#andrea robinson

[frogshunnedshadows]

Holy shit, fellow oldtaku, I just stumbled across this and I had no idea it existed – 1986 behind the scenes video & photos from the vocal recording sessions for Project A-ko!

[girltheftauto]

[spnhagtournament]

Welcome to the 2024 Supernatural Hag Tournament!

What is this tournament?

This tournament is to determine which woman in the CW's Supernatural (2005-2020) best performed the role of "hag", as defined below with the help of Urban Dictionary and Glee (2009-2015):

Why isn't (x) here?

I have chosen these characters because they have fulfilled three categories: She is a) a Supernatural character, she is b) a woman, and she c) has attempted to hit on/get with an arguably gay guy.

But then, why is Dagon here?

Dagon fulfills a subset of hag: the reverse-hag, who attempts to get with a straight woman rather than a gay man. I feel her relationship to Kelly fulfills this unique niche. I will not be arguing about it. Argue with your vote!

Isn't hag an offensive term?

The writers call women much worse within the the show. This is a celebration of these characters as well as the act of hagging itself. We ❤️ hags here.

Is propaganda allowed?

Yes, I will also reblog all propaganda as long as it's appropriate/does not break My personal terms of service. Just don't be gross.

Is voter fraud allowed?

It's not that deep, it's a Tumblr poll. So just don't let me find out about it.

When can I begin?

The Supernatural Hag Tournament will begin at 12 AM, Mountain Time (US) on September 13 (Supernatural Day!). Each round will last a week.

Contestants in the competition are below, and the photo will be updated as each round of the tournament ends:

Competitors (top to bottom, left to right)

Side A:

Tessa (the Reaper) vs Meg Masters

April (also the Reaper) vs Lilith (from Season 15 specifically)

Daphne Allen vs Cassie Robinson

Jo Harvelle vs Dagon

Side B:

Lisa Braeden vs Karen Singer

Kelly Kline vs Andrea Kormos

Hannah vs Harper Sayles

Amara vs Anna Milton

Happy Hagging!

[youre-only-gay-once]

[unitedbydevils]

Match Review: Manchester United 1-0 Fulham

A late Zirkzee finish in front of the Stretford End gives United an opening three points against a tough Fulham side.

I had written a lovely, long review about the game. Then my postcode had two powercuts and my motivation took a beating. We go again.

United looked a lot better than last season. We lack that cutting edge at present, but you can hone a team with time. United have an injured Hojlund and a slightly unfit Zirkzee. Playing a false 9 for most of the game saw United miss chance after chance without a focal point. Future games will be better - with or without the striker options.

The biggest positive was United at the back: Mazraoui looks GOOD. Like, Dalot should be worried about his spot good AND with only a few days to train with the squad and attempt to gel.

The upside is LB is fucked with Shaw/Malacia, so Dalot as an inverted playmaker LB could work... but I don't like him there as much as RB. Still, solid from him today. Great from Martinez, Maguire and Maz.

United as a whole were better defensively too; pressing was as a team unit, ala Klopp's Liverpool last season. The effort didn't feel wasted or disjointed. Fulham managed just 10 shots, and only 2 on target - figures we could only DREAM of last season.

That said, Fulham weren't shoddy either. Smith Rowe seems to have settled in immediately, Muniz played the target man role well, and Antonee Robinson looked really nice at LB. Potential summer '25 signing levels of nice (though he does turn 28 next August).

There are three issues remaining for me at present:

Casemiro lacks positional discipline to be a 6. We need Ugarte or similar.

Rashford lacks confidence. He should have been greedy and finished that chance at the end, not offload it to Garnacho. It wasn't selfless, it was scared.

We're way better with actual strikers than doing the false 9 schtick.

That said, given the wonky season last year, this was markedly better. Non-United fans were calling it boring, but it's not an easy game agaisnt Marco Silva's sides. He's a good coach, drills teams well, and Fulham will be firmly mid-table this year, if not maybe higher. Rashford with confidence finishes that late chance. That's 2-0. Bruno and Casemiro each came close, there's 3 or 4 nil. Maybe with confidence Rashford forces something else to happen, opens a gap for other players... these things matter.

A winning start to the season is a good start, and it quietens the doubters. We have to of course keep winning and keep performing, but form and fitness both come with time, and if today's performance is anything to go by we're only a few little improvements off being a genuine force and back to Top 4 levels.

Shoutout to Mazraoui, Maguire, Licha, and Bruno today. Four big shifts that kept United in control of the match. Keep it up.

