#and this is a great example of why that doesn't always work!

[piratecaptainscaptainpirates]

some of the things that apparently con has said are so ??? to me cause often he is such a gentlebeard shipper when talking about the show, and has had some pretty interesting comments about how izzy relates to seeing ed falling in love etc. like i totally appriciate him seeing izzy's perspecitve on things in the show, that is his job as an actor. but this seems like. not that? the 'beeing good at his job' thing has always been there though i think, and if we're being generous i think we could interpret it and agree that he is good at fighting?? and i assume he has some qualities we never saw in the show leading to ed wanting him as first mate in the first place

Eh, honestly, when I approach this from an angle assuming that Con's talking in good faith about a show he loves, I can kinda see where he's getting all the things he said.

He plays this role with a lot of conviction, and we know that Izzy, because he was not introduced in the pilot, doesn't have a concrete backstory (whereas we know the Revenge crew side character actors all came up with a backstory as part of the audition process), so I'm sure that Con's probably just built up these headcanons over time and never really thought about how they're contradicted by the show. He's invested in this one character and approaching the story through that viewpoint - which, again, that's fine. It's his job.

For what he said today...Izzy being a good sailor isn't true, but it's also shown to us under the layers of Izzy acting very hard like he's competent. I could see Con believing it, especially with Izzy genuinely being good at swords and shit like that. Izzy being there since the beginning is probably a headcanon he's formed as he's worked on building the character in his head. Benefit of the doubt, I think when he argues that "Ed's not as good a pirate without Izzy" he's getting at something about how Izzy pushes him to be a "better pirate," which isn't true but is also what Izzy himself would tell you.

I don't think Con has ever truly thought that any Ed/Izzy storyline was endgame. I think his "soulmates" comment was probably much more to the tune of "these people's lives are deeply intertwined in a very deep and fundamental way," which is, again, what I'm sure Izzy himself would say even if the extent of Ed's feelings on the matter are pretty clearly "this guy reminds me of my dad. i don't need to think about this in depth."

I get where you're coming from! And I definitely think that Con's comments today are almost definitely a bit more playing into the atmosphere of the class and what the audience would like to hear. I can understand why he would talk out of his ass to say things the audience would like to get that interaction in a space with his fans. I think that this guy really loved playing this character, and it seems that he genuinely loves the show but he's probably never going to be someone you'd go to for an objective viewpoint on the story just by nature of how Izzy is written and how invested he is in the character.

[feluka]

"How many of you have ever been to Jerusalem? Raise your hand if you have ever been to Jerusalem. We have 60 students here, and we have one... two, probably three... That's that's very few of you! I've never been to Jerusalem. We're Palestinians; we live in Gaza; we can't go to Jerusalem because of the Israeli occupation.

But we love Jerusalem, right? [A chorus of students saying "yes".] We love Jerusalem because of what it means to us. We've never been there, but believe me, when you go there you will feel that you've been there hundreds of times. Because you read about Jerusalem in literature, in stories. Of course it doesn't mean that that's it, that we should take the Jerusalem that's in the stories and that's it, no.

But in literature, Jerusalem comes back to us. It's true that there is suffering; there is pain; there is occupation, and that's why Tamim Al-Barghouti, as a young Palestinian poet, I think is doing a great service to the Palestinian cause and the Palestinian struggle.

When you listen to him reciting his poem from Al-Quds, or other poems, he takes you to Jerusalem. You live in Jerusalem. He takes you back to it. You liberate it for just a little bit of time.

And if there is hope; if you can imagine a free Palestine, a free Jerusalem, probably you will work towards that, and the same thing applies to occupied Palestine. We've never been to other parts of Palestine because of the Israeli occupation, but we've been told so many times by our parents and our grandparents, especially our mothers, they've been telling us stories about Palestine in the past, the good old days, when Palestine was all beautiful, unoccupied, unraped.

Therefore, I say in in this case how our homeland turns into a story. In reality, we can't have it; we don't have it, but it can turn into poems, into literature, into stories, so our homeland turns into a story. We love our homeland because of the story. We love our homeland because of the story, and we love the story because it's about our homeland, and this connection is significant.

Israel wants to sever this relationship, for example between Palestinians and the land; Palestinians and Jerusalem, and other places and cities, and literature attaches us back - connects us strongly to Palestine, so in my thinking, this is a very significant thing that literature contributes to. Creating realities; making the impossible sound possible.

In real life, again because we are here in Palestine and Gaza, I'll be giving you examples from Palestinian and Arab literature so we can compare and make things clearer. We all know Fadwa Tuqan, the Palestinian poet - and please do not introduce her as Ibrahim Tuqan's sister, let's talk about her as Fadwa Tuqan and then somewhere else mention that, "by the way, Ibrahim Tuqan was her brother". Let's not throw her under the shadow of a man, even if it's her brother, who was a great poet, we can't deny that.

So this is Fadwa Tuqan, a Palestinian poet, 40 years ago or 50 years ago, writing poetry... Of course, we always fall into this trap of saying "she was arrested for just writing poetry!" We do this, even us believers in literature, "Why would Israel arrest somebody or put somebody under house arrest if she only wrote a poem?!"

So we contradict ourselves sometimes. We believe in the power of literature, changing life as a means of resistance, a means of fighting back and in the end we say, "She just wrote a poem!" We shouldn't be saying that.

Moshe Daya, an Israeli general, said that the poems of Fadwa Tuqan were like facing 20 enemy fighters. Wow.

She didn't throw stones; she didn't shoot at the invading Israeli military jeeps. She just wrote poetry. And I'm falling for that again, I'm saying "she just wrote poetry".

So this is what how Israel's dealing with Palestinian poets, and the same thing happened to Palestinian poet Dareen Tatour. She wrote poetry celebrating Palestinian struggle; encouraging Palestinians to resist, not to give up, to fight back. She was put under house arrest. She was sent to prison for years.

And therefore I end here with a very significant point. Don't forget that Palestine was first and foremost occupied in Zionist literature and Zionist poetry.

Palestine was presented as these things, I'll be mentioning some of them, but there's a contradiction here, there's a paradox always. "Palestine is a land without a people to our people without a land", "Palestine flows with milk and honey", "there's no one there, so let's go". We'll see how later on, how many even Jewish people were disappointed when they came to Palestine. Number one, there was no milk and honey, because "flowing with milk and honey" sounds like you're just going to be groping around, and milk and honey will be thrown at you - and there were people! There have always been people in Palestine.

The fact that Israel worked hard to ethnically cleanse Palestine, to kick Palestinians out, first and foremost in literature - yes, in politics and everything - shows how significant poetry is.

To sum up, Palestine was occupied metaphorically in the poem long before it was physically and militarily occupied in your life, so let's do the same. Let's fight back; let's restore Palestine in in our writings; in our poetry; in our stories."

-Professor Refaat Alareer explaining to his students the power of poetry as a means of resistance, and why the occupation targets poets, during one of his lectures at IUG.

[luxuourr]

Why manifesting is your best friend + society is a bitch.

manifesting ?? my best friend ? hell no. i need to work so hard...

pookie it's not your work hard thing , your society you live in, we collectively live in , has told us fucked up shit we don't need to believe in, nothing of it is true. The only thing true is what's from the heart and it's the feeling , you didn't and god didn't and universe didn't send time upon us , we used our brains to create it ,

laws don't fail. laws are made laws because they're undeniable.

understand time is not linear , scientists found alphabets otherwise let's be honest , who would have known what's English is?? If Greeks and Egyptians didn't work on time. would we know today?

nuh uh! so I suggest you to remember, don't look at how much time or date you're at, don't look at how many hours until he (sp ) surprises ur enemy with date , how you fail

no time to think of this, think the best of every possible circumstance, I know and you should too, you're doing a great job

even if the last conversation with him ended in a divorce, breakup or failed situation ship, you can get it all back, even if life has not been kind to you and you could not keep up with the most important exam of your life AND you're a victim of domestic abuse or parental abuse. it's not too late, you're not doing anything right or wrong , just because you could not do more than you could because of circumstances, it'll not change your results , it'll not change you getting 100%, if you did everything positively and tried to slap your negative thoughts there's always hope. i say this as I have not prepared anything for the most important math exam of my life and it's 5 pm rn , I have 14 chapters and have the most biggest exam of my life tommorow at 1 pm, have severe depression and the most toxic and hurtful family you could ever imagine to have.

believe me, no one will care about you, until you make it happen.

do you know what your job is ?

