#and yes I’ve seen a lot of people saying this

[sharkboywrites]

My perspective on Curly as a victim of abuse

Tw for abuse (physical and sexual)

Hey mouthwashing fandom, so this is kind of a hard topic for me to tackle, but recently with seeing people’s opinions in the fandom on Curly as a character, I want to put in my own two cents as a victim of abuse.

I want to clarify before I start that I am not a victim of sexual abuse specifically. The abuse I faced was physical that bordered on sexual, but I was never sexually assaulted. That’s why this analysis isn’t about the sexual assault aspects of Anya’s abuse, like her relationship with Jimmy, but rather on the aftermath of the abuse on how the people she trusted (specifically Curly) interact with Jimmy after they know.

For context so people can understand my situation: I was in a very physically abusive friendship that bordered on sexual abuse in my freshman year of high school. Now, through my sophomore to senior year, I was forced to be in the same school as this person. In the same classes, in the same clubs, in the same events, and the same friend group as my abuser.

This is why I relate to Anya so heavily. I understand being forced to stay in situations with the person who abused you and being around people who either don’t know or do know and haven’t done anything/hold them accountable.

Now onto the main topic of my rant: Curly. So far from what I’ve seen, Curly is a hot topic for debate on the morality of his character. Anya confided to Curly about the abuse, and Curly, as far as we can see, didn’t do much. This makes it really easy for people to point fingers at Curly and call him an awful person and say that he is just as bad as Jimmy.

This is where I disagree. I don’t think Curly is a bad person.

Again, I understand the pain of having people do nothing. I have watched people I confided in about the abuse I face completely ignore what I have said and continue to be friends with them. I have had people say that I was lying. I have had people defend them right to my face because “They look like they’re getting better” or “But they seem like such a good partner to their (current) girlfriend!”

I get how frustrating that is. I understand the level of hurt that brings and how unsafe that can make someone feel. But once again, this is something the fandom immediately jumps on Curly for without really looking any further into it.

The thing is, these are people I know at school. These are people who can actively control their situations. These people can stop talking to them, stop giving them rides, etc. to stop interacting with them.

This is not the case for Curly and Jimmy. The most obvious thing being: they’re literally on a ship in space. They are all in a confined space and forced to be together for months on end. On top of that, Jimmy is a very unstable person, and Curly probably knows that. A lot of people like to characterize Curly as the “Oh, but he’s my friend, he wouldn’t do that” guy, but that’s not what happened. He listened to Anya, and while he definitely been more empathetic and done a bit more, he still didn’t deny it.

I personally feel like Curly specifically not denying it means he knows that Jimmy did it, and that he knows Jimmy is a bad person.

All of these are faults of Curly’s. He let someone he knew onto was dangerous onto the ship, and when he did something bad, he didn’t do enough to help despite being the captain.

But one thing we do know is that Jimmy is a manipulator. He will manipulate or threaten anyone to get what he wants. First off, we don’t know if Jimmy manipulated Curly to give him the job in the first place, which could have very much happened. Second, he was seen manipulating Curly AGAIN in the psych evaluation scene, the birthday party scene, and near the end of the game when Curly confronts him after talking with Anya.

Every single thing Curly falls short on is a direct effect of Jimmy’s manipulation in the first place. Yes, he absolutely could have done more in both situations, but Jimmy manipulated into him into letting him off easy.

On top of being manipulated by Jimmy, there wasn’t much Curly could do. He can’t just throw Jimmy out into space and he couldn’t let Anya have the gun because he can’t have his crew killing each other obviously (even if Jimmy is a threat).

The only critique I have of Curly at this point is doing more to protect Anya. He could have made a better effort to keep Anya safe from Jimmy and really put his foot down when confronting him.

Although again with all of this, it just boils down to Jimmy. If manipulation doesn’t work with Jimmy, then he uses threats or brute force. Curly probably knows that Jimmy is unstable, and probably didn’t know what he would do if he had been firm with him or done literally anything that could be seen as against him, evidence being the birthday scene. Everything that happened and everything Curly fell flat on was becuase of Jimmy’s manipulation and unpredictability tendencies, so really, it’s not 100% his fault.

Tldr; While Curly could have done a little more and should be critiqued, all of the stuff he falls flat on is because of Jimmy just like everything else in the story, so people should stop treating him like he’s a bad person or could keep Jimmy in control because he was a victim too.

[gh0stly-pages]

Out of Our Minds (Part 5)

Ledger!Joker x Harley Quinn-esque f!reader (18+)

CW: violence by gunfire and gas, implied deaths/fatal injuries

Words: 5.8k

Chapter Summary: After a long night of plans, you're ready to break your patient out of Arkham Asylum

Notes: Welcome back! sorry for the long wait, life has been pretty busy but here's the next part! Things are really cooking up in this one. Just wanna preface that in this series you are NOT a good guy, you're turning into a villain like Joker, so there will be lots of violence and so if you're uncomfortable with that stuff I advise you not to keep reading! I won't be getting graphic though (and I really hope that I don't have to be the one to remind you that in real life, murder bad) Also this whole chapter includes a plot for breaking out of Arkham that is very farfetched but we're gonna pretend like it makes sense, okay? okay. Enjoy!

Arkham is cloaked in shadows.

The patients are forced into these shadows, pushed there by people desperate to remain in the light. They want to be the light. To show themselves as all things good and pure. They walk around with their chins held high and their shoulders back, clucking like birds. They are bright. Intelligent. Classy. Or so they want to be seen as. What lurks beneath is all darkness.

These people avoided the shadows, and thank goodness for that.

As you lurked in the shadows, preparing for the madness to come, you couldn’t help but smile.

_________________________________________

Your heart is pounding as you approach the two guards outside of Joker’s cell. You’ve managed to move his session to be the last one of the day, and the anticipation has been killing you.

You don’t know how you got here. You don’t mean literally, you know how you got there, walking with shaking legs through security, scared that somehow they would see it in your face. That you were hiding something. They didn’t even question you, waving you along while looking bored. After that, you realized they couldn’t read you at all. They simply didn’t care. So now, you hold yourself with confidence, hoping everything goes just the way you planned.

But getting here, being Joker’s accomplice, that you were still figuring out.

“Hello boys,” you say to the guards, even though they’ve seen you enough times to know the drill. They hand you the little remote, enter the code, and the door unlocks. Not a single word exchanged. You give them your best bitchy smile before walking through the doors. “Thanks.”

There Joker is, his face paint still intact, though smudged. You let out a deep sigh of relief, and while the door closes behind you, you take your seat, not exactly sure where to start. “Mr. J,” is all you can manage to get out.

Joker leans forward, dark eyes glinting. “Yes, sweets?”

You take a deep breath. “Are you ready to break out of Arkham?”

The smile on his face is like none other you’ve ever seen from him. It’s giddy, it’s dangerous, it’s thrilling. God, you love it. “Doll, that, ah, might just be one of the best things I’ve ever heard you say.”

