#annabelle leigh

[flamecoloredparadise]

will elaborate actually

[bettygemma]

The Question is! do you even work in Australia media and The Arts if you haven't voiced a bit character on Bluey??

[jjspina]

Books Read and Reviewed in July 2024!

Here it is already the end of another month. Where does the time go? I have been busy as usual reading some wonderful books for the month of July of 2024. Here are the 6 books I read and reviewed for July. I might have read even more if I didn’t have a few WIP. But I always seemed to have a WIP! That fact never stops me! I hope you enjoy reading these reviews. I love sharing my eclectic reads in…

[notladylikes]

she doesn’t usually answer voicemails, but something in the back of her mind told her that this one was important, so chewing on a piece of hair, she sighs and presses the button, puts in the code and begins to listen. most of them are bullshit, but not long before she’s ready to hang up, her mother’s voice is on the other end of the line. 

“eden, you’ve tested me too many times. check the morgue for a little surprise, look at what you’ve gone and made me do.” 

she pulls the phone away to look at it in confusion before hanging up. the morgue? why would her mother send her there? she shrugs her shoulder and shoves the cellphone into the back pocket of her jeans. if her mother was planting a trap for her there, she had to be ready. with colton on standby in case she needed him, the brunette picked herself up and wandered over towards the pick-up truck she’d acquired from her father after he died, saddled herself in, and started the drive over towards swanford.

she hasn’t been in this town in what feels like forever, but the weight of everything still hangs in the balance. she’s going to free these souls, it’s going to take time and energy and a plan that she has not yet come up with ( not for lack of trying of course, but she feels like she fails at every passing turn ) and things are just as difficult. 

she’s tempted to light up a cigarette but before she knows it, she’s there. the morgue is closed, of course, it’s the middle of the night, but she’s got her trusty lockpicks and doesn’t give two fucks if there are any cameras around. what’re the police going to do, anyway, they can’t handle the jobs they do have, let alone worry about a girl breaking into the place of the dead. she puts the flashlight in her mouth after clicking to illuminate the lock and starts at it, it takes her only a few minutes before she’s gotten it done and she can easily make her way inside without as much as a secondary thought.

it’s quiet here, almost too quiet. the halls smell like bleach and other different cleaners and it stings at her nose. she’s twinging a little bit before she makes it down the hall into the room where the bodies are located. so far, so good. nothing seems risky about this current predicament. there’s a gnawing feeling in the pit of her stomach that something is awry, she just hasn’t figured what that is yet.

pushing open the double doors, she starts with the bodies on the left. lifting up white sheets placed over them for modesty sake, but three corpses in and there’s nothing to be found. that’s when she spots her and her chest constricts, the whole world feeling like it’s going to collapse around her. 

there, on one of the tables, lies annabel. her sweet baby sister, who’s never done anything wrong in her entire life. she races towards that spot and reaches to touch the cold flesh beneath her fingers, brushes a strand of hair out of her her sister’s face just as the tears begin to fall. there’s a scream that could wake these dead that bullets out of her chest, and she collapses to the floor in a fit of rage. this - this was the final straw. she was going to get annabel back, hell or high water, and she was going to stop the madness that was odessa sinclair. 

her mother’s name was now engraved on a permanent hit list in her mind, and she would do anything to bring her to justice. they say the dead look like they’re sleeping - and annabel looked at peace, like she’d been done with the suffering of what was coming. but she could feel her sister’s presence, sense that she had some unfinished business, that she was lingering around for a purpose.

speaking out to the middle of a quiet room, eden begins to talk. 

“i’m going to get you back, and then we’re going to end that bitch.” 

[hexbylex]

It’s a shame how they’re even dare to cancel this two masterpieces

Willow and Shadow and Bone

Of my many interests (obsessions) these might be my two greatest of all time

Epic fantasy adventures with Perfect Casts: exhilarating, intriguing, romantic, beautiful, hilarious, sometimes heartbreaking and CANCELED

[familyabolisher]

Do you think any of the frameworks you've developed for analyzing love in TLT could be applied to Pyrrha's relationship to cam/pal? Since Nona doesn't understand it well, it's hard for me to get a handle on how those characters relate to each other, but I was wondering where it might stand on what the series considers "perfect love," what the significance of its presence/ambiguity is, etc.

I’m really locked on to this idea of illegibility, actually, and the kind of work that gets done in Nona to problematise efforts to easily name, define, & categorise a relationship or set of relationships. I’m thinking of what Muir said here:

It’s a very strange household. And they are a found family, but I don’t think it’s a spoiler to say that in the last movement of the book Nona questions what that even means—their motives, what they all truly wanted out of each other, their pretenses: are they a family, or are they all just a psychosexual mess of roleplaying and bad meals? (The answer is yes.)

and like, her suggestion that ‘family’ can plausibly be collapsed into a ‘psychosexual mess of roleplaying’ and that the drive of Nona is less about asking whether Cam/Pal/Pyrrha/Nona ‘are’ a family as much as it’s about asking what it actually means to identify them as such; and particularly to identify them as such in a text which does very significant work elsewhere to identify ‘the family’ as a site of violence, a mechanism by which particular forms of violence can be enacted. I’m honing in on that ‘last movement of the book’ comment to say that, like—so, the two narratives in Nona (the ‘main’ narrative ie. Nona et al. on Lemuria, and the John narrative) are spliced together, right, so it makes sense to try and read them as though they’re in dialogue with one another, and the obvious entrypoint for doing so is the fact that they’re both working as an account of the ‘creation’ of Alecto; first through John literally creating her and then through Nona remembering his having done so and thus rebecoming what she had forgotten she was. What does it mean to ‘create’ Alecto?—what are the conditions that Alecto’s creation ushers in, what are the conditions that her creation does away with? The ‘last movement’ of the book is to ‘create’ Alecto for the second time—so, what does Alecto represent, and what about her ‘creation’ leads the text to ask what it means to describe something as a ‘family’ in the first place?

The reason I’m drawn to this reading of Cam/Pal/Pyrrha as like, ultimately illegible, incoherent in that we as audience cannot coherently put words to it and make sense of it in the language readily available to us, is because I think the text understands these processes of ordering, taxonomising, delineating, and categorising as tactics of fascism. This is a tension also at play in Lolita; Humbert ‘orders’ and constructs his narrative via the available tools of literary discourse and similarly constructs his ‘Lolita’ as a labyrinth of cultural references and taxonomies; but Dolores is a ‘Haze,’ Annabel Leigh is a ‘tangle of thorns,’ there exists a being who is able to remain indistinct and impenetrable in a narrative which enacts violence on her by trying to make taxonomical sense of her. Coherence and legibility are mechanisms of visibility; under fascism, to be easily made sense of can be dangerous. The first two books were all about coherence, legibility, interpellation, and the consequences of Living In A Society; what it means to ‘be’ or ‘become’ a cavalier, what the necromancer-cavalier relationship ‘means,’ what Lyctorhood ‘means,’ how these relations of hierarchised sexuality and the interpersonal relationships articulated within the normative language given to them exist to shore up conditions of imperialism. This question of ‘ordering’ goes right down to eg. enumeration (First, Second, Third, etc.) and pretty tightly contained and atomised cultural associations, and the fact that that enumeration can be traced back to Alecto—

D’you know why you’re really the First? Because in a very real way, you and the others are A.L.’s children … There would be none of you, if not for her.