- know what you want + assume you're that version, that super model , famous celeb, have that desired body s/o or whatever , fullfill yourself after that and BOOM you wake up in it, won't even take less than a 2-3 days if your belief is good enough, you're doing shit in a fun way to manifest everything you want

- failure doesn't exist , no you're not delusional for attempting nothing in exam and wanting 96% ,you're god remember. the others who have the exam aren't , if you assume you'll know everything without studying that's going to happen, it only depends on what you feed yourself with.

- gone is gone , it's like it'll never come back, if there is something attached , like up coming results from what happened, i suggest assume + accept and move on

- if you script, mediate, robotically affirm, visualize or do whatever, it is meant to happen

- do not worry, you're doing a good job, just try your best for certain things or assume , everything works in the best possible outcomes

- mountains and clouds , centuries and the equator will move for you to get your desires.

- no you're not cursed and shit, life's a rainbow sparkle colors it's all a roses of bed and not what society taught us, just assume and you'll wake up with it

- for example if you have important exams of your life , there's this girl in front of you doing so well in exams , u don't wanna cheat and there's no chances anyway but you realize, the best you're doing right now is trying your level best in the exam and if you have time or not , time doesn't matter it's just created by us, remember she's not better she has no idea about LOA It's , you it's me it's us. Why would she be better, she had to study 24/7 and then still assume about average grades and stress over what's wrong and right , instead you , who could visualize given it well, be the person who got 96% in these exams isn't it much more fun, less tiring and entertaining??

- you got to know manifesting for a reason, trust people who posted their success stories, trust yourself , be kind to yourself and don't let the old story walk over you, it was never there , failure never existed , you've always been the new story you created for yourself, understood.?

- beating yourself up is not going to reverse time again honey, it's gone , it's not coming back , like never so focus on yourself, your feelings , your intentions , your life. Try to know that manifesting is not about trying to get and doing methods to recieve , it's about KNOWING and feeling.

e. g Aliyah is a girl who's a manifestor she wants good grades, she has issues she cannot study because of and cause her to be burn out at home , so she decides , the night before finals.

she thinks " i will try my best and even if it's the point where it wasn't good enough, universe and manifesting has my back, the time that'll be taken by the institute to check my exams , I'll revise everything including all my wrong parts of exam and unfilled parts to fully filled correct answers because crying and whining won't do shit, but this feeling will change everything" , even her bsf in this case supported her and told her that she's manifesting for her and everything plays out in the best possible circumstances. You only assumed like that and made it happen

e. g there's another manifestor called Sara she is also giving the same exam as aliyah , but instead of working on her self concept , believing in herself

, she'd cry for hours everyday for three months so instead of reality giving her the 100% she's been hoping for , she fails she thinks 3D is everything( it's not ) , she doesn't believe in bloggers she's impulsive, thinks crying is the solution to everything , she spends 3 months crying and shitting about herself to achieve nothing in life

prior to this aliyah the master manifestor slays in everything she does, she accepts and moves on , every time bad thoughts get to her , she slaps them with " NO THIS IS MY WORLD IM AN ACCURATE PERFECT MANIFESTOR"

so who of them saved themselves despite abusive household and everything??? Sarah just spent all the time crying and whining.

you can either be her. ( Sarah) or HER (aliyah)

[local-hellhound-steals-spaghetti]

Let's talk about zoo animal welfare for a second...

(And I want to preface this by saying I have a 4 year Bachelor degree in Animal Science (focusing in welfare and behaviour with a major in Canine and Equine Science) before I got sidetracked into zoo animals and did 3 internships working with wild canids, ungulates and marine mammals - this involved both hands on behaviour modification/desenitisation as well as hands off behavioural observation and welfare study. I worked for 2 years as a marine mammal specialist and worked specifically in facilities to improve husbandry, behavioural training and welfare practises.

I also worked in a facility in the Asia Pacific, working to improve welfare standards for bottlenose dolphins and continued to work with cetacean welfare researchers after this. I also did a course in zoo management, husbandry and welfare and this involved working in an accredited zoo facility learning things like exhibit design, behaviour management and husbandry with multiple species.)

So a few points to say about zoo animal welfare when discussing zoo standards and practises:

The average person does not have the expertise to do behaviour observation and welfare evaluation in zoo animals - that's why when the general public visits a zoo and says "the animal looks sad" it's worth being skeptical of that claim. But it doesn't mean a gut feeling about a zoo's quality can be completely invalid. Just that it might be worth researching further or seeking more information.

However, with experience, it is possible to analyse behaviour in the context of welfare. And context to that behaviour is always important (for example, Moo Deng showing stress related behaviour towards the specific context of being touched or followed around by her keeper - very much an indication of poor handling practises)

Poor animal husbandry and welfare is not limited to specific countries or regions, however it can be more normalised and accepted under the influnce of cultures and laws. Or even just the culture of the zoo itself such as the "this is the way we've always done it" places.

Being an accredited zoo is a start to good welfare, but it doesn't make any sort of welfare concern obsolete. And accreditation is supposed to ensure that welfare concerns are addressed but because they are mostly run as a volunteer based organisation, they often don't have resources to check into every concern (unless it's a government funded organisation)

A zoo contributing to conservation research is great, but not if it is at the expense of the animals' welfare - welfare should always be prioritised, with research and conservation efforts to follow.

Welfare is a state that is in flux. So a negative welfare state can move into positive welfare state under different influences.

There are multiple factors that influence zoo animal welfare: enclosure/habitat, expression of natural behaviour, guest interaction, diet, enrichment, water quality, hygeine ect. It'll rarely just be one factor, though it does depend how salient that factor is.

Just because a keeper or management of a zoo have been there for a long time, doesn't mean they can't be criticised - it is possible to be still using outdated practises and believing in methodologies and management practises that need updating - that's the whole point of continued education

Having limited resources can often impact welfare. Giving a facility the resources they need to improve is a good start to improving welfare.

Even if an animal is being handled in an inappropriate way for a short time, that doesn't mean that can't have long term implications for welfare eg. if every time your dog jumped on you when you got home and you smacked him in the face once before going on with your day, that doesn't mean that your dog won't learn negative associations with your arrival just because it was one time.

Best practise husbandry of zoo animals involves:

Use of positive reinforcement based voluntary husbandry and health care

All interaction based on choice and voluntary interaction that is reinforced with primary reinforcement such as food

Mostly hands off approaches for the species that require them (ungulates, large primates, large carnivores)

Relatively stable social groups with aggression only in specific situations/contexts that are normal for the species

Back areas for animals to rest outside of public view

Species appropriate habitats to meet species specific behaviour requirements

Five freedoms of welfare being met but goes above and beyond the bare minimum

Poor zoo animal husbandry involves animals:

Being forced into anything such as presentations, education programs, medical procedures/gating

Any use of physical punishment such as chasing, slapping, pushing or poking - negative reinforcement such as bull hooks are also fairly outdated in handling species like elephants

Being excessively handled, chased and touched/restrained for no reason (eg. for social media videos)

Showing signs of avoidance and aggression constantly towards their keepers

Have constant conflict happening in their social groups

Are living in enclosures that are not suitable for their specific specific needs - size is only one factor in this. Substrate, habitat design, water quality ect. are also things to consider.

Are too close to the public/at risk from the public

Have no areas to retreat from the public/rest away from potential stressors

Have no enrichment program/no daily enrichment

Those are all flags that there could be some poor welfare happening and that a zoo is not prioritising welfare

Okay there's the ramble of the day done. Feel free to ask questions for further clarification if needed.

[phas3d]

Hello love<33 i saw ur requests were open if it hasn't been done before can i request a Potter! Reader x Slytherin boys like the reader is Harry's twin sister?

Absolutely inlove with your writing btw🫶🫶

Potter!Reader || Slytherin Boys

type :: fluff

tw/cw :: abuse mention (tom, mattheo)

contains :: draco, tom, mattheo, theodore, lorenzo

notes :: i love this idea so much, i didn't think it would be this fun to write for - also i know neville technically killed voldemort BUT, just go along with me when i say harry killed voldemort

DRACO MALFOY

Getting a crush on someone was already hard enough for Draco to do

To be able to look past someone's flaws and finally see the beauty inside of someone

But all of that was quickly ruined once he found out you weren't just Harry Potter's sibling but his TWIN?

He genuinely gets so upset and angry not only at you but himself

He's not sure how to handle this information

But at the end, he decides that he can't stand the idea of dating Harry Potter's twin and possibly growing to be Harry Potter's brother-in-law

So he tries to avoid you at all times

But he can't, his body just won't allow him

And also, you're really good at finding him

In the end, he learns to accept it but Harry and Draco still bicker and fight

Even when you guys are 20+ years old, they still fight like siblings - which is actually perfect since they're brothers in law now

TOM RIDDLE

After Harry defeated his father, aka Voldemort, and brought "peace" to the world - he's hated his guts

Because although Voldemort was a mass murder, genocide supporter, blood racist, classist, backstabbing, asshole... That was still Tom's dad

But even then, Voldemort wasn't a great father. He was actually the worst father to ever live. For all of Tom's childhood, he was brain washed and tortured to believe his father was amazing, and sadly it worked on him

So finding out that his s/o, which was already an EXTREMELY rare sight since he can't tolerate anyone, was Harry Potter's twin....

