#and this isn't really even all of them it's just ones that are past the outline stage

[zara-renata]

So I had one holiday prompt that I couldn't include in the big holiday prompt fic I posted last week, and I also have been receiving some really sweet and cute ideas that weren't exactly requests, but the ideas were so nice that I wanted to write something for them. I've gathered them into one story that I hope isn't disappointing. I had intended to do separate, cute little drabbles, but I had a bad day the other day and somehow uh, really dark angst happened, and then I used the ideas people sent for the comfort half of the fic? So please forgive me for just... taking it as dark as you can go before including the sweet, cute ideas that people requested. I hope you like the result anyway, although please read the content warnings. Several of the people who sent requests/ideas apologized for doing so, as if sending the ideas was 'too much', but you don't have to apologize for sending asks. My requests are open, and I like seeing everyone's ideas even if I don't end up being able to write for them, or if I tweak them a little to make them work for the story that comes out of my brain despite my best laid plans to stick to an outline.

The river | ao3 | masterlist

It's Christmas Eve, you're at the end of your rope after an absolutely awful year, and you decide to end it all after pushing everyone in your life away. Sylus pulls you from the brink and convinces you to keep going.

Sylus x fem reader, Sylus x mc, hurt/comfort, angst, grief, banter, fluff. CW: attempted suicide, depressed thoughts, NSFW, Sylus penetrating reader (this is not sex ed, do not follow these idiots' example, no discussion of condom or birth control, this is fantasy and we're not going to worry about that in the fic)

Ask #1 You asked to keep sending silly little ideas for you to write so I thought I'd give my own request! After Caleb and Gran (supposedly) die it's pretty much canon that MC refuses help from their friends and isolates themself in certain ways. I always imagine MC sometimes sees Sylus as "the only one they have left" since he is the only one who goes out of his way to check up on MC. But MC kinda grows to resent this and has a moment when their drunk/really going through it and basically ask Sylus why he doesn't leave them be so they can just rot away in peace. Sorry if this is too lengthy or I'm overstepping! Brain worms are getting to me

Ask #2 Okay, so random thoughts here, but do you know that superstition that’s like, “the places where you have moles on your body show where your lover kissed you in a past life”? But like… can you imagine what it would be like if MC had a mole in the exact spot where Sylus bit her during Abyssal Mark (cus I have one there lol) and then that superstition randomly gets brought up, only for MC to show him that mole and Sylus is just s h o o k??? N e way that’s my random thoughts lol (sorry if this is a lot 💀)

Ask #3 I love the way you write the MC and I find myself relating to them at least 99% of the time. Sometimes I just imagine them giving Sylus one of those "Do you like me? Circle yes or no!" Love letters to Sylus because they are terrified of rejection -> i wrote the MC in this story really, really depressed, so if this didn't hit the spot for you in terms of fear of rejection, let me know, and I can include your prompt in another story idea I had before this one that's a lot lighter and sweeter before I got hit by the angst truck that this fic turned out to be. just let me know!

Ask #4 the last holiday prompt! -> idk if anyone sent it yet but from the xmas prompt list, i would love to see what you do with number 8 -> I'm so sorry that this is what I did with it, I hope you like it anyway😭

Thank you everyone who has sent me ideas! If you've sent me a request and I haven't answered it yet, it's because I'm still intending to do something with it.

Here you are. Again.

At the end of a long day. A long week. A long year. 

A long rope.

It’s the dark, this time of year. 

Maybe. 

You’re restless. You’ve passed through the Deepspace Hunters Association doors for the last time this year. Empty days of leave stretch before you.

Normally, it would still be light out, leaving this early. But not now, this deep into the year—it’s already full night, as you leave work early.

The bright lights of the building pour over your upturned face as you look back, just once. You don’t know what for. You’ve successfully severed most of the ties you had built before.

Before everything.

Tara, Xavier. After Caleb, Josephine—they reached out, over and over, and you bit their outstretched hands with your sharp, sharp teeth. 

You snapped enough times that they keep their distance, now. 

They’re still kind. 

Tara still comes, sits on your desk, shares tidbits of gossip during the workday. But she no longer invites you along to karaoke, to after-work drinks with other coworkers.

You and Xav work in sync, as you eliminate wanderers. He walks you to your door at the end of the day. But he no longer offers to lend you books. No longer invites you to the bookstore, or to try new restaurants.

You watch his broad back as he walks away from you, down your apartment building’s hallway. He feels as far away as a star in the velvet night sky.

It’s not their fault. You did this.

You wanted this.

You turn away from the warm light beaming from the Association as you leave early, the Christmas lights glittering in the windows, the holiday party you’re skipping still in full swing in the open, sleek company restaurant area on the ground floor. A division-wide shindig, to celebrate the end of the year, the holidays.

The night is cold. Fairy lights, nets of bright pinpricks in the dark night, cover the trees lining the sidewalk. Decorative light displays stretch across the busy road at periodic intervals, over the canals that parallel the streets, the gondolas and tour-boats festive under their own lights, red ribbons flapping in the cold winter wind.

You think about how they never recovered a body.

Only Josephine’s ashes fill an urn, sitting in a cold niche of a quiet columbarium. Caleb’s urn is empty.

You start walking, fast, along the busy sidewalk. People are out shopping, scurrying to tie up last minute errands before the city shuts down for the holiday tomorrow.

You want to unzip your coat. Unzip your uniform. Unzip your skin, your ribcage. Leave all these pieces of yourself behind, for others to puzzle over. To sweep up with the rest of the refuse left over from festive party goers on the street. You want to dissipate in the cold winter air like your breath with each cursed inhale, exhale.

You settle for beginning to jog to the metro station, your feet carrying you faster, faster, your boots heavy on the sidewalk. You see it lit in the distance, but you can’t stand the thought of being underground right now. Buried alive, with all the other people. You sprint past it. 

You’re graceful enough to duck and weave, not disturb anyone else, until the crowds thin.

You’re running, running, the city is streaming past, like the tears from your eyes. Wet from the cold, because you haven’t cried since waking up, your ears deafening, Caleb’s silver chain glittering in the firelight on the walk up to your grandmother’s burning house.

Tears won’t bring a body back.

You don’t know how much longer you can stand this.

The days, one after another. Alarm, moving through the dark to get to work. Moving through the dark to get back to your apartment at the end of the day.

The pain—your only constant, now. The only thing you expect, have to look forward to, day after blurred day. 

An echoing emptiness, like an urn without ashes. An emptiness that feels so full that your skin could burst with it.

You think about your apartment. The festive city outside its windows. The half-opened bottle of wine in the fridge, the only thing in it.

You veer from your neighborhood. Keep running. You’re sweating under your winter coat, your heavy Hunter uniform. It doesn’t matter.

You run, and run, and run, until you run out of streets, sidewalk.

Just the river, wide and black. There is a bridge, soaring over the water, in the distance. Its lights reflected in the water, along with the urban nightscape. Stars above, stars below.

You could drown in them.

You look at the bridge.

You could drown in it all.

There’s no one left, after all.

Who will miss you?

You slow. Stop.

Your breath is heavy in the quiet air. Fairy lights sparkle here, too. Pretty swooping light displays top each lamppost along the river path. 

You would have gone to identify the body, as you did with Gran. She didn’t look like herself. Not even a sleeping version of herself. They did their best, reconstructing her face. But it wasn’t the stitches, the bruising. It was that she simply wasn’t there anymore. Like a stranger’s body on display. An empty house after the residents have been forced to flee in a night of unimaginable violence. 

But running your hands through her hair, one last time. It soothed something in you. Enough that you could breathe in the cold mortuary air. Could nod. Could watch as they covered her again. As they escorted you out into the bustling hospital hallways, to stand under cold fluorescent lights. To stare vacantly at the wall, until you felt a strange, familiar feeling. You looked up, saw Zayne watching you, at the end of the long hallway. You stared at him, memorizing his beautiful face. His dark hair. His severe, cold loveliness. You let yourself look one last time, and he let you. Through the people filling the hallway, each walking with purpose, they were a blur and he was  across the world, across time, a part of your past that should never have reappeared in your present. It hurt too much, to look at his beautiful, distant face. He left you behind, once. He should have stayed gone. You can’t stand to experience the loss again, the loss you felt every time he listened to your heart, expressionless, a stranger with a beautiful, familiar face from your past, a past in which Caleb was still alive. 

You looked at Zayne one last time, across a bustling hallway in a place full of life, of death, and he let you. You then turned, headed to the reception desk. You switched doctors, hospitals.

You blocked his number, so you’ll never know if he sent you a text, tried to call and ask why, after. He let you walk out. Which is as it should be.

You wanted this.

The water churns under the whipping wind, the fast current. It looks so cold. Cold enough to numb. Cold enough to finally put out the fire that’s been burning in you, ever since you woke up, your ears deafening, Caleb’s necklace shimmering in the flames.

You think of running your hands through his hair. Something the fire robbed you of—it would have been your first time, your last time. He would pat your head. Call you pipsqueak. Ignore your protests to not mess up your hair, to not treat you like a little kid. But he would always duck out of the way anytime you tried to return the favor, tease him, tousle his hair. His pretty brunette hair that always looked so soft. Now you’ll never know how soft it really was.

You look at the water. You look at the bridge. The car headlights meteors streaking along their guardrail-gated orbit.

You think about going home. Waking up tomorrow, Christmas Day. The silence. You think about going back to work. Killing wanderer after wanderer. Wondering which one will be the one to finally kill you.

The days blur. The constant emptiness echoing inside your apartment, inside your ribcage.

You look at the water. You look at the bridge. You imagine running your hands through Caleb’s hair for the first, the last time. A tender goodbye you’ll never have, because they never found his body.

There’s no one left to miss you.

Your phone vibrates in your pocket. You fish it out.

Rafayel no longer calls, or texts you words. He just sends photos, every once in a while. Mundane details of everyday life, rendered extraordinary through his artist’s eye. Paintings he’s working on. A foreign landscape. Leaves glistening with dew. The moon, waxing full.

You haven’t answered in months. You look at each one, tuck your phone back in your pocket.

You look back at the water. Think about taking a photo of the reflected stars, the thin crescent moon in the black waves, think of sending him one last response. But even you’re not that cruel. You don’t want him to realize later, that he was the last one to say anything to you.

You don’t open his text. You block his number. Tuck the phone back into your pocket.

You start to walk toward the bridge. As you walk, you keep your eyes on the path, its edges. Decorative, smooth stones line the walkway along the river embankment. You pick them up, here and there, as you walk. Slip them into your coat pockets.

Eventually you run out of room in your coat pockets, add more to your pants pockets. 

You turn your eyes back to the bridge, looming now.

You think of your empty fridge. Josephine’s empty face. An empty urn.

You’re ready to scoop out what’s left of you, leave it behind on the sidewalk, smoldering as the cold night finally smothers the endless fire, the only thing left inside you. Maybe it will warm someone else, in passing. A last good deed, from you to someone in the world.

A metal staircase, leading up, up, into the black sky, mirroring the dark river, your heavy boots echoing. The cars are loud. If you close your eyes, they could be the rushing waves of an ocean, instead of a river of traffic, above a river of water.

You keep your eyes open. You’re not going to pretend that you’re not doing what you’re doing, now. You’re not at the ocean, its pure salt air drifting through your hair, now whipping around your face. You’re on a busy, exhaust- and oil-stained commuter bridge on the night before Christmas, having cut your ties with everyone you have always known never wanted or needed you in the first place. What’s the difference if a wanderer kills you tomorrow, or if something kills you today? Just empty time, blurry days, photo frames without pictures.

The guardrail isn’t so high as one would guess. It’s an easy step up. An easy step over. You stand, looking back over the city where you were raised. The city that contains all the past versions of yourself, from the moment you were pulled screaming into life from a mother whose face you’ll never know, through to now, an empty shell of a person. If your fellow hunters could see inside you, they’d mistake you for a wanderer and put you down, like the scientists who experimented on you, your own grandmother, did years ago.

Since learning that Gran was one of the people who fucked with your heart, you have often resented that she and her colleagues weren’t successful in finishing the job years ago, when they had the chance.

But now you wonder, standing over a dark, freezing river that reflects what’s inside you now, maybe they did finish it. You just didn’t realize it. Not till tonight, as you look down in the mirror of the rushing water, far below.

Even now, the tears won’t come.

What use are tears, when they can’t bring a body back. When they can’t wash it clean. When they can’t lovingly touch it, one last time, soft strands of hair under your fingers.

Your tears, your heart, your suffering, your existence—useless, for the entirety of a life you can only half remember.

You wonder if it’s the dark, tonight. Why tonight, and not yesterday? Why not six months ago? 

Because it took that long to sever the ties binding you here?

Now you are assured, no one will miss you. It will take days before anyone even notices your absence because of your holiday leave.

You hope that they’ll assume it was a wanderer. Bad luck. Wrong time, wrong place. A modest little plaque on the wall of heroes, even though you know you’re no hero.

In the end, it doesn’t matter why it’s tonight, and not any other night.

No need to be dramatic, pretending there’s meaning in the meaningless.

You put your hands on the guardrail, the metal colder than your freezing hands. You lift a heavy booted foot. Take a deep breath. 

It’s so cold. It will be over before you know it. You’ve read that from this height, it’s the impact, and not the drowning.

You’ve always had dreams of flying. 

You lift your other foot, arms thrown wide for balance, just for a moment. The world feels so big, here at the end. The stars above, the stars below, the doubled crescent moon. You’re ready to drown in it all.

You only have one hope.

I don’t want to be reborn.

You breathe, empty your mind of Tara’s earnest smile, Xavier’s soft laughter, Zayne’s steady hands, Rafayel’s flashing violet eyes. Josephine’s empty face. Caleb’s soft, untouchable hair.

You let yourself fall.

You’re flying. Your heart is soaring. Your heart is seizing. The relief, the terror, mingle. You can’t scream, even if you wanted to.

You’re flying and it’s everything you ever dreamt, until it’s not.

Your body jerks, abruptly. Your hair whips down, lashes your face. You grunt with the impact against… nothing. You’re suspended over the water, drifting in the air. The wind tugs at your stone-weighted coat.

You twist away from the water, craning your neck to look up, up, back at the bridge.

You have withstood the uselessness of tears for almost a year now. But now, you want to cry so badly the pain of the need steals your breath.

You knew he was cruel. You knew he was merciless. You knew that he hated you. You just didn’t realize how much, until now.

You hang suspended over a dark, rushing river, wrapped in scarlet and ink tendrils, looking up into the sneering face of the one person you refused to think about as you made your final decision tonight, at the end of your desolate, half-remembered life.

His evol begins to lift you, away from the merciful impact, the numbing water. You, your past, your heart, the memories and despair and stones filling your pockets seem weightless, wrapped in his power.

His usual mask of bored indifference is gone. He is finally showing you his true face, what he must always feel when he looks at you—fury and disgust.

He says nothing, as he pulls you from the depths, back into the world. As he sets you gently back on your heavy feet on the sidewalk in front of him. His evol evaporates, winter breath in the wind.

He looks at your face with his wine-dark eyes. Looks at the water. Flicks his gaze back to your face.

You will not cry in front of this man. This man who hates you so much he won’t even let you seek the peace of death. Death, which has always been too good for you, but not for the people you loved the most.

You clench your jaw as the fire re-ignites in your chest. The flames you had tried so hard to scoop out, to leave behind.

You don’t want to feel this much anymore.

If you speak, you know you’ll cry. You can’t stand it.

Maybe, with enough repetition, he’ll get bored. He gets bored so easily, after all.

You turn, try to launch yourself over the guardrail again.

This time, it’s not his evol, but his arms that wrap around you, pull you back from the fall.

You struggle, throwing your elbows, kicking, throwing your head back, hoping to catch his perfect nose, break it under the hardness of your stupid, useless skull.

He says nothing, just holds you tighter, wraps one arm around your waist, the other over your chest, his big hand cradling the side of your face, pressing your head back into his own chest, as he hunches over you, an immovable wall of warmth. As you fight to break free of his hold, you are wrapped in his scent—cloves, gun oil. 

Sylus.

Eventually, you tire yourself out—despite all of your strength, it is no match for his. He holds you against himself easily, as you pant, lungs burning with the effort, the sweat warm once again under your Hunter’s uniform. You become aware of a whimpering, the keening of a wounded animal.

