#and this is not directed at anyone in particular

[sennyside]

I feel like both sides have merits. It is certainly important to try and keep out unnecessary negativity for your own mental health, but at the same time, blocking out everything just leads to an echo chamber. Conversely, letting in unnecessary negativity, that which is petty and unimportant simply makes us more irate and less rational. Unfortunately we as humans tend to see things as black and white more often than not, so we either overcorrect by blocking out everything we disagree with, or letting it all in and giving in to the pettiness and anger.

To clarify, this statement isn't directed at anyone in particular, it's something built in to the human experience. I struggle with it, you struggle with it, everyone struggles with it.

tl;dr, balance is important, and it's possible to do both.

never mind

[aziraphales-library]

Lost Fic #211

1. Hi I’ve been looking for this fic for ages but I can��t for the life of me remember how I found it. It was a short one where angels needed touch and comfort, but heaven wouldn’t touch aziraphale because he was “filthy”? And he was very touch starved and Crowley eventually found out at the end after centuries with no touch. Hope you have a great day/night! - anon

2. I’m looking for a fic where aziraphale and Crowley plan to fight against heaven and hell. They place wards in their homes. They also end up having a following of people joining them (threads and social media). Eventually people also direct their prayers to Aziraphale? Crowley also ends up being like his first disciple. - anon

3. Hello. First of all thank you thank you thank you for still running this blog over the years and for being so organized and for all the recs I found through here! Now if you or your followers could maybe help me detect a fic which, it's a little awkward bcs I opened it and skimmed a little but then my phone kinda died for a while so I don't have too many drtails on it (Im so sorry!) But from the little I do remember: Aziraphale and Crowley are expecting a baby and I think Aziraphale is the one pregnant, and he has a dream during which he talks to their kid (who appears in it like a ball of light) and reassures it that he and Crowley are going to take care of everything and not to worry... he calls it a "bright kid" / "incredibly bright" / something similar as a pun in a later conversation with Crowley... I THINK it was multichapter but idr how long or if it was finished or not but if any of it rings a bell to anyone PLEASE PLEASE let me know!!! And thank you again! - anon

4. Hi!! apologies in advance, I don't have many details but i'm looking for a lost fic that was human au with aziraphale as a bookshop owner, where aziraphale and crowley's relationship developed slowly, with mutual attraction/pining. i don't think they ever explicitly confessed feelings to each other but after they kissed their relationship sorta kept developing from there. at the end, i don't remember the reason why, but they ended up having a fight and crowley leaves the bookshop, but then the bookshop catches fire. most of the books are burned but one in particular that was saved in the fire was a book that had pressed/dried flowers that aziraphale kept from the first flowers crowley gifted him (i don't remember if crowley was a flowershop owner in this au or if he just gifted aziraphale a flower bouquet separately). they make up of course and have a happy end. thanks in advance if anyone can find this fic! - @princessmavin

5. Hello!!! I hope you re good! Can you help me find a fic? It was a aziracrow oneshot where they do a lot of snnoging and smut on azi couch and i remember that Crowley had serpentine fangs (and he was venomous) and he bited azi very much It was funny and good, i ll be very very happy if you find It. Thank you!!!! 💚💚💚💚💚💚 - anon

If you know any of these fics please include the number in your reply! Thank you :)

- Mod D

[shinigami-social]

This is probably going to be massively controversial, but I just feel like it needs to be said at this point. I desperately need people to read this very carefully and approach this in good faith. General blanket warning for intersexism, transphobia, and intersectional misogyny with both of these I just wonder how many people in the intersex community just like… fundamentally don’t understand the way being intersex impacts your gender. I know that sounds fucking wild because obviously being intersex impacts your gender but like… it feels like a lot of people reach for comparisons to the binary over just, like, the label intersex itself. The thing on my mind in particular is the stark difference in what transfemininity seems to mean inside and outside the intersex community. This isn’t to refer to AMAB and/or CTM intersex transfems, but in particular people who were AFAB and/or CTF.

I want to clarify before I get into the main body of this post that I fully believe people can be AFAB and/or CTF and be transfem. This post isn’t to say that this never happens, no one ever experiences the combination of these two* things, or that people who identify this way are wrong for it. I just want to open up a discussion about why people are identifying this way, I guess. It’s not about invalidating anyone or their experiences, on the contrary, I really want to discuss the varied nature of the intersex experience.