Oh, he goes fucking insane and runs away to the forbidden forrest to "process" all of his emotions (he kills almost every animal in there out of pure strength)

Falling for the person who's related to your father's killer is not easy to handle

So,,, honestly I think Tom would break up with you and never give you a shot again

But, he still owns you - he just can't be with you duhhh

If you ever try to move on or get a new boyfriend, he simply make them "disappear"

It makes you isolate yourself from the dating world - but thank god Tom is there to offer to be fwb!

(this was his plan all along. he will never stop loving you but he doesn't have the guts to fully commit to a relationship anyways but he still wants you - so fwb is the easiest solution for him to avoid the guilt of actually dating you whilst still getting to own you in some way)

MATTHEO RIDDLE

He's the exact opposite of Tom, he actually really respects and likes Harry

After Harry killed Voldemort, he felt so free. It was like Harry got rid of the shackle that was keeping him down for so long

Unlike Tom, Mattheo always knew that what their father was doing was wrong and cruel - but he was forced to go along with the family's plans because he'd be punished if he didn't

Not only that, Mattheo and Harry both play Quidditch and are good rivals - he loves the competition

So he actually gets along fine with Harry

When he finds out you two are actually TWINS he's so shocked like omg

He wonders what would have happened if you ate Harry while in the womb or smth

And he also wonders why you and Harry aren't exactly identical (you are identical... mattheo just doesn't understand why harry has glasses and you don't....)

Doesn't mind bringing Harry on a couple of dates - But when Harry does come... it's basically like you're third wheeling

Your cute dates are ruined because these two dumbass men decide to do stupid stuff

Like for example, a cute date of mini golfing got ruined because Harry and Mattheo decided to see who could chuck their golf ball the farthest

They ended up breaking multiple windows...

Or when Mattheo took you out to go ice skating but it got ruined because fucking Harry surprised Mattheo with hockey gear

The two ended up playing hockey,,,, just a 1v1,,,, and crashed into so many bystanders that they just shut down the rink

They are now brothers for life... you must deal with this

THEODORE NOTT

When he finds out you're twins, he takes such a big sigh of relief

"Oh my gosh, that why you guys always hang out... I thought you might have been dating."

Instantly, you want to vomit in your mouth

Theo has little to no history with Harry, besides bullying Harry during their first few years at Hogwarts

But Theo was never a good bully... especially when he was younger

Because he was still learning English and had the THICKEST Italian accent that you barely understood him

One time in their 2nd year, Theo came up to Harry and insulted his nerdy glasses

But Harry simply tilted his head, "Sorry, no espanol."

From that day, it's a strong inside joke between all the Slytherin boys and Theo can never escape it

Harry's unintentional roast made Theo study English 10x times harder than he ever did before

So he's kinda grateful to him in a way but he does wanna get back at him

He's super chill around Harry and the two get along fine and dandy but nothing too special

They both respect each other a lot actually and don't cross any boundaries with each other

Since they're kinda similar actually: quidditch players, pull tons of bitches, decently smart, and "foreign" in some way

Basically: coolest in laws ever

LORENZO BERKSHIRE

Oh my fucking god these two suck each other dicks

The amount of glazing they do for each other is CRAZYYY

When Enzo finds out you're twins with Harry - he's so happy because Harry and Enzo are actually really cool with each other

They both play quidditch together sometimes, play the same games, and they love the same shows

You basically lose your boyfriend... to your brother

Everywhere you two go,,, Harry is invited against your will

Going to watch a movie? Harry and Enzo are gonna share a blanket and leave you in the cold

Going to an arcade? Harry and Enzo will play every single game against each other and even take selfies of their wins

Fuck, even going shopping, the two banter and chat while you try on clothes

One time they got bored of waiting for you to try stuff on so they LEFT YOU and went to go get MATCHING T-SHIRTS???!?!??!?!?!???

Of course,,, you and Enzo do get alone time - some times

But you honestly love seeing how strong Enzo and Harry's bond is because it makes you happy that you picked the perfect boyfriend for your family

It's even better when Harry get his yearly girlfriend (that he will eventually leave heart broken)

So now you can go on double dates!!!

And hopefully the girl that Harry is with is cool, so that way you can also share a strong bond just like Enzo and Harry

But you can't get too attached.... your brother is a man-whore after all... 😞

[cripplecharacters]

Hi! I’m working on an original character project that I want to include a lot of casual representation in (“casual” meaning that the characters don’t need a justification for being disabled/fat/POC/etc, they just are because people can and do exist that way in reality!)

I was wondering if you had any suggestions for finding resources for drawing facial differences(and maybe other visible disabilities), especially in a cartoony style. I’ve looked through the Facial Equality Week tag but would like to see more examples, and since my art is so… goofy, for lack of a better word, I would love any help I can get in integrating differences without being offensive or upsetting.

Sorry if this is a bother, and thank you for all that you do!

Hi!

I'm not aware of any guides for drawing facial differences specifically (or at least, good ones. There's 1 billion tutorials telling you that scars are just a Singular Line, always, but that's not... correct), but perhaps someone in the notes could help out?

For my own advice, you could check out this old post I made. Because you mentioned your art being cartoony, I would specifically urge you to not overexaggerate facial differences the way they often are. Prime example would be how a lot of cartoons portray strabismus;

It's just a funny gag to them rather than, IDK, how some of us look like. Not to mention that one of these is also a mockery of intellectually/developmentally disabled people with "Derp" in the name, but that's beside the point here.

It's the whole "the character is crazy/stupid/wild/whatever and that's why they have it" that's the problem with how it's often shown. You can also see it in how characters who don't even normally have it will be shown with it for a scene where they're saying something nonsensical, etc.

Another example that's nowhere near as rampant is the like... split-face thing with various facial differences being used. Mostly vitiligo but sometimes also facial palsy. I'm talking about this weirdly perfectly halved face that looks extremely different on each side, often used to signal that a character is two-faced or that the author doesn't know how vitiligo looks like.

[note: vitiligo also shows up on lighter skin. I wanted to make sure it's visible here for tutorial clarity purposes.]

This one is just weird because it straight up doesn't look like that? I have no idea where it came from, but it should go back there. Facial palsy doesn't make someone look like the antique comedy/tragedy theater mask.

Unless I'm forgetting some other annoying cartoon trope, these would be the big ones that you should stay away from.

Outside of that, it's really on a case by case basis on how a specific FD should be drawn because they're so different! A birthmark can just be a differently colored patch of skin, but a craniofacial difference would require some more changes to be included. Alopecia is well, lack of hair, and can be done very easily but ectrodactyly can be more complicated to show properly because of the limitations of a cartoony artstyle when it comes to hands. And while I do think it would be great to see more of those facial differences that tend to not be included in art at all, there's nothing wrong with deciding to go for the things you can represent more faithfully, especially if you're just starting.

I will say that if you're making an honest attempt at being respectful and trying to get it right, most of us will still be excited to see your work. Even if it's not perfect or has some inaccuracies. I will take a "'yeah more or less' correct with a happy, human character" over a "Very Technically correct but tagged as #tw burns and with blood splattered on them" any day.

Lastly, I wanted to share some art featuring characters with facial differences (and other visible disabilities) that are done in a cartoony, or at least somewhat simplistic artstyles (I'm using both terms very widely here, but like. Not Realism) - maybe it will give you some ideas!

Man with Treacher Collins syndrome (also one of the first pieces online where I saw a character with an FD portrayed in such a lovely way! A fav of mine) Girl with Pfeiffer syndrome Too many characters to count! Woman with burns Woman with a limb difference Multiple characters again Animation featuring people with Down syndrome [youtube] Multiple characters, including a girl with neurofibromatosis, a burn survivor, a girl with a cleft lip and another with TCS! [twitter]

If you have a more specific art question ("how do I draw a person with XYZ facial difference?") you can send me an ask on @saszor! I prefer to stick to the writing theme on this blog but would still like to help if you need it:-)

Hope this helps!

mod Sasza

Edit: apologies for the lack of alt text on one of the images, it has been fixed!

[ghostlyferrettarot]

° . ⁺ . ✦ .The 12th House and

Your Dreams .⁺ . ✦ .⁺. °.