—which cribs this passage, from Lolita:

‘[…] for I must confess that depending on the condition of my glands and ganglia, I could switch in the course of the same day from one pole of insanity to the other—from the thought that around 1950 I would have to get rid somehow of a difficult adolescent whose magic nymphage had evaporated—to the thought that with patience and luck I might have her produce eventually a nymphet with my blood in her exquisite veins, a Lolita the Second, who would be eight or nine around 1960, when I would still be dans la force de l’âge; indeed, the telescopy of my mind, or un-mind, was strong enough to distinguish in the remoteness of time a vieillard encore vert—or was it green rot?—bizarre, tender, salivating Dr. Humbert, practicing on supremely lovely Lolita the Third the art of being a granddad. In the days of that wild journey of ours, I doubted not that as father to Lolita the First I was a ridiculous failure.

—very evenly ties together ideas of reproduction as imperial sustention figured in the language of sexual assault. The point is: as far as the empire is concerned, processes of ordering and taxonomising are equivocal to the mechanical maintenance of conditions of fascism.

Conversely, Nona is a text about when John’s precise demarcation of the world starts to fail and people have to make sense of themselves between the cracks; from Pyrrha as both failed cavalier and failed Lyctor to Cam and Palamedes and then Paul as if not ‘failed’ then at least a new ordering of necromancer/cavalier-ism to the Tower Princes as John’s kind of scrambling effort to rearticulate hegemony post-losing all but one of his Lyctors. Regarding how we are to read Cam/Pal/Pyrrha, I think it’s pretty clear that the text understands the obligations, normative assumptions and expectations, and material consequences of normative kinship relations identified as ‘family’ as part and parcel with the social ordering of a fascistic imperial hegemony; Kiriona, Alecto, and Harrow make up the three key points of contact for this reading, though it’s pretty diffuse across the whole work. We see kinship relations as structuring imperialist hierarchies and we understand the currency of those hierarchies to be death/abuse/sexual violence/totalised control, articulated most profoundly through Kiriona; we also see the destruction of social formations as part and parcel with conquest—

Palamedes said mildly, “You know we’re conversant with the concept of family in the Nine Houses, right?” Pash seemed genuinely surprised. “Why the hell would it matter to you? [...] You don’t give a fuck about families when you’re carving them up—”

—this of course being in keeping with the general conditions of mixed cultures, mixed languages, variances on kinship structures, refugees seemingly thrown together on Lemuria. The bolstering of the social articulations of the conquerors and denaturing of the social articulations of the conquered is rendered as a tactic of conquest; ‘family’ here is figured as a cudgel of imperialism.

Diegetically, as I said, Cam + Pal + Pyrrha + Nona’s social arrangement is not ‘normative,’ neither in the fact that others on Lemuria can make easy sense of it (and thus attempt to do so by referring to peripheralised and marginalised social relations ie. sex work) nor in the fact that they can coherently make sense of themselves via the imperial taxonomy (is Pyrrha a Lyctor greatest thread in the history of forums). Nor is it normative on our end; relative to the nuclear family structure, it’s the ‘wrong’ number of parents, the ‘wrong’ configurations of gender, the ‘wrong’ configurations of blood relation (Nona is a ‘child’ but not an ‘heir’ to anything and not a blood relation of either; Cam and Palamedes as ‘parents’ are blood-related), even the ‘wrong’ overall kinship relations—I put ‘child’ and ‘parents’ in quotations there precisely because I don’t think they’re conditions uncritically reified by the narrative as much as they’re discursive gestures made for the sake of being problematised. Is Nona their ‘child’ in a text where to be the ‘child’ of someone means to be what Kiriona is to John? Is this a ‘family’ when ‘family’ is the mechanic of imperial refortification? Again, like—what does it mean to call them a family at all?

‘Family’ is a label we deploy to give legibility to relations that we are otherwise struggling to make sense of. Setting aside Paul for the moment because I don’t quite know what to do with them and probably won’t have a Take that I can confidently commit to until after Alecto—I think the kind of difficulty that the text has in articulating exactly what Cam + Pal + Pyrrha ‘had’ between them that we see in that final scene is intentional, and I think it’s best understood left that way rather than wrangled into a taxonomy that the rest of the text is v determined to critically unpack. So to answer your question, I think the ambiguity is key—one overarching theme of the series is how people can love each other and articulate that love when the language available for them to do so carries obligations of disparate power, hierarchy, serves a particular purpose that we come to understand as ethically unconscionable; whether that love has to be made sense of within hierarchy, or contravene it, or try and stake a place outside of it. Cam + Palamedes + Pyrrha become the next stage of development in the unravelling of such a discourse; to try and make coherent sense of them could all too easily mean falling back on the language that the text works to identify as socially constructed and thus as limited, and thus imposing those limitations.

[mo-nee-ta]

The (fictional) girls from Klaus Poppe’s and Humbert Humbert’s pasts

Disclaimer: since I have to rely on the fan-translation of Another Monster, please let me know if you spot a mistake that changes the meaning of the original text in a significant way. Thanks!

CW: pedophilia, death mention, sexual assault mention

Another Monster introduces us to a certain girl with whom the young Klaus Poppe supposedly fell in love. Everything we know about her comes from rumors: 

Oh yes! I remember, there was something about his father and the girl from the rumors and another boy his age. The son fell in love with the girl, but lost out to a young man in a neighboring village who stole her away… A typical story of passion among young guys like that, but somehow the rumor turned into a story about his father and the girl. Well, you can’t help but get this sort of thing in a small town.

(...)

— What about the rumor of falling in love with a young woman?

It was a rumor that ran through the whole town, and I heard it myself. Although she was young enough to be his daughter, the story goes that he asked to impregnate her. She supposedly lived in this town, but was of both Czech and German parentage. At the time she was probably 18 or 19 and very beautiful… all the young men in town were in love with her, thus giving rise to endless gossip and rumors. In the end, she hastily married a man in a neighboring village, but it was quite a rumor while it lasted.

— The girl in the rumors about his father… the one the son fell in love with (...)

Weber then presents his interpretation of the rumors and states that there is no evidence to support it:

This is all just my terrible imaginings. It’s a story with no evidence or foundation. 

Still, there are some elements that make her character more real: her double parentage (something she could bond over with Poppe), her sudden pregnancy, and the resulting necessity to get married in another place, with Terner Poppe, Klaus’ father, as the possible father of the child. 

The son fell in love with a beautiful girl of German and Czech descent, but the girl and his father fell in love.

While Weber presents his interpretation, he fails to notice the darker undertone of the story—in what he calls Terner Poppe and the girl falling in love, I see a story of an older man taking advantage of a girl who was young enough to be his daughter.

These elements aren’t, however, enough to create a full picture; all we have is a shadow of a character.

Another shadow of a character is presented in Lolita; it’s Annabel Leigh, Humbert Humbert’s first love.

