasn’t an easy transition for me. I was very dependent on human blood and I spent the first twenty years in almost constant sleep as my body adjusted to running off of less lunar magic and more solar magic.

It really felt like I was losing everything. My body got physically weaker and my powers began to disappear one by one. It felt like every time I woke, another part of me was missing. One day I could turn into a wolf, the next I could barely turn into a vapor. I could command a legion of undying servants, and then I could barely convince the mailman he didn’t see me levitate down from the second floor.

Matthew, however, took to daywalking like a werewolf to a sheep farm. He barely seemed to feel the pain of losing his power, maybe because he was so much younger than me. Whatever the case, he was out all the time once he stabilized. He would be gone for days sometimes and when he came back it was with fantastic stories about the humans’ new inventions or the new structures being built in whatever town we were in.

I’m not saying I regret transitioning. Just that Matthew and I had very different experiences. It felt like he barely changed at all while my entire being got rewritten. Being immortal makes you comfortable in your own skin. I never doubted myself or my power after I turned 100. But becoming a daywalker made me feel like I was being born as a human again. It was humiliating and vulnerable. I have to admit there were times I resented how easily Matthew did it. I blamed him for not supporting me like I thought he should. I would daydream about draining a human in front of him, showing him what I thought of his fascination with them. I had all sorts of vile and vengeful thoughts. I’m not proud of the person I was and now I’m grateful Matthew wasn’t there to see the lows I sunk to.

Despite all my awful thoughts, I didn’t quit. I don’t know why, but I didn’t. I stuck with it and, day by day, things got easier.

After 26 years I began to stabilize. The benefits of being a daywalker slowly blossomed before me.  Now I can say that I am completely happy with my daywalker status and all the changes it’s brought.

I am the most mentally stable I have been since my Turning in 1482. It’s like I’m awake. The fits of rage that used to consume me for months at a time have completely disappeared. I don’t experience the same level of obsession I used to which has freed up a lot of my time that I used to spend stalking my victims.

However, that drastic of a change would be challenging in any relationship. Matthew and I ended up together because of my obsessive nature. Our relationship became strained when that part of me went dormant. He expected me to follow his immersion into the human world just as I had followed him in his revenge quest against his Master. He expected me to support him wholeheartedly and with everything I was. He wanted sacrifices from me that I used to not even flinch at before making. But something was just…different. We wanted different things. I wanted different things.

Matthew was obsessed with being the perfect human. He craved full immersion. He still makes it a point to get a human job every twenty years or so. Me? I’m happy to live off our investments and some mild mind control while enjoying the art and theater community the humans have evolved.

It got bad. Some years, we spent like ghosts in our own house, drifting by each other without a glance. Other years, it was like we were spies behind enemy lines. He would do whatever he could to thwart me and I would go out of my way to ridicule him. Our vitriol poisoned the earth. Matthew didn’t speak to me for a full decade when that poison killed off an entire town.

About twenty years ago, it all came to a head. We had a serious sit-down talk about our relationship. It wasn’t easy. What they say about teaching an old dog new tricks is sometimes true. Matthew wanted me to be as involved with the humans as he was. He wanted me to care about them like he did. I wanted him to travel with me like we used to and not just hop from town to neighboring town (which he did to maintain a human identity with references so he could keep working). When it became clear that we were at an impasse, I brought up the idea of separation.

Separating in the vampiric world isn’t easy. There are a lot of alliances and blood oaths to be considered. Over the two centuries we spent together, we became known as a unit to a number of supernatural entities that we maintain an uneasy truce with. Separating would mean creating new oaths and alliances with the same individuals. And there was no guarantee that those individuals would make new pacts with both of you. A LOT of vampire couples end up in blood feuds while separating. Neither of us wanted that.

There was also, of course, the emotional side of things. While a lot of immortals tend to only feel muted emotions (especially vampires as old as me), Daywalking had made both of us more sensitive than we’d been before. We were both attached to the memories we shared and neither of us could imagine life without the other. After 200 years together, it felt like Matthew was my right arm, and I his. When I brought up separation, we both felt it like we were discussing an amputation.

After about a year of talking, we finally reached an agreement. We didn’t want to separate, and so we would compromise. I wouldn’t interfere with any of Matthew’s human jobs for the 15-17 years if he could hold them without arousing suspicion. In exchange, he would take a year off to go traveling with me before finding another town for us to live in. In between my trips, he would go to plays and galas with me to enjoy human artistry at least once a month.

Maybe our deal was in his favor. At the time, it felt practical and fair. A year of traveling wouldn’t undo Matthew’s string of connections. We would still see each other frequently by going on dates that I liked. Matthew would get to stay immersed in the human world at the level he wanted, and I could stay within my comfort zone.

Which brings me to my current problem.

We are currently at the start of one of Matthew’s work cycles. He’s been everything from a fireman to a politician to a subway worker to a barista. He craves knowledge and connection to a terrifying degree. If it weren’t for how we move every 20 years and he goes without protest, I’d call it obsession.

This cycle, Matthew told me he was going to be a teacher. I was hesitant. While the humans have become more tolerant and less violent over the years, that doesn’t mean they will tolerate us near their young. Enough humans know about vampires that staking in the modern era is a real possibility. Matthew could incite an angry mob against us or, heaven forbid, get a vampire hunter on our tail. I have yet to be shot, but I hear that they have silver bullets that hurt like Hell.

When I voiced my protests, Matthew reminded me about our agreement. He said that I wouldn’t interfere with his jobs and he’d go to all the plays I liked. He even pointed out that, as a teacher, he could get us into high school plays and expositions. I was uneasy, but agreements are penultimate to immortals. I silenced my objections and let him get a job as a science teacher at a local high school.

When Michael has had jobs in the past, I’ve never really paid attention. One time he was a state senator for ten years and I never even heard him speak. I didn’t consider it worth my time to hear whatever his facsimile of a human would say. Real humanity is in the art they create, not in the parody Michael enacts.

But this one…I couldn’t ignore this one. Maybe it was because I was still uneasy about his proximity to human young or maybe I could sense his lies even at the beginning. Whatever the case, I watched him.

The first thing I noticed was the hours. He would go to work early and would often come home when it was time for us to sleep. When I asked him about it, he said that he wasn’t used to grading and that he had underestimated what it took to put a good lesson plan together. I visited some online forums and that’s apparently reasonable for first year teachers.

He would also sometimes go in on the weekends. He missed one of our dates because there was a “grading emergency” that needed his immediate attention. Something about a student’s test getting lost and then found and he needed to input their grade before the deadline which was on Saturday. Humans like silly rules like that so I didn’t even look that one up. I just reminded him that he couldn’t miss our dates again or else he was breaking our deal. He apologized and said it wouldn’t happen again.

Then about three months into his new job, the phone calls started. We have a private room in our house for when we need to talk without any visitors overhearing. Michael moved all his school supplies in there, saying that he needed a silent space to concentrate on his grading. Whenever he got a call, he would never answer it in front of me. Instead, he’d say “Sorry, work” and just go into his office.

I also noticed that he didn’t dress very professionally. Human fashion changes quickly so it didn’t register at first. A sweatshirt here and there slipped past me, and also the Gucci slides. When he started wearing baggy jeans and jerseys to work, I noticed. I may not be up to date on all the newest fashions, but I do go to classy events. I know what a slob looks like and it didn’t sit right with me that he was wearing that to school. When I asked him about it, he always had an excuse. “This is what everyone wears” and “It’s a theme day” or, bafflingly, “It’s spirit week!”

I tried to leave it alone. The reason we have stayed together for so long is because of our agreement to not interfere in each other’s lives. But between his hours, the phone calls, and his appearance, something didn’t add up.

Then, last Thursday, he missed another one of our dates. We were supposed to go to the Nutcracker together. Even though I prefer matinees (when the cast is fresh), I agreed to get us tickets for the evening show so that he wouldn’t have to leave work early. When he wasn’t there at 7pm, I called him and he didn’t answer. Then, when I called him again, his phone was switched off.

I was furious. I spend nearly two decades in these tiny towns so he can live his human fantasy and he can’t even show up for one two hour show? It was the first time since becoming a daywalker that I felt that angry. I was scared about what I might do, so I made myself go home to wait for him.

