#another honorable mention on the books thing is the song of achilles

[schmope-is-dead]

neeeed to pick your brain more about media. what other bands or artists are you like big big into . What movies, if any . Books obviously if you're a big reader . Sorry this ask is insane i think you're cool and am too impatient to just wait and listen to see what you talk about LMAO

YOU’RE SO REAL FOR THIS DW

I really love the cure tbh :3 specifically simon gallup but also a bit of robert smith as far as actually loving the band members, but their music is actually what got me into goth music / the goth subculture !! I have like 4 cure cds, my favorite album of theirs is disintegration, and my favorite songs of theirs are the lovecats/ lovesong/ plainsong

another big one of mine is bauhaus but I mainly just listen to them on mix rather than specific songs. their song “god in an alcove” permanently changed how I think when I’m high btw

honorable mentions are my chemical romance, the last days of jesus, horror vacui, the brickbats, and icp

as far as movies go, cowboys 2020 changed my brain chemistry. I don’t have much to say it’s just something to experience and have it sit in the back of your head for years

I do love to read but not as much since I finally recovered from my harry potter special interest 😭 my current favorite book is the picture of dorian gray, and currently I’m reading the brothers karamazov by fyodor dostoevsky

I also really love this one musical trilogy, in trousers, falsettoland, and march of the falsettos. it’s an amazing story that I think about constantly, especially about whizzer brown

and of course, homestuck, unfortunately

[kenonade]

for the ask game—3, 5, 18, and 25 for peter wiggin?

THE GUY!!!!!!!!!

3. Least favorite canon thing about this character?

It’s hard to say because, and I say this with shame—I haven’t read the books in a long, long time. Off the top of my head though, I didn’t like that part in Ender’s Stocking where he became weirdly misogynistic. That was weird. I’m not and have never been a genius teen boy with a younger sister who got rejected by a girl at high school so I can’t say if the interplay between those specific factors would create that outcome—but I sure can say, I didn’t like it.

5. What's the first song that comes to mind when you think about them?

Ether Strike - Akira Complex. It’s hard to explain because it’s a rhythm game song (hello Arcaea fans) whose lyrics consists of like 4 unique lines but I’ll try. “An intense dissatisfaction with the world / And a compulsion to do something about it / Heaven and Earth / My guiding star” It is a compulsion, right? The way he decided he’d be the one to be in charge of it all. Fueled by a sense of desperation for any amount of validation and the guilt that came with. “My guiding star” reminds me of the conversation he had with Ender at the end of Shadow of the Giant where he said that he’d always think, what would Ender do? It helps that I hear a lot of grief, longing, and determination in the drop, too. Honorable mentions to All You Had To Do Was Stay by TS and Mirror Man by Jack Stauber.

18. How about a relationship they have in canon with another character that you admire?

Admire is a weirdly specific word in this context. There’s Bean, Petra, his parents, Graff, Achilles, Ender, Val whom I can see him having notable relationships with. Honestly, none of them are quite admirable? These relationships are interesting and complex and I like reading about them but I wouldn’t say that I look up to them for guidance on what to do with my own social life? The only exception is his relationship with Petra. He gave her space to grieve and a cushion to fall back on. He learned to love and they learned to trust.

25. What was your first impression of this character? How about now?

Dude, the first time I read Ender’s Game I was 12 years old. I don’t even remember how I felt towards the book overall. If I had to guess, I probably didn’t like him. At that stage in my life I would’ve related more to Ender. I do, however, remember the first time I picked EG up for a reread. I fell in love IMMEDIATELY. From the moment the book underlined his hatred with how he felt he wasn’t good enough, I knew he was THE standout character. The scene where he apologizes to Ender thinking that Ender’s asleep… HEARTWRENCHING. His heart-to-heart with Val… MY HEART BROKE. Meanwhile he was also so silly and goofy… literally the most crass character, always saying some wild out of pocket thing that made me go “hang on, we read this in sixth grade??!??” Now, with the part of the Enderverse that pertains to him completely in my pocket, it’s hard to pin down how I feel about him. From a personal perspective, he’s still by far my favorite character. His struggles and triumphs are vivid in a way that the other character’s just don’t live up to, and his failures are incredibly real. Viewing the books from a more critical view, Peter’s existence is interesting in and of itself because he occupies a lot of gray areas in the narrative. He’s a major antagonist in EG, and the only one that changes from an antagonist to a protagonist. He’s meant to be untrustworthy while being likable, making him rather unserious. In a narrative that usually frames characters as People We Should Listen To and People We Shouldn’t Listen To, Peter is the only character that we sorta kinda maybe should listen to depending on how much despair he’s experiencing. He’s explicitly allowed to make terribly embarrassing mistakes that threaten to debase his entire character, but he’s allowed to be helped. He’s allowed to crack jokes; the narrative is allowed to crack jokes about him. There’s an inherent levity to any scene he’s in. He can’t take the moral high ground in any argument—we’ve all seen him at his worst—yet he’s also working towards putting more good in the world. He’s a character filled to the brim with contradictions and even more determination to work through them. As a result, his viewpoints have a nebulous, fluid quality that made it impossible for OSC to use him as a personal megaphone, since, though the reader encouraged to challenge Peter’s assumptions, at the end of the day we’re still on Peter’s side—we want him to succeed, but we know that he WILL fumble doing it. He’s personable. And vivid. Which makes him a poor tool and a fabulous icon. A role that sort of echos his treatment in the novels themselves. Anyway. I think he’s neat.

[tiriansrambles]

Letters. Pt 1/???

Edwin & The Cat King

ft Charles.

spoilers mentioned. please don’t read if you have not seen dead boy detectives!!!

ﾟ*☆*ﾟ ゜ﾟ*☆*ﾟ ゜ﾟ*☆*ﾟ ゜ﾟ*☆*ﾟ

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┊ ┊ ┊ ┊ ˚✩ ⋆｡˚ ✩

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┊ ⊹ ✯

✯

Edwin isn’t entirely sure when this all began. the letters. the feeling of joy when he’d receive one from dead mail. he never thought something so small would give him so much to look forward to. even though he should be focused on cases, his mind always wondered when he’d get another letter. considering he doesn’t … have a telephone. this was the best bet for any communication.

Edwin had begun to receive letters from the cat king. he shouldn’t be as surprised as he is. but he is. He was pleasantly surprised about how nice of a feeling this was. when he first got a letter from Cat King, he figured he would forget about Edwin the moment he returned to London, even after their small goodbye. He still has the Lilly, preserved and put away for safekeeping. Mostly, he doesn’t want Charles to know he kept it.