Did she have a precursor? She did, indeed she did. In point of fact, there might have been no Lolita at all had I not loved, one summer, a certain initial girl-child. In a princedom by the sea. Oh when? About as many years before Lolita was born as my age was that summer. You can always count on a murderer for a fancy prose style.

Ladies and gentlemen of the jury, exhibit number one is what the seraphs, the misinformed, simple, noble-winged seraphs, envied. Look at this tangle of thorns.

Her name is an obvious reference to Edgar Allan Poe’s Annabel Lee.

It was many and many a year ago,

   In a kingdom by the sea,

That a maiden there lived whom you may know

   By the name of Annabel Lee;

And this maiden she lived with no other thought

   Than to love and be loved by me.

I was a child and she was a child,

   In this kingdom by the sea,

But we loved with a love that was more than love—

   I and my Annabel Lee—

With a love that the wingèd seraphs of Heaven

   Coveted her and me.

And this was the reason that, long ago,

   In this kingdom by the sea,

A wind blew out of a cloud, chilling

   My beautiful Annabel Lee;

So that her highborn kinsmen came

   And bore her away from me,

To shut her up in a sepulchre

   In this kingdom by the sea.

We don’t get much information about her:

Annabel was, like the writer, of mixed parentage: half-English, half-Dutch, in her case. I remember her features far less distinctly today than I did a few years ago, before I knew Lolita (...) Let me therefore primly limit myself, in describing Annabel, to saying she was a lovely child a few months my junior.

And she dies suddenly (just like the girl from Poppe’s past suddenly disappears from his life):

I was on my knees, and on the point of possessing my darling, when two bearded bathers, the old man of the sea and his brother, came out of the sea with exclamations of ribald encouragement, and four months later she died of typhus in Corfu.

Much later, Humbert Humbert recognizes Annabel in Dolores, the girl he will later turn into Lolita: 

I find it most difficult to express with adequate force that flash, that shiver, that impact of passionate recognition. In the course of the sun-shot moment that my glance slithered over the kneeling child (her eyes blinking over those stern dark spectacles — the little Herr Doktor who was to cure me of all my aches) while I passed by her in my adult disguise (a great big handsome hunk of movieland manhood), the vacuum of my soul managed to suck in every detail of her bright beauty, and these I checked against the features of my dead bride. A little later, of course, she, this nouvelle, this Lolita, my Lolita, was to eclipse completely her prototype. All I want to stress is that my discovery of her was a fatal consequence of that “princedom by the sea” in my tortured past.

Humbert Humbert mentions the princedom by the sea again; we are reminded of the fictional nature of Humbert’s dead bride. Taking this into account, can we believe him when he describes the discovery of Dolores as a fatal consequence of that “princedom by the sea”?

A similar question comes to my mind when I think about the girl from Poppe’s past: is the stolen love that we know about only from rumors enough to explain Franz Bonaparta and his obsession with the twins’ mother?

Let me quote a further fragment from Lolita:

The able psychiatrist who studies my case — and whom by now Dr. Humbert has plunged, I trust, into a state of leporine fascination — is no doubt anxious to have me take Lolita to the seaside and have me find there, at last, the “gratification” of a lifetime urge, and release from the “subconscious” obsession of an incomplete childhood romance with the initial little Miss Lee.

Here, the text openly mocks the belief that everything that happens in Lolita can be explained by Humbert’s incomplete childhood romance—the romance built of too many fictional elements. 

Similarly, the girl from the rumors can’t be the answer to what created the monster inside Klaus Poppe.

While the girls aren’t the answer, they provide us with bits of information that form a more complex picture, and in this picture, we can see more elements that form Humbert Humbert and Klaus Poppe. The mixed parentage; the partially fictional past (due to the imperfect nature of human memory and the very limited point of view); the grieving the loss of innocence; the pain they’re not able (or willing? or both? or?) to let go and which results in even more pain and destroyed lives (countless in Poppe’s case).

Are these elements the answer? Again, no. Both Lolita and Monster aren’t interested in giving an answer. Instead, they show that the richness of the human experience and all the little details that shape it make creating a gapless picture impossible.

The breaking of a wave cannot explain the whole sea.

[malusokay]

serious, important, gigantic question i have . how do i start writing poetry? i'm really interested but just can't get myself started, lol. also what're some of ur fav books currently? i'm trying to get more into literature. love ur blog btw!

oh I love this question!! 

I believe becoming a poet begins with being an avid reader. Once you develop a love for reading, writing will come naturally as you start to note simple observations from your daily life or random thoughts that come to mind... As you continue to write, you'll gradually develop a better understanding of words. This will allow you to become more discerning in your writing, carefully selecting words and being mindful of how you structure your sentences to convey emotions and imagery... slowly You'll probably begin to dip into poetry, even if it's terrible at first, it's a necessary stage that everyone goes through (I could write an entire post on why creating bad art is so critical lol). The key is to keep writing. Write. Write. Write. And write. It's strange how addictive writing becomes once you get the hang of it… this year alone, I wrote hundreds of poems!!

So to summarize: Reading -> writing -> Poetry

here are some writers and writings I'd recommend to anyone who wants to get into poetry:

 (I got a bit carried away while writing this list lol…)

T.S. Eliot: The Waste Land, The Love Song of J. Alfred Prufrock, Four Quartets

Edgar Allan Poe: The Raven, Annabel Lee, The Tell-Tale Heart

Homer: The Odyssey

Walt Whitman: Leaves of Grass, Song of Myself

Dante Alighieri: The Divine Comedy (includes Inferno, Purgatorio, and Paradiso)

John Milton: Paradise Lost

Geoffrey Chaucer: The Canterbury Tales

Emily Dickinson: Because I could not stop for Death, Hope is the thing with feathers, I’m Nobody! Who are you?

Sylvia Plath: Ariel, Lady Lazarus, Daddy

Maya Angelou: Still I Rise, Phenomenal Woman, I Know Why the Caged Bird Sings (autobiographical prose)

Elizabeth Barrett Browning: Sonnet 43 (How Do I Love Thee?), Aurora Leigh (a novel in verse)

my personal obsession lies in ancient poetry (Greek, to be specific), though I understand that it may not be everyone's cup of tea. But if you want to know more about that — or have any more literature-related questions in general — please let me know or send me another ask, and I'll be happy to share more!! <3

[thousandfireworks]

Authors whose books you have to avoid because they are problematic.

Abigail Hing Wen.

Alex Aster.

Alice Hoffman.

Alice Oseman.

Alison Win Scotch. ‘Terrorism is never acceptable. Not in Israel.’

Allie Sarah.

Amber Kelly.

Amy Harmon.

Annabelle Monaghan.

Anna Akana.

Aurora Parker.

Benjamin Alire Sáenz.

Brandon Sanderson. Islamophobic.

Carissa Broadbent. Said that hamas is doing violence against innocence.

Chloe Walsh. Siding with Israel in the name of humanity.

Christina Lauren. Believe that Israel is the victim. A racist, also Islamophobic.

Colleen Hoover.

Cora Reilly. Travel to Israel despite criticism.

Danielle Bernstein. Islamophobic.

Danielle Lori.

Deke Moulton. Said hamas is terrorist.

