#antique architectural elements

[myancientsurfaces]

Why Limestone Mantels from Ancient Surfaces Are Essential for Your Home

Ancient Surfaces brings history into the heart of your home with reclaimed limestone mantels sourced from ancient villas, castles, and estates. Each piece tells a story, bearing the marks of time and tradition that lend authenticity and elegance to any space. These mantels are not just architectural elements they are a seamless blend of functionality and heritage, turning your living room or…

[indiatrendzs]

Luxurious Indian Interiors Decor and Furniture

Unique architectural remnants and paintings are the focus and give a vibrant pop of color against the crisp white wall, creating a captivating visual contrast that draws the eye. Each piece tells a story, with intricate details that invite closer inspection and an appreciation for craftsmanship. A huge Carved Hope Chest sits prominently in the foyer, serving as a practical yet elegant storage…

[analogveins]

Kitchen Great Room

Example of a mid-sized french country l-shaped medium tone wood floor and wood ceiling open concept kitchen design with a farmhouse sink, recessed-panel cabinets, white cabinets, granite countertops, gray backsplash, ceramic backsplash, paneled appliances, two islands and gray countertops

[minpipism]

Laundry Room Laundry in Vancouver Mid-sized, elegant laundry room image with a single-wall, white floor, raised-panel cabinets, turquoise cabinets, white walls, and a side-by-side washer and dryer.

[safequeersex]

Dining Room Houston

Image of a large kitchen and dining area in a French country style with medium-toned wood floors and white walls

[hometoursandotherstuff]

1895 Victorian in Chicago, IL was voted Best Renovation in Chicago by Curbed Magazine. 6bds, 4.5ba, 7,000 sq ft, $1.75m.

I have never seen an entrance like this one. It has to be one-of-a-kind architecture.

The fireplaces in this home are exquisite. Isn't this is a gorgeous sitting room? The fireplace is stunning.

Very large home office. Since the 2013 restoration, the home has been impeccably maintained.

The dining room is incredible. The wood is so beautiful and look at the ceiling details. Have you ever seen built-in cabinetry like this in a Victorian dining room?

The kitchen is huge. It's modern, but so stunning. And, look at the fireplace.

The dark wood combined with the white cabinetry strikes a perfect balance of old and new. I love the marble counter on the island and the backsplash tile.

This actually looks like it could be a newer addition. Judging by the vintage part of the home, I don't think that they would've done a completely modern remodel like this.

It looks like they would've preserved anything that was original, like dark wood. However, they did put some Victorian style elements in this room, like the built-in window seat.

Maybe they decided to brighten up the bedrooms, b/c Victorian bedrooms could tend to be dark.

This bath is gigantic and combines elements of both old and new.

The original door, woodwork, and fireplace in this child's room indicate that it was renovated and brightened.

Nurseries and children's rooms really need to be cheerful.

Very chic black and white bedroom.

Super-chic matching bath. Love the sink and tile, but the gold fixtures really make it pop.

Up in the new lofted space they've got a home gym, but it can be a family room or anything the new owner would like.

How classy is the vintage looking home theater? I don't think I've ever seen one with a fireplace. Love the ceiling.

And, this looks like a renovated basement. For a room w/o windows, it's very light and bright.

What a lovely place to entertain.

They spared no expense on this bar, right down to the gold backsplash.

And, look at the wine cellar. They even have an antique wine press.

Love the terrace.

There's also a deck and the beautiful yard even has a small patio. TBH, a home like this, under $2m seems like a bargain. They really made the most of a 0.17 acre lot.

https://www.compass.com/listing/4518-south-drexel-boulevard-chicago-il-60653/1682096781908098609/

[coolancientstuff]

The Temple of Venus in Baalbek (Heliopolis), Lebanon was built in the 200s CE to honor the goddess of love, sex and fertility. Venus was derived by the Romans from the Greek goddess Aphrodite, who herself was inspired by the Near Eastern goddess Astarte. This temple's cult likely incorporated elements of both Roman Venus and the local Astarte.