The first letter received was him asking if he was okay. It had been some time since Niko. And to be frank, he wasn’t okay. At all. Even though he knows she’s moved on now. he misses her. every day. She became a dear friend and one of the only good things that happened in Port Townsend. He missed her. Despite her bravery, she didn’t deserve to die. He wanted her here. badly. Who else could he tell about the letters? Who else could understand? But he knows, for sure, that her afterlife is pure magic. Peace. Perhaps she had reunited with her father. He hopes she’s happy, at peace. The Cat King even allowed Edwin to talk about Niko for a long while through their letters, it was nice to let it out. He still missed her though, tremendously.

Since then, they haven’t stopped writing to each other. They’ve been writing every single day for weeks on end. Between cases, he’d make the time to write something to complete the letter and send it off. He appreciates Cat King’s effort. Truly. Considering there were probably easier ways of communicating. Like a telephone, or whatever it is that the kids use nowadays. Texting and Snapchat and whatever else. He can barely register the internet. And snap chat has a ghost emoticon for its logo. offensive. what do pictures have to do with the dead?

As the letters go on, of course, there is always a flirtatious tone to them. So much so he could even read the words in his voice. Imagining him in front of him, the way he would move about. Edwin didn’t want to admit this, but he almost … /missed/ the Cat King. After taking the time to understand him, the way he behaves. they are not so different. Two lonely souls. Perhaps he found comfort in that. In him.

Edwin’s gaze follows the stroke of each letter on the page, a soft hum escaping his lips. And soon enough, he’s smiling again.

Edwin,

How are you today, handsome? I found myself bored and decided to visit the library. I know, crazy, right? What would a sexy, and powerful being like me be doing in the PortTownsend public library? Well, I remembered you talking about how reading was a good pass time. So, I figured, why not? Take a page out of Edwin Payne’s book, amirite? I don’t know how you feel about modern books as of late. But I found something rather intriguing. I think you might like this one. The Song of Achilles. Madeline Miller. Did you know they have audiobooks now, where things are read to you? But I figured you’d hate that. Too lazy for you, isn’t it?

I was thinking, as much as I love writing to you…I thought maybe we could read this together. I’m sending you the book. Let me know what you think. And maybe, just maybe you could mirror to Port Townsend. We could read and talk about it. No funny business, I promise. Cat’s honor. But yes, this is me asking you out on a date. Whether it’s friendly or romantic is up to you, you’re painfully aware of what I prefer. I’d come to you, of course, but I’m sure it would cause unnecessary drama with your bestie. Although, I love the drama. I’ll spare you the drama until you inevitably fall in love with me.

You should be receiving it soon. Let me know. Don’t keep me waiting. <3

Love,

The Cat King.

If Edwin could blush, his face would be as red as a tomato. He reads the letter, once, twice, three times. A DATE?! A date… of reading a book. Together. That was intimate. Especially to Edwin, he loved to read. To research. He has not read anything modern, though. The only other ‘person’ he shared books with was Monty. Monty… he still couldn’t believe that. He had seemed to lose interest in making any more friends or sharing things with anyone. But The Cat King is the one who reached out. As he re-reads the letter for what felt like the millionth time, he jumps at the sudden shouting.

“MAIL!!!!” Called out the delivery man. Edwin is on his feet, quietly shushing him, but thanking him nonetheless. He hands him a package. it was the book, of course. but it was wrapped neatly with a bow. the wrapping paper was an interesting shade of green with a gold bow. It seemed to be the only thing to come. , It had been such a long time since he’s received a gift. especially like this. he almost didn’t want to open it, but of course he does. and despite being quick with it, he is cautious to save the wrapping paper. He stares down at the book, a finger tracing the cover. Interesting… a modern retelling of the Trojan War? From the perspective of Patroclus? The Cat King was correct. This certainly caught his eye…

“Wait!” Edwin calls out to the delivery man before he can leave, stopping him in his tracks.

The delivery man shoots him a look, and Edwin smiles, sheepishly. “I apologize, could you just wait one moment?”

Edwin is quick to get back to his desk, setting the book down and quickly getting out parchment to respond to the Cat King.

Cat King,

I have received the book… I must say, my interest has peaked.

I would very much like to read this book with you…

Edwin hesitates, a nervous breath escaping him.

I would … enjoy this to be a date. I don’t know in what way just yet. I would like to see you. I will find time to come see you. For now, we could read and write letters back until I can mirror over. Cases always take priority, of course.

Thank you… for thinking of me. It means a lot to me.

I am looking forward to this.

Edwin.

He can tell the delivery man is getting impatient, but he gets the letter ready in the nick of time, handing it over.

“I apologize. Could you please send this…and um, perhaps when you have letters addressed to this person, could you not announce it? ”

The delivery man blinks a moment, before rolling his eyes. Perhaps he could even sense the shame Edwin felt. He was keeping this from Charles. How could he explain this to him anyhow? He would just be angry…

“Very well,” the delivery man spoke, phasing through the wall.

Edwin sighs, leaning against the desk as if the wind was knocked out of him. This was already hard enough to hide from Charles, how was he going to do this? After the confession…things were? Well, awkward wasn’t necessarily the word. They just didn’t talk about it again. Charles said they had forever to figure it out. He was right…but it was obvious. He did not feel the same. He knows he would prefer Crystal as well… if his affections are for her, then how could he keep that from him? He loved him. He just wanted him to be happy. More than anything in the world. His dearest friend. His best friend. Perhaps that is what they are destined to be. He wouldn’t have it any other way…

Even if the Cat King is still really confusing for him, he can’t lie to himself. He has grown fond. Why shouldn’t he pursue it?

Yeah. That’s exactly what he will do. If reading this book together goes well, and he truly enjoys his company? Why not.

He nods to himself, turning to look at the book on his desk. Just as he was going to reach for it, Charles’ voice snapped him to attention.

“You all right, mate? You look frazzled.” Charles asks a brow quirked in confusion.

Edwin nearly jumps out of his skin, soon taking a moment to collect himself.

“Yes. Yes, perfectly fine.” He clears his throat, soon moving his position to hide the book on his desk. As discreetly as possible, of course. He felt guilty, hiding this from Charles. But he had no way to explain this. He just knows he will be angry with him.

Another quirked brow and a chuckle escaped Charles. “You sure, you look like you’ve seen a ghost.” He grins.

Edwin rolls his eyes, fondly. “Ha ha. You’re hilarious, Charles Rowland.”

“Arent I just?’ Charles grins, “really, though, you good?”

Edwin nods, “im fine, yes. just lost in thought.”

That wasn’t a total lie, of course.

“Well, Crystal and i were going to watch a movie. Care to join?” Charles asked, although he already knew the answer.

“Oh… um…” god, why was he so nervous.

“I think I’ll skip this one,” Edwin chuckles, “i uh— i would like to read tonight. You two have fun, though?” He offers, a nervous grin on his lips.