Only, he never came home that night. At 3am, he sent me a text apologizing and promising to make up our date on Saturday. But the Nutcracker was only playing until Friday and that would be too little, too late. To be honest, it already was. I texted him that and he never responded.

He never ended up coming home last weekend. I texted and called him probably a dozen times and he never responded. I got angrier and angrier as the days dragged by. Did he think I was someone to be taken lightly? Did he not realize that the fragile agreement between us was all that was keeping us from separation?

Yesterday (Monday), I couldn’t take it anymore. If he wasn’t going to come home or respond to my messages, then I would go to him. If he was so obsessed with this new job that he would ignore me for it, then I knew exactly where to find him.

I arrived at his school at 10am. I researched enough to know how to go to the office and sign myself in. I asked the office assistant which room Mr. Duetto was in.

The lovely young woman looked confused. “I’m sorry, but I can’t give that information out to anyone but family,” she said.

“I am his only family,” I said.

She clicked a few more keys and looked more confused. “His paperwork only shows his mother, Delilah Duetto.”

That’s right. His mother. But I still didn’t understand then.

“That’s me,” I said.

“You are not the mother of 17-year-old.”

“I’m his wife,” I said.

She was upset by that. I won’t bore you with every detail, but I had to alter her memories so she wouldn’t call the police. I may not look like someone who has a teenager, but I also don’t look like a teenager. I ended up having to alter her memories so she wouldn’t call human CPS on an apparent adult swearing she was married to a minor.

I went home and broke into his office. There weren’t any lesson plans. There were no graded papers. There were syllabus from different classes, homework with his name on it, and a few polaroids taped to the bottom of his desk of him at a party with children.

Human children. I don’t honestly know which is worse.

(EDIT: I know the child part is the worst part. I misspoke because of my anger. It’s not the humans’ fault that my husband is a pervert.)

I broke into his laptop and used that to check his text messages. He’s been texting like a high schooler. He’s been to parties with them, listened to their problems and even fabricated a few of his own. He’s caught in some sort of weird love triangle where a freshman girl likes him but his “best friend” likes her. He has texted both of them about it, promising his “bro” that nothing is happening and then turning around and leading this girl-child on.

Some choice quotes: I should know better than to get close with you. You and I come from very different worlds

To which she replied, lol maybe we should let our worlds collide

!!!!

I find the entire situation disgusting. Matthew is several centuries older than them and he definitely knows better. He’s literally wearing the sheep’s fleece amongst the flock. He has no business forming relationships with human children and even less pretending to be one of them. He’s not a baby. He is over two centuries old!

What is he doing flirting with a child? It’s vile and disgusting and I was set to kill him for it.

I confronted him about it when he came home last night. I told him that he was sick and dangerous and if he loved humans then he needed to stop immediately. I told him we either left town today or I would make sure he never set foot back in that school in a way he really wouldn’t like.

 He threw a huge tantrum over my invading his privacy. He shouted at me that I had broken my promise to never interfere in his job. He called me controlling and crazy.

I told him he was the crazy one for chatting up a child. He told me he wasn’t, she was just his friend. I asked him to read their texts out loud if he was being so friendly. I also pointed out that there was no way a 260-year-old vampire is a child’s friend.

He told me I was a hypocrite because I basically cradle robbed him (we’re almost 300 years apart.) He said if anyone was disgusting, it was me for taking advantage of him.

I pointed out that he wasn’t a child, he was over 60 and had already been a vampire for four decades. He argued that that was basically being a child in vampire terms.

I was so angry at that point that the house was shaking. I told him if he felt that way, then we could get divorced right then and there. That that was what I wanted to do anyway because I couldn’t be married to a pedophile.

He asked me if I was seriously going to start a blood feud over him immersing himself in human society. I said no, I’m starting a blood feud because he’s become every predatory stereotype humans have of vampires.

He called me a hypocrite again and told me he was leaving. He said not to call him unless I was ready to apologize. I told him that the next time he sees me, he’d better run before I showed him the real difference between us. And it wasn’t just 300 years.

When I calmed down, doubt started creeping in. From an immortal perspective, what he’s doing isn’t really wrong. I hate to say it, but most immortals don’t view human lives as significant. I know a few vampires who would say that divorcing because he’s playing with his food is idiotic.

Plus, there’s the agreement to consider. During our fight, Matthew pointed out that being a student is a job to humans. So therefore I didn’t have the right to interfere. A big part of me thinks that’s bullshit, but a small part of me wonders if he’s maybe right about that?

I also have to ask myself why this even bothers me. I’m the one in the relationship that is aloof from humans. I’m the one that’s always saying we are from different worlds (Yeah, he stole that from me) and for good reason. 

But over the years, I’ve become fond of humans. No immortal makes art like them. I may not remember my time as a mortal, but there are works that give me a sense of nostalgia. Sometimes I think I can remember being a child myself, standing in a field like in Monet painting, staring at the wheatstacks and waiting for the miller to come. 

The thought of Matthew playing with them makes me sick. It’s like even after all the years of him living amongst them, he thinks of them as props in his twisted play. It’s even worse that he’s doing this to children. 

I can’t help but think something went really wrong with my husband when I wasn’t looking. At the very least, I’m planning on divorcing him. But would I be the asshole if I killed him too?

 Separating from him will be violent and messy. There will likely be human casualties. But I don’t see any other way. So, I ask.

AITA for divorcing my husband for lying to me about his human job?

----

Thanks for reading! I loved answering some of the responses I got when I first posted this over on my Patreon (X)!

These collaborative story telling pieces are the highlight of my week. Next week's story is about a witch who wants to know if she should attend her high school reunion even though she's responsible for stripping two former classmates of their magic...

Please check that out here (X) if you''d like early access! Otherwise I'll see y'all next week :)

[meo-eiru]

Day 5 of Character Trivia Night!

For tonight we have Theo

Theo has a human mother and a cyclops father, though his dad isn't really in the picture as his mom doesn't like to settle down and instead jumps from monster bf to monster bf

Since there aren't any schools for monsters his mom always sent him to human schools, which meant Theo was always around people who did not look like him

His skin is a bit greenish but they usually explain it as a sickness and he always keeps his bangs long to hide his eye, thanks to not having much of a presence as well he was able to go under the radar most of the time

But there was one time in elementary school when he wanted to try playing with the other kids and ended up accidentally showing his eye. His mom quickly moved them to another city and enrolled him into a different school before the news outlets could get their hands on the situation, so by now it's more like a legend of their old town

The experience was quite traumatic for him so now he makes sure to never ever let his eye show in public

Some people who don't know him assumes he's a gamer but he's actually very bad at games

Has no depth perception and wears single lens glasses (glass...?) to make up for it, but they are a bit ugly so he only wears them at home

He actually doesn't have an eyebrow

Due to his quiet and nerdy appearance there are rumors about him being a gamer in class but he's actually really bad at games

That being said he's really into movies, anything sci-fi more specifically. Especially ones about aliens

Maybe because they are often depicted green, or maybe because the focus is on them not being human, but growing up Theo felt a lot of kinship with the aliens he was on the screen and they became a way for him to cope with his own life

He's mostly terrible at cooking but can make fire lasagnas because his mom likes it and it was the one meal she actually taught him

If left alone he would mostly stay alive eating chips and other snacks

He favorite color is green but if he had to choose a second favorite he would say dark purple

The first item of yours he stole borrowed, because of his overflowing love, was the pen you forgot on your desk

Soon he started collecting whatever item he could find of you. Erasers, pencils, napkins, used straws, clothes....

He also likes to take your pictures and hang them on his ceiling and walls, looking at your face as he falls asleep helps him see better dreams

He never intended to make a shrine of you but the items he stole from you and hid in his closet are starting to form the shape of a shrine and he might've added in some fake candle totally not because he wanted to make it more shrine light but because his closet just needed some more light

He's surprisingly good at drawing. He always enjoyed sketching colorful and quirky monster like creatures but lately his notebook has been filled with drawings he made of you. Weirdly enough, unlike everything else he draws, your drawings always look so clean and shiny like he's trying to draw his god

He also likes to write your name over and over again, it helps him calm down when he's too nervous or when his love for you is overflowing and he can't keep it under control

When writing can't cut it anymore he has to lock himself in a quiet bathroom and take care of the trouble under his pants. He wants to have something that belongs to you while doing it and usually even just a pen can do it but if he's lucky he can snatch your used gym clothes without you noticing.... and maybe take them home too if you don't pay attention... and try to spread your smell into his room as much as he can...

