#and thinking about how people treat different creators differently

[mercy-misrule]

mouthwashing spoilers, discussion of fictional sexual assault, fictional abuse of a disabled person, references to real life injury

This is a weird rambling thing, informed by my own experiences. I am a sexual assault survivor, but I am also a survivor of life threatening accident that left me entirely physically dependent on medical staff with a long recovery time. I am aware that this is not a pov a lot of people have, and it means I'm thinking about things a little differently.

If you haven't experienced the healing process from a life threatening injury, its hard to explain. But here are some thoughts.

So one of the things that I think is interesting about the fandom reaction to Curly is an odd thing I've seen. A fanwork thing where people write Curly as a victim of sexual assault by Jimmy where the result is that Curly is a more sympathetic victim, a 'real victim'.

This isn't all fiction exploring this, and this isn't stated in their texts, nevertheless, it's impossible to read otherwise.

And I get it, I get why people are exploring that as an option, as a concept. Maybe its revenge, maybe its more relatable, maybe it's simply because that's a fictional concept that they want to write. And that's a creator's prerogative. This isn't me criticising what people want to explore.

What bewilders me is that it makes me feel like people missed the hugely sexual implications of Jimmy's assault and continued violation of Curly's bodily autonomy. It's like, folks are you reading this right?

So Mouthwashing has textual sexual assault, it's right there, Anya is the victim of Jimmy's violence. He attempts to take away her life by crashing the ship, he attempts to remove any choice she has in what happens to her body after she reveals she is pregnant.

He does not care about her, it is pointed what a non-person she is in his eyes. He only cares about his reputation, his control over the situation, what people say about him. His job, his prospects, all of which are dependent on Curly.

And Mouthwashing has textual violation of a disabled person's bodily autonomy. Jimmy hurts Curly when forcing him to take his meds, beating him at one point, where in the end Curly is weeping.

A man who wants nothing but control, couldn't control Anya or Swansea or Daisuke despite his best(worst) efforts, but he has absolute control over everything with Curly. Curly is moved without his consent, touched without his consent, treated like an object, like food, tortured, and finally 'saved'...without his consent.

Without a voice other than cries of pain, or hissing laughter, Jimmy has the control he needs.

And look how his attitude changes towards Curly the more control he has over his body. When Anya is still around, he's swearing at him, beating him into needless submission. As the game progresses, Jimmy starts to hold Curly up as this object of salvation, as this vessel through which all of Jimmy's faults and guilt are washed away.

This focus, this obsession, the alternating between berating and violence and idolisation is subtextual in its sexuality. But it's there. Even when you move past the obvious mirror of violence of Jimmy standing over a helpless Curly in bed, hurting him, putting his hands on him.

We already know that Jimmy assaulted Anya while in her bed, she tells Curly this implicitly when she asks about the lack of locks on bedrooms.

What I find interesting about this all is that we do not see the violence Jimmy inflicted on Anya. We see the aftermath, we hear his words, and we see her reactions, but we do not see the act.

And its a very good and frank piece of storytelling, about the mundane horror of day-to-day life living with your abuser. We don't need to see the instigating act, the central piece of violence, because we are seeing everything else.

Whereas, this game is all about witnessing exactly the violence Jimmy inflicts on Curly, and contrasting it with the absolute indifference he has for Anya, his other victim. He fixates on Curly, he's got nothing in his head but Curly, and any other thought that tries to creep in, we watch turn into nightmares that he's desperate to run away from.

It's almost like watching Curly be brutalised is a stand in for the brutality that Anya experiences. Not as a revenge or anything, but as a story beat reminding you that this is happening, has happened, will happen again. Jimmy will always be hurting someone.

But what I think is fascinating is that there is this (I am not talking about shipping. This is not meta about shipping) almost romantic displacement of affection from Jimmy to Curly, shocking in its intensity to the same level of his disdain and apathy towards Anya.

It's a mirror of how Jimmy feels about himself. He views Anya as a failure, not competent, and that's how he is in reality. He puts all his failings on her, he lashes out at her, blames her for Curly's suffering, for his potential punishment.

He praises and berates Curly because he wants to be what Curly was. A respected captain, a person that people are happy to be around. But he berates Curly because Curly isn't what he views as his ideal self. Curly doesn't throw his weight around like Jimmy wants to, Curly is passive and a people pleaser. Jimmy doesn't respect him, even as he wants to be him. He doesn't respect Curly because of the the way Curly gives into him, supports him.

There are so many moments of desperate horror in this story but I keep being drawn back into the unending nightmare of Curly being dependant on people disintegrating around him

Anya withholds treatment, not maliciously, but she does, because it's too triggering for her. And then Jimmy steps in and it's always bad, even when he's not trying to make it so.

Curly lays there and sees the ramifications of his inaction, his cowardice and then is revictimised over and over, humiliated over and over.

The best chance of care he's got is a woman he fundamentally failed, harmed in unbelievable ways and is now being terrorised by the man who hurts them both and she keeps asking Jimmy to hurt him.

And he has to sit there as she does, as she eats the only things that are making his existence survivable, and he's responsible for it! He gets to watch the consequences of his inaction, he gets to lay there and watch a woman die and he doesn't get to do anything else except exist until Jimmy appears again , which is worst of all.

You don't get to pick your carers, at some point. Sometimes it's people you feel a burden too, or people you've hurt, in a hundred different ways. And sometimes it's people who've hurt you and still tell you how much you mean to them, how important you are to them, how much they love you. And they don't stop hurting you or other people and you. Cannot. Stop. Them.

[chaotictarlos]

.

[malewifehenrycooldown]

Personal opinion, but someone needs to properly document the memefication and babygirlification of the Breaking Bad and the Better Call Saul series. (Assuming this hasn’t already been done)

[wainswright]

Mockery… like how site used to use everything as a dunk?

[aerithmybbgmypookiemywife]

Genshin SAGAU where GN! Reader reads a fanfic about them being a sub.

people of tevyat look in horror as a fanfic about you being a sub is released, not knowing you ARE actually a sub. not proofread. also shoutout to @/gameperson23100 (not sure how tags work here im just a tumblr noob so i just did like a twitter thing) they were in my comments on my first post about this and had an idea about a sub reader! i just expanded on it a little :))

Creator! Reader who seems so elegant yet have such an untouchable aura towards them. Everyone praises them for being so mature, for being so calm and collected towards stressfull siturations, everyone fawns over them. Just one glance from their slightly intimidating eyes has their knees trembling. The archons praise them as someone to really look up to, a true pillar of Tevyat.

When fanfictions like the Creator x Reader became popular, there was an unsaid rule that you were the dominant one in the relationship.

So imagine everyones suprise when a book from an anonymous author potraying the Creator as a sub pops up in Inazuma. Yae Miko was suprised this was published unsupervised! She shut it down but it was too late, almost all of its copies were sold! Everyone was baffled at how the author potrayed the Creator, when it came to their duties, the author wrote them perfectly but when it came to the romance between the Creator and whoever the reader is... It was a catastrophe! The Creator? Submissive?? Down on their knees?? Begging?! Getting degraded and liking it?!?!

BLASPHEMY!

People of Tevyat were conflicted at this book, everyone had divided opinions. Some saying that the Creator is a sub, while some saying they are a dom. There are a few people who suggest that the Creator may be a switch but this gets shut down by both sides. It even reached the scholars of Sumeru! With debates turning into heated arguments that escalates into fights.

The archons, except Nahida, were upset at this book as this somewhat taints your image. (although they secretly love the idea of the creator being beneath their feet) The acolytes were also divided and different opinions, with Alhaitham finding it somewhat interesting while Kaeya found it a little hilarious and treated the book like a parody. Xiao on the other hand, had the same opinion as Zhongli, the book may taint your image thus he made it his mission to hunt down the anonymous author. Itto, who got the book from a random stranger he befriended, treated the book like a sacred scripture or a guilty pleasure. He knows it's probably bad but he just can't stop reading it! Wriothesley read the book during tea time, and thought that the idea of the Creator being a sub was possible...

"And that concludes the report on Fontaine." Neuvillette concluded his report. You only hummed in response as you looked around the room. the Archons were there and some acolytes were also present in the meeting. You felt as if they have something they want to ask but is holding themselves back.

'...Is it about the book...? Fuck, why did it have to be so accurate...' you thought.

You cleared your throat, "I'm sure all of you are aware of a certain book going around." you spoke up, their minds started scrambling, thinking that you would be upset and angry that they haven't found the author yet. "Your Grace, we are all working hard to hunt down the author and imprison whoever they are." Zhongli spoke up, you shook your head.

"No need, it's... An interesting book." you told them, you cleared your throat again, trying to ease your embarrassment. That book ended on a cliff hanger too! No way in hell were you going to imprison the author after writing an accurate potrayal of you!

Everyone didn't show it in their face but they were shocked, but even more shocked at how red your ears are while you tried to keep a calm face. Did this mean that you didn't mind the potrayal of the book about you?! Or are you truly a sub?! Do you just like the book?! What is it???!! HOW IS IT INTERESTING??!!? Their minds were filled with unanswered questions.

Word spread to Tevyat really fast, and as soon as they heard that you called the book interesting, it just added more fuel in the debates about you being a sub or a dom. Like two groups in the same fandom fighting for their non canon ship! The book would still be treated like an illegal book, a guilty pleasure.

[foodfightnovelization]

ROTTEN: Behind The Foodfight

Holy chips! It's an exciting time to be a Foodfight! fan, because ROTTEN: Behind The Foodfight is finally out! This really is THE definitive documentary on the insanity behind the movie, and it finally answers the question of just what was going on behind the scenes during production. Since I helped out with research (and I even get a short line of dialogue at 45:19) I've already seen everything that was shown off, but had to keep quiet until all the interviews were conducted and the documentary was finished. But now it's out and everything has been made public, the cat's out of the bag (the Fat Cat Burglar?) and I can talk about all the production material that's been shared.

Before I get into any of that though, I'd highly recommend you watch the documentary for yourself. It's insanely well researched and put together, and having worked together with Ziggy Cashmere (the documentary's creator) I know how hard he dedicated himself towards making this all possible. If it weren't for him, the most interesting Foodfight! discovery would've been finding the novelization, and we would have never gotten any real insight into how this movie came to be. It's also a documentary that really speaks for itself- I don't want to say too much about what it reveals since it's all expressed far better through its narrative and the interviews with people who actually worked on the project. My favorite is the interview with texture artist Mona Weiss- she tells such horrifying stories about how she was treated by Larry and other crewmembers, yet does it all with a sense of humor that makes it clear she's enjoying getting to talk about her crazy experiences. It's clear Foodfight! was an unmitigated disaster from start to finish, and there's nobody to blame for that but Larry Kasanoff himself. The movie was rotten from the top down and despite the countless talented animators and artists working on it, nothing could fix the fact that it was fundamentally mismanaged in the worst way possible. I think the quote from producer George Johnsen summarizes it best: "Foodfight! was a good idea that unfortunately lost its way during production. The technology, the art, and the direction were not in sync. Many very talented people gave their all to make the picture, but more understanding of process from the top was needed for it to succeed."

But if you saw the documentary, you already know all that, right? So instead, let's talk about the behind-the-scenes material that's finally been shared! You can find everything I'll talking about HERE on archive.org-

It's worth following the link and checking it out for yourself- there's so much it'd impossible to discuss everything. Artwork, storyboards, bloopers, models, a nude render of Lady X, an interview with Larry Kasanoff, the list goes on and it's still being updated! Despite the documentary already being out, people who worked on the movie are continuing to share new material! It's pretty incredible- for the past year I've ran this blog all I've really had to discuss are two tie-in books, and now there's so much Foodfight! material I can't even keep up with it.

I mean LOOK at all this, isn't it fantastic? The character art by Jim George showing off just how much better these designs originally were, the countless environments showing off just how stunning Marketropolis could've looked as well as the strength of the core idea "what if a supermarket came to life at night", and insanely detailed storyboards for a 7-minute pitch reel that was used to sell the movie to investors. Normally, I'd be ALL OVER this because it's all just incredible, but there's something far, FAR more fascinating than any of it.

