#and traditional. even weirder

[lovely-menza]

spare greg lake dump in different forms (and snoopy)

[sanhatipal]

"To open up a Path"

Happy New year! The first art of the year: Oz!!! I wanted to make him seem determined but sad. This is the first time I've drawn him with red eyes...some pics below because scanners hate gold ink:

[lulu2992]

It seems I can’t draw bears very well (or at least couldn’t when I made this 7.5 years ago) but hey, look at this cute little gwarpati!

Happy 8th Anniversary, Far Cry Primal 🐻

[bendybonesss]

may or may not get mobbed for this but i feel like the yellow guy age debate is too black & white ....... "4 year old or 40 year old, make your choice now" or we could . like . chill out

[shekeepsmeworms]

Had some wine feeling good made a really shitty bowl in ceramics class this morning that I’m really worried has a bunch of air holes in it and had a really crappy therapy session where I didn’t talk too much but was honest about some other stuff which is good overall I guess but now I’m doing drunk crochet and watching the Duggar family documentary and probably going to stop watching soon once they start talking about the awful stuff but yeah day in the life of a woman doing her best I guess

[insinirate]

You did a diagram for your 3 worms, meaning they have some things in common, but that begs the question. Do their dads or father figures have similarities?

tords dad is out of the equation so its just between john and david, and aside from being their respective kids caretakers i dont think they have anything in common

[urfriendmidas]

I literally spent 20min in a park at night, running to find a human clit just for some stupid shit for my uni class.

[oncillabrigade]

Consider:

The Bats all have personalized ring tones for one another, but everyone has both a civilian and a Bat ring tone. The civilian ones are chaos, with everyone choosing whatever they want for their various family members and friends. BUT! Everyone has a single Bat tone that all other team members use for them.

The catch? Bruce forbid them from choosing their own Bat ring tones because he proposed this plan back in Dick's Robin days and he IMMEDIATELY picked "Toxic." The choice was not well received.

Bruce: Dick, I will not be alerted to the fact that you're in danger by some Britney Spears song.

Dick: First of all, it is not some Britney song, it is the Britney song. That song finally won her a Grammy.

Bruce: *sighs*

Dick: Second of all, it won't tell you when I'm in danger... it'll tell you when Robin is.

Bruce:

Bruce: I'm taking the Walkman out of the Robin kit.

Dick: *offended gasp*

(Yes, Dick is old enough for a Walkman. No, you will not change my mind. Yes, the Tim-and-on siblings all find that hilarious. Yes, Jason has to be VERY careful not to mention that he borrowed that Walkman for years because he was uncomfortable taking expensive electronics out and about with him.)

Anyway!

Dick then proposes a slew of other songs for the whole team to use, all of which are pop culture references, e.g. the Scrubs theme because they're not Superman and also they're a dysfunctional family of coworkers; the theme from the Godfather because "let's be honest, B, we are basically our own mafia"; "Where is My Mind" by the Pixies because lol identity shenanigans, etc. The list is endless. Bruce spends weeks groaning every time his son texts him.

Eventually, they compromise on the version of "The Entertainer" from The Sting because they're hiding in plain sight to enact a mission defending good people in a hard world. Bruce, Dick, and Alfred are all so pleased with this that they each take a different section of the song as their ring tone.

Then Barbara becomes Batgirl, so she gets a section... and then Jason becomes Robin and gets one, too... and then Tim, then Steph, and then Cass is taken in, and... uh oh. That's a lot of people for one song.

But it's family tradition! They can't stop now. That would be so unfair to the new kids, B!

So they start using alternate arrangements of the song. Bruce has mellowed slightly on the "no choosing your own" thing. As long as it's a version of "The Entertainer" (within reason) he'll allow it.

Tim retroactively changes his ring tone to a weird groove-ska arrangement Bart randomly sent him on YouTube because have you met Tim Drake? Of course he went for hilarious obscurity. (Bruce grits his teeth and approves it after lots of prompting from Dick and Alfred). Steph makes it her mission to find a weirder one (Bruce agrees because he's too tired to deal with accusations of favoritism).

Cass creates her own arrangement on theremin because apparently she knows how to play the theremin. No one is sure why. Upon inquiry, she just says, "spooky noises are fun," but does not elaborate further even when she's asked to do so. A Batgirl's gotta have her secrets—Babs taught her that.

When Jason starts working with his family again, he pays an aspiring music producer within Red Hood's ranks to create a minor key remix of the original Robin II ring tone. His siblings (minus Cass) are VERY jealous he has his own personalized arrangement. Dick, Tim, and Steph end up paying this goon who owns Garage Band to do ones for them, too. Duke does the same when he joins the team.

Meanwhile, in a fit of little brotherly pique, Damian steals Tim's original ring tone. He hopes to rub salt in the Robin replacement wounds. He fails! Tim finds it beyond funny that Damian's ring tone is groove-ska. So Damian quietly pays the amateur producer to make him one that's cooler than Tim's. He pays a ludicrous amount, though, because Steph paid for one cooler than Jason's and Tim paid for one cooler than Steph's.

(Dick wanted one cooler than Jason's too, but he had $63.02 in his bank account at the time and Bruce flat out refused to use the Batbudget on "a super cool ring tone that's better than Jay's." Eventually, Dick just paid himself for an averagely cool one. In installments.)

At this point, the Bats have single-handedly given this fledgling producer enough money to quit being a goon and start an indie music studio. His first customers are mostly superheroes from out of town who like what the Bats have going on and want their own team ring tones. Harley and Ivy get in on that action, too.

