#animation gestures

[exilley]

I do sort of wish western anime fans would analyze anime and manga from a framework of japanese historical and cultural context. Specifically a lot of works from the 90s being influenced by the general aimlessness and ennui that a lot of people were experiencing due to the burst in the bubble economy and the national trauma caused by the sarin terrorist attack. I think in interacting with media that’s not local to our sociocultural/sociopolitical sphere it’s easy to forget that it’s influenced and shaped by the same kinds of factors that influence media within our own cultural dome and there ends up being this baseline misalignment of perception between the causative elements of a narrative and viewer interpretation of those elements. It’s a form of death of the author that i think, in some measure, hinders our ability to fully understand/come to terms with creator intent and the full scope of a work’s merits

[mindblowingscience]

Birds are famous for communicating vocally, but many have other options, too. Some communicate by dancing, for example, or by showing off their feathers. And according to a new study, at least one bird species does something more often associated with humans and great apes: symbolic gesturing. A songbird called the Japanese tit (Parus minor) uses fluttering wing movements to signal "after you," the study's authors report, similar to the way humans extend one open hand to let another person go first.

Continue Reading.

[swimmingferret]

haha noticed Puss’s little ‘wtf bro :/’ gesture when Wolf completely ignores that he was about to draw his blade

[puppyeared]

these two are so interesting to me

characters belong to @canisalbus

[lucky-fydraws]

Gesture sketch as an excuse to try out my new alcohol pen

[neo--queen--serenity]

Maomao’s opinions on Gaoshun:

Maomao’s opinions on Jinshi:

[halflifebutawesome]

disjointed freehoun nonsense & a couple barneys from recently

[zombie-bait]

Full Moon

Ok so I don’t normally post about Helluva Boss but the newest episode touched on an interesting concept I haven’t necessarily seen represented in media. Back when I was on Twitter (derogatory) a few years ago there was this now deleted viral thread where someone discussed how their struggles with mental health affected their relationship with their partner and I haven’t stopped thinking about it since. 

This is such a good, short example of how anxiety and depression can play tricks on you. It becomes so easy to envision yourself as a nuisance, a constant burden to those closest to you because they cannot possibly genuinely enjoy your company, right? But in doing so you create this arbitrarily cruel version of the people you love, people who would otherwise never behave like this outside of your own mind.

It's mean. Because your mind wants to be mean to you under these circumstances. It wants to put everyone else's emotions and desires above yours, both in worthiness and validity. And that starts bleeding into your understanding of other people, especially those you care about.

Now. Helluva Boss.

"Can I get a fucking MINUTE to think after everything you put me through you pompous rich ASSHOLE? Treat me like one of your little butler imps, you can’t just dismiss me like that! I mean, you royal fucks think you can do this every time, like you can just play with our feelings because we’re smaller and not as important. Well I’m not letting you, BITCH! Let’s go!" - Blitz

I find it really interesting how Helluva Boss decided to approach this conflict between Stolas and Blitz. Obviously, the difference in power matters. It's the underlying tension of their entire relationship and their lives. Stolas is burdened by the mountain of expectations thrust upon him from a very young age while Blitz is constantly reminded that he can NEVER be part of that world, that he is "smaller and not as important" not just in Hell's hierarchy but in his own life and family. Stolas very literally has power over Blitz (through the grimoire, the arrangement, his position in society) and Blitz uses their relationship as an excuse to reverse those roles. But that power dynamic, in one form or another, never truly goes away. And for Blitz, it's a lot easier to paint Stolas as this manipulative symbol of power and himself as nothing more than Stolas' plaything. It's easier to be angry than to be vulnerable and accept that someone might care about him.

"Dismiss" is the keyword in that quote. All that Blitz has been able to process is that Stolas has decided to end the relationship that they have. He feels ls like a choice has been taken away from him so he lashes out because he's not ready to emotionally tackle what the rest of Stolas' offer might entail. If Stolas hates him, just wants to play with him, then he is justified in his anger, his self-destruction, his isolation. If the world is mean, you're "allowed" to be mean back.

But

In that moment he forgets that Stolas is someone he actually cares about. Someone he's known for way too long and clearly wants to keep in his life, no matter how reluctant he can be to admit it. Someone who is not innately cruel or manipulative but sad and desperate for connections in a lot of the same ways that Blitz is. And Blitz immediately sees that he's miscalculated something.

Somewhere along the way the fictional version of Stolas that he's allowed himself to be mad at and the real one that he's not ready to admit he cares about have merged into something real that he has actual power over. Stolas can get hurt and Blitz can be the one who does it. He has once again allowed his greatest fears (which Stolas so frequently symbolizes) to co-opt his loved ones, to give him an "out" even though he didn't actually want one in the first place.

I'm definitely not the first person to say this but I think this is an example of the miscommunication trope done right. Their individual struggles are what cause them to be unable to connect during this conversation or to even have a proper conversation in the first place. There is no convenient misunderstanding or third party fabricating this rift. Both of them have preconceived ideas of what the other one is thinking but those ideas are flawed and rooted in self-hatred. They also both shutdown in their unique ways when the conversation starts heading in the direction they'd feared it would.

Blitz and Stolas work because they're both fucked up in similar ways, because they want similar things. That's the same reason why they're uniquely designed to hurt one another. A fear of rejection and a yearning for happiness. To borrow a quote that has been used by literally everyone from Spiderman to Evangelical preachers, "hurt people hurt people."

anyway, I really liked this episode.

(twitter thread screenshots sourced from this reddit post)

[theoldkyokodied]

Watched Re-Animator. Think these two should get to kiss

Edit: DISCLAIMER: Before you decide to watch Re-Animator, make sure to check for content warnings, there is a scene that a lot of people choose to skip!

[dumblr]

Ghibli love language

[drawnfamiliarfaces]

Touch, touch, touch, touch, touch Thought about you way too much, much, much, much, much Over, over thinking us, us, us, us, us 'Cause you been so out of touch

Touch by KATSEYE is such a vibe! This chorus part is so Candace (literally that one episode about Canderemy), but this was particularly inspired by this KATSEYE short. 🤙🤙🤙🤙🤙❤️

[aru-art]

every time we touch i get this feeling and every time we kiss i swear i can fly etc etc. don't let this fool u into the short mhin propaganda noa's just a brick shithouse

[suntails]

⚔️🏹

[akai-anna]

[itachanta]

we all love the part where meryl hangs from vash like a cute koala in episode 12, right?

well, i noticed some small random adorable thing because studio Orange is insane and they animate even the smallests of the far-away details and i'm so deep into the trigun void i wanted to share it.

Vash offering his arm to her plus her little jump and her face in the third one???? SHE'S SO CUTE I MIGHT DIE.

[bunclebee]

🥹