❗️All the observations in this post are based on personal experience and research, it's completely fine if it doesn't resonate with everyone❗️

✨️Paid Services ✨️ (Natal charts and tarot readings) Open!

🩰If you like my work you can support me through Ko-fi. Thank you!🩰

🩷Masterlist🩷

🩷Aries in the 12th House: Aries is the first sign of the zodiac and is associated with the element of fire; their dreams usually have adventures and it is common to see many new people or places in them. This type of dream generally indicates a great desire to succeed in something and the possibility of doing so, although there will be obstacles that must be overcome, especially if an accident occurs when you are in them.

🩷Taurus in the 12th House: Taurus in the 12th House tend to have great connections with nature, which is why they tend to dream about animals. Although their dreams are interpretive, the truth is that depending on the animal, they may tend to a goal in life or a certain situation. For example, if they dream about animals that fly, they are almost always desires for independence, although in the case of bats, it may predict some upcoming danger.

🩷Gemini in the 12th House: Their dreams reveal a strong need to find their own truth, to connect with the world of the subconscious. They are imaginative and creative. They tend to dream of fantasy and surreal moments, and create new and unexpected worlds.

🩷Cancer in the 12th House: Their dreams often indicate that you want to find a spiritual home, that you need to connect with your family, your roots and your past. You are intuitive, sensitive and tend to have very deep dreams; sometimes their dreams are linked to people who are no longer part of their life.

🩷Leo in the 12th House: Their dreams reveal a deep need to connect with your creative side. They are passionate, so their dreams tend to be linked to the creation of new ideas and often in the exposition of some kind. These people also tend to dream of fires, firefighters, lit candles or flames. This means that they are warning you to be more careful.

🩷Virgo in the 12th House: Their dreams indicate that you aspire to personal development through connection with your spiritual side. They are analytical and perfectionist, and you think you need to work more on your self-esteem and self-confidence, which is why they often dream about what their ideal life is.

🩷Libra in the 12th House: When Libra is in the 12th house it usually reveals that you need to find balance in your spiritual life. For this reason their dreams usually indicate equity, balance or elegance. When they feel threatened or feel danger about their threat or relationship, their subconscious reacts and they begin to dream of confinement or situations that limit their freedom.

🩷Scorpio in the 12th House: Their dreams usually reveal that you have a strong need to connect with your unconscious world, to work on your emotional problems. You are very sensitive and your intuition never fails, so premonitory dreams or visions are not uncommon when it comes to Scorpios. They can dream about moments that have not yet occurred or people they do not yet know.

🩷Sagittarius in the 12th House: reveals the ability to find spirituality in the outside world, through connection with nature, history and philosophy. You are adventurous by nature. Similar to Leo, your dreams are reflected with fire, but also with travel or various activities.

🩷Capricorn in the 12th House: indicates that you have a strong need to give purpose to your life. You are disciplined and ambitious and you feel the need to grow and set challenges for yourself in order to grow emotionally, for this reason your dreams are connected to your environment and personal life. From dreaming about people in your environment to dreaming about your ambitions, the dreams of these natives are linked to their position and professional value at some point.

🩷Aquarius in the 12th House: reveals that you have a strong connection with your spirituality, which is expressed in an authentic and special way. You are innovative and creative, and you believe that the world can change if you strive for it. Dreaming about clouds, extraterrestrial issues, or of an ethereal nature. It is a very flexible sign and could be indicating the need to put your feet on the ground.

🩷Pisces in the 12th House: indicates that you have a natural connection with the spiritual world. You are empathetic, sensitive and intuitive. You may even have developed some unusual abilities related to the mind, which is why you often dream about situations from the past or situations that have marked you in some way. Also, you dream about significant people and you consider that they mark you in a certain way.

[miraculouslbcnreactions]

Regarding the post about Marinette being punished for trusting people and the response to it, this is something I always have trouble explaining because it sounds callous? But fictional characters aren't people. It's not that their lives just so happen to get in the way leading to something bad happened the writers decided that should happen, and it's important that you stop and ask WHY this happens. If the camera is "on" per se, people assume it's relevant and will tie into something larger. So like if the camera is on and all we see is Alya revealing her identity and then the result is she's outed in the same way she was in Heroes Day, the audience naturally concludes it's connected and thus realizes the lesson is either "Alya learns she shouldn't share her identity" OR "Marinette learns she shouldn't trust people" or both.

Secret identities are a great example of this phenomenon. We're NOT shown every time a villain's plan is foiled because they didn't know the heroe's identity, we ARE shown every time a heroe's identity causes friction in their lives. As such, large parts of the audience think of secret identites as inconveniences because that's what's shown (not just in Miraculous Ladybug, in tons of other shows)

Like you are supposed to make connections in Television about what's being shown to you that no one would make in real life (or at the very least no one SHOULD make in real life) because there's a limited space to tell the story and the audience is assuming the writers aren't wasting our time.

If these were real people it would be unreasonable to say because people have their own lives Marinette can't trust them, but in a story where Marinette is the main character who is explicitly always supposed that's. An accurate way to read the story!

And I also understand that this is a very boring construction if you're making headcanons or thinking about these characters! But that's a different lens, it doesn't make the broader writing lens invalid. You're speaking different languages at that point.

Anyway I hope that helps someone, that's my two cents

You summed it up perfectly! There's a ton of valid criticism to be had of Miraculous, but you can tell from the narrative framing that almost all of it comes down to writing choices and not things that are supposed to be seen as in-universe issues even though a lot of fans treat them as such. It's really weird to see things like people complaining about everything revolving around Marinette as if it's a personal flaw of hers and not the result of her being the main character in a fictional world. "Main Character Syndrome" literally pulls its name from the fact that this is how main characters work in a lot of media. It's a flaw when a real person does it, but in terms of story telling, it's extremely normal - and often good story telling - to have everything revolve around your main character or a core cast.

The issue with Miraculous is that they chose a lot of poor conflicts if they wanted Marinette to be the one and only main character, but that's not her fault. She didn't decide to have the rules around identities make no sense. The writers did. She didn't decide to make the main villain Adrien's dad while also keeping Adrien from being involved in the story. The writers did. The list goes on and on and, because none of it reflects badly on Marinette in the writers' eyes, the show doesn't act like Marinette is in the wrong. Remember, these are the same writers who think that Derision was a great episode that added depth to Marinette instead of destroying her character and making her look unhinged. Their judgement is clearly a little skewed.

While the writers love to make bad plot choices, they are generally using proper story telling language to make those choices, which is why I can tell you how characters' actions are intended to be read. The Rena Furtive and Nino example is a great one because it allows me to show that the writers do understand how to set things up. In fact, once they've decided that they're going to do a thing, they pretty much always set it up at a basic level. It's rarely spectacular and often frustrating, but it's never shocking.

In Rocketear, Alya promises Marinette that Nino will never learn about Rena Furtive. The episode then ends with her breaking that promise via the following exchange:

Alya: (sighs) I'm still Rena Rouge. (Nino gasps.) But now I'm in hiding and that's why Ladybug asked me not to tell anyone. Nino: But why are you telling me if no one's supposed to know? Is Ladybug cool with this? Alya: I can't hide it from you, because I love you, Nino, and we share everything.

Look at how this confession is presented. Look at what the dialogue focuses on. When Marinette confessed her identity to Alya, it was all about the confession and supporting Marinette. There was no discussion of this being a problem for Chat Noir or anything like that because - in the writers' eyes - that wasn't a problem for some reason. This is why Chat Noir almost instantly absolves Ladybug of blame once he finds out about the identity reveal (see: Hack-San.) The writers didn't want it to be an issue so it wasn't:

Ladybug: I'm really sorry, Cat Noir. I should've told you. I mean, if I found out that you told someone about your secret identity, I'd... probably be upset, too. I'm really sorry I hurt your feelings. Cat Noir: You didn't hurt my feelings. You did everything right

But when Alya confesses her identity to Nino, the conversation is not just about her confession. It's about her confession and how she's not supposed to do this. That's why Nino's response is not loving support. Instead, he asks if this is a good idea and if Ladybug knows.

These things are getting focused on because the writers are telling you that this is a bad thing. It's supposed to feel ominous. When I first watched Rocketear, I assumed that the season was going to end with Gabriel getting the fox off of Alya due to Nino because that was an obvious way to raise the stakes and they'd just heavily implied that Nino knowing would be a bad thing. I was, unfortunately, right. The only on screen consequence of Nino knowing is that he outs Alya to everyone in an incredibly forced series of events (see: Strikeback):

(Ryuko successfully prevents the Roue de Paris from hitting them, yet, it flies to the direction where Rena Furtive is. This causes Carapace to panic.) Carapace: Rena! (takes out his shield) Shell-ter! (Carapace's superpower successfully prevents the Ferris wheel from hitting Rena Furtive on top of the Tour Montparnasse. But the information of Rena Furtive's active status shocks the heroes, as well as Shadow Moth.) The heroes: Rena?! Shadow Moth: (from the top of the Eiffel Tower) She's still active?