He always follows you home to stalk you make sure you're safe so he's familiar with its location and structure

One time he even tried going in thinking no one was home but just when he was walking towards the building he made eye contact with your mom and just ran back before she can say anything

His tear drops are really big, so when he cries it turns into quite a mess. That's why he does his best not to cry but unfortunately he's someone who can cry as easily as a newborn baby

One of his secret fantasies is you catching him while he's stalking you and humiliating him for it. Mostly because he can't think of any other reason for an amazing, incredible and holy person (one might say) like you to approach him

[mariasont]

can you please write Spencer and shy!reader for valentine's day? 💕💝💖💖💞💝💖 I love them so much and I love you more

Lover Girl - S.R

summary: spencer has a hypothesis about love on vday & it’s not something you agree on pairing: post!prison!reid x shy!medialiaison!reader warnings: r going crazy over something spencer said hours ago (get a grip girl), r kinda goes out of character, spencer being the sassiest human alive wc: 1.9k a/n: thank u sm for requesting i love this and i love you even more ✨💖

The draft on your laptop was starting to look less like a press release and more and more like a psychological cry for help. Words sprawled like abandoned thoughts, entire sentences had been brutally sacrificed to the backspace key, and you'd rewritten the same transition phrase so many times it no longer felt like a real word. The whole thing read like the work of someone who had just sustained a minor head injury.

Objectively? It was bad.

Subjectively? It was an unmitigated disaster.

You blamed Spencer. Or maybe you blamed yourself for still thinking about it, for letting his words linger in your head like an incorrectly formatted footnote that you couldn't stop rereading.

You had never been a hopeless romantic, exactly, but you liked the idea of it, the structure of it. Believed it was more than a sum of its parts. More than just wires crossing in the brain and pattern recognition.

And yet, he had discarded the notion so easily, reducing love to a series of neurochemical reactions misinterpreted as emotional depth, something logical and completely stripped of any sort of real feeling.

He hadn't meant it cruelly, but his voice carried a kind of detachment that made you want to launch your coffee at his ridiculously well-structured face. It shouldn't bother you.

It really, genuinely, in no universe, should not bother you. It wasn't like you had a chance with him, so why did it matter what Spencer Reid, certified romance cynic, destroyer of sentimental ideals, and casual heartbreaker, thought about love?

If anything, his lack of belief should make it easier to kill this absurd crush before it spiraled into something unmanageable.

You squared your shoulders and looked back to the screen, back to the carefully worded Bureau-approved phrases meant to sound polished and agreeable.

Strengthening community trust. Bridging the gap between law enforcement and the public.

Meaningless, hollow, designed to be palatable without saying anything real. Blah. Blah.

I mean, did he really think that love was like an outdated scientific theory? It was Valentine's Day, for crying out loud — if nothing else, wasn't that proof of its existence?

You had considered the possibility that he had stopped believing because he had to. That prison had stripped the softness of him, turned love into just another abstract concept that didn't hold up under scrutiny, like time, like trust, like freedom.

Or maybe (and this was the more infuriating possibility) he had always been like this, too pragmatic to believe in something he couldn't technically hold in his hands.

You groaned under your breath, rubbing at your temple like you could physically press the words out of your skull, like they were just another headache waiting to pass. Why were you still thinking about this? It was stupid. He was stupid. You were stupid of caring.

Except he wasn't stupid. He was obnoxiously brilliant, the kind of smart that made other geniuses insecure, and that was the problem. Because if someone that intelligent didn't believe in love the way you did.... did that mean you were in the wrong? Had you been naive this whole time, blindly buying into a romanticized fantasy while Spencer had long dissected it and found it lacking?

The knock on your office doorframe startled you so badly that your entire skeletal structure attempted to evacuate your body, knee jerking up, colliding with the underside of the desk with an unforgiving whack.

You barely had time to wonder if you'd just concussed your kneecap before you looked up and — Spencer. Standing in the doorway like some cosmic punishment for thinking about him too hard.

Heat flooded your face like an admission of guilt, because why, why, did it suddenly feel like you'd been caught red-handed?

"Hey," he said, tilting his head. "You okay?"

No, you wanted to say. Not at all. Because what were you supposed to do when they very subject of your over analysis materialized in your doorway, looking at you like he could see every freaking unspoken thought folded between your ribs?

You swallowed, forced yourself to look anywhere but directly at him, because everything about this, about him, felt like some kind of cruel irony.

"Uh, yeah," you croaked, voice pitching embarrassingly high. Great. Perfect. Totally normal human behavior.

Spencer's brow furrowed, his head doing that thing he did when something wasn't quite right. But miraculously, he didn't say anything about it.

"I was just...," You gestured to your laptop.

Spencer nodded slowly, either accepting your excuse at face value or deciding it wasn't worth the effort to call you out.

"Right. I was just going to ask if you had finalized the press release for me to proof."

Your stomach lurched, a sharp drop like missing a step in the dark. Finalized. Bold of him to assume you'd done anything besides stare blankly at your screen for the past fifteen minutes.

"Oh! Yeah, of course," you said, throwing out the words with a half-hearted smile as if that would seal the lie. "Almost done. Just... you know, making sure it's perfect."

Spencer stepped inside, moving just past the threshold. His expression changed. Less neutral. More aware.

"You're acting strange."

Which was unacceptable, because if anyone in this scenario should be acting strange, it was him, standing there like a walking contradiction.

"I — what?" The laugh escaped before you could trap it behind your teeth, jagged and surely unnatural.

"You're tense. And you don't usually second-guess yourself this much. If it was almost done, you'd just say so." His eyes flicked to the laptop. "Did something happen?"

Your face went nuclear, looking away, hyper focused on the edge of the desk like it was the most fascinating thing you'd ever seen. "I don't know what you mean. I'm acting normal."

Spencer made a thoughtful noise. "Denial first. Then contradiction."

"I —"

"Oh, and there's the hesitation. That usually happens when you're trying to figure out how to backpedal without making it obvious."

"Do you always do this?"

"Only when people are lying about something." He squinted at you. "And you're a very bad liar."

He tapped a finger a finger against his arm in a way that made your nerves itch, before stepping forward and sinking into the chair across from your desk.

"Huh."

You frowned. "What?"

"You're doing the same thing you did earlier," he said matter-of-factly. "Avoiding direct responses, looking everywhere but me, shifting in your seat."

His gaze lingered, and then — Gods, help you — his lips curved, just slightly.

"Almost like the conversation was bothering you then, too."

Oh. Oh, this was bad. He was trying to talk about the one topic you'd spent the last twenty minutes trying to erase from your brain.

"I just, well, it's not that I had thoughts or feelings on it or anything, I just didn't, well, I mean, I just didn't want to be in that conversation, you know? Not that it was bad. Just — not my thing."

Spencer's eyebrows lifted. "So you disagreed with me?"

"I — I did not say that."

"No, but you just said everything but that." He leaned forward. "So tell me. What was it?"

You finally look at him, actually looked at him, and immediately regretted it.

You tried to gauge if there was any chance you could turn this conversation in your favor.

Nope.

"I mean, I wouldn't say disagreed, per se, I just... thought maybe your take was a little—," you sighed, "dismissive."

"Oh? And what exactly am I dismissing?"

You hesitated. Not because you didn't have an answer, but because you had too many. Love wasn't just science, romance wasn't just a byproduct of biology, that it meant something. It's real. It matters. It's— "You're dismissing everything beyond your own reasoning."

You waited. For the rebuttal, the deconstruction, the inevitable moment Spencer laid your words bare and left you scrambling to rebuild them. But this time there was nothing. He just sat there. Looking at you. Like he was waiting for something else.

You fidgeted. Crossed your arms. Uncrossed them. "What?"

"Nothing. Just... thinking." A pause. "You clearly have an opinion on this, just trying to figure out what it is."