There are even multiple drafts of the script (one from 2005 and one from 2007 respectively) and normally I'd be insanely fascinated by those too, making extremely detailed posts explaining the differences between the drafts and how they compare to the novelization, but there's something else that was found that blows ALL of this out of the water and is easily one of the most monumental lost media discoveries of ALL TIME.

That's right, a rough cut of the ENTIRE movie from 2005 has been found, containing nearly ALL the completed animation from earlier on in production. I mean, that's mindblowing right? We first got sent this around a month ago, a little while before the documentary came out, and I literally stopped everything I was doing at work to just sit and watch this. This is the closest we're ever going to get to the "original" version of Foodfight! after all- only 7 minutes of footage was ever actually made before they switched to mocap, made solely for the aforementioned pitch reel, and this workprint contains practically all of it! On top of that there are some great storyboards in here, as well as some truly hilarious ones cobbled together from 3D renders, and the plot is far better than what we ended up with, a lot of the more inappropriate jokes being absent. This rough cut is actually pretty similar to the novelization in that regard, and it also contains scenes that we'd previously only read about in there.

For example, in the novelization there's a snowmobile chase through the mountains, with Brand X soldiers on snowmobiles and a heavy avalanche close behind. This scene was completely left out of the movie itself, but in this workprint it's here! ALL the previously novelization-exclusive scenes are included, and this rough cut is seemingly based on an even earlier draft of the script than that- here Brand X are still defeated by a flood, whereas by the time of the novelization it'd been changed to a lightning storm. There are SO many exciting differences in this workprint, the snippets of original animation we get to see are SO good, and it's SO much better than the movie itself that I think it by far deserves the crown as the DEFINITIVE version of Foodfight! There's so much in it I want to discuss, that there's no way I can fit it all into this one post...so stay tuned, because in the next few days I'll be doing a FULL analysis of the 2005 workprint, pointing out all the extra brand mascots not in the finished film, and generally just gushing about how amazing it is.

I mean, this is it. Just take it all in for a second- the original footage was considered lost media for over a decade, and now it's practically been found in its entirety, embedded in an early cut of the whole movie...isn't that just phenomenal? All the mysteries have been unraveled, all the questions have been answered, and now we can relax, take a deep breath, and watch Foodfight!...the REAL Foodfight! Make sure to enjoy it, and join me next time for my analysis!

[inkykeiji]

you can always take more than nothing

character: bonten!mikey x fem!reader

genre: smut

notes: here’s my halloween piece, only half a month late! still, i hope you can enjoy it! as always, please heed the warnings and stay safe! | title cred: alice in wonderland

warnings: 18+ minors do not interact, public sex/exhibitionism, dom/sub dynamics, daddy kink, size difference, biting/marking, blood, minimal prep, rough sex, teasing, begging, dacryphilia, humiliation, a lil bit of degradation, drugs, toxic relationship

words: 8.6k

synopsis:

Those few remaining scraps of decency you’d both been clinging to have been devoured by Mikey’s growing selfishness, no longer caring about what others might see or think or say—it’s not like anyone’s dumb enough to do anything about it anyway; it’s not like anyone has enough of a death-wish to try. He’s the motherfucking Boss. And the Boss gets what he wants, where he wants, when he wants, always. 

The music is loud, so loud the walls seem to be breathing with it, bleeding with it, flashes of neon pouring over the frosted mosaics of glass and marble. 

A party, thinly veiled as a corporate event. 

There are people everywhere, scattered across every surface, crystal glasses filled with expensive liqour and cocktail concoctions glittering in their palms. You barely know any of them. 

They’re all supposed business partners, allies and associates, ��friends’ of your Daddy. Not that it matters all that much to you; they aren’t allowed to say a word to you anyway. 

Your eyes scan the expanse of the club, on the hunt for a familiar face. Takeomi is in the corner, obnoxiously blowing smoke into some of the higher end girls’ faces. He’s really taking his role of The Caterpillar earnestly. 

Good. You told him it suited him.

At your request (AKA at Mikey’s demand), the top members of Bonten have dressed up as Alice in Wonderland characters, donning an impressive group costume. You’ve been taking the whole thing pretty seriously—beginning your extensive planning in August, drafting up designs and taking everyone’s precise measurements to have each outfit custom made to their exact frames—which means the rest of Bonten has been taking the whole thing pretty seriously, too. 

Not that any of them mind. 

What Mikey’s little angel wants, Mikey’s little angel gets. It’s standard protocol, really; you’re merely an extension of the Boss and thus must be treated as an extension of the Boss, and Mikey’s best men have no issues complying. 

Sighing, you rest your chin in your palms, sombreness souring your features. An ache, dull and dense, settles in the pit of your chest. It’s a desolate sort of longing, a gentle but constant gnawing that cannot be sated by anyone or anything other than it’s creator, something that weights your lungs and heavies your heart and stalls your breath, a vital part missing.

You miss Mikey.

You miss Mikey, but you know this ‘event’ really does have some sort of business significance; that, while it’s mostly an excuse to get drunk and high on Halloween night, it also serves as the grounds for some sort of meeting or negotiation or proposition—you can never be sure which, with Bonten. 

You aren’t allowed to know. You’re lucky to be here at all.

But you miss Mikey.

You shouldn’t be selfish. You know you shouldn’t be selfish; he’s already stretched so thin between so many obligations and obituaries, and you shouldn’t add to that strain. You won’t add to that strain. You’ll sit here, pretty and perfect like his precious little princess should be, and you’ll wait, patiently, until Daddy has a moment to spare you. 

He always finds a moment to spare, no matter how many duties and commitments he has. He always finds a space for you in his day, even if he has to carve it out with his bare hands.

So you mustn’t be greedy. You will be good. For him, you’ll do anything, no matter how difficult. 

“No frowning, miss Alice,” Sanzu chastises through a stretched grin, wide and carved into his cheeks—a smile so sharp, so sinister it puts the true Cheshire Cat to disgrace. 

He swims into your vision, teeth glinting with teals and fuchsias, an intricately wrapped box in his palms. Tugging on the ribbon a little, he unboxes it to reveal a wealth of small confections, individually wrapped in colourful foils.  

“Look, your favourite kitty brought you some chocolate.”

That brightens your mood a little—a sugar fiend, just like your Daddy is—and your mouth drops open expectantly, cute tongue unfurling in invitation. 

Sanzu rolls his eyes but places a truffle on your tongue anyway, pressing it down on the slick muscle and forcing your lips to close around his first knuckle to suck the treat free from him, laughing at the way your face twists.

Pervert. 

His nails taste like blood—not that you’ve come to expect any less—but the rusty copper is quickly eradicated by sugar, a content little hum vibrating around the melting chocolate.

“Good, huh?” Sanzu asks around his own chocolate, shuffling a gold box of expensive Italian truffles in his palm as he picks through them, confections jumping perilously with the motion, shimmering wrappers catching in the flashing neon strobes. “They’re imported.”

“Where’d you get those?” you ask through strings of caramel and cocoa, welding to your molars. 

“A little Halloween treat courtesy of Mikey,” he says dutifully, jostling the box in emphasis. “And an apology, for taking longer than expected.” 

Warmth blooms in your chest, swelling with your heart and stretching your ribs. The last few remnants of displeasure fade from your face, giving way to a small smile.

How very Mikey of him, to send his second in command armed with artisan chocolates and a short, sweet explanation; something he knew would make you smile, something he knew would alleviate some of your impatience, a reassurance that he misses you too, that he’ll be back soon, that he’s thinking of you. 

“There’s our pretty girl,” Sanzu teases, but his own grin has softened a little, the glint in his eyes dulled to a twinkle. “No more pouting, ‘kay? Your trusty Cheshire Cat will be by your side until your Hatter returns.”

Ah. A polite way of saying that you’re stuck with him until Mikey’s finished his work, no ifs, ands, or buts about it.

That takes longer than either of you expect, though, Sanzu’s plan of entertaining you by leading you, hand-in-hand, around the club to assess each Bonten member’s costume not nearly as lengthy as he had anticipated. 

Because it only takes a mere twenty minutes or so to examine all of them, with you near instantaneously deciding that the Haitanis have won the make-believe costume contest you and Sanzu had been holding between yourselves. 

Sanzu had agreed—everyone looks impeccable in their custom-made costumes, tailored specifically to them at your behest, but no one had any hope of eclipsing the Haitanis in their form-fitted pinstriped suits, each stitch and thread molded flawlessly to their frames, perfectly pressed collars embroidered with Dee and Dum in shimmery purple thread, powder blue bowties immaculately symmetrical around their tattooed necks. 

Now you’re back at the bar, Sanzu’s shaky fingers sifting through the box of truffles as he searches for something, anything, to distract him from the way the blood in his veins is beginning to dry up, the way his capillaries are withering, brittle and thirsty, the way his skin is beginning to itch.

Because he can’t do a goddamn thing about it. Not yet, anyway.

No narcotics when he’s chaperoning you; that’s a hard rule. That’s a rule that’s been sewn into the tissues of his brain so tightly it’s interwoven with his synapses. That’s an execution rule; a one time only rule—breaking that rule will get him fucking killed. 

But you’re both starting to become a little bit restless. 

“Come on,” you’re begging, word dragged across your tongue in a petulant whine. “Just one more chocolate?”

“I said no,” Sanzu snaps, eyes hard. “Mikey said three. Mikey’s the Boss. Whatever Mikey says goes; Mikey’s girl, Mikey’s rules!” 

“You’re no fun,” you huff, forehead scrunching with a pout. 

“Yeah, and that’s why he sticks me with you,” Sanzu says, though he sounds almost proud, as if it’s an honour to babysit you, a title of high esteem. “Because I can resist your tricks.”

“My charms,” you correct.

“Whatever,” he waves a hand. “It’s all semantics. Point is, I know how to say no to you, unlike a few certain someones.” 

Unimpressed ice blue eyes sweep across the venue, hovering pointedly on the faces of his colleagues—Kakucho, the Dormouse; Kokonoi, the White Rabbit; Rindou, Tweedle-Dum.

Your eyes follow his, and you smirk to yourself. Kakucho is the easiest out of those three; Kokonoi sometimes deceives you, allowing you to do as you please only to tattle to Mikey later, and Rindou always demands some sort of payment, claiming it’s only fair that you give him something he wants in return. 

Turning back, you’re about to respond, something bratty and bitter simmering on your tongue, when a pair of hands and a smooth voice cuts you off. 

You’d know that touch, that tone, anywhere.

“Pray, tell me, Miss Alice,” Mikey murmurs in your ear as he slinks up behind you, palms curling around your hips and pulling you back toward his chest. “Why is a raven like a writing desk?”

“Because it can produce a few notes,” you answer dutifully, head tipping back against his shoulder to glance at him through the corner of your eye. “Though they are very flat.”

“Correct,” he responds. “My, what a smart little girl you are.”

It’s soaked in condescension, compliment drawled out through a supercilious smirk, breath wafting across your face sweltering and saccharine. 

“Do I get a reward, Mister Hatter?” you ask, sweeter than sugarcane, batting eyelashes framing hopeful, dewy eyes. 

A hum vibrates on his tongue, onyx gaze apathetic and appraising as it glides across your features slowly, thoroughly, pulling each of your thoughts apart and putting them back together again. 

Your head rolls to the side, over his protruding collarbone, to stare at him more resolutely. And God, it’s the way you’re looking up at him, eyes glazed with dedication, with devoutness, like you want to fucking devour him. 

Like you want him to devour you. 

Hips pushing back, you rub your ass into his cock in inconspicuous little motions, lashes fluttering a little, back arched in a perfect curve and tits on full display. 

From this angle, there’s no way he can’t see right down your dress; there’s no way he can’t see the red lace of your bra straining against supple skin as your chest rises and falls with gentle breaths, no way he doesn’t notice the very tips of your nipples, cheekily peeking out from beneath the delicate material with each swell of your breasts. 