I was AFAB, and I would generally consider myself CTF. I have simple virilizing classic CAH. I experienced many of the events which a lot of people talk about as why they relate to the transfem experience or consider themselves to be transfem. I grew up with a tenuous connection to girl/womanhood at best, I had the locker room harassment, I was widely rumored to be a hermaphrodite and transgender (no one could decide in which direction), I was put into situations specifically to attempt to uncover my “real” sex/gender. Even when I was seen as a girl/woman, I was Wrong about it. When I was seen as a boy/man, it was before I had ever come to terms with that identity for myself, and it was instead something thrust on me against my will for being a girl/woman Wrong. I was, for much of my life, locked out of womanhood in various ways.

I can very easily understand why people with experiences such as these would relate to transfemininity (and on a “relation” basis, yes, I would say I relate), and perhaps even identify with it based on how these sorts of things impacted them in particular. That being said… I have never understood why people think this is somehow not just being intersex. I’m not trying to say it can’t possibly be both, but sometimes it feels like people just refuse to acknowledge that this is a very common experience of the intersection of misogyny and intersexism. There are certainly transmisogynistic elements to it, I think transmisogyny and intersexism are deeply intertwined and always have been, but like… to act like this is solely transmisogyny feels like a denial of the intersex experience. For intersex people who were AFAB, are CTF, and/or likely some other types of intersex people depending on their circumstances, this is entirely par for the course because they are intersex. The things I described are, above all else, intersexist in nature. They happen to people for being intersex. There are aspects reminiscent of transmisogyny and perhaps even motivated by transmisogyny in many cases, but this distinct experience that I see many, many intersex people have experienced, it is to me such a classic experience of growing up intersex.

This is to say nothing of the appropriation of the transfem experience (no, I’m not accusing you or anyone else specifically of doing this, if it doesn’t apply to you, it doesn’t apply to you, but yes some people are objectively doing this). I am not focused on that. It is its own separate issue, but the thing I am trying to communicate here is why people struggle to find themselves in the word intersex when the thing that caused them these traumas is being intersex. The denial of intersexness and intersexism as explanations for the experiences directly caused by being intersex. The need to use terms broadly conceived of within perisex communities to describe perisex experiences of sex and gender to describe experiences inherently outside of the perisex view. To me, it seems like there is a very clear difference between using intersex transfem to describe “I have Klinefelter and also I am a trans woman” and “due to my experiences with PCOS, my relationship with femininity is deeply complicated and I use transfem as a sort of code for reclaiming my womanhood that I feel has been denied to me.” And like. I am not saying that these couldn’t possibly both be transfem experiences! I am not the decider of what makes people transfem, and it’s not really my business at the end of the day, but these are still just like, objectively different concepts being described. This is what I meant at the beginning of the post by the inside-outside usage of the term. It feels like transfem, in intersex spaces, is often used as a shorthand to describe a specific relationship to femininity and womanhood and this relationship is not necessarily “transitioning to femininity.” At the same time, it feels like it is being used this way because in some way, perhaps, the community is lacking in language that adequately communicates “my being intersex locked me out of womanhood, even though womanhood is what I was assigned and expected to conform to” which is, to me, a fundamental difference between most (not all, I’m aware we cannot ever make absolute statements when it comes to intersex experiences) AFAB/CTF and AMAB/CTM transfem experiences.

To me, I feel that intersex does adequately express these sentiments. Or, at least, it can if you let it. Intersex people pretty much inherently experience a complicated relationship to their sex and gender, and I wish we were allowed to talk about this without there being an obligatory comparison of how every intersex experience is always analogous to some equivalent transgender experience. Intersexism is intersexism, and intersex people experience it because we are intersex, and maybe we should fucking talk about that sometimes.

[saveyourblood]

Pretty Boy - Ch 5 (Buddie x Reader)

Summary: You can feel Buck staring. When your eyes meet his, you realize he’s staring at your hand, which is still on Eddie’s knee. You slowly retreat, which makes Buck turn his attention to your face. You smile softly. He just looks out the window. The one where you’re an advanced paramedic, Buck and Eddie are firefighters, and you think you might be in love with both of them.

Ch 1 | Ch 2 | Ch 3 | Ch 4

A/N: Me? Desperate for validation? It's more likely than you think Word Count: 3.8k Warnings: none

You make your way through more of the rubble, taking frequent breaks in an attempt to conserve your energy. It’s probably been less than an hour, but it feels like you’ve been trapped for days. You used most of your effort to free Russ, which proved futile, so now you’re simply exhausted.

At some point, you see a glimpse of light between two pieces of crumbled concrete. Using the blunt side of your axe, you begin chipping away at the space. More light begins to break through. The sight causes you to catch your second wind, and you begin swinging harder. Eventually, you make a hole big enough for you to crawl through.

