#any future installments for this series is gonna include

[tin-wufborf]

Tin's Favorite Sterek Fics (Part 16)

Hi there, and welcome back to Tin's Favorite Sterek Fics! I'm sorry it's been so long between installments this time. I started a new job last Wednesday which I absolutely love and am so grateful for, but it's got me working more and longer days (but with much higher pay), so I have been exhausted. Just a heads up, I'm probably only going to manage these on a weekly basis for the foreseeable future unless my workload suddenly lessens for some reason (which I have been assured that it will not).

Thank you all so much for your continued support of this series. It means the world to me. As always, I hope you're all having a good a day as you can, if not a great one.

Smoochies and squeezies, my darlings!

List and links to previous/next part(s) below the cut.

************************************************************************

DISCLAIMER: This is me warning you all that some of the fics I've included in this list may cover explicit, dark, and/or "taboo" subject matters. I cannot express enough how little I care what anyone thinks about any of that; all I want is for you to use caution when reading anything I've listed here and to please review and heed whatever tags the authors have provided in order to keep yourselves safe. Your experience from this point on is your own responsibility, not mine and not the authors'.

************************************************************************

Part 1 | Part 2 | Part 3 | Part 4 | Part 5 | Part 6 | Part 7 | Part 8 | Part 9 | Part 10 | Part 11 | Part 12 | Part 13 | Part 14 | Part 15 | Part 16 | Part 17 | Part 18 | Part 19 | Part 20

------------------------------------------------------------------------------

Que Dis-Tu? by isthatbloodonhisshirt (wasterella) (G | 1/1 | 2,594)

“What, are you gonna tell me you know Russian next?!” Stiles demanded, flailing one arm, other hand still closed around the spine of his book.

“I do know Russian,” Derek confirmed, still looking confused.

Stiles dropped the book so he could flail both arms in the air. “Of course you do! Why wouldn’t you know Russian?!”

------------------------------------------------------------------------------

Your Royal Assholeness by isthatbloodonhisshirt (wasterella) (T | 1/1 | 3,327)

The second he walked in, Derek growled loudly and was beside him in an instant, reaching out to lightly touch his neck.

“Who did this?”

“What the hell is going on?” Stiles hissed in response.

“Your majesty.”

Stiles turned when the woman spoke, positive he’d misheard, but she was on one knee with her head bowed, and the wolves who’d all followed had done the same.

“Your what?” Stiles demanded, shocked, turning back to Derek.

------------------------------------------------------------------------------

You Have Reached... by isthatbloodonhisshirt (wasterella) (G | 1/1 | 5,074)

“Why did you listen to the voicemails?”

“I like hearing you talk,” Derek said.

There were many things Stiles had been expecting after asking that question. That answer hadn’t been one of them.

“Any time we ever spoke before, it was always about what next problem we were facing and needed to solve. The voicemails are just you... talking.”

“Oh.” Stiles had never considered that.

(SNYE - January 10th - Long Distance)

------------------------------------------------------------------------------

In meeting his is born, In absence he has grown by lookingforatardis (T | 1/1 | 6,191)

The witch’s voice turned dark, powerful. Her head fell back as she chanted:

So it is written, so it becomes A debt for a debt A life for life, In the darkest of times With a mate by thy side In meeting he is born, in absence he has grown A son for a son, for the Highest Power, Her goddess the Moon draws balance once more With a love that endures. And so has been, and so it is, and so it will be.

- Or, A witch gives Derek a toddler after Stiles leaves Beacon Hills, and Derek definitely does not freak out about it and beg the Sheriff to call Stiles for help because he's his anchor (he definitely does)

------------------------------------------------------------------------------

Choice by Omni (T | 1/1 | 8,613)

Derek knows what it feels like to not really have a choice, what it's like to be manipulated. He'd never take away someone's right to choose freely. The fear of even accidentally doing so is enough to hold him back from acting on his own feelings.

Stiles has never had a problem making his own choices, and fuck anyone who would try to tell him he can't.

(Or: Stiles gets bitten by a different alpha, but of course would prefer to have Derek as his alpha. And also just, you know, have Derek.)

------------------------------------------------------------------------------

Wake Up Call by SylvieW (M | 3/3 | 10,084)

Derek has nightmares and now that Laura is gone there's no one to wake him up and comfort him.

------------------------------------------------------------------------------

Yes is a World by jezziejay (M | 1/1 | 10,207)

When the nemeton casts a protection spell over Beacon Hills, Stiles can finally go to college. Derek thinks this might be a good thing.

In which Stiles falls in love and Derek learns a lot.

------------------------------------------------------------------------------

Five Times Derek Heard Something He Wished He Hadn't, and the One Time He Did by isthatbloodonhisshirt (wasterella) (T | 1/1 | 14,841)

“This place is hell,” Derek decided. “This place is absolutely hell.”

How was it possible he’d gone so many years of his life without hearing anything nearly as over the top as he had just visiting Stiles at school? This had to be some kind of record for the most disgusting things he’d ever overheard.

--

(I mean really, the title says it all lol)

------------------------------------------------------------------------------

Sigh No More series by elementalv (3 works | T-M | 16,472)

1. Sigh No More (M | 1/1 | 5,532) Scott respects Stiles’ decision not to take the bite right up until the day he doesn’t. That night, with the help of his father, Stiles leaves Beacon Hills for good. Warnings: See the Notes section at the end for warnings and possible triggers. The AO3 options don't quite cover what I need. 2. The Cave (T | 1/1 | 6,415) Chris has no idea how to salvage what was intended to be a diplomatic mission with an unknown alpha. 3. Winter Winds (T | 1/1 | 4,525) He hadn’t taken any particular pleasure in killing Peter for once and for all, though he was glad he’d thought to ask Deaton about what to do to make sure Peter couldn’t come back. Lydia wasn’t exactly thrilled with the countermeasures, but since it meant she wouldn’t have to raise him from the dead ever again, she dealt with it by making Scott pay in small ways and large. He accepts her treatment of him without comment, knowing that a lot of the mess the town is in could have been avoided if he hadn’t been such a dickhead all those years ago. And really, he thinks, as he’s patrolling near the Nemeton, dickhead doesn’t even cover what he did to Stiles.

------------------------------------------------------------------------------

The Sound of Silence by Asterekmess (Livinginfictions) (E | 6/6 | 17,279)

Everyone is so sure Derek is dead, but Stiles can't accept it. Not when there are so many loose ends.

------------------------------------------------------------------------------

doesn't weigh me down at all by kellifer_fic (T | 2/2 | 17,657)

"Your brother is cool. What happened to you?"

"Har, har, hilarious," Stiles says as Scott grabs him in a head lock and rubs the top of his head. "He's going to hold this one over me for ages," Stiles sighs after a few minutes of the sounds of just their feet shuffling through the undergrowth.

"Could've been worse," Scott says.

"I guess so."

------------------------------------------------------------------------------

Children of the Wild Ones by bellefire (M | 2/2 | 18,081)

One turned corner was all it took—a single split second decision. A death. Stiles could never decide if that turn had been a wrong one or a right one.

In which Stiles is turned, gets a pack and takes a roadtrip to Mexico with people he used to not even like but are now somehow family, but first: murder.

------------------------------------------------------------------------------

discretion's not what i need to sell series by marinbel (3 works | T | 18,492)

Told in three parts, in three perspectives.

1. discretion's not what i need to sell (T | 1/1 | 2,024) Stiles raises an eyebrow. “So am I not correct then that I saw you leaving Allison’s place this morning? From her bedroom window?” His eyes give Scott a once-over. “I’m sure the healthy flush is just from the run, and no other activities. And- oh, hey, is that hickey on your throat also from the run? I didn’t know that could happen.” Scott’s jaw locks. Fuck. Stiles shoves his hands into his pockets, rocking back and forth on his heels. “Sorry, just curious. Since I thought you and Kira were still a thing, and all.” 2. one more confession (T | 1/1 | 7,395) He’s talking to someone on the phone. She hears him. “We’ll think of something. Don’t- hey, don’t worry about it. We’ll work it out. Okay? Okay. See you tomorrow, Babe.” The crack of light expands, Scott opening the door. He stops in his tracks when he catches Kira’s eyes blinking back at him. “Hey,” he says. “Hey,” Kira says back. “Who’s Babe?” “Hmm?” Scott goes, flipping the light off and coming back to bed, crawling under the covers and looping an arm around her waist. “You were on the phone with someone,” Kira says, like maybe saying it out loud will remind him of what he was just doing. “You said Babe. Who’s Babe?” . Alternatively, Kira finds out. 3. keep those tired eyes closed (T | 1/1 | 9,073) “You gotta let him go.” Derek watches him from the peripheral, dejected. He sees it just beyond his eyes, the ruminating and mind whirring and Derek says, “Hey. With me, breathe in.” He breathes in and Stiles follows along. “Breathe out,” they do so together, Derek saying on the exhale, “now let him go.” Stiles’ exhale is shakier but he gets through it. “I’m letting him go.” . Alternatively, Derek's trying his very best at being a supportive boyfriend.

------------------------------------------------------------------------------

Falling Up by PalenDrome (nerherderette) (E | 1/1 | 18,522)

Of all the things Stiles imagined could happen, he never thought he’d end up packless.

*****

Derek picks up his coffee and drains it slowly. "My place is a twenty-minute drive from here. I could show you, if you'd like," he says once he finishes. His tone is studiedly casual, but Stiles knows what a big deal it is. It's an offer to re-establish a connection with a former pack member. To invite Stiles into the new sanctuary Derek created for himself.

Stiles looks at his empty cup. He thinks of the miles he's driven. Of the motels and hotels and cheap campsites he's crashed at, and tries to keep his desperation to have something familiar, of not feeling so goddamn lonely, from his voice.

"Yeah. I'd really like that," he says, and if his heartbeat does a little swoop, Derek's too polite to mention it.

------------------------------------------------------------------------------

To Find You Again by nightlight9 (E | 1/1 | 23,788)

The man standing on his porch waiting for him is unmistakable even after six years. Though his hair has grown out longer and there’s a scraggly beard covering his once bare chin, the unexpected guest is undoubtably Stiles.

Derek swallows and tries to subtly catch a whiff of his scent. Then he swallows again when he smells nothing but the Colorado trees.

“Stiles?” His mouth is dry. "What are you doing here?”

Despite the bags under his eyes, Stiles’ smile is bright. “Hey, Derek. I-. It’s been a long time. Can I come in?”

That's all it takes. Derek opens the door.

------------------------------------------------------------------------------

If These Ears Could Talk series by HappyJuicyfruit (11 works | G-M | 39,686)

Stiles is hard of hearing, that doesn’t stop him from running with wolves. Doesn’t stop him from dating one either.

1. Clueless (G | 1/1 | 4,748) After everything they’ve been through together, all Derek wants is for his pack to be connected with strong, thriving, pack bonds. And for the most part, its working. The pack is growing, healing, happy. He just needs to figure out why Stiles hates him so much. 2. Pack is Pack, No Matter How Far (T | 1/1 | 9,927) Derek tries to deal with his pack moving away for college. Stiles helps (a lot). 3. Come Light A Candle With Me (G | 1/1 | 1,804) Derek celebrates Hanukkah with Stiles. 4. Worrywolf (M | 1/1 | 5,470) After a few worrying text messages, Derek decides to go check on his boyfriend during midterm week. 5. Memories From You and From Me (G | 1/1 | 3,070) On the anniversary of his family's death, Derek tries to distance himself from the pack. Stiles doesn't let him. 6. It's My Party, I Can Yell If I Want To (G | 1/1 | 5,496) Derek has made a lot of mistakes in his life, and he has a lot of regrets. Currently, his biggest regret is forgetting his boyfriends birthday. 7. I Can Help With That (M | 1/1 | 3,277) “You can’t be the only hard of hearing person on the campus.” Stiles shrugged, “so?” “So, why don’t you make a club or something? You don’t really know anyone else hard of hearing, it could be really good.” “Did Derek Hale seriously just tell me to make a club?” 8. I Do, I Do, I Do, I Do (G | 1/1 | 2,340) 8 years. Degrees, Master degrees, vet school, law school... It took 8 years, but finally, the Hale pack was together again in Beacon Hills. 9. As The Years Go By (I Just Love You More) (G | 1/1 | 1,811) It started with Becca, but it did not end with her. Or, how Derek and Stiles end up with a house full of kids. 10. Baby, I Was Born This Way (G | 1/1 | 1,051) He knew Stiles like the back of his hand. He knew that this silence wasn’t him. This stillness was unnatural. He’d been married to the man for twenty years. He had 8 kids with him. Stiles was a force of pure energy, he was a fighter to his core. It couldn’t end like this. 11. Oh, To Grow Old With You (G | 1/1 | 692) Derek yawned, looking out at his bird feeder as he waited for the kettle to boil. He would go out and refill it after breakfast. Do a morning walk around their territory. It would be a while before Stiles woke up, insomnia kept him up late most nights. And Derek’s bad back woke him up early. Werewolf healing didn’t fix everything, when you were old. Or, a very fluffy retirement.

------------------------------------------------------------------------------

No Time Like the Future by isthatbloodonhisshirt (wasterella) (T | 1/1 | 40,590)

It wasn’t until he was ten that the full explanation came to him, because every year when a group of kids turned ten, schools had a one-day course specifically about soulmates, what they meant, and why everyone had weird writing on their arms.

Derek remembered sitting in that all-day class, completely horrified, and absolutely devastated. The course leader made it sound like a good thing. Soulmates were the other half of your own being, they were the person you were supposed to love and cherish, who would understand every part of you, and all that other garbage nonsense. He was not here for this.

It wasn’t that Derek had any understanding of love—not romantic love, and certainly not at ten years old—but he read a lot of books and watched some shows and movies with his family, and love looked like something different in those environments. Love looked like a choice, like the meeting of people, and the getting to know them, and actively falling in love with a person because they were amazing and nice and just fit.

Soulmates didn’t sound like that.

------------------------------------------------------------------------------

Nature Red In Tooth and Claw series by HaleHathNoFury (My_Trex_has_fleas) (4 works | T-E | 47,930)

1. Mockingbird Smile (E | 1/1 | 3,554) Kate has come to Beacon Hills to seduce Derek Hale and kill the Hale pack. Maybe she should have done some more research first. 2. Dirty Paws (T | 3/3 | 6,309) Every fairytale starts with a beginning. 3. In Our Town Of Halloween (E | 6/6 | 28,168) It's Halloween, the one night of the year the Hale wolves and their pack get to let it all hang out. Unfortunately for them, someone is on their trail and looking for revenge. What happens next will change everything. 4. Silver Bullet, Silver Arrow (E | 3/3 | 9,899) The Argents have come for vengeance. They're about to get what's coming for them.

------------------------------------------------------------------------------

It Was a Wednesday by isthatbloodonhisshirt (wasterella) (M | 2/2 | 80,129)

“What happened? Where are you? What’s that sound?”

Derek jumped, having momentarily forgotten Scott was on the phone with him because Stiles had started moving. He’d stalked over to the other side of the cave, still eying Derek warily and growling, then settled protectively over a mass of clothes, leaves and animal innards. It was probably where he was sleeping.

Lovely. No wonder he smelled like death.

“Stiles,” Derek said, answering Scott’s question. Or, one of them, at least.

“Stiles? What do you—Stiles is making that noise?”

“Yes.”

“Why?”

“How fast do you think you can make it to the south lot of the Preserve?”

------------------------------------------------------------------------------

Pretty Little Wolf series by ItsMe_Basil (3 works | T-E | 88,628)

1. Pretty Little Wolf (E | 35/35 | 82,164 ) Derek has heard stories about the Spark -the kind of stories that would have his younger self cowering under the blankets. The kind of stories that had Derek stick close to the pack. But when Derek is in trouble, and the pack isnt around, Derek finds himself in the care of said Spark, and he finds out fairly quickly that he's not all he seems to be. Stiles, he finds out, isn't a villain at all. Derek's only heard one side of the story for four years, and now it's time for him to hear the other side from his mate. *-* "Pretty little wolf," he hummed, stepping closer and kneeling beside Derek. Even in his death fogged brain, he recognized the words spoken. The words that were tattooed along his hip bone. The man reached a hand out, long bony fingers brushing against Derek's jaw. That's when recognition dawned on him. He knew this boy -not personally, but he'd seen pictures. This was the Spark. The one Scott had warned him about since Derek had returned to Beacon Hills four years ago. His mate. "Fuck me," Derek gasped out, dropping his head on the step. "Let's get you better, first, shall we, Puppy?" The Spark hummed. 2. Pretty Little Wedding (M | 1/1| | 3,650) Its been two years since the Hale pack moved to Hood River, and Derek couldn't be happier with his life now. He has Stiles, his family, and a town that treats them like family. Its everything he could ever hope to have. Almost everything at least. 3. Pretty Little Niece (T | 1/1 | 2,814) Cora and Lydia have a baby, Stiles and Derek fight about having children of their own, and Stiles slowly warms up to being an uncle! Part 3 of the Pretty Little Wolf series! If you haven't read thd first I recommend you do so!! These are just little snippets into the Hale packs life after they leave Beacon Hills!

------------------------------------------------------------------------------

************************************************************************

[autisticalastor]

seven sentence sunday

tagged by @the-flaming-nightmare tysm for including me!! :3

since the first date fic is FINALLY posted, i can focus on other installments of this series! have a lil bit of a future piece >:)

"I, uh, I've got something for you! For our date today!" Lucifer announces, dropping the item into Alastor's hand.

Alastor's eyes narrow as he looks it over. "What is this supposed to be?"

By all means, it does look an awful lot like a cat's collar: a dark ribbon, with a red pendant shaped like bursting star hanging from it. It probably could use a bit more explanation, especially with someone like Alastor.

"Oh! It's– It's not what you think it is. It's... kinda complicated to explain..."

"Try me."

"Well, sinners can't really leave Pride, y'know? Oh, of course you know that; that's a stupid way to start off—" He takes a quick breath to gather his thoughts into an order that hopefully makes sense outside of his own head. "Sins can, and often do, give their subjects some of their power. For the sake of making this make sense, the closest comparison would probably be Oz over in the Lust ring. See, he has these crystals he uses on his succubi that let them go into the living world!"

Alastor gives him a look that seems to say get on with it, and Lucifer quickly speeds through the rest of his explanation. "For obvious reasons, I can't do that. I mean, I can't even go to the living world. But I can travel the other rings of Hell freely, like any other sin or any Hellborn can. And that pendant I just gave you will let you come with me. If– If you want to. But you have to wear it, and it's gonna break when we get back. I'm, uh, not really supposed to make these at all, but... I know some places you might like to see." Lucifer looks away now, blushing as the weight of his offer hangs in the air between them.

not me making it seven paragraph sunday again teehee >:3 im so excited abt this part of the series! its gonna lead to ✨️ more interesting stuff ✨️ trust!

since its so late into sunday that im getting this out, im gonna leave this one open to any of my followers who wanna join in!!

[trashexplorer]

BLCD Review: Saezuru 7

Title: Saezuru Tori wa Habatakanai 7 (囀る鳥は羽ばたかない 7)

Author/Artist: Yoneda Kou

Shop: CD + Manga

Release Date: 2021/07/28

Cast:

Hatano Wataru + Shingaki Tarusuke

Okitsu Kazuyuki

Masuda Toshiki

Ookawa Tooru

Ueda Yuuji

Satou Takuya

Miyake Kenta

Ito Kentarou

Nara Tooru

Synopsis: Adaptation of the 7th volume of the series.

Review Proper

I'm not sure what's gonna end first: the series or my fucking life.

As much as I love Saezuru, it's gone on for so long that it's starting to get old literally and figuratively. You know, I wouldn't even be mad if Yoneda Kou ended the series by killing Yashiro off in 6. 7 is still well-written to a point and the BLCD did deserve to rank second AGAIN in chil-chil 2022, but I'm not sure about the future of this series (it wasn't nominated in 2023 tho which is one of the few good things about 2023's).

I say a lot of things, but I'm still invested in vol. 7 & 8.

I don't know who I'm jealous of, BUT THAT SHOULD BE ME! This scene is in vol 8, not 7, but I wanted to include it anyway.

I do agree that Saezuru portrayal of the whole yakuza deal is the realest 'cause happy endings over there are quite rare, but this isn't a novel that comes out in one go. Doesn't help that June is ass. I've heard from several friends who've read the latest releases that it feels like it's lost its way and that just makes me sad. I'm still hopeful tho.🤧

As I've already stated, this placed second in 2022's awards. I mean, it's Saezuru. Frontier doesn't spare a penny for it lmao. All the major characters are voiced, and they managed to bring the A-listers back again. Sometimes, I forget that Saezuru is actually based on a manga whenever I listen to the BLCDs 'cause the production is just that good.

Shingaki slayed as usual. I've said this many times before, but no matter how bad or how well he does in another role, he will always be Yashiro. I just came from Tsunaida and we're in the middle of a Rei event in Nu:carnival, so I would expect myself to adjust to Yashiro, but I didn't need any of that lmao. Yashiro is truly Shingaki's magnum opus. I'm not at all surprised that he placed 3rd best seiyuu for Yashiro. Deserved.

Speaking of Nu:carnival, I will forever be obsessed with Yashiro's relationship with the other characters aside from Doumeki. Nanahara's voiced by my one true love, Okitsu, but like Yashiro, I love him for his character and not his voice. It is nice having the other veterans in here with him, too. The slut trio is complete with Daddy Complex SatoTaku, Boss Ass Chaser Okitsu, and Damel in Distress Shingaki. #BLESS I want Kamiya to end up with Nanahara.

I haven't heard Wacchan in years HAHAHAHAHA. His Doumeki is still amazing as always. My issues with the story aside, I'm really looking forward to his "break" in vol. 8. EEEEEEE

Special mention to my Ryuuzaki and Miyake Kenta who made their comebacks here too. I missed him so much! LMAO

The BLCD is pretty accurate to the... magazine at least, but June does sell the translated tanko (fortunately). Like the previous installments, reading the manga while listening to the BLCD was so smooth because it was so accurate. Now 7 does end in a cliffhanger, so I don't really advise listening to it if you still don't have 8. But if cliffhangers aren't an issue for you, then break a leg!

