#and wouldn't be likely to do something of that nature himself

[fortuneforsaken-if]

What is a King to a God, and what is a God to a non-believer?

DEMO ☥ PINTEREST

This game is geared for mature audiences and as such is strictly 18+.

Ancient shackles bind you to the mortal realm, a soul severed from a home lost to the sands of time. A curse on you, a blessing for those who take command; Who wouldn't like to own a God?

You're the highly revered deity of fortune. Or you were, five thousand and eighty-two years ago. Now you're nothing but a glorified plaything to one of the most powerful families in the world. Every demand you must fulfill, no matter how vile or self-serving. The illusion of choice is all but shattered, there's nothing you can do to change it.

Or is there?

It takes a simple thing for something to shift. A fragment from the past, an ageless, flickering hum of power that unfurls the hands of fate and unearths buried sparks of hope. No one would've thought that an ancient sherd would hold the first hint to your freedom, a warm, familiar sensation of your soul locked in a tomb somewhere where no mortal has stepped in well over five thousand years.

Let's hope the decay doesn't take you before you find your way back home.

☥ FEATURES ☥

Two separate sides to customization; The one mortals perceive, and your true form. Choose names, appearances, gender, pronouns, sexuality, romantic orientation, and more.

Shape the personality that starts to re-emerge after being dulled for the better part of history. Reconnect with yourself, and get in touch with memories and feelings you lost so long ago.

Experience a character-driven story full of twists and turns that eventually determine how each of the three endings play out.

Romance one (or two) potential love interests from a cast of characters; A shunned archaeologist, a primordial God, the reincarnation of a priestess, or the mysterious man you can't quite place. Or don't, it's up to you.

And last but not least: Don't let the decay reach your heart. Every change of fortune has consequences, and mindfulness is encouraged. This game does have bad endings.

☥ CAST OF CHARACTERS ☥

Zain/Zaina Tharset ∆ M or F, 28

"You're my birthright, and I'd sooner have you dead than let you make a fool out of me."

Z is your charge. Loud, obnoxious, and entitled; They don't care about your feelings or protests. Every desire that leaves them only serves them alone, and it's on brand for most of the charges you've had before. In simple terms, Z is not a good person, and the more time you serve under them, the less you believe they have any redeeming qualities.

Like everyone in the family, Z has warm brown skin with golden undertones, and eyes in light shades of brown. Their hair is naturally curly and shaved on the sides, leaving a strip of hair on the top and back, like a fashionable mohawk. Zaina's hair reaches the middle of her shoulder blades, while Zain's stops at the nape of his neck.

Being bound to them is painful, but you have no choice. Trying to retrieve your soul will be an ordeal, and it might not be worth the agony.

Rami Tharset ∆ M, 28, RO

"Just because the world has forgotten you, forgotten them, doesn't mean I will."

Rami is the twin brother of your current charge. Kind and humble, it's difficult to imagine him a part of the Tharset family on count of how different he is from that pit of vipers. He keeps to himself, usually holed away in a library or study where he digs into the history of, well, you. Or the ancient world you came from. This has caused the rest of the archeological community to shun him, the name of your old empire nothing more than a myth and a glorified fairy tale.

Rami shares his family's warm brown skin tone, and the black curly hair that's usually a messy mop that sits on top of his head, unstyled and naturally chaotic. It reaches just the stop of his ears, and is shaved in the back. Light brown eyes that are quite blurry without his glasses, but the gold-tinted pilot-framed lenses fit him nicely.

He's one of the few friendly faces you face in the Tharset circle, and you curse your misfortune that you couldn't have him as a charge instead.

Maluset ∆ M, N/A, RO

"For all I am, all I have controlled, still I could not keep you safe. Forgive me, old friend."

The God of the Night, and everything that you have left of an age and life long forgotten. While the rest of your pantheon faded one by one, he remained. You've always known Maluset as a calm presence, a steadfast and unperturbed God that never let himself be shaken, by mortals or his siblings.

While Mal prefers manifesting as his animal motif - a jackal made of black marble and eyes like consolidated galaxies - he does have a human form too. If he must appear mortal, his skin takes the color of what the mortals of your time had; bronzed, medium brown with a golden undertone. His hair would be jet black and curly, medium length, and he likes it naturally tousled by the winds. If necessary, he'll let his eyes appear dark brown in color, but he prefers the starlit skies in them instead.

He's been a constant in your life, at least until he disappeared three centuries ago. You know he's still out there since the realm where you take shelter is his, and it hasn't yet disappeared.

Rory Ewing ∆ F, 23, RO

"I can't remember, but your face, it stirs something in my heart. Why? Who was I to you?"

Rory is a new acquaintance to you, but there's something very familiar about her. She might just be a student now, her curiosity bringing her close to you, but you can feel an old connection whenever she's close by. Her voice reminds you of prayers long ago, even if her modern vernacular is closer to 'damn, that shit's the bomb' than hymns sung in your praise. Then again, reincarnation has a way of changing people.

It doesn't, however, change appearances. Back in your day, Rory's vessel was a traveler from the north; Her skin was light beige, rosy in its undertones. Her hair was thick and a subdued red, woven into an intricate braid that hung over her shoulder, reaching her midriff. Her eyes were also uncommon to you; pale green, vibrant but ghostly.

She doesn't remember you, and maybe that's for the best. Her new self is a stark contrast to who she was, and you don't think she'd enjoy the idea of donning priestess garb over the punk-rockish getup she wears now.

Taz Arian ∆ M, 34, RO

"Funny, isn't it? How some people seem familiar, even when they shouldn't be."

Taz is... Someone. He appears out of nowhere to join your journey, his knowledge of old ruins and tombs handy but somewhat worrying when he shouldn't even be able to see you. There's a strange thrum of power coming from him whenever he speaks, and you swear you've met him before, but where? It might be easier to find out if he didn't deflect and flirt his way out of things, but it does help with mortals that can't see you.

His appearance is nothing extraordinary; Dark brown hair that's held up in a bun, and you could assume it reaches his shoulders when loose, the loose curls pulling it a tad shorter. His eyes are light in color, almost golden in the right light, glinting with mischief. His skin is weathered, and golden bronze in color, with an intricate tattoo of an eagle spanning across his chest. He also sports a short beard, which gives him a rogueish look.

There is something about him that tugs at your memories, but you can't catch that thread of remembrance for long enough to recall him. Still, he doesn't seem to mind and resorts to teasing you instead.

[auclairedetoru]

“This has been y/n and Satoru, thank you so much for watching, bye!”

The moment they reached the greenroom, y/n's smile drops. God, her cheeks hurt, nobody talks about how hard it is to fake a smile all day, it's like a workout for your face except you gain nothing at the end.

Her co-star walks in behind her, a cocky smile on his face. If she was him she would get tired of herself. How can someone be so egoistic? He loves himself more than his own mother loves him. Every second she's in his presence, she feels herself losing brain cells and getting gray hair, and as much as she loves silver locks on other women, she does not want the cause of it to be Gojo Satoru.

“Great job today, everyone! Y/n you could've been a little more cheerful toda-”

“Shut the fuck up.”

She plops down on the sofa and rests her head against the back of it. They still have one more interview left to do, so she's forced to tolerate that dumbass for a couple more hours, and it's a recorded one so she has to pretend she likes him too.

Why did she choose to become an actress again?

Right, childhood dream, worked hard for it, blah blah blah.

“Whoa! Careful there, tiger! Someone might be filming and you don't want to ruin the season before it even starts.” Gojo smirks, eyes glinting with mischief as he continues to push her buttons.

The people in charge decided to promote the filming of the new season of their show to remind people of it and get them excited, not that anyone was able to forget the last two seasons. According to the statistics, people love a slow burn story, especially when it stretches over multiple seasons. Yes, that does mean y/n has been stuck with Gojo as her co-star for three years now, as known as the longest three years of her life. Everyone around her tells her that time is passing by too fast, but it's been the opposite for her.

She's dreading this season the most. It might be the last, but it means the story will finally reach its long-awaited climax, which means her character and Gojo's will become more than friendly.

She doesn't even want to think about it.

“Leave her alone, Satoru. You still have one interview left.” his manager scolded him making the bright blue eyed man pout like a four year old not getting the candy he wanted.

The fact Gojo and y/n can't stand each other is something known only between them and their close staff, not even the director and producers know that the "chemistry" between them is something they make up on the spot and doesn't come naturally at all. They're surprised no one has figured out they don't like each other in any way, but y/n takes that as a compliment because it means that she's a really good actress who has perfected her craft and is able to fake getting along with a menace like him.

After touch ups, she goes to where the interview is being held, greeting the staff on her way and telling them she's excited to be working with them. Gojo smirks at her from his seat as she makes her way to sit on hers next to him. She mirrored him to keep up with the "we're best friends behind the scenes" thing they somehow built for themselves.

“Why are you looking at me like that?”

“Can't a man admire his friend and co-star?” he teases, milking the hell out of the act they put on for the camera. Y/n wanted to roll her eyes but instead she forces out a laugh and takes her seat.

She ignores the way her heart flutters at his words. No need to focus on that.

A few months into filming...

“Alright, everyone!” the director calls out as he claps his hands, “Cameras rolling, sound is up, let's do this.”