Charles brow is quirked again. The way he answered was not what he expected. A rather nice answer rather than saying something silly like it was a waste of time. There was something on his mind, but he doesn’t question. For now anyway.

“Alright then, mate. you know where we’ll be. enjoy your book.” He chuckles, offering a wave as he exits the room.

Edwin’s demeanor changed when he left, turning his attention to the book.

“Yes… i think i will enjoy it.”

[jadejedi]

Mid-Year Reading Roundup

I haven’t posted a review in a while because I am quite busy at the moment, but since we are more than halfway through the year, I wanted to do a quick highlight of my favorite reads of the year so far. (I’m planning on doing a bigger breakdown of everything I’ve read this year in December). I will link my full reviews where applicable. So, here are my top five favorite reads of the year so far, listed in the order I read them in:

Babel, by R.F. Kuang 5/5

I loved the main character so much, and I thought that Kuang ‘went there’ in a way that I was absolutely not expecting, even though I should have from the title. It is a tad slow in the middle, but everything else about it was so good that this is one I recommend to everyone. I don’t know that a book has ever made me cry so hard as this one did. 

Harrow the Ninth, Tamsyn Muir 5/5

This is the second book in The Locked Tomb Series, and let me tell you, this book is bananas crazy and it absolutely took me a second read to fully get it. On the first read, I actually had to take a break because I was just so confused, even though I had spoiled myself and read the wikipedia page. Then, once I got to the ending, I was so blown away I immediately had to go and reread the first one, and then this one. The amount of foreshadowing and references to things that you straight up can’t understand until you reread it is crazy. But the story is wonderful and it has such amazing reveals and twists. The characters from book one you’ll love or love to hate even more, and the new characters are just as good.  

Circe, Madeline Miller 5/5

I didn’t expect to love this one as much as I did, but oh my god what a beautiful 

book. I haven’t read Song of Achilles (yet), so I didn’t have any experience with 

Miller’s writing. I was so blown away by her writing style; most of the time it didn’t feel like I was reading at all, it just felt like the story was carrying me along. It’s just so beautifully introspective. Not much happens, but at the same time, so much happens. And the ending touched me in a way I did not expect. 

Happy Place, Emily Henry 5/5

I found out that this is many people’s least favorite Emily Henry novel, and I just have to say… WHAT????! This book absolutely blew me away. I guess if you’re not into the miscommunication trope, then sure this one might be hard to get through, but I love me some angsty miscommunication so this one was perfect for me. I also think that Henry does such a good job at making the friendships her protagonists have just as important to the plot and to the MC’s character development as the romantic interest, and that is especially true for this one. This one is just as much about friendship as it is about romance, IMO. And it’s also about like, identity and careers and the things we do to feel like we have value. Also, this one made me cry like three separate times towards the end. 

The Way of Kings, Brandon Sanderson 5/5

Okay, ngl, I kinda went into this one hoping I’d hate it. Sanderson is just such a big name in fantasy I was kind of feeling snobbish and hoping I could turn my nose up at it. But no. No, despite the audiobook being over forty hours long, I flew through it and loved every second. I don’t think Sanderson is as good of a writer as someone like G.R.R. Martin, or N.K. Jemison, but he is a very compelling story teller. 

(Honorable mention to The Fifth Season by N.K. Jemison, another 5/5. I left it off the list because it just made me so so so sad lmao.)

[royai]

Read your book opinion and I loooved it. The book industry, what and how things gets promoted are deeply frustrating topics to me, in a way that some of the fun romantasy books just leave a sour taste in my mouth. It's a weird hype industry that is fast fast fast, with an insane turnout and it feels more like book fast food than something where there is time for people to craft something if they wanna make a living writing books

Anyhow what i actually wanted to ask was, if you are willing to shine a light on the books you loved last year that you think were underrated? Only if you wanna of course!

“book fast food” is the perfect way to describe what that mass market feels like

also yesssss i read and loved two books by carmen maria machado, “in the dream house” and “her body and other parties” tw for both for abuse! the first is her memoire and is about her abusive relationship with another woman. the second is a short story collection about the plight of women (specifically queer bipoc women) in general

“yerba buena” by nina lacour is about two women whose traumatic lives lead them to the same place and i adored it. probably my favorite of the year so far. tw for generational trauma, some emotional abuse, and sexual abuse of a minor in one scene

“stages of rot” is a beautiful comic by linnea sterte with stunning visuals. it’s about different life forms finding shelter & getting what they want/need from the carcass of a whale

“what we fed to the manticore” by talia lakshimi kolluri is another short story collection that is about (imo) humans influence on animals. it really humanizes animals & explores the world through them narratively. tw for general violence toward animals, guns

& i found a new horror author i love in victor lavalle! i read his book “the changeling” and was initially like wtf is this. but as i’ve sat with the book this last week after finishing i’ve decided more and more that i loved it. know it’s kind of horror, kind of fantasy, and i won’t give much more away than that. tw for child death

honorable mentions:

“the song of achilles”

“this is how you lose the time war”

& “lessons in chemistry”

i’m currently reading the 66th volume of a literary journal in which stephen king features, “our wives under the sea”, and listening to “fourth wing” (^:

[strangeandforlornbooks]

best books with morally ambiguous narrators!

all y’all’s problematic faves and villains! :) also included are third person narrators but in books with morally ambiguous leads/themes 

Sci-fi

Scythe by Neal Shusterman: in a future free from pain, disease, and war, people can live forever. ‘scythes’ are given the power to decide who lives and who dies to preserve the balance. sad and kinda gives of hunger games vibes, if you like that.

Neuromancer by William Gibson: basically invented the cyberpunk genre. strange and removed protagonists. (a team of computer hackers have to face off against an evil AI). you kind of dislike everyone and suddenly you’re crying over them. one of those trippy sci-fi classics.

The Sirens of Titan by Kurt Vonnegut: very beautiful and very very sad (same author as slaughterhouse five). the richest man in america has to face a martian invasion. more about free will and bad people doing good things than a plot that makes any kind of sense.

The Man in the High Castle by Philip K Dick: set in an alternate universe where the germans and japanese won world war two. not really like the tv show at all- it’s not an action story, and there’s not really the hope to somehow fix the world that drives a lot of dystopia stories. instead its about how people survive and connect to one another in a hopeless society.

The Scorpion Rules by Erin Bow: a supercomputer convinces the leaders of the world to keep the peace for hundreds of years by taking their children hostage and obliterating any city that disobeys. what happens to the hostage protagonists when war seems inevitable? lots of morally fraught decisions and characters slowly losing their identity. (plus a fun lesbian romance)

Cryptonomicon by Neal Stephenson: a brilliant mathematician and a dedicated marine fight to keep the ultra secret in world war two. fifty years later,  a tech company discovers what remains of their story. one of the most memorable sequences in the book is a japanese soldier slowly becoming disillusioned with his nation and horrified by the war even as he continues to fight.