Your lips pressed together, your brain begging you to let it go, to shut up before you started. But the words were already forming, bubbling up too fast to stop.

"Okay, look. I get it. I get the science. I get that love can be explained in chemical terms."

Spencer nodded, like you were finally seeing his point.

"But that doesn't mean that's all it is," you said, sitting up straighter. "Love isn't just an instinct. If it was then why do people stay in love when it doesn't make sense? Why do people wait years for someone who might never come back? Why do people hold on to feelings they know won't be returned?"

You inhaled sharply, only to realize what you had said felt a little too personal. Heat flared to your toes. "I just, uh, you're looking at it like it's an equation when it's more like, like art. You can break down why a painting is visually appealing, but that doesn't explain why it moves people."

"So love is art then?" A small smirk tugged at his lips. "That would mean it's subjective. That one person's version of it isn't the same as another's."

"Well, yeah, that's my point." You nodded. "Everyone experiences it differently. That's why it can't be reduced to formulas. You can recreate the exact conditions of a moment, use the same words, set the same scene but it won't feel the same to someone else. Because love isn't about external factors, it's about who you're with, how they make you feel."

"That sounds dangerously close to saying it's entirely irrational."

You exhaled. "If it is, then I guess that means you'll never understand it."

Spencer pushed himself to his feet, adjusting his cuff like this was just another conversation and not something that had you actively fighting for oxygen.

Then, with an infuriating self-satisfied smile, he murmured, "Well, maybe I just need the right person to teach me."

You nearly choked on air.

And with one last glance, he grinned and said, "Happy Valentine's Day, lover girl."

taglist has been disbanned! if you want to get updates about my writings follow and turn notifications on for my account strictly for reblogging my works! @mariasreblogs

[comicaurora]

Do you think ethics are just an attempt at being a healthier form of selfish?

In one of your Detail Diatribes where Batman confronts Catwoman and tries to stop her from killing Falcone, you highlighted the fact that his reasoning was not to protect her father, but to try and save her. Ever since, some very strange ideas about the nature of selfishness and selflessness have been rattling around my head.

It only started coming into focus when I tried to put into words why it was a bad thing that D-16 killed Sentinel Prime. My best answer right now is because it made D-16 into Megatron. Orion wasn't trying to save Sentinel, he was trying to protect the cybertronian people. Maybe if Orion focused more on saving D-16, they wouldn't have lost their friendship and all of Cybertron would be better for it. Of course, in the end, Megatron was the deciding factor in making himself, caring more about his pride than his current identity, but this highlights a strange selfish quirk in sustainable selfless behavior.

If you are purely selfless you suffer from spending more of yourself than you have to give. If you're too selfish you can't maintain the human connections that are a requirement for being a complete and healthy person. It leaves the best options as being selfless to make your environment an easier one for you to live in. Where your actions for others are repaid by the selflessness from your community. Or, being selfish with your charity. Taking care of what you care about because their well being positively contributes to your own.

To be fair, the opening sentence now looks like an incomplete thought. It probably should be asking if you think ethics is just an attempt at being a more healthy form of selfish and selfless. Really, just asking if ethics is meant to make you better at being a person, which seems like a question that can answer itself. Still, it feels like an important insight to highlight that to be ethical isn’t about how much of your own life you're willing to sacrifice. It's hard to be a good person when you're not a person anymore.

This is a fascinatingly deep question, and I'm very tickled that our two touchpoints in it are a transforming robot tank and Batman.

My personal opinion is that ethics and morals are not reflections of some universal truth of Justice and Goodness, as they are often framed, but are instead best-practice guidelines on how to function in the big, messy world without causing undue suffering to yourself and others. A facet of this is determining, case by case, how much you need to prioritize yourself vs how much you can afford to help others - in the framing you've proposed, selfishness vs selflessness.

Taking the specific examples we're focusing on - two cases where someone attempts to prevent a revenge killing for the benefit, not of the victim, but of the avenger - I think they reflect this worldview, that the killing is not seen as some innately universally-judged evil act that must be prevented for its own sake, but that the act of killing will harm the killer in a way the person trying to stop them doesn't want to see.

For Catwoman, committing premeditated murder wouldn't solve any of her problems in any way that arresting Falcone and having him legally unraveled would. It'd just park a first degree murder charge on someone who'd up til this point only dealt with petty larceny, and it would potentially weigh her down with misery and regret as she grappled with the trauma of taking a life.

For Megatron, killing Sentinel Prime wasn't a bad action because he deserved to live. They just spent that whole fight scene tearing through enemies. They're warriors on track to spend the next four million years killing each other; the whole "taking a life" ship has already sailed. The problem is that Sentinel is a symbol and a structural part of the political narrative in the founding of the next stage of Cybertron's society. If the first thing the new regime does is bloodily avenge itself on the face of the old regime for the personal wrongs it did them, that proves that the only thing they care about is personal satisfaction of their individual desires - just like Sentinel. Meet the new boss, same as the old boss. If they can instead take a step back, think of the good of Cybertron as a whole, enforce a rule of law and a fair system of justice that applies equally to everyone, even on someone they personally loathe, that would signify integrity and credibility and the hallmark of wise, just and fair leadership capable of setting aside personal feelings for the greater good. It's not about Sentinel; it's about whether the satisfaction of killing him is worth the price of enforcing forever that personal vendettas are more important than the well-being of the people of Cybertron. Which makes it really obvious which one Megatron is going to pick.

My hottest take, and I mean this very genuinely, is that most of the human perception of what constitutes goodness and justice is one thousand percent based on vibes, and is extremely susceptible to narrative reframing. We see an unsympathetic victim (Sentinel Prime, Falcone) who has gleefully caused suffering to innocent people (so judged because they are framed sympathetically, not because we've actually enumerated their lifelong actions to determine they've never done anything wrong) and we feel (feel) that it would be right and just for them to suffer consequences (emphasis on suffer) because that would balance the scales on this vibes equation and that would make us feel like justice had been served. Would this suffering lead to any material good? Not inherently. Would it heal the victims? Not usually. Would it remove the source of the problem? Categorically not, what with how negative reinforcement works (or rather does not work.) It also wouldn't do anything about the other people empowered by the same system to be just as shitty in just as many ways that just happen to be offscreen from our POV. But it feels fair. So what is justice, if it reduces down to "I want them to hurt for the hurt they've caused me"? If it can be sated with a spectacle or distracted by a long nap and a good joke to let the feeling fade? What purpose does this justice serve if it is devoted wholly to the satiation of a bone-deep chordate-brain hunger for Retributive Violence rather than towards actually ensuring that the lives of those harmed are healed and supported and built up again after being broken down? (This is the entire core character arc in The Batman, btw, I'm not just monologuing for no reason here. He calls himself Vengeance for a reason, and the reason is he's doing Batman wrong)

That feeling - that white-hot burning core of Righteous Fury - is the unexamined heart of many systems of morality that focus, not on doing good, but on exacting satisfying retribution on Bad People Who Deserve It, categorized as People Who I Can Hurt Without Feeling Bad Myself. It's a very tempting concept for people who have suffered at others' hands. That feeling, that powerful instinctual understanding of "that's unfair," is incredibly strong. In my opinion, most systems of ethics are built, not around relitigating what is Good and what is Bad per se, but in trying to shape and curb that bone-deep, unbelievably powerful desire to rend the flesh from the bones of your tormenters.

But I mentioned that feeling is susceptible to narrative reframing. This is, as I understand it, a huge part of lawyering. Tell the story of what happened using true events and adding no falsehoods, but highlight the parts that make it feel like your client is the one who is being treated unfairly. They're not an unsympathetic wrongdoer who you can punish without personal moral stain - they're a loving spouse, a parent of three adorable children, they have a really cute puppy, they donate to charity, they're a wonderful conversationalist, a kind friend, etc etc. All those things can also be true of people who do terrible things, but thinking about them defuses that White Hot Core by making us sympathize with the sympathetic parts of them.