You climb over some of the bigger pieces of the fallen structure and slip between others. You sneak between a few vehicles. You keep walking, though you aren’t sure what you’re looking for. Something in you gut is pulling you in this direction, and you have nothing else to go off of, so you’re going with it.

You hear a cough.

Your head snaps in the direction of the sound. You start moving so quickly that you stumble a little and have to slow yourself down so you don’t break an ankle. You shine your flashlight to the side. It lands on a little girl. She squints her eyes and lifts a hand to block out the brightness.

“Kat?” You ask.

She nods.

You laugh. You laugh with joy. You laugh with relief. You laugh until a few tears spring into your eyes. You cut yourself off—no way are you breaking down in front her. You’ve both come this far, and you’re going to see each other to the end. If you’re saving anyone today, it’s her.

You reach into the inner pocket of your jacket, eternally grateful that you took on the added weight. “You looking for this?”

It’s her shoe.

Kat smiles and nods again.

Kat’s tired, and so are you, but you carry her on your back anyway. You swear that, in the distance, you hear a car alarm, so that’s the direction you head in.

“What if we can’t get out?” Kat asks quietly.

“What? Hey, come on, don’t start talking like that now,” you gently scold. “We’ve already made it through the hard part!”

“I guess…” She says, unsure.

You hear the shifting of rubble, but only a little. You think you might hear voices, too. You take off in that direction.

Concrete shifts, and you see more light—a lot of light. Like, your headlamp times ten. You scramble towards it, ducking a little so as to not hurt Kat.

As the dust settles, you can make out at least ten firefighters standing around the scene. You can’t help but smile.

“Hello fellas,” You say, taking a few more steps forward.

A firefighter from a different crew helps Kat off of you. Your attention immediately focuses on two particular firefighters in front of you, both of which have ‘118’ on their caps.

“Welcome back,” Buck greets with a grin.

You laugh and stumble forward right into his arms. Once again, you find yourself holding back tears. You feel someone pat your back and leave his hand there, and you don’t have to look to know it’s Eddie.

You make it back to the triage area, Kat walking in front of you. The moment she sees her parents, she takes off running. On instinct, you jog behind her, but when you see her collapse into her parents’ arms, you stop and simply watch.

They look over at you and nod. You smile and nod back.

Hen insists on looking you over, testing everything from your range of motion to your vision. Even you surprise yourself a little when you pass with flying colors. Hen steals a quick hug before she gets back to work. You just sit there, dumbfounded. You’re exhausted, but you’re okay. You’re alive.

“Hey you,” Buck says, taking a seat next to you.

Somehow, that’s all it takes for the floodgates to break open.

“Woah, hey, come here,” Buck wraps an arm around your shoulders.

You wrap an arm around his waist and lean your head on his shoulder. You breathe out a few sobs but slowly quiet yourself. You can feel Buck’s lips pressed to the top of your head. You sit up straight, wiping your eyes. Buck keeps his arm around you.

“Sorry,” you whisper, shaking your head a little. “Just… rough day.”

“Russ?” Buck asks quietly.

You smile sadly and nod, a few more tears escaping in the process. “You know he wasn’t even scheduled to work? He just heard about everything and wanted to help. And now he’s dead. Because I couldn’t save him.”

“But you were there for him,” Buck points out, rubbing his hand up and down your arm. “Even if you couldn’t save him, you were there for him. He didn’t die alone. You did that.”

“Yeah, I guess. It just doesn’t feel like enough, you know?”

“Yeah, I know.”

You clear your throat a little. “When I was alone and thought you guys might not find me, I made recordings. I wanted the people I love to hear from me one last time. Can you guess how many I made?”

Buck just watches you. His expression is a mix of intrigue and sympathy.

“Five,” you answer, even though he doesn’t ask. “I made five recordings, one for each of you. That’s it.”

“What about your parents? Siblings?”

“My mom died when she gave birth to me,” you answer. “My dad fell into a bottle. I haven’t spoken to him since I moved away from home seven years ago. People tell me he changed after she died, but… that’s the only way I know him. It makes me feel like I got cheated out of both my parents instead of just one.”

The two of you sit in silence. It’s broken when you laugh.

“I don’t know why the hell I’m telling you all of this,” you chuckle as more tears form. “I guess I just need someone to know that… this job is quite literally my entire life. It’s my passion, my work, my home, and my family. Most of the time, I feel lucky. On days like today, though, it just… scares the hell out of me. Because I’m either gonna die doing what I love, or doing what I love will kill me. I don’t know which one’s worse.”

“I get that feeling,” Buck agrees softly. “I can’t think of anything else I’d rather do. I can’t think of anyone else I’d rather do it with, either.”