Dian Purnomo.

Eliza Chan.

Elle Kennedy.

Elyssa Friedland.

Emily Henry.

Emily Mclntire.

Emily St. J. Mandel. Admiring Israel.

Gabrielle Zevin. Wrote a book about anti-Palestine. Mentioned Israel multiple times without context on his book.

Gregory Carlos. Israeli author. A zionist.

Hannah Whitten.

Hazel Hayes. Reposted a post about October 7th.

Heidi Shertok.

Jamie McGuire.

Jay Shetty. ‘Violence is happening in Israel.’

Jean Meltzer.

Jeffery Archer. Wrote a book with a mc Israel operative (mossad) in a positive and anti terrorist light.

Jennifer Hartman. Liked a post about pro-Israel.

Jen Calonita.

Jessa Hastings.

Jill Santopolo. Said that Israel has right to exist and fight back.

John Green.

Jojo Moyes.

J. Elle.

J. K. Rowling. Support genocide. Racist. Islamophobic.

Kate Canterbery.

Kate Stewart.

Katherine Howe.

Katherine Locke.

Kristin Hannah. Support Israel. Shared a donation link.

Laini Taylor.

Laura Thalassa. Islamophobic.

Lauren Wise. Cussed that Palestinian supporters would be raped in front of children.

Lea Geller. Thanked people who supports Israel.

Leigh Dragoon. Islamaphobic and anti Asian racist rants on Twitter and threads

Leigh Stein.

Lilian Harris. A racist. Blocking people who educates about colonialism in Palestine and call them disgusting.

Lisa Barr. A daughter of Holocaust survivor. Support Israel.

Lisa Kennedy Montgomery.

Lisa Steinke.

Liz Fenton.

Lynn Painter. Afraid of getting cancelled as a pro-Palestine and posted a template afterwards.

L. J. Shen. Her husband joins idf (Israel army).

Mariana Zapata.

Marie Lu.

Marissa Meyer.

Melissa de la Cruz.

Michelle Cohen Corasanti.

Michelle Hodkin. Spread false rumors about arab-hamas. Islamophobic.

Mitch Albom. ‘We shouldn't blame Israel for surviving attacks or defending against them.’

Monica Murphy. Siding with Israel.

Naomi Klein.

Navah Wolfe.

Neil Gaiman. Suggested Palestinians unite with Israel and become citizens.

Nicholas Sparks.

Nic Stone. Talked nonsense that children in Palestinian refugee camp are training to be martyrs for Allah because they felt it was their call in life.

Nyla K.

Olivia Wildenstein. Blocking people who disagree with Israel wrongdoing.

Pamela Becker.

Penelope Douglas.

Pierce Brown.

Rachel Lynn Solomon.

Rebecca G. Martinez.

Rebecca Yarros. ‘I despise violence’ her opinion about what's happening in Gaza. Blocking people who calls her a zionist.

Rena Rossner.

Renee Ahdieh.

Rick Riordan.

Rina Kent.

Rivka (noctem.novelle).

Rochelle Weinstein.

Romina Garber. ‘These terrorist attacks do nothing to improve the lives of Palestinians people.’

Roshani Chokshi. Encourage people to donate to Israel.

Samantha Greene Woodruff.

Sarah J. Mass. Her book contained ideology of zionism.

Stephanie Garber. Promoting books by zionist author (Sarah J. Mass)

Skye Warren.

Sonali Dev.

Talia Carner.

Tarryn Fisher. Said ‘there was terrorist attack in Israel.’

Taylor Jenkins Reid. Posted a video about genocide.

Tere Liye. Rumoured to have ghoswriters to write his books and never give credit to them.

Tillie Cole.

Tracy Deon.

Trinity Traveler (Ade Perucha Hutagaol). Rumour to wrote book about handsome Israelis.

T. J. Klune.

Uri Kurlianchik.

Veronica Roth.

Victoria Aveyard. ‘Israel has the right to exist.’ quote from her about the issue.

V. E. Schwab. Shared a donation link and video about Israel.

Yuval Noah. ‘Israel has the right to do anything to defend themselves.’

Zibby Owens.

[dannyreviews]

Veteran British born/based film/TV actors born before and including 1936 still alive:

With the recent death of Dame Maggie Smith, I thought I'd detail the legendary actors of UK cinema and television that are still living as of the date of this post:

Eileen Bennett (b. 1919)

Arnold Yarrow (b. 1920)

Beulah Garrick (b. 1921)

Elizabeth Kelly (b. 1921)

Elisabeth Kirkby (b. 1921)

Sara Luzita (b. 1922)

Annabel Maule (b. 1922)

Paul Harding (b. 1923)

Vincent Ball (b. 1923)

David Lawton (b. 1923)

Anne Vernon (b. 1924)

Donald Pelmear (b. 1924)

Thelma Ruby (b. 1925)

Pete Murray (b. 1925)

Michael Beint (b. 1925)

Shelia Mitchell (b. 1925)

Kerima (b. 1925)

David Attenborough (b. 1926)

Elizabeth Benson (b. 1926)

Margaret Barton (b. 1926)

Terry Kilburn (b. 1926)

Stanley Baxter (b. 1926)

David Frankham (b. 1926)

William Glover (b. 1926)

Josephine Stuart (b. 1926)

Patricia Davidson (b. 1926)

Barbara Clegg (b. 1926)

Glen Michael (b. 1926)

Araby Lockhart (b. 1926)

Eileen Page (b. 1926)

Rosemary Harris (b. 1927)

Cleo Laine (b. 1927)

Lee Montague (b. 1927)

Genevieve Page (b. 1927)

Neville Phillips (b. 1927)

Jean Lodge (b. 1927)

Barbara Ashcroft (b. 1927)

Jill Freud (b. 1927)

Jean Southern (b. 1927)

Antonia Pemberton (b. 1927)

Peter Cellier (b. 1928)

Jeanette Landis (b. 1928)

Sheila Ballantine (b. 1928)

Dorothea Phillips (b. 1928)

Jeannie Carson (b. 1928)

Hazel Ascot (b. 1928)

Brenda Hogan (b. 1928)

Philip Guard (b. 1928)

Raymond Llewelyn (b. 1928)

Pauline Brailsford (b. 1928)

Leonard Weir (b. 1928)

Kevin Scott (b. 1928)

Tony Hughes (b. 1928)

Joan Plowright (b. 1929)

Patricia Routledge (b. 1929)

Colin Jeavons (b. 1929)

Michael Craig (b. 1929)

Thelma Barlow (b. 1929)

Peter Myers (b. 1929)

Paul Williamson (b. 1929)

Kevin Miles (b. 1929)

John Gale (b. 1929)

Phillip Ross (b. 1929)

Jimmy Fagg (b. 1929)

Hazel Phillips (b. 1929)

Mignon Elkins (b. 1929)

Margaret Stallard (b. 1929)

Maya Koumani (b. 1929)

Clive Revill (b. 1930)

Charles Kay (b. 1930)

Roy Evans (b. 1930)

Una McLean (b. 1930)

Roddy Maude-Roxby (b. 1930)

Ruth Trouncer (b. 1930)