It’s coming from your throat. Your eyes burn. You go limp in his arms.

“That’s it,” he murmurs. A voice like warm liquor in your veins. You think he’ll let you go. You prepare, hoping you can get to the guardrail again. Maybe this time he won't be so fast. But instead of releasing you, getting away from you as fast as he can, the arm around your waist moves up, cradling your upper back. He scoops his other arm under your legs, holds you against himself like you’re a delicate princess, if you were anyone else. But because it’s you, he’s probably just holding you like a useless sack of shit that would be too annoying to drop. He begins to walk, his stride steady, brisk.

He looks down into your face. “I bought a dress for you. Silk. A design like stars over a flowing river. That’s the only river you’re allowed in tonight, kitten.”

You stare at him. His breath puffs white in the cold air. The face of disgusted fury is replaced by his usual bored mask.

Why is he doing this to you? He wanted to kill you, just a few months ago. Why not let you do the job for him?

He is the only person in your life who didn’t take the hint. Who kept showing up, after you made it clear that you didn’t want their presence anymore. That you couldn’t handle the ties, because ties become nooses, snapping your neck when the other person leaves you behind.

When he showed up where you were, in a ‘coincidental’ meeting on the street, on a jog, you would turn, move in the other direction. He would match your stride, doggedly pestering you with questions, asking you about your evening or weekend plans, telling you silly stories from the N109 Zone, Luke and Kieran’s latest antics. Sometimes he’d just walk in contemplative silence, thumbs hooked through his belt loops, or jog quietly next to you, never losing his breath, never complaining about the pace.

When you would routinely see him at various restaurants you were headed to in order to pick up takeout, you’d leave your food, immediately turning and hurrying away. When the same food was delivered to your door half an hour later, you’d refuse to answer, letting the confused and irritated delivery man leave. A half hour after that, the same man would be back, yell through the door that he had instructions to leave the food even if no one answered, and then he’d make good on his promise. You were faced with the choice of either letting the food go to waste, or eating it guiltily at your kitchen island.

No matter how many times you told the delivery person of the almost daily packages you received with no return address that you didn’t want to accept delivery, they would always insist that their instructions were to deliver regardless of recipient response. You were welcome to bin the items after receipt, but if you didn’t accept, the packages would just pile so high outside of your door that you couldn’t reach your apartment anymore.

You would accept, and then donate whatever exquisite item was inside to women’s shelters, children’s homes, university museums, soup kitchens, fundraiser auctions. No matter how clear it was that you wouldn’t accept anything from him, Sylus never stopped sending you gifts.

When you were sick, he’d show up personally, barge into your apartment when you were too tired to look at the doorbell camera before answering, a duffel bag gripped in his big hand filled with fever reducing medicine, homemade soup from his home chef, painkillers, hot water bottles, cooling pads, muscle pads, vitamins. He’d lounge on your couch, manspreading, insisting that he wouldn’t leave until he saw you swallow the pills and drink a gigantic glass of water.

He’d wait until you lay back down on your messy bed, until you fell asleep. He’d be gone when you woke again, but your apartment would be clean and your fridge and freezer would be stuffed full of healthy pre-prepared food.

You were half-convinced he was just buttering, fattening his prey before getting bored and mercifully ending its life.

Tonight, you are now fully convinced.

“Did your tongue freeze in your mouth?” he asks, descending the stairs you had just walked up, thinking it was your last time ascending them. “Do you need mouth-to-mouth to warm it up again?”

You scowl at him, at how appealing the idea of Sylus’s tongue in your mouth is, even now. You hate yourself, your traitorous body for being drawn to him, even now. “What’s the point of talking, when you never listen?” you grind out, your throat sore. You hadn’t realized how much your animal wailing had wrecked your throat. At least the tears are no longer so close to the surface that they’re threatening to spill.

“I listen to every word out of your beautiful mouth,” he counters serenely, with that same inexplicable kindness that makes your heart hurt. So at odds with how you know he must really feel about you. “I just listen to more than your mouth in order to hear what you’re really saying.”

“What?” You stare at his beautiful face, the way the lamplight illuminates its sharp features for a brief moment, before the night swallows it again as he moves between lampposts on his way… somewhere. Back the way you just came from.

He spares you a glance. “Your mouth says one thing, while the rest of you is screaming something else.”

You feel the blood draining from your face. “What the fuck are you talking about?”

One corner of his beautiful mouth lifts. “Don’t play dumb, kitten. You’re too smart for it to be convincing.”

You were just falling into the river. You were just about to be free. How did you get here again? In this man’s arms, his smug, roguish smile filling you with the unease of being seen. 

“I mean, it wouldn’t kill you to be a little more honest about the fact that you want people to fight for you, right?”

You begin to struggle again, shame lancing through you, making your body unbearable to be in. You know it’s weak, to have wanted so desperately that the people you were carving from your life would see what you were doing and stop you, place their hands over yours holding the cleaver, gently push it down, down, until it dropped from your grasp—how desperately you wanted them to step into your space, hold you tightly, just like this man who sees right through you is holding you now. You wanted Tara to keep inviting you out with your ridiculous colleagues, to sing your heart out at shitty karaoke clubs, to forcibly drag you to sleepovers and arcade nights. You wanted Xavier to push himself into your apartment, try to bake something horrible in your oven, sheepishly offer to go to the bakery with you instead when the fire alarm inevitably went off. You wanted Zayne to walk through the crowd to reach you at the other end of the hallway after you identified Josephine’s body, to ask to take your hand, to ask how you were doing, even though you knew you wouldn’t have been able to answer. You wanted Rafayel to keep inventing excuses for you to visit his studio, to keep insisting that he needed you to accompany him to expositions and fancy lunches as his bodyguard. 

But none of them did in the end, and that’s okay. You kept pushing them away, because your terror of their leaving was apparently bigger than your need for their presence in your life, and at least if they were already gone, as they inevitably would be, you’d finally be free. 

But the last person you would want to see this utterly humiliating need inside you, exposing you like this, is the one looking down at you right now with deceptively soft, all-seeing eyes.

You know the feeling, this need, of pulling away and pulling away and then being heartbroken when people finally let you is weak, and pathetic.

You may experience weak and pathetic feelings, but you’re not weak or pathetic. Not at your core. You were prepared to do what was necessary, to save yourself from the pain of your emptiness, the fire raging inside your chest. You weren’t asking anything of anyone. You were doing it all on your own. 

Not a burden. 

Never a fucking burden. 

You clench your teeth, buck in Sylus’s arms.

He just holds you tightly, a straightjacket for the insanity that you’re feeling, the insanity of this man, out of all the people in your life, stripping you of your masks, flaying you so that all of your most tender, shameful parts are exposed to both him and yourself.

“Stop that. You’re just going to tire yourself further, when I need you tonight.”

Of course. The quid pro quo. He helped you with the auction, the Aether Core. Now you owe him. He doesn’t give a fuck if you live or die—he just can’t let one of his assets destroy itself before it fulfills his purpose.

You go limp in his arms. Turn your head away from him.

He continues his train of thought. “No, it wouldn’t kill you to tell the truth to your friends, so you decided to take matters into your own hands, huh? Telling the people in your life that you actually need them wouldn’t kill you, so why bother, right, when you can just jump off of a fucking bridge?” His voice sounds like the night you met him. Controlled anger. Disgust. Accusation.

Then there’s something wrong with her.

You thought you had killed everything inside of you already. The yearning for human connection. The kindness of a friend. Family holding you in their arms. You thought you had scooped out most of it, even as some of it rekindled when he pulled you back from the fall.

But the way you’re hurting now, at the memory of his hate, the reminder that the people you love won’t fight for you even if it would be fighting against you, and that this man, for all of his false generosity, never cared for you from the beginning, that his gifts and his visits were all what you knew them to be, all along—a bored predator toying with its prey before using it and consuming it. 

You let your thoughts drift back to the bridge, push your pain away. Feed it to the fire. When he’s done with you, maybe you won’t even have to jump.

“Just shut up, Sylus. I’ll help you with your problem tonight. Just promise me you’ll toss me over yourself, when you’re done with me,” you tell the night, because you still can’t bring yourself to look at him.

He stops walking. The wind is so cold against your face. You wish he’d snap your neck, right now. You’re so fucking tired.

“Look at me.” His voice is low. Menacing.

You watch the water. Wonder how long it would take if you just walked out into it, without jumping. Just walk in with your stone-weighted coat and let the cold paralyze you, the current pull you under.

“Look at me, my heart,” he whispers. The change in his tone, his bizarre endearment, has you turning your head, looking up into his face. “That is one promise I can never make you.” He looks like he’s in pain. You don’t know why. He leans down, rests his forehead against yours, hunching his big shoulders, lifting your body in his arms so he can meet you. His breath is warm against your lips. “Please don’t talk to me like that.”

You want to snort. It’s rich, coming from him—the same man who is telling you not to tell him to shut up, after all the things he said to you as he starved you, strangled you.

“Please don’t tell me to kill you. To hurt you. That hurts me.”

You stare up into his face. See the sincerity in his eyes. The wind whips your hair. He wasn’t upset that you told him to shut up, but that you asked him to kill you? “What does it matter? Aren’t you going to, in the end?”

“Why would I stop you tonight, if I wanted you to die?”

Of course he won’t answer outright. When has Sylus Qin ever answered a direct question?

“Yeah, that’s what I’m saying. Why bother stopping me, unless you just need to use me and then be done with me? I can’t be that irreplaceable. Just get someone else to put on the dress, and let me get on with my fucking life. Someone who you can train to say just the right things, at just the right time, who’ll look good in whatever fancy shit you want to put her in. There’s gotta be easier idiots than me to serve your purpose.”

He closes his eyes, breathes in the cold night air. When he opens them, you have to look away. You can’t handle whatever is in them. “I know I hurt you, when we first met. That I said cruel things to you. I’m sorry.”

You laugh, even as your heart wrenches at this strange apology. Of course he doesn’t explain what offended him so much about your existence at the beginning. Why he treated you exactly how you deserved. Probably just whatever he saw when he used his Aether Core on you. He saw the echoing chambers of your empty, fucked up heart and was enraged that it was you, and not someone worthy, who would absorb the Aether Core. “There’s never been any need to varnish the truth, Sylus. You almost choked me to death the day we met. You should have fucking finished what you started,” you sneer. “Why does no one ever finish what they start?” You think of Josephine, her researcher cronies. Think of Caleb, his promise to return, the last text he ever sent you. Your fucking parents, who you will never know.

You don’t expect an answer.

And yet, you’re surprised when Sylus wordlessly releases his hold on you. Lets you slip from his arms, sets you back on your feet. You settle in your heavy boots, the weight of your coat, the stones in your pockets, grounding you to the earth.

The lamplight shines in his silver-sheened, wind-tousled hair. His cheeks are red from the cold.

Of course. Of course.

No tool is irreplaceable.

You’re not irreplaceable.

You finally said the right thing, to push him away.

This is it. This is it. This is it. 

Your mind returns to the bridge. Your hand is holding the cleaver, dripping with the blood from the last unwelcome tether to your life.

You try to memorize his face, just as you did Zayne’s, but for some reason looking at Sylus’s face hurts you so much more despite having known him for so little time. Just a sigh, in the timeline of your life. The warm glow of his irises. The softness of his lower lip. The pride in his shoulders, his nose. 

Maybe you didn’t want to think of him before jumping because you had fallen in love with him, despite the fact that any affection he offered was counterfeit—the steady way he breathed next to you on a jog, the way he spread out on your couch, his dry humor, his intelligence, his piercing gaze, his kindness that was actually more cruel than if he had just tossed you out and never bothered to look for you again after the auction.

You knew it was fake. You knew it was calculated. You knew that the reality was, because he had told you from the very beginning—

Don’t tell me that you like me. Is this all so you can get my attention?

Clearly you’ve read too many fairytales.

And yet you had believed, in the bright moments of receiving his kind attention, in the fairytale. Just for a heartbeat. A raindrop, splattering on the ground.

You thought that you couldn’t bear to see what it looks like when Sylus finally tires of you pushing him away, and stops reaching out, as everyone else has. 

But with just a few words, you’ve finally managed to do it. He set the burden of you down, and now he’ll walk away, replace you with some other beautiful, breathing tool.

You learn in this moment that you actually can bear it. You can bear anything, as long as you know that very soon, you won’t have to bear anything at all.

“You wanted the truth?” you say, suddenly, the relief flooding through you that the worst has happened, that you’re now actually free. You think of the fabric of the dress, liquid stars over a night river, and wonder whose body it will caress, with Sylus’s big hand on her waist, his gentle fingers drifting across her collarbone, his forehead pressed against hers, for whatever ruse he needs to run tonight, on Christmas Eve.

He grows still. Watches you carefully, as if searching your face for a trick. You look back at him steadily, scooping everything inside you out, letting it splatter onto the sidewalk, here along this dark riverbank.

“Will you give it to me?” he finally asks.

“As a parting thank you gift, for cutting me loose.” You nod. Take a shuddering breath of the frigid air. “Here is me telling you the truth: you should treat the woman who ends up wearing the dress you got with more gentleness than you did me at the beginning. You could have the world eating out of the palm of your hand, if you skip the cruelty at the beginning and just treat people the way you treated me in the last few months. She’ll do anything for you, I think, if you do. Because somehow you made me love you, despite our beginning. I could bear to cut everyone else loose but you.” You laugh, and the sound is like icicles snapping, shattering on the ground. “Thank you for doing it for me, instead. It’s probably the kindest thing anyone has ever done for me.”

You smile at him. 

You don’t know why you’re surprised that he just frowns deeply, brow furrowing. 

Well. That’s okay. You never expected him to be pleased to see your face, smiling or not.

“Good luck, Sylus.”

You turn, begin to walk back the way you came, for the second time tonight. Your thoughts are already at the bridge. You’ve been falling for months now. Soon you’ll finally hit the crystal water and shatter. 

You hope you won’t be reborn.

“You said you love me.” His deep, low voice is carried by the wind.

You stop, turn your head. “Stupid, huh?” you ask, wondering if he wants to pour salt into the wound you just willingly exposed to him.

“Why would you love someone who treated you the way I did?”

You turn fully, face him across the night, one last time. “You’re so fucking funny. I’ve always appreciated men who can make me laugh.” You shrug. “And I’m a pathetic fool. You pretended to be kind, and I lapped it up like the thirsty dog I am.”

He tilts his head, takes a step towards you. “That’s all?”

You take a step back. You don’t need him and his pretty face, his delicious scent any closer to torment you.

You offer him more truth. “Of course not.”

“What else?”

You sigh. “What does it matter? We’ll never see each other again.”

He shakes his head. “Indulge me.”

So salt, it is. You press your fingers into the most tender part of yourself, peel yourself wide open. “Your cleverness. How sweet you can be when you want something—strangely pliant, for such a big, powerful man. The self confidence you have. I could say, do anything and you did so well pretending to never be embarrassed of me. You made me believe, very briefly, that you really wanted to be with me, do anything, go anywhere, just because I was there. It’s quite impressive, really. I can see why you’re so good at business. You’re competent. You’re beautiful to look at.” You pause, shake your head in turn. “But you already know all that. You know why you’re loveable. You made me feel cherished in a way that no one ever has, even as I was pushing you away. But honestly, those are just parts of you. They don’t fully cover what it is about you that makes my heart ache when I look at you. I love you because you’re you. Even hearing your name makes my heart race. Seeing your shoes in my foyer, because they were on your feet. The curve of your wrist, because it belongs to you. I know it’s pathetic, and stupid.” You shrug again. “Can’t help it, though.”

He stares at you. 

You prod him. “Is that enough?”

“How can you ask if that’s enough, when it’s everything?”

You look at him in confusion. “Huh?”

He takes a step towards you, frowning. “Are you only telling me all this because you think I’ve finally given up and allowed you to push me away, because I set you back on your feet?”

You take a step back, as he takes another step forward.“What do you mean ‘I think’ you’ve given up?” You squint at him.

“Did you only tell me all this because you’re going straight back to the bridge to try again?”

You take another step back at the intensity of his face, his question. “What does it matter? You don’t have to worry about what happens to me after this.”

He takes two steps. “You tell me you love everything about me, and then you plan to fuck off and leave me alone again?”

Okay, this was a mistake. You don’t know why he’s mad, but he’s mad again. “I’m sorry.”