It took you all night to think up a plan, with the little time you had. You knew you had to take advantage of just how little people cared for you, finally it was serving as a positive. You’d racked your brain, setting up a giant piece of paper on your wall and drawing out the layout of Arkham. You’d marked where the guards would be, how they’d move, the security cameras and alarms scattered around the building. It had all looked like a mess at first. A puzzle you wouldn’t be able to put together. Yet the more you thought about it, the more you realized you were thinking too much about how to perfectly escape and not how to rely on your own strengths. Not only could you fly under the radar, but you were light on your feet, had learned a few tips from Joker on weaponry, and the only people who (mostly) respected you in Arkham were your patients. 

You’d not gotten any sleep but it was worth it as you pieced everything together. The main part of your plan did not necessarily involve high level theatrics like J, but Arkham was in for one hell of a ride.

Reaching up into your hair, you pull out a hair pin, reaching over and grabbing Joker’s wrist. “Here’s what we’re gonna do,” you say, starting on attempting to unlock the cuffs. Joker’s lesson was somehow still fresh in your mind but it wasn’t an easy task. “I’m going to press the button on my remote that will alert the two guards outside the door to come in. We’ll be standing on either side of the door, and we’ll need to take them both out.” To your surprise, the handcuffs unlock with a small click, and you beam as the cuffs fall away. 

Joker lifts his hand, moving his wrist, which is partially bruised from the cuffs. “And what about the other layers of security?”

“There’s two layers of security. That was the tricky part, but I’ve talked to a few of my patients and they’ve agreed to… start a ruckus as a distraction. As long as most guards are occupied with the patients, the ones out there won’t have backup. We can knock them out easily.”

He smacks his mouth. “It all sounds too easy.”

You move to his other wrist, pushing the hair pin into the cuff. “I know, but it’s not gonna be easy. Things are going to go wrong but we’ve gotta try.” Again, with a bit of a struggle, the cuffs pull open with a satisfying click. You look down at his ankles, grateful that it seems he hasn’t been cuffed there. “You’re free.”

He stands up, stretching himself out, and you watch with earnestness as he groans and cracks his knuckles. “Not just yet, dolly. Got that remote handy?”

You grab the remote from your purse before tossing the purse to the side. You won’t be needing that anymore. “Got it.” As you stare down at the remote, everything hits you way too fast, like a mallet to the chest. Your breathing falters, your heartbeat speeding up with a rapid bump bump bump-. It’s not that you’re scared, not necessarily, but you’re scared that you’ll fail both you and Joker. You’re not J. You don’t know how to do this shit. “I…”

Everything goes blurry and it takes you a second to realize Joker has moved in front of you. He places his hands on your shoulders, bending slightly to look you right in the eye. “You’ve got a sharp mind, dolly. I, ah, know you wouldn’t fail,” he says, an odd reassurance but it works, and you can feel your breathing go a bit steadier. Then you realize how close the Joker is. He’s touching you, no cuffs, no table between you, no barriers. He’s right in front of you, all of him. “We’re getting out of here.”

“Right,” you mumble, straightening yourself. Much to your disappointment, he drops his hands from you, moving towards the door. You suppose it’s now or never. With a shaky breath, you follow after him, moving to the opposite side of the door. Now, the both of you stand on either side, prepared for whatever comes your way. “Ready?” you ask him.

He nods. “Ready, Doc.”

You press the green button.

The both of you press your backs to the wall as you hear the door click open. It’s far too early into the session for you to be leaving, so the guards must know something is wrong. The first guard walks in, the door swinging open so that it blocks the view of J, while you hold your breath to keep quiet. The guard doesn’t notice you, and his mouth drops open as he sees the table empty. He draws his gun, holding it out. “What the fu-“

Springing into action, Joker grabs the guard from behind, picking him up and throwing him across the room. The guard screams, his gun flying away from him as he hits the floor. In one quick swoop, Joker grabs the gun off the floor and jams the butt of it into the guard’s head, just as the other guard runs inside the room, already firing shots. J made it look so easy, but this other guy is your problem. Filled with a sudden adrenaline, you come up behind him, kicking him forward. You’re not the strongest, so he only stumbles, immediately whipping around to try and shoot you. Combat certainly isn’t your strong suit, not yet, but you can move exceptionally well. You sidestep him as he tries to ram the gun into your stomach, and you opt to knee him in the groin. He groans and tries to shoot you again, and you squeal as the bullets pierce the walls. Thank god the room is soundproof otherwise the guards outside would have come running in. From the corner of your eye, you catch Joker watching you. He’s holding the gun. He could shoot the guy easily but he doesn’t. He wants you to take the guard down. 

“Bitch,” the guard mutters, opting to try and throw himself on top of you just for you to dodge him again, lifting your leg and giving him a good knock to the ribs. He cries out, and as he tilts to the side, you give him a good punch to the temple. With a sick pleasure, you watch as he collapses to the floor, eyes wide open, barely breathing. Quickly, you grab his gun, not wanting to take any chances. 

You look up at Joker, who’s smiling as he watches you catch your breath, gripping the gun in your hand. “Impressive, doll. Though, ah, you definitely need to work on your skills.”

“You’re the one who gave me a night to think of this,” you grumble, and he chuckles. “Wasn’t exactly able to take a defense class.”

“I’ll teach ya.”

Suddenly, the room begins to glow red, sirens blaring that make your bones vibrate. You look at him in panic, he looks at you with excitement. Clearly, you both have very different definitions of fun. The sirens aren’t for you though, the Arkham security team doesn’t like to cause commotion for just a single patient causing mayhem. The patients must have started a ruckus, whether it be a riot or starting a fight with one another, you hadn’t gone into the details. You just told them to be distracting. 

You tilt your head towards the door. “Coming?”

“You go first, doll.”

You move ahead, prying the door open. Two more guards stand in the room, talking in hushed whispers beneath the blare of the siren. They don’t even notice you as you hold out the gun, firing into one guard’s shoulder and immediately spinning and shooting the other one in the hand. The guard whose hand you shot drops to the floor, their gun hitting the ground alongside them, and you quickly move forward and kick it. But as you kick the gun, a bullet flies out in front of you, nearly grazing your nose, and you spin around, the guard who you shot on the shoulder aiming his gun right at you. Fuck. You tense as his finger moves to pull the trigger again but before he can move any farther a bullet digs into his side and then one into his chest and he goes limp. 

You turn to see Joker huffing with the gun in his hand still smoking. “Doll, you’ve got a lot to learn. You’re not even-“ He turns and shoots the other guard in the chest “-getting in good shots. You’re leaving yourself vulnerable. Gotta make sure you get em’ where they can’t shoot back.”

“I’m sorry,” you mumble, suddenly feeling embarrassed. You didn’t expect to be this unprepared.

Seeing your expression, Joker falters a bit. “No apologies. I’ve told you, it, uh, doesn’t mean anything to me. It’s just a word.” He comes up to you and nudges you with his shoulder. “C’mon. Last room of guards before we have to run, right?”

“Right.”

“Well then,” he says, pointing to the door with his gun. “You first.”