Cyril Appleton (b. 1930)

Vera Frances (b. 1930)

Gary Watson (b. 1930)

Keith Alexander (b. 1930)

Libby Morris (b. 1930)

Pauline Jefferson (b. 1930)

Claire Bloom (b. 1931)

Leslie Caron (b. 1931)

Carroll Baker (b. 1931)

Virginia McKenna (b. 1931)

Vivian Pickles (b. 1931)

Stanley Meadows (b. 1931)

Gerald Harper (b. 1931)

Patricia Greene (b. 1931)

Ellen McIntosh (b. 1931)

Elvi Hale (b. 1931)

Maureen Connell (b. 1931)

June Laverick (b. 1931)

James Martin (b. 1931)

Denyse Alexander (b. 1931)

Arthur Nightingale (b. 1931)

Eileen Derbyshire (b. 1931)

Carl Held (b. 1931)

Shelia Bernette (b. 1931)

George Eugeniou (b. 1931)

Corinne Skinner-Carter (b. 1931)

Tusse Silberg (b. 1931)

Petula Clark (b. 1932)

Prunella Scales (b. 1932)

Phyllida Law (b. 1932)

Ray Cooney (b. 1932)

Brian Murphy (b. 1932)

Edward De Souza (b. 1932)

Alan Dobie (b. 1932)

John Turner (b. 1932)

Roland Curram (b. 1932)

Gabriel Woolf (b. 1932)

Johnnie Wade (b. 1932)

Eileen Moore (b. 1932)

Laurie Leigh (b. 1932)

William Roache (b. 1932)

Athol Fugard (b. 1932)

Carmen Munroe (b. 1932)

Norman Bowler (b. 1932)

Marcia Ashton (b. 1932)

Thelma Holt (b. 1932)

Antony Carrick (b. 1932)

Sally Bazely (b. 1932)

Michael Caine (b. 1933)

Joan Collins (b. 1933)

Sian Phillips (b. 1933)

Sheila Hancock (b. 1933)

Elizabeth Seal (b. 1933)

Shani Willis (b. 1933)

Patrick Godfrey (b. 1933)

Caroline Blakiston (b. 1933)

Donald Douglas (b. 1933)

Ann Firbank (b. 1933)

Vera Day (b. 1933)

Tsai Chin (b. 1933)

Geoffrey Frederick (b. 1933)

Marla Landi (b. 1933)

Monte Landis (b. 1933)

Mary Germaine (b. 1933)

Ruth Posner (b. 1933)

Barbara Archer (b. 1933)

W.B. Brydon (b. 1933)

Robert Gillespie (b. 1933)

Brian Patton (b. 1933)

Arthur White (b. 1933)

Barbara Archer (b. 1933)

Sally Bazley (b. 1933)

Madhur Jaffrey (b. 1933)

Jeanette Sterke (b. 1933)

Ann Rogers (b. 1933)

Barbara Knox (b. 1933)

John Boorman (b. 1933)

Derek Martin (b. 1933)

Michael Aspel (b. 1933)

Bill Edwards (b. 1933)

Judi Dench (b. 1934)

Eileen Atkins (b. 1934)

Tom Baker (b. 1934)

Alan Bennett (b. 1934)

Jean Marsh (b. 1934)

Annette Crosbie (b. 1934)

Wendy Craig (b. 1934)

Richard Chamberlain (b. 1934)

Millicent Martin (b. 1934)

John Standing (b. 1934)

Vernon Dobtcheff (b. 1934)

Nanette Newman (b. 1934)

David Burke (b. 1934)

Christopher Benjamin (b. 1934)

Mary Peach (b. 1934)

Geraldine Newman (b. 1934)

Renny Lister (b. 1934)

Priscilla Morgan (b. 1934)

Audrey Dalton (b. 1934)

Leila Hoffman (b. 1934)

Simone Lovell (b. 1934)

Magda Miller (b. 1934)

Robert Aldous (b. 1934)

Ram John Holder (b. 1934)

Jamila Massey (b. 1934)

Margaretta D’Arcy (b. 1934)

Leslie Saeward (b. 1934)

Maurice Podbrey (b. 1934)

Steve Emerson (b. 1934)

Peter Bland (b. 1934)

Michael Darlow (b. 1934)

Barbara Archer (b. 1934)

Joy Webster (b. 1934)

Jacqueline Ellis (b. 1934)

Jacqueline Jones (b. 1934)

Julie Andrews (b. 1935)

Julian Glover (b. 1935)

Jim Dale (b. 1935)

Anne Reid (b. 1935)

James Bolam (b. 1935)

Christina Pickles (b. 1935) 

Judy Parfitt (b. 1935)

Wanda Ventham (b. 1935)

Amanda Barrie (b. 1935)

Derren Nesbitt (b. 1935)

Nadim Swalha (b. 1935)

Gary Raymond (b. 1935)

Janet Henfrey (b. 1935)

Melvyn Hayes (b. 1935)

Susan Engel (b. 1935)

Amanda Walker (b. 1935)

Delena Kidd (b. 1935)

Derek Partridge (b. 1935)

Allister Bain (b. 1935)

Derry Power (b. 1935)

Phyllis MacMahon (b. 1935)

Rowena Cooper (b. 1935)

Derek Partridge (b. 1935)

Jill Dixon (b. 1935)

Des Keough (b. 1935)

Barbara Angell (b. 1935)

Lucille Soong (b. 1935)

Anita West (b. 1935)

June Watson (b. 1935)

David Daker (b. 1935)

Shirley Cain (b. 1935)

Bobby Pattinson (b. 1935)

George Roubicek (b. 1935)

Brian Blessed (b. 1936)

Richard Wilson (b. 1936)

Tommy Steele (b. 1936)

Edward Petherbridge (b. 1936) 

Ursula Andress (b. 1936)

John Leyton (b. 1936)

Jess Conrad (b. 1936)

Elizabeth Shepherd (b. 1936)

Sandra Voe (b. 1936)

Doug Sheldon (b. 1936)

John Golightly (b. 1936)

Peter Ellis (b. 1936)

Andria Lawrence (b. 1936)

Jon Laurimore (b. 1936)

Tony Scoggo (b. 1936)

Barry MacGregor (b. 1936)

Frank Barrie (b. 1936)

Kenneth Farrington (b. 1936)

Eileen McCallum (b. 1936)

Frederick Pyne (b. 1936)

Philip Lowrie (b. 1936)

Marian Diamond (b. 1936)

Anthony Higginson (b. 1936)

Elsie Kelly (b. 1936)

Ann Taylor (b. 1936)

Heidi Erich (b. 1936)

Keith Faulkner (b. 1936)

Ruth Meyers (b. 1936)

Julia Blake (b. 1936)

[secretly-a-catamount]

Day One of Pressing Shuffle On My Spotify Playlist And Seeing What Character(s) Or Ship(s) That Songs Remind Me Of | Multi-Fandom

Song One: Money, Money, Money (by ABBA) — Kaz Brekker from Leigh Bardugo’s Six of Crows series.

Song Two: Viva la Vida (by Coldplay) — The Pevensie siblings from C. S. Lewis‘s Chronicles of Narnia.