The temple itself has many novel and unique features found nowhere else in Classical architecture. Five semicircular exedrae run along the outer wall, framing arched niches decorated with carved doves and seashells that probably contained statues in ancient times. Above each niche a festoon of leaves and fruit hangs, symbolizing fertility. The pentagonal column bases are without parallel in antiquity, and no other examples are known. The interior is less well preserved, but it can be safely assumed by the lavishness of the construction that it was once sumptuously decorated with paintings, statues, colored marbles and golden ornaments.

The temple has an eventful history, being also a site of persecutions of early Christians under Julian the Apostate, the last pagan emperor of Rome. Sozomen, a late antique historian, says in his Ecclesiatical Histories:

The inhabitants of Heliopolis, near Mount Libanus, and of Arethusa in Syria, seem to have surpassed them in excess of cruelty. The former were guilty of an act of barbarity which could scarcely be credited, had it not been corroborated by the testimony of those who witnessed it. They stripped the holy virgins, who had never been looked upon by the multitude, of their garments, and exposed them in a state of nudity as a public spectacle and objects of insult. After numerous other inflictions they at last shaved them, ripped them open, and concealed in their viscera the food usually given to pigs; and since the swine could not distinguish, but were impelled by the need of their customary food, they also tore in pieces the human flesh.

I am convinced that the citizens of Heliopolis perpetrated this barbarity against the holy virgins on account of the prohibition of the ancient custom of yielding up virgins to prostitution with any chance comer before being united in marriage to their betrothed. This custom was prohibited by a law enacted by Constantine, after he had destroyed the temple of Venus at Heliopolis, and erected a church upon its ruins."

Whether Sozomen's account is an exaggeration or not, there is archaeological evidence that the temple was indeed converted into a church, dedicated to Saint Barbara. According to the (comparatively late) Christian legend, Barbara was the daughter of a Heliopolitan dignitary, Dioscorus, who still worshipped the old gods. When he learned that she had been baptized, he killed Barbara and was immediately struck by lightning. Up til the present day, Saint Barbara is invoked if people want to be protected against lightning.

Because the monument continued to be in use, the temple of Venus is comparatively well-preserved. Unbroken religious activity has continued on almost the same site since antiquity, and there's still a small mosque next to the temple of Venus. The Greek-Orthodox church of Baalbek, which is close by, is still dedicated to Saint Barbara.

[literaryvein-reblogs]

hey!! i really love your posts and trust me when i say this but you're practically doing a work of charity by making all these synonym lists. 😩🫶

i was wondering if you could compile monument vocabulary. vocabulary to describe the intricate and exquisite designs inside historical buildings. tysm!

Some Historical Architecture & Interior Design Vocabulary

Acanthus Leaf - A leaf decoration often used on furniture, particularly on brackets and legs.

Acroterium - Originally an ornament on the roof corners of Greek temples. In classical furniture, similar ornaments applied to the top corners of secretaries, bookcases, highboys and other furniture.

Amorini - Cupid ornaments found on Italian Renaissance furniture.

Anthemion - A honeysuckle design from classical Greek decorative motifs. Term refers to any conventional flower or leaf design.

Antique - Could be anything ranging from a piece of furniture to art. The U.S. government considers any item over 100 years old to be an antique, whereas most collectors use 50 years as a benchmark.

Apothecary Chest - A low chest with small drawers that was originally used to store herbs for cooking and medicinal purposes.

Arabesque - Decorative scroll work or other intricate ornamentation consisting of foliage, vases, leaves and fruits, or fantastic human and animal figures.

Baroque - A highly ornate decorative style that originated in Italy in the 1600's. The style is characterized by irregular curves, twisted columns, elaborate scrolls and oversize moldings. The Italian equivalent of French "rococo".

Bibliotheque-Basse - A low cupboard with shelves for books. Doors are often of glass and sometimes fitted with grilles.

Bullate - Having the surface covered with irregular and slight elevations, giving a blistered appearance.

Cabriole leg - An ornamented furniture leg with a double curve structure.

Chevron - A 'zigzag' pattern characteristic of Romanesque decoration that is often carved around pillars, arches and doorways.

Chinoiserie - A European style of design that is meant to mimic elements of East Asian art.

Console table - A freestanding table, often found in the entryway of homes, that typically serves as a space for decorative elements.

Enfilade - A series of rooms that are connected via doorways that align with one another (commonplace in grand castles, like the Palace of Versailles, or even museums).