To finish, enjoy this little post-match interview from Lissandro (ft. Jamie 'He's too small' Carragher)🔥

[scarletk537]

Claude Speed X Carl Johnson

(With Denise Robinson's reaction as a bonus)

I've seen fanarts of Tommy x Claude, Claude x 8-Ball, CJ x Woozie, Tommy x Ken Rosenberg, CJ x Ryder, and so on, but no fanarts of Claude x CJ

So... I draw one myself. Not very good though 😅

[sixcostumerefs]

Performance Stats: 2022 (mainland edition)

Alright, it’s (no longer) that time of year again! Summary of all 2022 calendar year performances stats!! - This was a CRAZY year full of cross-production covers + emergency cover chaos so very fun to write up. It also made it a bit of a challenge with organization. If an actor was primarily with one production but served as an emergency cover for another, I listed them with their primary or initial production. - Yearly disclaimer that some errors and/or disparities could exist. - And as always, if you repost/use these stats anywhere, please credit me @sixcostumerefs (or six.costume.refs on Insta) And as always....a shoutout to Dionne Ward-Anderson, who featured in the largest number of performances this year, at a whopping 353 shows! Runner up is Andrea Macasaet at 327 shows, with Brittney Mack a very close third with 322! Most performing Aragon was Phoenix Jackson Mendoza (270), Seymour was Claudia Kariuki (293), Howard was Samantha Pauly (314.5), and Parr was Meesha Turner (267.5, but Alana Robinson was at 267). 2021-22 West End Amy di Bartolomeo: 242 performances Amanda Lindgren 255 performances Tsemaye Bob-Egbe: 233 performances Meesha Turner: 267.5 performances Paisley Billings: 114.5 performances (55 A, 44.5 C, 14 P) 2022-23 West End Rhianne-Louise McCaulsky: 81 performances Baylie Carson: 78 performances Koko Basigara: 65 performances Monique Ashe-Palmer: 14 performances (7 A, 1 B, 6 C) Leah Vassell: 40 performances (20 S, 1 C, 19 P) 2021-22 UK Tour Lauren Drew: 71 performances Maddison Bulleyment: 62 performances Caitlin Tipping: 68 performances Shekinah McFarlane: 60 performances Vicki Manser: 63 performances Elena Gyasi: 66 performances (61 regular prior to cast change + 5 emergency cover post-CC) Cassy Lee: 22 performances (8 A, 14 C) Cherelle Jay: 7 performances (1 B, 1 S, 2 C, 3 P) 2022-23 UK Tour Chloe Hart: 269 performances Casey Al-Shaqsy: 252 performances total (249 on UKT + 3 as E/C for WE) Aiesha Pease: 7 performances Jessica Niles: 237-245 performances total (19-27 performances with Breakaway 2.0, 218 performances with UKT) Jaina Brock-Patel: 110 performances Rebecca Wickes: 72 performances Alana M Robinson: 267 performances Harriet Caplan-Dean: 72 performances (10 A, 9 B, 13 S, 7 C, 18 H, 15 P) Grace Melville: 153 performances total w/ 151 performances on UKT (55 A, 4 B, 91 C with 60 of those performances as T/R, 1 P) + 2 as E/C for WE (2 C) Leesa Tulley: 186 performances (1 A, 35 B, 11 S, 137 H with 57 of those performances as T/R, 2 P) 2021-22 Broadway (+ Aug replacements) Adrianna Hicks: 202 performances Bre Jackson: 123 performances (two of these were half shows) Andrea Macasaet: 327 performances Abby Mueller: 117 performances Keri Rene Fuller: 183 performances (59 as T/R, 1 as early debut, the rest as principal) Brittney Mack: 322 performances Samantha Pauly: 314.5 performances Anna Uzele: 97 performances Joy Woods: 146 performances Brennyn Lark: 85 performances Mallory Maedke: 67.5 performances (16.5 A, 47 S, 4 H) Nicole Kyoung-Mi Lambert: 95 performances (39 A, 26 B, 30 C; two A were half-shows) Courtney Mack: 99.5 performances (25 B, 57.5 H, 17 P) Keirsten Hodgens: 107 performances total. 104 on Bway + 3 as emergency cover for Aragon Tour (Bway was 33 S, 25 C, 46 P; Tour was 3 C). Ayla Ciccone-Burton: 20 performances total. 12 pre-CC + 8 post-CC (pre-CC was 2 B, 3 C, 7 P; post-CC was 2 B, 3 C, 3 P) Holli’ Conway: 18 performances total. 