Song Three: Dirty Imbecile (by The Happy Fits) — Tim Drake (the third Robin/Red Robin) from DC Comics.

Song Four: Little Talks (by Of Monsters and Men) — Finnick and Annie, or Odesta, from Susan Collins’ The Hunger Games trilogy.

Song Five: Hooked (by Why Don’t We) — Rowena and Waysa, or Rowaysa, from Robert Beatty’s Serafina Series.

Song Six: Marry You (by Bruno Mars) — Callum Hunt and Aaron Stewart, or Calron, from Cassandra Clare and Holly Black’s Magisterium series.

Song Seven: Perfect (by Ed Sheeran) — Braeden Vanderbilt and Serafina, or Braedafina/Serafaeden, from Robert Beatty’s Serafina Series.

Song Eight: Everything Moves (by Bronze Radio Return) — Elliot Cardale, or Eli Ever, from V. E. Schwab’s Villains series.

Song Nine: Kiss Me (from Sweeny Todd: the Demon Barber of Fleet Street) — Malcolm Fade and Annabel Blackthorn, or Malcabel, from Cassandra Clare’s Shadowhunter Chronicles.

Song Ten: The Ghost (by NIVIRO) — Callum Hunt from Cassandra Clare and Holly Black’s Magisterium series.

[animalcrossingshowdown]

Round 1 results:

These are the round 1 results for both most and least popular villager. The winners of this round will continue on to most popular, the losers go onto least popular. Remember, just because a villager lost, doesn't mean they're generally disliked! They may have just gotten stuck with a heavy hitter round 1.

Biggest sweeps (85% and over):

Woolio 96.4% / Yodel 3.6%

Lily 95.4% / Limberg 4.6%

Lucky 93.4% / Lucha 6.6%

Sherb 92.7% / Shinabiru 7.3%

Henry 92.1% / Hippeux 7.9%

Cephalobot 91.6% / Cesar 8.4%

Lopez 91.5% / Louie 8.5%

Shep 90.9% / Sheldon 9.1%

Butch 90% / Buzz 10%

Chief 89.9% / Chico 10.1%

Bea 89.5% / Barold 10.5%

Bow 89.3% / Boyd 10.7%

Rio 89.2% / Rizzo 10.8%

Tangy 88.9% / Tank 11.1%

Skye 88.7% / Simon 11.3%

Shino 88.6% / Shoukichi 11.4%

Cleo 88.3% / Clyde 11.7%

Petri 88.1% / Petunia 11.9%

Ankha 87.6% / Anicotti 12.4%

Vivian 87.6% / Vladimir 12.4%

Rolf 86.1% / Rodney 13.9%

Molly 85.7% / Monique 14.3%

Diana 85.4% / Diva 14.6%

Portia 85.4% / Prince 14.6%

Closest matches (55% and under):

Camofrog 55% / Cally 45%

Cube 54.6% / Cranston 45.4%

Curlos 54.6% / Cupcake 45.4%

Frobert 54.6% / Fruity 45.4%

Anchovy 54.4% / Angus 45.6%

Wade 55.4% / W Link 45.6%

Bella 54.2% / Becky 45.8%

Jane 54.1% / Jambette 45.9%

Annabelle 53.8% / Analog 46.2%

Drift 53.8% / Drake 46.2%

Rooney 53.8% / Rollo 46.2%

Spike 53.8% / Sparro 46.2%

Alice 53.3% / Alfonso 46.7%

Billy 52.9% / Bill 47.1%

Grizzly 52.7% / Groucho 47.3%

T-Bone 52.7% / Sylvia 47.3%

Eunice 52.3% / Eugene 47.7%

Nate 52.3% / Nibbles 47.7%

Melba 52.2% / Meow 47.8%

Big Top 52% / Biff 48%

Erik 51.8% / Étoile 48.2%

Bettina 51.4% / Bessie 48.6%

Hornsby 51.4% / Hopper 48.6%

Mint 51.4% / Midge 48.6%

Scoot 51.2% / Shari 48.8%

Ed 50.7% / Egbert 49.3%

Frita 50.7% / Friga 49.3%

Samson 50.7% / Sandy 49.3%

Clay 50.5% / Claudia 49.5%

Koharu 50.5% / Kody 49.5%

Pinky 50.2% / Piper 49.8%

Julia 50.1% / Judy 49.9% <- (look at this shit)

Middle of the pack:

Punchy 84.9% / Pudge 15.1%

Curt 84.7% / Curly 15.3%

Muffy 84.6% / Mott 15.4%

Biskit 84.1% / Bitty 15.9%

Daisy 84% / Deena 16%

Kyle 84% / Leigh 16%

Coco 83.5% / Cole 16.5%

Roscoe 82.9% / Rory 17.1%

Stitches 82.9% / Stinky 17.1%

Mitzi 82.8% / Moe 17.2%

Vesta 82.2% / Velma 17.8%

Monty 82.1% / Moose 17.9%

Gladys 81.7% / Gigi 18.3%

Opal 81.7% / Otis 18.3%

Hazel 81.6% / Hector 18.4%

Purrl 81.4% / Queenie 18.6%

Tia 81% / Tiansheng 19%

Ione 80.8% / Inkwell 19.2%

Roald 80.8% / Robin 19.2%

Flora 80.7% / Flossie 19.3%

Chrissy 80.6% / Chuck 19.4%

Ketchup 80.2% / Kevin 19.8%

Kiki 79.8% / Kit 20.2%

Sunny 79.6% / Sven 20.4%

Lulu (anteater) 79.5% / Lulu (hippo) 20.5%

Poppy 79.5% / Poncho 20.5%

Bruce 79.2% / Broffina 20.8%

Hans 79.1% / Harry 20.9%

Gayle 78.9% / Gaston 21.1%

Pashmina 78.8% / Pate 21.2%

Bunnie 78.6% / Bud 21.4%

Beau 78.5% / Beardo 21.5%

Ace 78.3% / Admiral 21.7%

Marty 78.2% / Masa 21.8%

Gwen 78.1% / Gruff 21.9%

Dotty 77.9% / Dora 22.1%

Pekoe 77.8% / Peggy 22.2%

Aisle 77.5% / Al 22.5%

Goldie 77.5% / Gloria 22.5%

Elina 77.2% / Elise 22.8%

Maple 77% / Marcel 23%

Lolly 76.5% / Lobo 23.5%

Pierce 76.3% / Pigleg 23.7%

Phoebe 76.2% / Phil 23.8%

Tiffany 76% / Tiara 24%

Fauna 75.9% / Felicity 24.1%

Carmen (rabbit) 75.6% / Carmen (mouse) 24.4%

Ruby 75.6% / Rowan 24.4%

Fang 75.4% / Faith 24.6%

Papi 75.3% / Paolo 24.7%

Hopkins 75.2% / Holden 24.8%

random break at the 75% mark because apparently there is a character limit for blocks of text