This time, you don’t want to screw things up. You put the gun behind your back, pulling the door open with your other hand and entering the final room. This room has a security camera in the corner, so you don’t want to go in all guns blazing. You have an idea, and with the gun, gesture for Joker to stay hidden. You hope that’s what your gun waving conveys anyways. Three guards turn to look at you, the ones that greeted you when you first came in, two men and a woman. They’re all masked but you can make out the slight outline of their face beneath the face shield.

The woman runs forward, no gun drawn, leaving it still hanging at her hip. “Miss l/n, what happened?” She tries to crane her neck to see behind you but you’ve inched the door closed enough so she can’t see too much on the other side. “What happened with the nutbag? Are the guards attending to him?” 

You nod rapidly, trying to look like you’re startled. Your acting skills might need some touching up, another thing to work on. “Yes, I- I just wasn’t feeling very comfortable… Felt like I needed to get out of there.”

The woman snorts. “Alright, ma’am. Well, is there anything you need from us? Some other whackos are causing a disturbance.”

“Yes, I, um-“ You pull out your gun. “I need you to step aside and let us through.” You slam the barrel into her stomach, sending her flying backwards, and in one fluid motion you shoot the security camera in the corner and then train your gun on one of the other guards. You can sense Joker step out from behind you, shooting the other guard before he can even lift his own gun. The guard you’ve trained your gun on aims his gun right back at you. “You’re gonna let us go, ain’tcha?” you say, trying to keep your voice from shaking. You have to remain confident. “Or else this bullet is going in your head, right, Mr. J?” you say, looking at Joker. If you’re gonna be a villain to these people, might as well play the part.

Joker nods, mimicking your stance and pointing his gun at the guard. “Whaddya say, doll, what should we do if he, uh, refuses to listen?”

You tighten your finger on the trigger. “I can think of a few things.”

The guard drops his gun, raising his hands in surrender. It sends warmth through your chest. Even if it's sickly satisfying. You feel proud. “Okay, okay,” he blubbers, looking between them both. “Please just don’t kill me, I’ll let you go, please.”

Joker giggles. “How generous, you know, normally I’d use you to get out of this place but I don’t think we need the extra weight.” Joker shoots the man in his left hand, bam, then once in the other, bam. “Looks like you won’t be able to do much! Buh-bye!” The man faints immediately.

Seeing Joker at work, this sinister side of him you’ve only seen on the screen, makes you shiver, and your grip on the gun only tightens, knuckles going white. “The uniform. Take his uniform.”

Joker pouts at you. “Aw, it ain’t even my color.”

“J,” you warn.

“Kiddingggg, doll. Why so serious?” Grabbing the man, Joker strips him of his uniform roughly, getting each piece off before stripping out of his own clothes. Your cheeks turn pink and it all happens so fast before you can even think to turn your head and give him privacy. He pulls his shirt up over his head, chest in full display. The first thing that catches your eyes are all the scars and bruises littering his stomach, pink and jagged, scars you want to trace beneath your fingertips. He’s surprisingly toned, just like his arms. Not muscular exactly, but strong looking. Before you can get a better look, he pulls on the guard’s black undershirt, then fastens on the bulletproof vest. When he catches you staring, he grins. “Enjoying the show?”

You turn your head as he kicks off his pants, though you can still see him in your peripheral, throwing on the black cargo pants the guard had donned. “No,” you lie.

“And, are you, uh, gonna be gracing us with a costume change as well?”

You bite back a smile. “No.”

“Pity.”

When he’s finally done, you turn around just as he puts on the helmet. You don’t like that it’s hiding his face from you but you can still see his scarred smile if you look hard enough. “Lookin’ good, soldier,” you tease, saluting him. 

His lips twist into a smirk. “Lucky I like givin’ orders. Let’s move.”

“Okay, J, for this part, you’ve gotta follow me. I’ll run up ahead and lead you down to where we need to go, you gotta take out anyone you can. Got it?”

“Let’s see if we die or not, shall we?”

“You could try and be positive .”

You open the door, poking your head out to look around, and shit, it’s chaos out there, guards running back and forth, clearly busy with whatever the patients started. You can hear screams, banging, and laughter beneath the sound of the still screeching sirens. The place still glows a flashing red. You point to the right, down a long hallway. “This way!” you shout, running towards a set of doors at the every end of the hall. Arkham is a bit of a labyrinth but you know it well. Down that hallway leads to another hall which leads to more doors which then, finally, leads to the staff wing of Arkham. It’s where the back exit/entrance is. And also where you’ve parked your getaway vehicle. 

You don’t wait for Joker, but you can hear his steps behind you, the combat boots he stole pounding on the floor. Nobody seems to notice either of you at first, or they’re too busy to even give it any mind. You know eventually someone will run past Joker’s conference room and realize he’s not inside. His room empty. All traces of him gone. But you hope you’ve bought at least a bit of time. 

As you run, more guards run past you, and you’re nearly knocked off course as one bumps your shoulder. You keep steady on your feet though. Thank goodness for all those gymnastics lessons. The only time you glance over your shoulder is to make sure Joker is behind you before you push through the doors. Once you see him in all his suited up glory, you carry on through the doors, Joker just a step behind. “To the right again,” you yell. There’s less guards down here, but that means even more likely you’ll be caught. Already, you can see them turn to you, wondering what the hell you’re doing running off with one of the guards close behind. As the two of you run, one of the guards turns their attention to you. “Hey! What are you two doing?” the guard barks, running up in front of you. “The lady has a gun!”

You could probably give them an excuse that you’re running away from the danger but you feel too angry. “Running to safety, dumbass!” you say, using the gun like a hammer and hitting them on the head like a game of whack-a-mole. That was a hell of a lot more fun than shooting a gun. As the guard crumples to the floor, at least five other guards take notice, and you have to quickly jump over the guard’s unmoving body to run as fast as you can through the doors. You can hear gunshots explode all around you, it’s like a miracle you’re not hit, and you can tell which gunshots come from the guards and which from J. But before you know it, every single one of them falls flat on the floor. “Nice one, J,” you say, and he cuts up ahead of you, opening the door for you.

“Ladies first,” he says.  

“So gentlemanly.” You shoot out ahead of him. Now you’re in the staff hallway, lined with doors which leads to locker rooms and places to conduct meetings. At the very end of the hall is the exit. You’d be jumping for joy if it wasn’t for the fact that any second more guards would be chasing after you.

You grab his arm, pulling him down the hall, running faster than you ever have in your entire life. “Exit this way!” you scream through the chaos, heading into the “staff only” area of the building. Looming ahead of you, just down the hall of rooms and lockers, is the staff exit, leading to the back end of Arkham. You look over to Joker. “You ready?”

Joker moves his arm away from you, instead grabbing onto your hand with his own free one. “As I’ll ever be.”

The two of you barrel down the hall, practically slamming into the exit doors, desperately tugging them open. There doesn’t seem to be many people around except for a few guards lining the outside, and Joker moves to take care of them as you yank him towards your car. Well, your stolen car. You weren’t gonna risk coming in your own vehicle. “Here,” you say, pointing to a black car in front of you. Letting go of J’s hand, you stuff yourself into the driver's seat, and Joker shoots at another guard before cramming himself into the passenger seat. “Drive,” he yells, and you grab the keys from your pocket, turn them in the key hole, and slam on the pedal. He throws off his mask, tossing it in the back seat. “Faster!”