You don’t know what else to say. You’ve been sorry your whole life. This is yet another miscalculation. You should have just left. What did you think would happen if you told him how you feel? That he’d be happy about your pathetic heart bleeding pitifully for him?

He strides over to you, his long legs outpacing your own. “If you’re sorry, don’t fucking do it.”

“What?”

He looks down into your face, so close you can smell him again, you can see the fine lines around his eyes as he frowns. “If you’re really sorry for loving me, for ever meeting me—which are the only things you have to be sorry for, then make it up to me by staying. Don’t leave me. Don’t push me away anymore. Just stay, and love me.”

You huff. “Are you really that desperate for help tonight?”

He lifts his hands, places his palms on your cheeks, his long fingers dipping into your hair. “No, I’m desperate for you tonight. It’s Christmas—I don’t give a shit about the holidays, but I know you do. I want to spend it with you. You made me watch you jump off of a goddamned bridge. What would have happened if I hadn’t already been on my way to you?” He sounds so upset. You’ve never seen him like this. The fear is naked on his lovely face.

“What the fuck are you talking about? What does it matter? You said you could get someone else for the dress, for tonight.” You’re so confused. Why is he acting like this?

“I didn’t say any of that. You suggested that I replace you with someone else, I set you on the ground to make sure you were looking at my face, that you were listening to my words when I told you that you’re irreplaceable. That no one else will do. That after watching you almost die, I can’t continue being cautious and trying not to frighten you away anymore.”

“You… what?” 

“You love me. Right? You weren’t lying?” he looks uncertain, like he can’t quite believe it.

You can’t bring yourself to lie. The truth is out. You’re witnessing the fallout. There’s no point in backpedaling. “Yeah.”

He nods, once, decisively. “Okay. That’s enough.”

You sigh in relief. Maybe he’ll let you go, finally, finally.

He checks his chunky watch, the platinum flashing in the lamplight. “There’s still time.”

“Time for what?”

“For my plans tonight. Come.” He closes the distance, sweeps you into his arms again, cradles your body against him like something fragile.

“What plans? Listen—” you start to argue.

“No. Now it’s my turn to speak, and for you to listen.” he squeezes you tightly. “Today was the last day you spend alone. If you can’t live for yourself, then you can live for me, until you remember why you want to live for yourself again. No matter what you say, or what you do to get rid of me, it’s not going to work.”

You can’t even process what is happening. “What are you—?” you begin, but he cuts you off again.

His voice is strained, rough. “You love me. So you have to take responsibility. You have to stay.”

You don’t know what to say. 

I’m desperate for you tonight.

You can’t believe this. He hates you. He has hated you from the beginning. He was so kind to you because he wanted to use you for something he never bothered explaining to you. He needs you for your resonance, your amplification of his powers.

You’re irreplaceable. No one else will do.

Because of your resonance?

I don’t give a shit about the holidays, but I know you do.

He carries you along the wind-swept riverbank, through the frigid night. Stars above, stars below.

You made me watch you jump off a goddamned bridge.

You didn’t think anyone was left to care.

You were so careful, severing ties like arteries, so that you wouldn’t leave the world with more pain than you found it. It was already bleeding so much.

You just were so tired of bleeding with it.

As if sensing the turn of your thoughts, Sylus carries you to the edge of the river’ embankment, where the concrete falls away, drops into the water.

He sets you down again, but doesn’t let you go. His big hands slide down the outside of your coat, dip into your pockets.

He pulls out a smooth stone. Turns it in his hands.

“I’ll never understand how someone so light can weigh so heavily in me,” he murmurs, almost to himself. “But you’re a weight I’ll carry for as long as you let me.”

His ember eyes flick back to yours. He hands you the stone.

“This is your conviction that the world won’t miss you, if you’re gone. You will hold it in your hand, one last time. And then you will throw it in the water.” He wraps your cold fingers around the stone. Somehow, his fingers are still warm.

You grasp it, look up into his face. You see yourself in them. It hurts, to be seen so clearly. You’re so ashamed. “How did you know?”

He closes his eyes, shakes his head a little. Opens them. “I looked into your soul, the day we met. I know you’re too soft-hearted in this life to kill yourself if you thought it would hurt someone else. You don’t carry that spite, anymore.”

In this life.

Anymore.

You can’t bring yourself to ask him what he means. You only know that once again, Sylus Qin has seen inside you, has seen you, in a way no one else ever has.

“But I don’t think anyone would miss me. I made sure of it.”

He huffs. “You’re a fool, if you actually believe that. The people you’ve pushed away still love you. But if you can’t believe that yet, then you can’t pretend to yourself that you’re disposable anymore, if for no other reason than I’m standing here now, telling you that I would miss you.”

You think of Tara, sitting on your desk, nudging a steaming latte she got for you on her way to work toward you, asking if you’ve heard the latest about Simone and Andrew.

You think of Xavier, walking you to your door at the end of a nasty wanderer encounter, reaching out, brushing a bit of mud off your cheek, then smearing it across his own cheek. See, we match now.

You think of Zayne, waiting across a busy hallway, patient, letting you choose to approach him, and respecting you by letting you walk away.

You think of Raf, the beauty he shares with you with every photo, the funny strings of emoji that don’t demand an answer.

“How do you know, that they would miss me?” you ask Sylus quietly.

“I’ve been watching you for a long time, sweetie. Do you think I haven’t seen your friends’ faces when you walk away from them?”

You clutch the stone in your hand. “I don’t think I can change my thoughts, my conviction, just like that.”

“You love me, so you have to try. Throw it. Every time you try to drag it back up, I’ll remind you that you threw it away, and you can let it stay at the bottom of the river.” He reaches up, caresses your cheek with his fingertips.

You want to cry. You want to cry, because you’re so afraid. If you let yourself believe that people love you, you have to stay, for them. You have to feel, every day, the weight of grief, of existence, the pain of being alive, of being inside yourself, your body. The hollowness will return, even with your friends, even with Sylus filling most of it.

It’s like he can read your thoughts as his eyes devour your face, as his fingers tuck a lock of hair behind your ear. “I won’t let you pretend, anymore. You love me, and I will not survive if you aren’t here with me. So you have to stay. We don’t have to accept that life is a curse. We can fight back. Make it something better.”

“I’m scared,” you say.

His eyes are so tender, as he watches your mouth form your biggest truth, set it free in the night. “I will protect you, until you can protect yourself again. There’s nothing to be afraid of, if we’re together.”

You want to believe him. Your heart beats painfully behind your ribs. The moon is a sharp crescent in the sky. 

But you’re a weight I’ll carry for as long as you let me.

“You’ll really stay?”

He finally smiles, a faint Sylus smile that feels like a grin. “I told you. Today was the last day you’ll ever be alone. You can’t get rid of me now, no matter what you do, or say.”

You turn, holding the stone in your cold hands. You think of all the lies you’ve been telling yourself, about your friends, your place in their lives, because you were so tired of living with an unnameable grief, one you carried inside you long before Caleb and Josephine died, but whose loss compounded, made unbearable the original sorrow.

And I will not survive if you aren’t here with me.

You don’t know why he feels this way. Does he love you too? He hasn’t said so. Can he even love you, in the way you love him?

Does it matter? 

It’s enough, that he says he’ll stay. That he wants you to stay alive. That he’ll help remind you, when the whispers drift back in your mind, telling you that you’re just a burden, that no one actually loves you, would miss you when you’re gone. When the hollowness echoes so loudly it’s all you can hear.

You lean back, lift the stone, throw it as hard as you can, as far as you can, into the rushing river.

You don’t hear its splash over the wind.

You turn back to Sylus.

He dips into your pocket again. Pulls out another stone. “Your guilt, for having lived. For having been born.”

You take it from him. Let your mind drift. Feel along the contours of your memories, the jagged, missing pieces, all the way back to when it fades to black. You throw the stone.

You don’t see it sink to the riverbed.

He dips into your pocket again. “Your shame, for needing others. For being human, and imperfect. For not being able to do it all alone. For wanting to be loved.”

You take the stone. “Is it really okay?” you ask, helplessly. There’s no point pretending everything he is saying isn’t true. “To want these things, when I haven’t earned them?”

He steps closer to you. Places his hands on your shoulders, draws you in. “There is no okay, or not okay. There is no crime and punishment, no transgression, no sin. How can it be shameful, to want what you were born to want? Why does love have to be earned, instead of just given?”

You lean into him, press your face into his chest, his thick wool coat soft against your skin.

“I don’t know.”

He reaches into your pocket, places a stone in your other hand. “One for your shame, one for the idea that love must be earned. Throw them.”

You lean back again, and it’s already too far away from him. But you throw each stone, and they disappear under the cold water.

“That’s enough, for now. We’ll take the rest home.” He draws you back into his arms. Lifts you without effort, stone-filled pockets and all. The weight of all of you.  “When you have thoughts of shame, of guilt, of not being loved, we’ll come back. You’ll throw them again. Until they’re all gone. We’ll gather other stones, when other feelings make life unbearable. I’ll come with you, as many times as you need.”

Sylus carries you along the path back to the road that snakes along the river. His motorcycle gleams under a bright lamppost.

He settles a helmet on your head, checks to make sure it’s secure. Puts his own on. You sit behind him, cling to him. Rest your head against his broad back, close your eyes. The motorcycle is loud, and he drives it carefully through the busy, holiday bustling streets, until he reaches your apartment building. He holds your hand as he leads you through the front doors, as he stands quietly beside you in the elevator, his red, warm eyes never leaving your face in the elevator mirrors. He leads you to your front door, waits patiently while you unlock it with your cold finger.

In the hallway, he kneels at your feet, unlaces your tall boots while you look down at him, the soft fall of his silver hair, his big, nimble fingers working the laces.

He then removes his own boots. His coat. He’s wearing a garishly bright Christmas sweater, with prancing reindeer. He hangs his coat on a peg in the wall. He turns, slowly unzips yours. Eyes flicking between the zipper and your face. He gently lifts it from your body, again like it’s weightless, even though it’s still filled with stones. He pulls it from your arms, hangs it next to his.

He pulls you further into your place.

The first thing you notice is the warmth. It’s so warm, like someone came in while you were gone and turned on the heating.

The next thing you notice is the Christmas tree. The one you didn’t get this year, because the thought of the holidays without Caleb and your grandmother was unbearable.

Beautifully, tastefully decorated. Silver and gold, twinkling lights. Its pine scent fills your place.

Sylus moves to a record player on one of the cabinets along your living room wall. A record player that wasn’t here before you went to work today. He fiddles with the arm, and suddenly Joni Mitchell’s River fills your house.

It’s coming on Christmas

They’re cutting down trees

They're putting up reindeer

And singing songs of joy and peace

Oh I wish I had a river I could skate away on

He walks back to you. “Is this okay?”

I wish I had a river so long

I would teach my feet to fly

Whoa I wish I had a river I could skate away on

The music flows around you, paralyzing you. You stare into his face, into the warm glow of his eyes. How could you have missed this? The way he’s looking at you now? Through all the long months since the auction?

He tried hard to help me

You know, he put me at ease

And he loved me so naughty

Made me weak in the knees

Oh, I wish I had a river I could skate away on

The words wash over you, through you. The scent of pine warms you, memories without form filling you with the sense of home, safety, love.

I made my baby cry

I'm so hard to handle

I'm selfish and I'm sad

Now I've gone and lost the best baby

That I ever had

Oh I wish I had a river I could skate away on

He takes your hands in his, thumbs across your skin. “Is it too much?”

You think of how cold it was, standing on the guardrail of the bridge. 

You were running toward the bridge, while Sylus was filling your home with warmth.

What would have happened if I hadn’t already been on my way to you?

You think of him spreading out on your couch, as a fever raged through your body. You think of your freezer, filled with food. You think of the takeout boxes, still steaming, sitting in front of your closed door.

You think of him hanging delicate ornaments on a fragrant tree. 

I made my baby cry

You shake your head, the enormity of what almost happened filling you. The enormity of the choice you made, that you enacted, until Sylus pulled you back from the rushing dark.

You start to shake.

“Kitten?”

“It’s not too much,” you say, teeth chattering. “It’s wonderful. Thank you.”

He stares down at you, seems to make a decision. “Shower. Now.”

You nod, moving away from him, but he follows. 

Inside your small bathroom, he takes up the entire space. He peels off your hunter’s uniform, tosses it beyond the open bathroom door. His gaze flicks from your undershirt, your underwear, to your face. “Do you want me to leave?”

You think of the dark water, an impact that never came. Sylus plugging in the record player, choosing a record with one of your favorite Christmas songs on it. Placing it delicately on the turntable.

“No. You promised you’d never leave me alone again.”

He smiles a little. “I mean, leave the bathroom.”

“No. You promised you’d never leave me alone again,” you repeat.

He stares into your eyes. Nods. Lifts your undershirt. He reaches behind you, unhooks your bra with the same agility that he unlaced your boots. He lifts it from your body, watches you as he lifts it to his nose, inhales.

You shiver.

He tosses the bra behind him. Kneels. Pulls your underwear from your hips, down your legs. You step out of them. He stands again.

He leans over, his ridiculous, festive sweater soft against your cheek, as he reaches past you to turn on the shower faucet. As he messes with the knobs until steam begins to fill the small space. He nudges you forward, past the sliding glass door and into the small shower cabin, letting the hot water pour over you. You turn, watch him through the clear glass. He picks up your underwear, watches you as he lifts it to his nose, inhales as he did with your bra. His eyes close for a moment, and then open. He tucks the little slip of fabric into his pants pocket, sits on the closed toilet, rests his elbows on his knees, and continues to watch you.

You let the hot water flow over your tired, cold body. You stare at Sylus’s face, let it fill your vision, blot out the rushing river, the impact that never came, the idea of everything you would have missed, if he hadn’t pulled you out. Everything you would have missed, in such a short amount of time. What else would you miss, if he hadn’t caught you? If he could give you so much within an hour, how much would you have missed in a day? In a week?

What have you been fighting, this whole time? 

Just yourself. 

You think of the stones at the bottom of the riverbed, instead of your body. Your conviction that you’re not loved, your guilt, your shame, instead of you.

You stare at the man who handed you each one, and told you to get rid of them, instead of yourself. The man sitting in your tiny bathroom, filling it with his big body, his even bigger presence, staring at you, staring at him.

You stop shaking.

Reach for the body wash, lather your hands. Run your hands along your body, under your armpits. He frowns, eyes on your hands. You palm your breasts, dip between your legs.

He lowers his head, eyes still on your hands, rests his full lips on his long steepled fingers.

You finish lathering your body, let the water wash it away. He’s too far away, even this close, on the other side of the glass.

As you turn off the water, he stands, lifts one of your towels from the rack. Holds it out for you. You step into it, him, let him wrap it around you. He turns you both, so that you’re looking in the bathroom mirror, which is mostly fogged.

“Better?” he asks.

You nod, soaking in his warmth at your back, the steam of the bathroom. 

You have a question, a question you can’t bring yourself to say out loud yet.

You reach out with one hand. Trace a finger through the fogged mirror.

Sylus watches you, resting his chin on your shoulder. 

Letters, a question.

Do you like me? Circle yes or no

Sylus smiles again, lifts an eyebrow. He reaches out, takes your hand in his. He circles no with your finger.

You frown, heart sinking, but Sylus just whispers, “Patience, kitten,” and flattens your palm across like. Guides your finger again, just above the erased like, drags it through the moisture in an elegant script.

love

He then gently sets your hand down. Lifts his own, circles with one long finger, yes.

He watches your reaction in the mirror.

You had no idea.

This whole time, you had no idea, even though he was showing you, with every ‘chance’ encounter, his pestering you with questions about work, life, his silly stories about the N109 Zone. His packages at your door. Fever medication, a big glass of water shoved into your hands.

You think of the rushing water, what almost happened. What you almost missed.

“Why didn’t you tell me? Why did you let me believe you still hated me?”

He looks down at you now, away from your reflection in the mirror. His eyes trail your face, down your curved neck. He palms the back of your neck, his thumb drifting along the side, over a mole there.

“Have you heard of the myth that where we have moles is where someone kissed us in a past life?”

Even if so much has changed between you in just the last few hours, you’re reassured that Sylus Qin still can’t answer a straightforward question with a straightforward answer.

You shake your head. “No, I had never heard of that.”