Then, as word spreads, every local crook/henchperson with a side band (there are many) flocks to the studio to have their stuff produced by one of their own. Gotham rogues suddenly have an unemployment problem, while the city finds itself with a flourishing indie music scene that puts Metropolis' to shame. The entire state of New Jersey is celebrating the dual victory.

Dick has never been so glad someone doesn't like Britney Spears' magnum opus.

[ejsuperstar]

Imagine you live in pelican town. The new farmer has been here a couple weeks now and seems to be settling in, except... He's picking the weirdest friend choices. Like sure it's not weird to befriend the local fisherman, especially when he has an interest in fishing himself, but you're pretty sure you've seen him rooting through the Saloon's garbage with the local homeless man. As well, he keeps harassing the poor guy who works at Joja even though you KNOW he doesn't want to be friends with him.

And since you're on the topic of weirdness, isn't it odd he seemingly runs everywhere at a full sprint? Or just... Eats entire raw fish while fishing for "energy reasons"...

...

Despite all that, it's too early to call him off putting or anything... He has been engaging in town traditions, and he's started helping out with the old community centre. He's probably like the rest of you. Someone with a few quirks, that will fit in with the valley great!

Surely he can't get any weirder... Right?

[salemoleander]

I am growing increasingly tired of the way certain sections of the MCYT fandom treats QPRs and non-romantic relationships as if they're inherently within Creator Boundaries. This is both ignorant of what QPRs are, and willfully avoids considering boundaries as anything beyond a useful checklist to bludgeon other fans with.

QPRs can look like friendships, friends with benefits, kink relationships, life partners, and a million other things. They can appear identical to romantic relationships from the outside. They can include sex. It's frustrating seeing QPRs morphed into Schrodinger's Platonic Relationship in fandom, where people write what is functionally just traditional romantic ship fic but still get to yell at other people for Breaking Creator Boundaries.

It feels like the assumption is "Romance might upset creators, but as long as it's platonic it's fine." As if a QPR fic where characters spend the whole time cuddling, or even a fic where they're assigned as family and are written to have a non-existent sibling relationship, wouldn't also be deeply weird & off-putting to creators. (I know many people don't approach creating fan content with creators in mind, but for those who evidently do it seems deeply odd to pretend that romance is taboo but cuddling/whump/etc are inherently unobjectionable.)

A fic where someone gets Overcome By Instincts and kidnaps another character to (platonically!!1!1!) force them to cuddle is way weirder than just having them kiss. Which is fine! It's fine to be weird! The problem is assuming that an ABO fic w/ the serial numbers filed off is inherently More Pure and palatable to creators just because it uses an & instead of a /, and in incorrectly redefining an entire complex relationship category to 'sexless off-brand romance that won't get me cancelled on Twitter'.

[safination]

Masterlist

|ao3 link here| Taglist|

The universe you will read from Hazbin Hotel/ Helluva Boss all belong to Vivziepop. I have no legal claim over her story. This work of fanfiction will closely follow canon to the best of its ability.

Partners in Death...and Life

Summary :After a seven-year absence, you find the man you were married to in life, not only back in town, but also helping . . . *checks notes* . . . the Princess of Hell run a hotel aimed at rehabilitating sinners who were sent to the bad place for a reason.

|Part 1: Radio's Not Deadl |Part 2: Radio Will Be Dead if He Doesn't Explain Himself| |Part 3: Not Everything You Hear From The Radio Should be Trusted| |Part 4: The Radio Stars’ Co-host Just Wants To Do The Dishes| |Part 5: Glimpse of Me and You: Part I| |Part 5: Glimpse of Me and You: Part II| |Part 6: Radio’s Last Broadcast| |Part 7: Me and You in Eternity| |Part 8: The Calm Before the Fall| |Part 9: The Vow That Binds Me| [Finale]|

The Competitors

|The Wrong Competitor|

TLDR: The Hazbin Hotel decides to hold a masquerade party. Despite his better judgment, Alastor sends an invitation to his wife even if he’s aware of Vox’s attendance, who’s keen on competing with Alastor for his wife’s attention….If only Alastor knew how much you and Vox would gag at the idea of him flirting with you. It’s not his wife’s attention that Vox competes for. It’s not even Alastor who he’s competing with. Actually… Alastor isn’t part of the competition.

|The Actual Competitor|

TLDR: Why is Alastor competing with his wife for his best friend’s affection? Actually, why is he competing with his wife? What’s even weirder is that…it seems Alastor will also have to compete with his best friend for his wife’s affection. + A fluffy lazy morning because I say so.

For Your Heart

Harana – a traditional form of courtship done during the night where men will go to someone’s window with an instrument, usually a guitar, along with some of his friends to sing. TLDR: Sometimes all you need is a guitar and a song to catch hearts…and well, Alastor has a guitar and a voice perfect for singing. The beginning, the middle, the end, and the new beginning with a guitar and a song (feat. Ben&Ben) |Part 1: The Beginning| |Part 2: The Middle| |Part 3: The End| |Part 4: The New Beginning|

|Smell of Rain Through The Window Pane|

TLDR:  Acid rain stings, and destroys everything it touches. Still, Alastor decides that it’s a good day for a walk because fate made him your husband. So, surely fate would find a way for him to hand you this umbrella because you always seem to forget to bring one. Alastor will find a way to hand you an umbrella, even with the deal preventing you from seeing him.

|The Second Time Around|

TLDR: Alastor prides himself in being a gentleman, yet here he is now, living with his not-really wife but still his wife without rings around your fingers. It’s time he changed that.

|Darling, I'm an Overlord|

TLDR: Alastor's worried you'll be late for dinner, but he promised to be patient, and such control deserves an award [Suggestive]

[dailyadventureprompts]

Hello Dapper. I don’t really expect too much about this, but do you have any ideas for Wargs? They have an interesting relationship with goblins and are weird in that they’re essentially sapient wolf monsters, but I don’t think they’re ever really used that creatively.