This is incredibly well-understood in fiction. It's the whole reason the tropes Kick The Dog and Pet The Dog exist. When you want the audience to root for a character's destruction, leave aside any of their potential quiet moments of sympathy - their tragic backstory, their cute pet, their adorable relationship with their mom - and instead show them going out of their way to commit some minor act of petty cruelty, say Kicking The Dog. The audience will infer that this badness is 24/7 and they have no reason to curb their enthusiasm for Righteous Vengeance. But if the writer wants the audience to see a spark of good in them, to sympathize, to believe they can be redeemed, they'll highlight one of those small moments of charming kindness, and allow them to Pet The Dog instead.

Neither of these acts, in the grand scale, have any bearing on the morality of this person's actions. A pet dog doesn't counterbalance a razed village; a kicked dog doesn't negate a generous contribution to the local soup kitchen. Goodness and badness is not a linear scale added or subtracted to by opposing deeds. BUT showing them to an audience reframes them narratively, and THAT is what shapes the judgment of the White Hot Burning Core. In the space of fiction, this form of bottom-shelf emotional manipulation is one of the cleanest ways to get the audience to root for the messy destruction of what is ostensibly, in the universe of the fiction, a wholly complex and living person who definitely has reasons for everything they've done, even ones that could be framed sympathetically when shown.

Meanwhile, in the real world, ethics are an attempt to judge what is best in a given situation without trusting the White Hot Burning Core to make the call, no matter how compelling "but it would feel really good though" might seem. They try to give someone perspective, context, other priorities to consider. The White Hot Burning Core might want you to rip someone's arms off for driving slow when you've got important places to be, but Ethics can present a number of compelling reasons not to do that - even if it's just "ripping their arms off will definitely make me even more late." And yes, this can be a balance of Selfishness Vs Selflessness. You are one of the people whose wellbeing ethics is designed to make you prioritize improving even if it feels weird, and when all other things are equal, your own health and happiness can be the deciding factor. In a world with an overarching Moral Force that weighs the goodness of your soul by sifting through every grain of action and intent seeking negativity to punish you for, absolute selflessness to the point of self destruction would still probably be seen as Morally Wrong, simply because the universe is a better place with you in it trying your best.

Anyway, if doing the right thing was simple, easy and painless, we probably wouldn't have so many thousands of years of arguing about what it looks like. Good luck out there everybody 👍

[raynewolferune]

Meta Jazz, the Arkham Intern Therapist Pt1

Update 5/16/2024: Congrats guys, gals, and others! You have planted the seeds and they have grown. Today I wrote another 46 pages on this story (the first section was only 9 pages ya'll). I'm working on splitting it up into smaller sections so I can post it now because tumblr said no to doing it as one piece. I'll be using the tag #Meta Jazz Arkham Intern Therapist if you want to follow it.

Original Note: I'm going to go ahead and apologize for how OOC Bane is in this. It originally was Joker but I couldn't see Jazz tolerating his proximity for more than a single millisecond so Bane it is.

~*~*~

The hardest thing about being a Meta in Gotham was responding appropriately during a Rouge's attack, Jazz mused to herself. Or perhaps that was just the hardest part about being a Meta intern at Arkham while studying psychology at Gotham University. Or maybe it was just her, she considered watching the guards and Dr. Rylie whom she'd been shadowing for the past 2 weeks wide eyed, pale, and shaking as theybstared at Bane behind her. It must just be her, Jazz decided, newbie guard Kyle Jennings was definitely a Meta after all. She should probably give him some tips on hiding his enhanced strength considering how often he broke mugs, door handles, and other delicate items used in daily life.

"Weapons down or I'll snap her skinny little neck." Bane growled out, shaking her slightly for emphasis. She very much doubted that. Liminials were built different than the standard Meta, stronger, faster, better endurance, and senses even if they could mostly appear to be standard humans on the outside.  As such, their bones and muscles were much were much denser than regular humans or even Meta humans. Technically, she could be considered "invulnerable" much like the Kryptonians are.

"Back up! Let him through!" Dr. Rylie  shouted at the guards. "She's my student! Let him through!" His voice was higher pitched than she could recall hearing it before.

Ah. That was panic.

Jazz sighed involuntarily and glanced over her shoulder at Bane. Why the man had grabbed the only person close to his own height nearby was a mystery to her - no, nevermind, he clearly meant to use her as a shield - but it made looking him in the eye more difficult than necessary.

"Mr. Bane, remove your hands from my person, please." Jazz stated calmly, channeling what Danny called her inner mom as she spoke. "I will give you to one to comply."

Bane looked stunned for a moment then laughed.

"Five."

The laughing continued. Jazz could sense a stir of uncertainty through her colleagues as they looked on.

"Four."

"Did you really think that would work?" Bane snorted out, arms tensing more around her.

"Three." She continued, indifferent to his words from her experiences raising her brother. Once the count down starts you mustn't respond to anything the kids do or say until they comply or the count is done.

"What cab you even do if I don't?" Bane asked darkly breathing directly in her ear. She kept her face expressionless despite the urge to express disgust.

"Two."

"Jasmine..."  Kyle whispered halfway across the hall from her looking on with a pained and horrified expression. Gun tilting towards the floor. Sloppy.

"One." She finished and Bane gave a derisive snort.

Then she was moving. Hauling the enormous man up and over her shoulder using the arm that had been wrapped around her neck. Bane hit the cold tile hard enough that the tiles, subfloor, structural supports, and part of the concrete foundation buckled beneath him. His shoulder popped out of joint, his wrist cracked - a hairline fracture by the sound of it -  and his breath was punched out of him from the force of impact. She released his arm as soon as his was embedded in the tiles and moved forward. Kneeling over him, support most of her weight on her left foot resting on the broken ground, her right knees pressed firmly across his throat without supporting any of her weight. The position put more strain on her muscles than she would've liked but at least Bane couldn't risk fighting back without crushing his own neck in the process. He could hardly throw her while flat on his back with a mangled arm.

"Now," Jazz began, looking directly into the behemoth's pained eyes. "Do you know what you've done wrong?" She asked like she would have done with Danny as a child.

"Yes, Ma'am." Bane choked out. Jazz heard movement and murmuring behind her. She didn't turn to look.

"What did you do wrong?" She asked. It was important to make sure children correctly understood why they were in trouble after all. There was a long pause as Bane appeared to cast around for the exact right answer as if he feared getting it wrong. A bad habit Danny still uses as well, Jazz thought to herself.

"I tried to hold you hostage," He choked out in a rush, words tumbling over one another as he tried to get them all out. "I scared you coworkers and it was very disrespectful."

So he'd gone for the grab-bag response. It wasn't wrong per sey but it did indicate a past history of abuse. The type of answer given by someone who expected to be harmed or ignored if they gave the "wrong" answer. Danny tended to use that method also and their parents had always been negligent at best.

"And are you going to do it again?" She asked giving him a Look as she did. Bane's eyes widened and he tried to frantically shake his head as much as possible with the pressure on his neck.

"No, Ma'am." He promised fervently.

"Alright then," Jazz said giving him a warm smile. She gestured vaguely towards the guards without turning to look at them. "Kyle here is going to take you to see the nurse and then back to your room then. I'm sure you'll behave for him?"

"Yes, Ma'am. I'll behave." Bane said. Jazz stood slowly asking sure not to put any additional pressure on his neck as she did. Kyle came and stood next to her as the giant of a man slowly pulled himself to his feet then led him away with 5 other guards.

Jazz heaved a sigh. Well, time to find out whether or not she could play all that off as normal, non-Meta human behavior.

[kedreeva]

Today in measuring your peahen, Bug is casually 2 foot, 3 inches tall (she can stretch a little taller when she REALLY wants a treat). This is just tall enough to see over a tray table and pull things off of nightstands and end cabinets.

Bug is also a little over 3 feet long from tail tip to beak tip. Most of Bug is made up of tail and neck. There is a 6lb dead weight in the middle somewhere that she knows how to directly place onto the ball of one foot while standing on you.

Bug's wingspan is around 3.5 feet, thought I didn't get a measurement. It will be over 4 feet as an adult.

Bug is growing in her spurs. As a Spalding (hybrid) hen, Bug will likely have one inch bone knives conveniently attached to her tarsometatarsus. This is technically fused foot bones, not a leg bone. Curiously, pure Pavo cristatus hens have spurs, and pure Pavo muticus hens have spurs, but many domestic Pavo cristatus and low-percent Spalding hens lack them. This is one of the indications of domestication in the cristatus species. As I prefer the wild type, I prefer my hens spurred, so this is a good sign!

