#anna eilinsfeld

[bridget-malfoy-stilinski-hale]

You can let go now, Malcolm. You finally know the truth.

[milliondollarbaby87]

Prodigal Son (Season 1) Review

Prodigal Son (Season 1) Review

Malcolm Bright is a profiler for murders and when he is fired by the FBI he is given a job with the NYPD, the latest killer is a copycat of his father a serial killer known as The Surgeon. Having not seen Martin Whitly fo ten years this case is about to bring them back together again. ⭐️⭐️⭐️⭐️ Number of Episodes: 20 Continue reading

[979mochi]

浪子神探  Prodigal Son

S01EP20 Like Father...

End

7.5/10分

Part1

No!!!Gil!!!

[andrewpier]

View this post on Instagram

A post shared by Anna Eilinsfeld (@annaeilinsfeld) on Mar 25, 2020 at 6:59am PDT

[thediaryofatheatrekid]

How I Know You: Eva Perón in Evita/Elphaba in Wicked

Two power house roles with crazy high notes and belting to save their life. 

Anna Eilinsfeld- Flat Rock Playhouse/Broadway (u/s), 2nd US Tour (u/s)

Anne Brummel- Theatre by the Sea/Broadway (s/b), 2nd US Tour, Chicago (u/s)

Caroline Bowman- US Tour/Broadway

Dee Roscioli- Casa Mañana, Pennsylvania Shakespeare Festival/Broadway, 1st US Tour, Chicago, San Francisco (s/b)

Desi Oakley- US Tour (alt)/Broadway (u/s)

Eden Espinosa- Studio Tenn/Broadway, 1st US Tour, Los Angeles, San Francisco

Emma Hatton- 2017 West End Revival, UK Tour/West End

Gemma Atkins- West End (u/s)/UK Tour (alt)

Hannah Corneau- Marriott Theatre/Broadway

Jemma Rix- Australia (alt)/Australia, Asian Tour, Australasian Tour

Julia Murney- Sacramento Music Circus/Broadway, 1st US Tour

Laura Emmitt- UK Tour (alt)/West End (u/s)

Laurel Harris- 2012 Broadway Revival (u/s)/Broadway (s/b), 1st US Tour (s/b), 2nd US Tour

Louise Dearman- UK Tour/West End

Madeline Trumble- ZACH Theatre/2nd US Tour (s/b)

Maria Eberline- Arkansas Repertory Theatre/Broadway (u/s), 1st US Tour (u/s)

Mariand Torres- Kansas City Reperatory Theatre/Broadway (s/b), 1st US Tour (s/b), 2nd US Tour

Michelle Pentecost- 2017 West End Revival (alt), UK Tour (alt)/West End (s/b), 1st UK Tour (e/c)

[isleofsam]

Via Samantha’s instagram story

03.30.18

[feartube2000]

Prodigal Son

Le travagliate vicende di Malcolm Bright, brillante criminologo specializzato in omicidi seriali. Figlio di una madre manipolatrice e di un padre dall’oscuro passato, l’investigatore collabora con il suo mentore e la sorella, giornalista televisiva. Titolo originale Prodigal Son Creatore Chris Fedak, Sam Sklaver Cast Tom Payne, Lou Diamond Phillips, Halston Sage, Aurora Perrineau, Frank…

[musicisthelife]

Anna Eilinsfeld, Eric Anderson, Original Broadway Cast of Pretty Woman - Don't Forget To Dance by Atlantic Records https://soundcloud.com/atlanticrecords/dont-forget-to-dance

[fuckyeahprodigalson]

Although Prodigal Son was one of many series to shut down production over coronavirus concerns, Monday’s episode actually was the intended finale, due to the order in which episodes were filmed; Episodes 19 and 20, however, could not be completed. Below, series co-creators Chris Fedak and Sam Sklaver discuss how the season was impacted by those lost episodes, as well as how that Ainsley twist would play out in Season 2.

TVLINE | This production shutdown put you in an interesting place, given that you were able to film your intended finale but had to scrap Episodes 19 and 20. Did losing those two hours force you to change the episodes that did air? CHRIS FEDAK | Everything was changing very quickly in that last week before production went down. As Sam and I were looking at the situation in New York, we got the very strong impression that we’d be shutting down, and we’d be shutting down for a while. What we did was, we quickly rewrote Episodes 19 and 20 — and those episodes are fantastic, we hope to come back to them at some point — and we turned them into two scenes that became the first two scenes of Episode 21. Essentially, we scrapped those two episodes, and we linked the end of Episode 18 to the beginning of Episode 21. SAM SKLAVER | We were hoping to tell a five-episode story with [Nicholas Endicott]. We would meet him in Episode 18, as we did, and he was a very lovely character, and he was a romantic interest to Jessica. And he would remain a romantic interest for a while, and then we would realize that Nicholas Endicott was a monster. We had a much longer game plan with Dermot, because he’s so fabulous. We wanted to use him as much as possible, and that’s really what we had to cut short.