Ah yes, the most important scene of the entire franchise. The first kiss scene. This is what the show has been leading up to, this is the moment everyone has been waiting for, this is the thing y/n has been looking forward to the least, in fact, she has not been looking forward to it at all, she wishes it wouldn't happen.

The scene takes place at her character's apartment, a place the set design team has made so cozy looking she wishes she could curl up and take a nap on the couch. Gojo's character is her coworker and he's coming to check on her because she disappeared from the office party after seeing him flirt with someone. That's when she confesses that she's been pinning over him for years and he confesses back before pulling her into a kiss.

“Okay you two,” the director looks at them, “not to put you in any pressure, but this is the most important scene of the entire show. All your hard work has led up to this moment. Satoru, you're the one leading the kiss, remember that she's very vulnerable and heartbroken, so you need to be gentle and soft, she's the person you love most so you're gonna handle her with the most care. Alright? Here we go!”

The apartment door closes between y/n and Gojo as the clapper loader steps in and holds the slate in front of the camera, “episode 11, scene 45, take 1!” they call out before snapping the clapper shut and stepping back.

The director pauses, glancing around one more time to make sure everyone is ready.

"And... Action!”

Y/n steps into character and hesitantly opens the door. Her expression shifts to shock as she sees Gojo standing across from her, hair and clothes disheveled. “What are you doing here?” her voice is a mix between surprise and hurt, just as the script calls for and just as they rehearsed. Gojo's eyes soften, exactly how he was instructed.

Yes, she can't stand him, but that doesn't mean she won't admit that he's really good at his job. He's not one of the most sought out actors for no reason.

“I was worried about you, you left so abruptly.” he says, letting his eyes dance all over her face only to catch her wet cheeks and red eyes, and no, it isn't makeup and fake tears, she spent half an hour before filming started watching "soldiers reuniting with their dogs" videos to get to that point.

He moves to cup her cheek, but just as scripted, she steps back, her expression flattering. She starts to remind herself of things that make her emotional to start tearing up, “I-I'm fine, you can leave.”

Gojo stares at her a bit longer than he's supposed to, but she blames it on his love to suddenly improve, and not that he's admiring her or anything, not like she wants him to admire her, that would be crazy on her part.

"You don't have to hide from me," he says with the same soft tone.

She tries to hold back the tears to keep up the strong and always optimistic personality her character is known for, and after a moment she allows a couple to flow down her cheeks. Gojo's face morphs into a concerned expression.

“I don't like seeing you with someone else,” she mumbles, her voice breaking with every word that slips out of her lips, “it hurts me, right here,” she taps on her chest with a shaky hand.

Gojo's eyes widen to feign surprise, a perfect mix of confusion and disbelief on his face, playing the oblivious character to perfection, “you... You like me?”

“For the longest time,” she sniffs, her voice thick with emotion as she starts opening up, “I held back, I tried not to make it obvious, but i can't anymore.” She drops an octave to deliver the last line, showing as much vulnerability and pain as possible.

There’s a pause, and everyone on set is on the edge of their seat. They could feel the tension between them, the two playing their roles better than what everyone imagined from reading the script. Gojo goes to take a step closer, stopping half way.

“Can I kiss you?” he asks, his voice shaking to show that his character is feeling nervous. The director looks intensely between the scene in front of him and the one on the screen, making sure that the intensity they feel in the room is accurate on camera to what's happening in real life.

It's her turn for her to be surprised, playing unsure and hesitant, not expecting those words to come out of his mouth, “w-what?”, her voice trembles as her eyes search his face like she's trying to find any uncertainties.

“can I kiss you? Please?”

Gojo takes the step forward. His voice is soft and his gaze holds hers, intense yet tender, leaving no doubt that his character has been lounging for this and wanting it for just as long if not longer than her.

Y/n takes a deep breath. This is it, she's about to kiss Gojo Satoru, the person she despises the most. She hopes it won't be awkward, the scene was going smoothly and the last thing she wants is a retake from the top, she also doesn't want to embarrass herself in front of the whole crew and become the topic of their gossip.

After a small pause, just as instructed by the director, she gives Gojo a small nod. Gently, and hesitantly, he cups her cheek as he brings his face closer to her. The nervousness on her face is mostly real and she doesn't know why she's feeling that way, she wants the scene to end already.

The moment their lips touch, something surged within Satoru and his free hand quickly grabs her waist to pull her closer to him. Did she always smell so... Devine? Why are her lips so soft? Is her lip balm candy flavoured? Why does she taste so sweet? Why can't he pull away from her?

The kiss is supposed to be gentle, a tender moment of affection, yet the way his hand was gripping the pajama top she's wearing betrays his character's intentions. But the way his thumb caresses her cheek is the opposite, grazing the warm skin softly like he's handling a little kitten. He knows he’s supposed to pull away now. He wants to. He needs to, for the sake of this scene. But something holds him there and it's making him not care about the script anymore.

It’s only when he feels a gentle squeeze on his arm that he finally pulls back. He looks down at Y/n, her lips slightly swollen from the kiss, her wide eyes bright with a spark that stirs something deep within him, making him want to lean down and kiss her again.

“cut !”

The pair jumped away from each other. They both forgot they were on a set, filming a show, and not in the comfort of their own homes.

“that was just... Wow,” the director shakes his head with a smile, “Satoru you went a little out of what I told you with the kiss, huh?”

“yeah, sorry,” he smirks with fake confidence, acting like his heart isn't beating faster than a racing car, “I just thought the moment needed that intensity, ya know? He's been waiting to kiss her for so long after all.”

“No I agree, you did the right thing. Go ahead and take five, everyone. This is one of those rare times when there's no need to do multiple takes, the first was perfect.”

Y/n lets out a breath she didn't realise she was holding and quickly leaves to go grab a water and get some fresh air. She can't believe what just happened. That was definitely not a normal kiss, it felt too real. What was Gojo thinking!? Why didn't he stick to the script and kept it short? And why did she like it so much? She's not supposed to! She's supposed to hate him and everything he does.

“Y/n? Can we talk in your trailer, please?”

Fuck... Please don't let that be Gojo, please let her ears be mistaken and it's not his voice asking her to talk in private, please-

She turns around, and it's him. He stands there, hands tucked into his pockets, looking a little... Shy? Since when does Gojo Satoru feel anything less than bold and confident? There's an unusual softness to his expression, one she only sees when he's playing his character, but without the little voice in the back of her head reminding her that he's just acting.

Despite not wanting to talk to him, she still nods and follows him to her trailer that wasn't parked far away from where they stood. She lets him in first and closes the door behind her to ensure no one can hear whatever they're about to talk about.

As they stood across from each other, Gojo's eyes dart everywhere except to her face, something he has never done before. His usual bravado is gone and replaced with an unusual hesitance. She watches him with a puzzled look on her face. Why is he acting so out of character? It's as if he's nervous to talk to her.

Eventually though, he opens his mouth.

“I apologize for going out of script during the kiss. I didn't plan it to happen and I'm sorry if it made you uncomfortable.”

Now he's apologising? Okay, something is definitely wrong. Gojo has never apologised to her in the three years they've been working together. She is starting to feel nervous herself.

“It's okay, really,” she crosses her arms across her chest, “like you explained to the director, it's what you felt the scene needed, and I respect you as an experienced actor to know what you're doing.”

“That wasn't my reason, though.”

Her eyes nearly bulge out of her skull. Huh?!

“what ?”

He takes a step closer to her, a look on his face she couldn't describe, “that's just a lie I made up on the spot. I felt a pull when our lips touched, I don't know what happened to me and it's driving me mad,” he runs a hand through his hair, a habit his manager told her he does when he's anxious, “I couldn't stop myself, so I just let whatever it is take over, but I still couldn't stop, I tried but I just couldn't pull away and I— I want to kiss you again! I want to kiss you right now!”

“Gojo, calm do-” her words fall on deaf ears.

“No! You don't understand! I want to kiss you, but you hate me! You can't even look at me without being disgusted, and I keep making it worse! I keep showing the worst version of myself around you and it makes you hate me more and-”

“Gojo! Stop!”

The look on his face is breaking her heart. He seems so desperate, struggling to put his feelings into words, but every attempt only makes him more anxious, his words stumbling over each other as he tries to make her understand.

“I don't hate you, Satoru”, his heart flutters at the sound of his first name coming out of her lips. Even in interviews, she always used his last name, this is the first time he hears her call him Satoru, “I hate how you act when we're together behind the scenes. You're always so sweet to everyone but I'm always the one you tease, and sometimes your teasing hurts.”

“I'm sorry, I'm so sorry. It's just- I've liked you, as a person, before we even started working together, and I treated you how I treated my close friends. I didn't realise I was overstepping boundaries.”

Why is it so easy to forgive him? It must be something to do with the blue I'm his eyes, it holds some sort of spell that makes everyone want to be on his good side.

“It's okay, as long as you own up to your mistakes and don't repeat them, I'm willing to see past it all and start new.”

A huge smile takes over his face, content with her answer. He is so happy, he's been wanting to do this for so long. He knew he wronged her and needed to apologise for his actions, but he never knew how to approach it.

Without warning her, he lifts her up in a hug. A squeal left her lips followed by a melodic laugh as she hears him thank her over and over again. She allows herself to enjoy the warmth of his hug. His fans didn't lie, he is really good at them.

He pulls away enough to look at her face without unwrapping his arms from around her, “Can we start new by allowing me to take you on a date? I promise I'll treat you like the princess you are.”