Etagere - A freestanding or hanging set of open shelves, designed to display trinkets or other decorative objects.

Gilding - A coating with a thin layer of gold or gold-like substance.

Klismos - Ancient Greek style of chair with saber shaped legs splayed at the front and back. The back legs continue up to support a shoulder-height curved back.

Laurelling - A decorative feature using the laurel leaf motif as its basis.

Lozenge - A diamond shaped decorative panel. Term comes from the Middle English word for stone.

Niche - A recess in a wall for displaying a sculpture or other accessory.

Ormulu - A metal resembling gold. Used as mounts and decorative effects on furniture.

Ovolo - A continuous ornament in the form of an egg which generally decorates the molding called the "quarter-round". Eggs are often separated from each other by pointed darts.

Passementerie - Fancy decorative trimmings such as tassels, tiebacks and ribbon.

Régence Style - This furniture style spanned from about 1715 to 1723, when France was ruled by a regent. This style of furniture design was a transition from massive straight lines to graceful curves.

Sconces - A type of light fixture that is fastened to a wall for support.

Swan-Neck Handle - A curved handle popular in the 1700's.

Trompe l’oeil - A technique used to trick the eye into thinking that something flat, like a wall, is actually three-dimensional. This is often achieved through photorealistic painting.

Victorian - An architectural style defined by highly ornamented design and grand, sweeping facades.

Wainscoting - A type of interior wall paneling that covers the lower portion of a wall.

"Traditional" Interior Design

When talking about traditional interior design, most are referencing a design style that originated in the 18th and 19th century throughout Europe. However, it’s worth noting that other cultures have their own versions of a traditional style that may not look the same as this more Western version.

Traditional Design Elements. Though not exhaustive, a traditional interior will often make use of the following elements: 

Emphasis on symmetry and order

Traditional architectural details such wainscoting and crown molding

Classic decor elements such as chandeliers and bookcases 

Neutral color schemes with pops of bold colors, often in jewel tones 

Upholstery and textiles tend to be subtler (cotton, velvet, or wool, for example)

Furniture pieces with traditional silhouettes, though they’re often updated with modern elements or finishes 

Layered window treatments and draperies; curtain valances aren’t used often

Classic patterns such as plaids, damask, or florals  

Flooring tends to make use of darker wood  

Sources: 1 2 3 4 ⚜ More: Notes & References ⚜ Word Lists

Previous posts that include some related words you might find useful:

Some Architecture Vocabulary

Some European Renaissance Art Vocabulary

Some Medieval Art & Architecture Vocabulary: Part 1

Some Medieval Art & Architecture Vocabulary: Part 2

Some Roman Art Vocabulary

Thanks so much for your kind words, you're really sweet! I tried to include a wide range of terminology since you didn't specify which time period you were looking for. Do go through the sources if I wasn't able to include here what you need in your writing. Hope this helps <3

[novlr]

how to describe? Houses, rooms, interiors, palaces, etc?

Creating immersive descriptions of indoor spaces is more than just scene setting—it’s an invitation to the reader to step into your world. Describing the interior of buildings with vivid detail can draw readers into your narrative. So let’s explore how to describe interiors using multiple sensory experiences and contexts.

Sights

Lighting: soft glow of lamps, harsh fluorescent lights, or natural light.

Colour and textures; peeling paint, plush velvet, or sleek marble.

Size and scale: is it claustrophobically small or impressively grand?

Architectural features: high ceilings, crown mouldings, or exposed beams.

Furnishings: are they modern, sparse, antique, or cluttered?

Style and decor: what style is represented, and how does it affect the atmosphere?

State of repair: is the space well-kept, neglected, or under renovation?

Perspective and layout: how do spaces flow into each other?

Unique design features: describe sculptural elements, or things that stand out.

Spatial relationships: describe how objects are arranged—what’s next to, across from, or underneath something else?

Sounds

Describe echoes in large spaces or the muffled quality of sound in carpeted or furnished rooms.

Note background noises; is there a persistent hum of an air conditioner, or the tick of a clock?

Describe the sound of footsteps; do they click, scuff, or are they inaudible?

Include voices; are they loud and echoing or soft and absorbed?