Once you all returned to the station, you hopped in the shower. When you got out, Buck was waiting for you in the locker room. He insisted on driving you home, making sure you were okay. When he told you, you rolled your eyes, but your heart swelled. The last thing you want to do is navigate LA traffic, so you accept his offer.

When you both started to leave, you noticed Eddie was making phone calls and texts. You learned that he was trying to find a ride to Christopher’s school; he hasn’t had the chance to buy a vehicle yet.

“Are you sure you’re okay with this?” Eddie asks again as you all get to the parking lot.

“Just get in the damn car, Eddie,” you say.

The ride is a little tense. Eddie touched base with some of the school staff, so he knows Christopher is okay, but it isn’t the same as seeing it for himself. He taps his phone against the car windowsill. You insisted on sitting in the back, and for good reason: you can already feel yourself dozing off.

Buck pulls over, and you look up to see you’ve arrived at the school. Almost before the car is in ‘park’, Eddie flings open the door and runs up the stairs. Christopher is standing in the front hall, a staff member off to the side. Eddie picks him up in a hug, spinning him around.

“They’re really cute,” you mutter, mostly to yourself.

Buck is too busy watching them to even register what you said.

Eddie thanks the staff member before opening the door for Chris. The two make their way back to the car, Christopher a little bit in front of Eddie. For a kid with crutches, he moves quickly; the poor kid is probably ready to go home.

Eddie opens the side door for his son, setting the crutches on the floor. With his father’s help, Christopher joins you in the backseat.

“Chris, these are my friends,” Eddie says, pointing at you and Buck as he introduces you both.

“It’s nice to meet you, Chris,” you smile.

“My dad talks about you. A lot,” Christopher says.

You giggle in surprise. “Does he, now?”

Even in the dark, you can see Eddie’s face get red. “‘You’ as in the 118,” he clarifies.

Buck shakes his head and laughs softly as he pulls away from the curb.

This might be the dumbest call you’ve ever been to, and that’s saying something.

A bunch of women decided to get drunk at 11:30 in the morning, and as a fun drunk activity, one of them stuck her head in a tailpipe. The only problem is she couldn’t get it out, so now it’s the LAFD’s problem. Medically, she’s clear, so you and Hen stand back and let the boys do their thing. Unfortunately, the drunk girl has drunk friends and said drunk friends are relentlessly hitting on Eddie and Buck.

“What are you so tense for?” Hen asks.

“I’m not.”

You both know it’s a lie. Until she said it, though, you didn’t realize that your jaw was clenched and your brow furrowed. You roll your shoulders and turn your neck a few times, hoping it relaxes your muscles.

The women are bothering you. And it’s really stupid and childish, especially considering that neither Buck nor Eddie is your boyfriend. They’re just your coworkers, so you have literally no right to get upset that women besides yourself find them attractive.

“I uh, I don’t think I’m what you’re looking for,” Eddie politely rejects one of them. “I have a son.”

“I’m gonna puke!” The woman says from inside the tailpipe.

“You better not!” One of her friends shouts. “These fire guys are totally hot.”

You can feel your jaw start to tense again.

After getting the woman free from the tailpipe, you all begin to make your way back to the engine. Buck and Eddie are a few steps in front of you. They’re trying to be discrete, but you make out every word.

“Hey, so is your son really the reason you don’t date?” Buck asks.

“That, and.. They weren’t my type,” Eddie shrugs.

“I’m talking in general,” Buck continues.

“It’s complicated when you have a kid.”

“Come on, that’s a weak excuse.”

The conversation is cut short when Eddie gets a phone call. He takes a few steps away while you and Buck linger behind. You don’t have to hear anything to see Eddie’s body language change. Buck sends you a knowing glance.

It’s about Christopher.

It’s always weird going past the ER of a hospital. It feels like you’re in forbidden territory, like you’ve stepped outside your bounds. The nice thing about having few family members is you barely have to cross the picket line.

You, Buck, and Eddie get off the elevator. Eddie is a few steps ahead and quickly sees his aunt in a nearby waiting area. They chat a little, and you can see that Christopher is standing near a few nurses, completely eating up the attention. It makes you smile.

Eddie’s aunt explains that it’s his grandmother who’s in the hospital—broken hip. When she was watching Christopher and called him inside, she slipped on a porch step. Christopher had to call 911.

“Who’s this with you?” His aunt asks, turning her attention to you and Buck.

“We work together,” Eddie explains after saying your names.

“Mmm, I thought you just dressed alike.”

“This is my Aunt Josefina—Pepa,” Eddie introduces.

“Hi,” you both say politely.