She feels her cheeks heating up with a blush as she nods, unable to hide the small, shy smile tugging at her lips. Gojo grins wider, his eyes lighting up with an unmistakable spark of excitement and something tender, “can I kiss you again? Please?”

She barely finishes nodding before his lips are on hers. He’s smiling into the kiss, unable to hide the joy bubbling up inside him as he realizes his newfound feelings are reciprocated.

And yeah, she did like him more than she let on. The small crush she had on him before they met definitely didn't disappear like she thought it did, instead it stayed hidden away and came back out when she felt his lips for the first time.

She never expected this nor planned on letting herself fall for The Gojo Satoru Charm™, but with him here, holding her close, and pressing a kiss filled with passion on her lips, she realises maybe, just maybe, she’s been wanting this all along.

The ending looked way better in my daydream lol. Hope y'all liked it still 💕

[flowerandblood]

The Price of Pride (23/?)

[ canon • Aemond x Royce • female ]

[ warnings: sex content, unprotected sex, targcest stuff, smut, the angst, nightmares, speaking about trauma ]

[ description: Prince Aemond finds a solution to the disproportion in the number of dragons between Dragonstone and King's Landing: he decides to find dragon blood and, like his half-sister, train dragon riders. He takes as his target the daughter of Daemon Targaryen and Rhea Royce, whom he abducts and imprisons in the Red Keep. Slow burn, darkish, insolent, arrogant Aemond. I have combined several requests here: (dragon blood female & prisoner female). ]

* English is not my first language. Please, do not repost. Enjoy! *

Next chapters: Masterlist

_____

That night he slept vigilantly – he was awakened by her every movement, her uneven breath, the creak of the bed beneath her body. He held her close and did not let her out of his embrace fearing that again, led by some dark, cruel dream, she would try to do what he had witnessed.

It was only when he saw her standing over the edge of the precipice that he understood what her disappearance would mean: that with her he would lose the part of himself that she had managed to reawaken.

He tried, he made an effort, he changed for her, because he knew that she would see it, that she would appreciate it, that she would tell him, as she always did, that she understood him.

She was the first person to praise him out loud – there was something humbling about how much he craved it, whether from his mother's, his father's, Aegon's, Sylvi's or Criston's lips.

Everyone he had somehow allowed to cross the line and know some part of himself.

However, it was only she who was able to do it in the way he needed – not pitying him, not treating him like a child, but simply trying to comprehend what he was facing, why some things were difficult for him while others were groundbreaking.

He realised that she never demanded anything of him: she never asked him to marry her, she never asked him to send her home, she never asked him to become more open.

She always waited patiently, with a strange, partly incomprehensible understanding, showing him that it was simply his nature.

With her, he stopped being ashamed of himself: of who he was and who he wasn't, what he lacked, what he had lost, what mistakes he had made.

Because of her, he forgave himself.

He had found peace.

And now, that peace was about to disappear with her.

He swallowed hard at the mere memory and snuggled her tighter into him, embracing her more firmly in his arms. He heard her quiet mutter, her fingers tightening on the material of his shirt, her cheek pressed against his chest.

His thoughts fled to what she had said, to what she had seen in her dream – him with another woman, his betrayal, the greatest humiliation she could have experienced on his part as his wife.

He could not comprehend why she thought he could fail her trust in this way, break the oath he had taken before the gods themselves, hurt her while she was helping him heal his wounds.

Even if she were only his lover, he wouldn't want another – he would not be able to open himself up again, to allow someone into his heart and mind, much less at the cost of losing her.

You are my only friend.

And you are mine, he thought, stroking her hair slowly, exactly as she had asked him to do.

She combined everything he wanted, allowing him to take care of herself so that he could feel like a man, while at the same time caring for him, giving him space, so that sometimes, but only sometimes, when he felt weak, he could become a little boy in her arms.

There was something liberating in that thought – in the conviction that his grandfather was right, and that his affection for her could slowly blossom, giving him more strength every day.

He wanted her to be sure of his fidelity and devotion, just as he was sure of hers.

He knew that this alone would give her peace of mind.

To his satisfaction, she stopped pretending not to see him – when she asked him early in the morning if he would help her with her bath and be by her side, he immediately agreed.

He would never have thought he would so willingly step into the role of a servant of sorts – while she sat in the bath in her nightgown, sunk up to her chin in warm water full of fragrant oils, he gently rubbed her arms and hands with a damp cloth.

There was something intimate about this moment, some attempt of reconciliation, of staying together despite all that had happened.

He didn't tell her about what went on behind closed doors – he didn't tell her that his grandfather was delighted with what she had accomplished, that he, Criston and Gwayne were planning to conquer the Eyrie before Rhaenyra could recover from another loss and move on them.

Deprived of Daemon and Rhaenys, she was like a lion without fangs and claws – even new dragon riders could not replace the experience and bond they had with Caraxes and Meleys.

Otto felt, and he agreed, that the kingdom should hear that it was he, not his wife, who had killed Daemon – this was not to give him credit for it, although it certainly helped him as Prince Regent, but above all – in his eyes – it was to protect her from accusations that would be damaging to her.

Namely, that she was a kinslayer.

Word that she had killed her father, committing, like him, a sin unkind to the gods would spread like the wind, preventing her from getting rid of the remorse that was already overwhelming her.

He preferred everyone to think it was he who had killed his uncle.

He was already cursed in the eyes of others anyway, so what he had done would no longer matter.

Daemon's death raised the morale of the army: his soldiers celebrated all the next day after he announced the news. He guessed that his wife heard them, grieving, but he could not forbid them from doing so; he stood between the hammer and the anvil.

To his satisfaction, it turned out that both Cole and Gwayne were men showing enough sensitivity to understand his wife's condition: her help was still needed by them, but it was clear that forcing her to do anything would turn against them.

They had to wait patiently for her to return to balance, in the meantime planning every next step.

The fact that she was carrying his child pleased him, but it also made things even more complicated.

No one but him, Maester and her knew about it.

"I remember more and more. From the time I was a child." Her voice snapped him out of his reverie.

He looked at her, her face flushed from the warm steam that floated around them, her long, dark hair tied back to keep it from getting wet.

He sighed quietly, his thumb running over the moist skin of her wrist.

"And what do you see?" He asked, though he guessed what her answer would be.

"My father. The way my mother spoke to him and about him. She told me once…" she muttered and fell silent, lowering her gaze as if ashamed and heartbroken, her eyebrows arched in pain.

"… she said something that I think was the source of my age-old resentment towards your lineage. She said that the Targaryens have strange customs. That fathers take their daughters to their bed. I think that's why I repressed all my memories of my father embracing me, touching me, kissing me on the forehead. The thought that he wasn't doing it out of fatherly love, but out of sick, disgusting lust, terrified me. She destroyed his image in my eyes because she hated him herself. But now that I think about it, he never touched me in a wrong way. He never even tried."

She whispered, finally looking up at him, as if begging him to confirm her words, to tell her that she was right even though he had not witnessed the events.

He swallowed hard, realising that he often forgot that what his family had been doing for generations was ordinary only for them, but not for people from the outside.

"Marriages in our family happen between relatives, but never between parents and children or grandparents and grandchildren. That would be unacceptable." He replied calmly.

Her fingers clenched on his hand, as if she was wordlessly trying to convey to him that she needed him now more than ever.

"But after all, there were rumours of my father taking Rhaenyra, his niece, to a brothel long before she became his wife. She was still a little girl then." She muttered in a breaking voice.

He lowered his gaze, not knowing what he should reply to these words.

"I've heard about it too, but as you say, it's gossip. I didn't hold any love for him, but I can't say with certainty if or what he did to her at the time. I'm no saint myself." He confessed, finally looking up at her.

She blinked, staring at him with surprise bordering on horror, as if his confession frightened her.

"What do you mean?"

He felt his jaw clench in an unpleasant shudder of discomfort at the thought of what he had done to her.

"I have used you. I did it deliberately for months."

He fell silent, unable to look into her eyes – it was only when he said the words aloud that it occurred to him what he had actually done to her.

"You didn't force me. I agreed to it." She whispered.

"Did you?" He asked, looking at her finally. "Do you think my pride would have endured your refusal, your rejection? That I wouldn't do anything to you?"

She swallowed loudly, looking at him with some kind of worry – her lips pursed into a thin line as she took his hand in hers.

"And you? Do you think I really had any desire to lose my maidenhood with some servant? That I didn't want you to take his place? I didn't know you, nor did you know me. For a long time it was a game, yours and mine. But at some point I no longer knew what was a lie and what was the truth. I began to miss you by day and looked forward to falling asleep in your arms at night. The more I got to know you, the more I longed to stay by your side."

He didn't know why his lower lip was quivering, why he felt a burning wetness under his eyelid, why his throat was squeezed with emotion.

What he couldn't comprehend was the ease with which she was able to understand him and his decisions, as if it didn't require any effort on her part – the knowledge that she never resented him, that she was partially aware of what he was doing and consented to it made him think that perhaps it had to be that way.

That it was somehow their joint decision.

A shared effort to understand who they were, what they craved and why they kept returning to each other.

"I ask you to forgive me." He whispered, clasping his fingers over hers, feeling his heart pounding like mad in his chest.

Forgive me for who I was when you met me.