Is there music? Is it piped in, coming from a live source, or perhaps drifting in from outside?

Capture the sounds of activity; typing, machinery, kitchen noises, etc.

Describe natural sounds; birds outside the window, or the rustle of trees.

Consider sound dynamics; is the space acoustically lively or deadened?

Include unexpected noises that might be unique to the building.

Consider silence as a sound quality. What does the absence of noise convey?

Smells

Identify cleaning products or air fresheners. Do they create a sterile or inviting smell?

Describe cooking smells if near a kitchen; can you identify specific foods?

Mention natural scents; does the room smell of wood, plants, or stone?

Are there musty or stale smells in less ventilated spaces?

Note the smell of new materials; fresh paint, new carpet, or upholstery.

Point out if there’s an absence of smell, which can be as notable as a powerful scent.

Consider personal scents; perfume, sweat, or the hint of someone’s presence.

Include scents from outside that find their way in; ocean air, city smells, etc.

Use metaphors and similes to relate unfamiliar smells to common experiences.

Describe intensity and layering of scents; is there a primary scent supported by subtler ones?

Activities

Describe people’s actions; are they relaxing, working, hurried, or leisurely?

Does the space have a traditional use? What do people come there to do?

Note mechanical activity; elevators moving, printers printing, etc.

Include interactions; are people talking, arguing, or collaborating?

Mention solitary activities; someone reading, writing, or involved in a hobby.

Capture movements; are there servers bustling about, or a janitor sweeping?

Observe routines and rituals; opening blinds in the morning, locking doors at night.

Include energetic activities; perhaps children playing or a bustling trade floor.

Note restful moments; spaces where people come to unwind or reflect.

Describe cultural or community activities that might be unique to the space.

Decorative style

Describe the overall style; is it minimalist, baroque, industrial, or something else?

Note period influences; does the decor reflect a specific era or design movement?

Include colour schemes and how they play with or against each other.

Mention patterns; on wallpaper, upholstery, or tiles.

Describe textural contrasts; rough against smooth, shiny against matte.

Observe symmetry or asymmetry in design.

Note the presence of signature pieces; a chandelier, an antique desk, or a modern art installation.

Mention thematic elements; nautical, floral, astronomical, etc.

Describe homemade or bespoke items that add character.

Include repetitive elements; motifs that appear throughout the space.

History

Mention historical usage; was the building repurposed, and does it keep its original function?

Describe architectural time periods; identify features that pinpoint the era of construction.

Note changes over time; upgrades, downgrades, or restorations.

Include historical events that took place within or affected the building.

Mention local or regional history that influenced the building’s design or function.

Describe preservation efforts; are there plaques, restored areas, or visible signs of aging?

[burst-of-iridescent]

not to beat the "sokka's misogyny" disk horse even further into the ground, but while i agree with the take that sokka being sexist logically doesn't make sense, i would go further to say that the water tribes themselves being sexist is both illogical and thematically contradictory.

the flaws of each nation in atla have always been linked to their element, and specifically what those elements represent. fire is the element of power; power, left unchecked, leads to imperialism and authoritarianism. earth is the element of substance and stability; stability, prioritized too highly, creates and justifies the rigid class system and rampant corruption of ba sing se. air is the element of freedom; freedom, taken too far, becomes irresponsibility and abandonment.

meanwhile, water is the element of change... therefore the water tribes cling to antiquated ideas about gender roles instead of adapting with the times (especially when the times involve a fucking war going on).

not only is this unrealistic, it also breaks the thematic pattern of the nations' flaws being virtues taken to extremes, and how this dovetails into the show's overall message about the importance of balance. if we're keeping with the pattern of virtue and vice being two sides of the same coin, then the flaw of the water tribes has to be related to change. and here is where some of the (badly executed) ideas in the comics and legend of korra could have come into play: change, left uncontrolled, can lead to progress... but at the cost of tradition and spirituality.