Bug's toes measure a smidge over 5 inches from the tip of her rear-facing to to the tip of her longest front facing toe. Try measuring that on your hand.

Bug's nails measure 1/2-3/4 an inch long, depending on the toe. That's almost as long as one finger section for most people.

When I had snakes, I got asked all the time if I was afraid of them biting me. The answer is no. I have been bitten by a 6 foot long, 20lb boa constrictor, and have no scars to prove it. Meanwhile I have so many scars from peafowl sitting on me, particularly on my forearms, that I have had to reassure people I am not a danger to myself.

I post these photos as a reference, but also as a precaution. This is a BABY peafowl, and a female at that. She is only 6 months old and weighs a little over 6lbs, which means she's about 2/3 of the way grown, and adult hens are typically 3/4 the size of an adult male. These are BIG birds that can do a LOT of damage, even accidentally. When they become aggressive, as in the case of hand-raised males or poorly bred birds, they become a potentially fatal threat to any other fowl you have. Unlike chickens, they are more than capable of (and prone to!) jumping to human face level before they flog (kick with their feet in a way that allows their spurs to hit home), which means they could easily take out an eye or cause other serious facial injury if they get a lucky strike. I have seen more than a few people end up with stitches, and more than a few birds end up euthanized because people think they are gonna be cute cuddly friends.

I know that Bug is a cute bird, but I also want to stress that a) she has an outstanding personality as a result of breeding choices and socialization b) she hasn't hit maturity, and won't do so for another 2+ years, so her personality could change considerably still and c) I have been raising peafowl one way or another for my entire adult life, which has been structured around keeping them. I love my birds, and I would love for more people to keep peafowl as they are great animals, but they are not casual animals. They are large and potentially dangerous farm fowl that take a lot of space, care, and knowledge to keep.

[sashayed]

Started a novel that I really wanted to like because it takes its utopian thinking seriously, like, its entire premise is "what if the world changed in the ways we want it to, what would that actually look like, as a historical document," and I think this is a great idea, partly because I am in that stage of my periodic illness where I have so much trouble conceptualizing any kind of future at all much less one that is "better" that I have trouble getting all the way through a bowl of cereal, so the more input I can absorb on that front the better, BUT the thing is this book is so resolutely humorless that I am struggling to make it out of the first chapter. It's so unfun that the absence of any kind of playfulness has a kind of confrontational piety (you want to laugh while we are being broken on the wheel, pettybooj???) and in fact almost starts to look like a moral position, I mean it made me start to think, wait, does humor depend on power imbalance? In a world where no human could use the structures under which we live to dominate another human, would the necessity and indeed the ability to have fun and crack little jokes disappear because we wouldn't need it? Maybe these authors are positing that humor is like tree bark, I thought, we only require it for food under truly dire circumstances and in a world with real nourishment we could all afford to be as po-faced and sanctimonious as this narration, and we would LIKE it, actually, we would like it better than having our stupid little laughs together, and if YOU don't want to make that trade then it's because you are not ready for the New and Better World, and you will be cast into outer darkness with the other clowns, is that what you want? And I thought: maybe it IS! god, maybe i would rather joke with the other on-fire idiots in the pit than have to stand in a circle with the saints in this book and go on and on and on about how smart and compassionate we all are. and then I took a shower and remembered that baby rats play with each other and they're not ensnared in capitalism and the real issue is that I just don't like this book

[windienine]

like most humans i have a pretty nuanced personality that can be easily barnum'd and as a young teen i was pretty open to astrology, mbti, and any other horsepiss that made me feel like i could rely on a higher power or a sorting system to help me get my shit together during a really stressful time. i regularly worsened my ocd by coordinating the appropriate healing crystal pendant for the corresponding day, hour, and moon phase, but the impetus for this was less specifically a suburban mom wellness scam thing (though this was where i sourced my finds) and more that i had extreme chuuni energy throughout my middle school years and was waiting for the correct magic crystal, hidden tarot deck, or dusty grimoire to grant me my magical wings and talking animal companion

anyway a friend did a double take at me when i nodded about their jewelry retail woes and went "yeah the moms buy amethyst for focus like hotcakes i used to press a geode to my head at age fourteen to try and treat my ocd before i knew i had ocd."

anyway anyway the actual interesting thing about amethyst is that it's purple because of iron impurities in the quartz structure

[valtsv]

sorry if this has been asked before, but are there any pieces of media that have shaped your conception of angels?

a formative one for me was his dark materials, when it described angels as only appearing in the form of winged humanoids because it was what was expected of them, and claimed that their true forms actually resembled architecture/"huge structures composed of intelligence and feeling" - i could never hope to draw the mental images that gave me, but it influenced my comparisons of pylon towers to angels, which are the closest reference i can give to the towering skeletal chain-like structures of light and matter that i imagined angels to be. it was also what first made me question the nature of angels, and begin to see them as something other than simply people with wings and halos who sang and/or fought for god - though i do have a weakness for angels imitating humanity, desiring and envying their free will and the unscripted lives it grants them, and in doing so becoming a little more human and a little less divine themselves, and falling in a metaphorical rather than literal, physical sense (which, to an angel, being an entity made of pure symbolism, is essentially the same thing, and can kill them just as surely as a sword).

kill six billion demons' angels are very inspirational to me; their naming system based on which reincarnation of itself the angel is makes me clap my hands with delight - particularly 6 juggernaut star, whose name belies how long she has endured through endless cycles, unable to break the wheel herself, and become entrenched in her own despair-driven futile rage as a result. and of course i'm a huge fan of 82 white chain's character arc involving an allegory for transition (specifically coming out as transfem) that also actually culminates in her transitioning (again, the symbolic and the literal go hand in hand with angels).

theres also this YA book called 'angel' by cliff mcnish that i read when i was like. eight? nine? i remember very little of it, and don't think it would hold up at all if i reread it now, but i do recall that one of the guardian angels in it died while saving one of their wards in a car wreck. the idea of angels as something that can be hurt and destroyed, that could be created to suffer and die, that could feel pain and experience grief, and potentially be imbued with supressed self-preservation instincts to serve their purpose, really flipped a switch in my brain.

[euphoriaslux]

two’s a party.

summary: you recently transferred to stanford, and decide to tutor a tennis player in your class. he has a friend. severe indecency ensues.

word count: 3.3k

warnings : smut, threesomes, f!oral receiving, swearing, smoking, drinking. slight cuck energy if you squint (i’m sorry ((no i’m not))). no challengers spoilers!

a/n: this fic got away from me big time but this movie has rotted my brain and as a result i have written utter debauchery that i will not apologize for. just had to get this out of my head, enjoy!

-

stanford science hall. monday , march 3.

You swear the last thing you’ll hear before your body is lowered into your grave is the process of lactic acid breakdown.

It’s 2:30 PM. Kinesiology 189 with Professor Wilson, a lanky middle-aged man with a PhD in exercise science and a half-grown beard that you don’t think will ever fully grow in, is almost over. He’s teaching Extended Studies of the Human Body in a humid classroom filled with student-athletes, most of whom are trying to stay awake, trying to hide that they’re taking a nap, or making no attempt to hide that they’re on their phones. You don’t really blame any of them, because the professor’s voice is so soft and monotone that it feels like he’s begging everyone to pay attention to anything but him. You’ve managed to stay somewhat on course with the thread of today’s lecture, the notebook in front of you filled with scribbles of incomplete molecular structures and somewhat legible drawings of the muscular anatomy of a hamstring.

This class is required for your biology major since you’re on a pre-medicine track. You don’t know why you’re doing it, the whole doctor thing, but you’ve developed a weird fixation for this class. The functionality of the body, how muscles stretch and tear with each movement, and how amino acids work to build them back even bigger.

And, possibly because of the tennis player who sits four rows ahead of you every Monday, Wednesday, and Friday.

His last name is Donaldson. You know because of the faded label on the massive bag he throws on the floor every time he walks into class, at least ten minutes late with a backward Stanford Tennis cap on his head. His first name remains a mystery, partly because he never talks in class, and mainly because you’ve made no attempt to speak to him. You like to think it’s because you’re so focused on the curriculum.