Who I still am when you are not by my side.

"I too ask for your forgiveness." She replied softly, making him feel a pleasant warmth spread across his chest.

The reciprocation.

"I forgive you." He said.

"I forgive you too." She replied and smiled lightly, sincerely, for the first time since those events.

She shifted towards him with a quiet splash of water, and he did the same – he sighed with some kind of relief when her face pressed against his cheek, when her scent filled his lungs, when her full lips placed a warm, wet, tender kiss on his hot skin.

He closed his eye, focusing on that pleasurable touch, his fingers involuntarily stroking her hair, her neck, her jaw, his words against her ear like a whisper.

"I regret that I didn't meet you sooner. That it wasn't the warmth of your body, the moisture of your lips that I experienced for the first time as a young boy. That our fathers did not betroth us the day you came into this world." He spoke quietly, tracing the tip of his nose over the soft, smooth structure of her plump, pink cheek.

He felt her hands tighten on his tunic, her breath caught in her throat as her thighs involuntarily clenched under the water.

His erection pulsed hard in his breeches.

It seemed to him that ages passed before her face slowly turned towards him, before her lips found his, teasing him merely, not giving him full kisses, but only a foreshadowing, an encouragement, a promise of what he wanted so badly.

He pressed her against his body, unable to contain himself, sinking greedily into her soft, wet flesh – his hand clenched in her hair, preventing her from escaping his slick tongue as it burst deep into her throat.

She moaned into his mouth and it was one of the sweetest sounds she'd ever made – he involuntarily smiled, feeling lighter as her arms embraced his neck, as her lips parted, allowing him to continue.

They had never kissed like this before – so slowly, lazily, as if they had all the time in the world. They concentrated on making their lips unite completely, the quiet clicks of their saliva accompanying their every flick. His fingers stroked the skin of her face, her neck and her hair more gently than ever before, as if any sudden movement on his part might suddenly startle her.

"– I miss you – in every way –" He breathed out between one kiss and the next, embarrassed by his desperate confession, which he would not have dared to make in the presence of any other woman.

He knew, however, that she would not mock him.

That she would understand him.

She sighed, pressing her forehead against his, her knuckles running over the line of his jaw.

"– I miss you too –"

Her body beneath him was wet and warm. It seemed to him that they were two parts of one whole – before he did what he so desperately craved, he simply admired the way she looked.

He marvelled at how her breasts had begun to change – through the baby in her womb they had become fuller, plumper, like a ripe fruit.

He leaned over her bare skin, placing wet, lazy kisses around her nipple, finally closing his lips around it. She moaned as he began to tease it with the tip of his tongue, swirling it around the sensitive spot – he knew she loved it when he did that – her hands always pressed him closer to her chest, exactly like now, asking for more.

His hand slid slowly down her waist, to her hip, finally finding its way between her thighs. The tips of his fingers ran over her silky womanhood, collecting the moisture that had managed to leak out of her, merely brushing her hot skin. He felt her body shudder as her legs involuntarily spread wider, consenting to whatever he wanted to give her.

For some reason, he felt as if this was their first time – perhaps because they were completely different people than when he had taken her to his bed.

She remained his prisoner, and he had complete power over her, treating her body as something that belonged to him for the sake of a strict, eternal law, the essence of a woman as one who could not oppose a man.

This time, however, feeling the skin of her soft breasts melt under his lips, sinking his fingers into her sticky, fleshy folds, running them around her little bud, he felt like a young boy exploring a woman's body for the first time.

There was something reassuring about the way she just let him do it, combing through his long, white hair with her fingers, breathing softly, clearly taking pleasure in how slow and precise his caresses were.

Now, lying beneath him, she was truly his little sister, his future wife, betrothed to him from the day she was born, created to be only his.

There was something beautiful about this vision, he thought as his middle finger pushed against her tight, throbbing entrance – she gasped, clenching her fingers against his naked back, but neither she nor her body offered him any resistance.

"– lēkia – I want you inside me –" She mumbled with difficulty, as if ashamed and bitter that she wanted this so badly, that, although she wanted to prolong this state of sweet tension, she was unable to hold out any longer.

His long-fully hard manhood twitched and pressed against her thigh, expressing his irresistible desire to do exactly what she asked.

He released her nipple from between his lips with a quiet click, lifting his face higher, placing a warm, loud kiss on her cheek – he felt her fingers run over his jaw, neck and chest as he grasped his erection in his palm and directed it to her slit. They both sighed when they felt the closeness of their bodies as, with a slow, patient movement of his hips, he opened her for himself and froze in this position.

Her insides were moist and warm, exactly as he remembered – his forehead pressed against hers as they embraced each other tightly, her breasts clinging to his torso in sudden need of closeness.

For a moment he simply looked at her, breathing loudly along with her.

They both sighed with a low, surprised moan as he involuntarily stretched her fleshy walls wider on his erection, sinking deeper into her – her hands slid down from his bare back to his buttocks, stroking them in some comforting, tender gesture.

I love you, he thought, placing a hot, moist kisses on her plump lips, letting his entire manhood deep inside her body – the experience was a kind of epiphany, something from which there was no turning back.

She sighed softly into his throat, reciprocating the lazy, sweet caresses of his lips as he began to sink into her with tentative, light thrusts, again and again disappearing into the familiar, the good, the safe.

They embraced tighter, looking directly into each other's eyes and it was the most intimate thing he had ever experienced – he usually avoided a woman's gaze, even hers, afraid of what he would see in it.

Sadness as in his mother's eyes, compassion as in Sylvi's, sorrow as in Helaena's.

However, his hāedar's eyes told him something different – in her gaze he saw pain, loss, longing, pleading, all that he felt deep inside himself.

They both moaned, panting louder and louder as her hips began to sway to the rhythm of his thrusts, reaching out to join him again.

"– you're so warm –" He exhaled wearily, ashamed to hear his voice break.

He wasn't sure why he'd said it – he wanted to say so many other things right now, but he couldn't.

These words seemed natural to him, sincere, coming from the depths of his heart – the outside world was cruel, vicious, cold, and her body was full of warmth, softness, smooth as silk.

They embraced closer and snuggled into each other, stroking each other's hair and faces, kissing slowly and unhurriedly, deeply, tenderly, in a way that deep down he had dreamed of.

He wasn't sure if he was usually a rough, sometimes even harsh lover because he wanted to, or because it gave him confidence, allowing him to keep his face and dignity.

There's more dignity in this, he thought, speeding up his movements, letting their bodies slam against each other loud and fast with sticky splats of their naked skin, listening to their grunts and sighs filled with pleasure.

For some reason he felt more like a human, more like a man, more like himself than he ever had, with his long hair loose falling over her face, without an eye patch covering his eye, completely bare not only with his body, but also with his mind.

He showed her what he hadn't even shown Sylvi.

He showed her that he was capable of affection, capable of longing, capable of suffering because of another person.

He was weak.

But by her side it didn't matter.

Her nails dug into the skin of his back as she inevitably neared her peak, tears of relief ran down her face, a quiet, girlish cry of delight broke from her lips as the sweet convulsion of fulfilment shook her body.

She was beautiful in her vulnerability.

"– hāedar –" He gasped out – his fingers clamped down on the sheet as he groaned low, clenching his eyelids, finally coming inside her, feeling the sudden, wonderful shivers surging through his body, the sweet pulsing in his erection, which at last experienced release.

He sighed loudly as he simply lay on top of her, careful, however, not to crush her with the weight of his body – they embraced with their arms and continued like this, breathing heavily in the silence of the chamber.

He closed his eyes when he felt her lips place a warm, tender kiss on the top of his head and involuntarily smiled, feeling like a little boy again.

At last, after so many years of anguish, he was truly loved by someone.

[katerinaaqu]

What's your opinion on how Telemachus was handled in Epic (so far) ? I'm curious 😀.

And what is different from his Odyssey portrayal ? Not counting the fanart that infantilizes him, I'm strictly talking about the musical itself.

Hahahaha you guys definitely wanna put me against a wall one of these days! XD But I absolutely LOVE this question! Hahaha okay here goes;

Absolutely I wasn't gonna talk about the fanart and all that is part of the designing process and arguably that is part of every person to do. They could easily choose the depiction more Odyssey-accurate and still use the musical sound so yes you do well to mention it because yes I myself wouldn't touch the design part in this ask

Anyways long story short; I don't like it.

Storywise it is overly-simplified and shows only one portion of his possible emotions; the one that tries to connect with his father. That part is genuine and I see where the portrayal such as the song "Legendary" came from. Arguably Homer himself also touches the subject of glory through one's deeds and I see where the musical came from when Telemachus says what he says but the song was too bbbly, too naive portrayal of Telemachus and in a way completely disregarded the true depth of sadness and depression in Telemachus.

In the Odyssey Telemachus never connected to his father because his father was never there. To the point where he was even doubting whether he was his son or not. He basically says that "everyone calls me that but how can I know? The dude was never there. Possibly never will be here again". His whole energy was the total opposite than Epic.