Sylus smiles, and it looks a little sad. He leans down, presses the softest of kisses against your skin, the mole there. “Like most human legends, it’s a pretty lie. Not quite true.”

You laugh. “I could have guessed as much.” You tilt your neck, enjoying the press of his warm lips on your skin for the first time.

He opens his mouth, runs his teeth over where he just kissed you. Bites, gently.

You shiver again. Press your neck into, instead of away from his teeth.

He bites harder.

You gasp.

“I was afraid I’d frighten you with the enormity of my feelings for you, when in your mind, we’d only just met,” he murmurs against your neck, his saliva, the indentation of his teeth hot on your skin.

He bites again, presses himself into your ass through the towel. You realize he’s hard.

You forget about the last part of his sentence. Had you not only just met?

You lift your hands, let the towel unfurl from around your body, let it drop to the floor.

You almost died tonight.

What have you been fighting this whole time?

Just yourself. 

He tried hard to help me

You know, he put me at ease

You turn in his arms. He’s breathing hard, cheeks pink.

“You love me?”

He closes his eyes. Opens them. Shakes his head. “Love isn’t intense enough.”

“Adore me?” You lift your arms, wrap them around his neck. Pull his face closer to your own.

He shakes his head again. “Still not enough.”

“You won’t survive without me?” You lift on your toes, his soft sweater almost unbearable against your sensitive nipples.

He nods. “You’re getting closer. Can’t breathe without you. When I saw you jump…” He swallows, thickly. “You might as well have pulled me down with you, beloved. If it ever gets to be too much again, take me with you. I’ll never leave you alone again. Promise me the same,” he demands, big, calloused hands running up your naked sides, the fabric of his dark jeans rough against your body, where your thighs meet, as he helplessly nudges against you again with his hips, his hard dick behind his zipper.

I'm so hard to handle

I'm selfish and I'm sad

“I wouldn’t have known, unless you told me,” you breathe against his lips. “Promise that you’ll tell me how you’re feeling from now on, and I’ll promise to take you with me if I can’t leave the stones in the riverbed, even with you here.”

His voice is deep, rough like the fabric of his pants against your sensitive skin. “Deal.” He closes the distance, presses his soft lips to yours. Licks into your mouth.

And he loved me so naughty

Made me weak in the knees

His hands drift down your sides as his tongue dips into your throat, as he swallows your noises of pleasure, just from kissing him, his hands on you. He grips your ass, urges your legs around his waist. He carries you out of the tiny, steaming bathroom, manages not to knock you against the doorway, or into any furniture on the way to your bedroom, even as he continues to kiss you, as your hands in his soft hair probably block his peripheral view. He lays you down on your bed, the puff of your duvet. It’s so warm in your place that you’re not even shivering. You watch as he pulls his cheerful sweater and undershirt over his head, tosses them to the floor. As he unzips himself, hastily yanks down his pants and boxers, his socks. He blankets you with his big body.

You wrap your arms around him, pull him tightly to you, arch your breasts into his chest. He leans down, runs his nose along your cheek, inhales the scent of your hair at your temple. You just feel each other, for a long stretch of time. His soft chest hair against your skin, the silken skin of his dick between your thighs where he just leisurely rubs himself against you, as your palms run down the muscles of his back, the line of his spine. You’ve refused to think of him like this, ever since he wrapped his hand around your throat. You couldn’t bear his beauty, through all the long months that followed. You fled, every time your heart raced at the flash of silver as he approached you, met you where you were, over and over and over.

But now he says he has loved you, through it all. That he’ll never leave you alone again.

You let yourself feel him, under your hands, under your tongue, as you lick into his ear, feel him shiver. As you squeeze your thighs together, offering him a tight, snug space for him to keep pleasuring himself, as you feel your own wetness begin to coat your inner thighs, his cock, the longer you feel him on top of you, inhale the scent of his skin, the ever-present gun oil, the cloves, his clean sweat underneath it all.

After a lifetime, or only a few minutes, he leans down, says softly into your ear. “I want you. Tell me you want me too.”

“Can’t you tell?” you ask, bucking a little, squeezing him with your legs again.

He makes a low, pleasured sound in his throat. “I want to hear you say it. You’ve gone through a lot tonight. I need to know you actually want this. That you’re not just—” his breath hitches, as you move your hips again, as his dick slips between your wet, soft places. “That you’re not too tired to say otherwise, not thinking straight.”

“Use your Aether Core on me. Then you’ll know that my body is telling you what my mouth would, if I said the words.” You smile at him, teasing. 

I wish I had a river so long

I would teach my feet to fly

You had wanted to fly. You had settled for flying for a brief moment, before shattering. 

But Sylus is offering you constant flight, under, over, along his crow’s wings.

You think of the rushing water. The tide of cars behind you, the wind whipping your hair. You almost missed this. You don’t want to waste any more time.

He lowers his forehead to yours, breathes, speaks against your saliva-slick lips with his own. “I don’t want to use my Aether Core on you. I want the words in your mouth, in your heart. I want your free will, your freely given consent. I almost lost you because I tried to force you, at the beginning. You believed I hated you, this whole time. Don’t ask me to force you again, my heart.”

You understand. You accept his request, his demand. “I want you, Sylus.”

He exhales, shifts above you, slips his wet cock between your legs, slides into your body with gentle, firm, graceful waves of his hips.

You whine, the feeling of fullness layering into the pleasure of the warmth of his skin, the taste of his tongue. For once, the feelings inside you threatening to burst out of your skin are so good, instead of painful, so pleasurable, that you can barely stand it. 

He kisses you, his velvet tongue big, heavy in your mouth. You suck, whine again as he lifts a hand, palms your breast, begins to thrust into you.

You are filled with him. His warmth. The size of him.

You widen your legs, wrap them around his thick ass. Urge him with your own body to move faster, to fuck you harder. He gives you everything you want. Just the pressure of his body against yours has you coming, the release bright, sudden—you shake with it.

Your pleasure seems to trigger his. He grunts, roots into you, buries his teeth in your neck, bites where he bit you before, over the mole on your neck. The sting makes you clench, and he whimpers, groans, comes with a jerk of his hips.

He slows, still filling you, still pleasuring you, as he lifts his head to look into your eyes.

You stare at each other, breath mingling, warm between you. 

You smile at him. 

He smiles at you. Nudges your nose with his.

“Can we do that again?” you ask.

He laughs, low and surprised. “Yeah,” he says, kissing you softly. “Just tell me, and I’m yours, anytime, anyplace.”

“I’m telling you.” You move your hips, feel his cum drip drown your ass. Feel him gasp at your movement.

“Now?” He’s surprised again.

“Problem?” you grin at him. 

“Fuck no.” He kisses you, hard. Slips out of you. Flips you over, lifts your hips with one big hand, pressing his other between your shoulder blades.

He presses his cock back between your legs, the slide easy and wet, and fucks you until you come again, until he blankets your back with his sweat-slicked, matted-hair chest.

“Was that enough, your highness?” he teases.

“I’m telling you,” you pant, wondering what he’ll do. 

“As you wish,” he murmurs, before flipping you again. Before watching your face as he slowly, leisurely works himself, his cum into you, makes you come again. 

In the morning, the sky through your windows is heavy, dark, gray. You wake slowly. Turn your head, find Sylus’s sleeping face next to yours on the pillow. He’s lying on his stomach. You take in the dark sweep of his lashes, his generous mouth, slightly parted.

You slip out of the bed, use the bathroom. You wander into the living room, gaze at the Christmas tree, its twinkling lights.

It’s Christmas.

Caleb and your grandmother are dead. 

But you’re still alive.

Your body aches from Sylus’s efforts, but it feels good. For once, it feels good to be inside your body. To breathe deeply.

You think of riverstones, sinking deep in the riverbed.

You know that the feelings tied to them will try to rise, clawing to the surface again.

We’ll gather other stones, when your feelings make life unbearable. I’ll come with you, as many times as you need.

Your eyes drift to the top of the Christmas tree. It’s empty.

“I thought we should finish it together.” Sylus’s warm arms wrap around you from behind. He leans over your shoulder, kisses your cheek softly. “Do you want to do the honors?”

You smile, wrapping your hands over his forearms around your waist. “You’re taller.”

“Use me as much as you like, kitten.” He turns, grabs a pretty golden glass tree-topper from your kitchen table, hands it to you. He lifts you up onto one shoulder, easily, and you fit it gently over the highest point of the tree. He holds you against him, as he lowers you. You slide along his body, until he sets you gently on your feet again.

You both stand, admiring it for a moment. It’s beautiful, like the rest of the decorations.

You hug him, look up into his face.

“Merry Christmas, Sylus.”

He smiles down at you, ruby eyes twinkling with reflected light from the tree. 

You would have missed this moment, and all the moments like it, if Sylus hadn’t stopped you last night. You shudder, hug him more tightly. 

You know your feelings will return. That no one person can solve a lifetime of wounds. But you promised him that you’d try. That you’d stay. You can only do your best.

You hear your phone vibrating, reluctantly pull away from him, head to your coat in the hallway where you thought you left it last night, but Sylus stops you. He points at your kitchen island. Your phone is lying on the counter. You look at him in confusion, but go to check it.

You’re shocked at how many missed texts you have.

From Tara.

Xavier.

Your eyes widen.

Zayne, who you thought you had blocked, months ago.

Rafayel, who you’re sure you blocked last night.

Each one is a response from a text you never sent. Telling them Merry Christmas. Telling them you love them. Telling them you hope to spend time with them soon.

None of them shame you, call you out on your behavior of the last year. Even Zayne simply suggests that you try a new bakery, that you’ve been in his thoughts, that he’s relieved you felt comfortable enough to reach out. Rafayel sends a bunch of firework emojis, suggests blowing shit up on the beach for New Year’s.

You turn to Sylus.

He looks steadily back at you, silver hair sleep-tousled, wine-bright eyes glowing.

Your eyes feel hot, and you realize you’re crying, the tears fat on your cheeks, dripping down your neck. 

This is the first time you’ve cried since you woke up, your ears deafening, Caleb’s necklace bright in the reflected fire.

Sylus walks over to you. Leans down, licks the tears from your cheeks with his warm tongue, one after the other. He kisses you, ignoring your suddenly snotty nose, your morning breath.

“If it’s too much, we can take it slow. We can throw more stones in the river. But please answer your friends. You need them. And you’re a fool, if you can’t see that they need you too, if that makes you feel better about your own need.”

You continue to cry as you wrap your arms around Sylus’s neck. As he gently sways with you, to music that isn’t playing. He hums, and you think it’s Joni Mitchell’s The River, but you can’t be sure. You smile against his chest.

A thought occurs to you.

“Last night, you said there was still time. That you had plans for us, a pretty dress for me. What did we miss?”

Sylus sighs, holds you closer against himself. “Don’t worry about it.”

You stop, look up into his face. “What did you have planned, Sylus? Are you sorry we missed it?”

He smiles at you. “Oh yes, so sorry I got to spend all night fucking you instead of going to a holiday concert featuring the organ.” His voice drips sarcasm. “But we can go tonight, if you’d like to make it up to me.”

You laugh, bury your face back into his chest. “And here I had planned to suck your cock while watching a black and white Christmas film marathon tonight,” you say forlornly. You smile into his chest as he chokes. “Oh well, the concert it is.”

He just laughs, rich and deep, and continues to sway you slowly in your living room.

“Merry Christmas, my heart,” Sylus says against your hair, in your pine scented apartment, as snow begins to fall outside your windows, as your phone continues to vibrate, filled with the love of your friends.

Here you are. Again.

You’re so grateful, to be here, again.

[coldilikeit]

Isekai reader x Batfam (Neglected au)

Female reader

Chapter 7- the true princess of Wayne Manor

Short chapter*

_____________________________

"(Name)... I noticed something from you" Dick says "When you try something new, you stop pursuing it if you're not immediately good at it"

A reincarnated and two vigilantes go rock climbing, sounds like the start of an awful joke huh?

After the continued event of you encountering the villains and school shooters, they decided to teach you some stuff, Karate, Muay Thai, Taekwondo, jujitsu, painting, swimming, Camping, Ziplining, trying the scary roller coaster rides-

Huh?

This is slowly starting to feel like family outings

You jump further up "What do you mean?", He looks up at you "I mean... When we went swimming and Damian dived you wanted to try it out too, but when you realized you couldn't do it you just stopped, but when we tried archery and you could do it, you wanted to stay there longer"

"I just don't want to keep on trying on a lost cause, I hate feeling helpless and disappointed" you say, as you three reached the top, you rest for a bit and Jason hands you a bottle of water "what kind of helpless?" He asked

"When mom was sick, we had one problem, and it was money, I thought to myself that it'll be okay since I know how to make money, just give me a couple of months and we'll have what we need, turns out we didn't have a couple of months, I worked really hard and I was just disappointed that I couldn't save her, there I promised myself I wouldn't try on a lost cause" you drank the whole bottle and even burped after"Excuse me"

"I mean" you stated "Why didn't you think I never even tried to get along with you guys, first meeting Damian calls me an 'it', who'd expect family after that" you laugh

Nevermind the fact that you know you're in a world where they're not supposed to love you

After losing your family the first time, and your mom the second time, knowing you'll have no one after that was depressing, you wanted to at least defy the system, you told yourself that if you tried to get along with them, maybe they'll accept you

The system quickly shut that thought down by telling you that "In any of the fics you've read, were any of the readers successful?"

Basically telling you that if in the fiction you've read no main character succeeded, you trying to gain their love would do nothing, you'd just set yourself up for failure

Reader... I'm sorry but you are on the verge of failing, at this rate, you won't get the special reward...

You look up at the screen in curiosity, their hatred meter was on 2%, but the past few days that the new vigilante Protagonist has been fighting with the bat family, it went up again to 15%, and whenever they spend time with you it goes down again, when they spend time with protagonist it goes up again, you honestly have no idea what's going on

Bruce's hatred meter is already in the negatives, if all of them go to the negatives you've failed

Dick hugs you "Let's go shopping" he smiles

____________________________

And you find yourself at the mall, you find some books you think you'll like and Jason pays for you, you find some clothes you think you'll like and Dick pays for you

They both drag you to a dress store, and to be honest you feel like you're forgetting something really important

You open your phone to find no messages, not from your friends or anyone

They settle you with a black dress you like, of course they'd pick something in their color, and you ride the taxi home

The Manor is eerie and quiet, Alfred isn't there to greet your return and frankly you're worried, he's always there to greet us, did something happen?

The Joker attacked? But you didn't see any bat patrolling? And why would Dick and Jason be with you?

You open the doors of the manor and-

"Happy birthday (Name)!" They yell, there you see Alfred, your friends, children from the orphanage you visit, the children you tutor, and some paparazzi, some rich looking people you don't know, and holy fuck- is that the justice league in civilian form!?!? oh and also your family is here

Right.

It's your 16th birthday...

And this... Is your first official Wayne Gala

You totally forgot.

You rarely celebrate your birthday... Because sometimes, the system tells you to celebrate it alone, sometimes it doesn't, you only remember your birthday when the system makes a mission surrounding it

Shit.

You can't get out of this one

Bruce smiles at you and he takes your hand the music starts

Another shit.

Is this a father-daughter dance?

It is.

Everyone is eager to see it, the paparazzi has cameras pointed at the both of you, your friends are smiling enjoying the party, and the kids are laughing

"(Name) Looks like a princess!" A kid says

You laugh uncomfortably "I don't know how to dance" you whisper to your father (that's a lie, you're amazing), he then places your feet to step on his "that's fine" he says

Then you he dances, his feet guide yours and it becomes this adorable moment where dad doesn't mind that his daughter doesn't know how to dance and is just happy that your in his arms

You are screaming on the inside.

How could you forget about something like this!?!?

You see his hatred meter drop even more, then you see the others, from 15% it goes to 10% then 5% then-

The dance finishes, the crowd claps and cheers, the dance showing you and your father's closeness...

Then a girl speaks "Excuse me?" She says, Everyone's attention is on her and she smiles, she runs to your father "I'm so happy to finally meet you!" She holds his hands pushing you away

Bruce pulls away from her "What are you doing!?" He glared

She looked flustered but smiled either way, she pulled out some documents and gave it to Bruce

"I thought it would be the right moment to tell you since everyone is here... I'm your long lost daughter Viviana!"