(imagine a nwt cut off from the world and forced to rely solely on itself, ingenuity and creativity flourishing out of sheer, desperate need. imagine a nwt where waterbending is nothing more than a tool, used to build and defend and maintain a fortress always at risk, its spiritual origins slowly lost to time. imagine a nwt more military than community, whose architecture and technology far exceed anything the world has ever seen, who look down upon their less advanced sister tribe, and see no need for the avatar - after all, where was he when they had no one but themselves for the last 100 years?

when warned that the fire nation is coming, they show no fear; they have held strong on their own for the last century, bolstered by their weapons and wits, and will continue to do so. you need the spirits, aang implores, and is met with derision, for there is no place for spirits in a society always chasing more, greater, better. the spirits have not helped us before, avatar. why would they now? we are all we need.

when the moon spirit falls, unprotected and forgotten in an abandoned, rundown spirit oasis - so do they.)

not only would this fit better thematically, it would also ensure that the nwt's flaw plays a role in its own downfall. where the fire nation's warmongering resulted in the poverty and suffering of its own people, and the earth kingdom's corruption led - at least in part - to the fall of ba sing se, the misogyny of the water tribes is never shown to negatively impact them in any way. the north isn't defeated by the fire nation because they relegated half the population to healing. the south doesn't suffer raids or lose their waterbenders because they (supposedly) didn't let women fight. this lack of narrative punishment means that - outside of a few girlboss moments for katara - the sexism of the nwt isn't significant to the overall story whatsoever.

furthermore, while the ba sing se arc last almosts half a season, and the fire nation's actions drive the entire show, this supposed systemic oppression of women shows up for one episode in the first season before disappearing entirely. pakku is reminded of his lost love, magically turns into a feminist, and somehow the entire tribe follows suit? no one else protests, not even the other students or the chief?

and yet, though there are still no female waterbenders other than katara, or agency for kanna in her relationship, or any indication that women stopped being forcibly betrothed - the entire issue is simply swept under the rug and never brought up ever again in the show. i understand this was a children's cartoon made in 2005, and that even having female characters openly speak about and challenge misogyny was a radical feat for the time and genre, but the reality of patriarchy is that it's structural, sustained and immensely difficult to resist - if the show was going to depict that resistance, it should have done so with greater depth and nuance, as it did for many of the other difficult topics it tackled.

ultimately, handwaving misogyny away like it never existed is far more disrespectful to katara's character, her fight against injustice, and the girls who saw themselves in her, than simply toning it down or removing it could ever be.

[myancientsurfaces]

The Soulful Beauty of Reclaimed Limestone Mantels

There’s a unique allure to a space graced by history a feeling that transcends time, where every corner whispers stories of craftsmanship, legacy, and beauty. A reclaimed limestone mantel from Ancient Surfaces embodies that essence, transforming a home into a sanctuary of timeless sophistication. Each piece, carved by hand and steeped in centuries-old history, serves as a living testament to the…

[indiatrendzs]

Elevate Your Space with Vintage Modern Spanish Farmhouse Charm

 In the world of home design, few styles capture the imagination like the timeless blend of vintage carved door and modern Spanish farmhouse aesthetics. By incorporating rustic textures, intricate carvings, and bold architectural detail carved door, you can create a home that feels warm, inviting, and utterly unique. Whether you’re redesigning your living space, updating your exterior, or…

[whencyclopedia]

Chidambaram

Chidambaram (Cidambaram) is an important Chola temple site in Tamil Nadu, southern India. Most of the temples at Chidambaram were built in the 12th and 13th centuries CE. The site is dominated by the huge gateway tower of the Nataraja temple but Chidambaram also boasts the first Devi or Amman shrine, the first Surya shrine with the distinctive stone chariot wheels which would adorn many subsequent temples, and the first large Siva Ganga tank. In this respect Chidambaram is something of a transitional site, linking elements of the old and new styles of Indian temple architecture.

The name Chidambaram, one of several from antiquity, derives from the Tamil Cirrambalam, meaning 'little hall'. The site was chosen because according to mythology it was the precise spot where the Hindu god Shiva had once danced in a grove of tillai trees. The dance was, in fact, a competition between Shiva and Parvati and naturally the great Shiva won. The story became a popular subject in Hindu art over the centuries.

The site is enclosed within four perimeter walls and covers a rectangular area of 55 acres. Within the compound are shrines, halls, temples, ornamental gateways, and a large ritual bathing pool, known as a Siva Ganga tank, which is surrounded by cloisters. Inscriptions claim the site was built by various Pandya kings and local rulers but none are contemporary with the dates the buildings were actually first constructed. The walls and east gopura (gateway) may be ascribed with greater certainty, and were probably built by Kulottunga III, who reigned from 1178 to 1218 CE.