Blade Runner by Philip K. Dick: another one of those sci-fi classics that’s not at all like the movie. there is a bounty hunter for robots, though, as well as a weird religion that probably is referencing catholicism and a decaying society with a shortage of pets. kind of a trip.

Wilder Girls by Rory Power: girls trapped in a boarding school on an isolated island must face a creeping rot that affects the animals and plants on the island as well as their own bodies. the protagonists will do anything to survive and keep each other safe. very tense (and bonus lesbian romance whoo)

The Fifth Season by N K Jemisin: three women are gifted with the ability to control the earth’s energy in a world where those who can do so are forced into hiding or slavery. some veryyyy dark choices here but lots of strong female characters.

Historical Fiction

Fingersmith by Sarah Waters: two victorian lesbians fall in love as they plot to betray each other in horrific ways. lots of plot twists, plucky thieves, gothic settings, and a great romance.

Quo Vadis by Henryk Sienkiwicz: a powerful roman soldier in the time of Nero plots to kidnap a young woman after he falls in love with her, only to learn more about the mysterious christian religion she follows. very melodramatic but some terrific prose. 

All the Light We Cannot See by Anthony Doerr: a blind girl in France and a brilliant German boy recruited by the military struggle through the chaos of the second world war. ends with a bang (iykyk.) very sad, reads like poetry.

Boxers by Gene Luen Yang: graphic novel reveals the story of a young boy fighting in the boxer rebellion in early twentieth century china. the sequel, saints, is also excellent. beautifully and sympathetically shows the protagonist’s descent into evil- the reader really understands each step along the way.

Fantasy

Three Dark Crowns by Kendare Blake: three triplets separated at birth, each with their own magical powers, have to fight to the death to gain the throne. lots of fun honestly

Six of Crows and Crooked Kingdom by Leigh Bardugo: everyone in these books is highly problematic but you love them all anyway. a ragtag game of criminals plan a heist on a magical fortress. some terrific tragic back stories, repressed feelings, and revenge schemes.

The Dark Tower series by Stephen King: idk how to describe these frankly but if you can put up with King’s appalling writing of female characters they’re pretty interesting. fantasy epic about saving the world/universe, sort of. cowboys and prophecies and overlapping dimensions and drug addicts galore.

The Amulet of Samarkand by Jonathan Stroud: lots of fun! a twelve year old decides to summon a demon for his cute lil revenge scheme. sarcastic demon narrator. lighthearted until s*** gets real suddenly.

Elegy and Swansong by Vale Aida: fantasy epic with machiavellian lesbians and enemies to lovers to enemies to ??? to lovers. charming and exciting and lovely characters.

The False Prince by Jennifer Nielsen: an orphan boy must compete with a few others for the chance to impersonate a dead prince. really dark but very tense and exciting and good twists.

The Grace of Kings by Ken Liu: fantasy epic. heroes overthrow an evil empire and then struggle as the revolution dissolves into warring factions. interesting world building and three dimensional characters, even if they only have a small part.

Circe by Madeline Miller: the story behind the witch who turns men into pigs in the odyssey. madeline miller really said, i just used my classics degree to write a beautiful gay love story and now im going to write a powerful feminist retelling because i can. queen. an amazing and satisfying book that kills me a lil bit because of the two lines referencing the song of achilles.

Heartless by Marissa Meyer: the tragic backstory for the queen of hearts in alice in wonderland. a little predictable but very fun with a compelling protagonist

A Song of Ice and Fire (Game of Thrones) by George RR Martin: ok I know we all hate GRRM and rightfully so but admittedly these books do have some great characters and great scenes. they deserve better than GRRM though. also he will probably never finish the books anyway....

A Series of Unfortunate Events by Lemony Snicket: not really fantasy but not really anything else either. plucky, intelligent, and kind children fight off evil plots for thirteen books until suddenly you realize the world is not nearly as black and white as you thought. 

Classics

Rebecca by Daphne du Maurier: gothic romance!! a new wife is curious about the mysterious death of her predecessor in a creepy old house in the British countryside...good twists and lovely prose.

A Separate Peace by John Knowles: not really morally ambiguous but one awful decision suddenly has awful consequences and certain people are haunted by guilt forever.... really really really beautiful and really really really sad. boys in a boarding school grow up together under the shadow of world war two.

Anna Karenina by Leo Tolstoy: while imperial russia slowly decays a beautiful young woman begins a destructive affair. a long book. very russian. the ending is incredibly tense and well written.

Lord of the Flies by William Golding: I think you know the plot to this one. the prose is better than you remember and the last scene is always exciting.

And Then There Were None by Agatha Christie: one by one, the guests on an island are slowly picked off. one of Christie’s darkest mysteries- no happy ending here! very tense and great twists.

Contemporary

The Secret History by Donna Tartt: inspired the whole dark academia aesthetic. college students get a little too into ancient greece and it does not end very well. lovely prose but I found the characters unlikable.

Honorable Mentions

The Dublin Saga by Edward Rutherford: has literally a billion protagonists, but some of them are morally ambiguous ig? follows a few families stories’ from the 400s ad to irish independence in the 20s. beautifully captures the weight and movement of irish history.

Artemis Fowl by Eoin Colfer: how morally ambiguous can you be if you’re, like, eleven? a lot if you’re a criminal genius who wants to kidnap a fairy for your evil-ish plan apparently!

Redemption by Leon Uris: literally my favorite novel ever. the sequel to Trinity but can stand alone. various irish families struggle through the horrors of world war one. the hero isn’t really morally ambiguous, but the main theme of the novel is extremely bad people suddenly questioning their choices and eventually redeeming themselves. sweeping themes of love, screwed up families, redemption, and patriotism.

The Lymond Chronicles and House of Niccolo by Dorothy Dunnett: heroes redeem themselves/try to get rich/try to save their country in early renaissance Europe. if I actually knew what happened in these books I'm sure it would be morally ambiguous but its too confusing for me. in each book you spend at least a third convinced the protagonist is evil, though. lots of exciting sword fights, tragic romances, plot twists, and kicking english butt.

Bonus: Protagonist is less morally ambiguous and more very screwed up and sad all the time

The Goldfinch by Donna Tartt: you know this one bc its quoted in all those quote compilations. basically the story of how one horrible event traumatizes a young man and how he develops a connection to a painting. really really really good.

Never Let Me Go by Kazuo Ishiguro: hard to describe but strange... not an action novel or a dystopia really but sort of along those lines. very hopeless.