[prince-liest]

I am literally checking your blog daily how the backflipping DUCK did I miss the recent snippet!?!?

It is genius. Bestest thing in the entire universe. I am filled with admiration for your skills. If I were home, I would be screaming into a pillow.

Just how do you make snippets this good?!?? Hahah♡ /pos

Backflipping duck got me, HAHA, thank you for that. Honestly, this entire chapter has been sitting solidly in "there's a lot of emotional fallout here from the previous installments of this series, and it is making me very paranoid about pulling both of them out of character," so I'm really glad people are enjoying the bits of WIP that I've been posting! Now that I've made it through a night out followed by an all-day party, I can sit, relax, and edit the shit out of it prior to posting so that I feel solid about it, hahaha. Anyway, thank you so much! <3 These kind messages have been fueling me amidst all the chaos, ehehe.

More replies specifically on the snippet under the cut! <3

okay I'm DYING over that snippet, alastor is going through a crisis not feeling comfortable with what they've been doing any longer and trying to figure out how to express that and one of the first things vox says when he breaches the topic is "I'm gonna dress up valentino as you and fantasize about fucking you anyway" like buddy!! all horny no brain asdfg they're both killing me omg - ✨

Vox was allowed like two seconds of healthy, genuine communication prior to the snippet I posted before I was like, "Hm, one sec, gotta remind everyone who he is," hahaha. He was, to be fair, mostly trying to be glib in that moment in a way that just didn't land.

Vox says "well it doesn't have to be literally you if you don't want" and Alastor hears "I've objectified the idea of you to such an extent that I'm going to go to such length to still realize my desire to fuck you" and oof.

Hi, anon who loves your writing snippets here 👋 Reaction summarized: “The Emotions They destroyed their cage Yes YES The Emotions are out” In other words: I am ready to be utterly obliterated. Hit me with the emotional weightlifting these two idiots are about to do. I’m rubbing my hands vigorously like a little creacher, a raccoon or common housefly, perhaps. On another note, so happy you’re getting off to a good start in your residency! As someone who’s been below the poverty line for most of their life, I know how thrilling it can be to look at future housing prospects. There’s nothing I love more than decorating a new space to make it feel like home :). I hope for the best for you these upcoming months!

Ehehehe, what a GREAT use of that poem. >:D The emotions really have finallly destroyed their cage. Time to face the music!!

And ahhh, thank you! Yeah, I've moved around a lot throughout my life (including switching houses weekly between my parents most of my life) and I feel like one of the ways I adapted to it was just being very gung-ho about decorating and home-ifying a place I'm staying, so I'm so excited to finally have a space that is All Mine To Do With As I Please without being concerned about roommates, etc, etc. And it won't be permanent, but I'll be there three years, and that's a decently long time!!

[the1975attheirverybest]

Netflix And Chill

A/N: This is part 1 of fwb Matty. Dipping my toes a bit more into dom!Matty to see if we like it. Let me know what you think / what future installments should include! Happy reading!

Warnings: smut, smoking, drinking.

---

Matty opened the door, taking the cigarette out of his mouth. "Oh, hey." He gave her a nod, smoke blowing off his mouth as he spoke. "Come in." He turned around leading the way inside.

"Umm...a little help here?" she stumbled into the entryway hauling several heavy bags in with her.

"Oh, right...what's all this anyway?" Matty grabbed the pizza box from her and helped her take off her coat.

"I brought food! oh, and snacks... and weed." she explained. " The rest is just work stuff." She kicked off her shoes and followed him into the kitchen.

"I see, so you've come here to get laid." He looked back at her, smiling mischievously. "I appreciate a woman who comes baring gifts."

"Oh, shut up." she rolled her eyes. "I was just filming on location not too far away from here. Thought you might wanna hang out? Any plans tonight?"

She finally looked at him head to toe and realized that maybe her question was pointless. He was in his joggers and tee, his hair looking like it hadn't been brushed since he got out of bed this morning. He certainly didn't look like he had any plans.

"Nah. Just watching some Netflix." He nodded in the direction of his living room, where the tv could be heard mumbling faintly.

"real Netflix or, like, Matty Netflix?"

He giggled loudly as he reached for a bottle of wine and a bottle opener.

"Well, I have my answer I guess."

"Bro! I promise it's interesting! Docu-series on 70s industrialism."

"Knowing you, you've even gone wild and pulled out a notepad and some pens. Takin' notes, too." she teased.

"I've done no such thing...take note on my phone now."

She waited for him to turn his back towards her, as he reached for two glasses from the cupboard, and then snuck behind him to swat at his bum.

"Oi!" he jumped, startled.

She did her signature evil giggle, waiting for him to let his guard down again only to repeat her action.

"Woman!" he yelled out. "You're playin' a dangerous game. I've got glass here!"

"Oh, relax, Matty. You've got a cute butt. Nothing to be embarrassed about." she laughed.

"Jesus, at least wait until we get through dinner, first..." Matty shot her a silly look as he rounded the corner to open the pizza box.

"I- was simply making an aesthetic observation about your ass. you're the one who sexualized it."

"Are you sayin' you didn't come here for sex tonight?"

"I- mean....as long as you're offering..."

He shook his head, "horny!"

"I'm gonna pretend you didn't just say that. But only because it's a bit true..."

***

The pizza now demolished, along with the wine bottle and half the candy that she'd brought, she looked away from the tv, turning towards Matty. She wanted him to initiate but he looked far too engrossed in the documentary, his brows furrowed, his gaze glued to the screen. She had to get his attention somehow.

she leaned on him, her elbow nudging his side. She couldn't hold back the laugh when he gasped, the gesture taking him by surprise.

"Oh, really?" he shot back, nudging her in return.

soon, their not-so-subtle game turned into a full wrestling match. She jumped on top of him, sitting and crossing her legs on top of his torso to keep him pinned down. Matty's hands attempted to reach for her, but she blocked him, and yelled out "Ha! I win!" slapping his face lightly. "I'm stronger than you! I knew it!"

"pfft. Baby, I let you win."

"Nobody like a sore loser, Matty." she batted her eyes at him. "It's okay. just admit that you're weak. No judgement. this is a safe space."

Matty laughed. "I'll show you who's weak."

He reached his arms behind her to keep her from falling off of him as he stood up and carried her out of the living room, rushing up the stairs into the bedroom. "You want strength? let's go." he whispered.

***

"Now, what should I do with you?"

Matty towered over her as she laid on the bed, on her back, in just her underwear. The shift in mood was palpable. The loose and relax Matty from moments ago was gone. His eyes darkened with lust and secret intentions. The bluntness of his look made her breathless, a slight shiver running down her spine.

He stepped away momentarily, returning with a tie in hand, and reaching for her wrists. "test it for me. Too tight?"

The thing about Matty is that he always made sure she was safe and comfortable. Even as he planned to destroy her body.

"N-no. All good here."

"You know your safe words. Use them if you need to, yeah?"

She nodded, swallowing harshly.

She felt the dent in the bed as he jumped on, leaning into her for a kiss. There it was. the feeling that she'd waited for all day. His soft lips on hers, the tickle of his hair against her skin, his hands grabbing her waist, squeezing harshly. she felt her will weaken already, letting him take the reins. It was embarrassing, this effect he had on her. but she couldn't care less.

She whined when he pulled away, moving to reach for his face, only to be reminded that hands were tied above her head. Matty watched her arms struggle against the restraints and clicked his tongue. "Don't be greedy, now."

She gave him a pout and her best begging eyes, but Matty only laughed and shook his head. "That doesn't work on me. You're gonna have to try harder."

"I hate you." she mumbled, unthinkingly. But Matty made sure she knew who she was talking to. He wrapped his hand around her neck, squeezing just enough to cause her some discomfort. He grinned, his face inches away from hers. "Wanna say that again, Darlin'?"

Her eyes widened, her breath getting caught in her throat, literally. She shook her head.

"That's right." Satisfied with the attitude shift, Matty let go of her neck. "let me give you a real reason to hate me." He dipped his head low, leaving a trail of wet, open mouth kisses down her body, all the way to the waistband of her underwear.

When he didn't take them off right away, she thrusted her hips up into the air, whining.

"What?" Matty pretended to be clueless.

"Please?"

"Please what?" He couldn't help but smile at her desperation, a dimple appearing on his cheek.

"Touch me? Please?"

he ran a finger along her underwear, over the fabric, the motion making her jolt.

"yes- more please?"

"well, since you're being so polite..." Matty rubbed small circles over her clothed crotch, making her hips move in tandem.

"mhm, yeah, please don't stop! That- ah- that's good..."

Matty kept up his motions, watching her carefully, almost caught up in how hot she looked, shamefully chasing the feeling of pleasure in her body. Just when her hips started losing rhythm as she built up to a release, he took his hand away, leaving her hanging.

"FUCK! NO! What did you- whyyy." she cried out, frustrated rage and a slight bit of embarassment bubbling in her chest. "Please! Matty, please- I- I was so close! I need-"

her pleas were interrupted by Matty's fingers hooking into the waistband and pulling her underwear down her legs, taking it off.

He ducked his head down, settling between her legs. "be good and cum on my tongue."

She had hardly any time to object, her self-conscious worries squashed away by the feeling of his tongue against her hot skin making her eyes roll into the back of her head. "Oh shit, you're g-goooddd at- this" she blurted out, feeling his hot breath as he giggled in response. He couldn't help the slight turn on, his own hips pushing against the mattress before he re-focused.

"Oh, Matty, I- Uh- I'm gonna cum."

He squeezed her hip for encouragement, his mouth staying right where it is. All she needed to do was let go, her legs shaking and squeezing around his head as he held her through it.

When he came up for breath, Matty's lips and chin glistened. He smiled at her, a satisfied look in his eyes.

He wiped at his mouth with the back of his hand. "mmm. You taste good."

"it's okay, we're not dating; you don't have to say stuff like that to me."

He chuckled. "and people say I'm brutal." He moved to sit by her side and began to untie her wrists. "seriously, though, you do taste good." Once her hands were freed, he placed a quick kiss to her cheek, leaving her a speechless, blushing mess. "You feeling alright?"

"Uh-i'm feeling...empty." she sat up, moving her stiff wrists and crawling towards him. "Can I take those off?" she place a hand on his boxers, and his smiled, signaled to her that he was okay. she undressed him quickly, throwing his clothes in a pile by the bed. Matty reached into his night stand for a condom, and when she saw him pull out the lube, she mumbled shyly "do-don't think that's necessary."

Matty always found it funny that she could still be embarrassed in front of him, even when he'd literally had his face buried in her millions of times before.

Once he was ready, she hopped on top of him, slowly sinking down on him, and swallowing a moan as she went all the way. "F-fuck, that's it. Good girl." Matty's head rested against the headboard. His eyes shut and he moaned as she moved her hips back and forth just the way she knows he likes.

"S-so good to me, you are." He whispered leaning forwards and kissing her neck.

She felt his every breath on her skin, which only egged her own. Moments later, Matty's hips were thrusting upwards to meet hers. She felt him cum, chanting her name over and over into her ear and neck.

She wrapped her arms around his shoulders, pulling him into her as their bodies melted against each other.

"Best sex of my life." he chuckled, still slightly out of breath.

"right back at ya'." she giggled, rolling off of him and getting comfortably propped on his pillows.

He kissed her temple, pulling her in for a cuddle.

"So," Matty spoke once they'd both had a chance to breathe. "think there are two episodes left in the docuseries. and some leftover weed in the baggie you brought." He raised an eyebrow, glancing at her expectantly.

"No. I just gave you a mind-blowing orgasm, I pick what we watch."

"Ugh, fine."

[suzukiblu]

hi! have you ever written stephtim?? no worries if that’s not a ship you’re into, but i love your writing and was wondering if you have any works abt them :D

I don't believe I have anything where they feature prominently, sorry, just some stuff that includes past Steph/Tim, though I actually DO have a lil' maybe-thing kink snippet that I started poking at last night for them, I just dunno if it'll actually go anywhere. Also Steph is gonna get a chapter to razz Tim as is her Bat-given right as his ex in "call me cute and feed me sugar", but that's obvi not a fic about them actually DATING. Those two fics might be the only ones I've got that she's due to feature prominently in, though?

. . . wellllll, depending on if I write the companion series to "a fake cryptid and a real romantic" that explains all the Bats' origins/deals or not, anyway. She'll get an installment in that, if I decide to go for it, though it won't be very Tim/Steph-focused either.

Really, I should write the grief "clone-baby soup" fic, if I write ANYTHING with Tim/Steph. Like c'mon, me, don't sleep on THAT one, that one's RIGHT up your alley!! But also I should just write Steph more often in general, possible note to self for future WIP concepts. It's not that I'm against the ship or anything, it's just tragically lacking in sad clone boys or angry dead Robins, so it's not where I naturally go.

[suminomiyyas]

Finished Amakano 2 and the + one, though the + one only the New Heroine but if you hardly miss anything if you play the previous + version since it’s basically same.

Nothing much to explain since the game is just Icha-icha and nothing more than that there’s few conflict which hardly called conflict because it’s a light one and not too heavy well this series is like that which stay true to it’s name (Amai Kanojo), to put it simply the game is like a Sweet Beverage that fit with any toppings with extra cream and another sweets topping on it, depending on your taste it might be too sweet and without any taste other sweet, like all of the Heroines are good for this series *Piromizu is really good*, no big drama and conflict, and the MC strangely an Ikement archetype as well, the H scene also include Heroine Point of View which make you sometime questioning that this is Otome Game hiding in Eroge format yes i know there’s an Otome Game Eroge but i hardly find that genre anymore so this is like an Oasis for me since i do enjoy those games.

What makes the 3rd + installment this time is that they add 4th Heroine that didn’t included in base game after you play her route it’s really feel like grand finale for this series since all of the previous game heroines making an appearance with proper base sprite upgrade and yes including the previous MCs, not gonna spoil much so i just end it here

I highly recommend this series if you like laid back icha-icha without any big drama and just spending sweet time nothing more than that with unnecessary outstanding arts   

I might do something like this in the future since i can’t talk about it in twitter cuz i only use that site to follow Artists, Seiyuu and Actors,well i already do this kind of thing though but not too often and limited to an Novel Game especially Eroge and Otome Games

[jaskwritesthings]

so seen as i finished nano (oh sweet baby jesus on a pogo stick aaaaaaa) i figured i'd update everyone on the writing!

what's coming next month?

currently i'm about half way done with the second part of whistle sweetly which i hope to post sometime next month

a christmas detour now has not one but two beautiful people to beta who will receive it once i've spellchecked it cause i won't subject these good people to my terrible spelling that makes even google cry 'that's not a word in aNY LANGUAGE'. this will hopefully be posted sometime next month as well.

i have finished (at last) the third part to my political marriage au series your eyes aren't rivers there to weep so that's getting posted next month as well and a surprise smutty one-shot, not my usual playpen so please be gentle and a wee gift for our lovely server's secret santa as well!

the future!

looking ahead will obviously be the third and final instalment of whistle sweetly, hopefully posted sometime in january

part four of your eyes aren't rivers there to weep should also join it around the same time

and as i'm currently half way through the final version of the edge of the blade my fake married au, i'm hoping that after i find a beta for that it should start posting in january too!

i'm also gonna be starting work on my dune au next month so woo! very excited about that, i have so many ideas about how to fiddle with the world building and asdfghjkl VERY excited to play in that sandbox

so yeah, lots ahead and that's not even including my plans for the next few months as well! i'm just really happy with my writing and really excited about it so hopefully the muse continues to inspire!

[twinhood-2dot0]

the entire history of the dceu, i guess

I wanted to write about the entire history of Batman or The Flash but uh, their histories might take a whole book to write. Then I thought of Batgirl, but uh, as much as I love her, I’m only really familiar with her later Oracle days and her Batgirl days from 2011-2018, whereas in the case of the other two mentioned I’ve read pretty much every consequential issue (am I flexing? maybe). I am gonna try to read every single comic she’s in though :P. Huh, it’s only 61 TPBs. The list is not complete, but if we factor in all those that I’ve already read and those yet to read, I think they level out. There are probably much more complete lists, but I can’t find any as easily scrapable ones.

Man Of Steel (2013)

Budget: $225–258 million

Box Office: $668 million

IMDb: 7.1/10

Rotten Tomatoes: Critics: 56% Audience:75%

(Note: None of these are actual metrics for how good the movies are, you’ll see why I’m including those.)

In 2008, after WB’s disappointment with the box office of the sixth instalment in the Superman series, they decided to reboot the film series. 

The writer for The Dark Knight trilogy, David S. Goyer, expressed his idea for a Superman movie to Christopher Nolan, and impressed, Nolan pitched the idea to the studio, and were both hired to write and produce the movie respectively. A few directors were considered, notably Ben Affleck (Batman, in the future) and Matt Reeves (directed The Batman, in the future), but ultimately Zack Snyder was chosen in 2010. There was an idea to set the movie in the TDK trilogy universe, but it was decided against (thank god for that, please, the movies are perfect as is). Anyways, the movie was a box office success, even while critical responses were not so much. Okay, well, it’s Superman, so it’s not very unexpected. I, for one, am not a huge fan of the movie. As much as I looooove darker stories, come on, it’s Superman, the paragon of hope! It’s not a terrible movie, but as a Superman movie, yeah, no. Anyways, seeing the success of the movie, they went along with their idea for a connected universe.

I’ll write a summary for the plot below every movie’s sections, skip if you don’t want to be spoiled. You know what, just read it through. There’s nothing much very consequential since the axing of Zack Snyder’s Justice League, and like every superhero is gonna be recast and rebooted, so it doesn’t matter.

Plot: Basically a Superman origin story. If you don’t remember, you can go back to my shallow dive into the Justice League :) The villain is Zod, who wants to terraform (Kryptoform?) Earth and make it habitable for Kryptonians. And Superman also has uhhh the genetic code to fabricate baby Kryptonians placed in him? Which Zod wants to use to repopulate.

Batman v. Superman: Dawn Of Justice (2016)

Budget: $250–300 million

Box Office: $873.6 million

IMDb: 6.4/10

Rotten Tomatoes: C: 29% A: 63% (Yikes)

In 2013, it was announced that Zack Snyder is going to be returning for a Man Of Steel sequel, and later confirmed by Snyder that Batman and Superman (and Wonder Woman) were going to meet for the first time on the big screen and that it was going to be inspired by Frank Miller’s The Dark Knight Returns comic, which depicts an older, more brutal Batman.

You can see that clearly in the suit.

The movie opened to a whopping $422.5 million and then experienced an 81.2% decline in its second weekend. The movie seems to have been carried by the hype for Batman and Superman, like wow.

The Rotten Tomatoes website's critical consensus reads: "Batman v Superman: Dawn of Justice smothers a potentially powerful story – and some of America's most iconic superheroes – in a grim whirlwind of effects-driven action." I, too, disliked the movie. I am quite a new DC fan, but even for me, it felt like it butchered the characters of Batman and Superman, although Superman to a lesser extent. Batman kills??? And why exactly does he want to kill Superman??? Also, that plot point would have been made more impactful if Batman didn’t kill freaking goons???

Wow uh, that’s quite a few Golden Raspberries. Yikes, even Catwoman won 4.

Plot: Superman’s fight with Zod created a lot of collateral damage and also destroyed the Wayne Enterprises building, so Batman resents Superman. Lex Luthor manipulates them into hating each other, and he ransoms Superman’s mom to get him to kill Batman. Superman tries to talk to Batman and Batman attacks??? (he got kryptonite). Batman comes to his senses just before he deals the killing blow. Superman confronts Luthor, and Luthor unleashes Doomsday, a monster designed to kill Superman using Kryptonian DNA. Wonder Woman appears. Superman and Doomsday kill each other. Everyone big sad. The End. 

Suicide Squad (2016)

Budget: $175 million

Box Office: $747 million

IMDb: 5.9/10

Rotten Tomatoes: C: 26% A: 58%

The film was announced in 2009 and David Ayer signed on to direct in 2014. Ah, where do I begin? The movie was set to have a sombre tone, but with the failure of BvS and the success of Deadpool, the studio worked on a second, lighter cut than Ayer’s and then tried to reach a place of “consensus” between the two. The reshoots cost around $22 million, more than the typical $6-$10 million, and changed the entire third act, and changed Joker and Harley’s relationship to be less abusive??? Thankfully, Birds Of Prey later remedied that, but the emancipation of Harley Quinn would have been much better had it been preserved in Suicide Squad.

The movie was a box office success, but the movie is regarded as possibly the worst DC film made, which is not an easy feat, as much as I hate to admit it. 

I have no comments on this movie. Because I have no memory of when I watched this movie, except for Harley Quinn and how badly the movie treated her. Huh. I don’t remember anything except for Harley Quinn. Wow. That is quite a feat considering how much I love the Suicide Squad from the comics and individual characters like Captain Boomerang, Katana, and Killer Croc. Oh yeah, and Amanda Waller. She’s an awesome character in every version, and Viola Davis does a great job. 

Plot: Superman dies, so Amanda Waller creates Task Force X, a team made up of supervillains forced to do Waller's bidding because of a bomb injected in their neck that she can detonate at any time. An archaeologist becomes possessed by a witch named Enchantress. Turns the city into monsters, summons brother to destroy mankind, the Suicide Squad beat Enchantress, yada yada, I’ll fall asleep if I’m forced to read this, just read it here

Wonder Woman (2017)

Budget: $120–150 million

Box office: $822.8 million

IMDb: 7.4/10 (wow I thought it would be higher than that)

Rotten Tomatoes: C: 93% A: 83% (You can see why I thought that)

DC’s first gem. Heralded as DCEU’s best film, the film was a hit among critics and the audience.