Bony fingers flex on your waist, and he huffs out a smirk.

His ebony pupils are enormous, blown wide and gaping, gnawing away at the whites of his eyes. 

He’s high. 

It’s evident in the milky film of artificial ecstasy lacquering his gaze, doped up and hazy, but it does nothing to dilute the potent love he has for you, melting his stare to something soft and sticky, pouring past his lashes.

He’s feeling good tonight.

“I think I know what my little girl wants,” one hand flattens against your stomach, holding you flush to his body as the other slides up your ribs to cup your breast, filling his palm with it and kneading, slow and deliberate, simply enjoying the feeling of you. “And it is very naughty of her.”

“Oh, really?”

“Mm,” he hums, head drooping to nose along the curve of your neck. “Really.”

His lips brush along your skin as he speaks, his voice barely more than a gentle vibration along the column of your throat, and you whimper a little, fingers curling around his wrist and pressing him closer.

“A-And what’s that?”

“Aw, can’t you guess?” he tuts his tongue. “And I thought you were smart. Must’ve been mistaken. Where’s my smart little girl gone now?”

Grip firm on your waist, his hips rut forward, hard cock prodding at you through the layers of tulle. A discontented little sound vibrates in your throat as you squirm a little—and oh, he knows what you’re whining about, greedy girl, knows that you can barely feel his cock through the thick petticoat, knows you want more—and he presses his hips further forward, grinding harder into your ass.

“Daddy—Da-Daddy, it’s—” 

“What?” he shoves again, stronger this time, teeth nipping at the skin below your ear. “Hm?”

“Your cock is hard,” you nearly whine, pushing back against him in a pitiful little wiggle, desperate for more friction. 

“And who’s fault is that, huh?” 

The hand massaging your breast gives a final squeeze before his fingers find your nipple, pinching it through the material of your dress and bra, then rubbing the heel of his thumb over it in hard, rhythmic motions. 

“Is your pussy wet?” he huffs the question into your ear, his hot breath procuring shivers. “I bet it is, naughty girl. Daddy wants to feel it.”

“Please, please,” your hips buck a little, punctuating your pleads, chest pressing into his touch.

“Please? Please what?”

“Touch me, Daddy, touch me, touch me.”

Slender hands slip beneath the puffy layers of lace, calloused fingertips rough as they skim up your smooth thighs, outlining the silk ruffles of the bloomers he bought you specifically for this costume. 

Your hips twitch slightly, legs spreading instinctively as his fingers trail along the scrunched hem to the apex of your thighs, pressing two into the rapidly dampening material. Pensively, they caress your slit through the material, prodding your hole just a little before rubbing two slow, hard circles into your clit.

“Christ,” he breathes out, curse splintering at the end. “You’re so fucking wet baby, and I’ve barely done anything yet.”

His palm flattens against you, all four fingers dipping into your core nearly to the first knuckle and then curling, the heel of his hand grinding against your clit, and your pelvis cants reflexively, almost as if you’re attempting to draw his fingertips further in. 

“How are you this wet already, huh?” he keens, voice straining beneath his own desire. “Been thinking naughty thoughts?”

“Jus’want your cock,” you slur out honestly, hips gyrating in pathetic little circles, an embarrassing attempt to follow his touch. 

“Oh, yeah? That’s all it takes, eh?” he rolls your clit between his thumb and his forefinger, nonchalantly toying with it as he mulls. “Just my cock?” 

“Uh-huh,” you nod blearily. “Uh-huh, uh-huh.”

“Cute,” Mikey spits, the compliment sheathed in venom, “how utterly stupid just the thought of my cock makes you.” 

His fingers clamp down on the swollen nub and tug, your whole body jolting with the pain, a yelp hitching in your chest. 

The arm wrapped around your waist tightens in response, holding you close, holding you still as he humps away at you, sloppy and uneven.

“Oh, baby,” he murmurs, fingers tweaking your clit in rhythmic motions, sparks of pleasure chased by shocks of pain. “You’re so fucking easy for your Daddy, aren’t you? So quick to get soaked for him, so quick to get ready for him, such a good little slut for him, yeah?” 

His voice is gravelly, letters wispy around the edges despite fact that he’s nearly shouting over music. Another rush of heat surges between your thighs, and he laughs, dark and dangerous. 

Your clit throbs in his touch, the silk of your panties drenched all the way through, aiding his fingers in their slippery motions—several small, fast S gestures, followed by a few firm strokes of your slit, fingertips gliding over your folds with ease. You’re so soaked, whole cunt now outlined by the shimmery material, molding to your folds and enabling him to feel every dip, every bump, every crevice, another chuckle dripping from his lips as your little hole clenches around nothing.

“Daddy,” you whimper, thighs squeezing together tightly as you attempt to fuck his fingers. “Daddy, I—I can’t—I need—” 

“Shh,” he hushes you, lips caressing the curve of your ear. “I know, baby. Daddy knows what you need.” 

A palm wraps around your wrist as Mikey mutters something about going somewhere a little more private, pulling you along behind him and leading you toward those purple velvet VIP couches, empty and roped off in a darkened corner. 

“What are we—” you begin as Mikey collapses heavily on the couch, knees spread wide open, hips shifting up slightly as he forces his feet even further apart, getting comfortable. 

C’mere, his lips mime, voice drowning in heavy bass, his chin jutting in the general direction of his straining cock, yearning against pin-striped pants. 

Strong hands curl around your hips and yank you backward, the abrupt motion punching a sound of surprise from your chest as you tumble into his lap, spine pressed tight to his sternum. 

The hinges of his jaw hook over your shoulder, a crude way of keeping you from squirming as he manhandles you into straddling his thighs, hard cock pressing into your core. 

“Holy fuck,” he pants out, the curse damp against your skin. “You’re so wet I can feel you leaking through my pants.”

“Daddy,” you say, and although it’s meant to be a warning, it comes out as a whine, stringy and petulant.  

Because it already feels so good, and he’s already so hard, and you just can’t help but rock your hips back, slow and firm, whimpering a bit as the head of his cock glides over your clit, teasing as the slick, swollen little nub jumps beneath the dull pressure. 

He laughs a little, nothing more than a deep, dark rumbling within his ribs, reverberating against your back.

“You’re so fucking nasty, baby,” he chides lowly, though you can hear the self-satisfied smirk sewn into his voice, tinged with sadism, as he rolls his hips up twice, grinding his cock into your drenched core. “You’re so fucking needy, baby, trying to get yourself off in the middle of this crowded club.”

You are, you are, another little sound escaping your lips as you rut back against him, already beginning to speed up, rubbing the head of his cock over your clit in quick little strokes.

“It’s really precious, y’know, how pathetically eager you are for me,” he murmurs, notes of fondness negating the sting the insult should bring, words gone melty and sweet. “But you gotta stop humping Daddy for a moment, so he can get his cock out and give you what you really want.” 

A disgruntled little whine sounds in your throat, motions stuttering a little as you attempt to stop moving. But it all feels so incredible, greedily unable to quell your hips completely as they rotate in messy little circles, tummy starting to ripple with each graze of his blunt head against your clit.

“Hey,” he warns, sharp and stern, a palm colliding with your bare thigh and leaving a burning handprint seared in its wake, the impact of the slap loud enough to draw a few pairs of eyes. “Don’t get bratty with me, or you won’t get anything at all, you understand?”

Your head’s nodding before the words are even finished leaving his lips—yes, Daddy, of course, Daddy, brats don’t deserve to be filled by Daddy’s cock—desperate to be good for him, to be the best for him.

Because you know he isn’t fucking around; Mikey’s threats are never empty threats, each and every word plucked from his brain with superlative care, heavy and infused with meaning.

It’s terrifying and tantilizing, how easily and instantly he can switch from one mode to the other: from playful to imposing, from Daddy to Leader, a pleasant shiver skittering up your spine, your hole clenching and pulsing as your stomach plummets, gut weighted with a tingling pressure.

It’s a bit of a task, freeing his cock and manoeuvring yourself as you try to inconspicuously sink down on it, but you both manage, your fluffy petticoat of crinoline and tulle providing a decent amount of privacy. 

A hiss slips through the gaps of your gritted teeth as it begins to tear you in two, cute little hole stinging as it strains around his cock, struggling to accommodate his girth, delicate skin splitting itself open for him. 

“That’s it, that’s it,” he breathes lowly, voice vibrating against your ear. “There you go, good girl.” 

An airy little moan spills from your lips as he bottoms out, cockhead pressed snug to your cervix, and you melt back into him, skull knocking against his shoulder, eyes slipped shut. 

“Feel better, princess?”

“Yes, Daddy,” you mumble out dreamily. “S’good, S’right.”

“It feels right, huh?” he chuckles a little, thumbs rubbing fond circles into your hips, his hands all the way up your skirt, slipped beneath the frills and fluff, forearms buried in your dress. “You like it when Daddy fills you up?”

“Uh-huh,” you nod. “Stretches me out real good, makes me feel all stuffed ‘n full.” 

Whole, complete, one. Like everything feels as it’s supposed to again.

And it hurts, because it always hurts, because he’s too thick and you’re never prepped enough, never patient enough, core split open on his cock and little hole aching as it attempts to adjust to him, but it’s so fucking perfect, too. Your cunt spasms around him, hips twitching a little in desperation—like you’re trying to suck him in further, like you’re trying to bury him deeper—and he groans, fingers flexing as he holds you still, nails gorging on your flesh.

“Eager, are we?” 

“S’not my fault,” you mewl, back arching a little as you attempt to push your hips back, squirming a bit in his strong grip. “Need you, Daddy.”

“Is that so?”

Grasp tightening, his hips thrust up, grinding the head of his cock into your cervix in slow, hard motions—back and forth, back and forth, inspiring a dull pang throbbing in your gut. 

Gasping sharply, your hips jerk back in response, automatic and instinctual, pulling a hoarse groan from his chest. 

His clutch turns to near bone crushing, a fractured little cry sticking in your throat, and he forces you to hold still for a moment, muscles in his thighs gone rigid and stiff as his hips press up further and tug you down, frozen, revelling in the way your cunt pulses around him, as if it’s whining for him.

“M-Mikey,” you echo its sentiments, his name a sulky plead on your tongue, brows knit together and lips jutted in a pout. 

“What’s the matter, sweetheart?”

“You know,” you huff out, wriggling a little in his palms, feebly trying to fuck yourself on him.

“Tell me anyway,” he demands.  

Scalding embarrassment pricks your cheeks and you whimper, fidgeting in his grasp again, head shaking in defiance.

“Come on,” he chides, but there are notes of amusement infusing his tone. “Daddy can’t give you what you want if you don’t ask for it.” 

Sharp teeth sink into your shoulder suddenly, your half-formed response strangled by a gasp, Mikey’s jaw tensing as he burrows his teeth further into your flesh, piercing through tissues and snapping capillaries until copper explodes in his mouth. 

He holds it for a moment, all thirty-two of his teeth latched in your skin, ensuring he leaves a full, detailed outline of his mouth etched into you—a signature of sorts—before his tongue flattens against the wound, dragging over it in a single wide lick and sealing it with blood-tinged saliva. A gentle exhale wafts over the bite, cool against the searing pain, and you shudder, chills erupting across your flesh.

“You’re a big girl,” he coaxes over your whimpering, the encouragement steeped in condescension. “I know you can do it. Use your big girl words and tell Daddy what you want.”

Your eyes squeeze shut against the burn of humiliation, lids crinkling at the corners, the softest hiccup catching in your throat, and you feel his cock twitch inside of you. 

��I—I wanna ride your cock, Daddy,” you push the stubborn words from your tongue, trembling and breathy.

“Yeah?” he asks, bloodied tongue tracing along the shell of your ear. “How bad?”

“So bad,” you bleat out, striving to bounce on his cock under the firm restraint of his hands, dewdrops of annoyance clinging to your lashes, glittering in the beams of magenta and teal as you blink rapidly.

“Hm,” he muses to himself, nonchalant as he readjusts his grip, hands constringing, completely halting your pathetic little movements. “It doesn’t seem like you want it all that badly.”