Of course the Ferris Wheel goes straight for Alya's hiding spot and of course Nino screams her name before casting his power and of course the villain overhears it. It's all so forced and unnatural, which should make it glaringly obvious how much the writers wanted this to happen. This wasn't something they were kind of forced to do because it made sense for the narrative and they wanted to tell a good story. Instead, they wrote an awkward series of events because they really, really, really wanted Nino knowing to be a bad thing that outs Alya so that Marinette loses all of the miraculous even though none of this makes much sense.

How the hell did Gabriel hear Nino's shout from so far away? Is he able to overhear everything the heroes are saying? How does Nino even know that Alya is hiding there? And since when was a Ferris Wheel a threat to these guys? Your girlfriend is a magical girl and she's in her magical girl form, dude. You could drop a building on her and she'd be fine, a thing you have to know because this scene literally goes on to have Chat Noir go flying into a building, hitting it so hard the cement literally cracks, and no one really cares. I guess it's fine if Adrien is a punching bag, but Alya must be protected at all costs...

Anyway, while the above series of events was annoying, none of it was surprising. In fact, it would have all be perfectly predictable even if Alya outing herself was that treated as a more neutral event. Her choice leading to bad things falls perfectly in line with a truly bizarre running theme in the show: outing your identity to the person you love romantically is a bad thing that leads to bad consequences. That's why Chat Blanc and Ephemeral ended the world and why Nino knowing cost Ladybug the fox and why the character they call Joan of Arc has to give up her miraculous to be with her love and why the Kwami's have this absolutely asinine dialogue in Kwamis' Choice:

Plagg: Sugarcube! Having to force them to choose between love and their mission is just awful! Maybe Master Fu was wrong to choose them. Tikki: No, they’re made for each other. Love is what gives them their strength. Plagg: But the impossible part of that love is destroying them, and I know a thing or two about destruction. Tikki: (sighs heavily) What can we do? Plagg: We must free them of that impossible choice. We must… free them of us.

This is the voice of the author telling you that outing the identities is not and never will be a good choice for the love square. Never mind that Alya is allowed to know Marinette's identity or that Gabriel finding out is what actually ended the world in the alternate timelines or that Felix outted himself in public but is still wielding or that freaking Gabriel was allowed to know half of the temp heroes' identities while they were still actively wielding. For some reason, those things don't matter to the narrative, probably because romantic love wasn't involved. The "identity reveals are a bad thing" rule only seems to apply when romantic love is a key element to the point where it's a reoccurring theme in this supposed power of love show.

[elexuscal]

So just over a year ago, I made a resolution to myself to get better at Fitness, since I was getting older and i knew if i didn't, the Consequences would begin to manifest. One problem? Historically i have always hated working out.

i knew there were two main reasons why: 1. lingering trauma from the usual Fat/Neurodivergent Kid Mistreated In PE Class Experience 2. oh my god it's so so so boring i would rather do anything more entertaining.

So. I'm not an expert, and i'm definitely not a professional fitness instructor, BUT i have genuinely come to not just tolerate but actually enjoy exercise this past year. So if these are any problems you personally have contended with, these strategies May Help.

One: Remove Barriers

a lot of flavours of neurodivergence struggle with switching between tasks and executive function generally, especially towards something you don't find fun. So first you gotta identify any barriers keeping you from exercising, and removing or mitigating them.

For me, a hurdle i recognised is that if I could not easily access the equipment, I was unlikely to use it. honestly if i couldn't see it i would probably forget it was there. So my first order of business was making a Work Out Zone. I unrolled my yoga mat and gave it a near-permanent place in my room. my weights came out of the closet and placed on a low shelf where i could easily access them, as did my resistance band. now they were always Right there.

I also realised something I detested was the general feeling of sweaty clothes, and in particular, having to change out of them. So Gross. so i started scheduling my work outs for in the the morning after breakfast or right before my nightly showers, aka: when I am changing in and out of my PJs. I'll do my routine (mostly) naked and not have to contend with the extra steps and laundry that sweaty clothes bring.

two: secondary entertainment

like i said: i found exercise very boring. and while i've gotten better over the past year, and can find it meditative, i still prefer having something else to catch my attention.

i used to like to put on video essays. but then i realised i was so often pausing my work outs because the particular video ended, or the pace got slow, or the topic turned to something dark and depressing out of nowhere and killed the vibe, so then i had to stop to find something else--

No. You need something that will keep you in the zone, and won't knock you out of it. I didn't used to listen to music much, but this year i took advantage of a Spotify subscription my sister gifted me (😔) and started just putting on upbeat rock, hip-hop, and pop mixes. it doesn't need to be my favouirte music ever it just needs to Keep Going.

i do find the loud, rhythmic music is really good for keeping my pace up, but if music doesn't do it for you, you might find audiobooks or autoplaying favourite old tv shows/sitcoms might scratch that itch.

Three: Find Other Motivators

Or, "if you can't make your own motivation, store bought is fine"

Gameification is really good here. You might be someone who'll benefit from a pedometer or step-counter app. I have a friend who swears by the Switch Ring-Fit, and I've also heard of folks who use games like Just Dance, Zombies, Run! and Beat Saber to rely on the sweet sweet endorphins generated by hitting a high score.

(BUT: do beware the dark side of gameification, which is the risk of demotivation if you don't hit your goals. For example, after doing GREAT on exceeding my step goal for a month, I got hit with COVID. For about a week and a half I was barely moving beyond the kitchen and back. My step counts plummeted, there was no way to edit the record out, and that made it harder to get back into the groove. Be mindful relying too much on gameification!)

Even outside of literal games, there are ways to scratch this itch. I used secondary objectives as a way to encourage me to keep up with my daily walks. Walking my roommate's dog when he was working long days is an obvious one, but we don't always have a furry friend at our disposal. Then I would rely on mini-challenges like, "pick up 10 cool rocks to paint", "fill this bag with wood for the fireplace", "take 10 pretty pictures", or "get to the corner store to get more milk".

And of course, consider team sports! Many folks I've talked to feel having set training/play times with a team that relies on them crucial to keep them on track!

Four: Don't Measure Success By Weight Loss

I know. I know. Easier said than done. It does not help that like 80% of workout resources online are going to mention this. but above all else, you must resist the beast. (and while not as dicey, measuring success by visible muscle gain can fall into a similar trap).

The biggest benefits to exercise are invisible. it improves cardiovascular health, brain function, tissue regeneration, immune system function, lung capacity, energy levels, literally our whole body. no matter what external changes your body does or doesn't go through, you're still going to be benefitting from exercise, and you do not want to get demotivated chasing unrealistic/irrelevant goals.

Instead, to track your progress, focus on questions like these:

How is exercise impacting my mood? Do I feel less stressed or anxious?

Am I sleeping better?

Is my balance improving?

Is my stamina increasing?

Am I becoming more flexible?

Can I lift/carry heavier weights?

Is my breath control improving?

Over the last year, I've seen marked improvements in all of these. My joints don't hurt as much; it's easier for me to to get up and move; I don't get winded as easily; I generally feel more relaxed and cheerful. Those are all amazing outcomes, and I hope that everyone on their own fitness journey can find the same joy there as I have.