The Nataraja temple was constructed between c. 1175 and c. 1200 CE. The actual temple shrine is relatively modest as by now in Indian architecture the gopuras had become the most important structures, at least in terms of aesthetics. The twin sacred chamber was, however, adorned with copper sheets covered in gold by successive Chola kings. The shrine is preceded by a dance hall and large entrance porch with columns (mandapa).

The massive granite and brick east gopura dominates the site but there are three other gopuras on the north, south and west sides (the earliest). The corbelled roofs diminish as the structures rise and are finally topped with the usual barrel-vaulted roof (sala), the eastern gopura also having a row of 13 decorative finials. The east gopura has a proper interior floor at each of its nine levels and there is an interior staircase which climbs to the very top of the building. All four gopuras have false windows on their facades, typical for this kind of structure, and pairs of pilaster columns set at regular intervals. The second floor of each gopura also has a passageway which worshippers ritually walked around. The entrance archways all have coffered ceilings decorated with relief panels.

Of particular note at Chidambaram are the thousands of sculptures adorning its buildings. In particular there are many statues of women in a wide variety of dance postures. Many statues are accompanied by quotations from Hindu literature which provide an invaluable reference for scholars. There are also figures of the four dvarapalas (guardian demons), the dikpalas (cardinal directions), many figures of Shiva performing heroic deeds, various other deities such as Vishnu, Devi, Sarasvati, and, unusually in southern architecture, river goddesses.

Finally, Chidambaram is also famous for its 17th century CE Nayaka ceiling paintings which decorate the Shivakamasundari shrine of the Nataraja Temple. More than 40 panels depict scenes from the life of the saint Manikkavachakar, a devotee of Shiva.

Continue reading...

[yaellaharpe-blog]

Antigua Via Latina / The ancient Via Latina

In the middle of the Roman periphery, between the modern Via Appia and Via Tuscolana, a section of the 3rd mile of the ancient Via Latina is preserved in perfect condition.

It has ancient origins: the natural route, already followed in prehistoric times, was used by the Etruscans to colonise Campania in the 8th-6th centuries BC.

Definitely laid out by the Romans around the IV-III centuries B.C., it connected Rome with Capua, maintaining its importance throughout Antiquity. In fact, even in the Middle Ages, it was preferred as an access road to Naples because of its better preservation compared to the Appian Way and the presence of a number of Christian places of worship along the route..

Entering the Archaeological Park of the Tombs of the Via Latina, it is now possible to walk along a section of the original paving of the street. With a pleasant walk you can admire the rich tombs dating back to the I-II century A.D. that overlooked the route, which still have perfectly preserved polychrome decorations on the façades and inside: vaults covered with painted plaster and stucco, walls frescoed with funerary scenes and rich mosaic floors are still substantially intact in their original context.

From the street it is also possible to reach the Basilica of S. Stefano, a rare example of an early Christian building erected under the pontificate of Leo the Great in the middle of the 5th century.

Santo Stefano en Vía Latina, restos parcialmente reconstruidos, 1911.

Santo Stefano in Via Latina, partially reconstructed remains, 1911.

The Archaeological Park of the Tombs of the Via Latina was created in 1879 following the acquisition by the State of a vast area in which important remains from Roman times had been discovered.

BARBERINI TOMB

The so-called Barberini Sepulchre, or Sepulchre of the Corneli. The funerary monument, dating from the 2nd century AD, consists of two above-ground floors and a hypogeum in an excellent state of preservation. The upper floor is covered by a ribbed vault completely covered with plaster painted with a red background and stucco elements. Groups of figures, winged victories on chariots, love affairs, birds, marine animals, mythological themes and architectural backgrounds can be recognised.

Sepulcro Barberini y su interior / Barberini Tomb and its interior

TOMB OF THE VALERI

The Tomb of the Valeri. The richly decorated underground rooms dating from the mid-2nd century AD are preserved, while the elevation is a hypothetical reconstruction dating from the mid-19th century. An elaborate white stucco covering, articulated in 35 medallions and panels, adorns the lunettes and the barrel vault of the underground room. The medallions depict Dionysian themes, female figures and sea animals, while in the central tondo there is a delicate-veiled figure on the back of a griffin, representing the deceased being carried to the afterlife.