“Daddy,” the word leaves your lips in a whine, scrunched and petulant through your pout, body thrashing beneath his strong grip. “Come on—” 

“Are you sure you wanna be such a naughty little whore in front of all of these people?”

Your body stops its writhing, his words like a slap to the face.

It’s a bit of a shock, to hear it spoken aloud so bluntly, cut and dry and honest, and it sends a torrent of sparks fizzing through your chest to collect dense and tight in your tummy. 

Shame and revulsion sets your skin aflame, the cinders in your gut flaring in response, an intoxicating combination. 

“Yes—”

“Huh? What was that?” he shouts theatrically in your ear. “I couldn’t really hear you over the music.”

“Y-Yes,” you repeat, trying to steady your hiccuping voice, to be stern and resolute, even as tears begin to stream down your cheeks.

“Really?” he breathes, and he sounds astonished, he sounds appalled. “You’re so fucking sleazy, baby. I wonder what all these people would think, if they knew how truly filthy my little girl is...”

“Manjirou,” you weep out his birth name, whole face saturated in frustration.

“Oh-ho-ho,” he chuckles out the word, and it’s vicious. “Graduated to using my full name, now, have you?” he licks at the steadily oozing bite, mopping up more blood with his tongue. “Christ, you do really want it.” 

“I do!” you cry out, struggling against his grasp again, hips bucking in wild, erratic motions. “I do, I do, please, let me ride your cock, please.” 

“What if I made you sit, still and straight like the good little girl I know you want to be, on my hard cock for the rest of the night? Do you think you’d be able to handle it?”

You know he won’t, know he’d never be able to, because he’s just as addicted to you as you are to him, just as desperate, just as eager, just as needy; because even as he holds you motionless, he can’t quite halt the delicate jerk of his hips, rolling up into your core; because you know he wants this just as badly as you do, gets off on the depravity just as much as you do.

Even so, the mere thought of being teased like this, of being forced to hold such a degrading position, is still enough to inspire a rush of agitated tears to flood your eyes, vision gone bleary with despairing desire and rendering the club a bleary haze of glowing neons. 

“No, Daddy, no, I—I just want to ride you, please, Daddy, I c-can’t—” 

You’re nearly wailing now, head thrown back dramatically as your neck twists into an uncomfortable knot, anguished as you try to bury your face in his throat, looking for solace. Your chest stutters as you stammer out half-finished pleads, gone garbled with spit, and Mikey smiles.

You’re starting to cause a scene. 

It’s exactly what he wanted.

“Okay, baby, okay, okay,” he’s pacifying as he feels hot tears soak into his neck, a choked sob catching painfully in your chest. “Daddy’s here, Daddy’s gonna make it all better.”  

And finally, finally his grasp loosens, stiff fingers gone lax, massaging lopsided circles into the rapidly developing bruises left in the shape of their prints. 

“Go ahead, angel,” he urges, nuzzling into the junction of your shoulder, pressing a chaste kiss to the congealing bite. “Ride Daddy’s cock.” 

Then he’s slumping back, settling into the couch cushions and spreading his thighs a little wider, pressing the soles of his boots into the waxed floor for stability and leverage. 

His hands stay on your waist, a gentle guidance, but he allows you to set the pace—a rare occurrence—patient as your hips work up a steady rhythm of quick, shallow gyrations, each swivel dragging his cock against your favourite spot.

And God, you’re so cute when you use his cock to make yourself feel good. It’s a shame that he can’t see your face in this position, can’t see the way your lashes flutter and frame the rolling whites of your eyes or the way your features scrunch so delicately; a shame he can’t hear your gorgeous noises, all your sweet little gasps and pitiful little whines consumed by the blaring music. 

But he can see how your back is bowing, spine forced into a near perfect arc by your building pleasure, bending just a hint more with each brush of his cock; he can feel your palms clutching his knees, nails digging little crescents into his shins and using them for support as your movements accelerate, as you fuck yourself harder, faster, better.

And he lets you have your fun for a little, lays back all languid and lazy and watches through lidded eyes as you play with yourself and use his cock like it’s your favourite toy—because, well, it is—but eventually it just isn’t enough and you need Daddy’s help. 

Just like he knew it wouldn’t be. Just like you always do.

Not that he minds one bit.

Yes, it isn’t enough, because it never is, because you can never manage anything more than teasing yourself when left entirely to your own devices, spritzing kerosene on the dull smouldering in the pit of your stomach as the head of his cock brushes up against that engorged spot inside of you, not nearly hard enough or fast enough to have you anywhere close to creaming on him, merely enough to have your clit throbbing, swollen and neglected. 

He knows you’re beginning to get restless when your hips turn sloppy, tempo starting to falter as your motions stutter, and then you’re looking over your shoulder at him with a beseeching pout, glazed eyes begging him to do something!

So he does. 

He’s straightening up in a split second, hands around your waist tightening as he yanks you back toward his chest, chin hooking over your clavicle again and grinding the sharp bone into your skin.

“Poor thing,” he murmurs against your jaw, mocking and mean. “Can’t even get herself off without her Daddy’s help.” 

“I can’t, I can’t,” you wail over the roar of EDM, head shaking in accentuation. “Need you, need you to do it for me.”

“Of course you do, angel,” he says, as if it’s obvious, as if it’s common knowledge. “But that’s okay—Daddy will make it feel good.” 

That’s the only warning you’re given before his hips are ramming up, rapid and rough and downright ruthless, the abrupt motion slamming a high-pitched yelp from your throat, so pure and genuine and full of lust that it rises above the music, breaks through the heavy bass beat, gathering a handful of glances from a few nearby party-goers. 

So much for being inconspicuous. 

You should’ve known that that just isn’t Mikey’s style. 

They lose interest just as quickly as they gained it, though, going back to their drinks and their drugs, unconcerned. What the Boss does at his own club is none of their business, even if it is on display for the whole venue to see. 

Still, it’s enough for Mikey.   

“Everyone can see you, you know,” voracious black eyes scan the balcony space. “Everyone can see you being such a good little whore for your Daddy.” 

The thought of being watched, of being caught, inspires a whole flock of butterflies to flit around in your tummy, another surge of heat gushing between your thighs, and Mikey laughs. Oh, he felt that. 

Because he’s right; if anyone dared to look a little closer, a little longer, cared to paid a smidge of more attention to the two of you, hidden on one of the velvet couches wedged in the corner of the VIP section with your hips rocking and Mikey’s hands buried in the lace and tulle of your skirt, they’d know exactly what the two of you are doing.

But it doesn’t matter; you don’t care. Neither does he. Why should either of you?

“Do you—Do you think they like it?” you question, and Christ, it’s so precious, that pathetic hope ringing high and clear in your voice. “Do you think they like watching me bounce on their Boss’s cock?”

“Fuck,” the curse fragments in his throat, sharp and pitchy, and he coughs on the shards. “I know they do, sweetheart.”

“Do you think they’re g-gonna go home and touch themselves to the thought of me—of us?”

“Aw,” Mikey coos out in a chuckle, breathless and condescending. “It’s cute that you think they aren’t already jerking off to you on a regular basis.”

Of course they are, you silly little stupid thing; how could they not be? With all the sweet, short little dresses he buys you to prance and twirl around in—the ones with the sweetheart necklines that dip just a hint too low, teasing the swell of your breasts with each of your gentle inhales; the ones with the rippling hems that end just a touch too high, swishing and swaying and flashing with each of your movements, riding up and fanning out to gift them with teasing little glimpses of the lace and satin underneath. 

“You think I don’t know what my—ah, Christ—what my men think of you? How my men think of you?” He tongues a little at the bite, using his front teeth to scrape off a few half-formed scabs, blood rushing to pool in their place. “You think I don’t see the way they look at you?” 

A whine stammers in your throat, your back arching a little more as your cunt quivers around his cock, that drove of butterflies sending your stomach swooping, the organ tensing, tying itself into thick knots pulled tight and taut with each plunge of his cock. 

Mikey laughs again, the sound nothing more than a deep, dense vibration rumbling within his ribs, seeping into your back and sending tingles up your spine. 

“Would you like to see the way they look at you?” 

“H-Huh?” 

Oh, how adorably fucked out you already are, mind gone dumb and numb to everything but him, but his voice and his touch and his steadily driving cock; oh, how adorably easy it is to make you this fucking idiotic. 

“Look over there,” he presses his cheek into yours, forcing your head to turn and follow his gaze. 

Across the club, Rindou sits with an elbow resting on the edge of the bar, a glass dangling from his fingertips. His eyes are cavernous, carnivorous, a smirk smearing across his face as your stare meets his, heavy lids framing a leering look. 

Using a shoulder, he nudges his brother’s stomach, jutting his chin toward you and his Boss in indication when Ran looks down in question, redirecting his attention. 

Now they’re both watching you, with doped up violet eyes and identical sleazy smiles, toothless and worming.

It makes you want to scrub and scratch at your skin, their gazes painting you in a thick coat of grime, body soiled by their lust and left feeling dirty, feeling gross, a strong shiver crawling across your flesh.

Your head jerks reflexively, desperate to hide from their lechery, skull knocking against Mikey’s hard enough to send thorns of pain searing through your temple. 

A yelp cracks in your throat, and Mikey snorts, seemingly unfazed. 

“Aw,” Mikey tuts in false admonishment. “Don’t get shy now. Look at them. Look at them while you ride my cock.”

“M-Mikey—” your eyes shut tightly, a pitiful attempt to escape their invasive eyes, head shaking in little judders.

“C’mon,” he goads, forcing you to face their stare. “You want them all to see, right? How good my little girl is? How pretty my little girl is?”

Peeking through your lashes, you squint at the Haitanis, features teetering on the verge of a wince, as if you’re expecting them to physically strike you. 

They’re still looking at you, wide and unblinking, speaking out of the side of their mouths in laughs and murmurs to one another. 

Dressed in matching pin-striped suits and thick suspenders, Rindou has discarded his jacket, shirtsleeves rolled haphazardly up his forearms to his elbows, first few buttons of his shirt popped undone, revealing a defined collarbone. 

Predictably, Ran is still the perfect picture of poise and elegance, not a single hair out of place, suit jacket square on his shoulders and flawlessly tailored to his body, each stitch outlining his edges.

Tweedledum and Tweedledee respectively, and just as treacherous.

Whatever it is they’re saying to each other, they’re clearly enjoying themselves, amusement playing in glassy irises as Ran rests a hand around Rindou’s neck, slim fingers pressing into plush muscle. His younger brother instantly relaxes into his touch, mollifying back against his stomach and hooking an arm around his thigh, hugging it to his ribs. 

And it’s the way they’re looking at you, as if they’re peeling the clothes from your body and the skin from your bones and peering into the depths of your soul to dance with your demons and devour your secrets; as if they’re singeing your expression into their minds, the sight of your features saturated in perturbation and pleasure branded into the tissues of their brains, carved into the walls of their skulls, ensuring they’ll never forget.

Everything feels overexposed as they pry you apart bit by bit, heady mix of hedonism and humiliation hazing over your brain.

Mikey’s hips slow to a drag, thighs tensing and soles of his boots skidding across marble as he expertly angles his hips and presses up, rubbing the head of his cock over your g-spot in slow, controlled motions—back and forth, back and forth, over and over and over again. 

And the moan that claws at your throat is almost obnoxious, is definitely embarrassing, which means Mikey needs to fuck at least three more from your chest, grunting a little with the effort as his cockhead jabs against that plush spot, hard and precise.

A whine that sounds suspiciously like his title, tangled in spit and weighted with shame, spills from your lips, and you nestle your face against his own even as your hips jolt, desperate for comfort, desperate for cover.

“Don’t pretend you don’t like it,” he nuzzles your damp cheek. “I know you do. I can feel it.”

It’s true, he can—you’re sure he can, with the way your straining little hole keeps pulsing around his length, another stream of heat cascading down his shaft, viscous and wet and so, so much, to pool in the folds of his balls, to stain the waistband of his pants and the velvet of the couch.