Boomer 74.8% / Boone 25.2%

Fuchsia 74.8% / Gabi 25.2%

Rosie 74.6% / Roswell 25.4%

Eloise 74.5% / Elvis 25.5%

Freya 74.4% / Frett 25.3%

Ozzie 74% / Oxford 26%

Chevre 73.9% / Chester 26.1%

Victoria 73.8% / Violet 26.2%

Stella 73.7% / Sterling 26.3%

Drago 73.6% / Dozer 26.4%

Maggie 73.2% / Mallary 26.8%

Gala 72.7% / Ganon 27.3%

Bianca 72.5% / Betty 27.5%

Belle 71.8% / Benedict 28.2%

Patty 71.8% / Patricia 28.2%

Bones 71.6% / Bonbon 28.4%

Merengue 71.5% / Merry 28.5%

Bam 71.4% / Bangle 28.6%

Hamphrey 71.4% / Hank 28.6%

Dom 71.3% / Doc 28.7%

Tammy 71.1% / Tammi 28.9%

Marcie 70.8% / Marcy 29.2%

Genji 70.7% / Gen 29.3%

Zell 70.3% / Yuka 29.7%

Cousteau 70.1% / Croque 29.9%

Teddy 70.1% / Tex 29.9%

Marina 69.7% / Margie 30.3%

Ribbot 69.7% / Rhonda 30.3%

Ellie 69.5% / Elmer 30.5%

Baabara 69.3% / Aziz 30.7%

Carrot 69.3% / Cashmere 30.7%

Claude 69.3% / Clara 30.7%

Peck 69.3% / Peewee 30.7%

Wolfgang 69.1% / Winnie 30.9%

Tucker 69% / Truffles 31%

Norma 68.9% / Nindori 31.1%

Jeremiah 68.8% / Jay 31.2%

Tutu 68.1% / Twiggy 31.9%

Flash 68.3% / Filly 31.7%

Rocco 68.3% / Rocket 31.7%

Sprinkle 68.3% / Spork/Crackle 31.7%

Zucker 68.3% / Zoe 31.7%

Ursala 67.9% / Valise 32.1%

Amelia 67.8% / Alli 32.2%

Deli 67.8% / Derwin 32.2%

Chelsea 67.6% / Charlise 32.4%

Boots 67.3% / Boris 32.7%

Cherry 67.1% / Cherri 32.9%

Cookie 67% / Colton 33%

Peaches 66.9% / Paula 33.1%

Sasha 66.9% / Savannah 33.1%

Flo 66.7% / Flip 33.3%

Freckles 66.7% / Frank 33.3%

Tom 66.5% / Toby 33.5%

Bob 66.1% / Bluebear 33.9%

Azalea 65.9% / Axel 34.1%

Caroline 65.8% / Carrie 34.2%

Tybalt 65.8% / Twirp 34.2%

Tad 65.5% / Tabby 34.5%

Agnes 65.4% / Agent S 34.6%

Cobb 65.4% / Coach 34.6%

Octavian 65.4% / Olaf 34.6%

Reneigh 65.4% / Renée 34.6%

Chow 65.2% / Chops 34.8%

Rudy 65.2% / Sally 34.8%

Maddie 64.9% / Maelle 35.1%

Chai 64.8% / Champ 35.2%

Olivia 64.8% / Olive 35.2%

Pippy 64.8% / Plucky 35.2%

Celia 64.7% / Cece 35.3%

Wendy 64.7% / Weldon 35.3%

Pango 64.6% / Pancetti 35.4%

Joe 64.5% / Jitters 35.5%

Puddles 64.3% / Puck 35.7%

Felyne 64% / Filbert 36%

Snake 64% / Sly 36%

Kid Cat 63.9% / Kidd 36.1%

Jacques 63.8% / Jacob 36.2%

Chabwick 63.6% / Chadder 36.4%

Bree 63.5% / Broccolo 36.5%

Sylvana 63.3% / Sydney 36.7%

Tipper 63% / Timbra 37%

Static 62.9% / Sprocket 37.1%

Marshal 62.8% / Marlo 37.2%

Annalisa 62.7% / Annalise 37.3%

Quetzal 62.4% / Quillson 37.6%

Nosegay 62.3% / O'Hare 37.7%

Ken 61.9% / Keaton 38.1%

Nan 61.9% / Murphy 38.1%

Tasha 61.9% / Tarou 38.1%

Rilla 61.5% / Ricky 38.5%

Julian 61.4% / June 38.6%

Knox 61.1% / Klaus 38.9%

Pecan 61.1% / Peanut 38.9%

Deirdre 60.9% / Del 39.1%

Whitney 60.6% / Willow 39.4%

Webber 60.5% / Wart Jr. 39.5%

Greeta 60.4% / Graham 39.6%

Cyd 60.4% / Cyrano 39.6%

Blanche 60.2% / Blaire 39.8%

Hugh 59.8% / Iggly 40.2%

Bertha 59.5% / Benjamin 40.5%

Dobie 59.5% / Dizzy 40.5%

Viché 59.4% / Vic 40.6%

Rex 59.2% / Rhoda 40.8%

Mac 58.9% / Madam Rosa 41.1%

Audie 58.8% / Aurora 41.2%

Apple 58.7% / Astrid 41.3%

Raymond 58.7% / Rasher 41.3%

Pietro 58.5% / Pierre 41.5%

Joey 58.3% / Jūbei 41.7%

Mathilda 58.3% / Medli 41.7%

Hamlet 58.2% / Hambo 41.8%

Bubbles 58.1% / Buck 41.9%

Penny 57.7% / Penelope 42.3%

Avery 57.5% / Ava 42.5%

Lucy 57.5% / Lyman 42.5%

Flurry 57.4% / Francine 42.6%

Kitty 57.4% / Kitt 42.6%

Huggy 57.3% / Huck 42.7%

Epona 57.2% / Emerald 42.8%

Stu 57.1% / Sue E 42.9%

Rodeo 56.9% / Rod 43.1%

Soleil 56.8% / Snooty 43.2%

Canberra 56.7% / Candi 43.3%

Kabuki 56.7% / Katt 43.3%

Walker 56.7% / Walt 43.3%

Apollo 56.4% / Antonio 43.6%

Leopold 56.4% / Leonardo 43.6%

Iggy 56.2% / Ike 43.8%

Miranda 56.2% / Mira 43.8%

Poko 56.1% / Pompom 43.9%

Raddle 56% / Quinn 44%

Megumi 55.9% / Megan 44.1%

Lionel 55.1% / Liz 44.9%

Nana 55.1% / Naomi 44.9%

[haveyouseenthishorrormovie]

Stats from Movies 701-800

Top 10 Movies - Highest Number of Votes

Ringu (1998) had the most votes with 1,327 votes. Chillerama (2011) had the least votes with 360 votes.

The 10 Most Watched Films by Percentage

Beetlejuice (1988) was the most watched film with 80.9% of voters out of 780 saying they had seen it. Demonic Christmas Tree (2022) had the least "Yes" votes with 0.4% of voters out of 491.

The 10 Least Watched Films by Percentage

The Nun 2 (2023) was the least watched film with 70.6% of voters out of 633 saying they hadn’t seen it. Demonic Christmas Tree (2022) had the least "No" votes with 9.2% of voters out of 491.

The 10 Most Known Films by Percentage

Beetlejuice (1988) was the best known film, only 0.4% of voters out of 780 saying they’d never heard of it.