Monsters Reimagined: Wargs, wolf panics, and the Economics of Lupophobia

While the surface level answer is pretty simple (warg is a conversion of varger, an old Norse way to refer to mythological wolves like Fenrir) there's actually a surprising amount of material to drill into here on the topic of sapient wolf monsters, especially for someone like me who has a interest in moral panics and mass hysteria events. Wolves were effectively a boogyman for pre-industrial societies, a deep seated generational fear that we only recognize today through cultural relics like the big bad wolf or boy who cried wolf.

TLDR: If you want to do something interesting with wargs beyond just "wolves that talk" I'd advise playing to their folk / fairytale roots. They're creatures of embodied dread, drawn from the stuff of the feywild to sow fear among those who would travel off the path or too close to the wilderness. This lets you tell interesting stories about how the party/major characters respond to fear: Does fear of being attacked in the dark drive the party to make risky decisions that might endanger their quest? How do the villagers react when the wolves are very literally at the door, demanding just one of their neighbours as a meal in exchange for safety?

I'd also advise getting weirder with a warg's powers, playing into that fear of the unknown by doing unexpected things. The party can fight off a pack of wolves, sure, but what does it mean when the lead wolf rips off the bard's shadow and takes off into the night?

Background: If you want a window into the headspace of wolf-panic, think about the neigh omnipresent fear of sharks created by the Jaws franchise. Children who have never seen the movie, let alone seen a shark in person can become irrationally afraid of getting into deep water because they've absorbed the pervasive cultural phobia, which goes onto shape environmental policy as sharks are overhunted or killed out of spite for their perceived threat.

So it was for wolves, even after they were largely hunted to near extinction by medieval and postmedieval societies, the fear of them was so ingrained into cultural traditions that wolf and werewolf panics were a thing that went hand in hand with witchtrails. France had a country wide one as late as the 1760s and the movie based on it ended up inspiring Bloodborne. Alternatively look at the anti-wolf efforts during the colonization of the Americas, right up to the opposition to reintroducing wolves back to Yellowstone park.

On that note (and because we can't have a Monsters Reimagined without some kind of class analysis), lets talk about how these fears are propagated: On many levels it makes sense for everyday people to be afraid of wolves, they're a hunting species that can absolutely pose a danger to us, and when you're living or travelling outside the protection of a settlement you really are vulnerable to a coordinated pack of carnivores running you down.

However, the primary threat that wolves pose to humans isn't predation, it's property damage, specifically in how they kill livestock. While we can talk about individual farmsteads beset by beasts, in reality the herds that wolves were most likely to prey upon belonged to the landowning classes, powerful people who had a profit incentive in seeing wolves driven off or exterminated. This is where you get bounties on dead wolves, not just paying for the value of the hide but actively rewarding people for going out and killing as many wolves as possible to the point of it becoming a profession. This practice has existed for MILLENIA and is still active today, primarily in places where big agriculture influences governments.

It seems incidental at first but then you realize that it fits the model of just about every other kind of cultural panic: widespread ignorance and fear that just so happens to mobilize the populace in a way that financially benefits a select few. You can see the same thing happening today in england with badgers of all things, which have been identified with the local dairy industry as a threat to their herds. This is not only led them to petition the government to cull the badger population, but to put out anti-badger propaganda, eventually turning it into a culture war issure to the point where conservative mouthpieces like Jeremy Clarkson openly encourages killing and gassing badgers on sight.

Returning to the land of fantasy for now: I think it's worth taking the idea of the warg and mixing it with a few other "black dog" cultural archetypes, which can also include the creatures like the shuck or church grimm. In this instance the warg is a sort of curse made manifest, the fear of a haunted place given literal teeth. People who transgress into these forbidden spaces find themselves pursued by a manifestation that dogs them till they're exhausted and vulnerable, much like a wolf harrying its prey.

The bhargest is also of special interest here, considering how I like to relate goblins back to the feywild. You could easily see bhargests as agents of fey that feed on human fear, leading a pack of goblins or hobs that occupy the desolate lands they've called to haunt. My version of Maglubiyet would also delight in employing such creatures as his emissaries.

Going back to the vargr/ Norse mythology angle, it's interesting that most of the wolves that show up are destined to devour something, whether it be a god or celestial certanty like the moon and sun. It's like the concept of an inevitable chase is so fundimental to what a wolf IS that it became a theme of ragnarok's inevitable certantly. Consider having certan packs of wargs be offspring of some fenrir style god eater, beasts of forboding doom who's mere presence is an omen of ill times.

Alternatively, if you wanted to play on the big bad wolf angle, give wargs the ability to take on flimsy human disguises, all the better to get close to their pray and sow fear among the townsfolk. Historical wolf panics after all are not all that different than serial killer panics, and it'd be a fun twist on a traditional werewolf adventure to have the party on a creature that didn't play by the usual lycanthropic rules.

Artsource

[goodluckclove]

You Don't Need an Agent! Publishers That Accept Unsolicited Submissions

I see a few people sayin that you definitely need an agent to get published traditionally. Guess what? That's not remotely true. While an agent can be a very useful tool in finding and negotiating with publishers, going without is not as large of a hurdle as people might make it out to be!