[martian-astro]

D9/ Navamsa chart observations - Part 3

Jupiter in 9th is a great placement, even better if it's the 7th lord or darakaraka in d1. Your spouse will be intelligent. there's also a chance that you may do your master's or PhD after marriage. Your spouse can also have a job related to spirituality (one of my mom's friends has this placement and his wife is a reiki healer and also teaches meditation and hypnosis)

Jupiter in 10th is another really good placement. You and your spouse could start a business together, or you may meet them in your workplace. This is one of the placements that indicate that you'll earn more after marriage or once you start working WITH them (okay, so this example is interesting, i dont know how many of you know this, but there's an Indian company, dabur, and one of my relatives got married to the daughter of the brother of the guy who currently owns the company and let me tell you something, they are RICH RICH RICH, and like they helped my relative set up his own company and whenever we visit them, they give us such expensive gifts, you won't even find them anywhere, like custom made stuff) so if other factors support this, then you can get married into a super rich household

Venus conjunct ketu in 4th is a super common placement but I've noticed that it gives different results depending on what the ascendant is. A common prediction would be, that you guys will not get along with your spouse's family, you're gonna think that they waste too much money when they already have less of it. This is especially true for mother in law (I know a girl with this placement whose mother in law spends a lot on shopping and then asks for money from her, and she has to give in because divorce is not an option) i would recommend you guys to marry someone who doesn't have a mother 🥲

I KNOW SO MANY PEOPLE WITH MERCURY IN 8TH and it's so fascinating how it has the same exact effect on everyone. Okay, so this placement gives you 2 things, first, you'll gain a lot of money through joint accounts with your spouse, this could also be a marriage where you guys stay together just for money, a lot of celebrities have this placement. Second, your spouse is gonna hide things from you, like their salary (i know a woman with this placement and her husband was promoted and he told his wife that he was still doing the low pay job and he opened another account where he saved that extra money, while their family was having financial difficulties and stuff, it was a BIG deal)

Mercury in 11th is a nice placement, this could indicate a friends to lover type of story with your spouse. They could also be an extrovert, especially if mercury is in gemini. You guys will be focused on earning money but your whole focus won't be on money, like in 2nd or 8th house, it's gonna be more like "oh, this looks like a good idea, should we invest in this" kinda thing, i would say this is more like, both practical and romantic relationship

Moon in 8th..... Not exactly the best placement. Almost all the people that i know with this placement have been cheated on by their spouse, and again your spouse could hide things from you, but this time it's more emotional. Also, i have noticed that a lot of people with this placement marry someone who's in the closet, so their partner isn't affectionate and loving towards them and they think it's their fault but it's not, but it still ends up hurting them. You, yourself, could hide your feelings as well, and your spouse can see that and that's why they hide THEIR emotions, it's like a cycle. (if you have this, i would recommend you guys to go to therapy, heal your trauma and only then get into a serious relationship and sometimes you push your feelings down and you think you're over it, but you're not)

Mars in 8th can give very different results, but it does give you a spouse who is very sexual (and believe me, it's not always a good thing). If Mars is strong then it gives extremely good results, the ability to defeat your enemies and win, i know a person with this placement and she's a woman and people around her have always tried to ruin her life and she still managed to get up and is now living a great life. But if Mars is weak or worse, debilitated, then it can give an aggressive spouse, i know a person but i dont think i should share her story with you all, but if Mars is weak then... Don't marry. BUT if 7th lord and darakaraka of d1 is SUPER STRONG in d9 then go ahead.

Venus in 2nd is like okay okay, not bad but not good. I feel like this placement works better when it's in the cart of a man rather than a woman. The spouse will be good but will be more focused on earning money, even if they're already rich. From what I've seen, men are okay with wives like that, but women aren't, they need emotional security so being with a man who is focused on money makes them sad and lonely, whereas, men with this placement are more than happy to get wives like that, In MY opinion.

Sun conjunct ketu in 11th is another placement that is common, I know a lot of people with this. So, you will gain wealth but it's going to come very slowly, the type to MAKE generational wealth but not able to enjoy it. Also, i have noticed that these people always end up marrying someone who is in a lower position than them, career wise and so they support their spouse and at the same time take most of the financial responsibility of the family.

Ketu in 8th is SUCH a strong indicator of having a kid before marriage, or atleast getting pregnant. All the celebrities who've had a kid before marriage have this placement, Angelina Jolie and Shakira are two that i currently remember but I've seen it in the charts of a lot more. And listen, THERE'S NOTHING WRONG WITH THIS, OKAY.

© martian-astro All rights reserved, 2024

[buggachat]

Honestly I think my take on the "Chat Noir was not there in the final battle" comes down to the fact that I kind of just don't think a satisfying final battle between Chat Noir and Monarch was actually possible.

I read a lot of fic, for example, and I've read the scenario play out a lot of times in a ton of ways and I've never been fully convinced of it tbh (and not because they weren't great fic!!). It seems just completely traumatic for Adrien in a way that the scenario inherently cannot properly focus on, because it's all happening in the middle of an action scene and Adrien is too busy being Mid-Battle to properly have a cathartic breakdown about it all. I mean, Chat Blanc already showed us what would happen if he did have a breakdown mid-battle (and why wouldn't he?). And though it'd be fun to have a big triumphant moment of him defeating his abusive father, Adrien simply isn't a character who would find that scenario triumphant, or cathartic, or anything other than viscerally traumatic.

Also, I agree that it's unfair that Chat Noir was not present— like it was unfairly tilted in Ladybug's favor— but I don't think it'd be fair if he was present, either. Because Marinette is, in fact, the main character. The main character whose character arc is primarily focused on her finding her footing as a hero and discovering all the responsibilities that come with that power (as opposed to Adrien, whose character arc is moreso about freedom and identity). And let's face it, in a fight between Ladybug and Chat Noir and Monarch, nobody would be focused on Ladybug at all. It's not about her. It's not her fight. She'd just be there as moral support and an extra set of hands, which really doesn't work for her character arc at all and is completely unfair to her!

Basically, it would just be Chat Noir temporarily acting as the main character and having the worst time of his life in the most un-cathartic battle for him possible left completely traumatized with Ladybug in the background awkwardly trying to comfort him after the fact? And then the season ends? And then the next season presumably goes back to Ladybug being the main character? After a time-skip to the new school year? It's just an ending that I feel like is a lot better in theory than actually on paper. And you can probably make an argument for ways that it could be made to work, where it would enhance Ladybug's story in a meaningful way where she still feels like the main character, and would somehow be triumphant for Chat Noir despite it probably being the worst moment of his life, and somehow not make the rest of the series following feel like bonus content as opposed to a continuation of the story...... but, I dunno. I think it's a lot easier said than done.

The fact of the matter is, I've always been waaayyyy more interested in how the aftermath of Gabriel's defeat affects Adrien than the battle itself. Post-Hawkmoth defeat is one of my favorite types of fic for a reason, and it's because the aftermath can be so juicy, especially for Adrien as a character. I think whether or not Adrien is actually there in the battle itself has always been kind of irrelevant to me, because no matter how Gabriel is defeated, his defeat will have immense repercussions on Adrien's life going forward. And the way they did it, Marinette is now a part of it in a more active way, too. Which is good for her character!

( Also, if he was there to triumphantly defeat Gabriel, would that mean he would just.... watch his father die? of cataclysm? a-and.... nathalie would just.... die, too? so he'd have three dead parents after all that? who he watched all die (or, in emilie's case, saw her corpse)? or is this a scenario where MONARCH BEATS CHAT NOIR and still makes the wish? is that cathartic? for Adrien to lose to Gabriel? Frankly, I loved seeing Gimmi and The Wish, it's been teased for so long that I was expecting it, and I loved the fact that Nathalie got to live as her narrative reward for coming to her senses and trying to murder Gabriel with a crossbow. I like that we got to watch a full season of Gabriel painfully dying to a cataclysm— poetically inflicted on him by Adrien, but of Gabriel's own doing. I like that Nathalie has presumably adopted Adrien after having an arc of her trying to be a parent to him once she realized nobody else would, that's so much more interesting than any other alternative. I just don't see how all of these things, some of my favorite things that season 5 gave, can still all exist at once with Chat Noir present in the final battle in any way that's satisfying. )

[sugar-grigri]

Denji no longer has access to his heart

The golden rule in Chainsaw Man is to focus on the title, since it's the key to reading the story.

Rain, Brothel, Removal seem to be three absurdly unrelated elements, and Fujimoto likes to put it that way, because the challenge for the reader is to find a way of reading that links them together.

This chapter is funny as well as disturbing, deeply sad, and in itself this collection of sensations just makes you uncomfortable, since the tone is always reversed, and the protagonist himself refuses to allow his situation to be a comic spring.

Fujimoto confirms an interpretation that is fundamental to understanding Denji: his character thinks only in terms of short-term objectives, incapable of projecting himself, just as he responds only to the satisfaction of needs without being able to verbalize and think about his unhappiness in a more abstract way.

Denji, for example, isn't thinking about whether sex is actually a solution to his problems, no, it's more concrete than that: he's thinking about whether he's masturbated recently.

Another piece of evidence is the rain. I've always thought that when it rains in Fujimoto's works, it's proof that no lies are being told.

Whether in Look Back with a silent victory, the school moment with Reze and Denji.

But that's not what we're interested in here, because there's no doubt that Denji is sincere, or at least the rain only shows us that he's sincerely desperate.

There's a subtlety....

Denji complains that he only thinks with his dick, but there's another, more philosophical and certainly less funny idea behind this: Denji only thinks through his body.

The rain, the amputation, the brothel - they're all proof that Denji only thinks with his senses.