Epic portrays Telemachus in a manner that reminds me of Disney's Little Mermaid in "Part of your world"; a bubbly teenager who dreams to start his life or to be making a legendary name for himself like his father and in childish naive energy says "bring me all these monsters to fight them!" while in his childish naive nature was also making him afraid or worried to face the bullying of the suitors (the way the suitors were portrayed as if Jorge wanted to make them EVEN MORE evil also had me cringe like Antinous calling Penelope "tramp". Antinous called Penelope more or less "divious" because of her scheme against them but that was all. In here they are competing for her hand while calling her names without reason? Yeah right....). He seemed like the average teenager that needs the adult to get him to realize video games is not the life and that he needs to do something about his future! Does he also seem low-key sad? Yes. But just like Ariel in the Disney movie was pictured as a dreamer that wanted escape from his confided situation through bubbly and childish dreams.

Odyssey Telemachus was both emotionally and psychologically exhausted; his mother was taken down by grief and endless waiting and had confided herself in her chambers, trying her best to avoid the suitors that were at her home for FOUR YEARS, constantly crying at this point. Telemachus also saw his grandfather lose his mind in sorrow and his grandmother melting away by desperation and sadness and dying or potentially killing herself by it. The last thing he wanted was "to be legendary". In fact Telemachus gave me the exact opposite energy than a dreamer. He was very down to earth and his main goal was to get out of this nasty situation, trying to grow as a person to set himself free from this torment. He had so much in his plate that the last thing he wanted was to dream. In fact he gave me the impression of a person with no more the luxury of dreaming. He almost seemed crushed to the point of breaking himself almost like every other member of his family. (He gives me the impression of a person that after spent years of trying and fulflling their dreams now they are forced to work in a work they hate for survival and think that "dreams are for fools. No luxury for them!")

Like I said Menelaus described Telemachus as a spitting image of his father including his eyes, which is something I find the most important. Menelaus compared Telemachus's gaze to Odysseus; a man that fought a war with him! A man exhausted by the evil he saw and caused. Telemachus's profound grief was so intense that his look was equivalent to a man Menelaus fought a war with! He was the opposite of what we see in Epic! In fact we know that Telemachus was also very much silent and tried to keep a low profile so he didn't need to face the humiliation of the men that were literally plundering his wealth and harassing his mother and himself. The last thing he had in his mind would be to "be legendary". He was also plundered by the fact that not only was he doubting that Odysseus was his father per se but also he was in doubt that this Odysseus that everyone named his father would be alive or dead. He didn't know that. He was actually almost certain that Odysseus was dead but that part in the back of his head was not yet leaving him in peace which is why he needed Athena's guidance

Which brings me to the next part; Athena In Epic Athena appears to...give Telemachus the boost to fist-fight the suitors for some reason and mind you he still gets his ass handed at him! It made it seem as Telemachus's only problem was that he didn't have the guts or skills to fight the suitors and Athena gave him a solution! (potentially a message to stand up against bullies for teenagers? Perhaps but still I felt it massively undermined Telemachis's situation in the book) As I have answered to another person around here, Telemachus's problem was that the suitors claimed the law of hospitality and named themselves ODYSSEUS'S guests. Telemachus could not yet take over as king and he had no power to send them away. Plus he was plundered by doubt about his own inheritence. What Athena did was not to make Telemachus a fighter for he already was (we see how well he stands against them at the side of his father in the Odyssey) she came to encourage him to find out on his own.

Arguably the trip of Telemachus was a mirror counterpart of Odysseus's but instead of a trip that makes you lost like Odysseus was lost, it was a trip for self-discovery. Mind you, both the trip of Odysseus and the trip of Telemachus are cognitive trips; both characters learn in them and come in contact with places. Psychologically the trip allows Telemachus to escape this boarderline toxic grief in his home and explore the world. Also find out on his own information about his father. Now, arguably he never really finds out about his father's whereabouts for certain apart from Menelaus's vision but there is something he definitely gets out of his trip that is not talked about enough;

He finds out he REALLY is the son of his father and he gets information about what kind of man he was!

He hears from friends that fought with him how similar he looks to him; not just from his closed and secluded environment but of people outside his circle and his known people that he looks like him and they also give him information about him. No more the random comments the suitors he hated say or his sad mother who could either idealize his father to escape her grief or the loyal slave Euryclea who adored the family naturally like a mother; now it was also friends and known people of Odysseus that speak about him Telemachus is double-checking his information! Thus coming home much more confident on his inheritence and his own destiny and duty

Arguably the Odyssey is as much Telemachus's story as it is Odysseus's. Telemachus was in one way a spectrum of Odysseus; fighting a different type of war; losing himself in a different type of sadness. His story was a story of coming of age not a story of a goddess that teaches him how to stand up against bullies. Telemachus already does that in the Odyssey by calling the council. Arguably he was alays standing against the suitors but his position did not allow him to do something drastic! I think just like many things Epic missed this by a mile; reducing Telemachus's profound grief, sadness and uncertainty to an average teenage escapism story rather than the fact that Telemachus had no luxury or energy for escapism, Athena's advice for self-discovery to the average "raise your fists and fight your bullies" story ignoring the deep cultural details that led Telemachus to that tight spot in the first place and of course it completely abandoned the importance of Telemachus's trip which could be a subject of a movie on its own! (Quite frankly Telemacheia covers more chapters in the Odyssey than Odysseus's own flashback! It covers 5 rhapsodies of the Odyssey while Odysseus's story covers 3-4)

I hope this answers some questions! I will be happy to elaborate more.

[darth-kote]

Obi-Wan Headcanons Pt. 1

Feels a surge of pride when he says something he privately thinks is clever that earns a cacophony of laughter from his men. He has to remind himself not to let that pride go too far to his head, but he can't help the slight broadening of his shoulders at the rare sound. He thinks the clones deserve to laugh more often, and he's more than delighted to be the cause of it, especially during such bleak times. When he hears one of the men repeat a line he'd once said or speak with a slight lilt that reminds him of his own, he wonders if fatherhood has similar moments of overwhelming pride.

Mentioned slightly in a prev post: His Padawan braid is something he keeps in his chambers on Coruscant. It's stowed away in a lockbox in his wardrobe, underneath many robes and tunics. He doesn't know why he keeps it - is aware it resembles some form of attachment. He doesn't do much with it except glance at the box it's in when his thoughts are especially unsettled. It reminds him of his master and the past... It reminds him he was chosen – trusted. As he watches Anakin's grow with time, he's caught off guard by the envy threatening to leak into his heart each time it whips over his Padawan's shoulder. When this feeling does arise, he meditates for a lengthy time, releasing anger and want for the past and replacing it with patience. Just because his master had been stolen from him does not mean Anakin is any less worthy of one. Anakin is not at fault for what happened, and resentment only leads to the dark side.

He indeed thinks about taking on another Padawan after Anakin has flown the nest, and he wonders what it would be like. Traditionally, the master chooses their apprentice, but this hadn't been the case for Anakin and himself, and it makes him wonder how he should know who to take under his wing. Qui-Gon hadn't quite gotten to that bit.. He feels unsure about his teachings at times, but watching Anakin with Ahsoka reassures him that he did well, which he hopes has made his master proud from whichever plane he resides on. He does know he feels Cody's presence strongly in the Force, and the signature he produces has become like a safety blanket for the Jedi; he likes to daydream about passing his knowledge down to the Clone, even if he wouldn't be able to utilize the teachings in the same way those with naturally high levels of midi-chlorians might... It's certainly a very non-traditional Padawan, though that's nothing new to him. He wonders - secretly, guiltily - if Qui-Gon could lend him some eloquence in persuading the Council to let him take on another unorthodox student. He's aware it will never happen. The attachment is unhealthy to say the least, which is the first of many problems the Council would list off for him if he were to ever bring it up.

After Satine's death, Obi-Wan is noticeably shaken. He does well at masking how he's truly feeling until he has a quiet moment alone in the fresher or his bed chamber, but Cody has become quite the expert at reading between the lines on the Jedi's face - which has hollowed considerably since he'd first met the general. Cody barks - yes. - at his men to stay alert and to comm him only if there is a Grievous-level emergency. As he walks through the echoey hallways of The Negotiator towards the general's quarters, his bootsteps and his heart clang loud in his ears. Once there, the doors do not swoosh open like they usually would upon his approach; he's no Jedi, but he's sure he can sense a heavy cloud of energy emanating from the room before him. A brother or two pass by in absolute silence, afraid of catching a stray from their commander, whose stress seems inextricably linked to their jetti's. Once they round the corner, Cody enters the code that ultimately leads him to quite possibly his worst fear come to life: Obi-Wan that isn't Obi-Wan. Except it undeniably is him. The typical rosiness in his cheeks has crept up to his lower lashes, and his breathing is rough and heavy. Cody's bucket is off in an instant, and he's crossing the span of the room to kneel before Obi-Wan's supine body. Cody doesn't know what happened exactly, but he can see that something is upsetting the general, and he loyally stays at his side the entire night. Eventually, once he's convinced himself he isn't a piece of human waste (and Obi-Wan asks him too), he climbs up next to the other man in the small bed and wraps both arms around him. Obi-Wan asks him repeatedly to hold him tighter, and Cody does his worst. (+ He wakes up in the middle of the night and Obi-Wan has maneuvered himself nearly completely underneath the commander. It's grounding to have Cody's weight surround him after yet another piece of his heart has been plucked out. He needs to be reassured he's not alone, despite knowing the Council would look down on him for the entire predicament.)

is 100% aware of Cody's feelings before Cody even figures out what the names of These Feelings are. And he adores, adores when the rest of the Clones hint at the fact they also see it, and Cody- Obi-Wan loves watching the copper tone of his skin stain slightly red when he realizes what his brothers are insinuating, and so openly! (The color is like the Jedi's favorite Nubian wine, which is an entirely different beast to tackle; he thinks sharing a bottle with Cody would only be right, especially considering he associates them so closely with one another now.) The point is, he thinks it's very sweet the way Cody works extra hard not to let his personal feelings sabotage the greater mission; it certainly helps Obi-Wan not feel guilty when he does the same. The Force communicates the unrest Cody's mind goes through at night, gives Obi a sense of where the commander's mind and heart are. He's flattered - hasn't thought of himself as physically appealing since that first year of the War, or maybe since that damned braid was shorn from his scalp - and smitten. He gets a warm feeling in the pit of his stomach when the Force bombards him with compliments and praise that go unspoken but not unfelt by Cody.