Pepa begins to lecture Eddie about leaving Christopher with his grandmother. You can tell Eddie feels bad, but you can also tell he has no other options. He dismisses himself from the conversation by meeting up with Christopher.

“Must be rough,” Buck remarks.

“Raising any child alone is rough,” Pepa agrees.

“Eddie’s a saint,” You praise.

Pepa smiles. It’s bittersweet. “I pray for him anyway.”

Christopher ends up spending some time at the station, and it’s one of the best shifts you’ve had in a long time. Eddie’s aunt was busy working when his shift started, and with his grandmother still in the hospital, he truly had nowhere else to take him. It was either bringing his son to work or calling in from work to watch his son. Eddie chose the former.

You’re able to take him on a simple MVC call with no suspected injuries. As you all work to free the drivers and passengers, Bobby explains everything to Christopher. He’s standing on the ground while Christopher stands on part of the firetruck, holding one of the rails for stability. Bobby has an arm around him for the same reason.

When you get back to the station, you make him a grilled cheese sandwich for lunch. He approves. Then, Chim swoops in and teaches him how to play pinball. At some point, all of you are standing around the firepole, helping Christopher slide down it.

Pepa shows up, and the fun is over. Before Eddie walks them out, he pulls Cap into a hug. You and Buck look at each other and smile.

“This was a really nice idea, Buck.”

“Eh, I figured we could all use a little stress relief,” Buck shrugs.

“Well, clearly Eddie appreciates it. I guess it really does take a village.”

Buck nods in response and begins to walk away.

“I’m thinking of going to nursing school,” you blurt out.

He turns back to face you. “What?”

You clear your throat. This wasn’t how you planned on telling him, just springing it on him in a random conversation. You knew that if you didn’t say something soon, he would hear it from someone else first. You definitely didn’t want that.

“You remember that conversation we had at breakfast a few weeks ago? You know, the one about what we’d be doing if we didn’t work at the 118?”

“You wanna be a nurse?” Buck frowns. “I mean, nurses are great; Maddie’s a nurse. Or, well, she was. You just… don’t seem the type.”

“Uh, yeah, I’ve kind of always been interested in flight nursing. You know, like, going up in a helicopter, responding to scene calls, that sort of thing,” you explain as you wring your hands.

“So that means you wouldn’t work here anymore.”

“That’s… a long ways down the line. Like, at least 18 months, probably closer to 2 years. Bobby said I could always stay on casually, pick up shifts whenever I want.”

“You already talked to Bobby,” Buck rubs his neck. “You must be pretty serious about this, then.”

“I guess,” you shrug. You’re trying to sound casual, but the thumping of your heart in your chest doesn’t cease.

Buck smiles. The expression doesn’t meet his eyes. “I hope everything works out the way you want it to.”

This time, he walks away for good, leaving you with a bitter taste on your tongue.

The 118 is called to a helicopter crash site. The pilot tried to make an emergency landing in a park football field but landed in the bleachers instead. After Buck pulls one of the victims from the scene, you do an assessment and quickly realize that, by some miracle, she’s completely fine.

Buck makes his way over to the two of you. “Hey, do me a favor and say ‘And on the 405, speeds are under five miles an hour, making your morning commute a rough one.’"

You look over at him with a raised eyebrow. “Seriously?”

“I-I know that voice. It's, uh, it's Taylor Kelly reporting, right? Skywitness News Eight,” Buck says, pointing back to the helicopter.

“That’s me,” Taylor says with a soft chuckle.

“Wow. Um, it's weird to hear that voice come out of a face.”

Taylor laughs again. “Thank you?”

They’re flirting. You clench your teeth together so hard you think your jaw might pop. You start randomly tossing supplies back into your bag, zip it up, and hop back into the rig before you can hear the end of the conversation.

The next time you see Taylor, she’s at the station. She doesn’t come alone, either—a man holding a television camera is a few steps behind her.

The first one to approach her is Buck, of course. Then Eddie, Chim, Hen, and finally, Bobby. You watch everything happen from the loft; there’s no way you’ll willingly engage in whatever conversation they’re having.

Bobby makes his way up the stairs.

“What’s all that about?” You ask as he walks by.

“Ms. Kelly wants to do a story on the 118,” Bobby says.

You frown. “Is she even allowed to film in here?”

“The chief’s office is on hold. Something tells me that we’ll be seeing quite a bit of her and her cameraman the next few days.”

Bobby’s already gone, but you still roll your eyes.

Taylor manages to track down everyone and get an interview: everyone except you and Captain Nash. She follows along on a few calls, on which you can mostly ignore her. It's much harder to ignore her when she corners you in the loft.