When we only had a few days left to shoot, we were like, “Oh, shoot, we have to turn Nicholas into a bad guy.” That was [originally] a whole episode, when they realized that. So we had to bring in Anna [Eilinsfeld], who plays Sophie, and have her say, “Nicholas Endicott is a monster.” We were very fortunate, though, in that once we realized all we had to do was turn Nicholas into a bad guy and deal with Eve’s death, somehow it could flow pretty seamlessly from Episode 18 to Episode 21, just with shooting those two scenes. We weren’t able to do everything we wanted, but we were so fortunate in that we got to end the season with the story that we had always wanted to tell since we first sold this show to Fox. It was fortunate for us, and we wouldn’t have been able to do any of this without our post-production team.

TVLINE | Outside of the Nicholas arc, were there other storylines from those two lost episodes that you’d like to fold into Season 2 somehow? FEDAK | Absolutely. We had two very good episodes that allowed us to explore two things that we’d wanted to get into from the beginning of the season: One had to do with exorcism, and the other one had to do with technology. Those were the genres that we were stepping into in those weeks. And the other thing we didn’t get to touch was watching Ainsley do her thing as an investigative reporter. We had some fun stuff that we wanted to do there. SKLAVER | And for the very niche audience who’s a fan, we had a new car for Gil. [Laughs] His LeMans got destroyed by Bright jumping out of a window in Episode 13, and we had a really great thing with Gil finally getting a new car. I know Lou Diamond Phillips was very excited about that, as well. We need to work that story back in, most importantly.

TVLINE | Tell me about the Ainsley twist in this episode. Did the idea of making her a killer come up as you outlined this finale, or had you been building toward this all season? FEDAK | It was something we were intentionally building toward. We always knew this was something we wanted to play with when we started talking about the season, in regards to Ainsley’s psychology as opposed to Bright’s. It’s also a big part of where we’re excited to go next year. SKLAVER | The story that Ainsley always told herself was that she was too young to be affected by her father, but when Chris and I started thinking about these characters, we thought there’s no way she wasn’t affected by her father. She was just dealing with it differently. So we kind of loved the misdirect that all the attention is on Bright, who is older and had a stronger relationship with his father, but of course Ainsley was also affected by it. Trying to find a way to get to that was always the plan, because Halston Sage is such a rockstar, and in exploring this central dynamic of “like father, like son,” we also wanted to see what it would do to his daughter, as well.

TVLINE | I found Martin’s “My girl!” exclamation really interesting. Should we take that to mean Ainsley will be more of the focus in Season 2? FEDAK | Ainsley is still a very big part of the show. We have a lot of fun getting into the psychology of our characters, and she’s as much a mystery now as she was at the beginning of this year. That’s something we’d like to explore, and whenever we’re breaking down our stories, we not only break down the mystery of what people do, but also the mystery of what’s happening inside their minds. It’s definitely going to be a big part of Season 2.

TVLINE | What kind of toll is this going to take on her psyche? It’s not like she seemed to relish killing Nicholas; it was almost like she came out of a fog once it was done. How will we see that manifest? FEDAK | I only want to dip my toe into the story of Season 2, but what you’re seeing in that moment is exactly what we were going for on the page. You’re seeing a very complicated reaction to a very stressful and dynamic situation, and the ramifications of that will be dealt with next year — not only for her, but also for her brother, who’s been dealing with his father for all these years and now has to try and understand his sister and what happened in that moment. But that complexity is our intention. SKLAVER | Luckily, Chris and I have never slit a man’s throat and stabbed him six times like Ainsley does. FEDAK | [Laughs] SKLAVER | But I have to imagine that it does change you. [Laughs] It’s not something you can just tuck away, or if it is something you try to tuck away, as we’ve explored throughout the season, you can’t bury ghosts and trauma. They will always come back to you. So we’re afraid, but we’re not afraid of exploring it.

TVLINE | The Girl in the Box storyline was wrapped up pretty thoroughly in this episode. Looking ahead, do you intend to tell more stories that involve Malcolm investigating his father’s past victims? FEDAK | This is a show about memory, and it’s about what happened in our pasts and how it defines us. In this season, we went back to the Girl in the Box because we were fascinated with who she was and what she meant to Bright, and also with Bright discovering that his father was a killer. There are other parts of Bright’s past that we can’t wait to get into. What was it like being a kid with your father on trial for murder? That was the biggest trial in New York in the 1990s, and that’s a place we want to explore. There are still other revelations for us to get into. SKLAVER | And Martin Whitly killed 23 people that we know of, but there could easily be more. And Martin’s own past is something that we’re very excited to get into. What was Martin’s childhood like? How does someone like Martin get made? The Girl in the Box was a very poignant story to tell because it was a connection that the two of them had, and it was some of Bright’s memories that we could explore. But going back to 1998 and before that, it’s very rich territory.

[procrastinatingsab]

Like Father Like Son😱🤯

Finale press release

THE TRUTH COMES OUT ON THE ALL-NEW SEASON FINALE OF "PRODIGAL SON" MONDAY, APRIL 27, ON FOX

Dermot Mulroney ("My Best Friend's Wedding") Guest-Stars!