[sidykittycat]

M/M Book Recs

At the suggestion of @xxjinchuurikixx I’m putting together a list of published M/M books as they can be sometimes hard to find. 

All for the Game by Nora Sakavic - A series

A wonderful series starring one tough runaway, a smol angry boy and some badass teammates who all have sketchy pasts playing a made up sport that you’ll get really invested in. Oh and the yakuza is involved as well. 

Latakia by JF Smith

Our lead Matt gets mistaken for another person while over-seas and ends up being rescued by a special forces team. They get off to a rough start (one in particular, Pete favors insults as his form as affection but becomes Matt’s ride or die guy later on). It’s a really good read with a nice focus on brotherhood and how first impressions and stereotypes don’t always hold true. 

The Song of Achilles by Madeline Miller

A wonderfully sweet and sad book based off the stories Achilles and his boo Patroclus. It made me laugh, it made me cry, and despite my hatred of second pov I still loved this book. 

For Real by Alexis Hall

This was one steamy read. It’s second pov which I’ve mentioned before is my least favorite but I took a chance on this one and boy am I glad I did. We start off with Laurie is close to 40 and has been around the BDSM community for a long time and is getting tired of it. Enter Toby, nineteen and just starting out in the community but he knows what he wants. I really enjoyed this books take on BDSM. There was a stronger focus on submission than there was masochism which isn’t as common in the published books that I’ve found. They also showed a dom dropped which I had never seen depicted in published work before. 

The Ghost Wore Yellow Socks by Josh Lanyon - a series 

A cute little who dun it series. Perry Foster returns from a romantic weekend gone wrong and finds a dead body - wearing yellow socks - in his bathtub. In the time that it takes for Perry to run to his neighbors for help the body is missing. Enter one of his neighbors, retired Navy SEAL Nick Reno. While skeptical of Perry’s claims at first after looking at the scene after the police he notices some things have been moved and cleaned up. What follows is the two of them trying  to figure out what happened. 

Enemies of the State by Tal Bauer

Newly elected president Jack Spiers has had a difficult time starting off. Between the terrorist attacks across Europe, tensions with Russia, and the Middle East, Jack is dealing with a lot. 

Secret Service Agent Ethan Reichenbach has recently been promoted to the lead in the president's personal security. After having protected three presidents in the last twelve years he’s not expecting much from meeting Jack. Despite his low expectations he and Jack begin to develop a friendship - something that the Secret Service has strict rules against. For their relationship to grow into something more well, that’s just not possible. After all he’s straight and is a widower, still mourning his wife who died while on duty in the military.  Ethan has long since sworn off falling for straight men but there’s just something about Jack...and maybe Jack isn’t as straight as he thought. 

Whilst Jack and Ethan are figuring out what they are to each other there a rogue black ops team has the president in their sightlines. 

Infected: Prey by Andrea Speed - a series

In a world with a sexually transmitted virus that turns people into werecats exists Roan is a born werecat and a private detective. 

It’s a really good series and it takes a nice realistic look at how weres may be treated if they truly existed. They turn against their well based off the cycle of their infection and every time they transform they have no control of themselves. With a painful transformation the longer bigger cat they transform into the shorter life span thay have. 

In the Company of Shadows Series by Ais and Santino

It’s a really well done and very long series that took the authors around 10 years to write. It’s on the darker side but it’s also very good. It stars Boyd and Sin who are agents of an agency that’s only known as The Agency. Sin is the best agent they have but is held captive by them and forced into working for them. Boyd’s the son of one of the higher ups and is being threatened by his mother into becoming Sin’s handler. Over the course of the series the two go from enemies to friends to lovers to exs to friends to lovers again. All while the there’s spy drama, fights, and torture - and love, humor, friendship, and sweetness mixed in. Oh and it’s completely free which is always a bonus!

Honorable mentions/I’m tired of typing up my own summaries of all of these but you still read them

When all the World Sleeps by Lisa Henry and J.A. Rock

Sacrati by Kate Sherwood

Pretty Pretty Boys by Gregory Ashe

Josh of the Damned by Andrea Speed 

Murder on the Lake of Fire by Mikel J. Wilson

Bonfire by Amy Lane

In the Absence of Light by Adrienne Wilder

[sawthefaeriequeen]

Top Ten Books Read In 2018

1) The Last Summer of the Death Warriors by Francisco X. Stork

I picked this up at a book fair, read the summary, and figured I'd surprise myself with this author I'd never heard of before. It's about the friendship between DQ, a guy with terminal cancer dealing with his complicated feelings for his estranged-but-conciliatory family, and Pancho, a guy who's biding his time until he can get revenge on the person who's killed one of his family members. I like that both boys are raw and real and people—Pancho obviously has messed up emotions, but DQ can be plenty bitter and angry too: he's not an Inspirational Cancer Patient stereotype.

2) The Sherwood Ring by Elizabeth Marie Pope

Girl moves into her uncle's old ancestral house sometime during the 18th century and gets immersed into the past lives and loves of the ghosts that thrived there during the days of the Revolutionary War, their paths often crossing each other's. I swear I have never seen more delightful ghost characters in my entire life.

3) The Unbound by V.E. Schwab

So by the time I'd picked this up, I was having mixed feelings about V.E. Schwab – on one hand, she'd always written worlds that engage me almost instantly with their creativity. On the other hand, I'd just recently been horribly disappointed by the ending to what's been her most popular series so far: I thought her final Shades of Magic book did a most spectacular job on dropping the balls on everything good about it. Up to reading it, I'd thought the author's hype was deserved. But after, well…

So when I picked this up, it was with much trepidation. I'd loved the previous book, The Archived: the big old house setting, the grim closed-off girl/sweet sunny boy dynamic the lonesome warrior setup, all were like catnip to my id. I didn't want it ruined by a bad sequel. Fortunately, this book took everything I loved about the book and turned it up to eleven. It upped the stakes, it intensified the relationships, and it also added a mental illness angle that I personally found very meaningful.

The author is still kiiinda on notice so I'm not sure I want a third book. If there is one, dear God, please be good. *crosses fingers*

4) Turtles All The Way Down by John Green

I remember thinking, as I was reading this: this is really, really working for me but will it work for someone neurotypical? 2018 was hell and I was just so desperate for the people in my life to get it, and so I kept hopping on trains of thought like this.

Anyway, this book was spot on in what goes on in the wirings of my anxious brain. Green's usual turns of phrase took an incredibly frenetic turn at times, which, I know, is exactly what it's like to have a mental illness. This is not a book about "this is what to do" it's about how it IS or how it can GET.

I'm still really grateful for that quote about the spiral – how it tightens, but also how it eternally widens. When I first saw the cover, I thought it was kind of blah; now I look at that spiral and see something different. I see the hope of creating a new 'normal'.