But you know he likes it just as much as you do. 

Because you’re both so fucking naughty, so fucking nasty, but the depravity just works to heighten it all, makes it that much better, amplifying every touch and brush and tease and fondle and making it all feel so fucking good, even as Mikey’s pace eases into something unhurried, his thrusts turned languid but powerful.

So you join in, you rise to his challenge, a sick little game the two of you play, a sick little game you force others to participate in—because you’re fucking untouchable.

“Do you think their cocks are hard, Daddy?” you ask, the question dripping with syrup as you roll your hips backwards, slow and purposeful, returning the Haitanis’ smouldering stare through fanned lashes, unblinking and tenacious. 

“Ah, f-fuck,” Mikey’s cock jolts, rhythm stammering for a moment before he regains his composure. “Yeah, baby, I bet they’re wishing they were me right now.”

You bet they are, too, mouths stopped moving and gazes gleaming with want, lips parted with uneven exhales pushed from their heaving chests, entirely enchanted by your movements.

It’s the most affected and authentic you’ve ever seen them before, and it sends a thrill of power shooting through your body, blood left fizzing in its wake. 

One of them reaches into their pocket, groping around blindly for their phone, not daring to spare a second of their attention away from you, and Mikey snarls, nose scrunched in disgust and lip curled in a sneer, baring gritted teeth.

Because that’s too much, that’s crossing a line, and Mikey swiftly redirects your face, effectively hiding your expression from the Haitanis’ hungry eyes. 

Mikey’s always liked to show off. Mikey’s never liked to share.

He swaps shoulders quickly, the defined hinges of his jaw clasped firmly over your collarbone, and smushes his face flush to yours again, skin clammy with sweat. 

“And look over there,” he steers your gaze toward the other side of the club, where Kokonoi sits with a smattering of men surrounding a tall cocktail table, littered with crystal glasses and white lines. 

The men around the table are laughing about something, sloshing liquor and cutting powder into thick, fat stripes, but Kokonoi isn’t paying attention to any of it. 

No. Kokonoi is looking at you. 

His eyes snap away when they meet your own, head whipping forward with such speed and such force it’s a marvel he doesn’t instantly give himself whiplash. A deep laugh rumbles in Mikey’s throat in response, something dark, something decadent. 

“He’s gonna go home and touch himself to you, too,” he says. “He might not even make it before he goes home; might end up jerking his cock in a bathroom stall or the front seat of his car.” 

“How can you tell?” 

“Well, look at him,” Mikey snorts. “He’s so hard he’s about to burst outta his pants.”

Following the line of Kokonoi’s body, your gaze travels downward, to the straining lump in his white pants. His hips shift a little uncomfortably as his thighs tense, hands curled into fists on his knees as he steadily trains his stare forward at the wall opposite of him, throat bobbing with a thick swallow.

Mikey’s right—Koko’s about to burst.

The thought of Koko rushing to his car to collapse in the driver’s seat, head tipped back against the headrest and hand shoved down his pants as his palm rubs frantically at his hard cock, or hastening to the washroom to lock himself in a stall, forehead pressed tightly to the rickety door and panting out stuttered, half-stifled whimpers hotly against his upper lip as he hurriedly relieves the problem you’ve created, is almost too much to bear, stomach clenching in time with the throbbing of your cunt, a torrid pressure building and burning in your gut. 

The sudden acceleration of Mikey’s thrusts snaps you out of that tangle of thoughts, effectively drawing every ounce of your attention back to him.

A mewl pries past your lips, sharp and high and cracking at the end, whole spine arching as Mikey resumes his assault on your favourite spot, cockhead driving hard and fast against plush flesh. 

“They can look all they want, but you’re mine.” His fingers tighten, his grasp rigid and unbreakable, the words nothing more than a snarl spit in your ear, wet and harsh. “I won’t fuckin’ share.” 

“Never, never, never,” you babble in time with the bouncing on his lap, head nodding in sloppy motions with each repetition of the word. 

“Never,” he growls, teeth sinking into the flesh of your shoulder sloppily, excess spit dribbling from the corners of his mouth as he breaks the skin for the second time tonight and sucks hard, drawing blood from the string of tiny wounds.

It has another cry escaping your throat, whole face crinkling in a sordid mixture of pleasure and pain, head instinctually thrown back against your Daddy, automatically giving him more room to work. Drops of watered down blood drool down your back and Mikey takes a moment to admire them, mesmerised by the way they shimmer in the strobing lights of the club, before he licks at them with the tip of his tongue, leaving crude strokes of fresh spit in their wake.

Those few remaining scraps of decency you’d both been clinging to have been devoured by Mikey’s growing selfishness, no longer caring about what others might see or think or say—it’s not like anyone’s dumb enough to do anything about it anyway; it’s not like anyone has enough of a death-wish to try.

He’s the motherfucking Boss.

And the Boss gets what he wants, where he wants, when he wants, always. 

He’s really fucking you now, vicious and vigorous, your entire body juddering in his lap as his hips piston up, cockhead pounding against that sensitive mound of tissue buried deep within you. 

Each thrust shoves another shattered sound from your tongue, splintered moans of his name and his title pouring past your lips in a jagged stream. 

The knot your stomach has twisted itself into strains under the building pressure, growing heavier and heavier with each jackhammer into you, stretched taut and stiff and ready to snap. 

It’s all so much, the ogling eyes and the ramming of his cock and the tightening in your belly, every muscle in your body coiled and aching for the ecstasy that comes with release. Your breath mangles with the mewls shoved from your lips with every slam up, sticking to your throat and you cough, wheezing past the splinters.  It’s all too much, and—!

“M’gonna, m’gonna cum, Daddy!” you gasp, tears dotting the corners of your eyes, sparkling in spidery lashes.  

“Yeah, baby?” he breathes, voice dropping to a ragged rasp. “You gonna cream all over Daddy’s cock? Huh? Make a mess on my cock surrounded by all of Daddy’s closest and most esteemed colleagues?” 

“Yes, yes, yes,” you nearly sob out, palms curling over his wrists, nails clawing at the delicate skin, desperate for an anchor. 

“My dirty fucking girl,” he hisses out, sharp breath stinging your cheek. “Such a good—Ah—good little slut for me, aren’t you?” 

You can no longer respond, rendered stupid from the ardor, potent pleasure corroding your brain and gnawing through your synapses. It’s downright intoxicating, it’s fucking insatiable, it’s simultaneously immense and insufficient, way too much yet not nearly enough, because you need more, you need more, unintelligible pleads shattering on your tongue.

“Yeah, yeah, yeah, baby, gush all over Daddy, make a pretty mess on his lap for him. Show everyone in this Goddamn club how gorgeous you look cumming for me.” 

And so you do, ever your Daddy’s best girl, body eager to obey its owner as your cunt convulses around him, copious amounts of slick cascading down his shaft to drench his thighs, sticky and sharp and so fucking sick as he continues to bounce you in his lap. 

The spasming of your cute little hole draws the sweetest whine from the back of his throat, panted out against the curve of your ear, and another bout of warmth rushes to the apex of your thighs, earning you a shuddered little curse, the exhale sweltering against your sweaty skin.

You sound so pretty right before you cum, Daddy. 

Three more pumps of his hips and he’s following, thrusts stuttering as he fucks up messily into you, cock throbbing almost violently and stuffing you to the brim with thick, hot cum. Strong hands hold you firmly in place, cockhead pressed flush to your cervix as he spills himself into you, as he forces you to take every fucking ounce of what he’s giving you. 

And you love it, you love it, you love it, you’re telling him, sentiments pouring from your mouth in a jumbled stream, singular and continuous until your lungs run out of air, voice cutting off with a squeak. 

“I love you, I love you, I love you,” Mikey’s murmuring into your skin in response, lips leaving smears of sugary saliva just below your earlobe. 

He allows you to sit on him for a moment, chest heaving against your back with ragged breaths, sweaty forehead pressed tightly to your shoulder. Tilting your head, your rest your cheek on the back of his skull, eyes slipping shut as your own heart begins to calm, cunt still pulsating irregularly around his shaft, almost as if it’s attempting to squeeze a few more drops out of him, his cock acting as a crude plug, keeping most of his cum buried inside of you.

Finally, his head lifts, pressing a tender kiss to the blood-encrusted bite glittering on your shoulder. 

“Go get cleaned up in the washroom,” he mutters gently, pressing another string of kisses along your jaw. “Don’t wipe away any of Daddy’s cum; let it soak into your panties real nice and good, let them get really wet, and then snap a few pictures and send them to me. Can you do that for me, angel?” 

“Yes, Daddy,” you slur out, nodding in loose, liquid movements. 

“Good,” he pats your thigh twice. “Now, go.” 

A small noise of affirmation sounds in your throat, head still nodding as Mikey helps you stand between his spread thighs, hands on your waist keeping you upright while you wobble on unsteady legs. 

And the noise that you make as his cum and your slick surges out of you—something caught somewhere between a mewl and a whine, turned on and disappointed simultaneously—is the cutest thing he’s ever heard, a muted coo slipping from his own lips as your hands wrap around his, using them to further stable yourself. 

He holds you for a moment or two longer, making sure you’re sturdy and your knees won’t suddenly give out, before giving you one final squeeze and releasing you, smirking a little as he watches you teeter away on rickety feet. 

Initially, his plan was to have you capture a few naughty photos for him—pretty little things to stash away in his phone for later use, during the nights he’s forced to spend away from you, sitting in expensive cars or laying in lush hotel beds—and force you to wear the gluey, cum-drenched undies for the remainder of the party. 

But then his phone is buzzing, and he’s unlocking it to find your cunt perfectly outlined by thin silk as it sticks to your folds, little clit and hole contoured and accentuated by the slick, shining fabric, soiled by a large, irregular patch of wetness, and oh, there’s no way he’ll be able to wait until you arrive home to fuck you again. 

No, he needs to fuck you now, a sudden burst of adrenaline buzzing through his veins, little sparks and minuscule explosions that have him up and moving in under a second, cock already beginning to fill with life again.

Sheer, potent power permeates the atmosphere around him, trembling off his body in sharp bolts; dense, heavy, cracking with electricity. 

The way the crowd instantly parts for him is awe-inspiring, their gleaming eyes full of terror and worship, hastily tripping over their own toes and ankles to move from his path as he strides toward the washroom, desperate to not be stung by his brilliance, desperate to get as close to the currents as possible without being scathed. 

You’re just exiting the restroom by the time he reaches you, breath punched from your lungs as he backs you into a tiled corner, trapped between the cold wall and his scorching form, his hands splayed wide on either side of your shoulders.

“We gotta go,” he’s nearly panting out as he shoves his forehead against yours, eyes closed and noses nudging, straining cock grinding unceremoniously into your hip. “We gotta go, now.”  

And, well, Daddy always gets what Daddy wants. 

[writingwithcolor]

Black woman’s skin turns blue from powers; is this whitewashing/erasure?

Anonymous asked:

I have a character in a comic I'm hoping to write one day. She's a light skinned black woman(she's half white if that helps!) living in New York City during an 80s themed post nuclear apocalypse. The comic's main characters are all rock stars, so a lot of the character design elements revolve around the different rock genres. The character in question is in a glam rock band, so there's lots of bright, saturated, crazy colors involved in her design. The problem I'm having involves this one story beat where she gets mutant superpowers that give her electricity and sound based abilities. Her skin turns cotton candy blue as a result of the mutation. I'm hung up on whether or not this might fall under some kind of skin lightening or white-washing trope since it's a fairly light shade of blue. I designed her mutant look before her human look, so this was well before I'd even figured out what race she was, and I simply thought the shade of blue would compliment both the electricity powers and the fact that her hair is dyed pink. Is there a way I could still make this work? Or am I worrying about nothing?

Ideally, it would be nice to keep her brown skin tone. There’s a common comic and supernatural trend where Black people’s skin is covered up by a suit or Black-coded characters are an unnatural color (blue, green, purple, etc).