The 10 Least Known Films by Percentage

Demonic Christmas Tree (2022) was the least known film, 90,4% of voters out of 491 saying they’d never heard of it.

The movies part of the statistic count and their polls below the cut.

The Uninvited (1944) The Crazies (1973) Witchfinder General (1968) The Conspiracy (2012) When a Stranger Calls (1979) The Evictors (1979) The Birds (1963) Ice Spiders (2007) Rubber (2010) Eyes of Laura Mars (1978)

Daughters of Darkness (1971) Akira (1988) The End of Evangelion (1997) The Woman in Black (2012) Milfs vs. Zombies (2015) Knife + Heart (2018) It's a Wonderful Knife (2023) Attachment (2022) Gothic (1986) Jakob's Wife (2021)

Stranger by the Lake (2013) The Fog (2005) The Greasy Strangler (2016) Angel Heart (1987) Tumbbad (2018) The Snow Woman (1968) Sugar Hill (1974) Saloum (2021) WNUF Halloween Special (2013)

Sound of Violence (2021) Nosferatu the Vampyre (1979) The Haunting of Molly Hartley (2008) Death Laid an Egg (1968) Baskin (2015) The Last Will and Testament of Rosalind Leigh (2012) The Fearless Vampire Killers (1967) The Haunting of Julia (1977) The House That Dripped Blood (1971) Megan Is Missing (2011)

Ringu (1998) Three... Extremes (2004) Trench 11 (2017) Out There Halloween Mega Tape (2022) Henry: Portrait of a Serial Killer (1986) The Driller Killer (1979) Berberian Sound Studio (2012) One Cut of the Dead (2017) Demonic Christmas Tree (2022) Butcher, Baker, Nightmare Maker (1981)

Urban Legends: Bloody Mary (2005) Motel Hell (1980) Shallow Ground (2004) Annabelle: Creation (2017) Annabelle Comes Home (2019) The Conjuring 2 (2016) The Conjuring: The Devil Made Me Do It (2021) Morgan (2016) Sputnik (2020) Devil's Pass (2013)

Dracula's Daughter (1936) Dagon (2001) We Are Still Here (2015) We Are What We Are (2013) Somos lo que hay (2010) The Serpent and the Rainbow (1988) Midori (1992) The Believers (1987) Troll 2 (1990) Chillerama (2011)

The Town That Dreaded Sundown (1976) The Mortuary Collection (2019) The Little Girl Who Lives Down the Lane (1976) The Pit and the Pendulum (1991) House (1985) Flatliners (1990) The Town That Dreaded Sundown (2014) Crimson Peak (2015) Frailty (2001) Hell Night (1981)

Eyes of Fire (1983) Sister Death (2023) Tonight She Comes (2016) Bad Dreams (1988) Dead Snow (2009) Dead Snow 2: Red vs. Dead (2014) Veronica (2017) The Nun II (2023) Brotherhood of the Wolf (2001) Maniac (1980)

Man's Best Friend (1993) M.O.M. Mothers of Monsters (2020) The Reptile (1966) She Creature (2001) Beetlejuice (1988) The Incredible Melting Man (1977) Kandisha (2020) So Vam (2021) Bit (2019) Death Proof (2007)

[notladylikes]

annabel is sitting on the couch watching television, eden is half-ass cooking dinner in the kitchen. she watches as her sister shifts slightly, like she’s still getting comfortable in her own skin. is it weird, returning to a body that was yours previously, yet was taken from you, she wonders. there are so many questions that eden has for annabel, regarding the status of life after death and just what happens, what it feels like - if there is anything to look forward to - but she feels in the same sense that she can’t simply ask.

‘so how was it when you were dead?’ isn’t a real conversation starter, and it never should be.

reaching for the pot, eden grabs it without some sort of heat protection, because she’s far too busy staring in the direction of her younger sister to pay attention, and immediately drops it back to the stove with a muttered curse under her breath.

“sonofa….” she starts, a bit too loud before realizing that annabel is no longer on the couch and is currently standing in the kitchen, staring back at her. a heart pressed to her chest at shock, she winces at the bit of pressure from a now burned hand, but takes a breath to stop her lungs from aching.

“i could feel you watching me,” she says, through eyes that hold no emotion. that are dead and staring back at her with no light behind them, and eden wants to weep. where is her baby sister, full of brightness and love, where did that part of her soul escape to when she was brought back. “i….” eden starts, but is unable to put together a coherent thought. instead she busies herself by going to the sink to run some cool water on the burned skin of her hand, seeking some sort of relief and a bit of a distraction for the time being.

“i’m sorry…” she says, words repeated so often she fears they hold no weight. sorry this, sorry that, she doesn’t know how to express anything other than sorrow in the recent moments of her life, happiness forgotten like a leaf on the breeze. “how are you doing?” she figures that’s a safe enough question, because it was normal, at least. she wasn’t asking for a deep dive into her sister’s psyche, just a simple update.

“fine.” she says, standing there in the harsh fluorescent lights above, tilt of her head as she glances over at eden whose turned back from where she was washing her hand to look at her sister, immediately forgetting about her burnt hand when she goes to lean back on the counter and get a better view of her sister, standing a ways away from her.

she needs to have this conversation with annabel before she bursts, but the idea of starting it wants to send her into a tailspin. eden takes a step forward, using her noninjured hand to press against her sister’s cheek, brushing a strand of wayward hair from being in front of her face. “you sure about that, kiddo? i know you haven’t been sleepin’ well….” there have been far too many times in the recent nights that eden’s lack of sleep could be attuned to that of her sister’s lack of sleep. screams in the middle of night due to terrors unknown. 

“yeah, well…” annabel starts stops. shrugs her shoulders. “guess that comes from y’know, bein’ dead for two weeks and all.” eden feels a sense of guilt seep back into her bones at the mention, so she did know - that was both a relief for not having to have that conversation, but also a concern. 

how did she know?

 “��.do you wanna talk about it?” annabel sighs, tears her gaze away from her sister and shirks away from the attention altogether, starts to walk out of the kitchen, but not before speaking a final set of words. “maybe someday….not now though. i’m not ready.” eden nods, pushes on her shoulders to guide her back towards the television.

“dinner’ll be ready soon, go enjoy your show.” 

for tonight, she won’t get answers, but the idea that they were coming that was going to have to be enough for now. 

[sentinelmania]

The Sentinel writer recom

Annabelle Leigh

[riskydesiresxxlovexx]

I'm in a massive mood to use the following fcs in period/medieval plots or romance plots, so if you like playing opp any of the fcs below and have starters/wanted plots in romance/ period/medieval/ fantasy genres, please do like this post. Ship-wise, I do m/f or f/f or m/nb or f/nb

Fcs I wanna use:

Jonathan Bailey

Rege Jean Page

Theo James

Ben Barnes

Richard Madden

Jessie Mei Li

Alessandra Mastronardi

Katie Mcgrath

Hannah Dodd

Angelababy

Annabelle Wallis

Tamla Kari

Chyler Leigh

Logan Browning

Meng Ziyi

Rose Williams

Quintessa Swindell

Emily VanCamp