Plans for a Wonder Woman film date back to 1996. After going through a lot of directors and actresses, Patty Jenkins took up the role of director in 2015 and Gal Gadot was casted by Zack Snyder to appear in BvS in 2013. This movie is also an origin story, set in the 1910s in World War I. 

Also, listen to this

I loved this so much. I got into DC in 2018, so this movie was my first exposure to Wonder Woman, and oh boy was it a good one. The acting was awesome, the action scenes were perfect, humour and romance weren’t overbearing and bettered the film.

Plot: Princess Diana is a resident of Themyscira, an island of immortal women and only women. The island is usually shrouded from the outside world, but one day, an American pilot named Steve Trevor crashlands into the island and is followed by German forces who were pursuing him. The Themyscirans fight them off but incur heavy losses. Steve is interrogated using the Lasso Of Truth/Hestia and reveals that there is a war going on in the “land of man”, as the Themyscirans call it, and Diana convinces Hippolyta (oh whoops, I forgot to mention, Themyscirans are Amazons, at least, a sect of them. It’s the same Hippolyta from Greek myth, but modified to fit the story. She’s Diana’s mom. Antiope is also there, but she’s killed off.) to let her go and stop the war, believing that Ares is behind it. And she arms herself with the lasso, a “god-killer” sword, and the armour, and leaves for London. She fights Ares. Steve sacrifices himself, and Wonder Woman beats Ares, WWI is over.

Justice League (2017) and Zack Snyder’s Justice League (2021)

Budget: $275 + $25 (reshoots) million

Box Office: $657.9 million

IMDb: 6.1/10

Rotten Tomatoes: C: 39% A: 67%

The biggest disappointment in comic book movie history. After the release of Man Of Steel, Goyer was hired again to write a sequel (BvS) and a Justice League movie. In 2014, it was announced that Zack Snyder would be directing the movie. The production went along and filming wrapped up in Oct 2016. However, in the wake of Snyder’s daughter’s death, he had to step down. They then hired Joss Whedon, the director of Avengers and Avengers: Age Of Ultron, seeing the success of those movies. Under his direction, it went through two months of reshoots costing $25 million. The reshoots coincided with the filming of Mission Impossible: Fallout so Henry Cavill was contractually obligated to keep a moustache for it, so uh… His moustache had to be digitally removed which led to uh…

Justice League - Opening Superman Scene - Mustache Movieclip

Anyways, there were a lot of changes made. There are multiple sources estimating how much was changed. The producer said in an interview that the film was shot originally by eighty to eighty-five percent. I’m too dumb to understand what that means, maybe you’ll be able to. Snyder said around a fourth from what he had been told (he didn’t watch the movie), and the cinematographer said 10%. Whedon’s rewrites were also around 80 pages, so it was mostly his work. The movie was mandated by execs to be under 2 hours, which is the dumbest freaking decision, considering the only superheroes in the movie we’ve met so far are Batman, Superman, and Wonder Woman. 

Controversy and Changes

It was later reported that Snyder’s rough cut was deemed unwatchable by studio execs.

Ray Fisher, the actor for Cyborg, and Gal Gadot, Wonder Woman, came out with claims against Joss Whedon, with Fisher saying “Joss Wheadon’s on-set treatment of the cast and crew of Justice League was gross, abusive, unprofessional, and completely unacceptable.” and Gadot claiming that Whedon threatened her career if she refused to do something.

There’s a controversial scene in AvengersAoU where in the chaos of Ultron’s attack, Bruce Banner (Hulk) falls on Black Widow’s chest. It’s a horrible sexist thing to have in your movie already, but even more egregious is that he does the exact same thing in Justice League with The Flash falling on Wonder Woman’s chest. Gadot refused to do this scene and it had to be filmed with a double. Seriously dude? You didn’t reconsider after the actor said no?

Chris Terrio considered the Whedon cut an act of vandalism and unsuccessfully tried to get his name removed from the movie.

The Whedon cut was significantly lighter in tone and featured much less violence as the studio was not happy with the results of the previous darker movies, and you know, it is directed by the director of Avengers.

Tom “Junkie XL” Holkenberg completely scored the movie, but halfway into post-production, was replaced by Danny Elfman, composer of Batman (1989) and Batman Returns (1992).

The movie was exactly 2 hours, removing 90 minutes of Snyder footage, but still adhering to the basic outline

Christopher Nolan and Deborah Snyder (his wife and producer) advised him never to watch the film as it would break his heart. I see what she means, it broke my heart as a huge DC fan, imagine being the creator of a work that you poured blood, sweat and tears into and someone else comes in and completely butchers it.

The underperformance led to the studio deciding to ditch Snyder’s vision for a universe of interconnected films to focus on solo movies.

Zack Snyder’s Justice League

Budget: $70 million to finish the movie

Box Office: Direct-to-video

IMDb: 8.0/10

Rotten Tomatoes: C: 71% A: 93%

#ReleaseTheSnyderCut

After the release of the “Josstice League”, fans created a petition to #ReleaseTheSnyderCut that gained more than 180,000 signatures. Various members of the cast showed support for the movement. 

Ahead of San Diego Comic Con 2019, a crowdfunding campaign was started, with half to be spent on advertising and the other half going to the American Foundation for Suicide Prevention. They purchased ad space on billboards, two in Times Square and a flying banner ad that passed over WB Studios. The fans raised over $500,000 for the ASFP in donations by Feb 2021.

In March 2019, Snyder confirmed that his original cut existed, but that it was up to the studio to release it. The following month, he posted a photo of boxes with tapes labelled “Z.S.J.L. Director’s Cut” captioned “Is it real? Does it exist? Of course it does.”

The studio approached Snyder proposing to release the cut unfinished as he had left it, but he refused, insisting on finishing it if it was to be released. In Feb 2020, WB decided to move forward. In May 2020, Snyder announced that his cut titled “Zack Snyder’s Justice League” would be released on HBO Max in 2021.

Differences

At least 10 comic characters were cut, including but not limited to, Iris West, The Flash’s wife, Ryan Choi, the not-yet Atom, and Darkseid, the big bad of the Justice League, basically DC’s Thanos (technically, Darkseid came before, but not in live-action media, so :P) and Martian Manhunter, a main member of the Justice League.

A lot of the backstory for the new characters like Aquaman, The Flash, and Cyborg. Cyborg was supposed to be the “heart” of the story, but he had barely any character in the Whedon cut. The Flash is relegated to just comic relief and has pretty much no role in the climax when he had a huge role. Aquaman’s backstory was also cut, but it’s less egregious because of the existence of the solo movie. Even Batman was affected. He is more indecisive, oafish, and obsessive, while in Snyder’s cut, he’s more optimistic and inspired by Superman’s sacrifice. His dynamic with Wonder Woman was also similarly butchered, and she was very sexually objectified.

This was cut. Do I need to elaborate? Well, there is symbolism, but eh I’m lazy. Also, this is a reference to “The Death Of Superman.” storyline.

Just look at this. He went from a menacing alien monster to man in armour. His character was similarly butchered. I’ll expand on the plot section.

Dumb freaking jokes and quips. Marvel style. Except it doesn’t work at all in this movie. In the MCU the audience is used to that tone. Shoe-horning in jokes in a movie that was meant to be dark doesn’t work at all, especially when they make no sense and are just plain unfunny. 

Zack Snyder’s Justice League has 4 hours of runtime. Snyder was given free rein, and he made full use of that. It has a lot of his signature slow-mo scenes, and there are a lot more details too because of that.

Story Differences

The outline of the plot is basically the same, but every character is very fleshed out. We see how Victor Stone turned into the Cyborg, his relationship with his parents, how his powers work, etc, and the same treatment is given to Flash and Aquaman. Cyborg did very little in the theatrical cut, but he’s a decent character in the Snyder cut. 

The theatrical version of Steppenwolf was probably the worst villain in comic book movies, but Snyder’s version fleshed him out and has much more of a motivation. In the theatrical cut he wants to destroy Earth for seemingly no reason, and there’s no mention of the Anti-Life equation, which is like Darkseid’s signature weapon. Steppenwolf is on Earth to gain Darkseid’s favour again after betraying him in the past, and he finds out that the Anti-Life Equation is in the Earth’s core. 

Oh yeah, the climax. I’ll talk about it when I explain the plot because it’s the biggest change.

Plot: 

Blue text is only in Snyder cut, red is only in Josstice League, and white text is in both movies.

Thousands of years ago, Darkseid Steppenwolf came to Earth to destroy it in search of the Anti-Life equation and to build his parademon army. But the Atlanteans, Amazons, and humanity came together to defeat them, and his three Mother Boxes were confiscated, and each tribe stored them away safely. In the present day, sensing Superman, Earth’s protector’s death, the Mother Boxes call out to Steppenwolf, and he arrives in Themyscira, defeats the Amazons, and steals their Mother Box, and Diana is alerted, and she finds out about the war against Darkseid. She and Bruce team up to gather other metahumans to fight an incoming threat that Lex Luthor warned Bruce about in the previous movie and one that the Parademon's presence made obvious. Bruce first goes to Aquaman, but he refuses. Then Diana goes to Cyborg, who also refuses, but he returns home to find his place ransacked and dad missing, and Bruce successfully recruits Barry because… he needed friends. Honestly, mood. 

Then, the Atlantean outpost is attacked and Mera and Aquaman fail to protect the Mother Box. Then the team received intel from Jim Gordon, while Cyborg joins them, and they discover Steppenwolf’s hideout under the Gotham Harbor, where he’s interrogating S.T.A.R Labs employees, one of them being Silas Stone, Victor’s dad. They fight Steppenwolf, and in the process, the facility is flooded, when Aquaman arrives and buys them time to escape. The team retrieves the Mother Box Silas used to rebuild Victor’s body after he met with a car accident, and the team realizes they could bring Superman back with it. They exhume Superman’s body and revive him in the Kryptonian ship that he arrived on Earth in. An amnesiac Superman then attacks the team and comes to his senses when Lois Lane arrives at the scene. Steppenwolf arrives at S.T.A.R Labs and tries to take the Mother Box when Silas sacrifices himself to superheat the Mother Box. This allows the team to locate the Mother Box using its heat signature. The team travels to an abandoned Russian city, a renamed Pripyat. I swear, this will be relevant. Aquaman and Wonder Woman fight off Steppenwolf, while Cyborg is separating the Mother Boxes (oops, I forgot, if the Mother Boxes conjoin and create a Unity, the Earth is razed and everyone is turned into parademons.), and Batman and The Flash fights off parademons and later rescues a family of people trying to escape whatever Steppenwolf is doing to the place. Okay, so 1. This is an abandoned town hit with a nuclear meltdown. 2. This messes with continuity. The Flash (2023) and ZSJL establish that he cannot relocate people. In the former, it is explicitly stated, and in the latter, it’s shown to us, when he just helps people along to escape in the Gotham Harbor fight, and he saves Iris with small taps. 3. The Flash barely has a role. I’m not saving people is not a vital thing to do, but like, look at what everyone else is doing! Also, they cut such a badass scene to make… whatever the heck we got. Meanwhile, Barry is circling the area to build up a charge to separate the Mother Boxes. Steppenwolf then overpowers the two of them, stabs Victor and rips him away from the Mother Boxes and then Superman arrives with the cheesiest line.

Steppenwolf: They’re too weak to see the truth.

Superman: Well… I believe in truth. But I’m also a fan of Justice.

And proceeds to curb-stomp Steppenwolf. Yes, I know it’s a reference to “Truth, Justice and The American Way” but eugh, could have been done so much better. Especially when you see what they cut to make that scene.

Superman then leaves to… relocate… a freaking building full of civilians. It’s like the movie forgot that it was supposed to be abandoned. Also, do I need to explain what’s wrong with this?

swings at Victor, when Superman lands in front of him, and says “Not impressed.”, and proceeds to curbstomp Steppenwolf.

Just look at this and tell me which one is badass.

Victor keeps getting interrupted by Steppenwolf, so Barry is unable to charge it, but by the time Superman arrives and Victor gets back in position, Barry gets shot, and the Mother Boxes form Unity, and the Earth is destroyed… until this happens. I don’t want to describe this scene, it’s that good.

Whoo, goosebumps. This here is the scene that Whedon cut out to make him save a random family. Instead of the Earth, and quite possibly multiple planets. And provided a payoff to the scene where he turns back time just a little bit earlier in the movie. And set up The Flash movie. And it felt so good to have him finally play a role after being comic relief for the whole movie.

After the fight, a few things happen. 1. Bruce has a Knightmare (get it? Cuz The Dark Knight is having a nightmare? Yeah… not subtle at all.) where Superman has established an authoritarian role and Batman is teamed up with Joker and most everyone else is dead. 2. Martian Manhunter reveals himself to Bruce and offers to help when the time comes. 3. Lex Luthor tells Deathstroke Batman’s identity to help him kill him.

Ooooookkkkkkaaaaayyyyy that was long. Still alive? Good. We are only halfway done.

Aquaman (2018)

Budget: $160–200 million

Box Office: $1.148 billion (Wow.)

IMDb: 6.8/10

Rotten Tomatoes: C:65% A: 72%

Huh did not expect that. DC’s highest grossing movie is Aquaman. Aquaman, the butt of every Justice League joke. Aquaman performed better than Batman v. Superman, a movie with two of the most iconic superheroes ever, and Justice League, the team of the most iconic superheroes. Okay, well, the movies themselves were not very good, but like, Aquaman. Sorry, I just can’t get over that fact. I personally love like (let’s not go that far. Despite being King of Atlantis and my love for the ocean, he’s still not very likeable in the comics. The movies are good though, they do his abrasiveness quite well.) Aquaman (No, it’s not just because of Jason Momoa’s abs, shuddup), but he never struck me as a very popular character.

This movie is a sort of origin story..? This movie takes place after Justice League, where he was man with trident who talked to fish, while in this movie he comes into his role as King of Atlantis. 

I loved the movie. Obviously. I loved Jason Momoa’s acting, I love his characterization, his character arc, I love how well the underwater CGI is done, I loved Atlantis, the adaptation of Black Manta, Orm is good enough. Especially after reading the comics. 

Plot: Origin story. Not very many additions, but it includes Black Manta’s origins, a son of a pirate that Aquaman refused to save, and now he made his life’s mission hunting him down. Never really liked him, kind of a boring villain writing, just look at Reverse Flash to see how well it can be accomplished.

Shazam! (2019)

Budget: $90–100 million

Box Office: $367.7 million

IMDb: 7/10

Rotten Tomatoes: C: 90% A: 82% (Wow, critics score higher than audience.)

From the supposedly “dark” franchise, we get a comedy film. Okay, well, the main character is a teenage kid, would be dumb to make it dark. Okay, I take that back, Damian Wayne stories are about a pre-teen kid, and do they get dark sometimes. Anyways, it’s a pretty funny movie, not very deep, but enjoyable and a reprieve. I just realized I missed Shazam! in my Justice League shallow dive :P. Well, this will be good enough ig. Also, did you know Shazam! was called Captain Marvel? Well, he still is, sometimes, but they can’t market him as Captain Marvel. It is a little off-topic, but let me take you back to the 1940s. In the 1940s, Captain Marvel was the most popular superhero around, outselling even Superman. This led to DC getting salty, and they decided to sue Fawcett Comics, then owner of the character, for infringing their copyright for Superman. In 1941 DC tried unsuccessfully to stop Fawcett from publishing them and from Republic Films from releasing a serial based on the character. Fawcett won, due to a technicality, but found that he was indeed an illegal copy. Then in 1951, DC appealed the decision, and due to the drop in comic sales, Fawcett decided it was not worth fighting and paid DC for damages and dissolved its comics in the coming years, and in 1967 Marvel trademarked the name in 1972 and that was an issue when DC licensed the rights to all Fawcett characters, and that led to them retitling it to Shazam!. Anyways, sorry for lengthening this already gigantic post.

I liked the movie. It does its job as a comedy superhero film pretty well, and it’s a good adaptation of him. Yeah, nothing much to say here.

Plot: Billy Batson is a kid in the foster system, who keeps running away from foster homes in search of his mother, and he eventually lands in the house of Víctor and Rosa Vásquez with five other children, Mary Bromfield, Pedro Peña, Eugene Choi, Darla Dudley, and superhero enthusiast Freddy Freeman. He gets selected by a wizard to be his new champion, giving him the ability to turn into an adult man who has the Wisdom of Solomon, the Strength of Hercules, the Stamina of Atlas, the Lightning of Zeus, the Courage of Achilles, and the Speed of Mercury (I do not know why the first is Christian, the next five Greek and the last Roman. Although, I guess Shazah doesn’t have the same ring to it.)

In a flashback at the beginning of the movie, we see Thaddeus Sivana also tested by the wizard but is rejected because of his greed, and he lives the rest of his life consumed by anger due to that.

Sivana deduces his identity, and he takes his foster sibling hostage in exchange for the power, but he shares his powers with them and they team up to beat Sivana.

Birds Of Prey And The Fantabulous Emancipation of One Harley Quinn (2020)

Budget: $82-100 million

Box Office: $205.3 million

IMDb: 6.1/10

RT: C: 79% A: 78%

The film adaptation of my personal favourite DC teams. I mean, an all-girls (most of the time) team with Batgirl and Black Canary (most of the time)?

Margot Robbie, the actress for Harley Quinn, pitched the idea for a Harley Quinn spin-off in 2015, before the release of Suicide Squad, as "an R-rated girl gang film including Harley because I was like, 'Harley needs friends.'” She spent 3 years working on it and WB decided to make and it hired Cathy Yan, which makes this one of the few superhero films directed by a woman of colour. Batgirl was excluded from the movie for her standalone film. Huh, I thought it was because she was a problematic character to adapt. In 2018 it was announced that the lineup would include Huntress, Black Canary, and Renee Montoya. I refuse to call her Cassandra Cain. With so many things that the movie did right, Cassandra Cain is not it. She has 0 characteristics of the comic book character and I’m not even being hyperbolic. Seriously, I dare you to find one similarity. I’ll just be calling her uhhh Pickpocket. Yeah, that’s good enough.

I watched the movie again today, and oh my god, it. is. AWESOME! Harley Quinn is awesome, obviously. Huntress, oh my god, she’s my new celeb crush.

She’s soooo badass. She has this arc like, she just got into the role, and is trying so hard to be badass, practising in the mirror, saying stuff like “Do you know who I am?”, and “They call me… The Huntress.” It’s also a running gag that whenever she says “They call me…” the other party replies “The Crossbow Killer” and “Helena Bertinelli!”. But she’s so badass when she’s not trying, true to the comics version.

Renee is also cool, a little older tho, but that’s fine.

Oh, Black Canary was soooo good too. A pretty good adaptation, though not truly comic-accurate. 

Cassandra Cain. Just read my Batfamily shallow dive, and read her character here. You’ll see why I refuse to call her Cassandra Cain.

Plot: Years ago, all of the Bertinelli family is gunned down for their fortune, but Helena survives and is taken in and trained as an assassin, and is trying to kill all the people responsible for the massacre of her family (The plot is pretty uhh back-and-forthey, and it keeps switching between flashbacks and the present, so I’m going to try to do this chronologically).

Dinah Lance breaks Roman Sionis’s (Black Mask, played by… Ewan McGregor… Obi-Wan Kenobi. I’m sorry when he commits all these evil deeds I can’t see anyone but Obi-Wan Kenobi. Not his fault, I’m just really bad at not relating it to actors’ past roles.) driver’s legs and is hired by him to be his new driver.

GCPD detective Renee Montoya is investigating the “Crossbow Killer” murders and tries to recruit Dinah as an informant, but she refuses.

Four years after the events of Suicide Squad, Joker and Harley break up, and because no one believed that they were actually broken up, Harley drives a truck into ACE Chemicals, “publicly announcing her relationship status”. 

Sionis sends Victor Zsasz and Dinah to retrieve a diamond embedded with the account numbers to the Bertinelli Fortune, but Pickpocket steals it, but she’s caught by the police, so she swallows it.

Harley is kidnapped by Sionis’s men, and she offers to steal the diamond back, and after she’s sent to retrieve it, a bounty is placed on Pickpocket. Harley breaks into the GCPD and rescues Cassandra. They hide out at Harley’s apartment, which is bombed by Sionis’s men. Harley calls Sionis to exchange Pickpocket for his protection, Dinah notifies Montoya, Zsasz tells Sionis about her betrayal, and Sionis dons his eponymous “Black Mask” and decides to go after them at Amusement Mile.

At the park, Montoya confronts Harley, but they fight and Montoya is defenestrated. Zsasz arrives and shoots Harley with a tranq, and holds Dinah at gunpoint when he arrives, but he’s shot by Helena. Montoya returns and tells Helena that Sionis orchestrated the massacre when Sionis arrives with an army of henchmen. They fight, but Pickpocket is caught, and Harley and Huntress try to save her. Pickpocket reveals that she had a grenade in hand, and blows Sionis up, in the only scene that I could think of that gave this movie an R rating, aside from the f words. Montoya quits the GCPD, and Helena, Dinah and Montoya create the crimefighting team of Birds Of Prey.

Wonder Woman 1984 (2020)

Budget: $200 million

Box Office: $169.6 million

IMDb: 5.4/10

Rotten Tomatoes: C: 58% A: 73%

Plot: Diana gets a wishing stone, wishes for Steve Trevor back, and he comes back… in another man’s body??? And they have sex while he is in another man’s body??? Yeah, I don’t know how no one saw any issue with that. A woman jealous of Diana’s beauty and popularity wishes to be like her, and turns into a Cheetah, a businessman named Maxwell Lord gets the stone, saves his company, makes everyone in the world wish for anything and chaos unfolds and Diana renounces her wish and Steve is gone, Wonder Woman and Cheetah fight, Max and Diana fight, everyone renounces their wish, the end.

(Yeah, I’m in a rush, and this movie is too terrible for me to put any effort into it. Sorry.)