This is more of an issue when: 

There are no other Black characters of those identities besides the covered up/ ones with unnatural skin colors.

The creator adds this change to make them "special" because they do not believe Black characters, with features commonly associated with Black people like dark hair, skin and eyes, are acceptable enough for the character to stand on their own.

The supernatural special Black people are treated well by the story. The "non-special" Black people have unhappy stories and misfortune.

Other races of characters do not get their skin covered up or changed. Only the Black ones and/or BIPOC in general.

I think a quick fix for this would be for her skin to turn blue when she’s actively using her powers, at random, or other specific times, besides constantly. If she needs to be more consistently “mutant looking” Are there other ways she could change without her skin color changing or changing completely?

People with glitter on skin, light surrounding their face, and blue braids. Images from pexels.

More ideas that keep her skin brown

Hair

Her hair color changes blue or your color of choice (which could include body hair too, which would give her a more “otherworldly” appearance).

Note: If her hair is curly or natural, please keep it so! At least, the powers shouldn't change it straight.

Eyes

Her eyes glowing brighter or colorfully during power-use.

Note: If they're usually brown, they could stay brown when powers not in use, like Marvel's Storm in some versions.

Storm by Marvel Entertainment//20th Century Studios.

Skin and body

Blue patterns appear on her skin.

Blue glow or sheen to her skin without fully changing the color.

Her skin projects color and light.

New growths or changes to body, such as ear shape, wings, etc.

No matter what you decide, please make clear in your tale that she’s a Black mixed race woman. And have fun!

More reading:

How Special is Too Special? The Politics and Characterization of Stacking Special/Abnormal Traits on Mixed Race Characters

~Colette

[autistic-ben-tennyson]

Still Salty About the Flanderization of Steven

Many SU fans have had to see these memes and are probably tired of them. I really hate the way people who have never even watched the show and probably just LO’s video flanderize Steven into a bumbling wimp or take scenes like him crying about wanting to be friends with Connie or trying to talk down Spinel out of context. People hate him for not killing his enemies on sight and act as if all he does is talk no jitsu. People act as if he’d die trying to redeem Big Jack Horner from Puss in Boots even though he’s met villains like Jack with Aquamarine and Eyeball and not only did he kick their asses but accepted that they were beyond help. Steven prefers to talk over fighting but isn’t stupid and knows when he has to get serious. Even during his “I can make a change” song that’s twisted out of context, he was still fighting defensively against Spinel. He just wasn’t fighting to kill. As for the meme above, did the creator watch Alien Force? The way Ben handled the Dragon, Reiny and the Highbreed would be pretty similar to how Steven would. The idealistic hero who teaches violence isn’t always the answer has already been done so why does Steven get the most hate for it?

I reblogged a post about this but I really am tired of how TOH is propped up as the anti SU when Dana is friends with Rebecca and praised the groundbreaking work Rupphire did. The Owl House crew doesn’t hate SU and wasn’t doing a “take that” by killing its villain or claiming not everyone can be talked down with a hug. They’re two different shows with different stories and themes. Steven would also know that some like Belos can’t be redeemed and he didn’t actually redeem the diamonds. He didn’t like them and acts uncomfortable around them in Future but he needed them to cure the corrupted gems. The point of the diamonds as well as Andy was not that you have to accept bigoted family members but a wish fulfillment where queer people could get their families to accept them. I saw this on Reddit but I think Steven gets so much hate because he teaches the idea that retributive violence isn’t always the solution and because he got a good life with a loving family, girlfriend and adoration of everyone without being a self centered sexist asshole. Internet Dudebros hate the character who showed healthy emotion, treats Connie as an equal and taught stuff like acceptance, boundaries and kindness, as they hate the idea that they don’t have any of that because of how bigoted, self absorbed or toxic they are.

[ordinaryschmuck]

I love that The Ghost and Molly McGee's forced cancellation isn't just frustrating to fans of the show but to people in the animation industry as well. They're just as sick as we are about how much studios disrespect animation. They keep looking for the next Spongebob, Simspons, or goodness forbid Family Guy, but instead having faith in the creators and their content, they just...wait. They wait to make a profit and do the bare minimum to market their shows and make them available.

Let's look at Gravity Falls for example. I remember that when Gravity Falls was still airing, you would be able to find out a new episode was coming out based on coming across a commercial by random chance or by the people working the show promoting it online. Add that with the fact that it was on a different channel that required you paying MORE for your cable to get it. It WAS available through Disney Channel, a channel more available at a cheaper price, but the entire of Season Two got moved to the more expensive Disney XD, where Disney shows go to die, because...REASONS. With no warning or announcement. I think I found out about Gravity Falls moving to Disney XD because the trailer played during a commercial break. And that's just the START the show's problems. Mixed in with poor marketing, the show would have a crazy inconsistent schedule, where we'd have four episodes a week, a few months of NOTHING, a few more episodes a week, nothing for a few months, a random episode playing between that nothingness with next to no promotion, and all of that happening to the rest of the show until it finally died a slow death with its series finale where four episodes got stretched out for six months. That...is NOT okay. And it doesn't stop with Gravity Falls.

Steven Universe, OK KO, Ducktales 2017, Amphibia, The Owl House, and now Ghost and Molly McGee are all shows that had similar and sometimes WORSE treatments as Gravity Falls did, where the networks gave next to NO marketing, the creators had to promote their own shows themselves, and the airing schedules were so inconsistent with wildly long hiatuses that only the most dedicated fans were willing to keep watching. General audiences (mainly kids) weren't willing to keep up with shows that had ongoing stories if the episodes stories kept being too spaced apart and never had reruns as frequent as other shows like Teen Titans Go or Big City Greens (Or whatever's constantly on network TV nowadays. I don't know. I mostly watch shit on streaming).

The people of the animation industry is catching onto all of these tricks, and they're getting sick of it. They're getting sick of inconsistent schedules. They're getting sick of trying to bend over backwards in every possible way to make the show they wanted. By either making serialized content as episodic as possible so the network could air it more or by condensing their stories as much as they can, already expecting that forced cancellation to happen sooner than later. And in some cases, they don't even get the luxury of being told their show is ending. Did you know that Inside Job and Paranormal Park both had seasons that were already in development before Netflix pulled the plug shortly after releasing new episodes of their shows? Did you know that The Ghost and Molly McGee was already working on a Season Three before Disney shut that down so they had to force out a series finale that would still be good despite the cancellation? Because it's true. It's ALWAYS true. Creators want to make MORE, but the studios won't let them because they didn't profit off of it. Except they WOULD HAVE if they treated it better.

I want kids to grow up with characters that stick around through their childhood, just like I did with mine. I want kids to have their own Ed, Edd n Eddy, Codename: Kids Next Door, Phineas and Ferb, or Kim Possible. I want kids to watch shows that last more than two-three seasons, stick around for years, and leave an impact as if they have all the time in the world because to them, it feels like they do. I want kids to have a show that ends on a high note because the creators wanted it and not because the networks demanded it. But the unfortunate thing is that it doesn't seem possible nowadays. Because if a mostly episodic show like The Ghost and Molly McGee fails, despite being charming and inoffensive and something most kids will love, the what hope IS left.

[budgebuttons]

There's a lot of reasonably frustrated but ultimately misdirected psa-style posting about how viewers NEED to start reblogging things rather than just liking them because that is the primary mode of post circulation on this site. The modern manifestation of this sentiment seems to miss the fact that, if you've been here for ~15 years, were here prior to, during, and after the exodus to the bird app, you already know that likes have always been more common than reblogs, that many people simply don't want to put your art on their blog, and that guilting end-users into using a microblogging site A Specific Way absolutely does not work. If it did, the trend would have shifted a decade ago. Because this conversation really is that old. Regardless, the modern discourse of how difficult it is to be Seen specifically on Tumblr isn't productive because I think it ultimately misses the reason being an artist online feels so Bad, now.

The social media era has funneled Looking At Stuff on the Internet into an economy of engagement that encourages end-users to treat everything we/they see as quick, cheap, and disposable. This is just another fun and flirty way that capitalism devalues art. It's nothing new. Trying to force masses of users to behave in a way that is healthier for the circulation of art isn't going to do anything to solve the discontent we all feel when we hurl something into the void and it is ultimately ignored. I swear up and down: A higher notes number won't feel better, either. Popularity is just as demoralizing as radio silence, but it manifests differently. Instead of 4 likes and maybe 1 reblog from Old Faithful Mutual, you get a horde of people who treat you like a content machine. You keep hoping for an impossibly Bigger Number. The notifs on the first Big Number Post haven't even settled, and people are already asking when the follow-up is coming. You get anons, but most of them are trying to passively convince you to give them More Content.

It's really, really hard to make people care about art. If there was a silver bullet for making the average person appreciate the enormity of human effort behind every beautiful thing they encounter, we would have found it centuries ago.

The best thing creatives can do for their lives online is to be friendly, or at least kind, with other creators. "Big" artists don't form in-groups because they're snobs. They find each other because they casually showed each other support, and their mutual appreciation for that Thing that wound them up in the same tag becomes a foundation for connection, and in many cases, the ever-illusive Bigger Audience as they introduce themselves to each others' circles. We get more eyes on our work by building community with each other.

Where does that leave people who are just here to look at things, not post them? I think the answer is almost identical: COMMENT!! Please, comment! The first step to engaging with art on a more meaningful level is to point out something you particularly enjoy about a given work. It can go in the replies, it can go in the tags, doesn't matter!! If you notice some symbolism or make some connection, there is all likelihood that OP put it there because they desperately wanted somebody to notice it. Let them know why you like it!

Reaching for the nebulous, impossible goal of better post circulation isn't going to make being a creator online in 2023 suck less. Meaningfully connecting with each other can, will, and does. You can make someone's day just by passingly letting them know that their effort is worth more than a number.

[shorthaltsjester]

god i cannot stop thinking about how much of the struggle with the gods and mortals in downfall is like “if we created these people we are also responsible for them” and a lot of the mess and betrayal that exists is disagreements over what responsibility requires - is it responsibility to abandon a horrid creation? is it responsibility to treat them as if they do not and cannot know any better?

except, unlike all the other deities, the matron of ravens did not have a hand in creating exandria and it’s mortals, and in fact is the only one who had open eyes to the degree of responsibility implicit in her role. and as with all the gods her idea of responsibility is different than all of her siblings’, but i also think there’s an honesty (albeit a very uh . hubris charged honesty - said with deep love for the epitome of weirdo archmages who managed to ascend to godhood) in the way that we see emhira treat mortals as fully in control to such a degree that the gods are founded in their defence of themselves and other mortals from the selfishness of aeor. like her fantastic response to aydin’s claim that they can show the aeorians better by reminding him, dad, that these mortals aren’t scared they’re hating and if you stop them this time but leave behind the knowledge to repeat it, they Will repeat it.

and i mean we still don’t know the true depths of the matron of raven’s reasons for ascending nor do we know the willingness of the previous god of death but there is something so compelling to me that, on top of being the only god who has truly known mortality who Chose to look after the domain that promises the end that affirms mortality, the matron of ravens is not a Creator of mortals the way that other gods are but she might have a deeper or more poignant kind of responsibility for them because she is the one who had the most complete image of what godhood would look like versus the bundles of light that stumbled into the real and found and grasped at whatever purpose they could.

matron of ravens already like . top three exandrian historical figures of all time and laura bailey is doing insane things in the critical role downfall three part special that are ruining my life.

[abbyromanoff]

Hello, Abby

I would like to request for a story about R and G!pWanda have financial problems, then they decide to be p*rn creators because they think it's the best way to earn money so fast. One day they set up the challage for their fans: who donate the most will be able to meet them and have dinner, which G!pNat happens to be the lucky one. Things are getting intense and Nat finally get to f*ck R while Wanda watching, dirty talking, and jerking herself off. Or they both f*ck R in both holes.