[mysticcollectionbee]

My thoughts on the Playbill Character bios (Part 1):

Was gonna share my theory on Alastor's powers but since SOMETHING possibly leaked and put my theories and thoughts into question I'm putting it on hold for a bit.

Not gonna talk about each character because I don't have something to say for each one.

-Charlie: So THIS is how we find out she has mommy AND daddy issues. Good to know, good to know.

-Alastor: Either writing on a typewriter, glitched the writing somehow, left the caps lock on, or was screaming the entire interview. All fitting to his character. Also, glad to know my joke headcanon that his broadcasts in hell aren't really that scheduled and are whenever. Also he picks people who "wrong him" first to be his 'Guests' genuinely thought those could just be either random demons or ONLY Overlords. And of course, the dude is actively encouraging violence so he can have fun and ends his thing with a smile. :)

-Vaggie: So...Do all the exorcists have training for synchronized dancing? Would explain them doing that during Adam's song in Ep.1. But I'm curious if it's connected to why Vaggie is apparently the best dancer in the hotel or she just naturally is good at it.

-Husk: Why 'Husker'??? I thought it was just a random nickname Alastor made, is that his legit demon name and EVERYONE just shortens it? Also grouchy dude is grouchy. Little disappointed we didn't get another cool lore bomb from him.

-Sir Pentious: FINALLY AN ANSWER TO MY QUESTION!!! The dude is technically not an Overlord. Just wanted to be one or was just beginner level (little sad since he's been around before many of the actual other overlords, but makes sense. He's too nice for his own good). Worked for Carmilla and Vox, explaining why her daughters personally delivered him equipment (he's a former employee so they know it's safe to go in-person) AND why Vox knew of him enough to know he would do anything to join the Vees. I don't believe he made the Egg Boiz himself for the same reason I don't believe Vox beat Alastor in a fight. If it happened, you wouldn't repeat in emphasis. So for people who wanted Pent to have a past partnership with Baxter this is good evidence of that.

-Lucifer: "I miss my wife tails, I miss her so much". I would love to see him and the Sins actually perform on screen. Maybe for Sinsmas episode??? Please.

[I can't believe the longest thought I wrote was about a character I don't even like]

[eldritch-spouse]

Dorem with a blind human who has endless positivity radiating off her. She knows the world is cruel and evil, but instead of getting drown in it, she stubbornly want to create as much good as possible (helping people, caring for abandoned animal,...etc). Without her vision, she didn't see Dorem as some monster at first, despite feeling very strange in his presence. She just thought he was a very quiet, awkward person.

Their first meeting would be at a graveyard. She was cleaning the graves of people who didn't have any family or friends left and was abandoned until it grew dirty and unnoticeable. She worked slowly, carefully, and completely unaware of the gaze directed at her from the shadows. Dorem has been watching her do this every Saturday for the past few months. He didn't understand it at first, thinking she had mistaken the graves of her familiar for someone else's due to her blindness. But overtime, he realizes her soul was just too bright, too kind and loving. He slowly warmed up to her and revealed himself to her one random afternoon. She was startled but eagerly began chatting with the mysterious graveyard visitor.

It was mostly her talking and him listening. Overtime, she learned of his true nature and bits n pieces of his past that he slowly revealed. She accepted it and became even more determined to make his future days better than his past.

[When you said cleaning graves, all I thought of was that blonde Tiktoker. 💀]

The thought of Dorem just about ready to pick you up and launch you through the air because he sees you squatting around a gravestone, messing with it, and immediately assumes you're some kind of grave defiler... Only to then just loom quietly and watch you clean it. Every. Single. Saturday. Like a confused donkey that slowly grows to appreciate it. Comedy gold.

It's good that you can't see him, but sight alone will not spare you of the instinctive dread he inflicts on the living. You'll know Dorem is something more than human or monster early on, because of the weight his voice carries, his strange smoke-like scent, the way he feels. Because, the moment he's sure he can touch mortals without harming them accidentally, he's going to let you touch certain parts of himself. Of his lanky, bony figure and even the flesh that forced itself upon his head.

He's hideous, but you don't need sight to know that.

Dorem encourages you to spend your time elsewhere. Humans already have short lifespans, don't go ahead and waste yours hovering around the dead and gone. Those are empty words and the two of you know it well, he would be disheartened to find you moved on. More than that, Dorem would follow you and easily terrorize the ones you call close, without even trying.

He sees a bit of himself in you. Working tirelessly yet unrecognized. It's almost futile to clean gravestones, just as it's almost futile for him to keep working for those who've long abandoned him. But the two of you don't know anything else, do you?

The soulkeeper knows things will never be the same, but the moments of peace and quiet he can steal when he sits beside you, letting you map out his hand for the hundredth time while you ramble and he chips in every now and then... Those moments make it feel as if things aren't all bad. He doesn't remember the last time he cradled a living being with as much gentleness as he holds you, prying you away from your exhaustive focus so he -A being many consider a harbinger of death- Can remind you to tend to basic needs.

There's a mild self-loathing in Dorem when your natural warmth stokes urges in him that have been buried for so long he didn't even know they still existed. He wouldn't curse someone as generous as you to laying with him, but then, he's already selfish for stealing all your time, and you don't seem to have very many friends... Would you turn him away if he were to reach for more than just your face?

If he were to whisper what he sees in your soul and how it makes him want to be as close to it as he can?

Dorem wonders how it'll spin and flare in the wake of pleasure.

[cryptid-killjoy]

Good memories seemed to be a theme this Halloween, not frights, or jump scares, and horror movies. No. It was a theme. It didn't just seem. Valerie didn't mind. All the memories were wrapped up in costumes and dresses. Valerie felt good memories' warmth every which way she turned all evening. This whole season would be a delight for her actually. Whether it started with on pins and needles or not. This was perfect as far as she was concerned from rewriting over more old memories that could use a boost to reliving some of the best that refuse to be forgotten. What a magical season it would forever remain in her mind. Every step along the path to the car made her feel as light as a Winehouse song in her heart. She loved how floaty she felt right now.

Then the way Eeyore's face lit up seeing her husband's felt like sipping some of her gifted tea customized just for her by his sophisticated tastes. All she could do was smile as the pair conversed for a short moment. Another moment in time gone by. Another story's end finally known. Eeyore was waddling around Feral, possibly the Forbidden Forest of Hundred Acre Wood, maybe around the Nevers? He was still donkey boy-ing around with his emo bangs quiet as ever minding his own business like always, even after death in his ghost state. It was so fitting, probably trailing after Pan barely keeping up 20 feet behind looking for his glasses or his tail depending on his form, like nothing ever happened. So, so fitting.

“It’s snowing still. And freezing. However, we haven’t had a hurricane lately.” Eeyore would say with some lift of his spirits actually looking on the bright side in his Eeyore-type way. So, maybe Thomas was right? Eeyore was in good spirits in spirit form and that did count for something.

But that Eeyore in him couldn't stop himself from saying, "What goes up must come down."

Valerie looked over to Thomas and slipped her arm around his waist under his jacket line. "That sounds perfect. Until next time, Eeyore." She gave him a little wave as they turned to keep going not truly taking in what the donkey had said until they stepped fully out the doors.

Snow? For real.

It wasn't just an autumn chill out there. There was snow out there. Her eyes were catching it just as she leaned into whisper, "Please make sure those hips must come down on me tonight." She was making a little joke of Eeyore's passive gloom when the snow popped her head right back up.

"Oh my. Wow." Her mouth hung open at the sight around them as every hair rose along with goose bumped skin and the shiver she hadn't expected. She shimmied her head at the sight because there was no way that was natural. "Someone's doing maaaaaagick."

"How fun."

She didn't know why, and she honesty didn't care. What she knew was it was awesomely great power and that was always impressive. She couldn't help but give a little head nod of thrill towards it. She loved that magic shit. Not to mention it wasn't hard to deduce there was only so many people who could pull something like this off. Maybe even only one. After all Flotsam had been through with that person it was one more beautiful portrait of a landscape to view, a past picture, an image pulled to the now. She was in control. That felt so good inside somehow even if they weren't part of whatever path she had to follow to make that happen. That's all that went through Valerie's head. They'd not seen anything this grand that wasn't destructive from them since they were a teenager aside from the Battle of the Star People, but that of course was also destructive.