Below is a list of some of the traditional publishers that offer reading periods for agent-less manuscripts. There might be more! Try looking for yourself - I promise it's not that scary!

Albert Whitman & Company: for picture books, middle-grade, and young adult fiction

Hydra (Part of Random House): for mainly LitRPG

Kensington Publishing: for a range of fiction and nonfiction

NCM Publishing: for all genres of fiction (YA included) and nonfiction

Pants of Fire Press: for middle-grade, YA, and adult fiction

Tin House Books: very limited submission period, but a good avenue for fiction, literary fiction, and poetry written by underrepresented communities

Quirk Fiction: offers odd-genre rep for represented and unagented authors. Unsolicited submissions inbox is closed at the moment but this is the page that'll update when it's open, and they produced some pretty big books so I'd keep an eye on this

Persea Books: for lit fiction, creative nonfiction, YA novels, and books focusing on contemporary issues

Baen: considered one of the best known publishers of sci-fi and fantasy. They don't need a history of publication.

Chicago Review Press: only accepting nonfiction at the moment, but maybe someone here writes nonfiction

Acre: for poetry, fiction and nonfiction. Special interest in underrepresented authors. Submission period just passed but for next year!

Coffeehouse Press: for lit fiction, nonfiction, poetry and translation. Reading period closed at time of posting, but keep an eye out

Ig: for queries on literary fiction and political/cultural nonfiction

Schaffner Press: for lit fiction, historical/crime fiction, or short fiction collections (cool)

Feminist Press: for international lit, hybrid memoirs, sci-fi and fantasy fiction especially from BIPOC, queer and trans voices

Evernight Publishing: for erotica. Royalties seem good and their response time is solid

Felony & Mayhem: for literary mystery fiction. Not currently looking for new work, but check back later

This is all what I could find in an hour. And it's not even everything, because I sifted out the expired links, the repeat genres (there are a lot of options for YA and children's authors), and I didn't even include a majority of smaller indie pubs where you can really do that weird shit.

A lot of them want you to query, but that's easy stuff once you figure it out. Lots of guides, and some even say how they want you to do it for them.

Not submitting to a Big 5 Trad Pub House does not make you any less of a writer. If you choose to work with any publishing house it can take a fair bit of weight off your shoulders in terms of design and distribution. You don't have to do it - I'm not - but if that's the way you want to go it's very, very, very possible.

Have a weirder manuscript that you don't think fits? Here's a list of 50 Indie Publishers looking for more experimental works to showcase and sell!

If Random House won't take your work - guess what? Maybe you're too cool for Random House.

[jorongbak]

In the spirit of OG Dragon ball, I demand occasional fillers with 0% life risking danger and 150% crazy silliness

a completely new absolutely useless type of fusion to make the whole arc even weirder

and them somehow winning against an over the top villain with the stupidest way possible- bonus point if they blow up the moon because idk they always blow up the moon it's just tradition now, we can't let it live to shine another night

I honestly would watch Goku and Vegeta be besties and do nothing else for 20 minutes

[scary-grace]

Enough to Go By (Chapter 6) -- a Shigaraki x f!Reader fic

Your best friend vanished on the same night his family was murdered, and even though the world forgot about him, you never did. When a chance encounter brings you back into contact with Shimura Tenko, you'll do anything to make sure you don't lose him again. Keep his secrets? Sure. Aid the League of Villains? Of course. Sacrifice everything? You would - but as the battle between the League of Villains and hero society unfolds, it becomes clear that everything is far more than you or anyone else imagined it would be. (cross-posted to Ao3)

Chapter 1 Chapter 2 Chapter 3 Chapter 4 Chapter 5 Chapter 6 Chapter 7 Chapter 8

Chapter 6

You find out what Tenko’s up to from the news – or from Kazuo, who texts you to tell you that “your friend” is making headlines again. It’s an uncharacteristic move for Tenko, who you know has been trying to keep to the shadows while he gathers allies, and it gets weirder when you find out that he showed up in a shopping center to have a conversation with one of the students from the class he attacked. You weren’t really watching the Sports Festival, but this kid made headlines for repeatedly breaking his fingers while trying to use his quirk. Every so often, quirked people make you really grateful that you don’t have one yourself.

Tenko didn’t get caught. He was long gone before the heroes and law enforcement showed up. But the incident leaves a weird taste in your mouth. He wandered into a mall to chat with a high school student. Why didn’t he talk to you? You’re supposed to be his best friend, his sidekick. He called the two of you hanging out together a date. What could he tell a high school student that he didn’t feel safe telling you?

The question consumes you more than you want it to, so you fall back on your now time-honored tradition of drowning yourself in tasks to avoid thoughts you don’t like. Work, and sitting with Yoshimi through her treatments, and ducking phone calls from your parents, who are moving the whole family – again – and want you to come home and help. Your mom threatens to throw away all your old stuff if you don’t, and even though you took everything you cared about with you when you moved away, the thought of your things being thrown out with the trash bothers you. It bothers you enough that you use your one day off in two weeks to go back to your parents’ house and clean out what’s left of your room.

When you get there, you find half the house out on the lawn, and your mother arguing with the oldest of your younger siblings. “Don’t take that tone with me, Haru,” she’s snapping. “Whatever you think you’re doing, it’s not as important as helping out your family. We need you here to –”

It’s like something snaps in your head, and you’re swamped in the memories of a hundred times where you were told the same thing. You thought that with you gone, your parents would have pulled themselves together, but it looks like not. It looks like they just dragged your brother into replace you. You step forward without thinking, right into the middle of it. “Hey, Haru. Hey, Mom. Sorry I’m late.”