Thank you! I love all of your works❤️❤️❤️

The Lucky Winner

Pairings: Natasha Romanoff x reader, Wanda Maximoff x reader, WandaNat x reader

Word count: 3,148

Warnings: smut, threesome, public sex, punishment, jerking off, masturbation, cunnilingus, R and Wanda are porn stars, Wanda and Nat both have dicks, degrading, pet names, praising, jealousy, mentions of bisexual!R, slightly manipulative!Wanda, financial struggles, breeding, no protection, thinks that’s it!

No one is permitted to steal, copy, or reblog my work as their own!!

“Look, it’s all we can do right now! We can barely afford to eat, Y/N, would you rather fucking starve?” Wanda yelled, now standing from the table you sat at. The loud sounds of the pipes creaking and neighbors next door who were, once again, partying like college students.

“That’s not what I’m saying-”

“Then what? Why can’t we just do this, for us?” She spoke, a little softer this time.

“I want this money, Wanda, I do. I want to be able to go on dates or go out with friends or be able to have more than a meal a day, I do. But there are so many downsides too. I mean- what if one of our friends see it? Or better yet, our bosses! And how am I supposed to deal with the fact that I’m not the only one seeing your sexy body.” She stifled a laugh as you came to a close, a small pout forming on your lips. She grabbed both of your hands in hers, kissing the backs of them and kneeling in front of where you sat.

“Oh, baby, don’t cry.” She wiped the tears on your cheeks, you never liked arguing with her. “I know it won’t be easy, but just like you said, imagine all the dates we could go on. We’d get to live, not just survive. It will be weird at first, especially when we’re showing our bodies off to a bunch of horny dudes to jerk off to, but you just need to think of the outcome, love. I want to spoil you, but I can’t do that if we don’t do this.” She had always been so convincing and deceiving, some would call it manipulation, but you called it love. She loved you enough to worry about you and to want to get you both out of this mess. It was all for the money, you’d have to tell yourself, but you knew it would all be okay if you just had Wanda by your side through it all.

And that ended up being true. It had been almost a year since you two had started, and while she was telling the truth when saying it would be weird at first, you both eased into it over time. It had made you beyond the amount you could ever imagine from your old job, that you both decided to quit. You wanted more free time together, less stress. And with this job, you didn’t need to worry about your bank accounts any longer. You two had enough to get by and treat yourself a little bit at the end of each week.

In celebration of the near one-year mark of your shared account, you two had decided on what to do for your lovely fans. You thought of making a longer video, but realized that would’ve gotten boring for the audience. Then you thought about a live stream where your viewers could comment in the moment, telling you both what to do. Only to then realize some would be busy at work or in a different timezone, they wouldn’t be able to join.

Then it came to you, a competition. If you had multiple people bidding on one thing, it would bring in more money and would make it all the more thrilling and exciting for your fans. You brought the idea up to Wanda, hoping she’d agree, but she wasn’t always the best at doing so.

“Are you kidding me? You really think I’m gonna let you go on a date with some pervy old man who just wants to fuck you?”

“Wanda, we’d both be there. And it wouldn’t just be me getting fucked, it would be like a threesome, you’d be there too.” She looked at you dumbfounded, like you just told her you sold her house and kidnapped her dog.

“You really think some gross man would want to fuck me? I have a dick, Y/N, you should know that better than anyone else.” Your cheeks tinted the tiniest bit at her remark. But it was true, before you she was a virgin, as were you. And she hasn’t been with another person ever since she asked you out that one night, she’d be an idiot to do so.

“You never know, maybe it won’t be a man.” She sighed, massaging her temples as if she was handling toddlers.

“Okay, you’re really cute, Y/N, you are, but you don’t need to be a dumbass. 97% of our fans are males, and you think we’d somehow get that 3% of luck? Not to mention that it won’t be all of our fans so that percentage lowers. And not to mention they’re probably all broke, the highest bid will be a man, darling.”

“Ah, you said ‘will’! So, what do you say? We can get it over with and we’ll set some boundaries of what they can and can’t do, just to make sure we’re both more comfortable with the thought.” You gave her your best puppy-dog eyes in hopes she’d say yes, and while she did an amazing job at disagreeing with you, she was horrible at denying you.

“Fine. But, most of that money is going towards that new car I wanted, deal?” You nodded your head quickly, scaring her with your willingness to do such a thing. Creating the account was her idea at first, but you mostly ran the show now with your eagerness. It worried her sometimes, but it was so cute getting to fuck you in front of a camera with hundreds of thousands watching, knowing they’ll never get to touch. But now someone will, and she didn’t like that. But just like she had said at the beginning, it was all for the money. Oh, how she was starting to regret that statement.

“You ready, babe?” You were both standing outside of the restaurant, preparing yourself for a long night. You wore a red dress with a small slit at the end, your shoulders being on display with the loose spaghetti straps adorning them. Wanda wore black dress pants with a dark blue button-up, the top being unbuttoned just enough to barely get a glimpse of her bra.

“Of course, I am, darling.” She smiled, hoping it would convince you enough. It did, and you gracefully opened the glass doors, letting Wanda walk in a moment before you and then following.

“This guy better at least be cute if he’s fucking you. Wait- no, if he’s cute, I’ll kill him.” You chuckled at her possessiveness, rubbing her arm gently while you stood in line to ease her nerves.

“You know the only dick I want is yours, baby.” She grinned to herself, trying to hide her emotions as a worker came up to her, guiding her to where she would be sat.

You both sat there patiently as you waited for your third party to arrive, looking through the wine menu. The best part was that you didn’t need to look at the costs once, already having the whole thing covered by your generous tippers.

“Is this guy really standing us up?”

“Hey, if so, it sucks to be him.” The two of you were interrupted by a woman, who you at first thought must’ve been your waitress.

“Y/N and Wanda?”

“Uh, yes?” You both looked more than confused on how she knew your name, until it clicked in your brain on why you were even here in the first place.

“Perfect. I was your winner.” She sat down across from the two of you, who both had mouths parted slightly. She chuckled at your reaction before grabbing the menu, speaking in a calm yet unbelievably attractive tone. Wanda thought the same.

“I know, I bet you two were expecting a man.” You looked to Wanda to see her nodding, her eyes landing on the woman’s lipstick-covered lips.

“Well, I hope I didn’t disappoint.”

“No, not at all!” You spoke, a little too loud and causing an older lady from the other table to glance at you. You shyly looked down, rubbing the back of your neck and focusing your attention once again on the paper in front of you, even though you already knew what you were going to get.

“Awh, don’t get all shy on us now, baby,” Nat remarked, not seeming to care the way Wanda tensed up at her words. Her high heel grazed against your leg under the table, and the thoughts running through your mind were less than holy.

“So, Wanda, since this one is clearly a bit nervous right now, how did you two meet?” The conversation between them both went on for a few minutes until your waiter arrived, writing down everything you three asked of him, it was clear that he was new.

“Y/N? Why don’t you speak when you’re spoken to, alright?” Wanda said to you, muttering the words in your ear just loud enough for Nat to hear. She smirked, noticing the way goosebumps adorned your arms the more she spoke. You must not have heard what the two had said to you before, your thoughts being even louder than them.

“I’m sorry about them, they get a little shy sometimes.” You rested your hands in your lap, playing with your fingertips as the two spoke of you as if you weren’t even there.

“Oh, don’t worry, I think they’re just the cutest little thing I’ve ever seen.” She stared you down, biting her lip as she pictured how shy you’d be when she was in between your legs.

“You see, Y/N, I and your girlfriend aren’t so different after all.” That got both of your attention, watching with curiosity as she leaned back, and took a sip of her wine before speaking.

“In your…videos, you seem to just be a little cock-whore for Wanda. You’d do anything to get your mouth on her, you’re like an addict.” She started, humming to herself at the memories of the videos she had pleasured herself to many times, just wishing it was her fucking you instead. You were grateful for the loud tables near you, that way no one could hear the filth pouring out of her mouth.

“I wonder how addicted I can get you to mine in just one night.” Your eyebrows rose just enough for her to notice, a small laugh pooling from her mouth at you and Wanda’s shared reaction. She grabbed her purse from the table, standing up and giving you both her hand for you to follow. Wanda placed a hundred-dollar bill on the table and the three of you walked out. You guided her to the car that Wanda had been driving, letting her push you against the side as her lips connected with yours. Wanda watched, licking her lips and groaning when seeing her tongue slip into your mouth. You moaned, gripping the older woman’s arms as she held them by your head, refusing to let you go.

“Oh, Wanda, don’t be such a perv. If you’re going to watch at least help me a bit over here.” She kissed down your neck and to your exposed chest, smiling as it rose and fell rapidly. Wanda did as told, her hands running across your body like she’d never seen it before, but you all knew that couldn’t be further from the truth.

“That’s it? I’ve seen your videos, I know what you can do.” She looked around and Nat picked up on her worries.

“Really? You’re scared of people seeing you? Maybe you shouldn’t be posting your partner getting fucked by your cock every day then.” She gulped nervously, letting her fears slip away as she focused on you and your pleasure.

“Fuck, baby, I’ve been wanting to touch you since the day I saw you. Once I saw that offer, I knew I had to win. Then, I flew my private jet all the way over here, just so I could fuck you.” She pulled the small straps to your dress down your body, slowly letting the dress fall down your body as you were left bare in the warm night air. She dropped to her knees, grasping your thighs in her hands and pulling your hips forward.

“Ride my face, sweetheart.” You looked at Wanda for approval, only to see her palming herself through her pants. You looked back down at Nat, her hazy eyes staring into your own as you started a small, slow movement.

“I know you can do better than that, Y/N.” She mumbled against you, sticking her tongue out and letting you set your pace. You let out a deep breath, examining the parking lot that was completely empty besides for a few cars and the three of you. Your hips moved on their own as moans left you, your hands traveling to your breasts to tease them.

“Oh- yes! Fuck me, Natty, ruin me!” Wanda could feel a small pang of jealousy in her heart, but she couldn’t deny the act was so pleasurable.

“You like this, Wands?” You asked the woman, cupping her crotch and feeling the hardness through her slacks. “You like watching me getting fucked by someone else?” Your breath was ragged, and Wanda couldn’t stop herself from thrusting into your palm. She watched your hips rut against Nat’s face and whimpered, kissing you with full force to regain some sort of dominance. Nat moaned against you, and the vibrations are what tipped you over the edge. You shook in her hold, your hand clutching Wanda’s shoulder as you tried to get a hold of something.

“That’s it, such a good girl for me, love,” Natasha muttered against your skin, slowly standing up with your juices coating her tongue. She watched you depart from Wanda, a line of spit following after. Her fingers went to your chin, bringing you forward as you could taste yourself on her. Once she let you go, she did the same to your girlfriend, making out with her sloppily as she moaned at your taste.

“You’re such a slut, Wands, letting me fuck your girlfriend like that, don’t you have any dignity?” She stared into her eyes as she grasped your waist, pulling you close to her as you felt her bulge press against you.

“How pathetic do you have to be to get off to a stranger fucking your sweet little thing.” Wanda looked down in shame, but her hard-on proved otherwise. Nat laughed when noticing it, resting her hand on the bulge gently. For a moment, Wanda thought she would go easy on her, until Nat pulled her hands back to slap her covered cock. She mewled, thrusting into the pleasurable pain that Nat gave her.

“Look at this. Look at your pathetic girlfriend, Y/N, can’t believe you settled down for something like that.” You wanted to speak, you really did, but it was nearly impossible to do so. Nat unbuckled her pants, gripping your hand in her own and guiding it to the waistline of her boxers. You shuddered as you felt her, she had to have at least a few inches on Wanda. In a moment of confidence, you grasped her cock in your hands softly, letting it free from its confinements. You stroked her length, watching as her mouth twitched open and her eyes shut. You turned to Wanda, doing the same and relishing in the way they both chased after your hand. You ran your thumb over their tip ever so slightly whenever you got the chance, watching as they mumbled incoherently and panted against you.

“Mm, look who’s putty in my hands now.” You stated, licking your lips as pre-cum drooled out of both of their lengths. You wanted to taste them, but you wanted them inside of you at the same time.