5) The Song of Achilles by Madeline Miller

This was so readable it surprised me. I thought I'd go slow on it because: war story where it's a foregone conclusion that it ends tragically for the leads? Yeah, I'm not in a rush to reach the end of that. But I blazed right through this book. There's something really addictive about Madeline Miller's storytelling and how she brings her characters together and follows their blossomings and downfalls through the years. And then, the course of the Iliad and the inevitable sadness for Achilles, Patroclus, and Briseis was more like the slow turning of the tide rather than getting hit with a tidal wave. Anyway, not only was it readable but I'm finding myself eager to re-read it.

6 ) The Hero and the Crown by Robin McKinley

Part of my Read Everything Robin McKinley Writes mission that began last year. I'd liked the sheer escapism and the desert setting in The Blue Sword, but that whole white savior thing kinda put me off from enjoying Harry and the book more fully than I would've liked.

It was not so for this book, thankfully! Who knew that reading about the nitty-gritty of slaying big scaly beasts could be so satisfying? That's classic Robin McKinley, as I'm learning – you love what the protag loves. And then I really dug how the dead dragon's ghost haunting Aerin acts as a metaphor for mental illness.

(As I continue to wrestle with my diagnosis, I continually appreciate all the depression/anxiety metaphors I encounter in media. Maybe one day I'll make a post about it) AND ALSO: a love triangle that's actually well done and that serves our heroine's identity and character rather than taking away from it? Yes. Yes, thank you.

7) A Certain Slant of Light by Laura Whitcomb

Yeah so, this book killed me. It's about two twenty-something ghosts with unfinished business who find themselves in the bodies of two teenagers whose souls appear to have completely vacated theirs. They find themselves falling for each other and trying to find out what happened to their 'hosts' and what went on in their past lives. They also find themselves battling to survive the hostile home lives that their 'hosts' left behind. It's all very beautiful and kind of twisted and also a love letter to words and probably my most unexpected book of the year. And I have NO idea to rec it to people. "Read this, it's kind of fucked up but gorgeous but also can get triggery so step warily?" Uh.

8) Deerskin by Robin McKinley

See warnings above. Oh God. But really, I totally respect Robin McKinley for going full-out faithful to how utterly fucked up fairy tales can be while still creating a survival story. I'm not just talking about Lissar surviving spoilers incestual rape and miscarriage (indeed, I'm not qualified to talk about it) but how hers is a story of healing: by surviving the elements, by nursing living things back into life, by building herself up into a legend without even knowing it.

9) Muse of Nightmares by Laini Taylor

Just an incredibly satisfying ending to a duology that at the same time echoes that quote from Michael Ende's The Neverending Story: "but that is another story and shall be told another time." I love when something ends with that sense of: "there are even more stories and adventures for our beloved characters out there than you can possibly fathom, and you are now free to make up them yourself."

10) Autoboyography by Christina Lauren

I was intrigued by the premise: a half-Jewish guy and a Mormon guy fall for each other over the course of a writing class. And upon starting it, I could tell straight (heh, straight) away that it was going to be a favorite. It's an unabashedly kilig romance about falling for the wonderfulness in each other,and both mains are fucking adorable, and made me want to give them both a ton of hugs. Oh, and this book further reinforced my belief that the key to first-person writing is having a good voice.

Another thing is, I basically never see YA books that deal with growing up in a religion and actually-loving it and having it be an inextricable part of your identity… and then having to deal with the darker, prejudiced sides that you really wish would be excised from it altogether especially if they are opposed to who you are. To deal with it sensitively and touchingly, not only in a YA book but in an m/m romance? Well done.

honorable mention!

-The Secret History by Donna Tartt

I was reading this on the bus on the way home to the province for Christmas and I could not stop laughing and I had no idea to explain to my very curious sister that it was because half the protagonists were high as a kite at the funeral of the friend that they all killed and one of them had just very noisily killed a bee in the church vestibule and it made the loudest sound on the planet and they're all gonna have to ~aesthetically grieve and pallbear now even though THEY killed their friend and w o w it's like Nuwanda from Dead Poets Society was cloned five times.

Sometimes "pretentious people murder someone and somehow it is hilarious" is just exactly my cup of tea.

and a couple of series binges!

Almost 10 years ago (god, what the hell), I had a "YA Paranormal Romances I Might Actually Like" list, and the two trilogies below were on it. There's something gratifying about finally crossing off books on your TBR that have been there for ages:

-The Shade Trilogy by Jeri Smith-Ready (Shade, Shift, Shine) This series came out on the tail of the Great YA Paranormal Romance boom and I really wish I'd picked it up then (I also really wish some of the covers it got weren't so damn off-putting. It's like Animorphs all over again) because it's such cut above so many of the books that were being churned out in those days.

The premise is: what if there was a global paranormal event that left the portion of the population born after a certain year with the ability to see ghosts? I really like that the author thought this out thoroughly – it's not just a oooh spooky ghosties gimmick. Everything is affected: the educational system, the police force, politics, technology, travel, you name it.

The heroine was smart and truth-seeking and had nuancedrelationships with lots of female characters (bff, mentor, aunt who raised her, mom who died… ), the Betty love interest was a total sweetheart who also didn't seem too good to be true and who was capable of making major teenage fuck-ups, and the Veronica love interest was a rock-and-roll ghost who had the post-life character arc that I sadly wish Maggie Stiefvater had given Noah Czerny. I kind of loved them all a lot and one of the reasons I wish I'd read these books as they came out was so I could've been un-jaded just a little bit about Those Pesky Love Triangles.

(Someday I…really ought to make an analysis about why I dislike love triangles in general and what exactly was up with the ones that DID work for me.)

-Wolves of Mercy Falls trilogy by Maggie Stiefvater

I read the whole series toward the year's end. It was precisely the cold-weather binge I was craving. I may have my quarrels with some of her writing decision, but really few people can do atmospheric, poetic writing the way Maggie Stiefvater does. The romances were a bit too YA for me in this one, but I ended up really sympathizing with every single POV character anyway. And I mean, cold and poetry and family and books and wolves-as-family*.

(*One day, I'll have the emotional armor to watch Wolf's Rain again. )

[piaoza]

The Song of Achilles

‘The Song of Achilles’ is one of those novels that reminds you why you love to read. It will make you cry, it will make you feel to the very last bit of your heart, it will occasionally break you down, but most of all, it will put you back together. It will heal you. The enticing and beautiful story of Achilles and Patroclus will make you feel complete and I think it’s a book every reader should read. I think it’s a story that needs to be told, and Madeline Miller has told it all too well.