The Suicide Squad (2021)

Budget: $185 million

Box Office: $168.7 million

IMDb: 7.2/10

Rotten Tomatoes: C: 90% A: 82%

Yeah, confusing name, I know, but it’s more of a relaunch than a direct sequel.

This is the movie I said where the box office will be relevant. For such a critically acclaimed movie, it grossed only $168 million, the lowest of any DCEU film. 

In 2018, James Gunn, director of Guardians Of The Galaxy Vol. 1-3, and several other… let’s just say interesting films, and now co-CEO of DC Films. I didn’t really know much about him, until recently, except that he directed an awesome DC movie, and he’s possibly the best person to take DC forward according to other people.

How James Gunn Deradicalizes the Manosphere | A RETROSPECTIVE

Watch this to see why I love him so much now. Oh wait oops um… His movies have some pretty… disturbing imagery, so uh only watch it if you’re up for that…. Which you probably definitely aren’t.

DC first asked him to make a Superman movie, which he said he didn’t know if he wanted to make, so they told him he could adapt any DC property he wanted to, and he chose Suicide Squad.

He also insisted on an R-rating, which I love it for. The movie would not be the same without the gratuitous violence. Yeahhh, I did a full 180 from cringing at amputations to loving gratuitous violence. Wow. Who knew I’d be here? I mean okay, it’s obviously where I’d have been, after reading Attack On Titan and Chainsaw Man and DC Black Label stuff. 

He took inspiration from John Ostrander’s 1980s Suicide Squad run, drawn to it because of its loser B-grade supervillains.

The first character he chose was King Shark, who was supposed to be in the first movie but was replaced by Killer Croc, and the others added were Peacemaker, Polka-Dot Man, and a gender-swapped Ratcatcher.

He chose Starro The Conqueror as the villain, who struck him as absurd but terrifying, reflecting what he wanted to do with the film. 

I don’t really care much for actors, but there’s one actor I’ve loved for a long time. David Dastmalchian, Polka-Dot Man. Why do I love this guy you haven’t ever heard about? Well, look at his roles.

The Dark Knight (2008) - Thomas Schiff, one of Joker’s deranged henchmen.

Ant-Man (2015), Ant-Man and The Wasp (2018), What If..? Episode 5 (2021), Ant-Man and The Wasp: Quantumania - Kurt, (in the first three ) one of Ant-Man’s friends, and in the latter movie, a being named… Veb?

Gotham (2017) - Dwight Pollard, one of Joker’s followers.

The Flash (2017, 2021) - Abra Kabadra, a Flash villain who’s a technomagician.

Batman: The Long Halloween, Part One and Two (2021) - Julian Day (Calendar Man), Oswald Cobblepot (Penguin) 

The Suicide Squad (2021)

Yep, he played 8 different roles in superhero movies and 6 in various DC media. If I were an actress, I would want a resume just like that.

David Dastmalchian suffered from bullying due to his vitiligo in his childhood and developed depression and addiction, and comics gave him much-needed escapism and became somewhat of a comic devotee.

He first auditioned for a member of the Joker crew in the famous heist scene from The Dark Knight, but he didn’t get the part and was devastated. Four months later, however, he received a call that he was cast as Thomas Schiff. A small role, but one he credits with changing his life.

That’s why he was perfect for the role of Polka-Dot Man. Gunn wrote the character with Dastmalchian in mind.

Gunn messaged him saying that he wanted him in his film, and he was wrought with anticipation for what role he was going to play. 

“I am very familiar with so much of the DC canon, and I know the DC villains so well, and he’s like, ‘I want you to be Abner Krill, Polka-Dot Man,'” Dastmalchian recalled. “I was so embarrassed. And I’m like, ‘James, I’m so sorry. I don’t know anything about him.’ He’s like, ‘Don’t worry, don’t worry. I want you to read the script and let me know how you feel.'”

“I was jumping up and down. I was crying. I was yelling,” Dastmalchian said. “I was so moved by what I read, and I was so moved by the thought that he would imagine me getting to bring to life a character that was beautifully created. James told me that when he was writing the character, he just saw me in his place.”

Polka-Dot Man’s abusive mother infected him with an alien virus, to turn him into a superhero, but it left him covered in polka dots and pustules, leading to ridicule and bullying. You can see how he could connect with a character like that.

“I connected with Abner from his first line,” he says. Dastmalchian sees Polka-Dot Man as an avatar for triumph against one’s insecurities.

“I love that Abner came to a point where he not only embraces his strangeness, he turns it into a superpower,” Dastmalchian says. “That’s what we all can do. We have things about ourselves that make us insecure, that make us ashamed. We keep things locked up, and they end up eating us from the inside.”

“We can do the work, get therapy or connect with people that help expel those viruses,” he explains. “We can love ourselves and figure we are meant to be the way we are. We’re fucking superheroes.”

Also, Peacemaker is John Cena.

It’s such a great movie, I was shocked to learn that it was the lowest-grossing DC movie. I guess an R-rating, a pandemic, a terrible prequel and a simultaneous streaming release will do that.

It’s a hilarious, gory, self-aware, ridiculous movie and an awesome adaptation of lesser-known DC supervillains that have been given a new lease on life. And also, Harley Quinn is great, obviously.

Plot: Amanda Waller assembles two Task Force X teams, who are sent to the island nation of Corto Maltese, unaware of each other. The movie goes into quite a bit of effort building character, to unceremoniously annihilate them, but Colonel Rick Flag and Harley Quinn survive. Their massacre provided a distraction for the other team to arrive safely. The team is commanded to find Flag and Harley Quinn, and massacre a soldier base, only to find out it belonged to a rebel group. Harley is captured by the dictator who is in love with Harley. Harley, after her experience with Joker, kills him and in a ridiculously over-the-top, awesome action sequence escapes to find… the others executing a “really good plan” to rescue her. She joins them and finds out that the Project Starfish, whose files they were there to destroy, was funded by the US Government, and the team splits, with one side dedicated to their mission, and the other who wanted to expose the secret. Peacemaker, on the former side, kills Flag but is killed by Bloodsport before he could kill Ratcatcher. Then Starro escapes and starts controlling the cities’ population. Waller orders them to leave, deeming the mission complete, but they revolt, and when Waller was about to detonate the bombs, she is knocked out by a member of the team, and directs them to defeat Starro. In a post-credits scene, the revolters are punished by assigning them to a new mission with Peacemaker, who is revealed to be alive.

Peacemaker (2021)

IMDb: 8.3/10

Rotten Tomatoes: C: 94% A: 89%

A spin-off series set after the events of The Suicide Squad directed by James Gunn.

It follows Peacemaker and Waller’s subordinates punished for insubordination by having to work with Peacemaker. I won’t go into the plot in detail, because it’s an 8 episode series with long ass episodes. The basic premise is, there’s an alien invasion of Butterflies, who take over people's bodies and give them super strength and such, and are trying to take over Earth, and the team has to destroy their food source. It has the same gory and humorous tone, and there’s a subplot of him coming to terms with his abusive Neo-Nazi dad’s terrible acts, oh oh, there’s a great lesbian character too. 

Black Adam (2021)

Budget: $190-260 million

Box Office: $393.3 million

IMDb: 6.3/10

RT: C: 38% A: 88% (wow that is some disparity)

Dwayne Johnson was set to play the character in Shazam!, but he urged to give him his own movie. This movie was supposedly supposed to be “the movie that saved DC”. Honestly, feels like a movie just to have Dwayne Johnson attached to the franchise. It just ended up feeling like a cookie-cutter superhero (ahem, antihero) film.

Plot: Kahndaq was once ruled by a dictator, and a young boy received the powers of Shazam and killed the dictator. Present-day Kahndaq is oppressed by a gang, and Adrianna Tomaz is trying to locate the Crown of Sabbac, she finds it, but her colleagues are killed and she reads the incantation and Teth-Adam arrives and kills them all. Amanda Waller calls the Justice Society, consisting of Atom Smasher, Cyclone, Doctor Fate and Hawkman, to apprehend him. 

Sidenote, I am so happy that Hawkman finally got a film adaptation. He is such an interesting character in the comics. They stop his killing spree and tell Adrianna that he is not a savior, but an imprisoned killer. Her son Amon hid the crown but they took him hostage. They give him the crown but he betrays her, and Adam gets mad and kills the leader and wounds Amon. Adam reveals to Hawkman that his son was the one who was given the powers but he gave his powers to him to save him and died. He surrenders because he felt unworthy and is imprisoned deep underwater by the JSA.

Ishmael comes back as Sabbac and tries to destroy the city. The JSA fail to stop him when Adam comes back and saves all of them.

Shazam! Fury Of The Gods (2023)

Plot: After the events of Shazam!, Hespera and Kalypso steal the wizard’s broken staff and force him to fix it. Freddy falls in love with a girl named Anne. Anne is apparently Anthea, and her sisters appear and take Freddy’s powers and he is imprisoned with the Wizard. The Shazam family fight them, but Hespera steals a Golden Apple, a seed for the Tree Of Life. Meanwhile, Anthea helps Freddy and the wizard escape. Hespera and Anthea want to revive their realm with it while Kalypso wants to destroy Earth with it. Kalypso steals the apple and plants it on Earth. Hespera is mortally wounded and Anthea loses her powers, and Shazam gets Hespera’s help to beat Kalypso and in the ensuing fight, Shazam dies and Wonder Woman brings him back to life. Also, for some reason, Wonder Woman appears in this movie and The Flash. I have no idea why. Maybe Gal Gadot had too much time on her hands.

The Flash (2023)

The chronological movie that reboots the DCEU and jumpstarts the DC Universe.

This movie, whoo. Attempts for a Flash movie date back to the 1980s, but let’s not start the story there.

DC had plans for a Flash movie when they created the DCEU, and in 2016, the movie was set to release in 2018. 

I became a DC fan in 2018, after reading The Death Of Superman and watching the Zack Snyder movies, and later, a ton of Flash comics, so I have been following the release of this movie well before production began. The movie had been in development hell for a very long time, with so many directors being hired then leaving, until 2019, when Andy Muschietti and Christina Hodson signed on and Ezra Miller, the actor for The Flash finished filming TERF movie, and the movie was scheduled to release July 1st 2022 (I was very sceptical when that news came out, and turns out, I was right to be). The movie was set to adapt the Flashpoint storyline, where Barry goes back in time to prevent his mom’s death, resulting in an alternate timeline where Thomas Wayne is Batman while Bruce Wayne was gunned down, and the Atlanteans and Amazons are in a war that could destroy the Earth, Superman is imprisoned in a government facility, and Barry has no powers, and when Barry corrects the timeline, things have changed, and sets up the New 52, so this can transition into the rebooted DCU slate that James Gunn announced. The movie was again shifted to June 3, 2023, due to the pandemic. Michael Keaton was also hired to reprise his role from the 1989 and 1992 Batman movies, along with Ben Affleck.

Hehe, that’s hilarious

I thought chemistry tests meant like idk CSI stuff and Zoom as in Professor Zoom, Reverse-Flash, or, Zoom, the second Reverse-Flash. I still don’t know what chemistry tests mean, testing the chemistry between actors? I don't know why anyone needed to know that information.

Throughout 2022, a controversy much worse than the development hell it went through hit the movie.

Safe to say, Ezra Miller is a terrible person, but replacing them in the role was pretty much impossible, and the movie couldn’t be cancelled because it was so far ahead in production and had a massive budget. The movie did release, but marketing had to be limited due to this.

Plot: Barry Allen’s dad, Henry Allen is set to appeal for his wrongful imprisonment. He visits his childhood home, and overcome with emotions, he accidentally travels back in time a few hours. He tells Batman about it, and he tells Barry that changing things could have unintended consequences. But he ignores it, and prevents his mother’s death, and on the way back to the present, he is knocked out of the Speed Force by another speedster, arrives in 2013, where his mom is alive and his dad is not imprisoned. He encounters his past self, and realizes that he is currently in the day that Barry got his powers, so he rushes his past self to Central City PD so his past self gets his powers too. But, they both get struck by lightning and 2013-Barry gains powers while Barry loses his. Barry trains 2013-Barry to use his powers when they see a transmission by General Zod on a TV screen, and Barry tries to assemble the Justice League, only to find that Aquaman was never born, Wonder Woman can’t be located, Clark Kent doesn’t seem to exist, and Victor Stone is not Cyborg yet. They then travel to Wayne Manor, where they find an old Bruce Wayne (Michael Keaton) who retired from crime fighting because Gotham is now a safe place (yeah, right), and he explains to Barry that changing events also affect the past. They use the Batcomputer to locate the Kryptonian pod, which is revealed to have landed in Siberia. They go to the Siberian facility but find an emaciated girl instead, who they rescue, and who is revealed to be Kryptonian and she kills the Siberian soldiers. Then she refuses to help them as she thinks humanity is cruel. She then leaves to find Zod. Barry asks Bruce to help him regain his powers, and he tries twice but fails, but Kara returns, saying that Kryptonians are people of hope, not war, and flies Barry into a thundercloud, which succeeds in giving him his powers. They all go to fight Zod, and he reveals that Kara has the Codex, not Kal-El, and fights and kills her to retrieve the Codex, and Bruce sacrifices himself to unsuccessfully destroy a Kryptonian ship. The two Barrys travel back in time to save them but fail, and they try again but fail again, and Barry realizes that they can’t be saved while 2013-Barry keeps trying again and again, failing each time. The speedster who knocked him out of the Speed Force is revealed to be a future 2013-Barry, who kept trying for years and fights Barry, and 2013-Barry sacrifices himself to wipe the future version out of existence, and Barry goes back to prevent himself from preventing his mom’s death, but apparently, he learned absolutely nothing because he placed the can of tomatoes that his dad picked up on the day of his mother’s death on the top shelf, so the camera could capture his dad’s face, acquitting him. He calls Bruce Wayne to let him know of the good news, and he informs him that he is arriving at the courthouse. And he steps out of the car and we see… George Clooney, from the infamous 1997 Batman and Robin.

Okay, so that was a monstrous post :P. Idk why I did this it was probably hella boring. See ya!

[pickalilywrites]

Can you write a Rivetra Arranged Marriage AU if you want please? I would really love to see how they will warm up to each other. Thank you in advance! Your work for the Snk fandom is truly amazing.

thank you for your kind words! sorry it took me so long to write. i’m kind of in a funk ^^” i wanted to do a modern arranged marriage since i think most arranged marriage aus are in a historical setting and a modern au would be a nice change of pace~ so kind of a political/arranged marriage type of deal? it’s partially inspired by the kdrama search: www which features one of the cutest ones :O but other than the arranged marriage deal, it’s very different ^^” i hope you like it!

ps if you’re looking for a kdrama w/ a rivetra dynamic, i highly recommend watching because this is my first life! you can watch it for free on viki :) 

A Love That is Sown

Rivetra. K-Drama AU. 

A Love That Blooms series: Part i

3673 words. 

Buy me a ko-fi!

Petra sits at the back of the limousine, playing with the wedding band around her ring finger as she gazes out the window. It’s a beautiful band, two golden ribbons looped around each other infinitely as a symbol of eternity. At first glance, the ring is simplistic in style, but a closer look would allow one to see the intricately cut diamonds - fashioned in a way that the precious stones sparkled at every angle - studded in one of the single golden bands that made up the ring and the ornate design cast onto the other band. The rose gold of the band, too, was something Petra had been unsure about at first. The metal had never appealed to her before, but she soon grew to like the look of it on her finger. Its subtle pink hue has a warmth to it that its white and yellow gold counterparts lack, and it contrasts well against the glittering diamonds. Truly, it’s a wedding ring that’s fit for a modern-day princess, and yet Petra still cannot help but feel the need to remove it from her finger.

She slides the ring from her finger and marvels at how easily it leaves. Not even a mark remains to show where it had been. She wonders if the ring will be as easy to take off in a year or five years after that. She wonders if she’ll be able to leave this all behind unscathed.

There is no doubt that there are many who would gladly take her place. Despite her deep unhappiness, her circumstances are not unpleasant. However, they are not ideal either. Upon graduating university with a business degree, Petra had been determined to help her father with his business, a floundering publishing house that had once been popular back in the day, but no amount of grit and determination could save the company from going under. In a last attempt to save her father’s business, she had sought a meeting with Levi Ackerman, head of Ackerman Enterprises, with an absolutely insane proposal - the wealthy businessman would be able to acquire the small but prestigious publishing house as long as he kept her as the publisher. As an added bonus, she would connect him with any and all business partners that the publishing house was associated with and strengthen the already strong hold that Ackerman Enterprises had over the city. She had thought that he would refuse her outright, but to her surprise, the man had signed her contract without much coaxing. The next day, Petra became the wife of one of the richest men in the world. Had Petra been a simpler woman, one that could easily be satiated with fame and fortune, perhaps she would not be brooding at the back of the limousine with a pensive expression on her face. Were she that type of woman, she would no doubt be happily on her way to her husband’s charity dinner, eager to greet him in a white gown that was worth a small fortune. However, Petra Ral is no such woman and so she sits in the back of the vehicle wondering if her husband would even be happy to see her.

Petra’s not sure whether or not she dislikes her husband, but she supposes that’s fairly normal in a contract marriage. Perhaps she should like him a little bit for his willingness to get married to her so quickly - all it took was for him to glance down at the contract she had written down the night before complete with the businesses and connections he would acquire through the marriage for him to agree. When she had watched him sign the contract, she thought for half a second that this man was her savior, but she quickly realized that this was purely a business decision of his - not one that was made from altruism or the goodness in his heart - and she quietly accepted the fact that she would be spending the rest of her life married to a man who cared more about his money than his own happiness. In a way, though, she was the same for marrying a man just to save her father’s failing business, so she couldn’t hate this man either.

To be fair, it’s possible that her husband dislikes her. Although they’ve been married for a good month, he had never made any attempts to sleep with her. The first night of their marriage, she had crawled into bed wondering if he would soon follow her only to have her husband open the door and inform her that he would be sleeping in another room for the time being. He hasn’t visited her sleeping quarters since. A part of her wonders if it’s because he doesn’t like women or if it’s because he dislikes her in particular. Then again, it’s not as if she’s made any attempt to sleep with him either. Perhaps he’s wondering the same thing about her.

She still wonders why he accepted that deal. It’s not as if she’s particularly pretty, and her father’s hadn’t been worth much by the time she had come to Levi with her proposal. Then again, perhaps he had seen value in it where she could not because the business began to flourish as soon as it was in his hands. Petra can’t even say what changed after the publishing house became a part of Ackerman Enterprises. As promised, she still holds the title of publisher and is responsible for many of the key operations necessary for the business to function. However, she had never managed to find success in her business before it had become associated with Ackerman Enterprises. Suddenly, the publishing house was flooded with calls from other businesses that wanted to collaborate or request the services of the company. That must be the power of connections.

When City Hall comes into view, Petra slips her wedding ring back onto her finger. Although she’s unhappy in her marriage, it’s not entirely unbearable. She can at least pretend to be happy in the eye of the public. Besides, it’s not as if she’s trapped in this marriage forever. Although she’s bound to him by a contract, contracts can be broken. Time will pass and Levi may come across someone more beautiful or more advantageous to wed. Or maybe her business will flounder once more and he’ll see no need to tie himself to her any longer. She’s sure that he’s unlikely to object. It’s just a contract. Love can’t bloom from pen and paper. She expects it’ll be at least five years before she finds the perfect opportunity to strike, although she might be a bit optimistic with her time frame.

The limousine slows down at the front entrance, stopping at the red carpet. Petra takes out her pocket mirror to check her reflection one last time. It’s her third time attending a high-society event, but she’s still unaccustomed to the glitz and the glamor necessary to attend such events. Her hair is tied elegantly into a bun at the base of her neck, a few tendrils falling from her temple to give off a romantic look, but all she can think about are the many pins holding up her hair that are sure to hurt when she lets her hair down. She turns her head, inspecting her makeup. It’s not a lot - just a bit of blush and mascara, a faint pink stain of lipstick on her lips - and yet it still feels as if it’s caked on, although it certainly doesn’t look that way. She’s sure that she’s never looked more beautiful, but she doesn’t feel that way at all. She just feels stiff, uncomfortable, and completely out of place.

The door opens, and Petra snaps her hand mirror shut, dropping it into her purse. She climbs out of the limousine, careful not to stop on the tulle skirt of her floor-length gown. As soon as she steps out onto the crimson carpet, she’s blinded by the camera flashes from paparazzi and news media outlets. Although she wishes nothing more than to raise her hand to cover the bright lights, Petra smiles graciously at all the spectators as she makes her way down the carpet. Really, she despises events such as these. It surprises her that someone like Levi, who she has never seen as particularly sociable, attends and even plans these types of charities, but she supposes he has an image to uphold. Then again, she does too. If she didn’t, she wouldn’t have bothered coming.

The carpet seems to stretch infinitely, and Petra grits her teeth to keep from frowning at the celebrities and politicians ahead of her that she no doubt must greet before entering the building. Even further, she sees her husband standing at the doors to City Hall, greeting everyone wealthy enough to come to the event. Even though she can’t see him, Petra knows he’s wearing that smile he reserves for these types of occasions - the corners of his lips slightly upturned but his eyes unsmiling. She’s never seen him smiling at any other time, and she’s almost confident that isn’t his real smile. Maybe he doesn’t know how to smile, she quietly muses.

The people behind the velvet ropes call to Petra, screaming out her name and asking about her marriage to one of the world’s richest men. She turns to them and flashes a gracious smile, trying to appear humble even though she’s dressed in a gown that’s worth more than her entire wardrobe. She always finds these charity dinners to be incredibly hypocritical - rich people dressing up to show off their wealth and giving only a small portion of their money to charities they can’t even remember the names of. It’s clear that this hypocrisy doesn’t bother the press, though. They flock to the carpet, leaning over the red ropes and trying to get as close to the elite guests as possible. Although there’s quite a distance between them, Petra still finds herself feeling stifled and claustrophobic.