9 pre-CC + 9 post-CC (pre-CC 3 C, 6 H; post-CC 5 A, 4 H) Hana Stewart: 2 performances (1 A, 1 P) 2022-23 Broadway Hailee Kaleem Wright: 27 performances Leandra Ellis-Gaston: 30 performances Bella Coppola: 30 performances Nasia Thomas: 29 performances Zoe Jensen: 19 performances Taylor Iman Jones: 29 performances Kristina Leopold: 2 performances (all as S) Aubrey Matalon: 9 performances (all as H) Aragon Tour Khaila Wilcoxon: 258 performances Storm Lever: 267 performances Jasmine Forsberg: 267 performances Olivia Donalson: 263 performances Didi Romero: 261 performances Gabriela Francesca Carrillo: 257 performances Cassie Silva: 41 performances total. 4 with Broadway + 37 with Aragon Tour (Broadway 3 B, 1 H; Aragon Tour 10 B, 13 C, 14 H) Kelly Denice Taylor: 29 performances total. 3 with Boy + 26 with Aragon Tour (Bway 3 S; Aragon Tour was 12 A, 7 S, 7 C) Kelsey Kimmel: 43 performances (16 A, 12 S, 15 P) Erin Ramirez: 34 performances (9 B, 11 H, 14 P) Boleyn Tour Gerianne Perez: 95 performances Zan Berube: 96 performances Amina Faye: 89 performances Terica Marie: 93 performances Aline Mayagoitia: 91 performances Sydney Parra: 96 performances Cecilia Snow: 18 performances (4 A, 11 S, 3 C) Tay Pearlstein: 13 performances (5 B, 7 H, 1 P) Jana Larell Glover: 20 performances (5 A, 8 C, 7 P) Aryn Bohannon: 13 performances (3 B, 4 S, 6 H) Australia Tour Phoenix Jackson Mendoza: 270 performances Kala Gare: 283 performances Loren Hunter: 291 performances Kiana Daniele: 269 performances Chelsea Dawson: 267 performances Video Makan: 254.5 performances Karis Oka: 137 performances (13 A, 28 B, 1 S, 26 C, 38 H, 31 P) Shannen Alyce Quan: 86 performances (9 A, 14 B, 30 S, 2 C, 6 H, 25 P) Chiara Assetta: 93 performances (29.5 A, 3 B, 3 S, 32 C, 18 H, 6.5 P) Cristina D’Agostino: 7 performances (all as P) Madeline Fansler: performances (with Breakaway 3.0: . 16 with Aus Tour: 7 A, 4 S, 5 P) Actors who primarily continued with their initial productions: Claudia Kariuki: 293 performances - 231 pre-CC - 62 post-CC Dionne Ward-Anderson: 353 performances - 269 pre-CC - 84 post-CC Roxanne Couch: 178 performances - Totalling 1 A, 5 B, 61 S, 13 H, 98 P - 122 pre-CC (1 A, 5 B, 61 S, 13 H, 42 P; two of the P were half performances) - 56 post-CC as principal Parr Rachel Rawlinson: 166 performances - Totalling 44 A, 13 B, 51 S, 29 C, 16 H, 13 P - 142 pre-CC (40 A, 12 B, 37 S, 29 C, 13 H, 11 P; 1 C + 1 S were mid-show swing-ons) - 24 post-CC (4 A, 1 B, 14 S, 3 H, 2 P) Esme Rothero: 153 performances - Totalling 19 A, 32 B, 19 S, 16 C, 27 H, 40 P - 129 pre-CC (17 A, 31 B, 19 S, 16 C, 19 H, 27 P) - 24 post-CC (2 A, 1 B, 8 H, 13 P) Danielle Rose: 192 performances - 152 pre-CC (6 A, 51 B, 4 S, 3 C, 87 H, 1 P) - 40 post-CC (15 B, 21 H, 4 P) Jennifer Caldwell: 289 performances total - Totalling 296 as B, 11 H, 3 P - 21 pre-CC as alt (7 B, 11 H, 3 P) - 287 post-CC as principal Boleyn - 2 as E/C Boleyn for West End Natalie Pilkington: 142 performances total - Totalling 8 A, 3 B, 65 S, 12 C, 2 H, 52 P - 130 performances with 22-23 UKT (2 A, 3 B, 64 S, 12 C, 1 H, 48 P) - 3 performances w 21-22 UKT (1 A, 1 H, 1 P) - 9 performances as E/C for WE (5 A, 1 S, 3 P) Standby swings: Harriet Watson: 78 performances total - Totalling 2 A, 19 B, 21 S, 14 C, 6 H, 14 P - 42 performances as alt for the 21-22 UKT (10 B, 11 S, 4 C, 5 H, 12 P) - 3 performances as E/C on the UKT (3 C) - 17 performances as E/C for the WE (6 B, 6 S, 2 C, 1 P) - 6 performances as standby swing for 21-22 WE (2 B, 3 S, 1 H) - 10 performances as standby swing for 22-23 WE (2 A, 1 B, 1 S, 5 C, 1 P) Marilyn Caserta: 5-7 performances total - all as Aragon - 2-4 Bliss 3.0 (all as A) - 3 Bway (all E/C as A) Emergency Covers Courtney Bowman: 1 performance (WE)

[djevilninja]

En Vogue - My Lovin’ (You’re Never Gonna Get It)

*woo woo woo woooo

[pensfan4lfe2]

Chicago Blackhawks || 2022-23 NHL Season

(Opening Night Roster vs COL)

[sassysophiabush]

[soovermyself]

Sophia at the annual 💥Champions of Choice💥 gala to honor #reprofreedom in New York City on April 26.