You’re eating breakfast alone at the kitchen island when Taylor bombards you, her cameraman beside her like always. She gives you a massive grin, and something about how it looks makes you nauseous.

“Can we have a few minutes with you?” She asks, still smiling.

“No,” you respond simply.

“...No?”

“No,” you repeat, taking a sip of your coffee. It’s cold.

“Look, I know this is probably a little awkward and uncomfortable-”

“It’s not,” you interrupt as you stand. “I just don’t want to talk to you.”

You head towards the coffee pot to warm your cup. You refill it and take a sip as you lean against the counter. Taylor just stares at you.

“I want you to know I only have one goal here: to tell a story. Your story,” Taylor says, forcing the smile back on her face.

“Oh, really?” You ask, setting your coffee on the counter behind you. You push off of the counter so you can approach Taylor. “And uh, how much money do you think you can make telling my story?”

“Excuse me?”

“That’s what this about, right?” you challenge. “You have a chance to change the trajectory of your career. You can go from the girl who talks about traffic to the woman who sheds a light on the unsung heroes. You’d be stupid not to jump on that opportunity.”

Taylor looks at you. “I suppose.”

“And I would be stupid if I actually believed you have good intentions,” you continue, “because you don’t give a damn about us. You don’t care about the 118 or what we do everyday—you care about yourself. So no, I don’t have a minute and I don’t want to talk to you.”

“You missed the show.”

You open your locker with a huff. You shrug as you pick up your shoes. “Bummer.”

“You were barely in it,” Buck continues. “Something tells me that wasn’t exactly an accident.”

You take a seat on the bench so you can change your shoes. “What makes you say that?”

The only sound in the room is you kicking off your boots and slipping into your converse. You begin tying the laces, then pause.

You look over your shoulder at Buck. “You talked to her, didn’t you?”

Buck looks everywhere but your face.

“You know what I said to her,” you say. It isn’t even a question: you can tell by how he’s acting.

“I just don’t understand why you were so rude to her.”

“Oh my god, seriously, Buck?!” you say, standing up to face him. “Her?!”

He crosses his arms. “What does that mean?”

You scoff and shake your head. “It means you haven’t changed at all.”

“What?”

You pick up your boots and toss them in your locker, which you slam shut. “You heard me.”

“That’s not fair,” he argues, moving his hands to his pockets.

“It’s not?” You ask, cocking your head. “I’m pretty sure a few months ago, you were sleeping with whatever woman fell for the whole ‘hero’ act. So how exactly have you changed?”

“Why are you so pissed at me?” Buck asks defensively. “I mean, it’s not like you care enough to stick around.”

Your heart drops into your stomach. “How dare you throw that in my face.”

“Am I wrong?”

“You’re wrong,” you confirm, stepping towards him. “Not that it’s any of your goddamn business, but I haven’t even applied to anything.”

“If it’s not my business, then why’d you make it my business?” Buck provokes. “Why’d you even tell me?”

“Because I thought you were my friend!” you shout. “I thought you would be happy for me!”

“Be happy that you want to leave?”

“Be happy that I want more for myself!”

“Well, I’m not happy,” Buck says, crossing his arms again. “You say that we’re your family, and then a few weeks later, you’re talking about other jobs. I mean, was that just a bunch of bullshit?”

You scoff again, and this time, angry tears fill your eyes. “Fuck you, Evan.”

“Yeah, whatever,” he says, turning to the door.

There are a million things you want to say. But then, you remember: you’ve already said them.

You reach into your pocket and come back with your phone. As Buck walks away, you hit the ‘play’ button on a recording you never wanted to listen to.

'Pretty Boy,' your voice in the recording crackles.

Buck stops and turns around.

'Evan Buckley… where do I even start with you? I’m not gonna lie: I really didn’t like you when we first met. And that’s funny, because now, you’re probably one of the most important people in my life. You definitely proved me wrong, man: you were good. You are good. And you have to keep being good, okay? I might not be there to see it anymore, but you should still do it. Do it for the both of us, will ya?'

You hit the ‘pause’ button and stuff your phone back into your pocket.

“You can be pissed at me all you want, but don’t you ever say that I don’t care about this job,” you whisper as you walk towards him. You poke a finger into his chest. “Don’t ever say that I don’t care about you.”

“I-”

Your shoulder slams into his as you walk out.

[raddagher]

Arcane is over (😭) and I have some criticisms so here are my lists of who Won and who Lost in no particular order

LOST SEASON 2

1. Isha

Literally wasn't even mentioned after she died, like wtf was that

We couldn't have a memorial or anything? Come on

Her sacrifice was ultimately meaningless because Warwick got brought back anyway

2. Sevika

Didn't get a single line through all of Act 3

Where is my wife

At least she didn't die?