“What are you doing here?”

When Petra turns, she sees Levi walking towards her, the tails of his white tuxedo flying behind him. His hair is slicked back the way it usually is for these overly extravagant parties, and his smile is gone, replaced with that perpetual frown he usually wears when he’s out of the view of cameras. When he reaches her, she slips her arm around his, flashing a smile at him but it doesn’t reach her eyes.

“It’s good to see you too,” Petra says, leaning over to give him a quick peck on the cheek. A faint pink lipstick stain is left on his cheek, but Levi makes no effort to wipe it away. She allows him to lead her across the red carpet. She wonders if it’s because of embarrassment that he walks so quickly, unintentionally ruining the view of photographers and other excited bystanders watching from the sidelines. “I almost didn’t come. You should have told me about it. I had to find it this morning after running into your secretary.”

Levi gives her a sideways glance. “I was under the impression that you didn’t enjoy these types of events.”

“It’s important to uphold our image,” she replies. She slows down to give a photographer a wave and a smile. “After all, I am your wife.”

He doesn’t reply. At a glance, it’s difficult to tell whether or not he’s angry that she arrived without any announcement. His mouth is set in that same thin line that it always is as he leads her towards the doors to City Hall. “If you had told me earlier, I would have arranged a more comfortable arrival for you so that you needn’t be under the scrutiny of all these reporters.”

“It’s fine. I can handle it,” Petra assures him. Although she’s attended these events before, this is only the second time she’s walked the red carpet. The first time, she attended an awards ceremony with Levi, but the constant hounding of reporters at the sidelines had worn her out and she ended up taking a taxi home early. The second time was the premiere of a movie with an actor Levi was acquainted with; Levi had her avoid the carpet entirely and the two had slipped in late after most of the other guests arrived. She has a feeling that he would have had her slip in through the back this time too, but she dislikes being coddled. “Don’t worry about whether or not these things make me uncomfortable. Appearing as your wife … isn’t it part of the contract?”

He looks over at her for a moment before returning his gaze ahead. “If it makes you uncomfortable, you don’t have to do it. It doesn’t matter if it’s in the contract,” he tells her. As they walk up the steps, he carefully lifts her train so that it doesn’t drag across the stairs.

She thinks that’s a strange thing for him to say. For a moment, Petra thinks he’s being kind, which she finds uncharacteristic of him. She’s about to open her mouth and tell him that he should worry about other things, but a sudden commotion behind them distracts her.

Someone screams behind the velvet rope, and Petra and Levi turn to look. It’s difficult to make out what’s happening because of the crowd, but the shrieks grow louder and people begin to fall. Confused, Petra purses her lips as she tries to see what the uproar is about. Levi, too, stands beside her, his eyes narrowed as he watches people shoving each other as if running away from something. Only when Petra sees a man emerge from the crowd, a crazed look in his eye and a knife gleaming in his hand, that she finally realizes the cause for alarm.

“Levi,” she says, her eyes wide with fear. Her hands flail about as she reaches for her husband. “That man-!”

The man stumbles across the velvet rope, knocking it down and looking around madly. His eyes glaze over the guests that line the carpet while the knife still gleams threateningly in his hand. Nobody dares to stop him, or perhaps they’re too shocked at his appearance - the tangled mass of hair atop his head that hasn’t been washed or brushed in days, the disheveled clothing hanging from his thin frame, and the sunken face. He looks around hungrily, searching, and his gaze finally stops on Levi.

“Levi,” Petra whispers. Her fingers reach for him, but she can’t hold onto him.

The man has a wicked snarl on his face. “You bastard!” he yells, his voice loud enough to be heard by the panicked screaming of everyone around them. He waves the knife around, slashing it through the air. “This is all your fault!” The man stumbles towards Levi, his knife pointed straight at him. He breaks into a run and all Petra can hear is the sound of herself shrieking as the man comes towards them.

What happens next is a blur to her. She remembers trying to pull Levi back, only to be shoved aside so that she was out of the man’s line of sight. With one hand, Levi had protected her. With the other, he had reached out, perhaps in an attempt to grab the knife from the man’s grasp. She remembers another scream, but she can’t recall if it was her own. All she remembers is stumbling backward and staring at a stain of bright red that was so much more vibrant than the crimson carpet. There was more screaming and shouting and the sound of others rushing forward to help pull the man away from Levi. Petra recalls her vision blurring and her head spinning. As her knees began to buckle, she reached out to hold onto something, although she doesn’t know what. When she finally fell, she remembers thinking that it didn’t hurt when she hit the floor.

The next time Petra opens her eyes, she’s sitting in the hospital bed. Her uncomfortable evening gown had been exchanged for an equally uncomfortable hospital gown, and her hair had been let out of its bun. When she looks beside her, she sees Levi dozing off as he sits in a stiff chair meant for hospital guests. The view from her bedroom window tells her that it’s late now - the sun had probably set hours ago. It makes her wonder how long Levi had been sitting beside her and why.

She tries to sit up, only to stop when she realizes that someone’s holding her hand. When she looks down, she sees Levi’s bandaged hand wrapped around hers. The sight of the bandages fills her with guilt. She stares at his wounded hand for a moment before trying to slip her hand out from under his, but the small movement has already awakened him.

“Are you okay?” he mumbles sleepily before Petra even has the chance to sit up. He’s still half asleep, his eyes barely open.

“I … What happened?” she asks, trying to remember what had transpired earlier that night. There was the charity dinner tonight, and she had just arrived. And there was that man, his knife swinging madly around him. She remembers blood on the floor. She looks again at Levi’s bandaged hand and grabs at it suddenly before looking back up at him, examining the rest of him to see if there were any other wounds. “Your hand! He cut you! Is there anywhere else…?”

Levi pulls his hand away from hers. “I’m fine. You’re the one in the hospital. You fainted.” He pauses before asking again, “Are you okay?”

“What about the man?” Petra asks, deliberately ignoring his question.

“He’s in police custody. A disgruntled man who was recently released from his job at Ackerman Electrics. His attack was aimed at me,” Levi replies. He doesn’t seem very shaken by the experience, but it may be because his attention is focused elsewhere. Once more, he asks Petra, “Are you okay?”

She doesn’t answer, instead fiddling with the wedding band on her ring finger as her bottom lip trembles and her eyes are fixed on the bandage wrapped around Levi’s hand. After a moment, she says, “You pushed me out of the way, didn’t you?” When he doesn’t reply, she says bitterly, “You didn’t have to do that. Any of it. Pushing me out of the way, taking me to the hospital, staying here overnight with me - none of this is in the contract.”

There’s a flash of what looks like anger across his face for just one second. Just as quickly, it vanishes. “Isn’t this what I should do?” he asks. “What else should I have done?”

“It’s reckless to risk your life for someone over a piece of paper,” Petra tells him. She should feel grateful to him, but his recklessness only makes her feel even more indebted to him and she has nothing with which to pay him back. “Is it because you have an image to uphold?”

“Because I’m your husband,” he replies. The words are similar to the ones she had uttered earlier that night, but somehow they sound so different leaving his lips.

Looking at him is too difficult, so Petra turns her gaze towards the window. If she looks closely, she can see their reflections on the window pane. The way that Levi is sitting is strange to her, the way he’s leaning forward with his face turned toward her. The expression on his face is even stranger - a mixture of hurt, sadness, and concern. Why would he wear such an expression on his face? He doesn’t need to be so concerned about her. He could just make up a story to the press about how she’s recovering and then check up on her in the morning. There’s no reason for him to go this far. It’s as if he really cares about her, but she knows that’s impossible.

She turns back to him, her eyes settling back on his bandaged hand. “Is it going to leave a scar?”

“It might. It was only a few stitches,” he says. “Are you worried it will scar?”

Stitches. It will leave a scar. And just earlier she had been thinking that none of them would have to leave this marriage unscathed. Would it have been better if she had gotten the scar instead?

“It’s just that it was bleeding a lot,” she tells him.

“It’s fine.” He tucks his hand into his pocket so that it’s no longer in her sight. “You should go to sleep. You need a lot of rest.”

“I’m not tired,” she says, fighting off the drowsiness that is slowly overtaking her. Petra tries to sit up in her hospital bed, but her pillows are so satisfyingly soft. “What about you? Don’t you have work tomorrow?”

“I don’t need a lot of sleep.” He reaches out to her with his left hand this time, holding hers and rubbing soft circles against her skin. “Don’t worry about me. It’s not in the contract. Just go to sleep.”

She wants to argue with him, but she’s too tired. She yawns instead, not bothering to stifle it with her hand. For a moment, she wonders if Levi does truly care for her, but she waves the thought away. She’s mistaking the concern in his eyes for something else, and her drowsiness is making her imagine the tenderness of his touch. He’s only concerned about his business and how he’ll manage the publishing house if she’s ill. He shouldn’t worry about that anymore, though, Petra thinks as she lowers herself back into bed, feeling the plush pillows behind her head. She’ll get a good night’s rest and get discharged in the morning, returning to work just as he wishes. Everything will be back to normal.

Petra drifts off to sleep, oblivious to the seed of love that had been planted between them that night.

[danses-with-dogmeat]

Ooooo you're doing yandere alphabet stuff!!! If you dont mind, may I add on to that anon's request? When you get to FO4 can you include Glory, Dima, and platonic Father? And when you get to FNV, Ulysses, Graham, Benny, and Yesman?? Thank you! I really liked the FO3 post!

Yandere Headcannons Part 3: Fallout 4 Companions + Extras

So here is the third and final installment to this little series! I hope y'all enjoyed it, and if you want me to add anyone else, of course just lmk :)

Included Below: Cait, Curie, Danse, Deacon, Father, DiMA, Glory, Hancock, Kellogg, MacCready, Nick, Piper, Preston, & X6-88

(Also, sorry if DiMA is completely out of character, I've never met him in-game, and I didn't have time to do as much research as I normally would, but hopefully it's not too obvious 😅)

Here is Part 1 (FO3 Companions)

Here is Part 2 (FONV Companions + Extras)

I hope you enjoy!

Also, just a TW for typical yandere behavior: unhealthy relationships, guilt trips, manipulation, lack of consent, control, allusions to suicide, blood, threats, and mentions of murder ahead!

Cait:

C) Cruelty. How would they treat their darling once abducted? Would they mock them?

She’d only mock them if they were being a baby about it. Sole thinks this is bad? Try being enslaved by raiders, why doncha. She has no sympathy for them at all; whatever it is she’s putting them through, there ain’t no way it’s close to the kinda suffering she went through at the hands of the animals who bought her when she was younger. She doesn’t beat them, even if they deserve it, doesn’t do anythin’ without their consent (though she might complain about it), and they got food, water and shelter under her care. As far as Cait’s concerned, Sole can either shut the fuck up, or thank her for keepin’ them bloody safe.

A) Affection. How do they show their love and affection? How intense would it get?

She’s sort of a “tough love” type gal. Lots of punches to the shoulder, or bumping into them affectionately in public, and some more genuine forms of physical touch in private, like playing with their hair, or hot n’ heavy makeout seshes on the sofa, maybe even massages if they’re feelin’ up to it, but she does require consent first. Especially when it comes to sex. She still likes to be intimate with her partner, and thinks it’s a good release for both of them, and she might grumble about them refusing her and say they’re being ridiculous, but Cait wouldn’t do anything, especially anything sexual, against their will. She knows what that shit is like, and wouldn’t catch herself becoming like the monsters who owned her, under any circumstance.

I) Ideals. What kind of future do they have in mind for/with their darling?

Cait doesn’t tend to look too far ahead. Every time she tries to make a plan, it ends up getting fucked over anyway, so she just tends to go with it, whatever “it” might be. One thing she does know though, she likes Sole. They treated her right, even from the start. No one had ever done that with her before. Even the few people she could say she cared about didn’t ever treat her right. Maybe that’s why she’s done this… Why she needs Sole all to herself. The people she’s cared about… She’s lost all of them, one way or another. That shite’s not gonna happen again, that’s the only thing the lass is certain of.

T) Tears: How do they feel about seeing their darling scream/cry/or isolate themselves?

She wishes she could just clench her jaw and give ‘em a rap over the head to shut ‘em up. Wishes she could be removed from it, uncaring and unaffected, but the truth is, it makes her chest ache. Cait tends to lash out, to raise her voice and tell them to suck it up, if only so she doesn’t have to hear their wailing anymore, so she doesn’t have to see their tears. An’ it’s not ‘cause it annoys her, though that may be how it comes off, but it really hurts her when she thinks they might not want to be with her the way she needs to be with them. Cait may be rough with them when they sniffle and whine, but once they’ve calmed down she always tries to comfort them afterwards, in her own way, at least. She’ll drape an arm around their shoulders, wipe their tears away with a calloused finger, maybe even give their forehead a tender kiss, followed by a whispered apology and a period of silence where she just clings to them and tries to make them understand where she’s coming from. It’s not that Cait doesn’t know why they’re sad, she does. She gets it, she just wishes it wasn’t because of her. Yet still, she can’t seem to let them go.

Curie:

C) Cruelty. How would they treat their darling once abducted? Would they mock them?

Though Curie is clingy and a bit controlling, she doesn’t have a cruel bone in her body. She wouldn’t mock Sole for being upset, and would become upset herself at their negative reaction to being by her side. If she's not cruel, and if she loves them, why wouldn't they want to be with her? Honestly, she just wants to understand what she's doing wrong, and try to be the most ideal companion to her love that she can be.

U) Unique. Would they do anything different from classic yandere?

She’s so much kinder to her beloved than most. She doesn’t understand that what she is doing is wrong. This was how she was always shown affection when it came to being in the vault; the doctors were never unkind to her, necessarily, and she couldn’t possibly be horrible to her companion, it’s just all she knows. It's not imprisonment to her, it's just... living, and though the doctors and her were underground for so long, imprisoned in their own way, it was the time in her life when people were kindest to her, when she had purpose, when she could care for others and know their care in return. It's really all the synth knows.

She wouldn’t try to be manipulative, and she is alright with Sole spending time with others, so long as they always come back to her in the end. She is vastly more loving and considerate than traditional yandere characters, but she does maintain a level of control over her partner, an infatuation and a dependence on them that isn’t present in healthy relationships.

R) Regret. Would they ever feel guilty about abducting their darling? Would they ever let them go?

She doesn’t see that what she’s doing is wrong; therefore, it’s difficult for her to regret any of it. Curie is kind to her love, she’s supportive, and she never leaves their side; how could they be unhappy? If they make their discomfort known to her, she has a hard time understanding it, but she will express apology, and perhaps make it seem as though she regrets her controlling actions, but she’s not sure how honest she’s being when communicating her regret. She’s more just stating what she thinks Sole wants to hear, but again, she doesn’t see her actions as anything worth regretting.

I) Ideals. What kind of future do they have in mind for/with their darling?

Curie tends to have a pre-war, idealized version of the future she would like for her and Sole. Though now she knows that it’s unlikely, or perhaps even impossible, for the pair to have such a life in the current world they live in, Curie is determined to come as close as she can. She feels that her partner deserves some peace after everything they’ve been through, and she wouldn’t mind some for herself either. However, this would be a distant future plan. For now, the synth is content traveling the Commonwealth with her beloved partner at her side, so that she can observe and learn as much as possible.

E) Exposed. How much of their heart do they bear to their darling? How vulnerable are they when it comes to their darling?

She loves speaking with her love about anything and everything, especially if they want to tell her about their difficulties, and their past. Curie tends not to think of her past as being something worth saying much about, though. She stayed in one room for 200 years, most of which she spent in solitude (apart from the mole rats), and what she does recall from her past that involves others only makes her sad. She’d rather hear about Sole’s life, rather than chitter on about her uneventful one, and she’d much rather help with their problems than have to speak at length about her old friends who shared the vault with her all those years ago. However, she’s more than happy to tell Sole often and how much she cares about them.

Danse:

D) Darling. Aside from abduction, would they do anything against their darling’s will?

For the most part, no. Danse believes in respect above all else, and if he expects it from his partner, he'll be damned if he doesn't treat them with it in return. He's emotional, vulnerable and desperate after finding out the truth about himself, but he won't let it cloud his judgement enough to disregard his core values. He just wants Sole near to him. Wherever they want to go, whatever they want to do, as long as it's ethical and in accordance with the ideals he upholds, Danse will be satisfied, just as long as they're by his side.

A) Affection. How do they show their love and affection? How intense would it get?

If Sole isn't comfortable, he won't show his affection for them. It's as simple as that, though, it will always be there. Mostly, Danse gives verbal praise and shows them he cares by tending to their needs. It's more difficult for him to be physically affectionate if he has to initiate, and he won't do so at all if Sole is uncertain about it, but in time, he finds that he likes to spend private moments with his partner wrapped in his arms. Feeling them physically there beside him, being able to touch them and know they're there, it's what he needs more than anything. His time in the Brotherhood left little room for showing affection, especially of the physical sort, and his fears of being utterly alone coupled with the fact that he's been touch starved for the majority of his life have left Danse nervous in the face of intentional physical affection, but nonetheless, in utter need of it. If only in order to feel as though he isn't the cold, hard, synthetic monster he thinks of himself as.

N) Naughty. How would they punish their darling?

He's a soldier, through and through. As such, Danse's punishments would be of a similar sort of consequence as they would have been in the Brotherhood. Physical punishment in the form of exercises, chores and cleaning in purposefully inefficient ways, even writing lines are all disciplinary tactics he would use to his advantage. Danse likes to think that he tries to separate his more Commanding Officer-esque personality traits, from his personal, romantic life, but when it comes to punishment, this is all the ex-Paladin knows.

S) Stigma. What brought about this side of them (childhood, curiosity, etc.)?

His earth shattering identity crises threw his entire perception of reality off kilter. Danse has never witnessed particularly shining examples of proper healthy relationships, which doesn't help in this case, but more so than that, is his utter desperation to not be alone. The stinging betrayal of the closest thing he's ever had to family is still running rampant through his mind and causing an insatiable ache in his synthetic heart. He can't imagine how anyone could possibly pay him any mind after finding out the truth of his identity, but now that Sole has? How the hell could he possibly ever let them go? They're literally all that he has left, and he's clinging to them as desperately as he can without damaging them.

E) Exposed. How much of their heart do they bear to their darling? How vulnerable are they when it comes to their darling?

Danse tends to be matter-of-fact about his vulnerability. He's open with his words and trying to make sense of his own feelings, but he rarely lets himself be vulnerable in a more emotional sense. He'll do his level best at refraining from crying in their presence, and tries not to let his anger or frustration or guilt be expressed in a physical way, and even something as simple as laughter is scarce at the best of times. But his ability with words, and the way he's forced himself to engage in heart to heart conversations over the years, they pay off in the sense that his partner often knows what Danse is thinking, or feeling, but they really do have to take his word for it, because that's likely all they're going to get, unless they initiate their own physical contact.

Deacon:

D) Darling. Aside from abduction, would they do anything against their darling’s will?

Deacon’s “abduction” of Sole is more of a manipulation of their mind than it is a physical imprisonment. He uses his wit and verbal skillset to convince Sole to only trust him, to only depend on him and the causes that he supports. It’s all in their best interest, he tells himself, even as he methodically cuts each of their friends out of their life and takes up more and more of their time until he’s the only one left in their life that they can rely on.

This whole process is against their will, but Deacon cuts everyone out at such a steady rate, takes away their freedoms over a considerable amount of time, and refuses to do anything physical without their consent; he’s so periodic and careful that Sole hardly notices their freedoms being repressed until it’s already done, until even they feel like what Deacon is doing is for the best.

E) Exposed. How much of their heart do they bear to their darling? How vulnerable are they when it comes to their darling?

He’s extremely closed off at first, and even when it does seem like he’s finally opening up to them, he proves himself a liar all over again, at every chance. It’s only after Sole is his, when he has them safely at his side, when there’s nothing left that they could hide from him, that he decides to slowly reveal pieces of his past. It’s difficult, even impossible sometimes, to tell if he’s lying or not, but he knows. It’s no easy thing for him, and it’s rare at best, but slowly, methodically, the spy unravels his story for his beloved, if only so they can understand his actions now, where he’s come from, what he’s gone through, and why he chose them to share his true self with.

A) Affection. How do they show their love and affection? How intense would it get?

He has a hard enough time with affection when his partner is enthusiastic about it, so if Sole refuses him in any way, he’s not even going to consider forcing them. But if they seem into it, and after a good amount of time spent with them, Deacon will become comfortable enough to initiate small forms of physical affection. Mostly it starts off being contact of a silly sort: nose boops, finger holding (as opposed to whole hand-holding), random tickles, head pats, noogies, and the like.

Before anything physical occurs, Deacon will be verbally affectionate by sharing jokes, words of advice, little compliments and such, as a sort of temporary replacement/start to affection of a more physical nature.

C) Cruelty. How would they treat their darling once abducted? Would they mock them?

He throws a few jokes Sole’s way, but they usually have little to do with his manipulation and are just generally used to make them feel inadequate enough that they feel they have to depend on him for their own well-being. Beyond that, Deacon isn’t cruel physically, and his mocking is always humorous enough that they may not realize how much it wears on their self esteem until he’s already got them convinced they can’t survive without him.

O) Oppression. How many rights would they take away from their darling?

This was touched on a bit earlier (See: D), but mostly he just separates them from all other sources of possible emotional support, all friends they’ve made, or what’s left of their family, and he forces them to depend on him for everything they may need in a companion, in a protector, in a friend or a partner. He’s all of it, and because he is, they can’t leave him.

Beyond that, he just ensures that they are passionate about the Railroad’s cause so they both can continue to do their jobs for the faction as a functioning team.

N) Naughty. How would they punish their darling?

Usually he just has a discussion with them. Deacon’s violent tendencies died out after everything with the UP Deathclaws came to a horrific close, and he likes to think of himself as being on the chill side of the majority of wasteland residents. Physical punishments aren’t an option for him, no sir, so he’ll just go about convincing them that what they did was foolish, and that all they need to do is trust him if they want to be happy, and if they want to survive out here.