[girltheftauto]

cj’s girlfriends in dress to impress

[human-antithesis]

Sepultura - Roots (February 20th, 1996) Country: Brazil Genre: Nu Metal

Lineup: Max Cavalera - Vocals, Rhythm Guitar, Acoustic Guitar (Track 12), Berimbau (Tracks 2, 5) Igor Cavalera - Drums, Percussion (Tracks 2, 5, 10), Timbau (Tracks 12, 13), Djembe (Track 9) Andreas Kisser - Lead Guitar, Acoustic Guitar (Tracks 11, 12), Sitar (Track 13), Backing Vocals (Tracks 6, 9, 13) Paulo Jr. - Bass, Timbau (Track 12)

Guest/Session: Jonathan Davis - Vocals (Track 8) Mike Patton - Vocals (Track 8) David Silveria - Drums, Percussion (Track 4) Carlinhos Brown - Vocals, Percussion, Berimbau, Timbau, Wood drums, Lataria, Shekere, Surdo (Tracks 4, 13, 14) Ross Robinson - Percussion (Track 4) The Xavantes Tribe - Chanting (Tracks 10, 12), Percussion (Track 12)

Tracklist:

Roots Bloody Roots - 03:33

Attitude - 04:16

Cut-Throat - 02:45

Ratamahatta - 04:30

Breed Apart - 04:02

Straighthate - 05:24

Spit - 02:45

Lookaway - 05:25

Dusted - 04:03

Born Stubborn - 04:07

Jasco - 01:57

Itsári - 04:48

Ambush - 04:38

Endangered Species - 05:17

Dictatorshit - 01:23

Canyon Jam (Hidden Track) - 13:15

[book51ut]

Review of Birthday Stories Selected and Introduced by Haruki Murakami

Oh this one was so interesting. It’s a connection of stories centering or touching on the topic of birthdays. Murakami compiled this anthology and added a short story to accompany it, along with his introduction. The stories were excellent, and each had their own merits and revealed things about their cultural contexts and experiences, which I always find fascinating. I think the thing I want to focus on, though, in this little writing exercise that I catapult into the void, is Murakami’s introduction.

First, the topic of birthdays. What a whimsical little topic to pick. What a silly thing to write about. In some of these stories, the birthday is obviously central. In others, it is merely noted- all of the events would’ve unfolded anyway- but it changes the lens through which we read the story. We can assign such high expectations to this day- our birthday, our parent’s birthday, our partner’s birthday. I, for one, love birthdays! I think it’s a wonderful excuse to celebrate yourself and the people that you love. But we put so much pressure on it. Many of these writers go dark with the birthday stories- birthday strife, birthday tragedy, birthday awkwardness. And it’s so easy to do so: we are supposed to be at such a high, it is incredibly easy to be brought down low, to feel that tension that makes a story a story. We can discuss to what extent the “perfect” birthday is even a myth. Are these sad birthday stories the closest we will get to reality?

The second thing that really struck me was Murakami’s first person writing style in the introduction and this blurbs about the authors. I thought it was so cute and comical. I thoroughly enjoyed it. It strayed far from his usual third person mystical narratives that are a sign of his almost autor nature of writing. It also was jarring then, when I read his story, that I was immediately thrust back into that world of immateriality and surrealism. His ability to shift between the conversational and simple writing to heavily artistic and philosophical writing was interesting to witness within the same 200 pages.

The last thing was just a little point of order that I found to be interesting. He published this book both in Japanese and in English, where he says he did most of the translating work himself into Japanese from the original English of many of the short stories. This surprised me when I read it because I didn’t know he did translations. Most of the work of his that i’ve read has been translated by someone else. What surprised me even more was that when it came time for his story, he wasn’t the one that did the translation from Japanese to English. That boggles my mind a little bit. If you have translator capabilities, wouldn’t you be the most capable one to translate your own work. He would be the one most able to retain the intention and mood behind every sentence. That was just odd to me.

[davidblaska]

Tony T. Robinson's mother busted for dealing fentanyl

and cocaine, and ecstasy. The mother of Tony T. Robinson Jr., the 19-year-old mixed-race man shot and killed by a white police officer in 2015, revving up the Madison protest machine, has been arrested for dealing cocaine, fentanyl, and MDMA, aka ecstasy. Andrea (Irwin) Johnson Andrea Rochelle Johnson — formerly known as Andrea Irwin — is charged with eight felony counts of dealing cocaine…

[anastasialogan2]

Grand Theft Auto (GTA) San Andreas v5.06 Android Free Download