Both of them stare at you. There’s something accusing in Haru’s stare, not that you blame him for that. Your mom looks more relieved than anything else, and with her temporarily neutralized, you turn to your brother. “Go do what you need to do, Haru. I’ll fill in until you get back.”

Haru doesn’t need to be told twice, and he doesn’t wait around for your mom to protest. He books it, and you turn to face your mom again, the feeling of accomplishment at defusing a conflict drowned almost immediately by your frustration with yourself. Two seconds. You’ve been here two seconds, and you’ve stepped back into the part you used to play like you never left.

Your mom hugs you. “Haru’s been just terrible these last few years,” she complains. “Any time we ask him to help, he throws the biggest fit. I can’t count the number of times I’ve told him to act more like you –”

“He’s nineteen, Mom. He’s got his own life,” you remind here, like it’ll help at all. You step back out of her embrace. “I came to sort through my stuff. Where is it?”

She gestures vaguely at one corner of the front yard, and you make your way over, at which point you discover that what your mom described as your stuff is actually only half yours. The other half seems to be every picture and keepsake your parents have of you. You knew your relationship with your parents wasn’t ideal, that they stopped being interested in you the second you stopped being useful to them, but seeing this gives you pause. “Mom –”

“We’re downsizing,” your mother explains. “Take what you want. We’ll throw the rest out.”

Fine. If that’s how they want it, that’s fine with you. The first things you dump in the throwaway pile are every photo that consists of just you and one or both of your parents. There goes the whole first year of your life, like it never happened at all. After that, it gets a little more difficult, because your siblings are in the pictures and it’s not their fault they were born. You find a partially filled photo album, start stripping the pictures you want to keep from their frames, and fit them into the remaining spaces. You don’t have a lot of space for picture frames. And this way you don’t have to look at them unless you want to.

Most of your toys and books went to your siblings as hand-me-downs, usually before you were actually done with them, so most of the things that are yours are things you had to fight to save. Your favorite books, which you rescued by carrying them around in your backpack twenty-four seven. A journal with a lock on it and no key, but you know how to pick locks now, so it doesn’t matter as much as it did before. Then there’s a box that’s been taped, glued, and stapled shut, with DO NOT TOUCH written all over it. You remember mummifying this box when you were ten or so. You just don’t remember why you did it.

You can open it once you’re home. You stack the photo album on top of it and keep hunting through all the pieces of your life that your parents are planning to throw away.

In the end, you can’t take much stuff. You don’t have very much room, and while Kazuo would probably agree to let you store things in his house, you don’t want to have to ask him to do that. There’s not really that much important stuff here, anyway. The books and games from when you were really little? You outgrew them a long time ago, so what would you even be keeping them for? It’s not like you’re going to have kids.

That thought came out of nowhere. You sit back on your heels, frowning at the change of tune. In spite of the shitshow of your childhood and the fact that you’d most likely pass on your quirklessness and put the next generation in the same second-class position as you are, you’ve always seen yourself having children. Not very many children. Two, most likely, and a decent difference in their ages – enough that you could let them have their own time instead of treating them like twins, not so much that you’d run the risk of parentifying the older one even slightly. You think you’d be a good parent, maybe. At the very least you know what not to do.

You’ve been sure of that since you were old enough to figure out where babies come from. This is the first time you’ve had the other thought, and it feels like a certainty. When did it change?

The answer is lurking somewhere in the back of your mind, and you decide you’re not interested in answering it right now. With your stuff sorted, you dump the things you’re not taking into the garbage pile, making sure your mom sees which photos you’re getting rid of. You really should leave after that, but then the rest of your siblings come barreling out of the house, and you don’t think you should leave without saying goodbye.

Isuzu, the oldest of your younger sisters, is in her last year of high school. Music is her thing, and she’s applying to every conservatory in the country – keeping her options open, she says, but you know she means getting away from home. The twins, Shigure and Shinji, are both at Ketsubutsu Academy, training to be heroes. They’ve enhanced their control over their quirks to the point where they can induce specific parts of the vomiting process at will, and they demonstrate it on you, making your throat burn and your mouth flood with bitter-tasting saliva before your mom catches them at it and makes them stop. The triplets, a full ten years younger than you, aren’t even out of primary school yet. They want to be heroes, too.

Your dad arrives, with Haru in tow, as you’re making your second attempt to escape. He hugs you, too, and asks why you don’t come home more – right before he asks you to get the triplets washed up for dinner and check that they’ve done their homework. You almost tell him to go fuck himself, but ultimately you don’t want the fight. You herd the triplets back inside and start with the homework.

Isuzu follows you, not speaking up until after you’ve confirmed that the homework is completed and shooed the triplets off to the bathroom. “How did you do that so fast? It takes me and Haru forever to get them moving.”

“Practice,” you say. “More than I should have gotten. More than you’ll get if you get out of here.”

“I’m working on it,” Isuzu says. She looks uncomfortable, and like she wants to say more. You wait. “I’m sorry I told on you back then. If I hadn’t, maybe –”

You shake your head. “I had to go.” You cover your upper arm, the same motion Tenko made, and a chill runs down your spine. “I didn’t leave because you told them about this. I left because I got into my apprenticeship, and they told me I couldn’t do it.”

“What?” Isuzu looks shocked. “Why?”

“They needed me at home.” You shrug, your nonchalance masking the memory of the bolt of rage that shot through you when you realized what they were trying to do. “The only way to stop it was to make sure I wasn’t home anymore. I wish it hadn’t landed on you and Haru.”