_____________________________

EHEHEHEHEHHEHE MANHWA READERS YALL PROLLY KNOW WHERE THIS IS GOING

____________________________

@jellyedkazoo @vanilliona @shyenemyperson @popboomcha @plsfckmedxddy @devotedlyshamelessdetective @dorkatron-2000 @yuyuzi-ling @sweetsugerskull @butratherbutrather @yu-reiii @clementinesyummy @lfiee @iamapotatoe @type-ink @unknownloner1345 @randomlyappearingartist @justatimidcreator

[marikosfragrance]

BLUE LOCK X READER

"Can they fall in love?"

Characters : Karasu Tabito, Otoya Eita, Chigiri Hyoma, Yukimiya Kenyu

Contents : Can they fall in love? How long would it take? And what conditions must be met for it to happen?

Note : Thank you so much for the love involving my previous posts, aswell as the asks. This is for an ask aswell, I hope you enjoy this!! I had fun doing this aswell.

Disclaimer : I do not claim ownership for the characters. Once again, their personalities are my analysis and are base on how I understood them, and I portrayed them in a way that is in accordance to all the information I got from the trivia, anime and manga. It is your own choice whether or not you feel like this is canon. In my case, I tried to make it as canon as possible. Please excuse grammatical errors.

Karasu Tabito

Can they fall in love : Of course! Karasu can fall in love, and pretty much understands its concept. He is smart, and his character is quite relatable, a type of character that despite how special they are, sees themselves as inferior compared to those with not so average skills. I wouldn't say he is purely insecure, or has very low self esteem like Tokimitsu, however it is there and has been proven that Karasu views himself as "mediocre" and seems to use this fake air of confidence as his shield against people that might use it against him. Karasu is a great character, he embodies realistic traits that is both endearing and interesting.

He can love, despite how he looks down upon himself, Karasu seems to be the type to feel as if he isn't enough for his partner. For example, in the trivia, it mentions a girl named marisa, unlike other characters in blue lock, karasu doesn't forget those people that he has formed a connection with, or felt a form of attachment. I feel like anyone that would take a liking to him, they would hold a special place in his heart. This might stem from his underlying insecurity of feeling as though he is mediocre even if in the eyes of people he is not. He seems to be very particular about this topic, of being average or not so average, eventually making those who he sees as average feel as though the ARE indeed average, perhaps a way to shield himself from his own feeling of mediocrity.

How long would it take : for Karasu, just average. Perhaps 3 months or so. I don't see him being the type to just see others as fleeting relationships, especially if he's formed a connection with them. For him, he is afraid to be confronted in such a way that would expose him, but I don't see it hindering his concept of love and how he connects with people.

What conditions must be met :

1. Being his type would for sure make it more easier. I don't see him being with anyone the complete opposite of his type though, like his type is someone strong and smart. I feel like he might look past on some flaws but I don't see him going against what he really wants. If he ends up with a weak partner, who is not smart, it would be ironic.

2. His partner isn't someone that pokes at his defenses and or is cruel. Imagine a partner that would make fun of his feelings? Complete turn off.

In short, yes he can fall in love. It isn't unusual if he does, out of all characters in blue lock, he might be one of the few that wouldn't be ashamed to love someone wholeheartedly while still continuing in his goals.

Otoya Eita

Can they fall in love : This is tricky and maybe what people won't expect, but YES he can and always does. He is a player, that's for sure. But what people don't get is that he falls in love, but falls out of love quickly. Originally, I thought being a womaniser was his way of gaining validation with multiple women, maybe perhaps an underlying insecurity? But reading into his character more, Otoya embodies the concept "go with the flow"— for him, it's not that he feels like cheating Is unusual, he does it because for him, he feels like it and cant stay in one place.

For him, what makes him sad is being rejected. If you truly love someone, you would be upset if they rejected you. I feel like Otoya does fall in love. But sometimes, he mistakes "attraction" for "love" to which is why relationships doesn't last long for him.

When he has feelings, I see him jumping straight to action, with no regards or not seeing the need to start off slow and get to know eachother. And that's what makes his "cheating" a regular thing

For him, going with the flow means doing things however he likes and whenever he feels like it, which ends him with a relationship, and when he does, he eventually finds someone that "attracts" him again, and in the end he goes with the flow and ends up cheating just because of fleeting feelings and by the end of it, the cycle continues.

How long would it take : Not too long, I can't even give an estimation. Attraction would start off easy, give him a day, or even an hour. But falling in love. If serious, i can only give a generous estimation, it would be hard but depending on the person, within a week. But if he falls in love, I dont really see him staying in one place. He might stop his womanising only for a few days but goes back at it again.

What conditions must be met :

1. Doesn't really matter as his type always changes, so long as you see him, and he feels like you are it, he won't waste time

In short, he can, but I don't see him not cheating just because he loves someone, atleast until he falls inlove with someone else. But Otoya is a free and go along with the flow- type person. That's technically his personality and the way he is. I don't see him changing anytime soon.

Chigiri Hyoma

Can they fall in love : Absolutely. He can fall in love, and I can see it as well. Chigiri is someone that is described to be confident and driven. It is a canon fact that he used to look down on others, as well as being cocky, and having a flare of sassiness.

His type is someone calm and understanding. I can see how this is his type, because of how he tends to be; just as he stated "I can be quite intense" — for him, a partner that can ground him might be favorable. A partner that can balance him.

I can see him falling in love, and it would be quite a roller-coaster for both him and his love interest, he'd be the type of person that will calm down when his partner calms him down. To which is why I can envision him like that.

He is someone that really has no problem, in emotional terms. He has a supportive mother and older sister. I don't think falling in love would be out of the question. Chigiri knows what he wants, and is aware of how he is. So if he fell in love, he would be aware of it. And he would be the type to be forward with how he feels. So yes, he can fall in love

How long would it take : A normal estimate. 4 months might be more than enough, 3 months if the person really Impacts him. I don't see it taking so long for him. If someone really captures his attention, and he feels something for that person, he wouldn't cower behind feelings.

What conditions must be met for it to happen :

1. The person can balance him out. If he feels like that person would just go along with what he says and doesn't try to ground him, he would feel as though the relationship would be unbalanced. And he might not be able to depend on that person if ever the situation calls.

Not a lot of conditions. Because Chigiri is forward and is aware of how he feels, to which is why his conditions aren't as complicated as the others.

In short, absolutely. But he would be particular on who he wants to date or fall in love with.

Yukimiya Kenyu

Can they fall in love? : Yes, he can. Yukimiya can indeed fall in love, he is one of the most realistic people in blue lock. Someone that withholds traits commonly seen with people. He is also ranked highest on "who is a gentleman" which further proves my point. Yukimiya isn't that complex to understand, he has traits that is relatable as well as easy to grasp. He is also one of the most stable people in blue lock, well- atleast in comparison to emotionally unavailable and emotionally unstable people present in blue lock. His past really Impacts him greatly, and may be one of the few things in his life that he considers as a huge problem and burden to him as of now.

The possibility of his eyesight lost, weighs on him. Most people might put a stop to their aspirations for now if ever something like that happens to them, feeling dejected. But he chooses to still live how he wants to. He continues soccer even then.

Despite this, I don't see it stopping him from falling in love. In fact, yukimiya might be one of the few people in blue lock, along with karasu that wouldn't feel as though loving is a weakness. In fact, he might treasure it If it ever comes to him. As a model, he would gain lots of attention, but I feel like he wants a meaningful and pure relationship— not seeing the point in fleeting relationships. He would for sure be the type to treat his partner right if he ever gains one. And if he falls in love, he would take it seriously, and treasure that person.

How long would it take : 3 months, he is not unstable or unavailable, if he feels like he loves someone, he would love them hard. I cannot see him taking longer than normal, unless the person isn't someone he wants.

What conditions must be met for it to happen :

1. The are also in love with him, in a way he is in love with them.

2. He can see himself with that person, and he feels like they are the one.

In short, he can fall in love. It is not that complicated for him, he might have his eyesight as a huge problem for him, but it won't hinder his ability to fall in love. If that person is there for him every step of the way, he would fall in love for sure.

__________________________

Thank you so much for the ask, hope you enjoyed, mwah 🥰🤗

[genderlessjacky]

yayy finally im finally done!!! I hope we are the same timezone and I didn't accidentally submit this late 😭

Holmes!! The sharpshooting Rodger with a littleee but of trust issues and I adore him . He is the kind of dad to have Pavlov's dogs himself to say "language" whenever anyone is swearing an probably owns a swear jar. But don't worry, he loves both his children equally. He may not be able to keep up with a few of the smarter Rodgers in terms of intellect but he can hold his own in a mission decently well and he's more streetsmart anyways (Holmes says in an attempt to comfort himself)

(also , Sherlock Holmes , Holmes , get it??? I'm so funny I know)

Big brother of the year award goes too... SOMEONE ELSE because it's certainly not Shrimpo "DONT KICK IN YOUR 8 YEAR OLD BABY SISTERS TEETH" Rodger . He pretends to not care and at times he really doesn't. It's giving Dipper pines meets bakugo (which I'm not sure if that's accurate because I have only seen like , 2 seasons of MHA) meets knuckles and with a sprinkle of abandonment issues . It took him a decently long time to warm up to his adoptive family but it was all worth it (sort of)

(when I tell you I really did try my best to come up with an Augmented Ability for him 😭 I hope this isn't too OP...)

Edit : nvm , Shrimpo uses 80% of his energy instead and that it effects a whole area of twisteds around him , like it effects any twisteds who hear it even if he direct it at them , and that it can be mixed , like a twisted brightney and Gigi can run away while the rest start CHASING him

The baby of the family!! The one who Shrimpo taught how to swear!! Toodles!! She occasionally gets an existential crisis because of her ability but it's finee. She warmed up the fastest to people, this social little scumbag is the sole reason why her brother is NOT fully social inept

Edit: SO sorry that I'm changing my mind this much but I'd like to add like , she can just duplicate only parts of herself for way less energy, like she can duplicate just an arm as a emergency weapon for 7% energy and only her head to use as a projectile weapon for 9% energy ectect and ofc they will still hurt but yes she can duplicate multiple

(Another idea of an Augmented Ability I have to her is basically beginners luck in a larger scale , she can boost a random 'stat' of her fellow toons in a certain radius by 20% and it reduces her own energy by 20% but I went for this one instead but if you think the duplicate thing is too overpowered, feel free to use this :))

more beneath the cut <3 (pls read I spent SO much time on these doodles)

An idea I have for their background:

If it matches the lore , I'd say they joined an operation that wasnt gardenview, a different operation that was far more weaker and far away from said Gardenview , Holmes and Toodles and a couple of others were the sole survivors of the weaker operation after they got overwhelmed by a large Wave of twisteds and Shrimpo got kicked out of his own survivors group for being too aggressive and nearly leading them to their own death . After Toodles and Holmes wandered for about 3 months they met Shrimpo and the journey begins there . They reach Gardenview in about, I'd say two - two and a half years

Please ignore that fact that it's disgustingly obvious that I have practically never done digital art before 😞🙏

Pov: a single father of two rediscovers what coffee is (don't read the text too closely 😞, I mostly copy pasted a theory about ichor that I really liked and added a bit of details myself , I know I'm lazy I'm sorry)(also ignore that Cosmo said E-1, I rrly want him and his kids to be in D-1 🙏)

I have a mini comic I'm in the middle of drawing of how Shrimpo and Toots would work together in an actual mission and I'll reblog said comic on this post after I finish it and hope and pray you actually see it 😢

Fun facts about them (I'll probably add more when it's not , midnight)

In terms of fighting, I'd say Shrimpo is definitely melee and short ranged, if I decide to give him weapons it will definitely be very Vi from arcane coded

Rodger is defo long ranged sharp shooter, a sniper sort of guy , if he had to fight up close he could hold his own but he would mostly rely on his robot arm

Toodles is more agile think, very sonic or Spiderman esk , jumping around and dodging/ luring the twisteds

Rodger also has phantom pain sometimes and doesn't really know what it is (yet) so sometimes his arms just starts hurting a lot and he's like "oh, I guess that happens now" and doesn't tell anyone

Rodger got lost his arm during the incident where his old operation got destroyed

Toodles and Shrimpo have matching bite marks from eachother, it's how they differentiate eachother from a crowd

They are very "Dad said I can come!!" "YOU ARE NOT COMING ON MY DATE-" coded

honestly, I can Shrimpo tagging along with toodles and her new friends in Gardenview until he finds his own group

Rodger used to spend a lot his time researching ichor obsessively because he lost a lot of loved ones during the fall of his old operation (like a lot of the Rodgers and probably also A1 Rodger) but slowed down a LOT a while after he took in Shrimpo

Rodger didnt know how to take care of two kids at first , it wasnt until Shrimpo almost died because of his own recklessness that he decided "hey I already lost a lot of people, I need to take care of the ones I have" and stepped up , he isn't perfect but he tries

I'd like to think Rodger gets a lot of "you took in...a SHRIMPO????" From the group of people he hangs out with

Also their 'last name' is Rodger , like Toodles Rodger and Shrimpo Rodger , but he only uses when they are in REAL trouble like "SHRIMPO RODGER GO TO YOUR ROOM" energy

Also if it matches the lore , I also like to think , to save up energy and ichor , the people running Gardenview saw them come in , clinging onto eachother and went "huh... they seem close" and put Toodles and Shrimpo in the same room with a bunkbed to preserve energy

Small little Event!

Hey hey, hope you’re all having a great holiday.

This little event will be running until 1.6.2025.

Im sure some of you have noticed team D and E have never been mentioned- and that’s because I’ve been waiting to host this event!

I’m choosing 11- yes 11 toons that YOU GUYS MAKE to add to Operation Ichor!

Of course, other toon submissions will show up as background characters within the comic.

Q1: How does the character sheet look?

Something like this, it being colored is optional. But I mainly just need design, personality, and ability on your sheet. Keep in mind you’re mostly choosing from the 20 in game characters (No, spoiler characters aren’t accepted, only ones in game!) and adding accessories on them.

You can make a whole team if you want too, just please keep it as one reblog if you can.

Q2: Are OC Toons allowed?

Yes, but please keep in mind they have a lower chance of being chosen just because dealing with different abilities and designs gets complicated (as if the 20 toons Dandy’s world has isn’t already enough)

Here’s the sheet for those who want to join.

Please use (#opich event) and/or just reblog this post with your submission

Disclaimer:

Any toon submitted will STILL BELONG TO THE OWNER, I have no intentions of stealing your amazing creations.

Do note; with the grim nature of this story, toons die a lot and yours might as well, if you don’t want that to happen- don’t submit.

And don’t be discouraged by your art, I love all your works and you’re all super talented :).

[gayestbacon]

A sneak peak

Sorry for any potential spelling errors;; English isn't my first language, and I miss stuff occasionally(ヽ´ω`)

This is very much inspired by Rizzanon's "Undoing Fate." Great fic that you should definitely read if you haven't.

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Cold

Everything is so cold.

I take a deep breath as I stare up to the sky, the night feeling brighter with the help of the soft white snow. It feels good, maybe even right. It’s as if I’m finally at peace with myself, like I’ve walked away from my past and from them.

My family, the Waynes.

Truthfully it was nice at first. I really did feel like I belonged with them, like I had a place to belong to. Having siblings to play with, talk to and a family that cared for me, it was all I could have ever asked for. But things were bound to change. I never did become a hero like them, maybe that’s why everything became different. With each passing day they became busier and busier, they stopped having time to be with me. I didn’t really blame them, sure at first I was sad, but I believed in them, I believed that maybe they were just tired. They did so much for this city after all. 

But after days became months, and months became years, I realised they wouldn't go back to how they were before. They never would.

It felt unfair, it was unfair.

The others would talk with each other, they would bond, and they would be a family. Why would they exclude me? Just because I didn’t become a hero like them? Just because I didn’t want a life of fighting? 

Why act like I wasn’t there, I WAS. I always was.

Why can't they be the loving family I once had?

Why was I the only one who tried and not them.

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This isn't really a long sneak peak. The prologue itself isn't that long, but I wanna finish writing 3 chapters before I start posting more, so I thought it would be fair to share a little right now.

Also, updates will be sporadic, Uni keeps me very busy most of the time.

