#anthea sylbert

[cressida-jayoungr]

One Dress a Day Challenge

October: Black Redux

Chinatown / Faye Dunaway as Evelyn Mulwray

This is quite an attractive dress, but between the dim lighting and the fact that Evelyn is mostly in close-up shots in the scenes where it appears, we only really get a glimpse of it onscreen. Luckily, it has been auctioned, so we have some very good display photos. Here's the description from the auction site: "Black silk jersey day dress, fitted bodice, short sleeves, panels with hand fagoting; ankle-length skirt ornamented with self covered buttons; self covered belt with black and grey enameled buckle."

Evelyn wears the dress with a pearl necklace, a pair of gold bracelets, and a watch. I've included a close-up of the belt buckle. You can also see how the white trim is attached with a spiraling stitch in gold.

[sesiondemadrugada]

Chinatown (Roman Polanski, 1974).

[vampirecorleone]

"Rock him." | "You're trying to get me to be his mother." | Aren't you his mother?" Mia Farrow as Rosemary Woodhouse in Rosemary's Baby (1968) Costume Design by Anthea Sylbert

[byneddiedingo]

Jack Nicholson and Faye Dunaway in Chinatown (Roman Polanski, 1974)

Cast: Jack Nicholson, Faye Dunaway, John Huston, Perry Lopez, John Hillerman, Darrell Zwerling, Diane Ladd, Roy Jenson, Roman Polanski, Richard Bakalyan, Joe Mantell. Screenplay: Robert Towne. Cinematography: John A. Alonzo. Production design: Richard Sylbert. Film editing: Sam O'Steen. Music: Jerry Goldsmith.

Where there's money, there's murder, and where the sun shines brightest, the shadows are darkest. That's why film noir was invented in Hollywood, and why California's greatest contribution to American literature may have been the pulp fiction of James M. Cain and the detective novels of Dashiell Hammett, Raymond Chandler, and Ross Macdonald. Chinatown, which draws on that tradition, has a kind of valedictory quality about it, harking back to the 1930s roots of noir, although the genre's heyday was the postwar 1940s and paranoia-filled early 1950s. (Curtis Hanson would exploit that latter era in his 1997 film L.A. Confidential.) But it's also very much a film of the 1970s, which is to say that 42 years have passed and Chinatown is showing its age. The revelation that Katherine (Belinda Palmer) is both the daughter and the sister to Evelyn Mulwray (Faye Dunaway) no longer has the power to shock that it once did, incestuous rape having become a standard trope of even TV drama. Nor does the "dark" ending, which director Roman Polanski insisted on, despite screenwriter Robert Towne's preference for a more conventionally hopeful resolution, seem so revolutionary anymore. It remains a great film, however, thanks to those quintessential '70s stars, Dunaway and Jack Nicholson, in career-defining performances, the superb villainy of John Huston's Noah Cross, and Roman Polanski's deft handling of Towne's intricate screenplay, carefully keeping the film limited to the point of view of Nicholson's Jake Gittes. Production designer Richard Sylbert and costume designer Anthea Sylbert (Richard's sister-in-law), aided by cinematographer John A. Alonzo, are responsible for the stylish evocation of 1930s Los Angeles. The atmospheric score is by Jerry Goldsmith.

[alainmarche]

R.I.P. 😥

[docrotten]

ROSEMARY’S BABY (1968) – Episode 150 – Decades Of Horror: The Classic Era

“It was kind of fun in a necrophile sort of way.” Yikes! There’s so much to unpack in that statement. Join this episode’s Grue-Crew – Chad Hunt, Daphne Monary-Ernsdorff, Doc Rotten, and Jeff Mohr – as they gather around the black cradle under the inverted cross to witness Rosemary’s Baby (1968).