“Haru’s madder about it than me,” Isuzu says. She leans against you, her head on your shoulder. “I remember stuff he doesn’t. Like that friend you had across the street. I don’t remember his name –”

“Tenko,” you say. Your heart lurches into an unsteady rhythm. “You remember him?”

“Not really. I remember you talking about him, though. You always had so many stories to tell.” Isuzu sighs. “Did they ever find out what really happened to him?”

“No,” you say. You did, though. You might be the only one who knows what became of Shimura Tenko, and even you don’t know the details. “I’m surprised you remember. Mom and Dad didn’t like me talking about him.”

“They didn’t like you being sad,” Isuzu corrects. “They don’t like me being sad, either. I’d be sad if it was my best friend who vanished. You said you were gonna marry him.”

“I – what?” Before you can follow up on the absolutely batshit thing your sister just said, one of the triplets comes back into the living room with obviously unwashed hands. “Arisa, I know you didn’t wash those. Go back in.”

Arisa sticks her tongue out at you. “You can’t tell me what to do. You don’t even live here. And you don’t have a quirk.”

“Right,” you say, a moment before Arisa activates her quirk and wallops you with every ounce of the contempt she feels for you. It takes all your self-control to avoid bursting into tears. “I can leave, though. Mom can’t get me in trouble any more, because I’m grown up. But she can definitely get you in trouble. Risk it if you want.”

Arisa glares at you for a moment longer, then heads back to the bathroom. You clear your throat and blink hard, digging your nails into your palm to give yourself something else to focus on. “Even I felt that one,” Isuzu remarks, wincing. “How do you take this stuff?”

You clear your throat again. “Practice.”

You make it through dinner, then book it, telling Isuzu and Haru to look you up the next time they’re in Yokohama and hitting the road before the twins or the triplets can use their quirks on you again. You cry a little bit on the train home, just enough to let off steam, and text your friends, who know what your family’s like and all advised you not to go. When they ask how it went, you send back a sad face.

Mitsuko: fuck them, then. they don’t deserve you

Hirono: come over and get trashed if you want. always makes me feel better

Sho: ooh, party at Hiro’s

Sho: count me in

Yoshimi: I can’t but 💛💛💛

Mitsuru: can I bring Izumi

Mitsuru gets a resounding thumbs-down from everybody for that one. Ryuhei chimes in, saying he’s down for a party, and Kazuo moves the venue to his house from Hirono’s shitty apartment in Kamino Ward. When you get off the train in Yokohama, you head over to Kazuo’s without stopping at home first.

Your friends have varying ideas on how to make you feel better. Mitsuko and Hirono think you should get drunk, so you drink a little, and Sho thinks you should bitch as much as you want about your family, so you do. Mitsuru’s got lots of siblings, so you complain about siblings together, and Ryuhei, not to be outdone, offers to beat up the triplets for you. “My quirk is perfect for it,” he says. “They’ll never know what hit them.”

They wouldn’t – Ryuhei’s quirk is called Reflection, and it bounces any quirk-based attack right back in the face of whoever sent it. “They’re ten,” you say.

“So?”

“Wait until they’re adults and it’ll be legal,” Kazuo says blandly. “What’s in the box?”

“Oh,” you say. You haven’t let go of it, although you relinquished the photo album to Mitsuko and Hirono after extracting promises that they wouldn’t take the photos out. “I’m not sure. I guess I thought it was pretty important.”

Kazuo touches his temple, then lowers his hand. “You don’t know, so I don’t know, either.”

“Let’s open it,” Hirono suggests. Mitsuko is still flipping through the photo album. “What kind of dirty secrets have you got in there?”

“I was ten. Not a lot of dirty secrets at that age.” You hold the box out to her. “Mind doing the honors on the tape?”

Hirono’s quirk is called Slice. It lets her cut narrow lines in any substance she draws her finger over, and you know she’s used it for good and evil at various points in her life. She cuts through the tape, you pry out the staples, and you and your friends from high school look down at the things you thought were worth hiding when you were ten years old.

There’s another journal, which means the one you grabbed was probably a decoy. You don’t remember being this sneaky, but you’re guessing you had a reason, and as you look through the other things in the box, you realize what it was. “I hid this before my memory got wiped,” you say. “It’s all things about my friend.”

“I thought they were just wiping your memories of the murder scene,” Mitsuru says, frowning.

“That’s what they got, sort of.” Memories are coming back to you as you peer into the box, memories of collecting these things, squirreling them away, panic beating at the base of your throat the entire time. “They were going for all of it.”

There’s a plush toy – a corgi, the same kind as Tenko’s dog, because you’d always wanted a dog and your parents always said no. Tenko got it for you for your birthday, the same year you had to go home early from his party. There are a bunch of photos, too, stolen out of a photo album – possibly the same partially-empty album you found when you were sorting. Some are from school. Some are from parties – yours, Tenko’s, Hana’s. Some were pretty clearly taken by Tenko’s mom. Seeing them makes you want to cry.

In the pictures, Tenko’s house is still standing. Tenko’s family is still alive. There’s Tenko like he used to be, dark-haired and grey-eyed and quirkless and happy. The two of you were always happy together, even if you weren’t happy at home. “These are cute,” Sho remarks. “Lots of puppy love going on here, and I’m not talking about the dog.”

You remember that you apparently told Isuzu you were going to marry Tenko and cringe from the thought. “Don’t be weird.”

“If it helps, it doesn’t look all that unrequited,” Mitsuko says, peering over your shoulder. “Check that one out.”