He'll talk them through their mistakes, make it known to his partner how foolish they were, he'll belittle and gaslight enough to the point that they feel as bad about their misbehaving as Deacon does, and they won't do it again.

DiMA:

D) Darling. Aside from abduction, would they do anything against their darling’s will?

DiMA doesn’t want more from them than just companionship. Someone to share his time with. He’s had that with Nick before, but now… He can’t explain it, but Sole makes him feel whole, like he hasn’t in decades, and just having them near to him is enough. So, he’ll keep them with him in Acadia, and they can learn to be happy here, like so many others, with him at their side. That’s all he wants from them, all he needs is just them, here, at his side. Nothing more. Shouldn't be too hard then, right?

I) Ideals. What kind of future do they have in mind for/with their darling?

He’s always had an ideal future in mind. One where synths are safe, where they can live in peace, unbothered, and untouched; he wants the same future for his Sole. He wants them here with him, always. He wants them to feel safe, to be happy, to care for him in a way no one really has before. DiMA doesn’t know much of love, he’ll admit. It’s always been more of a concept than a feeling to him, but with Sole, he’d like to imagine he could one day know what it feels like to love, and be loved in return.

M) Mask. Are their true colors drastically different from the way they act around everyone else?

He tries to be honest about himself, even to newcomers, it’s how he’s established trust with his allies, how he’s been the leader of Acadia with so much success over so many years, and so he is as honest with Sole as he can be. When they brought Nick to him, he could not have been more grateful, and for that, they deserve his genuinity.

A) Affection. How do they show their love and affection? How intense would it get?

DiMA tells Sole his stories, regales the tales of acquiring Arcadia, of befriending the co-founders, of being in the Institute with Nick, of escaping, of trying to balance the well-being of his own people with the peace of those around him. He also gives praise, often telling Sole how much they mean to him, how grateful he is for their assistance, for bringing his brother back to him, for being there for him. A hand on the shoulder, a pat on the back, pressing his forehead to theirs are all ways that he shows them he cares for them. Perhaps too, if they are willing, if they’d like to try more traditional forms of affection, he knows his body is strange, after all of the alterations, the attachments, but if Sole takes the initiative in response to his kindness towards them, if they should hug him, or perhaps even give him a kiss, DiMA won’t exactly know how to react, but he’ll be grateful. He’s never really felt human before, and he hasn’t had to. He’s a synth, and proud of it, he doesn’t have any delusions about being like Sole is, but he doesn’t feel like he has to, especially if they treat him in such a way. It’s comforting to him, to be seen as human, even if he knows he’s not.

Father (Platonic):

F) Fight. How would they feel if their darling fought back?

It would just make the older man less sympathetic. He sees their reluctance as immature, and the more dramatic they are with their resistance, the less stock he takes in their reactions to his behavior. He thinks of them as being dramatic.

After all, Shaun was forcibly taken at a young age, and raised in the comfort of the Institute. He knows what it's like, and he knows that, if anything, he’s doing his parent a favor. If they don’t recognize that, he doesn’t know how to help them. The Institute is far superior to the surface world, they're safe here, they can build a new life, they can be happy, as he's been all this time. Why are they overreacting this way? It's not like there's anyone left on the surface that they care for, everyone they know, besides him, is long gone. They should be relieved to have him in their life, to start anew in a place where they can remain happy and healthy for years to come.

He’ll try to give them explanations to help them make sense of his actions, if they aren’t too hysterical, and he does want Sole in his life, so he won’t be completely emotionless, but Shaun would much prefer to have a conversation with them rather than try and calm their frantic actions.

A) Affection. How do they show their love and affection? How intense would it get?

Shaun doesn’t show affection in the way most do, but he does want to communicate his desire to rekindle some sort of relationship with his parent. Mostly, Shaun’s forms of affection are shown through actions rather than physical touch, or even words. He’ll ensure his parent is comfortable where they are staying, that they are provided for, and that they feel valued in the society that he is in charge of. However, he does occasionally try to tell his parent their value to him personally, but he’s admittedly not great at it. Physical expressions of affection may be uncomfortably returned, but Shaun wouldn’t initiate.

T) Tears: How do they feel about seeing their darling scream/cry/or isolate themselves?

This is similar to the fighting point. If they are hysterical, Shaun’s sympathy level will be low at best, but he does have a bit more of an emotional reaction if Sole’s own behavior is subdued and despondent. Of course he doesn’t enjoy seeing his parent cry, but he has a hard time understanding their despair. If they’re reserved about it, he will sit and try to talk them through what’s bothering them, or point them in Dr. Volkert's direction for professional help. Shaun does often have a difficult time empathizing with Sole, given the differences in perspective, upbringing, and circumstance, but for them, he really does try.

H) Hell. What would be their darling’s worst experience with them?

Sole may never get the chance to return to the surface again. Beyond that, Shaun isn’t particularly cruel, and Sole is well cared for within the Institute, but their freedom is remarkably oppressed.

E) Exposed. How much of their heart do they bear to their darling? How vulnerable are they when it comes to their darling?

Shaun doesn’t tend to be open with his feelings, it’s simply not the way things are in the Institute, but for his parent? He’s more open than with most. Sole doesn’t know Shaun, not as the director, not as a person, and sadly, not even as their son; which is actually liberating for him. With Sole, he can voice certain ideas, concerns, or dreams of his that might otherwise be controversial, or things that he never got to act on, based on his role in the Institute. He enjoys speaking with them, but rarely does the conversation become heartfelt in the way Sole might want.

While Sole might be searching for an apology from their son, some sign that he wishes his upbringing might be different, that he wants to work towards a loving relationship with his parent with the limited time they have left, he rarely obliges these wishes. Mostly, he dismisses the idea, stating that it is all in the past, that there’s nothing that can be done to change it, and though he may seek to have some type of relationship with Sole before his illness claims him, he’s not as sentimental about the idea. He sees their relationship as a practicality now. What they could have had is something based on thin air and futile wishes of being able to go back and change the way things are now by altering the past, but Shaun knows that can never happen, and he knows that Sole is aware of that fact as well. He’ll express that if things were different, he may still have been happy, but for now, there’s nothing either of them can do to alter their positions.

R) Regret. Would they ever feel guilty about abducting their darling? Would they ever let them go?

He doesn’t see his actions as anything worth regretting. His parent should be thanking him for allowing them into this faction, for protecting them from the harsh brutishness of the outside world, he shouldn’t have to apologize for going out of his way to help them… Though, perhaps the way he went about it could have been more mindful when it came to his parent’s comfort level.

Later, but before his death, Shaun will think back on how little he had revealed to them early on, how he wasn’t exactly dishonest, but he certainly wasn’t transparent, and though he won’t regret what he did, he may apologize to Sole for the strife he may have unintentionally caused.

Glory:

G) Game. Is this a game to them? How much would they enjoy watching their darling escape?

It’s not a game, it's a goddamn mission. If Sole leaves her side, Glory assumes they’re in trouble. It’s the kinda mindset you have when you’re a part of the Railroad, and especially if you’re an escaped synth. If she wakes up and they’re gone, she’s going on a fucking hunt for them, and when she finds them, she’s not letting them out of her sight for a solid week, and she’s sure to let them know how much they worried her when they were gone. The Railroad heavy will threaten and guilt trip Sole until they never leave her side again, and she’ll be serious as hell, all throughout.

L) Love Letters. How would they go about courting or approaching their darling?

It starts off with a lot of talk. Whenever Sole comes to HQ, the heavy seems to be waiting for them, ready to strike up a conversation, to talk about their last mission, and hers, to brag about her accomplishments, and tell Sole how badass they are, even compared to her. Heart to hearts occur pretty often as well, wherein she tells Sole how grateful she is for having them in the faction, tells them what a difference they’ve made, and how they’ve certainly taken some of the load off of her shoulders.

After the talking comes the companionship. She offers to go on missions with them, even when they can tell that it’s behind Desdemona’s back, or against the Railroad leader's wishes. When they are out on missions together, Glory likes to show off her skills as a heavy, and compliments Sole on their own accomplishments out in the field. The praise leads to a bit of flirting that tends to come off as a joke, just some teasing from one agent to the next, but they become more serious the more that Sole responds to them.

O) Oppression. How many rights would they take away from their darling?

She takes away bits of their free will slowly, almost methodically, and she doesn’t even notice she’s doing it until it gets out of hand. Glory starts by ensuring she goes with Sole on every mission, she keeps them from having other companions, or working with other agents, and slowly but surely takes up more and more of their time until they can say that Glory is really their only friend.

She wouldn’t ever keep them from helping the Railroad, the faction and its ideals are just too important to her, but all of their missions go through her, and are completed with her assistance. That’s non-negotiable.

R) Regret. Would they ever feel guilty about abducting their darling? Would they ever let them go?

She wouldn’t really see it as abducting, per say. Glory does allow them a good bit of freedom, just so long as she’s involved, and so, it’s unlikely she’d ever regret it.

If Sole really gave her a piece of their mind, if they stood up to her and let Glory know how much she was hurting them, how much she was stifling their freedoms, she might feel bad for a bit, especially considering her background, and her own familiarity with repressed freedoms, but once she spends some time considering their words, she really has a hard time seeing fault in her own actions. She cares about Sole, so of course she always spends time with them. Glory can protect her partner like no one else can, they share so many of the same views and goals, they have the same goddamn job, where else is she supposed to go? How else is she supposed to treat her partner? They need to get their priorities in order, cuz Glory knows where she stands.

Y) Yearn. How long do they pine for their darling before they snap?

Glory takes an interest in the vault dweller from the start, but it’s not until they’ve completed a few missions that she can’t keep them off her mind. The big one was their first mission together. After that, after Sole's badassery and the witty banter they exchanged, she felt inseparable from them. The pair worked so well together, how could she not want to spend every damn mission with them? They fuckin’ killed it together. After that, there was no way she was letting them go out without her, she was stuck on ‘em for good.

Hancock:

H) Hell. What would be their darling’s worst experience with them?

Hancock has a tendency to be a little unpredictable at times, and his possessiveness of Sole would only make his actions more rash. He doesn’t like to take away their freedoms, doesn’t like to take advantage of them; it goes against everything the ghoul stands for. But, he will do what he must to keep them beside him. He’s not cruel to them, he loves his Sole with everything inside of him, but… If anyone should stand between him and them, even if their own actions seek to tear them from him, he won’t tolerate it. He’s patient enough with them, but everyone has a breaking point.

A) Affection. How do they show their love and affection? How intense would it get?

He’s almost unaware of the amount of affection, (physical, verbal, or otherwise) he seems to shower his partner in. It’s just so natural for the ghoul to show his appreciation for them in that way, and though he’s conscious to Sole’s own limits, if Hancock had his way, he’d have his hands on them at all times. Long hugs, wandering hands, deep kisses and just staring in admiration are all almost constant when the ghoul is at his partner’s side. And now that he finally has his way, he always will be.

N) Naughty. How would they punish their darling?

Mostly it’s just words of warning for him, especially at first, but as he and Sole spend more time together, he will take away some of their rights as well, if he sees fit. Contact with others is already limited, but anything that Sole usually dabbles in will be cut off for a time, be it alcohol, chems, or free time out in the open. Really though? Most of them are empty threats. Hancock is no softie, he’s killed men for looking at him the wrong way if he felt they deserved it, but for Sole? Well, for them there’s an exception.

C) Cruelty. How would they treat their darling once abducted? Would they mock them?

Nah, he has no interest in making them more miserable. Just Sole being there with him is enough. Hancock knows he’s not really much of a catch, despite what he tries to present himself as, so he considers that sacrifice enough from Sole. He’ll separate them from others, maybe take away a few of their freedoms if he’s really upset with them, but really, he just wants them, and he loves them more than anything. How could he ever be cruel to the one he cares for so much?

O) Oppression. How many rights would they take away from their darling?

As mentioned in H and C, Hancock really doesn’t like to fuck with Sole’s freedoms, it just doesn’t sit right with him, with all that he stands for, all that he preaches. But if it’s absolutely necessary, he’ll take some away as a form of punishment. Really though, the ghoul is content if Sole stays by his side, if they remain his and his alone, that’s all he cares about. He’s never felt this way about anyone before, and certainly never found anyone as good as Sole that wanted him in return, and he’s not risking what they have for anything, even if it means he has to go against his core principles once in a while to keep it that way.

C) -- Darling. Aside from abduction, would they do anything against their darling’s will?

Hancock may be a ghoul, but he’s no monster. He’s not going to force anything on the one he loves. He’s convinced they feel some affection for him, but until they give the word that it��s okay, he won’t go beyond their boundaries physically. He may push some chems their way, or suggest having a drink or two, and he may separate them from anyone else that he knows can’t care for them the way he does, just to make them feel closer to him, feel less inhibitions, but he doesn’t force anything on them.

K) Kisses. How do they act around or with their darling?

Oh, anyone who can see the pair, even from a distance, knows that this ghoul is absolutely head over heels for Sole. If his lips aren’t on them, then his arms are around them. If his arms aren’t around them, then his hands are on them. If his hands aren’t on them, then he can’t tear his ogling gaze from them. He smiles for them, laughs for them, orders their food and drinks, and makes sure they’re always comfortable and safe. Even if Hancock does have to sacrifice his own ideals a bit, if he has to take away some of his partner’s free will, he still ensures that with him, they are well-cared for, that everyone (especially Sole) knows how much he loves them, and how he’d never let anything happen to them, so help him.

Kellogg:

K) Kisses. How do they act around or with their darling?

Kellogg changes quite a bit with time. At first, it’s all about possession. He’s aggressive with his partner, he keeps a wary eye on them, grasps their arm tightly in his grip as they walk, stands much too close for comfort. When they’re intimate, he’s rough with the way he takes them, marking and bruising as he conquers their body with his. 

Later though, as he allows himself to become more disillusioned, he tries to act more like a proper partner, like he was with Sarah… Despite the fact that Sole is only there by force. He knows they despise him, deep down, he’ll always know that, but… Maybe the two of them don’t have to act that way. Maybe Conrad can get some small semblance of that life he knew he never deserved, but that he was so close to having all those years ago. With Sole, maybe he can play family again. Isn’t that something they would want as well? After all they lost? 

E) Exposed. How much of their heart do they bear to their darling? How vulnerable are they when it comes to their darling?

At first? Not at all. Most days, Kellogg wishes he could forget his own past, Sole has no need to hear that sob story. No, he’s very reserved in the early stages.

When they've 'been together' for awhile, he may start to open up though. Particularly on the softer nights, when they’ve both had a few drinks (Sole more so than him, he’s still worried about them trying to leave him if he lets his guard down), laying beside each other in the afterglow of a union not quite as rough as they used to be, he may let slip something sentimental or sweet about his family from before. While they’re walking around the Commonwealth, he may mumble about some memory of growing up on the west coast, and eventually Sole will have enough information to get a clear picture of his life, but it definitely comes in bits and pieces that they'll need to sort out. 

L) Love Letters. How would they go about courting or approaching their darling?

Sole did all the work for him, really. Came right into his clutches, as willingly as one can. Though, maybe they didn’t expect that he’d take such a liking to them. Nor did he, though.

Sole had always intrigued him, from the moment he saw them in their freezer. When he first started thinking about them, it just never stopped. Even when Sole chased him down, when they were spitting and cursing and their face was bunched up into a defiant snarl, that only made him more interested. He couldn’t believe the fight this pre-war suburban family-type had in them. After that meeting, there was no courting, no following them, no second-guessing himself. It ended there.

It was easy, holding their kid over their head like that, holding the information of where the Institute was and how to get there from them, their desperate eyes promising they’d do anything for the knowledge he had. Yes, it was easy after that, and so long as they knew that he had access to their son, that he could reach Shaun and they couldn’t, so long as they knew Kellogg was mad enough not to make idle threats about the safety of their child, Sole simply had to stay by his side. Or else.

L) – (M) Mask. Are their true colors drastically different from the way they act around everyone else?

Kellogg really is a simple man at heart. He is who he is, as unpleasant as that man may be. If anything, he can sometimes be softer with Sole than he is on the surface, but only when they are bending to his will, allowing him to remain beside them with just the right amount of fight in their actions, submitting, but with their teeth clenched and a glint in their eye, that’s when he chooses to show that softer side. That man that he wasn't, but that he once thought he had the capability to become. Conrad always knew he was a tough fucker, a mercenary, a killer, but when he’d had his family, the people he didn’t deserve, he became disillusioned, thinking his life could be anything but what it is now. Though… with Sole, maybe he can try to pretend once more. If only for a little while.

O) Oppression. How many rights would they take away from their darling?

Most everything. What the hell do they have left to lose, anyway? Everyone they love is gone, everywhere they could go has changed, the world isn’t safe, it isn’t theirs anymore. No, now it’s his. And so are they. Sole has no need for anyone else. Why would they? He can protect them, care for them, keep them in line and off the cruel streets. Hell, maybe one day he’ll even take them to the Institute... Maybe. 

For now though, they stick by his side, they remain with him and have minimal contact with anyone else. They show too much friendliness to some stranger, and Kellogg’s liable to end that conversation in a most gruesome way. What the hell else could they need? Who else could they need? Nah, they’re sticking by him, doing as he says and as he wants until the day their escape is successful, and if it isn’t? Well then, ‘till the day he dies or gets tired of them, whichever comes first. 

G) Game. Is this a game to them? How much would they enjoy watching their darling escape?

He’d like his partner having a bit of fight in them. It’s thrilling in a way, but it’s also… cute, endearing. They really think they have the capability of escaping from him? Really? Fine, let them try, let them realize the hard way that that isn’t the case. Kellogg would like to play their game for a time, mess with their mind, let them think they've gotten away for good this time, and then, at the last second, he’d foil their plans and make it clear that he’s known their intentions as long as they had them in that pretty little head of theirs. Kellogg can be cruel, especially at the beginning. As he grows more attached to his partner though, over time, it becomes less entertaining, less endearing to him, and he’ll put a stop to it, even if he has to take drastic measures. 

G) – H) Hell. What would be their darling’s worst experience with them?

Well, the day they met wasn’t great… Though, there have been some certainly rough days since. Kellogg is a ruthless mercenary, he’s violent and unpredictable, but he’s also remarkably calm. He’d be able to tear Sole’s life to pieces, to cut down any remaining loved ones who might seek to help safeguard them from him, and he’ll do it without so much as blinking an eye. He’s cold, so even when Sole has no other choice but to turn to him for comfort, when Kellogg is all they have left, he’s void of sympathy. That’s the greatest hell of all for Sole. Everything that he took from them, everything he's done to destroy their life, and yet... he will never apologize, never regret what he’s done, at least, as far as they can tell. Kellogg's been through that very same shit, and it hurt, but he made it through, and Sole will too. He'll make sure of that. Whether they want to or not.

MacCready:

M) Mask. Are their true colors drastically different from the way they act around everyone else?

MacCready tends to be pretty blatant and honest, but sometimes his actions are more over-exaggerated when he’s with Sole. Though, it’s only because he cares so much. When he was with the gunners, he couldn’t be vulnerable or emotional, he couldn’t talk about Duncan, or Lucy, or his childhood, he had to be as stoic and ruthless as he could, just to fit in with those bastards. Now though, he feels like he can open up, show his true colors to his partner, even if they’re overexaggerated or ugly. That’s what partners are for though, right? They help you to find the best version of yourself, and they put up with the worst. If he can’t be real with them, then he can’t be real at all.

A) Affection. How do they show their love and affection? How intense would it get?

It’s a bit difficult for MacCready to get used to affection again, he hasn’t been intimate in any sort of tender sense with anyone since his late wife, and initiating at first feels like some sort of betrayal.

Later though, as he grows more used to it, once he has that little heart to heart with Sole about their own feelings of guilt regarding their late spouse, MacCready finds it within himself to start being more physically affectionate with his partner. He still is more tentative than most, and so he tends not to force anything on Sole if they’re clear about not wanting it, but if they tolerate him, or even reciprocate, MacCready likes to rest an idle hand on them and steal kisses throughout the day. He’s young, and he’s in love again, so the more comfortable he grows, the more touchy-feely he gets.

C) Cruelty. How would they treat their darling once abducted? Would they mock them?

The merc isn’t one to hold back on the occasional mockery, he pokes fun at them, and makes rude comments every once in a while, but he wouldn’t say he’s cruel. If Sole thinks he’s bad, they should’ve seen the gunners, that shi-, that crap was cruel.

He’d be firm about certain rules, and might raise his voice or knock over some inconsequential items in his state of frustration at Sole’s potential lack of compliance, but he wouldn’t hurt them physically. He’s lost one person due to his own negligence, he’s not going to be the cause of hurting, or losing, another. He can’t.

C) -- Fight. How would they feel if their darling fought back?

He’d be frustrated as hell. Why did they feel the need to resist him? He cares about them, they opened up to him, he thought they cared for him too! If that’s the case, why are they being so difficult?! MacCready blames it on their own feelings of guilt. He knows what it’s like to feel bad about being able to move on after losing the one you love, but it’s what their late spouses would’ve wanted, right? Can’t Sole see that? Them being together… it’s what’s right. They’re two sides of the same coin, two halves of a whole, they have so much in common; and he understands their reservations, but they can’t let that part of them win. One day they’ll see it his way, one day they’ll forgive themselves for moving on, and then they can be together, and he’ll never have to worry about them running from him, or refusing him like this again.

R) Regret. Would they ever feel guilty about abducting their darling? Would they ever let them go?

He doesn’t see a reason to feel guilty, they both love each other, right? He’s doing this for both of them. Sole cares for him, they said so, this is what they want, they’re just a little confused right now, but that makes sense. After everything they’ve been through, they just need some time to move past it, MacCready gets it, and he’ll be there with them the whole way through. He knows that every time they come to him, admitting that they’re unhappy, or accusing him of being controlling, it’s really stemming from their own insecurities about their feelings for him, but he can be patient for the one he loves. They just need time.