As you get to driving, you remember the final bits of your plan. The part you’re most proud of. “Hey, J, wanna hear what other distraction I planned?” you yell over the roar of the engine, as you swerve around the parking lot.

“Whaddisit?”

“Gas! The same kind they might have used on you. Rigged it all up on my own. The patients should be all rounded up in their cells by now and the guards? They’re getting knocked out cold!”

You have to focus, but you turn towards Joker, your heart swelling in your chest when he looks impressed. His eyes are wide as he pulls down the window and looks back at Arkham as you pump it straight out of the parking lot, taking down the small security gate. In your rear view mirror, you can see green explosions of gas within the windows. If all worked well, only the guards should be getting knocked out about now, leaving no one to come after you. Police will be on their way, but that at least gives you a bit more time and them a distraction. Plus, they aren’t sure what they’re looking for, no clue what car or who helped Joker escape, not until they can wake the guards.

Now, you realize, you can’t just go back to your apartment. It’s too risky. You look at J as you slow the car, trying to blend in with the rest of Gotham traffic. You failed to plan this far. “J, I don’t know where to go now.”

“I do,” he says, leaning over, making sure not to put too much weight on you or crush you as he takes hold of the wheel. “Just pump the gas, doll, I’ll get us somewhere safe.”

It sounds like a horrible idea, but you nod. You’d make it work. “Okay,” you say, and as the light turns green, you hit the gas. It’s scary as hell just controlling the gas, letting Joker swerve you both around, but you trust him. Ha, funny. You trust the Joker. He drives you towards the outer parts of Gotham, and as you enter a rather dingy residential street, he moves the car off the road. “Park it here,” he says, and you obey, pressing the brake and shifting the car into park. 

“Why here?”

“I’ve got a spot around here.”

“You have an apartment?”

He snorts. “No, I’ve got a, uh, hideout spot in one of the abandoned warehouses at the outskirts of Gotham. And it wouldn’t be very wise to park right outside the entrance.” 

Smart, you hadn’t thought of that. Clearly you lack experience in this realm. You grab the keys and throw open the door, Joker doing the same, and the two of you begin walking on the sidewalk, Joker taking the lead. Darkness has already set over the city, and the two of you walk beneath the light of dim street lamps. It’s cold out, and your white coat isn’t exactly meant to keep you warm, so you hug yourself to try and keep away the chill. “Is it very far?” you ask, and you realize this is the first quiet time you both have had together since escaping. You’ve been too anxious over escaping to even think about everything that’s happened. To think of how the Joker is right next to you, taking you to one of his many hideaways. 

Joker shakes his head. “Not too far, doll.”

Silence settles upon you both, the two of you far too preoccupied with getting to the warehouse to say much of anything else.

As you walk, the blare of sirens starts up in the distance, and when you turn behind you, you can see police lights in the distance. You’re positive they’re not for you, not yet, but if they even caught a glimpse of the Joker, the two of you would be over. Joker knew this too, clearly, grabbing your arm and picking up his pace, practically dragging you as he began to run. Everything is a blur as the two of you fly through the streets. Even though you’re not bad at running, after a few twists and turns, your legs start to hurt, your chest feeling heavy. But Joker doesn’t stop, probably used to running from lord knows what. Before you can register anything, you’re climbing over gates and Joker pushes open the large doors of the abandoned warehouse, pulling you in and up a crumbling flight of stairs until you reach the second floor.

Finally, Joker and you stop moving, taking time to catch your breath. Fuck, everything hurts.

You gasp, throwing yourself against the concrete wall of the warehouse, sliding down until your butt hits the floor. Your chest moves rapidly up and down as you try to catch your breath. Joker crouches in front of you. “Breathe, just breathe, good girl.” He holds out his arms. “C’mere.”

Immediately, you lean forward and throw your arms around him, going limp. He stands up, taking you with him, your legs dragging lifelessly on the floor until only the tips of your toes touch the concrete. You bury your face into his shoulder, and for a second everything feels right. Finally, a quiet moment, and everything crashes down on you, every decision you’ve made. It takes a second for you to process that you’re hugging the Joker, and he’s letting you hug him back. This man, this villain you’d become infatuated with, was holding you close. You’ve imagined something like this before, even when you didn’t want to, but this is better than any of that. “We did it,” you mumble into his guard shirt, which smells like rust and gunsmoke. “We escaped.”

“You did it,” he says, and when you finally pull back to look at him, he’s smiling at you. He gently settles you back on to the floor. “They’re going to come looking for us though. We’ll need to lay low for the moment.”

“In here?” It’s strange to be so close, your arms still wrapped around his neck. “This where you usually stay?”

“I stay all over.”

“Very spacious,” you say, moving your head to look around. “Where do you sleep though? On the hard floor?”

“Chaos doesn’t sleep, darling.”

“No, but people sure do.” You tug gently on one of his locks of hair and he growls. “You need sleep.”

“Can’t sleep now. Not when we’re being pursued.” He wrinkles his nose. “This your first time being a wanted criminal?”

“Duh.”

“I really can’t believe you did it, doll. Made up a whole plan and everything and got me out of Arkham.” Much to your dismay, he moves away from you, walking to some other part of the building. You hesitantly follow after him. “We can camp out here for the night but then we’ll have to move.” In a secluded corner of the room, a moth-eaten curtain hangs from the ceiling, concealing that whole part of the room. Joker takes the curtain in his hand, then looks at you. “Course, we can’t exactly fend for ourselves without weapons, can we?”

Yanking back the curtain, on the other side is a wall full of all sorts of weapons. Guns, knives, even TNT. There’s crates full of clothes, Joker’s clothes, you assume. Some clown masks. All sorts of tools for mischief. You look at it all like a child in a candy store. “J, this is amazing. Isn’t it kind of risky keeping it locked up in here though?”

“I’ve got some goons guarding it. And nobody in Gotham comes in here anymore, I’ve made sure of it.” He shrugs. “If anyone were to find it, let em’ take it, I’d just get duplicates and use them all on the thief.”

You move forward to get a better look at everything as Joker drifts behind you. It should be scary just how much violence is here at his fingertips but know it just makes you swell inside.

“So, how about it, doll? Pick your poison,” Joker says, holding your shoulders from behind. You look over all your options. The guns weren’t exactly your style, you were better at hitting people with them than you were at shooting them. The blades looked nice, and you’d like to learn to use them, but they could only do so much. Something that did catch your eye, sticking out from the other weapons, was a mallet in the corner. It was a tad comically large, definitely not the regular kind you’d see on a construction site. You move forward, Joker moving with you, and grab the handle. 

“Whaddya have this one for?” you ask.

“Uhhhh, to kill people with?”

You glare at his snarky response, though you’re still smiling. “I figured that much. Where’d you get it from though?”

“Amusement Mile.” The old, abandoned theme park towards the other end of Gotham. It’s been shut down ever since you were a child, but you remember your parents driving past it. Seeing a place that must have been so exciting and colorful look so dark and decrepit was chilling. “Found it at one of those old high striker games. Adjusted it a bit.”