The photo she’s pointing at is from your class’s Valentine’s Day party. You and Tenko are trying to trade valentines, except you’re too embarrassed to look at him while you hand yours over. He’s not embarrassed to look at you. He’s grinning, that same smile that some of the other girls called creepy, the one you still like seeing because you know that it’s real, and he’s holding out a valentine of his own for you.

The valentine Tenko gave you is in the box, although his handwriting is impossible to read when you’ve had as many drinks as you’ve had tonight. In the corner of the box is another, tinier box. It looks like a jewelry box, and when you pry it open, a memory floods over you. There’s a locket inside. You put a picture in it the day before you got your memory wiped, and when you pick it up, you find the picture staring up at you. Tenko. Even five years after he vanished, you couldn’t let him go.

You shouldn’t have had so much to drink. If you were sober, you absolutely wouldn’t be bursting into tears.

Your friends aren’t exactly clear on why you’re crying, but they comfort you anyway, Mitsuko and Hirono and Sho hugging you while Ryuhei and Mitsuru hang awkwardly back, patting your shoulders. The only person who doesn’t get in on it is Kazuo, but Kazuo was never the touchiest, even before his mind snapped. And something’s up with Kazuo tonight. Even through your own mess of emotion, you can tell.

You wait until everyone else is drifting off before you try to get it out of him. “What’s wrong?”

“The HPSC is reactivating me.”

“They – what?” The alcohol’s made you just a little slow – the anger hits before the understanding’s truly formed in your head. “No, they can’t. They can’t, Kazuo! After what they did to you –”

“My provisional license is still active. That means they can.” Kazuo extracts a letter from his pocket and holds it out for you to peruse. You can barely read it. Your vision is swimming with rage. “When All Might crippled the black market, he took down every possible informant with it. Someone is backing the League of Villains. They need to find out who. My quirk is the fastest way.”

“They can’t do this. Not with what happened last time.” Your heart is hammering. Kazuo’s work-study was in Yokohama. When he collapsed, they brought him to your clinic, and you saw firsthand what overuse of his quirk did to him. “It could kill you.”

“There are safeguards, theoretically.” Kazuo’s voice is flat, emotionless. Like it’s been for two years and counting. “If you read further in the letter, you’ll see the protocol they outlined.”

You don’t need to read it. “You’ve got a medical condition. Using your quirk will exacerbate it. They can’t just conscript you like this!”

“It’s done,” Kazuo says. You look at him, speechless with fury, still too close to tears. “I didn’t tell you so you could get angry over something you can’t solve. I told you because I’ve predicted the types of questions they’ll instruct me to ask. I can ask them in a way that will preclude you in the answers.”

You hadn’t even thought that far ahead. “But in order for me to do that,” Kazuo continues, “you must keep yourself out of their search parameters. As long as you don’t directly aid your friend in the committing of a crime, you’ll fall outside their net.”

“Directly aid,” you repeat. “What does that mean?”

Kazuo gives you a look. “Failing to stop something is not the same thing as assisting in it.”

Now you get it. Kazuo’s telling you that simply knowing what Tenko’s up to isn’t enough to get you in trouble. In order for you to come under suspicion through Kazuo’s quirk, you’d have to actually do something – not just to help Tenko, but to help Tenko commit a crime. “I understand.”

You do. But that fury is still bubbling up within you, pointless as it is, at the thought that catching some vague scraps of information about the League of Villains is worth Kazuo’s sanity, Kazuo’s life. “We’ll figure something out. I won’t let them keep using you.”

Kazuo’s eyes are blank. They’ve been blank for years. But every so often you’ve seen a flash of something within them – some feeling, something familiar, something of the boy you knew. “You can’t save both of us,” he says, and his right hand falls from his temple to rest in his lap.

He was using his quirk just then. What was he asking? What did he see? You want to ask him, but he’s just picked up a half-empty bottle of vodka and drained it, and now it’s all hands on deck to hustle him to the bathroom in time for him to throw it back up.

The thought crosses your mind, as you’re rubbing his shoulders and offering him tissues to wipe his mouth, that it would have been easier if you’d fallen harder for Kazuo. If you’d fallen hard enough to cling to him even when his heroic ambitions pulled him away, hard enough to hold on even when the overuse of his quirk destroyed his ability to feel anything at all, hard enough to fight for him even when he doesn’t see a point to trying at anything any longer. It would have been hard, sure. But at the same time, it would have been easier for everyone involved if you’d felt for Kazuo the way you feel for Tenko.

You and Kazuo fall asleep on the bathroom floor, and in the morning, you’ve got a backache and a hangover. So does everybody else, but there’s something at least a little relieving in the fact that you’re all suffering together. You’ve got work, but it’s a half day, and it starts at noon. Plenty of time for you to go home and take a shower and try to sober up the rest of the way.

At least that’s what you think. When you step out of the bathroom in your apartment wrapped in a towel, you step directly into a warp gate, and it swallows you whole.

Kurogiri said he’d tell you what you were walking into the next time Tenko summoned you, but maybe he just forgot. You think you can probably talk Tenko into sending you back long enough to put on clothes. But once your feet touch the ground, it’s clear that you aren’t in the bar, where you’ve been nearly every time Tenko’s called for you. The air is cold and clammy, and there’s a strange smell, half antiseptic, half rot. You know this smell. You remember it from a field trip you took in nursing school. It smells like a morgue.

It smells like a morgue, and it’s pitch-black. You can’t see your hand in front of your face. Where’s Tenko? You can’t imagine him summoning you here without an explanation – which means he’s not the one who summoned you. Who did?

A voice issues from the darkness, deep and almost friendly. “Do you know who I am?”