Malcolm continues to unravel as the mystery of the girl in the box comes to a head. As Nicholas Endicott's (guest star Dermot Mulroney) true colors continue to show, the Whitlys must decide to what lengths they are willing to go in order to take him down in the all-new "Like Father... " season finale episode of PRODIGAL SON airing Monday, April 27 (9:01-10:00 PM ET/PT) on FOX. (PR-122) (TV-14 D, L, V)

Cast: Tom Payne as Malcolm Bright; Michael Sheen as Dr. Martin Whitly; Bellamy Young as Jessica Whitly; Lou Diamond Phillips as Gil Arroyo; Aurora Perrineau as Dani Powell; Frank Harts as JT Tarmel; Halston Sage as Ainsley Whitly; Keiko Agena as Dr. Edrisa Tanaka

Guest Cast: Dermot Mulroney as Nicholas Endicott; Anna Eilinsfeld as Sophie

[prodigalmalcolm]

Press Release - Prodigal Son - Episode 1.20 “Like Father...”

THE TRUTH COMES OUT ON THE ALL-NEW SEASON FINALE OF “PRODIGAL SON” MONDAY, APRIL 27, ON FOX

Dermot Mulroney (“My Best Friend’s Wedding”) Guest-Stars!

Malcolm continues to unravel as the mystery of the girl in the box comes to a head. As Nicholas Endicott’s (guest star Dermot Mulroney) true colors continue to show, the Whitlys must decide to what lengths they are willing to go in order to take him down in the all-new “Like Father…” season finale episode of PRODIGAL SON airing Monday, April 27 (9:01-10:00 PM ET/PT) on FOX. (PR-122) (TV-14 D, L, V)

Cast: Tom Payne as Malcolm Bright; Michael Sheen as Dr. Martin Whitly; Bellamy Young as Jessica Whitly; Lou Diamond Phillips as Gil Arroyo; Aurora Perrineau as Dani Powell; Frank Harts as JT Tarmel; Halston Sage as Ainsley Whitly; Keiko Agena as Dr. Edrisa Tanaka

Guest Cast: Dermot Mulroney as Nicholas Endicott; Anna Eilinsfeld as Sophie

[bridget-malfoy-stilinski-hale]

The Girl in the Box

[silvershewolf247]

“PRODIGAL SON”— (9:01-10:00 PM ET/PT) CC-AD-HDTV 720p-Dolby Digital 5.1

PA: Viewer discretion is advised.

A NEW MONSTER EMERGES

ON AN ALL-NEW “PRODIGAL SON”

MONDAY, APRIL 20, ON FOX

Dermot Mulroney (“My Best Friend’s Wedding”) Guest-Stars in Season’s Penultimate Episode!

After a catastrophic turn of events, Malcolm and Ainsley are convinced there’s more to Nicholas Endicott (guest star Dermot Mulroney) than meets the eye. Their only hope just might be an impromptu Whitly family reunion in the all-new “The Professionals” episode of PRODIGAL SON airing Monday, April 20 (9:01-10:00 PM ET/PT) on FOX. (PR-121) (TV-14 D, L, V)

Cast: Tom Payne as Malcolm Bright; Michael Sheen as Dr. Martin Whitly; Bellamy Young as Jessica Whitly; Lou Diamond Phillips as Gil Arroyo; Aurora Perrineau as Dani Powell; Frank Harts as JT Tarmel; Halston Sage as Ainsley Whitly; Keiko Agena as Dr. Edrisa Tanaka

Guest Cast: Dermot Mulroney as Nicholas Endicott; Molly Griggs as Eve Blanchard; Anna Eilinsfeld as Sophie; Matthew Lawler as Eddie; Richard V. Licata as Ciro; Dagmara Dominczyk as The Nightingale

[979mochi]

浪子神探  Prodigal Son

S01EP15  Death's Door

You know, I once told my son monsters don’t exist. But that was a lie.

But it’s my nightmare.

[brightmalcolm]

Also Anna Eilinsfeld is the actress who plays the GITB so *eye emoji* at her name being listed as “Sophie” in the new logline...

[staylitmusic]

Anna Eilinsfeld, Eric Anderson, Original Broadway Cast of Pretty Woman - Don't Forget To Dance by Atlantic Records The Original Broadway Cast Recording of Pretty Woman, available now: https://atlantic.lnk.to/PrettyWomanSC One of the most beloved romances of all time is now on Broadway! Pretty Woman: The Musical features an original score with music and lyrics by Grammy Award® winner Bryan Adams and Jim Vallance, a book by original film director Garry Marshall and screenwriter J.F. Lawton, and direction and choreography by two-time Tony Award® winner Jerry Mitchell. For more information visit: https://prettywomanthemusical.com/ Facebook: https://www.facebook.com/PrettyWoman Twitter: https://twitter.com/PrettyWoman Instagram: https://www.instagram.com/prettywoman/