3. The entire Undercity, to be honest

Where did the independence thread go

Giving Sevika a council seat wasn't enough

I don't like that so many of them had to fight in Enforcer uniforms, that felt wrong

That was the MAIN CONFLICT for most of the show. It felt so weird to gloss over it at the end

4. Vander/Warwick

Gonna be real I wasn't super crazy about most of his presence here, I don't feel like it actually contributed much to anyone's development, except MAYBE Viktor's

We would not have lost anything if they didn't have the flashback scene with their mom

Super didn't like Jinx's ending as it pertained to him

5. Jinx

Hey I super don't like that every character who had a moment of suicide ideation or attempt ended up dead or "dead"

I don't like the way she "died" it didn't feel earned

I don't feel like the ending she got aligned well with her character at all. She spiraled and then just. stayed at the bottom of the spiral :(

They put a TON of family stuff in act 1 and 2 that didn't get resolution in 3

I think they kinda did my girl dirty I'm sorry

6. Loris

Clearly would have had more of a role if they didn't have to cut him for time

NEITHER WON NOR LOST SEASON 2

1. Vi

I want to say she won because she got to bang her cop girlfriend in a prison cell and the sex scene was good as hell but

She also was just taking massive L's the whole time

Like it never felt like she ever had any real wins other than that and that bummed me out

Didn't get enough time to be a dumbfuck with Jayce :(

Caitlyn

Didn't get enough proper resolution for her wonderful fascist arc

She felt a little dropped in Act 3 as well

Glad she got that Vussy tho, good for her

And I did like the vs Ambessa fight, that was also good

I honestly feel like Viktor and Jayce's romance was written better than her and Vi's, and as a gay woman who is constantly watching mlm relationships get so much more attention, it rubs me the wrong way

WON SEASON 2

1. Viktor (OBVIOUSLY)

The fucked up robot army. The religious imagery. The body horror. His robot alien design is scary as fuck. Absolutely incredible work

Got to be taller and stronger than Jayce hooray

They're canon. That was the gayest shit I've ever seen in my life

I do wish they had spent more time overall fleshing out more of the disability commentary, I feel like it was a little lacking in the end

Nevertheless BEAUTIFUL and HORRIFYING and TRAGIC

2. Jayce

See above

Yeah he also got to be a big hero and got to be resolved really well

Did NOT see his death coming that was crazy

They Magnus 200'd his ass, damn

He chose Viktor over everything I'm emo

They made a heart when they touched their foreheads together fuck OFF

3. Heimerdinger

Literally just living his best life

Love that he didn't tell Ekko he can't die, he just let the poor boy think he got fuckin atomized, king shit, that's hilarious

I would have stayed in that universe too tbh

4. Ambessa

The single tear over Kino. Her love for her children at direct odds with her need for control. Her arc was explored so well

Died a warrior's death at the hands of her brilliant daughter, I know that's how she would have wanted to go

Also was very hot in every scene. Good for her (and good for me)

She just got a lot of love from the writers and I'm very happy to see that effort put into an older Black woman character

5. Mel

Speaking of gorgeous Black women

I was so worried she was going to get dropped but her ending was SO good

Her glow up with the gold is fantastic, she looks amazing in the white hood

Love that they gave her abilities that would inherently change her priorities AND gave her the throne of Noxus, I have high hopes that she'll be prominent in another show in the future

They made her such a powerful badass but still let her be merciful and forgiving. Absolutely amazing. She is the wolf

6. Ekko (?)

On the fence about him

LOVED the au scene. Perfect

And I loved that our boy savior got to be the one that set off the bomb that stopped Viktor

But he was kind of dropped otherwise? Like what happened with his tree?

Generally wish he had more development and screentime in this season

But I'm happy he was so pivotal to the climax

AND I'm happy he got to kiss Powder. He and Jinx would never have worked out

7. Maddie

Haha I never liked you. Get fucked you horrible little bootlicker. Typical cop

8. Singed

How come YOU get everything you want?

Fuck you.

Basically all my criticisms boil down to it feeling rushed overall. It's clear that they intended to have more time, and that breaks my heart. We all know Netflix's reputation for cancelling stuff out of the blue, and I've heard that maybe certain parties were unhappy with the depictions of gay romance and realistic social revolution. Whatever the reasons, I wish they had a third season, because I think they could have solved every problem I have with it. Regardless, it's an incredible work of art and very likely one of if not THE best animated series ever made.