Denji thought the brothel was the solution to his distress, it's when it started raining that he collapsed, as if the change in weather had evoked his own emotional change. Yoru's solution is amputation, another physical sensation and solution.

Amputation is a solution all the more symbolic because it's antithetical to what Denji is: a demon man capable of regeneration.

To amputate is in itself not to regenerate, and not to regenerate is in itself to be more human.

What distinguishes us from animals (although science relativizes this) is the way we think about our own emotions, something Denji is incapable of doing, or at least has great difficulty in doing.

This doesn't mean he can't verbalize it at all, but when he evokes, he evokes a sensation, a dish (a shitty hamburger, a steak, a ton of sex).

Even when he wants to be loved, Denji formulates it in the form of wanting his heart, almost organically.

No one wants Denji's heart because it's gone

And it makes sense, because Pochita has reassembled his entire body, except for Denji's heart, which has literally been left in that garbage can.

That's why, when Pochita lets Denji access his feelings, the place is symbolized by a garbage can.

When Denji asks Pochita to wake up to find Nayuta, Pochita asks him where his legs are, because Denji's only function is to be a body.

And now everything makes sense again

When Denji spoke his dream to Pochita, being Chainsaw Man, I think there was a certain feeling in every reader: what exactly does it change?

What if it changes nothing? It's normal for Denji not to be able to project himself in the long term, as he should symbolically listen to his heart.

Denji's inability to have a dream, a goal for the future, is symbolized by him and Pochita as children.

It doesn't mean that Pochita is an antagonist (although that could be cool), but that Denji and Pochita are prisoners of their own situations.

Denji doesn't have access to his heart, but Pochita is contractually bound to what Denji wants.

This is also why, when Denji reproaches himself, it's his child self who's addressing him, because the only way to reproach himself, to feel guilty, is symbolized by his old self, the Denji that Pochita may have known. Just as Denji doesn't have access to his heart, Pochita has difficulty gaining access to the person Denji has become, all of which only leads to stagnation.

Denji as a child is also the symbol of a scumbag, the remnant of a lost heart, always dressed in poor, dirty clothes, a past that Denji seeks to escape, but a past that is the only time Pochita has been able to get to know Denji.

I know it's a pretty crazy line, but it's precisely because Denji is Chainsaw Man - a being both fused and disconnected - that he thinks with his dick lol

Saving Chainsaw Man by killing Chainsaw Man has never been a truer statement

Chainsaw Man is Denji's prison but also his only hope

A cage

[sanctus-ingenium]

we need to talk about Inprnt.com

Following a really good post with more screenshots and evidence by @dynasoar5 i'm going to talk about my own experiences with @inprnt and why I am about to put my shop on indefinite hiatus from Monday the 14th of August.

First of all I'll say that since starting my print shop last year it has been a significant help to me financially - I was able to not worry about affording car insurance or motor tax (together commonly over a thousand euro) when I bought my first car, for example. I am immeasurably grateful to anyone who chose to buy one and I treasure all the pictures I've been sent of my prints hanging up on people's walls. Right now they are displayed in a real (if small) art exhibition in my home town.

(top right print is not from inprnt though)

They're great prints. Never had any complaints about them. But here's what's going on behind the scenes.

Earlier this year, around March or April, Inprnt sales started increasing in regularity. I'd made as much as $600 a week during previous sales when I made proper promo posts here, but with this increase in regularity, I felt that I couldn't make promo posts every single week. And then one day, I'm not sure when tbh, the sale just never ended. It just didn't stop having that "Ending soon! 15% off your order" banner at the top of the site. Right now it says "Final Hours: $5 Worldwide shipping and save up to 35% off your order!" and not even for a second do I believe in this final hours bullshit. It's been 'final hours' for weeks now. Months, even.

Why is this a problem? Well, how tf am I meant to make a promo post for a sale that is always "ending soon!!" and then never ends. One week it'll say "this weekend only!!" and then when the weekend is over, the sale banner just changes its wording and the sale doesn't end. I can't promo this, it makes me look like a liar and a skeevy salesman by association! It makes the site look like it's 1 week from crashing and burning, and the site owners are just scrabbling to suck as much money from artists as possible before they drown.

And they are sucking money from us. To peel back the curtain, Inprnt money can only be transferred to my paypal account 30 days after the sale is made, just in case the order is cancelled and refunded. This means I used to make one withdrawal every couple of months, when there was enough build-up of money to make it worthwhile. It also forbids withdrawing any sum under $50 btw. I would make a withdrawal request and then, after a 10 business day wait, it would reach my Paypal account.

Not anymore! The past few withdrawals have taken over a month to complete. They are straight up keeping my earnings from me for longer the agreed period. This was my last fulfilled withdrawal:

Note the date.

Almost two months.

And here is the latest withdrawal request that still has not been fulfilled.

It's coming up on 1 month and if the pattern continues, it could literally be November or December by the time I fully clear all sales.

So what's going to happen to my print shop? Because my art is currently being exhibited with a QR code linking to the shop, I can't close the shop this week. Instead I will close it on Monday the 14th of August, next week. That means that on the 14th of September, I can withdraw all of the remaining money without having any left over. My account balance will go to 0 and stay there. Although I'll de-list my prints I will leave my account there, because at the end of the day I don't want to leave Inprnt. It still offers the best artist margins and as I'm now unemployed after graduating, the additional support is such a load off my mind. So this is a chance to wait and see - if they improve their services, I'll happily re-open.

It's a big deal to me because selling prints is sort of my ideal life as an artist. I never had the attention span or self-discipline for commission work and I found that it left me creatively stagnant. I always want to try new things, new concepts and ideas, and being able to think "yeah, people will like this as a print" while I experiment is honestly very reassuring. And I know that in going on hiatus, it'll break a lot of "buy a print" links in my circulating posts. Oh well lmao. If you want to buy a print right now - go ahead, it might be your last opportunity. Another way to support me would be to check out my ko-fi for once-off donations or some nice sketchbooks/comics/book samples you can buy, or subscribing to my Patreon.

As of right now, Inprnt owes me $381 (the unfulfilled request submitted above for $186.60 and my current standing balance of $194.80 which takes 30 days from each transaction to clear).

[breadly-art]

Speaking of Miguel, I thought I had no idea what was driving this man to keep moving forward. BUT:

Peter had Uncle Ben and Aunt May, who loved him, raised him well, and said something that Parker would remember all his life as a mantra. As for Miguel, he has no one. Literally no one who cares about him and whom he loves. Parents are pieces of shit, the biological father is literally the worst enemy, the brother is canonically dead, the second half-brother is another enemy, one girlfriend is gone forever, the other died because Miguel could not save her, he will never be able to see the third one again, as with their son, the daughter disappeared along with the whole alternate universe.... Good God, everything he touches is dying.

"With great power comes great responsibility," Peter has been telling himself all his life. "With great power comes great guilt," Miguel is sure. Because always, no matter how hard he tries to do something good, it is not enough, and he loses people close to him, and the world does not get better.

And if no one told him wise thoughts, like Uncle Ben did for Peter, if no one was ever around, if no one raised Miguel to be a good person... Then why is he trying so hard to be one? Why doesn't he try to give up everything, why doesn't he become a villain, why does he continue to help people? Where the hell is this inner core coming from?!

And when I think about it, I have only one idea: Spider-Man.

Miguel lives in the future, in year 2099, but at the beginning of the century, even before the catastrophe that wiped out half the world's population, there was an era of heroes. Spider-Man was one of them, the memory of him is alive even years later, and in the 1992 run, Miguel has Spider-Man comics. The ones he read with his brother Gabriel. This is partly why he will try to recreate these spider superpowers in his project at work at Alchemax.

Miguel remembers Spider-Man, he considers him one of the most outstanding heroes of the past, he literally CRIES when he accidentally encounters the real Spider-Man during his first time jumps. Miguel is a fan of his. For him, Spider-Man is an example of perhaps everything he is trying to achieve. He is a hero, a symbol of hope, which Miguel will never become.

But he keeps trying anyway.