E) Exposed. How much of their heart do they bear to their darling? How vulnerable are they when it comes to their darling?

MacCready likes opening up to someone. He finally feels like he can, so he’s very vulnerable with them, more so than anyone he’s ever met, ever been with. Sole knows his past better than even Lucy did, and he likes it that way. Maybe if they see the way he opens up to them, how honest he is about his background, about his feelings, they’ll feel more inclined to be honest with him, to open up on their own and let him be there for them, the way they’ve been for him all these months.

A) -- Blood. How messy are they willing to get when it comes to their darling?

He’s killed over some of the smallest things. Killed for caps, killed for his family, killed for strangers with a contract, even killed over a spilled drink one bad night; killing for Sole would be easy. Spilling his own blood might be a little more difficult, and he would never put Duncan in harm’s way, but MacCready’s almost died for Sole before, just as they have for him. There’s no bond stronger than one like that, so if it comes to it, he’ll bleed for them, he’d kill for them, and if he thought Duncan was safe, that he would be looked after, MacCready would even die for his Sole.

D) Darling. Aside from abduction, would they do anything against their darling’s will?

MacCready has a hard time seeing it as “against their will,” since they were so open with him at the start. Now, he feels as though their hesitation is just a result of their own self-condemnation, and he feels bad for them. He empathizes, he really does, but at some point, they both deserve to move on, to be happy.

Unless Sole is very blatant about Mac crossing a line, he won’t even know he’s doing it, so he may end up taking away a few rights, or doing something Sole doesn’t want without even realizing it. He tries to be considerate of their feelings, but MacCready often deludes himself into thinking they don’t know what they want, or what’s best for them, but he gets it, he’s been there, and he wants to guide them through it, even if at first they seem unhappy. He knows it’ll all be for the best in the end.

Y) Yearn. How long do they pine for their darling before they snap?

He honestly doesn’t think much of Sole at first, just another boss, another job. But maybe there was a little something extra to them…but he’d tried not to linger on it. This was caps, nothing more. After they helped him with the gunners, and he learned more about their past though, he was hooked. The two of them have so much in common, and they’re not an assho-- a jerk, like literally everyone else he’s met in the wasteland (except Lucy). So, how could he not fall for them?

After that, his mind was made up. He made his confession, and they admitted they felt similarly, and that was the happiest day of his life. He had someone to love again, someone to live for by his side, someone who cares about him. All he needed now was Duncan, then they could be happy. And once Sole found Shaun, they could all be a family. It’s everything MacCready's has ever wanted.

Nick:

N) Naughty. How would they punish their darling?

He would mostly give punishments just by taking away some of their freedoms. If they want to act unruly, then he’ll just have to be sure to keep a better eye on them. Nick’s also big on lectures, making Sole feel as though he’s the victim in the situation, for having to deal with their horrible behavior when all he’s trying to do is look out for their safety. Usually he’ll sulk for a bit, and give them an exasperated sigh or two when they speak and after a day he’ll be gracious enough to forgive them. Nick makes it so that Sole doesn’t want to disobey him. Not with violent actions or shouted profanities, but with his own disappointment and clear distaste for their own actions when all he does is look out for their well-being.

I) Ideals. What kind of future do they have in mind for/with their darling?

Nick has just craved companionship for his entire existence. The flesh and blood Nick had Jenny, and that was the happiest he remembered being, and that wasn’t even him. Helping others brought synth Nick as much joy as he thought he would be capable of, but once he met Sole… What he thought was happiness was just blown out of the water. He wanted to be with them all of the time, didn’t want to lose this feeling, no matter what it takes.

He loves being around them, talking with them, being romantic with them, having the opportunity to feel more human than he ever has, and that’s all he wants. Maybe marriage is in the cards eventually, but if they just remain together, Nick doesn’t need a certificate to prove that he’s in love with them. As long as Sole sticks by him, he couldn’t care less what his future holds. Ideally, he would continue to help people with them as his partner throughout, and they can live a long and happy life together until a time Sole feels like retiring, then he’ll remain by their side until… Well, let’s not think of “untils” quite yet. They have a long way to go until then.

C) Cruelty. How would they treat their darling once abducted? Would they mock them?

Nick isn’t a cruel man. He wouldn’t make the situation worse by making life hell for his partner, or by bad-mouthing them for their ignorance or misplaced trust, in truth, he wishes they hadn’t been so kind to him, shown him their capacity to love him, a capacity almost no one else shared. Then, maybe, he could’ve let them be. Now though, he needs them. They’re the only ones he can really relate to, the only ones from his time, the only ones with the capacity to love him despite what he is, and they, their relationship, needs to be protected. They don’t belong out here in the post-apocalyptic Commonwealth, and he wants to provide some semblance of familiarity if he can, to the life they knew before. How can he, out in the open, in the wastes? No, they have to be here for him, with him, if he is going to pull off this trick.

K) Kisses. How do they act around or with their darling?

Nick acts as though nothing is out of the ordinary. Sure, he’s more controlling than most, and Sole doesn’t really have the option to leave him, but he’ll be damned if he doesn’t make them want to stay by his side all of the time regardless. He’s romantic, taking them out to dinner and bringing them flowers, taking long moonlit walks and giving soft kisses in the candlelight. He’s supportive, being the first to help them when they're in need, giving advice and pats on the back, being a shoulder to cry on and their voice of reason.

Nick wants them to be happy. Wants them to feel what he does when he’s with them. He loves Sole more than he thought was possible, and he makes sure they know that. It’s why they can’t leave, after all. After being this happy, after knowing someone so kind, so gentle, someone he can relate to, someone he has the capacity to love, how could he ever choose to be away from them?

Piper:

P) Patience. How patient are they with their darling?

It depends on the day for Piper. For the most part, she tends to be patient with Sole, she loves them and has had plenty of practice with her little sister on being more tolerant, no matter her mood at the time. However, she’s only human. If Piper is having a bad day, she’s bound to be more short with her love than usual. Especially if they are the cause of her rotten mood, Piper might raise her voice with them or take away a few of their privileges, as though they were a child of Nat's age, but she’s not likely to do much more than that.

I) Ideals. What kind of future do they have in mind for/with their darling?

Piper has never had an issue with her own independence, or with taking care of Nat on her own, but she does admit, the idea of having a companion to share her life with, one that will stick by her side, who she can depend on under pressure, who understands what it's like to be responsible for someone else's care… That doesn’t sound too bad. She’s not asking for much, she just wants their attention, their presence, their know-how as a parent, their support, then she could imagine herself sharing a life with someone, with Sole. They’re just… They’re perfect. It’s not Piper’s fault that they fit every bit of criteria she had for a romantic partner, so if they don’t like it, she’s sorry, but, people like Sole are impossible to find nowadays, and they just don’t get that, do they?

She doesn’t want much, she just wants them. She wants to be able to have a family, to have someone to navigate this world with, so she can have time to write and focus on her career without having to drag Nat into every little aspect of her life. She wants someone to help her, so that she can help Nat. That’s not too much to ask, is it?

P) -- Quit: If their darling dies, leaves, or successfully escapes, would they ever be able to move on?

Maybe she could move on if they just escaped. It’d be difficult, but if they felt that strongly about it, and she never saw them again, Piper could move on. It would take a long time though, and relationships just wouldn’t be in the cards for her anymore. If Sole died though… Man, she would go on, she would have to. For Nat’s sake, but she wouldn’t want to. She’d get even more lost in her writing, maybe have a few years of stories that hardly anyone could decipher, she might even separate herself from Nat, having her sister live with Nick or Ellie for awhile while she sorts herself out, afraid that what she’s become could rub off on the one she loves most, the only one left. Piper couldn’t do that to Nat.

After a few years though, the pain would start to dull. She would still pour herself into her stories, but her research would be well done and well founded now, she would be a bit more stable, and finally she would write her own obituary to the one she loved, before finally letting it go, bringing Nat back to live with her, and making the changes necessary to be the proper role model for her sister. So that Nat will never have to endure the pain of loss that Piper felt, and the regret that still haunts her for her treatment of Sole when they were by her side.

E) Exposed. How much of their heart do they bear to their darling? How vulnerable are they when it comes to their darling?

It takes Piper a long time to open up and show Sole her vulnerable side. She’s really more comfortable at the receiving end of that sort of thing, but she does eventually let them in. The reporter may beat around the bush a bit though, whether she means to or not. It’s just difficult for her to open up too much. If Sole does so a bit on their own, it will prompt her to feel more comfortable more quickly though, and really, she loves talking about Nat.

Opening up about her past allows Piper a moment of distraction from what’s happening between her and Sole. She knows that she cares for them, and she knows their relationship is probably unhealthy, but the more she seeks their comfort, the more she hears about their past and reveals bits of her own, the more she realizes how perfect they are for one another.

R) Regret. Would they ever feel guilty about abducting their darling? Would they ever let them go?

She would regret it, and some nights when she knows they're unhappy, when they open up and are honest with her, she may come close to letting them go. But then she thinks about it. About how perfect they are, how they’re everything she’s ever needed in a partner, how she'll never be able to find someone that compares to them, how they met and felt that instant connection, how Sole woke from their ice nap at this exact year, this exact time, just so they could meet her. There’s no way all of that could be by coincidence, and Piper can’t let them slip away, not when it’s so clear they’re meant to be together.

Preston:

P) Patience. How patient are they with their darling?

He tends to be very patient with them. In all honesty, Preston is patient with everyone, and his darling is certainly no exception. However, that doesn’t mean he doesn’t lose it occasionally with them. The minuteman’s checkered past has left him with a temper in his moments of desperation, and there are certain actions that Sole may take that he will not put up with. If they become violent towards him, or any innocent people, he won’t be happy.

Generally his show of impatience comes with the accompaniment of a raised voice and, if they really push him, a physical response, such as striking a wall or kicking at some junk he found on the ground. He would never hurt Sole, or anyone else unless they were being dangerous, and it really takes a lot for him to get to the point of shouting, despite all he’s been through, but he will go there, if he feels he must.

R) Regret. Would they ever feel guilty about abducting their darling? Would they ever let them go?

All the time. Every day he would consider whether or not what he did was in their best interest, or only in his. If they expressed unhappiness, he would feel extraordinarily guilty, and would constantly second-guess his own actions towards them, and the way he restricts their freedoms in a way he knew was wrong. But Sole saved him. Until he repays their debt he can’t leave their side, and even then…

They make him so happy, he loves them, and feels as though he can’t live without them. He wished he didn’t go to such drastic measures, but he’s never loved anything like he loves Sole, and if he lost them… Preston doesn’t think he could move on from that.

E) Exposed. How much of their heart do they bear to their darling? How vulnerable are they when it comes to their darling?

He tries to be honest with them, hoping his sincerity and desperation keeps them “willingly” by his side (don’t tell him that that’s manipulation). So, he often lets them know how important they are to him, how he couldn’t live without them, he’s honest about his past experiences and struggles, and he always makes sure they know that without their aid, he never would have made it out of Concord, or out of the spiral of guilt and grief that followed Quincy.

S) Stigma. What brought about this side of them (childhood, curiosity, etc.)?

Sheer desperation, and the need to survive. Preston knows that his behavior is unhealthy, that his dependency on his partner isn’t fair, but he doesn’t know what else to do. All he knows is that without Sole, he would be dead. So they have to stay by his side, it’s an instinct, it’s a necessity, a survival tactic, he doesn’t know where it came from, but he knows he needs Sole in his life, whether it’s healthy or not. He feels horrible, and maybe one day things will change, but for now, this feels like the only option in the world.

T) Tears. How do they feel about seeing their darling scream/cry/or isolate themselves?

It breaks his heart. Most nights he catches them like this, Preston curls up at their side (if they let him) and pulls them in tight, shedding his own tears and spilling a slew of apologies to them as he holds them close and wipes their cheeks dry with a gentle hand. He doesn’t want this either, doesn’t want to hurt them, and he doesn’t understand how he could make someone he loves this much, so incredibly unhappy. He wishes there was another way, and he tells them this, even as his grip tightens on their body at the thought of losing them.

O) Oppression. How many rights would they take away from their darling?

Preston just wants them by his side. As long as they are helping the people of the Commonwealth, taking their responsibilities as General into account, and he’s with them, the minuteman is satisfied. That’s all he requires. Sole can speak to others, they can go where they please, eat and drink what they wish, take rests whenever they want, he just needs to be there with them through it all.

N) Naughty. How would they punish their darling?

He wouldn’t, he couldn’t. Guilt trips are his only form of ammunition against his love. If Sole leaves him, they may never see him again. They are his will to live, wrapped up in one gorgeous person is his entire willpower to keep going; if they leave, they take that willpower with them. Their only punishment is living with their decision if they leave him, living with the consequences, living without him.

X6-88:

X) Xoanon. How much would they revere or worship their darling? To what length would they go to win their darling over?

X6 thinks Sole is just about the best thing that’s happened to the Institute since Shaun arrived and they began the process of creating Gen 3 Synths. He reveres them more than he has anyone else and is more devoted to them than he would ever like to admit. But romance-wise, he’s not sure he’s a good fit for Sole. He’s not even human, how could he ever care for them properly, in the way the director of the Institute deserves? He struggles with it for a long time before deciding that he cannot rest until Sole is his. Whatever they need, he has the ability to provide, all he needs are the proper circumstances and he believes he does have the capacity to be what is best for them.

6) -- Fight. How would they feel if their darling fought back?

It would annoy him more than anything. X6 is fully capable of restraining them, and Sole is aware of this. Why they would try to escape him, he doesn’t know; and why they would put in the effort to actually fight him on it, he can’t pretend to understand, but X6 will be able to put an end to it soon enough. He’ll make it known to them how ridiculous it is that they are trying to fight back, in both the way he easily seems to manhandle them, and in the way his unamused voice growls out in warning.

8) -- Hell. What would be their darling’s worst experience with them?

X6 doesn’t tolerate anyone else taking up Sole’s attention. As far as he’s concerned, if you’re not the Institute, Shaun, or himself, you have no right to occupy Sole’s space physically or mentally. His control will go so far as to remove these human obstacles from the equation of Sole’s life. Permanently, if need be.

8) -- Stigma. What brought about this side of them (childhood, curiosity, etc.)?

The courser has had little to no reference for proper societal behavior for his entire existence. He’s not meant to have the feelings that Sole inspires, he’s never felt them before, and he has no idea how he’s meant to react, but if X6 is anything, he’s intense, and absolutely relentless. He puts his everything into whatever he’s doing, it’s what he’s always done, always been encouraged to do, so why would now be different?

A part of him understands that what he’s doing, how he’s acting, isn’t normal, and it certainly isn’t proper, given that he’s a synth and Sole is human. A very important human, at that, but he feels so strongly about Sole, he doesn’t know how else to express it. Even if it is wrong, if acting otherwise means giving up Sole, X6 doesn’t want to be right.

[startistdoodles]

What is your opinion on all of the pokemon gens? Is there gens you like over others? Or do you love them all equally?

I love all of the gens for different reasons, but there are certainly some I love more than others. Fair warning, I'm gonna be a bit critical with some of these, and if you disagree that's totally fine!! These are just my opinions ^^

Anyways, I'll put them all under the cut since this is about to get VERY long and rambly ^^; Sorry about that, I have a lot of thoughts and there are many regions, haha.

I will also include TL;DR's for every region for those who just want to know briefly what my opinion is on a specific generation.

GEN 1: KANTO - (RBY/FRLG/LGPE)

I'm going to start this one off by saying that the Kanto games are great for series starters. It was a wonderful introduction into the world of Pokémon and has a simple yet enjoyable story. It also contains some of the most popular and recognizable characters and the first season of the anime is my favorite. There's a reason it went on to become a franchise that is one of the most popular in the world.

But, and this is probably gonna be controversial, I think the Kanto games are kinda....boring. It really does have that 'first game' feeling to me. There's kind of a story with Team Rocket and I really like the twist of Giovanni being a Gym Leader and your rival being Champion, but other than that it's kinda...meh! Quite a few of the Pokémon in the Kanto dex feel like filler and aren't really as memorable as later gens.

I've played through Let's Go: Eevee and had a pretty fun time! But I don't really see myself playing through Kanto as often. It's just kinda meh. I think they only got better from here.

TL;DR: The weakest of the gens, but makes for a great first installment to the franchise and I respect it for that.

GEN 2: JOHTO - (GSC/HGSS)

Johto was definitely an improvement from Kanto, and I like it a LOT more. There still isn't a very strong story but I do think they build upon the foundation that Kanto created very well. Allowing the player to travel between Kanto and Johto in the postgame is amazing and it makes for the biggest world with the most locations in any mainline Pokémon title I believe

I love the music, the mythology with the two new Legendary Pokémon they added, and in HGSS having your Pokemon follow behind you is a feature I never tire of. This following feature was implemented so much better than in future titles, in my humble opinion. Johto may still lack a bit in the story and memorable Pokémon department (at least imo), but I think that they compensated HEAVILY with the new mechanics and features that are still used to this day. Stuff like breeding and shiny Pokémon are all thanks to gen 2.

TL;DR: Beautiful region (especially in HGSS), lovely soundtrack. Still not as much story, but it's a big improvement from gen 1 and it compensates by having so much more content in it.

GEN 3: HOENN - (RSE/ORAS)

Hoenn took a big risk by separating itself from Kanto, and I'm really glad it did. The Hoenn games are tied with Sinnoh for my second favorite gens in the series, but I'm getting ahead of myself.

I believe Hoenn is the first game where the badge quest almost comes second to the overarching plot of saving the world from the criminal organizations. In Kanto/Johto, it was mostly just scaring off bad guys who were up to some evil shenanigans but didn't really have much of an 'ultimate plan' that would threaten the region. In Hoenn though, things get much more interesting as you battle against Team Aqua or Magma (or both) in order to stop them from summoning an ancient legendary Pokémon that would flood/dry up the world.

The stakes are very high, and I really like that. It gives us more to work towards other than being the very best trainer. Not to mention the Pokémon designs are super good and unique and are some of my favorites. Hoenn is the Pokémon game that I have replayed the most, it's just a lot of fun.

The music in Hoenn is ICONIC, Groudon/Kyogre/Rayquaza Battle lives in my head rent-free, as does Aqua/Magma Boss, Elite Four Battle, Abandoned Ship and so many more.

TL;DR: Great story, great Pokémon designs, great music, Gen 3 is popular for a very good reason. Tied with Sinnoh for my 2nd fave gen.

GEN 4: SINNOH - (DPPT/BDSP)

I'm going to mainly focus on the original Sinnoh titles and their remakes, but I'll do a very quick little opinion on Legends: Arceus:

L:A: It's very very good!! It does lean pretty heavy into Sinnoh myth but I think it explains it enough for new players to grasp. Graphics and the human dialogue animations could be better, probably the weakest aspect of it. But other than that, wonderful game!! I've already replayed it once and it's truly a lot of fun.

NOW onto the main Sinnoh titles: As I stated before, it's tied with Hoenn for my second favorite gen in the series. I'm sure you can tell by now that I really like the games with an interesting story and that's why I enjoy Sinnoh as well.

Gen 4 is when they introduced the mythology of the Pokémon world, how it came to be and the deity Pokémon that rule over it. It's very neat and I love all of the hidden books and details that may be overlooked that add even further to the lore. It's not really shoved in your face too much about what these Pokémon are all about. All you know is that Cyrus is fascinated by them and he seems to have something to do with them. The rest of the lore is pretty much up to the player to dig around and find bits of old texts. Cyrus' laptop has research notes in it about them, Canalave Library's top floor houses several ancient books. It's not entirely spoon-fed to you, and I like that about it.

I do think Platinum is the much more improved and 'definitive' version of Sinnoh, as the characters seem a bit more fleshed out (Cyrus in particular) as well as some more quality-of-life things like the expanded Pokédex and not having to backtrack all the way to Hearthome for the badge, you just get it on your first visit.

The Pokémon designs here are also very iconic to me, however....it may have a bit too many legendaries. I know Sinnoh is all about mythology and legends but...Pokémon like Manaphy, Phione, Shaymin and Heatran feel shoehorned in. I like them, don't get me wrong (I have no strong feelings about Heatran though). But I can admit they're a little unnecessary :')

The music is also VERY good and atmospheric here, with a lot of the town and route themes being my favorites. Route 209, Route 216, Canalave City and Game Corner are just a few of my faves :)

Anyways, I have a soft spot for gen 4, it was my first Pokémon game and the one I have put the most hours into. I have never reset my original Pearl copy because it's just meaningful to me that way. Lots of memories in that game.

TL;DR: Sinnoh is a really interesting region with lots to discover. I love the music, the Pokémon and the mythology this gen introduced. Platinum is much better than DP/BDSP though and I believe it to be the definitive version of Sinnoh.

GEN 5: UNOVA (BW/BW2)

And now we reach gen 5, my absolute favorite in the series. And I don't think it's hard for me to explain why as it combines all of the elements that I love about Pokémon games into one game.

The story. It's just so thought-provoking for a Pokémon game. I love most of the stories, but this is the only one that makes me think. The titles are Black and White, but the plot certainly isn't when compared to the previous titles. In Hoenn, for instance, there is a clear and definitive bad guy who wants to control a legendary to do something that is a negative for everyone. But in Unova we are challenged by N, who seems to have noble intentions despite being an antagonist. He says what most people who hate the Pokémon series have been saying for years: that people only hurt Pokémon and they should live apart from one another.

It's very philosophical with its message which may seem complicated for most people, but for me, it really made me appreciate and feel more involved in the story. Not everything is so black and white, and this game shows us this.

I could go on for ages about the story and characters and their arcs, but maybe if you wanna hear me ramble more I will talk about it in another post. For now, I'd like to talk about the Pokémon designs and the music. The music?? Is amazing. I'm always playing the BW/BW2 soundtrack while I'm working. Some of my favorites include Village Bridge, Gear Station, Opelucid City (White), Driftveil City, Unwavering Emotions and Elite Four Battle.