[little-miss-fandom-freak]

This isn't a request or anything I just had a funny thought but like, imagine if the Justice League finally got evidence that Y/N is innocent, and they tried to visit but Phosphorus is just. Booing and throwing trash at the League members. Y/N may join in also. Bonding time 🩷

Okay I know I need to be working on my other asks but I LOVE THIS

Dr. Phosphorus X Former Hero!Reader Pt 2.

Little note: I did want this to end on a happier note and I found it hard to be mad at Superman lol

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

You didn't understand why Superman and Batman were here in Belle Reve. You had assumed it was for some meeting with Waller until one of the guards approached you and your team.

"C'mon," She said as she lifted your shoulder, "you got visitors."

You looked around, completely confused. "Visitors? Who would be visiting me?" The guard didn't respond as she pulled you away from the table and put your hands in cuffs. He tried to shrug them off, determined to stay with you. You gave him a stern look, one that said 'don't do anything that will get you in trouble'. He sighed as he took a step back, letting the guards take you out to the courtyard.

You were shocked to find out that your former teammates were the visitors. You tried to dig your heels into the concrete, causing the gurads to struggle as they dragged you to them. "I have nothing to say to you two!" You yelled from across the courtyard.

They gave each other a look before Superman took a step forward. "Lose the cuffs, guys. She's won't do anything."

The guards looked to Waller for confirmation. She nodded, giving them permission to take the tight handcuffs off. You rubbed your wrist as the two approached you. "Leave me alone, Superman." You said with spite

"Look..." He started, clearly trying to find the right words to say. "I know there's no taking back everything that's happened these past few years, but I hope you understand why we did it."

"You mean how the whole team left me to rot in a cell, not even showing up for my trials!" You yelled.

"We wanted to, but it wasn't a good time. For any of it. You have to believe us." He pleaded.

"Why should I? It's not like you believed a word I said!" You sighed as you pinched the bridge of your nose, trying to calm yourself. "I hope you two didn't come all the way out here just to apologize and think I'll forgive you, cause there's no way in hell-"

"The court has decided to give you bail." Batman said, stopping you mid rant.

You couldn't believe what you were hearing right now. "Give me bail? Why?"

"While you were locked up, things changed. New laws were made, old ones were fixed, and your lawyer found new evidence to support your case. If you choose to go to trail and plead not guilty, there's a chance you'll make bail. And I would be happy to pay it, if you promise to return to the Justice League."

•••••••••••••••••••••••••••••••••••••••••

Back in the rec room, Phosphorus was standing on top of one of the tables that he had pushed against the wall, trying to get a view of what was going on outside. Nina and Bride had joined him; for Nina it was out of concern, for Bride it was simply because she was bored.

"What are they saying?" He mumbled, his grip on the bars tightening as he tried to listen.

"It has to be something about her case." Said Bride. "With how long she's been in here, and not a single visit before, there must've been a change."

Phosphorus didn't know how to take that. Was there more that you didn't tell him? Were more years added to your sentence? Are you getting transferred? Or worse, did they find you innocent?

The Bride side glanced at Phosphorus, a knowing smirk graced her lips. "You know, you're really bad at pretending you're not the "jealous boyfriend" type."

His head whipped around in her direction, his flames rose but she couldn't tell if it was from anger or embarrassment.

"I-I just- you- just-just shut up!"

•••••••••••••••••••••••••••••••••••••••••

You thought for a moment, you weren't quite sure how to respond. "If I come back, I want a few things."

Batman scoffed. "Do you really think you're in the position to be negotiating?"

"I'll have you know, prison life hasn't been all that bad for me." You said with sass as your crossed your arms. "Once I got over the feeling of betrayal, I actually formed relationships with the inmates."

"Really?" Superman cringed at the thought. "But they're murderers-"

"At least they know loyalty."

"Barely." Batman shot back.

You gritted your teeth. "Task Force M has showed more loyalty to me than any if the Justuce League. I'm am perfectly fine with staying in here, you're the ones who want me back. So, do we have a deal?"

Batman glared at you before he made up his mind. "What do you want?"

You tense shoulders relaxed slightly. "My team, I want to be able to see them while I'm out. Not just visitation hours, I want them out of Belle Reve when I see them."

Superman and Batman looked at each other, before Batman looked to Waller. She shrugged. "Task Force M has been more well behaved than usual. If they can keep it up, I'm sure I can arrange something."

You nodded to Waller, silently thanking her for her cooperation. You turned back to the men in front of you. "Looks like I'm back."

A wide smile filled Suoerman's face. He rushed to you a scooped you up into a hug. "You have no idea how hard it was not to visut you, but we were under so much fire at the time. The governmentthought it would be safer if we temporarilydropped connections. "

You embraced the hug, realizing how much you actually missed your old team. Suddenly, you heard muffled yelling coming from across the courtyard. Looking to your left, you saw Phosphorus yelling something you couldn't hear but Superman could.

"Um, why is the glowing skeleton yelling at me to get my hands off of you?" He asked, clearly concerned.

You chuckled. "We have a lot of catching up to do."

Suddenly, several peices of trash came flying your way. Well, not exactly flying. They hit the ground several feet away from the three of you, but the action was enough to make the guards inside tackle your partner.

With a sigh, you removed yourself from the hug. "We should head back in."

As Waller and the guards led you all back inside, Batman came up beside you.

"Phosphorus? Really?"

You smiled slightly as you shrugged. "What can I say, he's got charm."

He rolled his eyes and shook his head. "Yeah, it's called radiation. I don't think he's good for you-"

"Don't go all dad-mode on me Bats, we're still the same age remember?"

He scoffed. "And yet you're the one making juvenile dating choices."

"Uh huh, and how's it going with Selena?" You said with a shit-eating grin. He was quiet for a few moments.

"Fair point." He said, causing you to let out a laugh. As much as you hated them, and how long it will be before eyour relationships are repaired, you couldn't deny that you missed moments like this.

☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆

I hope you enjoyed this and if you have anything you would like me to personally respond to, message me or put it in my ask box because as of right now, Tumblr won't let me respond to comments :)

[the-cookie-of-doom]

you've written a couple post-canon KimChay fics that I LOVE - cage me in and set me free was one of the first KimChay fics I read, actually, I loved Kim and Porsche's dynamic in it. And then there's Out of the Shadows, which I'd love if you got the inspo to return to at some point (all that tasty, tasty angst!). But we haven't gotten to see how you, personally, would write the actual reconciliation. It's something I struggle with; how do you forgive someone who hurt you and then doubled down? Even if Chay is generous enough to accept and understand Kim's reasoning, how does he trust him after that? What if Kim decides to do something shitty for the greater good again? I'd love to hear your thoughts on that, whether it's general speculation or a bit of insight into the Out of the Shadows arc 👀

AHHH MY FRIEND!!! You're making me feel things ;_;

I do actually plan to come back to Out of the Shadows! Once I finish Technicality, since I've rediscovered the inspo for that, OotS is next on my list!

My personal feelings towards their potential reconciliation have changed a lot in the past year. When I originally watched the show, I had just gone through a really terrible breakup, my first one ever, and I was really sympathetic towards Chay. So I leaned in a little too hard to the "Kim is the worst person ever, how could he break this poor baby's heart."

One of the reasons I stalled on OotS is actually because it was the first longfic I started for this fandom, before I had really been exposed to all the various meta and interpretations, so I didn't have a solid feel for the characters and how I wanted to write them. I reached a point where the characterizations I started with, I no longer really agreed with, and then I had to figure out how to move forward with how I interpret the characters at this point.

Nowadays, I tend to think the reconciliation would go a lot better than you might expect. From what we see in the show, Kim never actually, intentionally seduced Chay. The closest we get to it is that cheek kiss after Chay's confession, but at that point, I think it's reasonable to believe Kim has caught feelings himself. We see multiple times how Kim is actually trying to do the opposite of take advantage: he keeps trying to dismiss Chay and send him away, and Chay chases after him every time. He's a lovestruck kid that doesn't seem to have a healthy idea of boundaries.

I'm also firmly in the camp that Chay knew Kim was sus from the start. he is a terrible liar, not nearly the criminal mastermind that he pretends to be - honestly, I think Kim is a scared kid that gotten in over his head, and is trying to act more confident than he feels.

Which is the crux of my version of their reconciliation. They are both so young. Chay's in high school, Kim is either about to graduate college or just did, putting him at what. 21? 22? That's several younger than me. We have no idea about Kim's dating history, but we can assume based on Chay's... everything that this is his first attempt at a relationship, and it's clumsy. He jumps in with both feet, he confesses being in love before he even knows Kim's full name, let alone anything meaningful about him. And given how Kim is constantly surprised by Chay, I think this is probably his first attempt at a relationship, too. At least one like this.

I tend to meet any given media where it's at, and accept what it's trying to show me. In this case, I've said it before, I'll say it again: KinnPorsche were the action romance with a side of bodyguard + boss/employee, VegasPete was for the dark romance/bodice ripper girlies, and KimChay was meant to be the sweet high school/college romance. It wasn't supposed to be secretly dark and sinister. If anything, it was a coming of age story for Chay; getting his first heartbreak, being faced with the fact that the world isn't as kind as he thought it was (re: the mafia), and having a rebellious teen phase.

ALL OF THAT TO SAY.

At the end of the day, I think Chay is overwhelmed by everything going on in his life, and he can't be mad at Porsche, bc he doesn't have anyone else in his life that he can trust, so he takes all of those feelings of frustration and fear and dumps them at Kim's feet. Kim is easy to be angry at. Kim lied to him, used him, and broke his heart. So Chay is going to dye his hair, start partying with a bad crowd, and cry over the boy he thought he loved not loving him back.

But Chay also loves his brother more than anything. He would do anything for Porsche, even give up their childhood home and move to some small apartment somewhere just so he can be safe, or drop out of school to get a job so he can help with the bills. Everything Kim did, he did to keep his brother safe. And again, Kim never outright tries to make Chay fall in love with him.

Even The Scene at Kim's apartment isn't a huge betrayal to me. I think Chay went running to the one person that's been his rock since Porsche left, needing comfort and reassurance that something in his life is what he thought it was. When he didn't get hat from Kim, he fell apart. And Kim was an asshole in the way he went about it, yes, but he was just. Denying his feelings. He has the right to do that, and it's a pretty common romance trope. He was scared so he pushed Chay away, and it hit Chay so hard because he just lost what he saw as the one good/steady thing in his life, and now he's left adrift in this scary new world. Hell, maybe Chay even went to Kim, now armed with the truth, hoping that Kim could help him navigate life in the mafia, because Porsche certainly isn't doing it. He leaves Chay crying in his room to go out partying with his new family (which is the most heartbreaking scene in the whole show, for me. He did all of this for Chay, but at the very end, he leaves Chay behind)

Anyway. I think that after a little time and distance, all it would really take for Chay to forgive Kim, is just. A conversation. Once Chay realizes that yeah, he was pushy, he did come on strong, and that all the times Kim pulled away from him it wasn't because he was "playing hard to get", but because he didn't know what to do with Chay's intense feelings.

They need to examine how they approach other people (Chay by throwing his everything in at once, and Kim's habit of pulling away). They both have a lot of growing up to do. And I think, at the end of the day, that's what their story is trying to tell us. Heartbreak is just a part of growing up.

ANYWAY. Sorry to word-vomit at you like that. The tl;dr is that I don't think Kim really betrayed Chay, at least not more than any regular coming-of-age breakup story. I think they need to grow up, have some self-reflection, and come back with a better idea of who they are and what they want. After that, who knows what could happen!

[maddy-k-reads-all-day]

Thinking about Wooly in When You Feel Bad

Okay so like... everyone noticed that Wooly was acting kind of funny in the "When You Feel Bad" Tape right? Here's some things I noticed... just note there is a LOT of detail put into this tape so I'm definitely not going to be able to notice and cover everything... I don't even think a post that long would fit in the tumblr text limit...

Anyway first thing I noticed is that right after he says, "How about an Adventure?" he looks directly at the camera. Everything about how he says this feels very scripted. But the interesting thing is... his face immediately changes to one of nervousness or unease as soon as his finishes this sentence and his eyes slowly turn in her direction, BEFORE Amanda even says anything. Almost like he knows that this is not what Amanda wants or needs right now, so it's gonna piss her off. However, it's probably what the SHOW needs, in order for the episode to continue.

Before I continue, I'd like to share a little theory. I think the narrator's story might actually be the correct scripted one the episode was meant to read. Hameln does enjoy subtle but slightly harmful messaging, and telling a friend a sad story to cheer them up might be one of them. I think Wooly was supposed to start the story and the narrator was supposed to continue it (with our help). Because otherwise, why would the narrator be there at all if Wooly was supposed to tell the story? If that's the case, why isn't our script-loving Wooly following the script?

I have two theories:

1. First off, if you answer "tragedy" or "sad" for your favorite type of story, Wooly glances at Amanda (who doesn't appear to be paying attention) and says "We don't like those kinds of stories AT ALL." But... this is lie. We know Amanda likes these stories. So that means... the one who really doesn't like them is Wooly. His reaction to horror also implies that he has some of the trademark Hameln trauma too, though he doesn't seem to show it as much as Amanda. It's kind of a weird reaction to have honestly... like, why would the mention of the word "horror" give you flashbacks of... whatever THAT was. I've had this theory for a while now that part of the reason Wooly tries to change the subject when Amanda talks about sad stuff might simply be because HE doesn't like talking/thinking about this kind of stuff. When we answer "horror" he says he wishes he hadn't asked. In comparison, whenever Amanda remembers something about her past, like when we first mentioned Sam, she seemed confused and maybe a little suspicious of us, but she never flat out has said she regrets remembering these memories, despite how unpleasant they can be. It's a weird contrast. Almost like Amanda wants to remember and Wooly wants to forget. And he really doesn't seem to like listening to the narrator's story when it's told. It's almost like he was trying to avoid it getting told at all. In this case, it was never about cheering Amanda up and Wooly was being rather selfish here. So in order to prevent the narrator's story from getting told, he tells his own.

Which could explain why it's so bland and uncreative, considering Amanda (even in this episode alone) is shown to be the creative type of the two. She's an artist. We've never seen Wooly try and be creative before, so maybe it's just not his thing?

Another interesting thing is, Amanda goes off script quite often and the show seems to bend to her will, but for Wooly it doesn't. (in both this tape and the second In Your Neighborhood tape). It's almost like Amanda seems to get rewarded for going off script (aka in getting what she wants) and Wooly gets punished for it. But it always works for which might be why Wooly is surprised when the same doesn't work for him. But he continues to try nonetheless, trying to get HIS story back on track.

He continues to tell the story wrong ON purpose. Probably hoping he can get the show to play along, the way it always does for Amanda. But it FAILS again. Wooly starts to get frustrated and eventually realizes we're the ones messing with his story. When he asks us to at least TRY and go along with his story, he sounds annoyed which we don't get often from Wooly. So anyway that's theory 1.

Theory 2 goes a bit deeper.

To preface this, I don't 100% believe in this theory I could be wrong but I just want to put the idea on the table. It started with this detail I noticed and found REALLY interesting.

When the narrator says "the knight slew the dragon, not knowing they were killing their true love" Wooly looks at his hands with this weird, wide-eyed expression, while Amanda says the knight is going to regret that.

I've always thought his reaction here was a little strange. Like it didn't make sense. But what if this line is implying something about Wooly? I do think that this story is a metaphor for something, but it isn't a word-for-word representation of what happened. It is simply a SAD STORY to cheer Amanda up. But bits and pieces of it may remind Amanda and Wooly both of events that happened in their life. Amanda might relate to being separated from someone she cares about and to being turned into a monster (in her case, the demon) without her consent. But Wooly might relate to other things. For this scene in particular maybe he hurt someone he really cared about in a way he couldn't take back and really regrets that? (like the knight killing their true love, killing someone is something that cannot be undone). Once again, I don't think it's supposed to be a one-to-one thing. This line could even be hinting at Amanda and Wooly's falling out. Amanda tells us in the final tape that Wooly did something to betray her trust. Wooly and Amanda used to be best friends. So maybe Wooly did something that really hurt Amanda, something that could not be taken back. Something that ultimately made him lose his best friend and he regrets that. In multiple scenes in this series, Wooly seems to look sad or guilty when Amanda shows anger towards him or says they aren't friends anymore. So it's very possible that this is the case. That said, another common theme with Wooly is that he doesn't seem to enjoy looking at or talking about subjects that make him uncomfortable. (When Amanda talks about death, he seems extremely uncomfortable, when they watch the cat eat the bird he says he feels like he's going to be sick and his constant changing the subject routine that happens throughout the series). So this story, that might in some way remind him of a mistake he made might be something he doesn't want to hear. He doesn't want to be reminded that he screwed up in a way he can't take back, he doesn't want to hear it.