It starts off and is narrated by Patroclus, a young boy who never really fit in anywhere, not even in his father’s kingdom. Exiled at a ripe age, he finds himself with Achilles -  a perfect, golden-haired prince who, though he could not have known it at the time, would grow to be ‘half of his soul’. 

They were always pretty much opposites. Patroclus grew up deprived of love, hated by his father. Achilles was flawless, with no vices to be pointed out, and all the praises to be had. 

The beginnings of their love story are delicately woven by the author. They are innocent, confused, new at handling everything they feel. And yet, it is familiar. The rapid beating of Patroclus’ heart every time around Achilles. The way they seem to bloom around each other, to bring out their very best, truest souls.

When you reflect upon more than half of the story, you notice Achilles growing more and more into the courageous and talented man that he was prophesized to be, and Patroclus is seen watching from the sidelines. But when you finish the novel, you’ll know that there isn’t just one Greek hero, golden-haired and half-god, to be remembered. You’ll know that Patroclus is just as much the hero as Achilles, that there is an honor and virtue and compassion in Patroclus that you couldn’t find in all the kings and soldiers that are mentioned throughout the story. 

And yet, these are not 2 perfect protagonists. They have their vices, built as the story progresses. They have their downfalls; they are also sucked into the well of darkness as any other human being. Perhaps that is the most unique thing about the novel, that as the Trojan War goes on and drags along our lead characters with it, their flaws unfold. There is a crack in the armor of the characters you grew to love - you might despise them, at times, the words they say and the things they do. But at the end of the day, you clutch them dear to your heart, because no matter the darkness in them and their worlds, you can spot that searing, welcoming golden light that burns with Achilles’ chivalry and Patroclus’ pure heart, and the burning love they share together.

In Achilles, you find the strength to face yourself and your fears and to love endlessly. You learn that you must let go of your pride, sometimes, for love. That it is okay to be someone who wants to leave a mark on the world, but you must do it the right way. In Patroclus, you find the courage to live on despite a million failures, to hold on to love and believe in it, and in yourself. To know that even though you may feel like a supporting character, a mere aid, you are the hero in ways you could never imagine.

‘The Song of Achilles’ showed me all that the word ‘love’ could mean. A love that lives for another, that burns on despite the world trying to blow out the flame. A love that helps you face yourself, your strengths, your weaknesses, but most of all, your power. A love that builds you and stays with you, from innocent adolescence - days in the sun, the light waves of sparkling rivers washing you over, a confused, rushed kiss and the endearing uncertainty that follows, to blooming, crushing adulthood - when the sun seems to fade away, when the darkness brings battle with it, but you’re old enough to know where to find the light. 

For Patroclus, it came with those green eyes, that golden hair, that soothing voice, that song his beloved played by the fireside on his mother’s lyre. What is it for you? Is it a lover’s calling, a warm breath upon your cheek, soft kisses by the beach? Or is it the flame of honor, of fame, of ambition to be remembered that seeks to entomb itself into stories for ages to come? 

Choices. That’s what the book gives you. A million choices. Achilles and Patroclus were wildly different people, and so their story shows you everything you could be - a million virtues, a million vices, a million ends, but most of all, a million beginnings. So many things to be, so many different powers to hold. Will you be Patroclus, loving as fiercely in life as you would in death, being selfless and compassionate when no one else around you has the courage to do that? Or will you be Achilles, facing the oncoming darkness with a gleaming sword, with an ambition to paint yourself into the golden of the sky and a will to inscribe your name into the stars, forever? Or will you be both - a beautiful balance of love, for yourself and for another, that ends up, inevitably, to be the stuff of legend? 

[cursedcandyroses]

My 5th Birthday Present To Macklemore & Ryan Lewis’“The Heist”

A gift like this isn’t something you wrap up all nice and neatly in the way some poor bastard working in a JCPenney’s around Christmas time would prefer to do it. This is one of those big gifts your parents drunkenly set up overnight in the backyard, slapped a bow on it, and the next morning said “Hey, go get your sister we have something cool for her”. My gift to “The Heist” is something that isn’t given often. It’s the gift of perspective, the gift of a defense, the gift of an explanation that may sway the still-salty Hip-Hop traditionalist inside of all of us. A gift that will be presented with dignity, grace, and by giving all the projects bed-time-story-book-level equivalents . “The Heist” rightfully won the Grammy for the best Hip-Hop album at the 2014 Grammy’s. Yeah, the Grammy they won over Jay-Z, Kanye, Kendrick and Drake. An album that came out in 2012 and became every soccer mom’s entrance into a world they stand out in (like Macklemore in most Hip-Hop events not attended by execs) Besides how strange is was that the award was given out in 2014, but thanks to the Olympics and the odd Grammy rules made it that way so we’re gonna sit down and like it. This was the year the little Seattle duo should have been honored to even be mentioned in the same breath as artists so many leagues above them. But there was a method behind the impending madness.

THE QUALITY TALK

Now as far as quality of the overall album, the only project nominated that year that was worse than “The Heist” was Jay-Z’s beautifully produced coconut of an album we call “Magna Carta Holy Grail”. Now since we’re on quality Kendrick’s “good kid, m.A.A.d. city” is in a different universe compared to “The Heist”. As far as other nominees went “Yeezus” was seen as one of the most polarizing albums since Kanye’s last experiment, 2008′s “808′s & Heartbreak”, yet was still critically acclaimed, and Drake’s “Nothing Was The Same” was seen as containing some of Drake’s best work to date. The win here goes to Kendrick, but Macklemore and company are no slouch. 

Round 1 Elimination: “Magna Carta Holy Grail”

THE POLITICAL TALK

Now we all know Kanye’s history with the Grammy’s, and that is something he may never be truly forgiven for in White America and the Committee’s eyes. If “My Beautiful Dark Twisted Fantasy” can’t win Album Of The Year while being one of the most raved about albums of ALL TIME, do you really think they’re going to give an award to something like “Yeezus” an album comparable to a silverback gorilla when woken from a very wonderful nap featuring a grand dream only to see that his shoes are being eaten by the weaklings of the jungle. As powerful as an enraged sneakerhead ape may be, it is again no match for the crushing strength of the Grammy Committee and its voters, which in this scenario we’re gonna picture as the Justice League if the Justice League was made up of guys who looked like Mitch McConnell and former winners.

Round 2 Elimination: “Yeezus”

THE REALLY BIG NUMBERS TALK

Now the Grammy’s have claimed for years in statements and in the description of what makes an “Album Of The Year” ( “ ..honor artistic achievement, technical proficiency and overall excellence in the recording industry, without regard to album sales or chart position.”) that sales have no influence on the future winner. Yet looking back at past winners of “Best Rap Album Of The Year” up until that year over 65% of the winners either had higher first week & total sales for the time leading to the award being given or more top 10 singles in comparison to it’s competitors. Oddly enough “The Heist” had the lowest first week sales of all the nominees with only 78k compared to 658k (Drake), 528k (Jay-Z), 370k (Kanye) and 242k (Kendrick). As far as singles went is where something strange happens. Kendrick had no Billboard Top 10 Hits, yet 3 singles moved into the Billboard Hip-Hop Top 10. 