[hobermallowed]

really do not agree with some of these takes from the vc fandom concerning the show only fanbase

[wellcollapse]

re. ostark: for the record, none of us actually know that oliver is straight. and we don't know that he's not straight either, because he hasn't chosen to share that information with us. actors shouldn't be required to disclose their identity to portray a queer character, especially if they've done so with the respect and care that oliver has publicly given the queer community from the second that he picked up the script to 7x04. he's wanted his character to be bisexual for years, so much so that he was willing to do it himself if it never made its way into the script. he endured years of queerbaiting allegations from fans while they were on fox all while knowing that the network blocked the thing he wanted so badly for his character. he's called out homophobes and biphobes on multiple occasions, and he made it a point to emphasize the importance of hen and karen's happy, loving black lesbian love story after the homophobic backlash the show endured during season 7. he's proven himself over and over again to be a genuine ally at the very least, and not a single thing he's said tonight about buck is biphobic. leave him alone. let him be.

[utilitycaster]

I think the two most obvious foils for Ludinus Da'leth across all of Critical Role are Essek and Keyleth, which is both fascinating given how different those two characters are from each other (Essek being a foil in terms of isolation, single-mindedness, harm in the name of ambition, knowledge, and other such wizard themes; Keyleth being a foil in terms of people who have lost something at a young age to the gods and bear resentment for it, political leadership, belief that the world belongs to mortalkind, and longevity) but also it's extremely funny that they both are the partners of Liam's character.

[bucksboobs]

I do think at some point in the not too distant future, the 911 fandom, at least on Tumblr, is going to have to reckon with the fact that despite M!slash being the main driving force of the fandom, gay men like myself are in the vast minority (I think a recent poll put us at something like 6% but it didn’t separate bisexuals by gender so it’s hard to say how many mlm are actually in the fandom) and in the same way being a gay man doesn’t exempt him from being incidentally or purposefully misogynistic, being some other flavor of the rainbow doesn’t prevent someone from perpetuating homophobia against men who love men.

At some point the jokes about how Tommy is just here for dick or should just get dick and move on (when he’s already made it very clear that he wants a relationship with Buck) are going to start to sound like hypersexual stereotypes of gay men. At some point the constant push to get them to break up as soon as possible and for Tommy to die or get shipped off to Arizona or wherever is going to seem less like regular ship hate and more like wanting a gay male character to be punished for daring to seek a relationship with a man in the first place. We obviously aren’t there yet but I do think we should be aware that it is fast approaching.

[maka-moved]

i think a few people in the postal fandom might need a reminder

(text taken from here, if anyone's wondering)

[prokopetz]

This one's definitely going on the "words to some day find an excuse to use in a sentence" list.

[calpalsworld]

(I didnt realize until after drawing this that the pronouns dont even matter because its the same situation regardless lol)

[hotvintagepoll]

was your goal this round to get jimmy and cary out bc as a philadelphia story truther this is my joker origin story

i swear that was not the goal but oh no oops what's this doing here

This is a poll on the characters—not the actors! If you haven't watched The Philadelphia Story, what are you doing here

[momentsofamberclarity]

If you're censoring the words pedophilia, rape, incest and other words because Purity Culture(tm) has taught you these are Taboo Words(tm) that are so horrific you can't even type them on your own keyboard ... please stop and consider that the people who genuinely need those things blacklisted for trigger reasons can't actually blacklist them if you keep making up new ways to tag them.

If you are censoring these words for your own personal comfort with using the words you are not helping anyone.

And if you can't even say the words, you definitely don't have a leg to stand on when it comes to arguing the validity of artists and authors using them as themes in fictional settings.

[squish--squash]

gentle and friendly reminder that tag/content blacklists and the block feature are valuable and useful tools for, say, not seeing content of stuff you don't like.

See a ship or media you just don't want to see more of? put it on the blacklist. someone making content you don't like and not tagging it to appear on blacklists? block them.

I promise you this will make you experience better rather than fuming about seeing it in the first place. even if it's smth you think is abhorred, just blacklist a tag or block the person and move on. No matter how many times you rage and talk about it, people are gonna keep making that stuff you don't like; save your energy and your mental wellbeing and just. blacklist and block.

(note: this is talking about fandom stuff, like ships or fandoms or hell even aus or character interpretations. people are here to have fun and it's all fictional, don't waste your energy and mind on things that aren't even real to begin with, I promise you'll feel better)

[reeksandfumes]

men who make you a tiny bit afraid for your life but you also know they would never hurt you unless you wanted them to are genuinely so hot. like, yeah you could quite literally pick me up and throw me out of a ten-story window with very little issue, but you wouldn't.

God, that shit is so hot, like PLEASEEEE