Side note, when Wooly suggests that finishing the story might cheer her up, she doesn't object, she sits back down and looks at him (albeit still pretty upset) and waits for him to continue.

As the narrator's story continues Wooly starts to seem really angry about it. And then he starts getting really like emotionally bent out of shape. Then there's the whole, "There was a big battle, the brave knight prevailed and then-" and Wooly stops, once again having this weird look on his face. Like this got too personal.

Wooly goes on to talk about how the Knight saves the princess and they live happily ever after.

I think this could imply that at one point or another, Wooly had some sort of chance to do something to help Amanda or save her from her fate. A chance he didn't take. Maybe this didn't even happen while they were trapped, but beforehand and Amanda found out later and got reasonably upset. In any case, it does feel like Wooly may be projecting to an extent. Maybe even trying to subtly tell Amanda that he's sorry, and he doesn't like how their story went. Something that Amanda clearly didn't pick up on. This would be interesting since it's not the first time the game or it's characters have tried to tell us something subtly through a story. Amanda did it through the lonely kitten and the farm animals. I'm not 100% sure that's what is going on here, but I am acknowledging the possibility. Regardless of what Wooly was trying to do, the true ending to this is that he fails.

Going off that theory, something else that add to this is the annoyance Wooly expresses when Amanda dislikes his story. He knows this isn't the story she likes, but if he were trying to tell her something with it, it'd be pretty annoying if he felt like she was ignoring that message. As Amanda keeps criticizing Wooly's story, Wooly claims he's doing his best to cheer her up. Which is a lie. This whole "I'm going to tell my own story" is incredibly selfish and misguided on Wooly's part. Amanda clearly isn't getting the point or liking the story. Even if Wooly was trying to hide some apology in this story, it still doesn't make it okay for him to activitely ignore Amanda's feelings. Besides, even if he is trying to apologize, the apology itself probably comes off a bit mockingly? Like... "I wish our lives didn't completely suck, I wish I had done something about it when I had the chance. But I'll never actually say it to your face." Another thing- Wooly clearly seems to feel genuninely bad about whatever he did to Amanda- but he has never even TRIED to apologize to her!!!

Amanda asking "why doesn't the dragon just put her out of her misery?" I think this adds to my other theory that Amanda just wants to be out of here. She wants to bring an end to what feels like an endless nightmare.

Idk if this post makes ANY sense and like there are so many more details that I could uncover I just wanted to share these two little theories. I do actually really like the idea that Wooly might actually be trying to hint at an apology in changing the sad story to a happy one but I'm probably thinking too deeply about this. Anyway I just wanted to share my thoughts! Hope you enjoy!

Bonus:

But I thought Wooly says he doesn't like scary stuff? I mean it's just a dragon so it isn't really scary but this was kinda weird of him right?

Is this a spelling error or is it intentional and somehow important? Genuinely asking.

[laylainalaska]

MASH continues

I watched the episode with Charles and Martine last night (11x03) and first of all, I canNOT believe that the place where that episode leaves Charles in that subplot is CRYING ON THE BED. Did we do anything to deserve this? Talk about an episode that cried out for an upbeat/supportive tag scene with him and Hawkeye and BJ. (And you know they would! It's pretty clear that they're a) curious about what's going on with him and Martine, and b) generally supportive in similar situations in other episodes. He definitely wouldn't tell them exactly what happened, but like they're not going to get him drunk, commiserate a bit, and try to get the story out of him, c'mon.)

But I was also fully unprepared for the adorableness of crushing Charles. You know what else I was unprepared for? This little exchange with Hawkeye and Charles near the beginning when Hawkeye's telling him he doesn't have a chance with her.

THE HAND ON THE ARM, BOTH OF THEM, I CANNOT.

I think it's interesting how differently Hawkeye reacts to Martine's obvious interest in Charles than he did in the episode a couple of seasons earlier with the lady reporter who was interested in BJ (and not in Hawkeye). In that case he just would not let it alone, whereas here he takes it gracefully, steps aside, and doesn't bother them. I don't know if that's just because he relates to Charles differently than he does to BJ, or whether it's that he can tell Charles is genuinely into her and doesn't want to get in the way, whereas with BJ being married, it was a very different situation.

(Or a little of both.)

More thoughts below the readmore.

I kinda knew the broad strokes of the plot of this one, including what made them break up, and I was generally expecting Charles to be a lot more of a dick to her about it and I think it's interesting - in light of some of his past behavior - that what happens is a quiet, sad withdrawal instead. He does hurt her, but he's pretty clear about this being a him problem, not a her problem. He doesn't want her to change or try to be someone different for him, or even hide her past. He just doesn't think he can face up to it at home.

I think the really interesting thing this episode brought up is how he's compartmentalized his life here from his life back home. Everything that's been going on with him here, the friendships he's made and the much looser, more relaxed way he behaves, is a "here" thing, which isn't going to go back "there" (and I think he's really wrong about that).

The thing that fractures him and Martine isn't the idea of having a wartime romance with her here, it's the idea of having a future with her -- taking her home and introducing her to his family and having to support and defend her in Boston society. This obviously is very much a him problem, but I think it's interesting that he doesn't seem to consider, even for a moment, just having a no-strings-attached fling (which he clearly did do with Donna!). He doesn't even think about that as a solution; he's got to say goodbye to her now or he never will.

I think this kinda goes back to the thing I was talking about in the Dreams post a little bit, about Charles getting attached. He does get attached, we see that throughout the series - not all the time, or to everybody, but when he attaches, it's deep, and he can't just shake it off.

(Which also suggests how effectively he's going to completely lock away the last couple of years of his life - not very. He's going home different, and everyone's going to know it, and pretty soon he's going to know it; he may even know it by the last episode.)

But I'm also just very deeply affected by his goodbye to Martine. That whole scene where he's laying on the bed, clearly heartbroken ...! Okay, yeah, he was going to simply let her leave without saying goodbye, and that's self-protective as much as anything - and Charles standing her up for their last night's date was definitely ... choices were made! He just can't face her and his feelings for her. That scene on the bed, though. OW.

.... also unreasonably charmed by "your friend Hawkeye." Even apart from shipping - although I do ship it - I feel like part of the solution to his problem is right there. Hawkeye makes him laugh, and brings out a warmer, more playful side of his personality.

And it's not one-sided! For one thing, Hawkeye clearly enjoys spending time around him and pestering him. But also, Charles can steady him in some situations where nobody else can. I'm thinking actually, not "Sons & Bowlers", but the OR scene in "Follies of the Living, Concerns of the Dead," another one I watched fairly recently. That little "I must have run the bowel too fast, I missed something" and Charles's "Don't worry, I've got it." Hawkeye trusts him as a surgeon to an extent that he can just let go and know Charles has it in hand, and that's something I think he comes to lean on.

(Yes, I watched an episode in which Charles has a canonical romance and now I'm talking about Charles/Hawkeye, I can't help it.)

Anyway, though, I just think this episode is really interesting as a kind of benchmark of how things are going for him in the war. I think this might be the point where he actually realized not only that things are going to be different at home but that he might not want to be that person when he goes back.

[volturissideslut]

𝕮𝖆𝖎𝖚𝖘 𝖁𝖔𝖑𝖙𝖚𝖗𝖎

I actually really enjoyed making the nsfw alphabet for Marcus in my last request (Here), so here's Caius too and i'll be doing one for Aro later

A = Aftercare (what they’re like after sex)

While Caius is still attentive after sex, it really depends on how it went down. If it was a frustration fuck then he's giving you a long kiss in thanks and making sure you're okay, probably drawing a shared bath and finding a 'snack' to share. But if it was a quickie then he'll quickly pat your hair back down and make sure you look presentable again with a quick kiss and he's off.

B = Body part (their favourite body part of theirs and also their partner’s)

Caius loves his own torso. This goes from his shoulders and chest, down to his lower abdomen. He's an artist at heart and something about the way your hand looks pushing on his torso while you ride him is picturesque. And that leads me to his favourite feature on you: your hands. He loves them so much, your hands are his obsession. From kissing the back of them, to watching them wrapper around his cock. From your nails digging into his neck, to you playing gently with his hair.

C = Cum (anything to do with cum, basically)

When Caius cums there isn't much of it, but it's thick and a pearlescent white. He loves cumming in you plain and simple. Theres just something about the fact that part of him is in you that gets to him.

D = Dirty secret (pretty self explanatory, a dirty secret of theirs)

He really really really wants you to secretly cockwarm him in court. Just sit there with him fully sheathed inside of you and have nobody any the wiser. To claim you as his in from of these fools and have them be so beneath him they don't even know. It's a power move. And insanely fucking hot.

E = Experience (how experienced are they? do they know what they’re doing?)

Before he met you Caius was a little bit of a manwhore in my professional opinion, and so i think that he has plenty of experience in bed. Of course none of that compares to you in his eyes, but his past... encounters... with humans and vampires alike all still happened.

F = Favorite position (this goes without saying)

Cowgirl!!! Enough said. The knowledge that he is in total control and still gets to make you do all the work is a bonus, but it's really about the fact he gets to watch you - oh so jaw dropping you - have your way with him. He get's to watch all your little reactions when you change the tempo, or how wide eyed and flustered you get when he unexpectedly bucks his hips up.

G = Goofy (are they more serious in the moment? are they humorous? etc.)

Nah, I can see him finding the moment relatively serious. Maybe not so much if you're having a giggly and fun little day but this grumpy bum has appearances to keep up. At least, thats what you'll say if anyone ever asks. Because in reality giggly soft sex makes his heart go all ooey gooey and soft. He could pepper your face with kisses and make bad jokes in bed all day, but shhh thats for your ears only.

H = Hair (how well groomed are they? does the carpet match the drapes? etc.)

He's a well groomed man, not much else to say about that. He'd also prefer if you were too, but he is not afraid in the slightest to get his hands dirty and face the bush

I = Intimacy (how are they during the moment? the romantic aspect)

Again it depends on of he's in one of his many mood swings. He can be, especially of you hint at it. He'll beckon to your will any day. But he probably won't think to set it up all romantically unless it's near a special date for the two of you. And no, he doesn't care that the years all blurr together when you live for eternity. He'll celebrate an anniversary every year over the millennia's if it gives him an excuse to spoil you.

J = Jack off (masturbation headcanon)

As i previously said, Caius was a manwhore back in the day. I think this cheeky fucker has a high sex drive, and so it really depends on you. If you match his high drive then no, because he's too busy giving you the night of your life instead. But if your sex drive is on the lower side he'll have some alone time happily.

K = Kink (one or more of their kinks)

BONDAGE AND WAXPLAY does this even need explaining? I can't decide if this kinky fucker is more of a masochist or sadist to be completely honest with you... Might also let you peg him

L = Location (favourite places to do the do)

His throne. It's such a rush to him to have you there on the symbol of his power and leaving him powerless with the way you're fucking him. Moreover, having you whimpering and begging for him feels like pure adrenaline going through his vains, as if he's gorging himself on blood and getting blood-high or something

M = Motivation (what turns them on, gets them going)

Any form of you initiating really, he's always ready to head back to his chamber and get freaky. Once you wore lingerie and smeared yourself in blood so he could lick it off you and he's never been more excited in his life.

N = No (something they wouldn’t do, turn offs)

Somebody else seeing you in a vulnerable state. Caius is incredibly possessive but he's even more protective. It's all fun and games playing it risky in the throne room until someone actually walks in and he tears their throat out. Could have this all have been avoided if you just did it in a secure location? Yes. Will he still rip off the head of whoever walks in? Also yes.

O = Oral (preference in giving or receiving, skill, etc.)

I feel like he much prefers to give oral and instead of receiving oral he likes to receive handjobs. Please stroke his cock painstakingly slow with a fresh set of sharp nails on you, he mighty combust or, y'know, bust.

P = Pace (are they fast and rough? slow and sensual? etc.)

Hard and rough, it's sloppy toppy and animalistic. It's hedonistic fucking until you feel so good it's like you've ascended. And yes, he can switch to something more passionate and gentle and often will on anniversaries or if the mood presents itself, but dirty fucking is is fave

Q = Quickie (their opinions on quickies, how often, etc.)

He loves them, and they happen all the time. A quickie before his next trial? Yes please. A quickie before his next meeting with Aro and Marcus? It would be wrong to refuse. A quickie before he heads out to battle? It'll help him think straight. You get the gist

R = Risk (are they game to experiment? do they take risks? etc.)

He's all game, ready to risk it all for a good time with you. Well, almost anything. You tried temperature play once but now that's banned because vampires and fire don't exactly mix well together. But don't get me wrong, he would totally walk through fire for that pussy, but he once again had that protective side of him flare up and you are now banner from being within 3 metres of open flames.

S = Stamina (how many rounds can they go for? how long do they last?)

Is this even a question? He'd spend the rest of his eternity fucking you with little breaks to feed or paint if he could. Actually, maybe he should bring that up in his next meeting... nah, he enjoys ruling and the feel of power too much. Though he would appreciate some more free time for some quality time. In all honesty, he's just a horny bastard.

T = Toys (do they own toys? do they use them? on a partner or themselves?)

Yeah, it's not like he's got a collection or anything but he definitely has his fare share for you to use on him or his to use on you

U = Unfair (how much they like to tease)

Caius is such a massive tease. If Marcus is the advocate for overstim then Caius is the advocate for edging. Theres something that really ignites in him when you're begging him to just let you cum already

V = Volume (how loud they are, what sounds they make, etc.)

Ladies and gentlemen, we have a grunter. Booo! But wait, don't throw your tomatoes yet. If you just tell him that you think the sound of him moaning is incredibly attractive and sexy he'll make it a point to be vocal for you.

W = Wild card (a random headcanon for the character)

He likes when you get all dressed up and dolled up for him. Like a lot. Is willing to spend half the budget on nails, shoes, dresses, and lingerie for you because... wow

X = X-ray (let’s see what’s going on under those clothes)

Y = Yearning (how high is their sex drive?)

Baby, Sweetie, Darling, oh, sweet child of mine. Good luck

Z = Zzz (how quickly they fall asleep afterwards)

Even through vampires can't sleep, he feels so relaxed afterward. It's a 50/50 shot really, either he want's to be babied and needs affection or is pumped up enough to go slaughter a whole village

[timkontheunsure]

Cash is the Ultimate Big Bad of Helluva Boss

He's the dragon Blitz will have to slay with the help of his found family.

Ok so you know how the show has the theme of overcoming abuse, and Blitz relationships?

and how Blitz helps the people he loves get to a better place? But also believe he makes his loved ones lives worse.

Blitz is still stuck with alot of trauma patterns about him only being able to be loved constitutional (links previously analyses other on Blitz for BBP and core beliefs).

Don't think Millie, or Stolas will enough be to fully able to stop him falling back into that belief on bad days.

(He's come along way, but it can be really tricky to really remove that sort of idea from your head. Without coming to terms with who you're gotta them from in the first place).

But Cash is dead right? Nope. Unfortunately that dickhead leggs past Fizz and Blitz to get out.

Cash is responsible for the break down of every relationship with his family and friends he grew up with.

Cash was the ringmaster, the boss.

He would have been one responsible buying none flammable bloody tents, and the storage of fireworks safely.

He could even mandated the use for imp safe fire in the circus, like earth fire, or what ever the feck paimon was using.

But no, he blames all the dead and damage on his own kid, and says specifically it wasn't an accident. This looks like a way to shift blame and get out of culpability for his negligence.

Getting him off the hook for damages, and keeping Fizz stuck with him.

He's git that stopped Blitz and Fizz talking for 15 years!

By telling Fizz the lie that Blitz set the fire on out of jealousy. Making him feel like their whole relationship was a lie.

And has Barbie and even her nurse parroting Cash's words. With her nurse calling Blitz a deadbeat.

And Barbie screaming that he's ruined her life.

But the deadbeat comments interesting, because Blitz isn't financially responsible for Barbie or his dad. Narcissistic parents assume their kids are. That if they have even a little they 'should' give it to the family (meaning Cash). But will often send siblings to guilt them into doing so.