Decades of Horror: The Classic Era Episode 150 – Rosemary’s Baby (1968)

Join the Crew on the Gruesome Magazine YouTube channel! Subscribe today! And click the alert to get notified of new content! https://youtube.com/gruesomemagazine

ANNOUNCEMENT Decades of Horror The Classic Era is partnering with THE CLASSIC SCI-FI MOVIE CHANNEL, THE CLASSIC HORROR MOVIE CHANNEL, and WICKED HORROR TV CHANNEL Which all now include video episodes of The Classic Era! Available on Roku, AppleTV, Amazon FireTV, AndroidTV, Online Website. Across All OTT platforms, as well as mobile, tablet, and desktop. https://classicscifichannel.com/; https://classichorrorchannel.com/; https://wickedhorrortv.com/

A young couple trying for a baby moves into an aging, ornate apartment building on Central Park West, where they find themselves surrounded by peculiar neighbors.

  Director: Roman Polanski

Writer: Ira Levin (from the novel by); Roman Polanski (written for the screen)

Producer: William Castle

Music by: Krzysztof Komeda (as Christopher Komeda)

Director of Photography: William A. Fraker (as William Fraker)

Film Editing by: Sam O’Steen, Bob Wyman

Production Design by: Richard Sylbert

Art Direction by: Joel Schiller

Set Decoration by: George R. Nelson

Costume Design by: Anthea Sylbert

Selected Cast:

Mia Farrow as Rosemary Woodhouse

John Cassavetes as Guy Woodhouse

Ruth Gordon as Minnie Castevet

Sidney Blackmer as Steven Marcato / Roman Castevet

Maurice Evans as Hutch

Ralph Bellamy as Dr. Abraham Sapirstein

Angela Dorian as Terry Gionoffrio

Patsy Kelly as Laura-Louise McBirney

Elisha Cook Jr. as Mr. Nicklas

Emmaline Henry as Elise Dunstan

Charles Grodin as Dr. Hill

Hanna Landy as Grace Cardiff

Philip Leeds as Dr. Shand

D’Urville Martin as Diego

Hope Summers as Mrs. Gilmore

Marianne Gordon as Rosemary’s girlfriend

Wendy Wagner as Rosemary’s girlfriend

Tony Curtis as Donald Baumgart (uncredited)

William Castle as man outside phone booth

Decades of Horror The Classic Era reaches its epic milestone of 150 episodes with a review of Rosemary’s Baby (1968). Join the Grue-Crew as they examine this iconic genre entry that lands near the top of many best-horror-films-of-all-time lists and countdowns. Will the film hold up today? Jeff, Chad, Daphne, and guest-host Doc Rotten will share their thoughts on that and much more, including controversies in making the film and those that have transpired since. The crew spends two hours exploring the cast, the locations and era, the production, the subtext, and the influences – and so much more. Truly, epic! Enjoy!

At the time of this writing, Rosemary’s Baby is available for streaming from subscription services Amazon Prime, Paramount+, MGM+, and fuboTV as well as from a variety of PPV options. The film is also available as Blu-ray formatted physical media from Paramount Pictures Home Entertainment and the Criterion Collection.

Gruesome Magazine’s Decades of Horror: The Classic Era records a new episode every two weeks. Up next in their very flexible schedule, as chosen by Jeff, is The White Reindeer (1952, Valkoinen peura), a Finnish vampire movie (or is it a Finnish witch movie?) with frequent appearances by a white reindeer. You won’t want to miss this one! 

Please let them know how they’re doing! They want to hear from you – the coolest, grooviest fans: leave them a message or leave a comment on the Gruesome Magazine YouTube channel, the site, or email the Decades of Horror: The Classic Era podcast hosts at feedback@gruesomemagazine.com

To each of you from each of them, “Thank you so much for watching and listening!”

Check out this episode!

[film-classics]

Mia Farrow in Rosemary’s Baby (1968)

[costumefilms]

Shampoo (1975) - Julie Christie as Jackie wearing a black sequined evening dress with long sleeves, high collar and plunging open back.

The costumes were designed by Anthea Sylbert.

[imjustheretoseetheprivateblogs]

My Ideal Cast and Crew for a Nero Wolfe Movie made in the 90′s

Director: Sidney Lumet

Composer: Quincy Jones

Cinematographer: Stephen H. Burum

Screenplay Writer: David Mamet

Costume Designer: Anthea Sylbert

Production Designer: Tony Walton

George Clooney as Archie Goodwin

Robbie Coltrane as Nero Wolfe

Bonus: Modern Day Version

[cressida-jayoungr]

One Dress a Week Challenge

May: Gold & Silver

King Kong (1976) / Jessica Lange as "Dwan" (Ann Darrow?)