She didn't want to be a monster. Part of Flotsam had the same mentality. Except he embraced the monstrosity within. She learned to love the monster within herself. Maybe Elsa wouldn't think of it that way, but that's all Valerie could see from their experience with all this, and it was one of the most beautiful winter scenes they'd ever seen just because of it. The dangerously beautiful in the most delicate ways. Elsa's voice came into her head when she said. "I see you" to Valerie. It was something that mattered to Valerie on so many levels. She kept that one locked inside special. As Valerie looked out at this magnificent display, she said it softly to herself, "I see you, girl. I see you."

Then she kept walking with Thomas on. Then she'd see Elsa out there. She'd try to wave goodbye despite the large distance between them. Then Valerie would use sign language to pass an I. C. and pointed at her before walking on curled into Thomas. She didn't know if Elsa would even understand the reference or how much that meant to Valerie or what Valerie might be referring to seeing in her, but it was something the Flotsam in them, and Valerie in them just naturally had to pass on.

They'd travel to the inn.

The Inn was one of the places left alone in Feral. It was more or less left as it was pre-Feral. However, Kuzco, Piper, and Maddy had done a lot of altering. It had become Feral's main hub for most imports and exports since there weren't that many guests coming and going to use the rooms. However, ever since Frank started in on letting some randoms in there have been a few people attempting to use the place like a modern society still exists striving to not be lost to the void of abandoned homes in the ghost town left behind. So, the couple that ran the inn did extend the business to the building next door which wasn't a big deal. It was obviously empty too and started to use that for the post office and reverted The Inn back to mostly Inn mode. Call it an extended business model.

All that said, to see Thomas and Valerie walk in, actual guests, this was a grand day for them. So, they'd be treated like VIP guests from the moment the door would open. If anything, they'd get the kind of treatment they get when going to their favorite hotel in New Zealand only they weren't regulars here. They'd act like they were celebrities though. That's how slow business was. They mostly dealt in pizza orders to Funky Town.

Now when Valerie entered the room they were given and gave it a good look over she wasn't disappointed per sae. It was just another blast from the past. Everything about the room said Nola to her.

It was plain and cold. From the hard floors to the brick walls. Even the sheets. The place could use a little jazzing up. She thought to herself the Motel 6 at least put in some tacky photographs to liven the place up. But Nola often had that appeal, the bland and mysterious. Good craftsmanship, architecture with story and history, but to the eyes in her opinion rather cold. It was a rather sad room actually. At least it was until her joy of the night walked into it. There was however an actual chill from the room not being used in some time.

She looked over at Thomas and plopped down in her dress as the most colorful thing in the room, with all her fluffy black and orange, and bright eyes. She wanted to lounge around in whatever she had on underneath sounded just fine to her.

"I'm dying to get out of this thing, love. Help me get the back?"

Then she turned her back to him so he could help her with the zipper so she could be comfortable for the night. This was also when Scout's texts would start coming in for Thomas about whether to eat people or grind people into dust or not in Feral.

Valerie's magic shared sight wasn't focused. Sure, her kids were there behind her eyes somewhere, but with enough practice it was easy enough to zone it out when she wanted to focus on her own window to her own life. So, nothing out of the blue was garnering her attention enough to jar her out of her dazey evening yet. The kids blasting zombies hardly felt like a cause for alarm.

“It’s totally fine, love,” Thomas said, keeping close to Valerie as they started to walk into the night. Going down the mountainside. It was more chilly out here than expected, and unknown to them, it was Elsa on the other side towards the beach, creating something beautiful for Bastien’s and Maddy’s eyes. “Being here makes me want to take you back to our old home too.”

He loved their new house, obviously. It was entirely theirs. No Cinderella. No Jetsam either, other than the small hints of him that were here and there, mostly in Scout’s room. The twins were grown up and with their own houses, so there were pieces of them too but not as big as there had been in the house that they had grown up in. But he did still like the original house, because it was there that he had met Valerie for the first time, where he had seen her all dolled up and performing an Amy Winehouse song, and where he fell in love with Flotsam, and where they planned a war on goddamn Star People and WON. There were a lot of good memories associated there.

He was just thinking about taking off his jacket and putting it around Valerie’s shoulders, give her that extra warmth, maybe even offer to carry her down the mountain with those high heels that she was wearing, when something, or rather, someone, seemed to capture her attention.

Eeyore - now that was a name that he hadn’t heard in quite some time.

His own blue eyes settled on his former pan-pal. They had seen each other a couple of times in person since those letters all that time ago. He still had a few, he thought, tucked away into one of the boxes of sentimental things that he had brought from NOLA during the move over to New Zealand. They weren’t the rough kind of sentimental. He hadn’t had a falling out with the guy.

He lifted up a friendly hand up to Eeyore, a boyish grin on his own face. “Hello, my writing friend. Nice to see you.”

He really hadn’t thought too much about Eeyore in the past couple of years, he was loathe to admit. Hadn’t really thought about where he might have ended up. He knew that the boy was close with Cinderella, and probably had been grieving her loss but… well, not much other than that. He felt a bit bad about it. Of course the poor boy was deceased, but he did look happier now than he had ever seen him. That counted for something, right?

Oh. Poor boy. Poor, poor boy. Didn’t even realize what he was. Without asking Valerie, he was following her line of thought. It was probably better not to push that point.

He gave a little chuckle at Valerie’s cover. “Thomases can’t fly either,” He added. “Though with this lovely lady by my side, sometimes it feels like anything is possible.”

He put his arm around his wife, pulling her in closer, and kissed her cheek as he says this, and then notices her chill. Without a word, he pulls off his jacket and settles it around her shoulders, able to take that bit of a chill. “There you go, love. Let’s get you to the inn and we can…” He raised his eyebrows. “Warm up together.”

[crumbleclub]

Mike trying to rationalize why Henry is okay with his dad hurting him, even when Michael isn't okay with him hurting his siblings. Even when nobody is okay with Michael hurting his siblings.

It wasn't as bad, right? He never laid a finger on them. They were only words.

Maybe it's because Mike is older. This bleeds into his protests, his haphazard attempts to protect. "Please, he's only six." Don't hurt him. Don't hurt him the way that you hurt me.

William finds this entertaining. He makes note of these things, wonders if he'd respond differently if William tried something else.

Maybe it's because William is an adult. He learns not to trust anyone older than him, but to let them do whatever they want. He learns to freeze; to shut down.

This makes him an easy target later on.

Is it because Michael deserves it? After Evan dies, he's sure that must be it. Willian knew what he was, and he only gave him what he already had coming. Michael was a murderer, after all. He deserved everything anyone might do to him.

It was his own fault.

[fisheito]

dante can swim, right? theres' no wauy the Royal Solarian Staff would let their king go his whole life not knowing such a lifesaving skill JUst cuz it's a desert doesn't mean there aren't pools!!! he has to know they HAD to have taught him there's no way he's stepping on a cruise ship surrounded by water while UNable to swim what if he falls in?!? he's not gonna float that's furr sure look at his muscle density and lack of fat the man's gonna sink like cement

[localwebslingers]

Originally, he did plan to sleep on the couch again like the night before. Not so much because Peter doubted he could use the spare room, he had in the past staying over at Harry's place for the night. It was just the first option that came to mind that would be easy and out of the way, but the bed closer to the guest bathroom sounded even better. His clothes were already folded up in the bathroom where he'd shifted in the first place, ready to go for when he changed back. After a short shower, he'd found that if it was possible, the hot water hitting his strained and exhausted muscles helped soothe them just enough to sleep easier. Whether he did or didn't have the chance for that wouldn't change how he felt once he woke up again, but it was something to take the initial edge off.

Just like the tea would do, so common in the Parker household after a full moon that Peter learned the mixture of herbs needed for it before his own first shift. Remembered helping Aunt May brew a full, fresh pot in the morning for his uncle to go alongside the large breakfast being made. Before he was stumbling down for his own glass of it. The mixture was since taught and handed to the rest of the members of the pack to use as well for their own recoveries.

He looked up at Faustus happily climbing onto the counter to get the chance to eat, smelling the mix of the usual food and tuna without even having to look at it, and then to Harry as he got his own food. Sitting down beside him and cocking his head slightly. Alchemy wasn't a means of medicine that Peter was overly familiar with himself, werewolves had a tendency to more natural options when there was an option for one. A realistic one that was proven to work anyways. Outside of that, it was a handful of spells or magic elixirs that were made to promote health or healing, and then the traditional ideas of western medicine. Peter couldn't really say how the tea mixed with alchemy, if it did at all, but it worked fine when combined with painkillers or magic so as far as he knew it should be fine again.

The faint smell of blood just noticable under the food heating up to fill the kitchen made him lift his head to nose at Harry's side gently. A light touch that was careful to avoid the actual injuries and was the best he could do to check it himself. The scent was faint, not because the bandaging was still secured over it but because such a small amount had leaked through it in the first place. It was steadily overpowered by the smell of the food and Peter convinced himself to relax again, one ear turning towards the windows and he looked towards it instead with a soft whine.

It was faint too, but just past the glass he could hear the first howls offer up to the moon.

|| @inhcritance ||

Walking was not the easiest thing he'd done, but there was a relief to knowing that he had Peter there keeping step with him just in case he fell and needed help getting up, and while Harry had never been too comfortable being injured, nor the best of patients... he was glad of the company, especially once he thought he could trust his own legs and his own balance.

He still rested a hand on Peter's back for some steps, more for reassurance and support than anything else, and when he glanced at Faustus he found the cat looking at him with satisfaction on the set of his ears and tail.