Tumba de los Valeri, exterior e interior / Tomb of the Valeri, exterior and interior

THE TOMB OF THE PANCRATII

The Tomb of the Pancratii. Much of the visible structure is a modern construction that protects the monument below by resting on the original 1st-2nd century AD walls, about a metre high. Upon entering the tomb, one can admire the beautifully decorated underground rooms, with mosaics on the floors and vaults and walls frescoed in bright colours and stucco in an excellent state of preservation. They depict mythological scenes, natural and architectural landscapes, images of women and animals. In the centre of one of the underground chambers is a large sarcophagus for two Greek marble depositions.

Sepulcro de los Pancracios, exterior e interior / Tomb of the Pancracios, exterior and interior

[fashionbooksmilano]

Thai Style

Luca Invernizzi Tettoni - William Warren

Times Editions, Singapore rev.ed.1993, 231 pages, 25,5x25,5cm, ISBN 981-204-462-0

euro 28,00

email if you want to buy booksinprogrenssmiilano@yahoo.it

That special style that defines a culture is born of many elements. Thai style, so vividly revealed in its architecture and interiors, is the product of a distinctive landscape, a skillful use of varied influences, and a history unique among the peoples of Southeast Asia. It is a style that can be found in rustic country homes or chic Bangkok residences elegantly furnished with antiques and family heirlooms. It may be reflected in a number of unique and historic houses which preserve the best of the past, in unmistakably contemporary interiors where old and new sit comfortably side by side, in traditional structures revamped for modern living, and in lush tropical garden settings and seaside resorts. The over 370 color photographs by Luca Invernizzi Tettoni present a luminous vision of this distinctive style. A concise introduction by author William Warren places Thai design in context and adds another dimension to our understanding of Thai culture. It is followed by a photographic essay which isolates elements of Thai style, from traditional objects and art forms to handicrafts and street art. Architecture and interiors are treated in four chapters--Traditions, Traditions Adapted, Foreign Influences and Tropical Modern. Useful measured drawings are featured in the Architectural Notebook, a final section.

20/10/24

[dark-petersburg]

Step into the shadows

Welcome to my channel, where I explore everything gothic under one dark and fascinating umbrella. What is gothic? The term "gothic" was coined in the 19th century to describe elements of the past, often sensational and barbaric—like the works of Shakespeare. Not something you’d have expected right? Gothic is a construct and as such I will use it. In this blog, I delve into the dark and macabre as integral parts of our psyche, identity, nature, and culture. I will journey from the gothic elements that surround us today back to times even before antiquity, with a special focus on the Hellenistic period, which I personally favour. I’m fluent in two languages, and you’ll see both reflected here. I’ll explore gothic fashion, philosophy, literature, movies, aesthetics, and how art and architecture are influenced by the gothic. Join me so we can delight in the shadows and uncover the gothic threads woven through our history and culture. Is gothic depressing then? No. Darkness is reassuring and empowering. I would nonetheless like to make it clear that I do not condone violence or toxicity of any kind. My content is categorised into three main tags: #GothicGlimpses Mondays reveal the moodboard and main visual content of the week under #GothicGlimpses. This tag showcases the aesthetic beauty of the gothic, from fashion to architecture. Each moodboard immerses you in the dark visual world that defines gothic culture. #GothicGazette Wednesdays are for textual content, tagged as #GothicGazette. Dive into gothic philosophy, books, and movies, exploring how these elements shape and are shaped by gothic aesthetics. Join the in-depth discussions and analyses to enrich the understanding of the gothic realm. #Darkling_I_Listened Fridays bring the reading session under #Darkling_I_Listened. Personally I find the world we live in too hectic and chaotic at times. Readings offer a therapeutic escape, a space to reflect and engage deeply with gothic literature. I invite you to explore the darker aspects of human nature and find solace in shared experiences. Connecting with the gothic tradition reveals how it reflects and influences emotions and thoughts. Join me to delight in the shadows and uncover the gothic threads woven through the history and culture.