Lifting it, you test the weight. It’s definitely heavy, but the weight is distributed evenly, making it easy to maneuver. You give it a quick swing, the whoosh of the mallet like music to your ears. This was what you needed. Sturdy, not too hard to wield, and perfect to pair with your swiftness. “I want this one.”

“Gonna play a game of whack-a-bat with that one?” He maneuvers in front of you, grabbing the handle of the mallet before you could give it another swing. “You can take that one. But you need a gun too. The mallets they’re, uh, too big to get around places sometimes.”

You look back at the wall and point at a small silver gun. “I’ll take that one too.”

He grins. “Are you sure you’re, ah, ready to cause some damage?”

You drop the mallet. “I’ve been ready.” All your life you’ve been pushed to the side. No, pushed to the ground. You were ready to hurt some people back. To make skyscrapers crumble and leaders fall. This anger inside you boils, and you can feel your grip tighten on the handle, envisioning every person who has wronged you.

Joker’s laugh pulls you back to reality, stepping up closer in front of you. “Calm down there, lovely. They call me the Harlequin of Hate but I think that title better suits you,” he says, cupping your chin. “My little Harlequin, partner to the Clown Prince of Crime.”

————————-

That night, you’re stuck sleeping on a mattress on the floor. 

You flop down on your back, the mattress not the comfiest thing you’ve ever slept on but it works. There’s no blanket, so no way of keeping warm, and you try and shift around to find a comfortable position. Joker sits on the edge of the mattress, his knees tucked up to his chest, and it’s such an odd sight to see him so regular that you laugh. His head jerks to look at you. “Admirin’ the view?”

“Maybe,” you say, smiling as you lay on your side. “It’s just weird to see you here. Not in Arkham or fighting B-Man.”

He hums. “It ain’t everyday I bring people around ere’. At least, not like this.”

“Lucky me, huh?”

“You realize you’re in this forever now, right? There’s, uh, no goin’ back from here.”

The weight of it settles on you. “I know... I wouldn’t have gone along if I didn’t know that.”

“Well, if you wanted to go, you could go now. You could walk free, tell the cops I threatened you and made you do all this.” He looks down at his feet. “I, ah, won’t stop you.”

You’re surprised to find your eyes watering. Joker, this menace, a force to be reckoned with, was giving you the option to leave. He could be fooling you, of course, but you could tell from the way the words escaped him awkwardly, uncomfortably tender, that he meant every bit of it. He’d let you go, you could continue your regular life, maybe find a better job. But that wasn’t the point of why you freed him. You wanted to escape too, to show Gotham how corrupt it was, and you wouldn’t do that without J. “I’m not walking away,” you say back.

“You’re insane, ya know that?”

“I know.” You stare at one another in silence. Finally, you yawn. “Are you… are you gonna come to bed?” You’re not sure exactly what’s going on between you and Joker. You like him, you know that much, but how much exactly does he like you? Enough to keep you around, obviously. But to what extent did he want you around? Did he want not just your loyalty but also your affections? You were ready to give affection, but was he? 

Joker shakes his head, and you feel yourself grow disappointed. “You go on, doll. I, uh, gotta keep watch.”

“Mr. J-“

“I like it when you call me that.”

“-You’ve gotta get some sleep. You’re gonna pass out without it.”

“I’ll be fine,” he grumbles. “Don’t ya get your pretty little head worried over it.”

“You’re an ass.”

Your anger only makes him smile. “If you’re so, ah, worried, then just wake up early and I’ll drift off for a bit.”

“Then that’s exactly what I’ll do,” you say, flipping over, not wanting to give him the satisfaction of seeing you ticked off. You’re not actually upset, you just wished Joker prioritized himself a bit more. That was something to deal with another day. “Goodnight, J.”

“Night, darlin’.”

That night you dream of Gotham in flames. You dream of chaos. You dream of him.

Taglist:

Taglist: @lightsabergirl / @knoepfl / @jeffswh0re / @itsmrshamilton / @heath-ledger-jokers-wife / @lolwey / @ilovetoomanymen / @amazingzou/ @ronniesweetkisser / @emberhatesthemoon

lmk if you'd like to be added to the taglist!

[lemotmo]

911 8x08 thoughts and freak outs!

Okay…

Well…

WOW…

OMG!!!

What do I say about this episode? 😶

Uhm…

Well, my first reaction was this: AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAHHHHH! 🤣🤣🤣

And I mean this in a very good way! 😏

I’m just going to start with the thing that made me go AAAAAH! In the first place:

Eddie and Chris! That scene was heartbreaking and when Brad talked to ‘Edmundo’ about his estranged son it was a great moment. Eddie has started to realise he has to act NOW, because he son is growing up without him and he doesn’t want that gap to become any wider. 😭

Side-note: Fuck the Diaz parents big time! They suck! 😠

So Eddie decides to move to Texas, which is so very much the wrong thing to do. But I get why he’s considering it. The right thing to do for him would be to go to Texas, talk to Chris and telling him he needs to come home, back to LA. But I don’t think Eddie is ready for that yet. He’ll need some time to get there, but he’ll get there in the end.

Which leads me to that one scene with Buck. And OMG! In the seven years that I’ve been here, shipping Buddie, I’ve seen a lot scenes between them that suggested something more, but it was never really anything concrete… you know? 🤷‍♀️

This scene? It was like being hit over the head with a sledgehammer. Buck just walks into Eddie’s house and Eddie’s okay with that. He’s teasing him about the tablet and Eddie lets him. They know each other through and through. And Buck’s face when Eddie told him it was in El Paso? That was interesting. And of course he wants to help Eddie. It almost feels like they’re buying a house together for a moment there. But then…

Then when Buck’s sitting on the Diaz couch (yes… hello couch theory, great to see you again! 😂), his face falls and there is something there that wasn’t there before. Guys… we just witnessed the very early beginnings of Buck’s ‘OH’ moment. Eddie making plans to move will help Buck realise just how much he truly cares for Eddie. 🥲🥲🥲

So, this is it. This is THAT scene we’ve all been hoping for.

I feel unwell.

In a good way.

The Buddie-arc has officially begun. 😋🌈😁☀️

So unwell right now.

Still in a good way.

But oh… this is going to be such a good hiatus! That scene alone will inspire so many writers to write excellent fic, it will fuel us for months and ignite the fandom to speculate and theorise. It’ll be epic! 😎

I wonder if there’ll actually be a time-jump or they’ll just pick up where they left off after hiatus. 🤔

On to the rest of the episode:

Where was the Maddie storyline they talked about?

Athena’s storyline was actually nice this time. It is entirely possible that something flew over my head when it comes to her scenes as a police officer. But to my non-American eyes, it was a nice storyline. The cart cop kid was a little naive, but he was likeable I suppose. I don’t really enjoy watching people like that on YouTube, but for the show it was okay.