The revulsion and terror that sweeps over you at the sound of his voice are almost enough to bring you to your knees. But you grew up in a family full of quirk users whose quirks affected the mind and body, and they loved to practice on you. Sixteen years of surviving it gives you the experience to stay on your feet. And when you think about it, you do know who this is. “You’re Sensei,” you say, and the man in the darkness makes a pleased sound. “Shigaraki’s master.”

“Very good,” the man says, but it isn’t – you only remembered to use Tenko’s new name at the last second. “Now it’s your turn. Tell me who you are – and who you are to Tomura.”

“I’m – nobody,” you say. Sensei’s influence over you intensifies, and you keep your feet with an effort. “I’m a nurse. He came to the clinic I work at last year. He’d hurt his wrist.”

“I see,” Sensei says after a moment. “Had you met Tomura before that time?”

Tomura? No. You shake your head, only to remember that Tenko’s master probably can’t see in the dark. “No.”

“But you’ve seen him since.”

“Yes,” you say. “When he’s injured, he sends Kurogiri to find me. So I can help.”

“I see,” Sensei says again. You’re tempted to point out that if the doctor, whoever the doctor is, had treated Tenko’s gunshot wounds, Tenko wouldn’t have needed to call for you in the first place. But that would escalate things. You keep your mouth shut. “Do you possess a healing quirk?”

“No.”

“That’s a shame,” Sensei remarks. “Would you like one?”

“No,” you say at once. Maybe too quickly, given the insanity of the statement. “It’s not possible to give quirks.”

“It is. And they can be taken away just as easily,” Sensei says. You stay quiet, and when he speaks again, it’s a change of subject. “It seems Tomura has taken a liking to you.”

“I – I wouldn’t know,” you stammer. How much does Tenko’s master know? “I don’t know how Shigaraki feels about anything.”

“Thankfully, I do.” Sensei goes silent for a moment. “I suppose it’s wise of Tomura to keep a medical provider in his orbit, even if you would be more useful to him with a healing quirk. What is your quirk?”

Your stomach instantly twists into a knot. “I don’t have one.”

“Mm.” Sensei’s voice takes on a reflective note. “Let’s remedy that.”

The darkness is complete. You don’t see the hand coming; all you can do is startle when it clamps down over your face, enormous and rough and hot. Your breath leaves you in a sharp gasp, too quiet to be a scream but still too close for comfort. But just as suddenly as the hand settled over your face, it pulls away with equal speed. Sensei chuckles, a low, dark sound that makes your skin crawl. “You’ve been dishonest with me, but I can’t fault you for not sharing what you don’t know.”

You’ve been dishonest, yes. It doesn’t seem like he knows about that. But what don’t you know? “Sir? I don’t understand.”

“You have manners. It’s a shame Tomura won’t appreciate them,” Sensei says. “You will understand in time. Kurogiri?”

The mist begins to billow around you – and at the same time, it clears partially, revealing the shape of the man standing before you. He’s terrifyingly large, looming over you, and his face – “I would advise against telling Tomura of our meeting,” Sensei says as you stare up at him in terror, “but that is ultimately your decision to make. You and I will have no further dealings. Tomura has chosen you as a piece in his game. I will leave you to him.”

The terror drowns you. You fight to keep your head above water. “Yes, sir.”

“Sir,” Sensei repeats. “I do like that.”

The tone in his voice breaks your composure, just as the mist closes around you. By the time Kurogiri deposits you back on the floor in your apartment – in your apartment, they know where you live – you’re hyperventilating, panicking, almost out of your mind. “Shigaraki Tomura will call for you this evening,” Kurogiri says. “I do not know his purpose. I advise you to be prepared for either possibility.”

For a date. Or for a meeting with his new allies. You’ve never felt less prepared for anything in your life. Kurogiri vanishes, and you curl up in a ball, shivering. Maybe it’s from the cold. Maybe it’s from the smell of rot. Maybe it’s from the pure terror of meeting Tenko’s master, of the lingering sensation of his hand closing over your face. Whatever it is, you have to get rid of it. And you still have to go to work. You crawl back to the bathroom, turn the shower on scalding, and climb in.

[ttrpg-smash-pass-vs]

Excuse the long post, something I want to explain about dragons. Feel free to ignore.

D&D dragons are specifically not reptiles. Any resemblance is stated in the draconomicon to only be skin-deep and we've not heard any word against that since. For instance, they're not exothermic, or "cold blooded". They constantly produce body heat!...with no way of shedding it, excess heat just stops existing because fuck you they're magic. They're not imbued with magic, they ARE magic as much as they are flesh. People just said "hey its got scales, must be a lizard." We've also heard no word on whether they have cloaca. These are not natural creatures in the traditional sense. They're magical aliens that were hurtled in from space, or crafted by gods, or practically elementals of the normal world, or any number of other setting-specific things that would have no reason to follow convention. Even without that, pretty much every phylum of the animal kingdom is riddled with exceptions anyway. Egg laying mammals with multiple vaginas, invertebrates without an entrance to their genitals, claspers, shapes designed to be incredibly impractical, prehensile junk, penis bones, accordion vaginas, ones with false endings, "teeth." My point is, we have absolutely NO idea what's going on down there. It could be a cloaca. It could be multiple. It could be something unlike anything on earth. It could be like mammalian junk, which scaling in proportion with existing megafauna could easily fit a person for the full grown ones. I had to do the math for a Tyranny of Dragons campaign, it's not what you think and likely far weirder. Don't ask. But right now? It's whatever the hell you want it to be, because I doubt we're getting an answer. Let your dreams run wild.