Then they were on the kitchen, and as usual Harry's priority was Faustus' food, but he did see Peter reaching towards the countertop, and of course he followed, curious enough. A moment later Faustus had used the cat tower arranged near the countertop to climb next to it, in the area where Harry allowed him to sit and stand -it had been a difficult compromise to reach, but they'd reached it- and picked up the note, while Faustus magnanimously waited for his food.

"That's alright." He settled for, addressing Peter. "And the guest bedroom is always ready, if you'd rather rest there in the morning instead of the couch, there'll be less light and less noise." He offered.

But he'd remember to get him a cup of tea and some food when he woke up the next morning. It was only fair, and it'd help, and he could ask Faustus to tell him when he heard Peter move.

Regarding Peter's offer, however, Harry considered it while he took Faustus' food from the fridge, put an extra serving of tuna on it, and heated it to something comfortable for the elderly cat, before putting it on his bowl.

And given how Harry was not feeling too eager to bend down any more than necessary, because it hurt, he put it on the counter, on Faustus' area.

"Just this once." He told the very pleased familiar. Because he had his bowls in a stand next to the cat tower so it was easier on his bones, but he still liked the countertop... and his corner of the table, sometimes.

"And I think I'll give the tea a try." He settled for, a moment later, as he started heating his own food. "Regular painkillers don't always play nice with alchemy, but something more natural might help."

And he wasn't about to refuse Peter's offer needlessly. He already felt guilty enough about his own fear before, and all in all it was worth trying... and worth knowing, in case Peter ever spent the Full Moon there again. Because all Harry knew about the shift was what Peter had told him, given how useless his Hunter knowledge was when what he wanted was to help instead of harm.

@localwebslingers

[nomlioart]

i was supposed to do it earlier but i was really lazy lol, but here you go

my pepstavo hcs in a nutshell

a lil more in the tags 👁️ 

[danieyells]

I feel like Haku would like to laugh during sex. Like he fully embraces that, if you think about it, what you're doing is weird and funny. Sex is full of funny sounds and feelings and smells and movements and it is not that serious and he can't take it that seriously.

On top of that he's happy to be there with you. Why wouldn't he smile and laugh about it?

Obviously he'd try and reel it in if it made you feel uncomfortable or worried that you were being insulted--or he would try and turn those feelings around. What do you think he's laughing at in a negative way? He'll start to praise that instead. He'll practically start to worship it. Try and make you feel appreciated instead.

[shadystranger]

I watched the man I love die

[nyantry]

Dmitry looked up at the rain, suddenly yanked out of that dreamlike haze by the drops hitting his face so suddenly. He did not wake up, though. Not yet, not now. He was still in that realm with Death, in a space between, even if time had now resumed its usual course. Samael was powerful, but even Dmitry knew that Death had no say over time. Not really. Not beyond ordained moments, spelled out second by second in God's great design. He did not hold any hard feelings toward Samael over it, even if that space of timelessness was well-wanted.

He looked back to Sammy as the archangel continued speaking. He reached out instinctively to touch the scythe, not doing so only because he thought better of it when he saw his own hand in the air. He knew better than to intrude like that, curiosity-bitten as he always was.

He sat on the sandy ground below, taking in the words that Samael was saying to him. In the words of the great Marty McFly, this was heavy. There was Samael, echoing something Nico had pointed out forever ago. He wasn't close to death. He wasn't burdened by it, either. It was what drove his purpose. Nico had seen that, and though it had taken a long time, Dmitry had sort of grasped that Nico had meant this. Why did it keep escaping him, then? Why did he keep forgetting? Maybe that was it? Maybe that was the point? To keep his intentions pure, or something? He couldn't possibly pretend to fathom knowing the answer.

God's wrath, though? That, he could not understand. He didn't really think of himself as wrathful, let alone divinely so. He just had that insatiable drive to do something, to not sit and watch while people suffered, to not just be on the sidelines when he had the means to help. He couldn't just watch. He was angry, yes. But he could not comprehend being afforded divinity, and he understood even less the idea that his purpose revolved around it. He'd have to sit with that for a lot longer than this conversation could last.

But guardian, this he could accept. He thought of himself as Nico's guardian angel too. Every person has one, Nico included, and he hadn't seen any other angels near Nico. No, it was his own duty; he had to watch over Nico. He never talked about that to Nico; it didn't seem necessary. But Dmitry did, suddenly, remember that he had accepted this charge previously in Samael's presence. By its very nature, that conversation, and likely this one, and any number of other conversations between worlds, were not for him to remember. There could be nothing to obstruct, nothing to impede, nothing to hinder. What he didn't have to know, he wouldn't remember. It was a grace to be afforded that; it made things simpler, tumultuous as it was not knowing.

He took Samael's warning to heart, though. It was no light caution, not coming from that angel in particular. Dmitry lifted his gaze to meet Death's flames for eyes sitting in a skull devoid of flesh. "I know. I don't say this lightly: I feel it in my very soul, it's him. He needs me."

Aftr a moment of silence and more thought, he spoke once more. This time it was quiet, vulnerable. It was a topic he'd never really talked about with Samael himself, not since it had happened.

"The first time I died, were you there? Before, I mean. Were you watching? I remember it was cold. I don't think I could have chosen differently. I've never talked to Nico about it and... this time, I want to know what you think. I feel like I should, maybe I should tell him? He doesn't ask me certain things and I think it's because he knows I find it difficult to talk about, but this... I feel he deserves to know. Do you think I should tell him?"

"Your nose clouds vision."

"You forget your purpose."

He basically told Dmitry he couldn't see passed the end of his nose and the answer was just as plain as the nose on his face in Death-speak.

He turned the hourglass fast and hard back as it should be and in that one move rain poured in the gravity's shift back to normalcy like a wake up call.

"You never belong where you don't stand, or you'd be moved." He held up his scythe in reasonable explanation.

The little monologuer was over-thinking considering he was discussing this with such a neutral party. He wasn't the Angel of Forgiveness. He wasn't the Angel of Mercy. He was that of all things masculine and war and a psychopomp of death. Where he guided those souls were not his to judge.

But what did he mean by Dmitry was forgetting his purpose? Dmitry clearly thought he was on his own path. Still Samael knew angels and there were those of seraphim, the cherubs, the thrones, virtues, dominions, powers, principalities, archangels, guardian angels etc... Everyone had a place, a job, a space, something they rules over. Some had celestial jobs. Others fought evils. Some were closer to the human race than others.

Samael didn't have to be there with Dmitry and God the day they made their agreement to see what was happening. The great He gave Dmitry an earthly job. He was alive. He also fought evil.

"Have you ever considered you're not close to death? You idolize it. You've experienced it. You're not like me. Maybe close to dying sometimes. You're close to humanity at all times. You're alive. Every time. Every reincarnation you are blessed with a full life however you expend it. If you lost the deep connection with the humanity that drove you to death the first time you'd lose your drive for your purpose. You're blessed with unhealing to be human with mightier purposes. God's wrath."

Dmitry might disagree with him, but he'd not waiver. nor bicker. He also saw it all the time. People were so close to a situation they couldn't see beyond themselves. It was part of the human condition. Maybe Dmitry hadn't considered all that wrath wasn't all his own? Nor a human sin, but an angel's purpose as a conduit.

After Dmitry spoke of Nico, he repeated.

"God blessed you with the human condition for all your purposes. I have no doubt of that."

"If God assigned you one Niccolo to watch over as a guardian angel it's not your job to get him to Heaven. It's your job to protect him on whatever path he walks so he's never alone until the end of days. His free will is always his own."

The reason Nico began to believe Dmitry was his guardian angel wasn't just because it was a cute thing to say after hearing his avenging angel story. No. It was because of Aleister Crowley who wrote Magic Without Tears and who refers back to The Hermetic Order of the Golden Dawn mentions that holy guardian is an independent being, who may have been previously human. To Nico that meant Dmitry. He might not have been able to see it in the Bible, but he read it from occultists.

Then Samael had a fair warning because he himself already lived that life. He didn't care that Dmitry was given a human form. He himself had a human form. He was an angel. If he thought, he was human he was fooling himself. He was immortal. No human reincarnates without being reborn a baby again. He was an angel. He was deluded by his humanity so focused on his next death day it blurred his focus and that was okay. Samael believed Dmitry was probably supposed to be for the most part and would probably forget most of this or it would feel like a dream later anyway until the next time they met.

The fair warning was this. He thought of the woman he married. He remembered God ripping several of the wings right off his back as punishment for marrying a human. Other angels were mating, but Samael fell in love, had to give up his wife, repent, and welcomed back in Heaven. He was forgiven but given the job of being the keeper over the Grigori's Prison, the ones God did not forgive for breeding as an eternal punishment. So, as Death's jagged misshapen wings that hung from behind him drug along as they began to walk again, he said, "Because if he is not your assignment and you're off your path, He will catch up to you. I know."

Samael wasn't going to claim to know Dmitry's purpose other than it was clear to him he was an angel for humanity meant to feel deeply as them as kindred spirits. This is why he avenged.

[thevalleyisjolly]

Concept: With Jester establishing a reputation as a talented artist specializing in tasteful nudes whom lots of rich people patronize, there’s a non-zero chance that at some point, every single member of Vox Machina apart from Keyleth commissions her for a portrait.