I unexpectedly really enjoyed the Brad storyline. Granted, him rescuing that woman and risking hurting her? That was iffy, but 911 is like HotShots in that respect, you know? We aren’t supposed to take it all ‘that’ seriously. So I can live with that scene. I love the growth in Brad and how he talked that guy from the ledge. Do we think that scene was based on the fact that Jon Bon Jovi talked someone from the ledge a couple of months ago? I think that’s where Tim got his inspiration for this.

So overall, I really enjoyed this episode and I have to admit that I didn’t really expect too much of it. But it managed to surprise me in a few ways. But mostly that Buddie-moment… it just blew my mind. 🤯

I can happily skip into hiatus now. All is right with my fictional TV-show world again.

😎😎😎

I'm off to read the post interviews now and answer some asks in my inbox. YAY!

[granny-griffin]

1. There are a lot of people who think they're the only one who would speak up. Imagine what would happen if everyone who thought they were the only one... Spoke. But even if you do think you're alone... Why is antiracism not worth standing alone for?

I mean I think it is, and I’ve done it (or tried to). But I do tend to second guess my interpretation of a situation a lot more if I haven’t seen anybody else say something—maybe people sometimes aren’t sure if what they’re looking at is racist or not, and then decide not to do anything with that uncertainty because it would require thought.

2. There is a difference between feeding the trolls and speaking up when something wrong is happening. Do you feel people are more comfortable assuming the former so that they don't have to interact via the latter?

I think people are taught that the latter only exists in real life, and that if you try to do it in fandom you’re just yucking someone’s yum. People who do the second one generally receive the same kind of pushback as people who do the first one (even though they don’t deserve it).

3. Why do we think that bigotry will go away if it goes unaddressed? Is that how you also feel about bigotry that you experience via your other identities?

Because trolls go away when you don’t pay attention to them. But like you already said in question #2, those situations aren’t the same. People are drawing a false equivalence between the two. And as far as bigotry I experience in fandom—I think I just assume that it will be there and not go away no matter what, and I’m pleasantly surprised when that’s not the case. But that’s not really the point of this.

4. Why should we entertain and prioritize the annoyance of bigots? Why do you not deserve to be here and have a safe, comfortable space any more than they do?

I want to annoy bigots XD I love the excuse. Honestly not sure why more people don’t feel this way on tumblr, the website that’s all about being as annoying as you please.

At the same time, I want the annoyance to come because I’m giving them a message they don’t want to hear, not because I’m also being a jerk about it. Maybe it’s weird, but I care about bigots because they’re people, and their bigotry hurts them too, and I want them to listen to me long enough that they hear what I have to say and change what they’re doing. But even that isn’t a reason to try to keep from offending them—coddling somebody in their bigotry isn’t kind either.

I do think that people often don’t want to offend bigots who are good at creating fanworks, because they look up to them as a creative and/or don’t want to drive their skill away from the fandom. Yeah—the better you are at fanworks, the more you can get away with.

The second question is hitting me really strangely—yes, I think everybody deserves to have a comfortable space, and I want to defend that for others. I don’t know if I care to defend it for myself.

5. What do we plan on doing when Black fans lose their patience due to disillusionment? Are we okay with the outcome of that, of choosing... Well, being racist but safe? (Be honest with yourself!) Would we rather Black fans just accept that it's easier to assume everyone is antiblack, the same way it's easier not to speak up against it as a social norm? If we want to show that there is still a welcome for Black fans, that we are safe, why don't we act to show that?

I mean I plan to listen to them, even if I don’t like the way they’re presenting their frustrations—if somebody’s mad at me for something that I really did (or sat by and failed to stop) then it’s so not my job to critique their attitude.

I don’t think I’m okay with the outcome—that’s why I’ve spoke out in the past—but the parenthetical is psyching me out. Maybe I do ignore things out of fear! I’ll have to keep introspecting.

I don’t want Black fans to assume everyone is against them, and I don’t think other people want that either—but I think fixing the situation requires people to be proactive. I think a lot of people think that just not being antiblack is enough, and then don’t think about it any harder. And so nothing happens, because instead of looking to do something right, people are only trying not to do something wrong.

6. If everyone only hangs around people who aren't antiblack, why is the space still so overwhelmingly antiblack? Have you considered that you cannot adequately judge from within?

YES 100%!! I don’t think we can accurately judge from within! This is one of my biggest struggles—it goes back to my answer to #1. I want to speak out against racism, but even though I’m trying to educate myself so that I can spot it, sometimes I’m really not sure. And calling somebody racist feels like a really big accusation—if it lands publicly in the right way it could get somebody blocked by all their friends. I wouldn’t want to do it to mistakenly. So I’ve been trying to watch and see when Black people call out racism so that I can amplify/support what they’re already saying.

But maybe we need also to have a less all or nothing approach? If we aren’t sure if someone is being racist, we could start a more private conversation to tell them about our concerns, and see if their response sheds any light on the situation. Sometimes I ask people leading questions about their thought process when making something instead of just telling them to quit being racist.

Inevitably, no matter what I do, I worry that I’m not using the right level of forcefulness. But I guess sitting here and angsting about the appropriateness of my approach is still better than doing nothing.

7. No one really answered my "what is the boundary" question at all. What I should have asked is, are you willing to recognize that you have a willing tolerance for antiblackness? That there is a certain amount that you are okay with allowing before thinking it's worth speaking up?

Yes, and I think it’s tied to my struggle to judge situations. There’s a certain threshold of racism under which I can’t identify it with enough accuracy to feel comfortable making a callout. But again—maybe “public callout” and “do nothing” are not the only two possible responses.

Okay so after sitting on the responses from yesterday's question, I have some follow up questions to what seemed to be some consistent... Themes in the answers.

Like yesterday, I am asking with intent to listen (and maybe ask more questions) so I will not be arguing- at best, you'll get a "hm" to acknowledge i saw what you said.

My follow up questions:

1. There are a lot of people who think they're the only one who would speak up. Imagine what would happen if everyone who thought they were the only one... Spoke. But even if you do think you're alone... Why is antiracism not worth standing alone for?

2. There is a difference between feeding the trolls and speaking up when something wrong is happening. Do you feel people are more comfortable assuming the former so that they don't have to interact via the latter?

3. Why do we think that bigotry will go away if it goes unaddressed? Is that how you also feel about bigotry that you experience via your other identities?

4. Why should we entertain and prioritize the annoyance of bigots? Why do you not deserve to be here and have a safe, comfortable space any more than they do?

5. What do we plan on doing when Black fans lose their patience due to disillusionment? Are we okay with the outcome of that, of choosing... Well, being racist but safe? (Be honest with yourself!) Would we rather Black fans just accept that it's easier to assume everyone is antiblack, the same way it's easier not to speak up against it as a social norm? If we want to show that there is still a welcome for Black fans, that we are safe, why don't we act to show that?

6. If everyone only hangs around people who aren't antiblack, why is the space still so overwhelmingly antiblack? Have you considered that you cannot adequately judge from within?

7. No one really answered my "what is the boundary" question at all. What I should have asked is, are you willing to recognize that you have a willing tolerance for antiblackness? That there is a certain amount that you are okay with allowing before thinking it's worth speaking up?