*SIDEBAR: DIFFERENTIATING THE BILLBOARD CHARTS*

For those unknowing of the difference between the different types of Billboard Charts here’s a quick breakdown.

Every genre of music has their own individual chart, making it easier for artists to compare themselves to their contemporaries. R&B songs will be put against R&B, jazz against jazz etc. Now there is the Billboard Hot 100 Chart. This chart is a comprehensive ranking of songs regardless of genre, to see who has the most popular songs whether it is a hip-hop record or a rock record. A key thing to realize is that just because you have the most popular hip-hop song, that doesn’t mean you have the most popular song over the entire span of music. For example Migos could hold the #1 spot on the Hip-Hop/R&B charts because it is the highest selling and highest played hip-hop song, but the #1 song on the Billboard Hot 100 could be a song by Justin Bieber. Now back to our regularly scheduled bedtime story. 

Yet compared to Drake and Macklemore, Kendrick was left in the dust. This is the part in the story where our hometown hero, picture Bruce Lee mixed with the great Achilles but way cooler and travels the globe in a balancing out level uncool mini-van, becomes stagnant in the battle for the hallowed Grammy, and by forces against his powers falls to the wayside.Young Kung Fu Kenny has failed himself, yet made his hometown so proud. So now the only competition Macklemore faces is the Lightskin Megalodon in a Raptors jersey we know as Aubrey “Drake” Graham. Drake peaked with his (at the time) second highest charting single behind “Best I Ever Had” (which peaked at #2) with what has become a staple wedding song in “Hold On, We’re Going Home” a track that peaked on the Billboard Charts at #4. Not only did Drizzy hit the Top 10 with the Majid Jordan assisted track, he also hit #6 on the Billboard Charts with the anthem “Started From The Bottom”. Both monstrous and inescapable songs during this time period. Yet the international outreach wasn’t really there. North America loves Drake, yet as far as international chart rankings “Hold On” peaked in the Top 10 in 9 countries. Now this is the part were most people wished they had had a warning before hearing. So here it is; shit’s about to get soul crushing. Macklemore & Ryan Lewis hit the Top 10 in over 20 countries with TWO different singles. Yes, those white boys took Hip-Hop across the globe with “Can’t Hold Us” and “Thrift Shop” (the later of which hit number 1, the absolute peak position, in TWELVE non-North American countries.) You couldn’t even avoid the annoyingly toxicating horns of “Thrift Shop” in Lebanon, a country Drake hit number 2 in which makes me wonder if Lebanon is either a) the ultimate hypebeasts of American music or b) a country of questionable taste, yet i again digress. The Drake-alodon (yeah that’s what we’re going with) has finally met it’s match.The only duo on Earth that, against all odds, can defeat any who stand in it’s way. Mack & Ryan are the Sam & Dean Winchester of this fabulous tale (and to those who have never watched “Supernatural” and don’t get this reference, like, what the fuck guys come on). Thought just mortals in a battle against beings much more powerful than them, they find a way to take down all in their path, though they aren’t motivated in the same “save world” type way most heroes have, it’s more in the “family business” type way. Forging their musical careers in the most ironic way possible, by literally starting from the bottom with no chance of ever making it this far, the tag team has found a way to come out victorious. 

Round 3 Eliminations (The Double Wammy Round): “good kid, m.A.A.d. city” & “Nothing Was The Same”

THE X-FACTOR TALK

Now yes Drake was pummeled thanks to the powers of a European and Pacific terrestrial radio fanbase, but by the grace of Wayne Gretzky Drake is given a second wind. Now we get a smidge serious and look into what led Macklemore here, in a less-then-story-book-level way. Another field Sir Mac crossed that Drake could not, is a message. “The Heist” was a vehicle carrying tales of pain from addiction, ideologies of equality, and being true to oneself over beats that didn’t fit the typical Hip-Hop mold. Though yes Kanye screamed in hopes of being accepted, and Kendrick crafted a story that comes to life to often, they didn’t meet the previous qualifications. Drake and Jay boasted their way threw their tracks with only glimpses into anything more than opulence and success, a characteristic Macklemore rarely touched, and heavily spoke down upon on tracks. A humble, conscious, loveable loser is a storyline the mainstream public can relate to more than a prodigy like Kendrick, a wealthy businessman (and a business, MAN) like Jay, an angry and disgruntled creative like Kanye, or an innovative powerhouse like Drake. That was the X-factor in what has become one of the most controversial Grammy moments in Hip-Hop history. A factor Macklemore and Ryan Lewis may or may not have intentionally used to leverage their way into the hearts and radios of America, and the world. Though the Drake-alodon seemed to have caught our heros by surprise by lashing back once again, they knew far to well to grow comfortable with success. With a final blow to the monsters impeccable beard, the monster was sent flying into the stars, not to be viewed again (at least for a few years anyway). Our heroes have finally reached the pinnacle, with their competitors left deep in the their dust. Now holding the Grammy in their hand, they feel as if they have finally done it. They have reached what they have dreamt of their whole lives, in a moment they’d never give up. At least Ryan wouldn’t want to give up, because within hours Sir Mac is sending a carrier pigeon to The Chosen One, a young Kung Fu Kenny to apologize about not helping him out. 

Final Round Elimination: “Nothing Was The Same” (for real this time)

Now back to reality, where I tuck “The Heist” back into my CD holder and tuck it away for a while until i build up the want to listen to it again, which may or may not ever come back. By all official and unofficial qualifications the indie duo outshined its competitors in numerous ways. Don’t get me wrong “good kid m.A.A.d. city” is an album my GRANDCHILDREN will be given as a birthday present, probably more than once. But “The Heist” crossed international barriers and at the end of the day showed Hip-Hop to parts of the globe the Kendrick’s and Drake’s of the world have only just begun crossing into. Macklemore isn’t the best version of Hip-Hop i personally want the world to see, but he isn’t the worst. An indie artist who crafted legendary crossover songs is still an artist very much who gives props to his backpacker influences and inspirations such as The Hieroglyphics, Talib Kweli, Mobb Deep and Wu-Tang Clan. The duo of Macklemore & Ryan Lewis earned the Award of Best Hip-Hop album in 2014 by filling nearly every box, and leave a bigger check mark then their competitors. It isn’t groundbreaking work, it isn’t life changing work, but it is work that deserved the Grammy that night in January.