And with Barbie being an addict before.. yer it sounds like she was pissed he wouldn't give her money for her habit too.

Ok need to talk about after the fire more.

Because this dickwod hits Blitz straight after it. Grabbing Blitz wrist so he can't get away.

You can see Blitz's newly scared skin on the hand, and the fairy lights in the background from the circus.

So this is what Cash did straight after the fire, before Blitz or Fizz even got to the hospital. Blitz has just seen his mum dead, and his friend melted. And the first thing Cash did was beat his son!

But even with Cash alive Blitz wouldn't be in contact right? Yer he is. 🙁

That's who Blitz rings asking asking where Barbie is. That's who Blitz is annoyed at that they didn't even ask where she was going.

But on the bright side Cash's number isn't on Blitz's phone. He has to looks it up in the rolodexs.

This seems like a good compromise, letting him contact in emergency for Barbie. But not having it in his phone for bad nights.

So low contact but not none.

So yer think this is where it'll end up, but glad Blitz is doing better and is taking measures to protect himself from further abuse.

[sirsagrell]

The holidays have passed so it's time to yap critically about Veilguard some more.

So. I like to project themes and meanings on Dragon Age stories that weren't even necessarily intentionally put there by the writers. And how well Dragon Age used to lend itself to that favorite pastime of mine, was, I think, one of its main strengths.

Hear me out.

Dragon Age is a game, and a game is not a book. A Dragon Age narrative is not done being written until you the player play through it and fill in the blanks. And you don't just play a role, as in define the player character and make choices for them. Through the interplay between your character and the world, trough the influence you have on the world and the people in it, you pick out the themes and meanings that your very own Dragon Age narrative explores and expresses.

It used to be a damn fantasy writer simulator. No wonder it inspired so much creativity.

Some of it was intentional, and some, probably, not. Some, but far from all of it was due to the infamous Dragon Age Grey Morality(TM).

(Where that Grey Morality(TM) was executed well, and where not is a separate conversation, and that conversation has very much been had, extensively, over the past ten years. I'm not getting into that here.)

Most of this effect, however, relied on the simple fact that Dragon Age never presumed to tell you what the correct themes and meanings of a Dragon Age story were. (Yes, you could arrive at some really unfortunate themes and meanings with the story building blocks given to you, yes, I know. But you never had to.)

You were asked questions (Yes, some of them were stupid questions). But if you were in any way interested in thinking about the messy source material presented to you, you immediately arrived at questions even deeper than the writers ever intended to ask, and weren't some of them just fascinating.

Veilguard, I feel, almost stopped asking questions. Worse, when it does try to ask them, it tells you what the answers are supposed mean. Literally. In a tooltip (!) in the interface (!!). There's a correct way to read Dragon Age now, somehow.

I'd say the most egregious example of this shift is Rook's unquestionable heroism.

We, Dragon Age and I, used to ponder the meaning of being celebrated as the hero, regardless of what kind of person you really were. Or the futility of trying to be the hero when all the societal systems work against you. Or the terror of being the hero, when you're suddenly forced to become a whole societal system yourself. My Dragon Age protagonists had a really sad and shitty time being protagonists. 'Twas good for their souls.

Enter Veilguard and Rook.

You start the game and you're introduced to Rook, the game's hero. You are repeatedly reassured that you're the hero, and Were Chosen For Reason. You can attempt to express doubt about maybe having made the situation worse, and you're immediately assured by your companions that you shouldn't. "You got this Rook", the game repeatedly says. (It's thankless work, fixing the world, Solas shares, but Solas is from a different game and probably didn't get the memo.) Everyone is actually super thankful to Rook, even the people you left to be blighted, you're a universally good influence, after all, and you couldn't be two places at once, any reasonable person understands. You're doing your best. Don't you worry, your best will be enough.

Oh, and just in case you're still having doubts, Rook, all your antagonists are mindless and/or power-hungry fools, and, like, elfy Thanos. It is objectively correct to oppose them. By doing so you're not just saving people but helping the world move past the violence of the past and into a brighter safer future.

Honestly, I don't think I have ever played a game that went to such lengths to assure you you're the Good Guy here. I've never played Marvel games though, are they like that? Is this why…

This is getting too long. So I'll sum it up as best I can.

Veilguard isn't juvenile in meaning, not really. In tone, yes, in meaning, for the most part, no. It does tackle some heavy stuff. But Veilguard knows what exactly it means to say and it will beat you over the head with its message, until you know it too.

And that, to me, for a Dragon Age story, is just sad.

[3hks]

How to Write a Truly Terrifying Villain

Have you ever wanted to create a villain that's actually evil? One that can scare your readers yet also leave them with an everlasting impression? An antagonist is so much more than just a "bad guy", and in this guide, we'll explore how to write an evil character effectively!

*GOALS/MOTIVATIONS*

No matter what kind of character someone is, their objectives alone speak volumes about who they are as a person. Therefore, with this villain, I suggest forming a goal that stems from their selfishness.

Although, what does that really look like? Selfishness is actually quite subjective. From what I have seen, a self-serving goal tends to be quite specific since it's a personalized aim. Don't give them a target that's too broad or too generic because chances are, it won't really benefit them. (Ex: World domination)

Am I saying that you absolutely need a greedy antagonist to highlight their malice? No, but it truly is a great place to begin at.

*EMPATHY*

Next, let's talk about empathy. How well do they understand those around them? Do they care?

Many villains we see lack empathy; they aren't concerned about their victims, and sometimes, even their own followers.

However, there's also the opposite case, where the antagonist does have empathy and fully understands what others may feel, but still doesn't care. This dark empathy is truly a testament of their malevolence because they're aware of the physical and mental consequences of their actions, yet they do it anyway. That, in itself, is rather terrifying.

*NEUTRALITY*

If your villain isn't the main antagonist, this might be something you want to consider.

As I mentioned before, this type of character prioritizes themselves over anything and everything. If helping the hero will benefit them, then why not? If assisting another antagonist will be rewarding, then it's worth it. While your character is a villain, their alignment itself might be a bit blurred.

Although it could seem counterproductive to have an "evil character" who occasionally aids the protagonist, the switching of sides actually maintains a sense of unpredictability for your character.

*INTELLIGENCE*

If anything, I highly suggest not making your villain stupid. While I'm sure there are intimidating dim-witted antagonists out there, the truth is, if your character understands themselves, their limits, their abilities, and the events taking place, your readers will automatically see them as competent and intelligent, which is critical to their credibility.

Have them think things through, plan carefully, and act responsibly. They know what they're doing, you just have to prove it.

*ISOLATION*

Another thing that helps is to keep your villain isolated. You don't need to physically keep them away from everyone, but they might be figuratively, emotionally distanced from others. Sometimes this is on purpose, and sometimes it's not.

*LASTING IMPACT*

This may seem obvious to some people, but there's got to be some key event regarding your villain that has lasting impact on the plot, characters, setting, and/or protagonist. It doesn't need to occur during your story, it could have occurred beforehand, but it still must affect the current time period.

Show why they're the villain.

*REASON, DON'T JUSTIFY*

A lot of people (primarily readers) nowadays are obsessed with the idea of justifying a character's poor actions. But the truth is, you can't justify everything, not to mention that it's just unnecessary. It's unrealistic. Instead, provide a reason as to why they chose to do something. What instigated their actions? What goes through their heads? Did their past influence their current motives and character?

Don't try to balance everything out! In the end, a wrong is still a wrong, and it's okay to let it remain as such.

*CONCLUSION*

With all of these ideas taken into consideration, you have to remember that an evil character doesn't exactly correlate to a hateable character. Are there hated villains? Yes! But don't go out of your way to make them loathsome in order to establish their "evil-ness".

At the end of the day, they're still people too, so give them dimension, complexities, and weaknesses to prove it.

Happy writing (and New Year)~

3hks <3

[redux-iterum]

Sorry for all the questions from me recently,, but I've been planning to write a fanfic that takes place before pinestar exists in riverclan, blast to the past if you will! I just wanted to ask if you have any tips or advice because I really look up to your writing!

No worries about questions! I'm happy to answer if I can. I'll try to give some advice on writing in general, and hopefully it'll help you.

Figure out what pace will help you keep going on the project, fanfic or original, and work with that. If writing 200 words a day every day or 1k words every three days is your comfortable speed and keeps you from getting exhausted, then don't force yourself to Stephen King it and write an excess of 2k every single day. Your goal is to enjoy yourself here and keep going until it's completed. It won't be worth it if you suffer the whole time.

That being said, at times you may need to strap yourself down and just get through the part you don't want to write. This requires some discipline and self-training, but it is doable. The reward of getting to the part you're excited about is completely worth the work of writing when bored. I can very much promise you that. Every single thing I've ever worked on, I've had to force myself to keep writing/drawing at some point, and every time I've been happy that I worked until I got my reward of the part I was psyched to get to. Hell, I'm doing that right now with the next book in this series! And, fun fact, the more you do it, the easier it gets. Sort of like exercise!

If you need to plan ahead of time to finish a project like I do, then you might could borrow my method of planning: write down one or a couple sentences describing the overall, most basic idea of the plot (literally just something like "[Character] in RiverClan finds a secret plot by [other character] to overthrow the leader, stops them, and then discovers that they were right to be suspicious about the leader's secrets and helps oust the leader"); write down all the story beats and character moments you have in mind in no specific order; break down the plot into more chewable chunks using the aforementioned beats and moments to help you figure out the connecting veins to each chunk; and from there, go smaller and smaller as needed until you have enough to work with that you're comfortable writing. I personally like to write a summary of each chapter as well - all of them - before starting to actually write those chapters. It helps me keep track of everything and prevents me from fucking up the story I had in mind by being impulsive and forgetting the plan.

Even if you love a moment, character or line of dialog, if it isn't working with everything else and is disrupting the flow of the story, don't be afraid to throw it out. It's hard and I hate doing it myself, but sometimes it's just time to get rid of something you're attached to. "Kill your darlings" doesn't just mean killing a character you like, it means taking out things that you love no matter how much it feels like ripping out a tooth. You can always find a way to use whatever it is later in something else.

If you have a willing beta/editor, by GOD, ask for their help. A second set of eyes is crucial to ensuring the quality of your story. The thing is that you're too close to your creation to know for sure if it's good to everyone else - even if it genuinely is amazing, you have no idea because you made it. Having someone outside the circle of sentiment to read and say, "Hey, this dialog doesn't sound very realistic" or "Huh, I thought this piece was foreshadowing something else, maybe clear that up a little" is, while painful to your ego, more precious than a pot of gold. Appreciate the critique you get. It's awesome for your growth. Do know that not all critique is going to be helpful to your specific writing style, but a lot of it is very much worth paying attention to and taking a minute to mull over and decide whether to humor it or not. This, too, you will get better at differentiating over time.

All this said, remember that if you're not getting a paycheck, you're doing this for fun. You are under no obligation to finish a story that's making you miserable. You'll have to learn the difference between "fic I'm in a boring moment of" and "fic that's actively harming my mental wellbeing because I feel obligated to complete it", and sometimes you'll need a second person to voice your thoughts to in order to judge that. If it sucks, hit da bricks! Don't punish yourself for having to stop, or even just taking a break. A fanfic is not worth your sanity. Trust me on this.

That shit got long and I apologize. Hopefully this helped!

[lemotmo]

People are once again going off about Ryan being homophobic. Even when Buddie gets together, I know this unfounded claim will continue 🙄

Yeah, I have seen a couple of people posting about it and the discourse around it. It seems to be mostly contained over on Twitter though. Or I have really curated my Tumblr well, because I haven't seen anything like it yet. I'm not sure which one it is.

It's a laughable accusation really when you think of it. Ryan is the one who coined the Buddie name for the ship. How many times does he have to say in an interview that he wouldn't mind the story going into the Buddie direction? How many times does he have to say that it's important to support your loved ones when they come out to you, like Eddie supported Buck when he came out? The man talked about reading Buddie fanfiction and watching Buddie edits for crying out loud. He even reposted some Buddie stuff on his Instagram.

Anyway, I have accepted that some people will never give up making the guy into some kind of villian. Mind you, he isn't a saint, but neither are any of the other actors. They're all just people, like us. We've all made some dumb mistakes in life we wish we hadn't. But that's all a part of the journey of life.

Obviously I don't know the guy. None of us do. What we know about him is all very superficial stuff, but that's okay. I like Ryan and I'd love to get the chance to chat with him one day, but I admit that I'm mostly here for Eddie Diaz and what he has going on in his life. So I'm mainly invested in Ryan's bts or 911 interviews. I'm not as invested in anything he does outside of 911.

Look, it comes down to this: if people can't look past other people's mistakes after they have done everything in their power to apologize and show them they are trying to do better? If they can't move on after they have clearly been forgiven by the people that actually know them and love them best in life? Then that's on them.

So I don't care anymore. I just block the instigators that spread nonsense like that and move on. There is nothing to be gained by engaging these people. They already have their mind made up and nothing I or anyone can say will change their opinion of Ryan. I refuse to add fuel to the discourse. It only makes the discourse more widespread and problematic.

So let's all agree to do just that: ignore, block and move on. It will make everyone's fandom experience a lot more fun, I can guarantee you that.

I'm pretty sure that is exactly what Ryan does as well by the way. Him and Oliver are very similar in that regard. They just do what makes them happy, don't share too much about themselves and live their lives, ignoring all the social media shit. Combine that with a job they both seem to love? Yeah--

Good for them.

[noctivagant-corvid]

went insane thinking abt hideduo bc one year confession anniversary but like. listen ok.

i know, logically, that the reason c!hideduo ended the way it did was bc the server abruptly shut down. however. i think they have tragedy potential.

to reiterate what i said in the tags of my original post: q!fit is a character from the cruelest place you can imagine. a place that- in fanon (*cough cough* they're facists but they'll respect your pronouns *cough cough*)- is ripe with homophobia. he has been placed in an enviorment that is not only safe and warm but also homonormative. and when his body relaxes from the constant fight or flight he's lived in for the past twenty some years, he starts to think about things he's had buried for a longgg time. he meets a beautiful man who's kind to his son and he goes oh. and then he shoves that oh down again- or tries to- but this place is so nice and there's nothing really to be scared of, not here, and it keeps bubbling back up again and one night he's sitting in his bed thinking "oh god, i'm in love with him." and then, a few minutes later, whispered like a confessional- "i'm in love with a man." (it takes him a few more weeks to say 'gay'. he gets there, though.)

q!pac might not be stuggling with his queerness, but he's struggling with just about everything else. he's stranded on an island with the man who ate his leg and he doesn't know when he's going to snap again- because it's a when, not an if- and so he lives in this state of fear. he knows he won't win that fight. he knows he's the weakest, the most pathetic, the easiest to manipulate. his brother is missing. his son is missing practically every other week. and he has his friends, sure, but he knows they'll leave him. if given the chance, they'd all leave him. but then there's fit. fit doesn't leave. even in purgatory, fit doesn't leave. he calls pac strong, and it doesn't sound like a lie, not coming out of fit's mouth. he fights to bring pac back from the pills, promises to keep him safe, and pac finds himself relaxing around him-despite his better judgement. he's cute, too- gets all stuttery and red when pac flirts with him.

fit stumbles through "gosto de voce" like a nervous teenage girl and pac laughs and they're both stammering, smiling, bright red, and it isn't perfect all of a sudden- fit still has to tell him about the quest, mike's still missing, and they both still have their issues- but it's good. it's so, so good.

for a moment, fit and pac get to live in a blissful world. a world with a sweet and quiet and beautiful family that fits in all the right ways and leaves them both with constant dopey grins. a family that has both of their jaws unclenching and laughter coming easier than ever and everything seems that much brighter, that much warmer. there is a very brief moment in time that fit and pac get everything they've ever wanted.

it's like a collison course. two lines that intersect once. there is one moment where everything is perfect and then nothing but sobbing by the moonlight when your children hopefully can't hear because ramon's already having a hard enough time he doesn't need to hear pac sobbing his eyes out. nothing but cold detachment, a deep cavern filled with faceless corpses- or have you just been staring at them so long their faces have blurred together? who knows. who knows. here's what you do know: in every universe, there is a brief moment where everything is good. everything goes downhill from there. it's quicker everytime-only a day in arkanis. only a few hours hour in the realm. there is a brief moment. you have to treasure it.