*I also want to note that I'm not directing this to Black fans. I know that the context changes when you have to fight. I'm asking the people who have the privilege of fighting antiblackness while not having the identity. I.e. some marginal power in the area.

[sugarcubetikki]

In my previous post, I got several reblogs and comments where people said that they didn’t dislike Maddie because of her relationship with Caitlyn but more because of who she is as a character. The reasoning people gave was because of what she said about Vi being “one of the good ones” in Act 1 of this season.

Let me remind you that in this scene Maddie is telling Vi about how Caitlyn basically hyped her up to all the enforcers and how she’s become somewhat of a legend amongst them. She then goes on to say that things were rough after Marcus betrayed them and that she’s glad that there are still good ones left.

There seems to be a lot of debate what these “good ones” in question refers to and I think the obvious interpretation here is that Maddie is talking about enforcers as that is the context of their conversation and it makes sense as she mentioned Marcus’ betrayal right before that line.

However, there’s another take going around that became fairly popular after Act 1 and I also believe the last scene with Maddie banging her chest in support to Ambessa’s proposal fuelled this take.

People believe that rather than enforcers, the hidden meaning behind the line was the Maddie was referring to Zaunites. And that she was calling Vi one of the good Zaunites.

Hence, this makes Maddie prejudiced towards Zaunites and that was why she was willing to bang her chest in support to Ambessa.

I am going to be honest I did consider this as a possibility after watching Act 1 purely because we hadn’t seen enough of Maddie yet and I didn’t know what to make of her quite yet (I wasn’t extremely passionate about the fact that she was a Zaunite hater and had dubious motives I was just very neutral about her and considered that this could be a possibility).

However, after watching Act 2 and hearing some of Amanda’s comments about her character I do believe I have no reason to actually believe she has any ill intent to be honest.

I was actually surprised to hear that people still strongly hated her character and believed she was prejudiced towards Zaunites even after this act. I personally do not agree with stance and that’s why I feel the need to voice my reasons as to why.

If she was prejudiced against Zaunites and supported Ambessa, why would she encourage Caitlyn to call the whole thing off?

And yes, the key word here is encouraging. She didn’t sound like she was pressuring Caitlyn to do something and make a decision. Her wording was soft and supportive.

She was encouraging Caitlyn as a leader and empowering her rather than having any ulterior motives on her own.

If you contextualise this scene with Maddie banging her chest in Act 1, I would like to point out that Maddie wasn’t looking at Ambessa.

She was looking at Caitlyn. Based on her actions being nothing but supportive to Caitlyn in Act 2, this makes complete sense.

Also, with all this context, let’s go back to the “one of the good ones” scene.

With Maddie being supportive in all these other scenes, she’s also speaking in a similar manner here with Vi, she’s encouraging her and let me remind you that Vi considers Caitlyn’s proposal to become an enforcer after Maddie’s little pep talk.

It makes little to no sense to interpret this as a double messaged “I hate Zaunites” when she doesn’t seem to be shown to act that way in other scenes. Plus, she was talking about enforcers and Marcus before too. It’s also the way that the light falls on her in this scene too that characterises her as a ray of sunshine (could be a death flag too though haha).

Also this makes me think of what Amanda said after this Act about Maddie being the angel on Caitlyn’s shoulder whilst Ambessa was the devil in episode 4. This light could also represent a halo.

Maybe she could still have dubious motives and some of you are right for mistrusting her but that is different to outright hating on her because some of her scenes could be interpreted as her hating Zaunites (as I’ve explained above I personally do not see it and so far it does not make a whole lot of sense). Anything could happen in Act 3 so I am not going to comment on the future of her character but I do not as of now get the impression that she has any ill intent towards Zaunites.

Haha. And that is my hot take on Maddie as a character. I never really thought I’d write two posts linked to this character but for some reason fandom discourse just fuelled me to share my opinions. I know Maddie is a character that is currently striking a lot of controversy due to being a perceived threat against one of the main ships on this show but…I encourage you to be open-minded and understand that this show tries its best to make their characters seem as human as possible. Caitlyn is human for needing to fill the void in her heart that Vi left. And Maddie is human for loving Caitlyn even if it’s idolisation on her part or an innocence that makes her struggle to see that Caitlyn is uninterested. That is human.

I’d just like to clarify that you are allowed to disagree with my opinions and I am also open to the possibility that I could be wrong about Maddie and Act 3 could make my post look foolish. But I’m still going to post what I believe as of now and how I interpreted her character and I hope you’ll consider my viewpoint (feel free to share yours too. this is an open discussion. thank you!)

[cherie-luvv]

Sorry for breaking it to you but Newt is not your “little innocent baby”, he can basically break your arm with three of his fingers

[tabithatwo]

(x)

(this is a pls stop blaming juliette lewis for nat’s arc and death post <3)

[kiwisandpearls]

the statements “platonic relationships should not be undervalued” and “it’s ok to ship wlw ships and mlm ships even if the characters involved have no canonical romantic interest in each other” are not mutual exclusive.

[j-esbian]

i lost the post but i saw someone talking about how some of y’all act like being weird is a choice and like. YEAHHHHHHH.

that’s fine, it might be for you. but i just live like this and don’t know any other way. like yeah i’ve worked customer service, i can do innocuous small talk, but anything beyond that, i don’t understand what i’m missing. and it’s frustrating to see the tonal disconnect especially from people who are like “uwu embrace weirdness!!” where they’re like. dressing quirky and talking about bugs and listening to obscure music and eschewing small talk to ask Deep Questions on the first date and unlearning their tendency to not infodump. and generally have an idea of what Weirdness is supposed to look like. idk man some of us wake up and get out of bed and can’t figure out why the rest of their coworkers chitchat with each other but when they join the conversation it dies.

weirdness is value neutral. let’s stop trying to turn it into a badge because quite frankly, it’s not a choice for everyone. it’s fucking exhausting to never be on the same wavelength as other people and they’re going to react the way they do and label you the way they will without any conscious actions on your end. it’s difficult to talk about this without feeling like you’ll be dismissed as immature, a teenager whining “no one understands me” but the thing is. sometimes you don’t grow out of feeling alone and different, and there’s no good way to talk about it without feeling like people will think you’re just fishing for pity.

[elprupneerg]

I hate when I see a post that maybe has helpful information, but it’s so full of guilt tripping, calling people who don’t know the information stupid, and calling people who haven’t been talking about that particular problem stupid, that I don’t feel comfortable sharing it.

[lauraisakilljoy]

obx spoilers ahead!!

I'm so conflicted about the season 4 ending because on one hand I get it. life is unfair, it's unrealistic to give all of your characters happy endings, especially if said characters are constantly putting themselves in danger. it makes sense that not everyone survives four seasons of near-death experiences like being held hostage, getting shot at, almost drowning etc. on the other hand I can't help but be bitter that the person who had been abused/mistreated their entire life and who was clearly suffering was the one who had to die. at the hands of his biological father, may I add. I’ve seen some people say JJ was annoying this season and I get where they’re coming from, but all of his impulsive decisions and everything that happened at/after the town meeting just made me sad. he was struggling so much that he didn’t care what happened to him or if he lived or died. all he wanted was a future where he could live with his friends in their own little paradise without a care in the world. with the money from the crown and shoupe’s promise, it seemed like he was so close to happiness and inner peace, but they didn’t let him have that. so yeah, I get why they did this, but that doesn’t make it less upsetting.