Although this film was given a contemporaneous 1970s setting, the dress Dwan/Ann wears for the climactic performance where she ends up getting carried off to the top of a tall building (the World Trade Center, in this version) has a definite nod to the styles of the 1933 original film. It's backless, with a geometric, sort of Art Deco-style belt. The display mannequin shows wrist cuffs that match the belt as well, but in the actual film she just wears a diamond bracelet.

When she first arrives, Dwan/Ann briefly wears a filmy cape over the dress, but it is quickly removed. Later, while hanging out in a deserted bar after escaping from Kong for the first time, she randomly tries on a fur coat over it too.

I had never seen this movie before discovering the dress. The giant ape effects are occasionally stiff, but overall, they're really not bad for the era! The gowns were done by Anthea Sylbert, who also costumed Chinatown.

[sesiondemadrugada]

The Last Tycoon (Elia Kazan, 1976).

[thisobscuredesireforbeauty]

Faye Dunaway in: Chinatown (Dir. Roman Polanski, 1974). Costume by Anthea Sylbert.

[womeninmovieswearinghats]

Doris Roberts and Jess Osuna in A New Leaf (1971)

Direction: Elaine May

Costumes: Anthea Sylbert

[dozydawn]

vintage bridal fashion: 1972

this veil trim!

royal wedding: birgitte van deurs in norman hartnell. white swiss organdie with floral embossing.

maria del carmen martinez-bordiu y franco in balenciaga, 1972.

charlotte rampling. the butterfly choker (also in the dress print)

carol kane in wedding in white (1972) designed by patti unger.

ana belén in morbo (1972) designed by josé maría tresserra.

cybill shepherd in the heartbreak kid (1972) designed by anthea sylbert.

talia shire in in the godfather (1972) designed by anna hill johnstone.

simonetta stepanelli in the godfather (1972) designed by anna hill johnstone.

jill ireland in the valachi papers (1972) designed by ann roth.

[starforsharon]

Sharon Tate photographed with her husband, Roman Polanski, and friend Simon Hessera by Camilla McGrath at the Chateau Marmont — February 25th, 1968.

A few if these photos will be featured in a new book called “Face To Face,” which features over 600 of McGrath's photos and will be released on October 27th, 2020.

"During the 1960s and early '70s, the Château Marmont Hotel had been a home away from home.  It was an ideal place for those of us who came from New York or Europe to Hollywood to work.  It was a congenially seedy, reasonably priced apartment hotel that we found sympathetic to our transient way of life.  You could always find familiar faces.

Early in 1968, when old friends Earl and Camilla McGrath rented the penthouse apartment, it became an even better place to hang out.  At that time Sunset Strip was the place where everyone hung out.  On the particular weekend afternoon when Camilla took these photographs, the group on her terrace was made up of the usual suspects.  There was Brian Morris, the former manager of the great Ad-Lib Club in London's Soho district.  He was at the Chateau preparing to open a club of his own called Bumbles.  Next to him, with a camera in his face is Simone Hesera, who was staying with Brian and was an old friend of Roman Polanski's and mine from Europe.  I see myself looking at a photo album of some kind with Sarah Hudson and across the way is my brother Paul.  Sandy Whitelaw, a young executive at United Artists who spoke seven languages, is in the background with Linda Edelstein(now Palevsky). We were all at the Château because Roman, myself, and my then sister-in-law Anthea(who had come out from New York to design the costumes), had just completed the shooting of Rosemary's Baby at Paramount.  The picture had gone into post-production, and it was the time to take a little break.  Roman and Sharon were staying in Apartment 3G, and Paul and Anthea were staying in what was described in those days as Mrs. Baum's long apartment, or 5G."—Richard Sylbert, excerpt from the book: "Designing Movies: Portrait of a Hollywood Artist."