[eddiediaaz]

Hi! Can I ask how you did the double exposure gifs for your merlin set? They're beautiful btw!

heyy, thank you!! of course!

it's actually not very hard, the trick is to find the right shots for this. here's how i did it (reference gifset), under the cut.

for this tutorial i will be: — using photoshop cs5 on windows — assuming you know how to make gifs using the timeline — have basic coloring, sharpening, groups, and layer masks knowledge

I. CHOOSING THE RIGHT SHOTS

the ultimate trick to pull this off is to choose the right image. in order to do the double exposure, you need a silhouette shot that has these:

a defined and dark silhouette with a background that is not too busy

enough contrast between the silhouette and the background

the silhouette should take at least 50% of the space

not too much movement

here are a few examples of why they work and why they won't:

gwen: perfect example since this shot is already quite contrasted with a defined silhouette. there won't be a lot of work needed to make this one work.

merlin: not a great example because even tho there's a somewhat good contrast between him and the background, the silhouette is just too bright, not dark enough.

arthur: another good example, even if there are some bright spots on his face and armor. since he's not moving too much, you can definitely brush some black over him to make his silhouette darker (i'll explain/show later)

morgana: this one could work because the contrast is great, but of course her skintone is very bright against the black clothing. that being said, since the movement is not too bad, it could be possible to brush some black over her and move these layers with keyframes (as mentioned for arthur's example). i haven't tried it tho, but i think it would work well enough.

once you have your silhouette shot, you need another gif for the double exposure. what works best, in my opinion, are:

wide, large shots

shots with no to little camera movement (no pan, zoom, etc), but the subjects in the shot can have little movement of course

pretty cinematography/scenery shots

i find these are easier to find and make it work, it's not as "precise" as with silhouette shots. it's mostly just trial and error to see what works best with the silhouettes.

II. PREPPING THE SILHOUETTE

for the effect to work, we want a silhouette that's dark as possible. i'm gonna use the gwen and arthur shots as examples.

for the gwen gif, i started by sharpening, and then upped the contrast by quite a lot so her silhouette is mostly black, while retaining some nice details. i've used only 3 layers here:

selective color layer: in the blacks tab, playing with the black slider (value: +10)

brightness/contrast layer: added a lot of contrast (+61) and a bit of brightness (+10)

black and white layer: on top, its blending mode set to soft light and at 20% opacity. gives a bit more depth and contrast

then for the arthur example, i've also sharpened it first, and added contrast layers in this order (the skintone looks horrible, but it won't matter soon lol):

levels layer: black slider at 0, grey slider at 0.76, white slider at 104

selective color layer: in the blacks tab, black slider at +10

brightness/contrast layer: brightness at +1-, contrast at +47

black and white layer: on top, its blending mode set to soft light and at 20% opacity. gives a bit more depth and contrast

as you can see, half of his face is still quite bright. to correct that, create a new empty layer and put it between the gif and the coloring layers.

using a really soft brush and the black color, brush some black over his face and body on that new empty layer. you can edit the layer's opacity if you want, i've set mine to 71%. since arthur doesn't move much here, there's no need to keyframe this layer's position. for the morgana example, this is where you'd need to play with keyframes to make it work. here's where i'm at now after this:

you can always edit this layer later if you need, after doing the double exposure blending.

once the silhouette is all ready, you can put all layers in a group and rename it (i've renamed mine silhouette).

III. BLENDING

now the fun part! import the wide/scenery shot in photoshop, then resize it to the same height of your silhouette gif. make sure the gif is a smart object layer, and sharpen it. finally, bring this gif onto the silhouette canvas (by right clicking the smart object > duplicate layer). once you have both gifs onto your canvas, put the wide shot gif layer in a group, and set this group's blending option to screen.

you can then position the wide/scenery gif the way you like it in the canvas. this is how it looks for both examples after i've done that:

if the blending mode screen doesn't give you the best result, so you can play around with other blending modes (such as lighten and linear dodge in these particular cases), but generally speaking, screen is the real mvp here haha.

IV. COLORING

now that the double exposure effect is done, we need to color the gifs to bring them together. i went with simple coloring here, simply enhancing the colors that were already there. just make sure that the coloring layers for each gif are in their respective groups. here's how i've colored both examples:

gwen silhouette group: i added a gradient map layer on top of the contrast layers in black to green and set the blending mode to color

scenery shot group: multiple coloring layers, with a green color fill layer (blending mode set to color), with a layer mask so it only affects the top half of the gif

for the arthur gif, i did something very similar but with warmer colors. i didn't use a gradient map for arthur though:

arthur silhouette group: i made the yellow warmer, closer to orange/red, with a hue/saturation layer, and added more vibrance. didn't feel like it needed a gradient map layer here though.

wide shot group: basic coloring layers to enhance colors from the merlin & daegal shot, and an orange color fill layer set to the color blending mode.

at this point you're pretty much done. just need to add some final touches and typography (if you want).

V. FINAL TOUCHES

a small and completely optional detail, but i wanted to soften the edges of the wide gifs. to do so i've duplicated the smart object gif layer and removed the sharpening filters (right click on smart filter > clear smart filters). put this layer on top of the other smart object layers (but still below the coloring).

then with this same layer still selected, go to filter > blur > gaussian blur... > 10px. this will give you a very blurry gif, but we only want the edges of the canvas to be softer. so add a layer mask to this layer. with a very large and soft brush (mine was at 0% hardness and about 800px size), brush some black onto the layer mask to remove the blur in the middle of the gif.

you can play with this layer's opacity or gaussian blur amount if you want (by double clicking on the gaussian blur smart layer filter). here how both examples look with this gaussian blur layer:

you can also mask some of wide/scenery gifs if you'd prefer, so it shows less outside of the silhouette. just put a layer mask on that whole wide shot group and brush some black or grey on the layer mask. it's what i did for the gwen gif, with a very soft brush and i set the mask density to 72% (i kept the arthur one as is tho):

and that's how i did it! hopefully that was clear enough :)

[miniimight]

aaa hello!! as an izuku stan i am flocking to your account bcs he's just so cute and i love how you write him!! would it be okay to request an Izuku centric scenario where he has a partner that just loves listening to his rambling? where everyone else would kinda brush it off and he gets used to being ignored, his partner attentively listens and he doesn't know so when they bring up something he was talking about in his rambling he's like 😮❓ all surprised and cute 😭 thank you!!

❝ YOU WERE LISTENING ?! ❞ izuku's surprised you paid attention

with izuku

notes ahhhh this request is so cute awww <3

you had asked izuku whatcha up to, baby? an hour ago. he was still answering that question. something about reviewing sidekick applications?

you were sitting on the couch, leaning on the handle as izuku sat below you, papers sprawled all over the ground. he found each one enthralling for so many reasons, which he explained to you in great detail.

izuku had enough friends to know that his rambling was a little over-the-top, sometimes. more often than not, he was shut down or left alone to wear out. he got used to it, even learned to control it just a bit. the rambling only made everyone around him annoyed or awkward, and he was inclined to avoid that.

he knew you were just looking attentive, but was glad you thought about his feelings. he felt comfortable rambling around you, knowing you'd smile, nod, and encourage him to continue.

so here he was, after work, leaning back on your thighs as he skimmed through the reports again. "and it's not even that their quirk is weak. not at all, actually. it's rather powerful considering they're fresh out of UA. i just think they've just never had a chance to get gear optimized for their abilities. for example, a device that would focus their wide-ranged quirk would greatly benefit them in close combat situations..."

"it'd probably help with collateral damage, too, huh?" you mused.

"exactly! besides—"

"your agency has more than enough resources to craft whatever device they need, and the time to train them with it." you smiled at the back of his head.

he put down the papers and slowly turned around, a suspicious look plastered on his face. "right..." he narrowed his eyes.

you fought a chuckle and brushed some of the curls from his face. "making them a great candidate for a sidekick." you couldn't help but smirk. "am i close?"

"you're..." izuku rose to his feet, leaning over you with hands firmly placed on either side of your body. "absolutely right!" his demeanor completely shifted as he withdrew from his position, pacing in front of you.

you chuckled. "why do you seem so surprised?"

"you were listening?!" he exclaimed, in honest shock, a huge grin on his face.

you smiled but your eyes read confusion. "of course, izu. i always listen when you talk." you thought he knew that??

"but—" he paused, trying to remember all the times he's rambled with you around. "why didn't you say anything?!"

you laughed, almost incredulous. guess he didn't know. he was so adorable it made you want to explode. "i did! you probably didn't hear me."

"oh my god." he whispered. perhaps he was just too enthralled in the topics to notice your contributions.

you got off the couch and pulled his arms from their thinking position to his sides. hand in hand, his thumb brushed over your knuckles as he sighed.

"i thought you were just pretending to pay attention." izuku smiled, his emerald eyes meeting yours. "you know, like everyone else."

you scoffed, crossing your arms in an over-dramatic show of offense. "well, i'm not everyone."

izuku's heart warmed at your words, manifesting in a grin that hurt his jaw. he enveloped you in a hug, crossed arms and all, pressing his cheek to yours and he cooed, "no. no, you're not."

you were his, and everyday there was something new that reminded him.

© miniimight ! thanks for reading <3