[ilovedthestars]

honestly the biggest Competing Access Needs issue that I personally have run into in online spaces is this:

people need, deserve, and should have space to complain and critique. that includes critiquing things that I (and they!) care about and find valuable, in order to make them better. those conversations are often necessary and healthy, and they should be allowed to happen.

however, I find those kinds of conversations incredibly stressful, often outright upsetting. especially when it involves people I like/respect arguing with or criticizing other people I like/respect. my instinct is to try to mediate and smooth things over and acknowledge the points of both sides, but often that’s either not my place to do or would be actively unhelpful. so I just end up torn in the middle of what feels to me like a barrage of negativity, filled with the unhelpful desire to be like “can’t we just all get along????”

the only and best solution to this is for me to just remove myself from conversations like these, and I’ve gotten better at that, but. It’s still difficult for me to deal with, even though I know that despite my hangups, it’s sometimes better for those conversations to happen than not.

[raeofgayshine]

I wish I could go back and tell younger me that I would in fact find that place one day full of people that I adore deeply and who I know love me in return. Who make me feel wanted and cared for and appreciated in a way I never thought would be possible. And none of it required hiding, or forcing myself to be a person I’m not. And I still have that space even though I’m aroace.

For the first time ever, I see a future where I’m not alone. And I wish I could go back and tell my younger self it would happen. It’s possible to not be constantly lonely.

[thiagodasilva]

i know I don’t go here whatever but imagine being a topspurs fan and talking so much shit about Heung Min Son. talking as if he’s single-handedly the reason for your squad’s bad form pls. (I guess it’s easy to pick on him because he’s been in his own bad form for a bit now, with a crazy injury on top of that??) That world class man has more individual accolades than your club has won in decades. look inward.

[cunthq]

if i say i’ve watched a movie i’m probably lying

[sweetmodel]

How I became a master shifter (+ why methods aren't working for you)

Hello! I’ve been seeing a lot of disinformation lately, and I’ve noticed that some people might need help, so I wanted to chime in. I can shift whenever I want, and I see a LOT of limiting beliefs—but I understand because I was once on the other side.

Disclaimer: This is all based on my personal experience with how I became a master shifter. You’ll want to read everything—it’s important.

I first shifted around March 2022. I would always use methods. I would affirm, tell myself I was detached from this reality, and so on. During my very first shift, I literally affirmed all night long (if this sounds familiar, it’s because I used to have another blog here, lol). You know, really complicated stuff. Then... things changed. I couldn’t shift anymore. I kept using the same methods, but they didn’t work!

That’s when I started questioning everything about shifting and consciousness. Why was it that I could be in another reality where things like magic exist, but then suddenly I couldn’t shift anymore? Why were the methods, like lucid dreaming or the void, seemingly more powerful than the act of switching realities itself? Why, when I shifted from my Desired Reality to my Current Reality, all I needed to do think of my CR to shift back—but it didn’t work the other way around?

None of it made sense! And I’m sure many others have asked themselves these same questions.

I came up with two theories:

This reality has something unique compared to the infinite other realities. To shift from here, you need something extra, like a method.

There’s something else at play, something unrelated to the realities themselves.

I dismissed the first option. There’s nothing inherently special about this reality. So why do we use methods here but not in our DRs?

Then, I thought back to how I used to shift... detaching from my body, affirming until I shifted. It all aligned with my subconscious beliefs. The method didn’t work because that’s how shifting works, but because it made sense to my subconscious. Of course I would shift if I did these things—because that’s what I believed shifting required.

Well... kind of. As I said, it made sense because it aligned with my beliefs. So when the method failed, I wasn’t letting myself shift.

Did you catch that? I didn’t let myself shift. Of course, it wasn’t the method. At what point do you actually shift? Is it when you affirm? Do you really think the universe is just waiting for you to say the right thing enough times before it switches you to your DR?

No. It’s you.

So, you have two choices:

Find a method that truly aligns with your beliefs, or

Change your subconscious beliefs.

Changing your beliefs might seem hard, but I’m going to explain why it’s not as difficult as it feels.

All your life, you’ve had certain beliefs, but those beliefs came from somewhere. You weren’t born thinking you need methods to shift—it’s something that developed over time. Which means it’s not set in stone. It can be changed.

I realized that every reality holds the same weight. There’s NOTHING you can do in this one—no intrusive thoughts or negative emotions—that can stop you. Why? Because those thoughts and emotions are products of this reality. Shifting is simply changing what you’re aware of. That’s literally it. Anything outside of that can’t stop you.

Yes, we’ve all seen those posts saying things like, "Oh, you’re not focused enough" or "You spend too much time on X, Y, Z" or even "You don’t go outside enough" (I legit read this on here—y'all are wildin’). Are you in your DR thinking "Oh, I thought about failing to shift, it means I won't :("? Of course you aren't! But nothing can stop you from shifting. Nothing can stop you from being aware that you are a master shifter.

So, how do you become aware of that?

I started affirming throughout the day. I would tell myself these things:

I’m pure consciousness. I create my reality, and everything around me is just what I choose to perceive.

I’m a master shifter. I don’t need methods. All I need to do is choose to shift, think of my DR, and it happens.

Nothing in the 3D can stop me from shifting, because I’m in the 4D and pure consciousness.

I told myself these things constantly, and I truly understood what I was affirming. What being pure consciousness and being a master shifter actually meant. I stopped using methods. I stopped acting like this reality was special compared to the ones I wanted to be in. And then... it happened.

I shifted. During the day. I simply thought of my DR, told myself, I want to shift, and there I was—in my DR. It happened because, as I said, my subconscious beliefs changed and then manifested in my reality. The same way they did when I believed I needed methods.

Naturally, I stopped using methods. I stopped trying to shift. I no longer thought, Okay, tonight I’m going to shift, and I'm going to use X method. Because that’s not how you think or act when you’re a master shifter. I let go—why would I bother using a method before sleeping when I could just stand up, think about my DR, and be there? Why would I bother doing a method before falling asleep when I knew I'm a master shifter?

I allowed myself to shift. It was me! When people ask, What method did you use? What did you do to shift?—do you really, truly believe it’s the method that makes you shift? Of course you do, because you live in a reality that seems logical, and you apply that logic to shifting. But shifting isn’t logical! It just happens! I have no idea why—it’s literally just magic to me—but that’s how it works.

So, you need to understand: You make it happen. That’s a good thing, right? It means you don’t need methods, and you don’t need to keep searching for “the key.”

Anyway, I hope this helps someone. (Also yes, before you tell me, I know this is basically Law Of Assumption. But I wanted to explain it in more of shifting terms)

(Also if someone wants to post this to another social you have my permission- especially reddit since I was active in that community but I deleted my acc lol)

Edit: Hey guys there are some additional notes in the comments that might be useful!