Professor Wilson knows your name, though, since you’re in his office hours every Thursday at 11 A.M. In part because he gives out most of the answers to his homework, and because you just transferred to Stanford your last year and very desperately need a letter of recommendation for medical school. Hence why you agreed to tutor a student with lower than 60% in the class during one of your meetings. And why everyone in the class was staring at you right now.

“... first come first serve, so reach out to her sooner rather than later.”

You give a tight-lipped smile, glancing around the room. Most people have looked away, back to their distraction of choice, but you meet eyes with the fluffy blonde-haired tennis player.

stanford library. wednesday, march fifth.

It’s 11 A.M., and you feel like your brain is about to explode if you look at another practice set.

“Hey”.

Your head whips around to the harsh whisper, only to be met with the blue-eyed mystery from your class. He has that large bag slung over his shoulder, with the end of a tennis racket peeking out of it. His hair is slightly stuck to his face, and his compression tee is slick to his chest like a second skin.

“Hi,” you whisper back. He smiles before tossing his bag on the floor and sitting in the chair across from you, either unaware of or completely ignoring the glares he’s receiving from the other students studying.

“You know,” he pulls out some kind of nutrition bar from his bag, unwrapping it and taking an aggressive bite, “for someone advertising their services, you’re pretty hard to find.”

“You’re in Mr. Wilson’s class, right?” you ask, hoping your subdued voice will remind him that he’s in a notoriously quiet place. He hums, pointing at you with his half-eaten snack.

“And I’m trying not to fail, but you didn’t leave your number anywhere in the classroom, and you bolt after every class. So how am I supposed to patronize your tutoring services…” he trails off, his volume the same level as when he walked in. You furrow your brows as he leans back into the chair.

“That’s when you say who you are.”

You feel a burn on the back of your neck as you tell him your name. He glances down towards the problem set you’ve nearly finished.

“How do you turn in any of those, I can’t get halfway through one of them.”

You pause for a moment before leaning slightly across the table to whisper:

“This new weird thing called studying. I think it just got approved by the CDC.”

“Very funny,” he shakes his head as reaches for your binder with your class schedule printed out on the front of it.

“Why are you taking so many bio classes?”

“Because I’m a biology major,” you can’t help the sarcasm dripping from your voice, and he looks at you with a raised eyebrow.

“Sorry, you’re making this too easy for me,” you raise your hands in conceit.

“I have practice every day at five so you can tutor me for like an hour beforehand,” he says before standing up, crunching up the silver wrapper and stuffing it into the front pocket of his blue jeans. You scoff at his sentence.

“Well, thank you for so generously fitting me into your schedule,” you roll your eyes, turning the page in your textbook. He grins.

“Tell the coach you’re there for Art. They’ll let you through.”

stanford tennis courts. friday, march 7th.

It’s 4 PM, and the California sun is sweltering. Your shorts feel like they’ve become a part of your legs, and your bag feels like it weighs a thousand pounds. By the time you make it to the tennis courts Art is already on the green concrete, shirtless with beads of sweat dripping down his face and chest. You hear his grunts as he sprints across the court, hitting the ball toward a slightly taller brunette with dangerously short red shorts. You watch them at the entrance for a few minutes, slightly entranced as the two play so seamlessly, as if they know every move the other person is going to make. You force your eyes away as you walk up the bleachers, stepping over leftover water bottles and chip bags to sit down and grab your notes from your backpack. It takes a couple more minutes for Art to notice you, yelling your name after he turns around to grab a ball his partner had hit particularly hard. You wave, and he says something you can’t hear to the brunette before the two of them jog across the courts and up the stands to where you are, blocking the sun as the two stand side by side.

“Who’s your friend?” you ask as you stuff the problem set you were working on in between the pages of your notebook.

“I’m Patrick,” he says, with a toothy smile and his ears poking out from under his hair. He has a bit more of a boyish charm to him than Art does, whose eyes are glued to his brunette counterpart.

“Are you in Mr. Wilson’s class too?”

Patrick opens his mouth to answer but Art speaks first, slightly pushing his friend with his shoulder as he says “He doesn’t go to Stanford, too busy being a tennis pro.”

Patrick rolls his eyes but his smile doesn’t leave his face. You notice how different this Art feels from the one in the library, how direct his playfulness is and how close he and Patrick stand together, their sweaty torsos nearly melding together.

Interesting.

“Like, Andre Agassi level pro?” you smile as the two of them laugh. Patrick raises the bottom of his shirt to wipe the sweat off of his forehead, and you can’t help but take a glance at the exposed skin just above his waistband.

“Sorry, he’s like the only tennis player I know.”

“No, no I’m taking that as a compliment that you think I’m on the level of Agassi. No takebacks if you see me play,” Patrick points at you.

“Will do,” you salute, turning over to Art.

“You ready to study?” you ask him as he makes a comically loud groan, his head falling back. Patrick laughs, reaching over to ruffle his friends hair.

“You do remember that’s why I’m here, right? Midterms are in two weeks.”

“I definitely have not forgotten that.” he says. You purse your lips just as Patrick’s eyes seem to light up.

“I’m staying at the Courtyard Hotel for the weekend. You two can come over and study, I need to review my last match anyway. Kill two birds with one stone,” Patrick suggests.

“Just studying?”

“Just studying,” Art says, wrapping his arm around his friend's shoulder. You glance between the two of them, trying to decipher the unspoken communication they seem to be doing. But you can’t crack it, so you shrug.

“Sure.”

“Let us finish this set, and then you’ll have me all to yourself. Sound fair?”

“Wow, what a privilege. Don’t take too long, it’s hell on Earth out here!” you yell the last part as Art jogs down the steps and back down towards the net. You look up once you realize that the sun is still being blocked, and Patrick is still standing in front of you.

“You ever play?” he grins, flipping the tennis racket in his hand.

“Tennis? God, no, that would not be a pretty sight. I’ll stick to what I’m good at,” you gesture to the books and notes in your lap. Patrick nods.

“If you ever want to learn, I could teach you sometime, you know if-” he’s cut off by Art yelling his name, and you both glance to see him with his hands on his hips.

“Go, don’t keep your boyfriend waiting,” you wave him off, and you swear you can see him blushing. Must have been the glare.

“I’ll see you tomorrow,” he says over his shoulder as he runs toward Art.

courtyard hotel. saturday, march 8.

It’s 11 pm. There’s a cold shiver in the elevator as you wait to get to the fourth floor, your tennis shoes tapping against the floor as one hand plays with the handle of the pack of beer in your hand while the other crumples and re-crumples the piece of paper with the hotel room number Patrick scribbled on it.

what are you doing?

You don’t have time to think about the consequences of your actions as the robotic voice signals that you’re on the fourth floor, the elevator doors fluttering open. It’s like your feet have a mind of their own, as you find yourself almost mindlessly wandering through the hotel halls until you’re planted in front of room 4B. You raise your hand to knock on the door but before you can make contact with the wood it’s thrust open, and Patrick is standing behind it. His dark hair is slightly tousled around his face, his striped shirt unbuttoned and his black boxer briefs low on his waist. He’s smiling, that same big smile as before, but his face is a little flushed, a gentle pink hue touching his cheeks. The two of you don’t say anything for a few seconds, as if you were both testing to see who would concede first to acknowledge the other’s presence. You raise the pack of Pabst Blue Ribbon in your right hand.

“I brought studying fuel.”

You were never good at waiting.

Patrick laughs before he moves slightly out of the way to allow you to walk into his room. It’s small, with a queen-sized bed and a tiny desk, and the A/C emits an odd rumbling sound as it smacks against the window. Clothes and scorecards are strewn across the floor, and the scent of cigarettes permeates the room. You place the alcohol on the floor before deciding to sit on the bed, kicking off your shoes as you cross your legs. Patrick seems to stall for a moment, smiling to himself before closing the door behind him. He doesn’t lock the door, but you didn’t notice.

“Art’s not here yet?” you ask, watching as Patrick walks over and tears open the cardboard case, cracking open a can. Taking a sip, he leans against the desk as he smiles.

“Art can be bad with time.”

“As I’ve noticed,” you reach your hand out to motion towards the drink and Patrick hands it to you, staring as you take a large sip.