As for the Pokémon designs, they are so unique and memorable to me that they've become some of my faves. Yes, even the ice cream cone that is stronger than you realize and carried me through the Elite Four. BW Forces you to rely on new Pokémon and form new bonds rather than rely on your trusty Gyarados or Machamp. It isn't a huge problem for me since I tend to exclusively use Pokémon native to the region I'm playing but change is a gooddd thing.

TL;DR: Pokémon BW/BW2 are absolute masterpieces and my favorites in the series. The love and care that went into them is obvious and i am desperate for more unova content nintendo please im starvi

GEN 6: KALOS (XY)

This is going to be a bit of a turn, but while I like Kalos as a region and have put many hours into Pokémon Y, the story is...well...it's certainly not my favorite, lets put it that way.

I'll go ahead and start with the positives because even though Kalos isn't in my top 3, it does have very good things in it. Such as Mega Evolution, the switch to 3D was done very very well, and the music is also lovely and very unique.

Mega Evolution is probably the most popular and memorable thing about Kalos and for good reason. It gives us a chance to use some Pokémon that may have been overlooked before and gain an insane power boost now. Not all of them are created equally, however (looking at you Mega Kangaskhan and every Mega Pseudo-Legend that was already powerful to begin with and didn't need stronger forms).

The switch from 2D to 3D was done very well, and I remember importing so many Pokémon from my old games JUST to see what they looked like in 3D. It was so neat at the time, and seeing old Pokémon in this new style was such a cool experience!

The music is also very nice!! Some personal faves include Lumiose City, Trainer Battle, Laverre City and Xerneas/Yveltal battle.

As for the story...it's got a lot of. Weak points. First of all, Team Flare's plan doesn't really make a lot of sense to me and whenever I'm asked about Lysandre by my friends I just never remember what his deal is or why he hates the world so much and wants to destroy it. It's very vague and there's not really any hidden lore like with Cyrus about his past. All we really know is that he and Sycamore used to be friends. And then Lysandre turned to the dark side. Maybe there's more but I just don't really care that much about Lysandre...at all...to look into it. He's just kinda boring to me. 🙃

Not to mention that Megas are SEVERELY underutilized in XY. There's maybe like? 3? Fights? Where your opponent uses a Mega? And the final gym leader doesn't even use Pokémon with a full moveset? Even though by that time you're like level 40?

Honestly XY deserves a rambly post of its own but all in all despite its flaws I think it's an enjoyable game. Not my fave and not one I really return to often, but it is fun for what it offers.

TL;DR: More enjoyable to me than Kanto, but still has a lot of flaws. Definitely deserved a 3rd version. But the music, 3D graphics and Mega Evolutions are all well done.

GEN 7: ALOLA (SM/USUM)

I haven't replayed Alola in a hot minute so forgive me if I misremember parts or aren't as thorough. But concisely: I like Alola a lot! I really like the deviation they did from Gym battles and turned them into trials that you face. It's almost like the Noble Pokémon trials from Legends: Arceus, except there's more of them.

I like how theres different islands, the Kahunas all have really nice designs and the regional villain not being an 'Evil Team' was a really cool decision that deviated a lot from the other games! I ADORE Team Skull, they're all stupid and they're family to me.

I was very conflicted about Ultra Beasts for quite a while but I have recently come to like them. I think very weird alien Pokémon that come from another universe is such a neat concept and I actually hope they return in future games. I want to know more about Ultra Space and the wormholes!

The music is also very good, but there's not a whole lot of standouts for me. However the Abandoned Thrifty Megamart haunts my dreams forever.

I love the characters, the new Pokémon and Alola as a whole!! The biggest glaring downside though is that it's way too hand-holdy and there's wayyyyy too many cutscenes. It seems like every three steps triggers a cutscene or someone telling you what to do. It gets better later on in the game but the early game is pretty slow because of this. Also, I hardly ever use Z-moves. Not super interesting to me, but it's nice that any Pokémon can use them as opposed to the select few that can Mega Evolve.

TL;DR: Alola is a very good and enjoyable game with great characters and some of my fave Pokémon. Its main flaws are just that it's very hand-holdy and somewhat easy for experienced players.

GEN 8: GALAR (SWSH)

And finally we arrive in the Galar region. Sword and Shield get a lot of hate, and while I do think it has areas where it's lacking and it's not my favorite in the series, I don't think it deserves all of the hate that it gets. There is, however, room to criticize and that is what I will do. (Also: I haven't played the DLCs nor do I know enough about them to properly criticize, so I will just be talking about the base game)

But first! The good parts. The 3D models in the 3DS games suffered from lack of saturation disease, so I'm glad that SWSH fixes this. The Pokemon and the overworld is so vibrant (the wild area isn't as much, but the cities and routes are so overlooked imo, they're stunning). I love how Pokémon are walking around in the overworld like in LGPE, while others hide in the grass and can only be found if you search for them there. I also love how the Pokémon can be aggressive and chase you, it's great fun xD The camp, Pokémon jobs and the water bike are also great additions.

This is where I get a bit more critical. First, I find Dynamax a bit more interesting than Z-Moves, but it's still kinda eh. Not a lot of thoughts about it other than I think Gigantamax forms are a lot cooler than normal Dynamax even though the whole mechanic is pretty broken in competitive I hear. Ah well. It's a fine mechanic, I don't mind it existing.

And now the story. It's very reminiscent of XY where the potential is there but it just seems very unfinished. Chairman Rose's goal at least makes more sense than Lysandre's but that doesn't really make it compelling. I found it odd how Rose just summons Eternatus out of nowhere, this Pokémon that was never mentioned or hinted at beforehand and then he goes on to announce to the whole region that he made an oopsie and he's making that everyone else's problem. It's just very weird and feels a bit out of character for Rose. I know he's a paranoid man and has concerns for the region's future and all but this drastic measure just kinda came out of left field for me.

I will say though that before this moment, I found Rose to be a very funny and interesting character. I mean I kinda knew he would be the main villain but I found his paparazzi disguise and moments of braincell singularity charming. I think he would have made for a good antagonist but maybe not the best main villain.

Also I really really wish there were more fully animated cutscenes. That kinda goes for every 3 Pokémon game nowadays but just...seeing Zamazenta do a walk cycle while turning on the Y axis was just. So underwhelming.

TL;DR: SWSH may be flawed, but I did have fun playing it and there's a lot I love about it. I just wish the story was better executed and had some more interesting animations.

[cutekittenlady]

So I'm replaying pokemon blue and have the ultimate goal of having played through every pokemon game before Scarlet and Violet come out (good luck ammiright?)

And I have a few self imposed rules for funzies, like, no legendaries, gotta nickname everyone, gotta try and use pokemon I've never used before, etc. In an effort to reinforce the last one I'm also considering adding the rule that, any pokemon in the final team I use to beat the champion CAN NOT be caught or used in any future playthroughs.

To that extent I just wanna ask if ya'll think I should play pokemon yellow as part of all the playthroughs. I mean it IS a mainline pokemon game and even got a sorta remake in the lets go games. It has unique aspects to its playthrough that does set it up as a seperate same gen installment from red and blue, etc.

Thing is, I likely won't be doing this with most of the other mainline games. Like, after gen 1, I'm gonna play Pokemon Crystal rather than gold or silver, then emerald (if I can find an authentic copy of the game by then), and of course I plan to play platinum as my gen 4 game. I do intend to play through firered and soul silver since I have those games, and so on.

So, like, with that in mind if feels like Pokemon Yellow SHOULD count as a main series playthrough game, but I'm not sure. I'm only considering not including it cause I have a lot of games to play through. But... well... it IS a major pokemon game.

So, thoughts? Anyone else trying to play through their pokemon collection, some rom hacks, etc to prep for the new games?

Edit: I should add onto this that another little challenge I enjoy trying is limiting myself by not using any of the same pokemon as my rivals lol. I dunno, you and your rival tend to start out from the same town, etc and I just think its fun if you dont have any of the same team members as you play.

Maybe I'll come up with more self imposed rules to make my replays interesting but thats all for now.

[outworldgay]

I'm somewhat new to the series and after watching the movie recently, I feel totally hooked and was wondering which game is a good place to start watching some of the storylines to learn more about the lore and characters (especially about liu and lao since they've been my fav characters from when I used to play when I was younger), whether to start with MKX first or shaolin monks, then MKX and MK11 afterwards. Any recs and tips are appreciated, thank you!

Uh there's no easy way to answer this, so I'm just gonna present you with as much objective information as possible, listing all mk media and categorizing it between timelines and specifying what's canon and what matters more than other stuff, then present you with some general tips on how to traverse said lore.

So heres a whole heaping pile of info for those just hopping onto the MK franchise after the release of the 2021 movie! I may update this if anyone has future questions. Welcome to MK!

For starters you need to know there are two timelines in the MK universe. The Midway timeline and the NRS timeline.

But first, little history:

Midway created the game/franchise in 1992. The company later filed for bankruptcy and sold all of it's assets to Warner Bros in 2009, disbanding/rebranding as Netherrealm Studios (NRS for short). In the process they rebooted the MK franchise, starting a new timeline.

The Midway Era:

1. Mortal Kombat

2. Mortal Kombat 2

3. Mortal Kombat 3/Ultimate Mortal Kombat 3

4. Mortal Kombat 4/Mortal Kombat Gold

5. Mortal Kombat Deadly Alliance

6. Mortal Kombat Deception

7. Mortal Kombat Armageddon

Other games & material that exist within this era that elaborate/retell the story/parts of the story:

Mortal Kombat Mythologies: Sub-Zero

Mortal Kombat Special Forces

Mortal Kombat Shaolin Monks*

Mortal Kombat Comics (Midway)

Bonus material that came out around this time that add little/nothing to canon:

MK vs DC

MK: The Journey Begins

DotR

MK (1995 film)

MK Annihilation

MK Conquest

MK Comics (Malibu)

---

The NRS Era:

1. Mortal Kombat 2011 (also known as MK 9)

2. Mortal Kombat X

Other material that exists within this era that expands on parts of the story:

3. Mortal Kombat 11

4. Mortal Kombat: Onslaught

5. Mortal Kombat 1

Bonus material that came out during this era that re-imagines/retells parts of the story. These are not explicitly tied to either timeline and in turn add little/nothing to canon:

MK X Comics

MK Legacy

DLC Cameos in Injustice & Injustice 2

MK Legends: Scorpions Revenge

Mortal Kombat (2021 film)

---

MK Legends: Battle of the Realms

MK Legends: Snowblind

MK Legends: Cagematch

Some general tips when diving in:

Despite us being currently in the NRS timeline, think it's still important to look into the Midway timeline, as it is often still referenced in the NRS timeline and

(SPOILER COMING UP FOR MK 11)

in the latest installment, mk11 sort of canonized the Midway timeline by introducing time travel and having "different timelines" be an in game occurence.

(SPOILER OVER)

in terms of consuming just the story, I recommend reading the character bios and tower endings of your favorite characters.

from Mk 4 onward, the characters's tower endings exist as either entire cutscenes or images with narration over it. Most if not all can be found on youtube.

tower endings =/= story mode. Story mode is the canon events that take place, while tower endings are the "what if it was _____ who beat the bad guy?". Not every game has a story mode with full cutscenes. I think from Deception onward is when they begin implementing that, again said cutscenes can be found on youtube.

When in doubt, read the Wiki! I've linked every game's wiki here which include plot summaries.

There are also a some MK YouTubers that specialize in lore based content that can also steer you in the right direction:

History Behind the Warrior

Tabmok99

The4thSnake

Not an mk ytber but this timeline video is also pretty decent for condensing most of the important info

Just how much of what is canon is sometimes debatable due to some, uh, questionable writing decisions being made by NRS at the moment. I wish I could help there but it's honestly just a little messy to traverse.

---

*While just a spin/off game, I definitely recommend Shaolin Monks to you as someone who is a fan of Liu and Lao especially, since the game focuses entirely on them. It's my personal favorite MK game.

[locke-writes]

(Doubly prefacing this by admitting both that you hadn’t probably been looking for more book recs and this IS a children’s adventure novel listed for ages 8-12 so if that isn’t your bag, feel free to ignore. Otherwise, allow me to set up my presentation.)

So one of the perks of my job is that sometimes a publisher will send us a single advanced copy of a book set to come out and, if you want it, it’s yours for free. We rarely get books for readers younger than, like, 20-something so the book spine surprised me. The plot sounded admittedly standard for the most part, but there was something rather minute but interesting about it so I decided to skim the first few pages:

This is the prologue to book one of Skandar and the Unicorn Thief.

In relatively recent history (like, fifteen years), a teensy spec of an island between the mainland of Britain and Ireland has made itself known to the world. This (simply called “The Island”) is where unicorns come from: They’re massive, they’re carnivorous, they can be deadly both with themselves and with the elements they can control and they’re just not the pretty rainbow beings the world thought they were.

They are also everyone’s dream come true.

Everyone wants to be a unicorn-rider, to get the prestige that comes with it, to get the unicorn they were destined to have based on a link they share. Skandar Smith is no different, especially since becoming a rider would mean being able to have money sent to his family while he lives on the Island to train. But just when his lifelong dream seems to have been brutally dashed, an opportunity arrives in the form of a stranger and their unicorn — and Skandar wouldn’t dare to miss his second chance.

That being said, Skandar’s experience isn’t met with sunshine and rainbows: Not when the presence of a local Island bogeyman lurks around every corner; not when one of his peers doesn’t trust him; and not when Skandar learns there’s bigger things for him to be afraid of than a massive, unpredictable beast — like himself.

Honestly, my biggest critique is that it’s kinda heavy with the exposition. But you kinda have to expect that since there’s a LOT of world-building that has to happen. I personally just wish the author had used other methods to do it besides people talking. But this is her debut novel so I’ll cut her some slack. There’s also arguably a bit of predictability but, once again, it’s the first book. And even beyond that, she still managed to make to for it by hitting me hard with, like, two Wham Lines. Which may not sound like a lot but they are to me.

But otherwise, it’s a cute, fun little romp that my overthinking brain decided to think way too hard about in some areas that are predominantly spoilerific so I can’t go too into it but let’s just say that the author, A.F. Steadman, opened up some avenues for potential further exploration in future installments.

That, and I’m choosing to believe that she accidentally included the message that adults are fallible and selfish beings and will inevitably let you down, so don’t put them on pedestals and learn to do things your own way. 🙂

There’s definitely some traits of the lore and overall structure that are reminiscent of classics like Harry Potter, Eragon, and maybe even Avatar: The Last Airbender, and higher ups at BN even argue that it could be the next big kid’s series. Only time will tell how true that may be but for now, I leave you with this book blurb blob. It just officially came out today (May 3rd) so even if you are intrigued but aren’t really ready to seek it out any time soon, there’s plenty of time.

Anywho, thanks for letting me into your abode, you have a lovely home, just gonna shove some fruit into my pockets, and I’m out. Peace!

Listen I’m always up for book blurb rambles so feel free to stop by the inbox at any time. Also, this sounds absolutely brutal and I’m here for it, does give me Eragon vibes but then I have a massive love for that series so…

I’m fucking down for this. Take some lemons 🍋 on your way out as payment for the cool book recommendations!

[jlf23tumble]

Hey Jen. I think you’re superb like in a (not to quote anyone but) you can sit and kind of admire what you’re like kind of way. So thanks for being awesome and enjoyable to this internet stranger. In unrelated matter, do you have any angst filled fics? I mostly read HL but I’ll dive into whatever as long as the pain is there. (If I can give a preference, I’m not so much into magic, fantasy, wolves, and sorts.) In these unprecedented times, I think I’d still need a happy ending though after the characters suffer terribly lol. If you find time to put something together for little old moi, I’d appreciate it very much. Thanks! Keep on keeping on! You’re wonderful!

<bryan_cranston_me_question_mark.gif> !!!!!!!!!! This is so incredibly kind, I think you’re pretty wonderful, too! I feel like I’m probably going to let you down here, though, because I generally don’t go too hard for angst (for one, it usually translates into longer fics, for two, some areas of true angst are just things I don’t really want to read for pleasure, like messy cheating aftermaths, abuse, character death, etc., and for three, I get lost in the sauce if I try too hard to dissect if something actually IS major angst versus, say, intense pining), but I’ll do my best! I’m going to give my dirty dozen here--my top 12 for hl--then I’ll dive deeper under the cut, with authors I love who write so much angst it’s tough to pick just one, plus other fandoms, too, in case you want to dive deeper.

Fertile Ground, Blake, 4.4k. Okay, in truth, so much of what Blake writes has gorgeous lashings of angst, so definitely read all of their fic (every fandom), but this one?? HOLY MOLY, it deserves to be separated and celebrated, Harry’s angst about fertility, howwwwww is this 4.4k, I ask, constantly?

sensitive to pressure, momentofclarity/ @gaycousinlarry, 4.4k. Hockey players and pubes and scent kinks, and yet there’s still this current of angst that thrums underneath, man oh man, would I read everything in this universe.

Everything You Do, jishler/ @jishlerfics, 6.6k. The third part of a stunning series, this one focusing on Harry’s gender identity and the Dunkirk haircut, and if you saw those recent gifsets with him wearing the beanie during training, yeah, this fic is alllll about it

i’m a captain on a jealous sea, devilinmybrain/ @thedevilinmybrain, 15k. A lot of jealousy on Louis’s part about all things Gryles, both real and imagined, I’m loving the vibes this author brings to it all.

taking tips and getting stoned, alison, 24k. I don’t think I can sum this one up quickly, but taxi driver Louis comes across singer Harry, and a lot of things change after that? God, that’s bad, but this fic is not!

hard to confess, @hereforlou, 24k. I adore Maggie’s writing so much, and she’s another one where I could rec at least three more here, but the one where Harry hides that he’s pregnant until the very last second? It’ll forever be the scorpio of mpreg fics, and I say that with the highest praise.

Maybe I Miss You series, 13ways, 28k. THIS SERIES, ooooooooffffff, the angstometer is off the chart, and then the last installment? Harry in makeup? This after all the sexting and boxing and hate sex and finally they figure their shit out? All of it is so good, and I’m eternally sad the author moved on (but jesus, I get it).

hush., Wankerville, 41k. Easily in my top five fics of any fandom, the softness and the cruelty, the growth and the real-life feels, an American high school AU that is still stunning and must have blown doors off back in that particular day (I’d also rec this author’s other work, esp. for angst).

every universe but ours, 28finelines, 49k. Okay, so this one has a little bit of magic that might annoy you, but it’s mostly in a multiverse way, like you’re reading a ton of AUs, but the theme itself has an angsty core, fwiw!

Truly, Madly, Deeply (10 Things I Hate about You), sunsetmog, 54k. I know I talk a LOT about this author’s ongoing wip, Harry Styles Cooks... (which is phenomenal, please do yourself a favor if you haven’t already), but this one? Angst ahoy, Harry auditions for XFUK without telling his boyfriend/friends, becomes a success, then comes home.

Time Passed, coffinofachimera/ @belialsmiracles, 66k. For every fic rec list I make, I always have at least one fic where I say, if you read nothing else, read this one, AND THIS IS IT, all categories, it’s simply astounding, life-changing, world-ending, and it kills me that more people haven’t left comments, but if it keeps shitty comments away, I’m all for it, I’ll protect this author/fic with my life. I can’t even begin to describe it, but if you want to know what the songs Fine Line or She are about, here you go! AIMH, Tokyo Harry!

The World Turned Upside Down, dogslpdi/ @dogsliampaynedoesntinstagram, 71k. I’m really iffy on historical fics, but this fic! This fic nails it! The detail and the emotion, the way you can feel the effects of the strike in so many ways, but also how HIV/AIDS is not that far off on the horizon, it’s just so well done. Plus, I adore Ralph’s humor and the way she tagged this both “minor angst” and “miner angst,” and if I can’t end an angst rec on a light note, what more can I do?

Let’s start with things beyond hl...lately, I’ve been reading a LOT of Untamed fic, and I feel like I should just point you to Liv’s masterlists because they are angst city (and fun city, too), plus she’s done a really good job of labeling them accordingly (right now, my fave angst is from chunk no. 2, Fire in the Blood, which is a case fic, but oof, I can’t wait to read even more in these parts).

I’m also just now getting into Merlin and reading a lot in that fandom, but it’s a bit scattershot at this stage (I haven’t finished the show yet, and I’m still working my way through one author who wrote 100+ fics, all of which are incredible; if you’re curious for something recent from over there, Phoenix wrote a short, angsty one that’s good and ouchy, this tangled thicket).

Speaking of Phoenix, EVERYTHING she has written for Cars (Lightning/Doc) is incredibly angsty, usually with that happy ending finale--I’d rec my current fave, but it’s a wip, so no happy ending yet, wahhh. Check out this link to the rest of them, though, I rec ‘em all!

I still have to watch the source material, but everything anyone’s sent me from Cobra Kai is INCREDIBLY angsty and so, so good, so I’m gonna bet there’s a fair bit of fix-it fic in my future, but we shall see! 

Now onto the hl angst, ideally things you haven’t already read a million times before. Like I said earlier, this one’s kind of tough because I’m not into intense angst (major character/close family member death, messy cheating aftermath--though @kingsofeverything’s Devil and the Deep Blue Sea is fantastic, if you’re into that [messy cheating aftermath, not death]; actually, a lot of Lauren’s longer fics have a dose of angst, so dive away!)

Speaking of authors who regularly deliver angst, I have quite a few that I would say just go check out their works because almost every single thing they’ve done has it in varying degrees, you won’t be disappointed! These authors primarily write the hl pairing, and I definitely rec ‘em all: HappyPrincess, got2ghost, mediaville, and sedfierisentio. Authors I love who write Harry/other characters and do it in a hella angsty way include vondrostes, sulkingroom, radiodurans, and wishforwishes (I swear, I still think about call me anything you like at least once a month).