“Well,” you wipe the side of your mouth, “I told him to bring the topics he wanted to study, so I guess we can’t do anything until he gets here.”

Patrick nods with a slight pout, his fingers playing with the pop tab of the can. “I guess we can’t.”

“How’s tennis… stuff,” you laugh as you finish the question, not sure of exactly what to say.

Patrick seems to tense a little at the mention of the sport, moving over to sit next to you on the bed. His knee grazes your leg and you feel a slight buzz at the contact as he takes the beer from your hand.

“I’m kinda fucking it up right now,” he says, and you furrow your brows.

“How? You were like, really good yesterday.”

He chuckles, shaking his head slightly. He hands you the beer and you finish it off, placing the empty can at the bottom of your feet.

“I’m good with Art. It feels so fucking natural and easy with him. But in my other matches, I don’t know. I just … can’t replicate it.”

You nudge him with your leg.

“Sounds like you two were made to play tennis together.”

He makes a noise of agreement, his hands slowly moving to ghost over your thigh.

“You and Art are pretty close?” you ask as he plays with the bottom hem of your shorts, but he doesn’t say anything. You take his silence as a yes.

“Do you ever get jealous?”

“Of Art?” he asks, almost incredulously. You shrug.

“Yeah, or jealous of the girls he’s with. Either or.”

Patrick sits on that for a few moments before smirking.

“What’s mine is mine, and what’s his is mine.”

You laugh at that, a real deep laugh, and Patrick giggles next to you, the both of you tipsy from the can of beer you finished. You reach over and put your hand on his flushed face, rubbing your hand across his cheek.

“What were you doing before I came?” you feel his face warm even more against your skin as you position yourself closer to him.

“Practicing- or, sorry, rereading my scorecards from my last match.”

You tutted as you moved your hand to the back of his neck, gently running your hands through his hair.

“You can tell me the truth, Patrick.”

He turns his head to press a gentle kiss to the palm of your hand before looking up at you as if to check if that was too much. Whatever your expression is gives him the confidence to move down to your neck, his tongue licking your skin.

“I think you know.”

You feel a pull in your lower stomach at his words, muffled by his mouth nipping at the sensitive spot just below your ear, and he sucks hard enough for you to put your hand around on his face at the pressure. Pulling his face up, the two of you stare at each other for what feels like an eternity, and his eyes glance toward your lips. You wanted to wait, to make him beg and plead for it, but your body seemingly pulled you forward as your pressed your mouth onto his.

You were really quite bad at waiting.

He tastes like tobacco and faintly of the fruit medley in the dining hall, and you sigh as his lips interlock with yours and his hand grabs the back of your neck, pressing you into him. The kiss gets messy and hard, his tongue gliding over your bottom lip and into your mouth as you lift your leg to straddle Patrick, grinding into him. He whimpers into the kiss as his calloused hands drop down to the waistband of your shorts, hesitating for a moment before dropping his hand into your underwear. You grind just a little bit faster as his fingers press circles into your clit, covering your mouth with your hand as you moan.

“You’re so beautiful,” he murmurs as he uses his other hand to guide your hips, and your move your hands down to tug firmly on his hair. You can feel your climax building, the pressure in your stomach getting closer and closer to taking you over the edge-

You both jump at the sound of the hotel room dor slamming shut. Art is standing there, in that damn backward cap and a Stanford tee shirt as he crosses his arms over his chest, saying nothing as you and Patrick sit up straight, him adjusting his crotch and you smooth down your shirt, avoiding his gaze. Finally, the silence is broken by Art laughing.

“Christ, I’m not the cops,” he slips out of his slides as he waltzes over and opens a can of beer, drinking about half of it in one go. You look at him, and at Patrick, and then back at him, not knowing what the hell you just got yourself into.

“You want to fuck him right?” Art asks, and you can’t help your small gasp at how easily he said that. You glance at Patrick, hoping he’ll know what to say, but he’s just staring at Art.

“I-um,”

“So, no one’s stopping you,” Art cuts you off, taking a final swig of his beer and moving to stand directly in front of you. You open your mouth to try and explain, but before you can talk Patrick’s mouth is on yours again, his hand roaming your body. His grip is firmer now, his fingertips digging into the side of your stomach. He tugs at the bottom of your shirt and you separate, breathless as you pull your shirt over your head and toss it on the floor. Patrick’s mouth moves down to your neck, then your collarbones, and then your chest as he reaches around to take of your bra, and you feel on fire from Art’s gaze across the room. As Patrick kisses down your stomach and yanks down your shorts, you turn over to meet Art’s eyes.

“Come here.”

Whatever resolve Art was holding onto crumbles as he quickly takes off his shirt and slips out of his Nike shorts, tossing his hat on the dresser. In a flash Art’s hands are on your neck, tilting your head around to kiss you as Patrick lifts up your hips so he can take off your underwear. Art’s lips are softer than Patrick’s but he kisses you a little bit harder, his hand cupping the base of your neck. Somehow, they both taste the same. You moan into Art’s mouth as you feel Patrick’s tongue swirl around your clit, rolling your hips into his mouth as Art’s cock presses into your back. It’s just so much so fast, and that familiar buzz starts to pool in your lower stomach.

“Look at him,” Art turns your head to Patrick and you look into his eyes as you cum, Art’s hands hold your head forward as a wave of euphoria crashes over you. Patrick’s hands are digging into your hips as he stares up at you and Art. Your chest heaves up and down as you try to catch your breath, leaning against Art as Patrick leans back up, his mouth a few inches from yours.

“Who do you want first?

[togglesbloggle]

It's interesting to me how much people struggle to intuit differences of scale. Like, years of geology training thinking about very large subjects, and I'm only barely managing it around the edges.

The classic one is, of course, the mantle- everybody has this image of the mantle as a sort of molten magma lake that the Earth's crust is floating on. Which is a pedagogically useful thing! Because the intuitions about how liquids work- forming internal currents, hot sections rising, cool sections sinking, all that- are all dynamics native to the Earth's mantle. We mostly talk about the mantle in the context of those currents, and how they drive things like continental drift, and so we tend to have this metaphor in mind of the mantle as a big magma lake.

The catch, of course, is that the mantle is a solid, not magma. It's just that at very large scales, the distinction between solids and liquids is... squirrely.

When cornered on this, a geologist will tell you that the mantle is 'ductile'. But that's a lie of omission. Because it's not that the mantle is a metal like gold or iron, what we usually think of when we talk about ductility. You couldn't hammer mantle-matter in to horseshoes or nails on an anvil. It's just a rock, really. Peridotite. Chemically it's got a lot of metal atoms in it, which helps, but if you whack a chunk of it with a hammer you can expect about the same thing to happen as if you whacked a chunk of concrete. Really, it's just that any and every rock is made of tons and tons of microcrystal structures all bound together, and the boundaries between these microcrystals can shift under enormous pressure on very slow timescales; when the scope of your question gets big enough, those bonds become weak in a relative sense, and it becomes more useful to think of a rock as more like a pile of gravel where the pebbles can shift and flow around one another.

The blunt fact is, on very large scales of space and of time, almost everything other than perfect crystals start to act kind of like a liquid- and a lot of those do as well. When I made a study of very old Martian craters, I got used to 'eyeballing' the age based on how much the crater had subsided, almost exactly like the ways that ripples in the surface of water gradually subside over time when you throw a rock in to a lake. Just, you know. Slower.

But at the same time, these things are more fragile than you'd believe, and can shatter like glass. The surface of the Earth is like this, too. Absent the kind of overpressures that make the mantle flow like it does, Earth's crust is still tremendously weak relative to many of the planet-scale forces to which it is subject- I was surprised, once, when a professor offhandedly described the crust as having a tensile strength of 'basically zero;' they really thought of the surface as a delicate filigreed bubble of glass that formed like a thin shell, almost too thin to mention, on the outside of a water droplet. On human scales, liquid is the thing that flows, and solid is the thing that breaks. But once stuff gets big or slow or both, the distinction between a solid and a liquid is more that a liquid is the thing that doesn't shatter when it flows. And it all gets really, really vague, which I suppose you'd expect when you get this far outside the contexts in which our languages were crafted.