“You act so tough, Natty, but in reality, you’re just a slut desperate for anyone’s touch.” You fired back, teasing her for all the degrading words she used earlier on. She whimpered, cupping your dripping wet cunt, teasing her fingers through your folds and teasing your clit.

“You get yourself off every day to two people fucking, just wishing someone would touch you the way I do. So instead, you waste thousands of dollars just to get your hands on someone, talk about pathetic.” Your lips quirked up, thinking you had her completely under your control. Oh, how wrong that was. She gripped your wrist harshly, slamming your front against the side of the car, your body being on display for the both of them. Natasha pressed her head against yours, her mouth next to your ear as she whispered,

“I guess being a nasty slut really is all you can fucking do.” Wanda stood next to her, her tip teasing your entrance before she slipped in with ease. You sighed contently when the head of her cock entered you, only to throw your head back when the rest of her joined. She shivered at your warmth, creating a slow pace of dragging herself in and out of you.

“You’re still mine, baby. You’re still my fucking bitch.” Wanda whispered against you, her head in the nape of your neck as Nat watched with her cock in her hand.

“Oh, God-”

“Yeah, I’m your God, baby.” Her teeth ran across your neck before pressing down, a whimper escaping your lips as you felt her tongue soothing the pain.

“Good girl, Wands, you’re fucking our girl so well.” She clenched her teeth at the word ‘our’, her jealousy overruling the coil in her stomach that had been building up.

“You gonna cum, Wanda? Hm? You gonna get our slut pregnant?” She nodded, unable to speak as she chased her high. You had already been on birth control ever since high school, so you didn’t need to worry about pregnancy, but it had always been a deep desire of Wanda’s. The fascination grew on you, and soon enough, you were begging her to cum inside of you every night.

“Oh- fuck! I-I’m-” She was cut off by her orgasm, her juices painting your walls white as your bit your lip to stop yourself from screaming.

You didn’t get to experience your high as, once Wanda had released, she was already starting to pull out.

“Wait-”

“Ah, ah, bad girls don’t get to cum, Y/N.” You were suddenly turned around, your body weak as your breath was too. You noticed a small gathering near the end of the street, they wouldn’t be able to see you from here but if they got any closer you would’ve been caught. The two of them seemed to notice this too and opened the door to the back seat for you.

“Now, put on your dress and get in the car. Me and Wanda want to fuck you properly this time.”

[dalishious]

Dragon Age: The Veilguard – Release Date Trailer Analysis

I’ve finally put my thoughts down into a (mostly) coherent form! Let’s talk about that trailer, of which there is a LOT to talk about…

The Black City?

We know from Game Informer that Solas's ritual was attempting to bind the Evanuris to a new prison, because the one he had previously constructed was failing. However, because of Rook's intervening, Solas is now trapped in the Fade, and Rook's blood is now connected to the Fade. If Solas is trapped in the Fade, perhaps it is the prison he built in which he is contained to.

Now, many people believe that the Black City – previously the Golden City – is this prison. I’m personally resistant to this, simply because this theory stems from fans drawing connections between lore about the Maker and lore about the Creators, which leaves a bad taste in my mouth. (Because of the differences in how those beliefs have been treated in the franchise’s writing. The beliefs of in-universe settlers is constantly given the benefit of the doubt, while the beliefs of in-universe Indigneous-coded people are debunked.) However, unfortunately it is looking more and more like this really might be the case. And I’m in an upset stage about this right now, but I’ll try my best to remain hopeful that The Veilguard will steer things in a direction that’s more comfortable?

The Horror of Hormak?

I believe we are going to see a lot of references to Tevinter Nights in this game. This is just the first to appear in the trailer, by my guess. It looks like the elf is being absorbed into this fleshy mound, which is exactly what happened to Jovis in “The Horror of Hormak”. You can see other body parts sticking out of the mound, including one that looks like a darkspawn body. The flesh sacks themselves are reminiscent of signs of the Blight in Dragon Age: Origins, and we know that of the escaped Evanuris, Ghilan’nain is one of them. Ghilan’nain, who is Blighted. Ghilan’nain, whose temple in “The Horror of Hormak” had such magic capabilities of creating monsters from different beings, molding them together.

The Archon’s Palace?

It looks like this floating structure could be the Archon’s palace, based on this description from “Half Up Front” in Tevinter Nights:

“The Archon’s palace filled the Minrathous skyline. Dominated it—it was visible from pretty much anywhere. When you first came to the city, you spent a few weeks admiring it, in awe of it. Eventually, you got used to it, and it became part of the background, like the sun or the clouds.”

So, that means we’re looking at Minrathous. Unless there are other cities with other magic floating structures, which I suppose we can’t rule out. It is Tevinter, after all.

Lyrium Infect Darkspawn?

These darkspawn look like they’ve definitely been infected with red lyrium, given the small ones here resemble the Red Templar shrieks from Dragon Age: Inquisition.

Lace Harding’s Magic?

So, we know from the official website that Lace Harding has discovered she has mysterious magic abilities. In this trailer, we see her turn monsters into stone, and raise a stone wall from the ground… if you recall, this second thing is something that the Sha-Brytol earth shakers could do in Dragon Age: Inquisition’s DLC, The Descent. The Sha-Brytol used lyrium to accomplish this, and when Lace uses her magic, her wounds glow blue… like lyrium, perhaps?

Morrigan & Mythal?

Morrigan appears to be wearing the headdress that Flemeth previously had, from Dragon Age II onwards. In the epilogue of Dragon Age: Inquisition, before Flemeth was killed (?) by Solas, she was doing something with an eluvian. Morrigan always assumed that Flemeth intended to possess her, but it’s entirely plausible that really, Flemeth was going to give her a piece of Mythal. After all, Flemeth says to Morrigan that she was never in danger, because she had to be willing. So, needless to say, I think Morrigan now has Flemeth’s piece of Mythal within her.

The real question is, how the fuck does Morrigan still look like she’s in her 20’s? Shapeshifting, or simply developer refusal to let a woman show age? //eyeroll

Teia & Viago?

I am HOPING. I am PRAYING. That my beloveds from the Tevinter Nights story “Eight Little Talons” play at least a somewhat significant role in the game, because I adore them so much. And it really does look like this might be them!

Magister Zara?

At the end of the Tevinter Nights story “The Wigmaker Job”, there is a brief epilogue featuring a Magister by the name of Zara Renata. She is obsessed with maintaining a perfect appearance, and uses blood magic sourced from her slaves to remove and perceived flaws on her body. It is said that she will is on his target list, but Zara is convinced they can take care of him.

“Freeing Ambrose’s slaves already tells us this Crow has a heart. He will reveal other flaws. And we will exploit every last one of them.”

 My assumption is that this is Zara that Lucanis is fighting.

The Dread Wolf?

In the Tevinter Nights story, “Dread Wolf Take You,” we are told that Solas has a Dread Wolf form. It appears in the Fade as a fiery wolf with wings. While this wolf is not on fire and does not have wings, it does have three eyes on each side, which is the same amount of eyes on Solas’s ending tarot card in Dragon Age: Inquisition. (Also, the same number of eyes as a Pride Demon…)

Irelin?

Irelin first appears in the Tevinter Nights story, “Three Trees to Midnight”. She is a Dalish mage, part of Strife’s clan. In the comic “The Missing”, she is depicted to look strikingly similar to this elf. It could be coincidence, or it could be she’ll play a role in the Veilguard’s plot.

The Dragons in the Dragon Age?

So, I’m still pondering this one… but I think there may be some significance to here being seven dragons shown in the trailer. There are, after all, seven Evanuris, and maybe the connection rests there. Or maybe it’s linked to there being seven Old Gods of Tevinter. Or maybe it’s all connected.

[liloinkoink]

saw a post going around about how fic gets treated much differently by ccs than art or cosplay does--ccs will happily check out art and cosplay and support and compliment the people who make it, but if they seek out fic, it's generally to make fun of how poorly written and weird that fic is

i do get that on some level. reading fic about yourself is a bit more strange than seeing art of yourself (i would know! ive had both!) because writers are guessing at how you think and act. there can be some strange disconnect sometimes in reading work guessing at your own thoughts, and it's valid to want to avoid that experience. i'm not saying every cc needs to be comfortable with reading or posting or boosting fic of themselves

but fic doesnt need to be treated like it's all diseased or inherently more weird than other art forms either. i don't think the only time fic should be brought up by creators is to make fun of the people who make it. it's not fair to fic writers to act like cringe is uniquely a fic thing. cringe art exists too, just as much as cringe fic does(which is good tbh!--people and especially kids should get to draw cringe shit). while people definitely make fun of cringe art, fanart in general has a higher amount of respect than fanfic does. ccs are willing to boost art positively, but theyre rarely seen doing the same for fic

to be clear. i'm not trying to claim "fic isn't all weird cringe ship fic, some of it is actually good!!" i think weird cringe ship fic is fine. i write weird cringe ship fic! and kids especially deserve to write shit that's weird and cringe, doing so helps them grow and learn as creatives. that's not the problem

it's just acting like fic is only weird, or that it's more weird or cringe or worse than other mediums, or that it's more okay to make fun of fic. just feels rude as hell to see creators go out of their way to boost and compliment art while acting like fic needs to be quarantined

for any weird thing someone has written, someone else has drawn something equally strange. acting like one medium is more responsible for this sort of behavior than others is bafflinf

[cl0ckworkqueerness]

in the wake of the reveal of the "pills that make you green" comic's creator revealing her true colours (something I've been aware of for a while but haven't had much specifically to speak about until now), i think it's important to take a step back and look at some of her claims about transandrophobia, as well as many anti-transandrophobia (or transandrophobic) talking points, and analyze them critically without, in any way, demeaning transmisogyny as a concept. let's start with some of the things i've seen on her blog and go from there

first of all, there's a lot of talk about how activists who are vocal about transandrophobia are "derailing" conversations about transmisogyny. while i'm certain there are some legitimate examples, many of the examples i have seen that i presume she is referring to are speaking about her comics that specifically strawman the stick figure who is an allegory of a trans man or transmasculine individual.

in these comics, this stick figure is often unjustly cruel and even oppressive of the lime stick figure, an allegory for trans women or transfeminine individuals, while simultaneously whining about how they also experience oppression and should be focused on instead. this frames trans men and transmasculine individuals as loud, taking up space, oppressing transfeminine people (who are More Oppressed), and simply cannot understand that they do not face as terrible of treatment as the other.

the problem that most people, myself included, take with this is that the author seems to be living in an alternate world where trans men, somehow, are a legitimate, strong, oppressive force over trans women, and want to take up all the space in the trans community's discussion to ourselves. there are definitely people who abuse the term transandrophobia to say transmisogynistic things, without a doubt, but in my experience most of us simply want to say that we, too, experience terrible types of oppression as a result of intersectionality that a trans woman, transfeminine, or trans person who's perceived as either of those things may not experience. transandrophobia is not meant to overtake transmisogyny, it is meant to stand beside transmisogyny and further prove that different trans people can experience different types of oppression, and thus should unite against both.

another thing i've seen on the comic author's account is how the idea of androphobia is anti-feminist and comes from MRAs or something, which... uh, again, i don't know what planet you're living on, but here on earth, there are men who are discriminated against and even treated with violence because of their ties to masculinity, femininity, both, or neither. and again, it is not our problem if MRAs decide to appropriate actual, useful terms in order to spread misogyny. we should not have to keep changing our language every time a bad person uses it. if we did, we would have no language, and thus once again be silenced.

since i don't have the time or the spoons to go through everything she's ever said or reblogged on her account, i'll just go over one more thing. no, the discussion and desired visibility of transandrophobia is not some kind of psyop or massive conspiracy to kill the idea of transmisogyny. if we didn't believe in transmisogyny, we'd have no reason to believe in transandrophobia either, after all. for me, at least, talking about transandrophobia is equally as important because trans men, like myself, have been forced into silence for so long and erased from most of history. trans men weren't even well documented until much, much later in history.

additionally, i doubt this needs to be said, but if any of you are actually intentionally ignoring transmisogyny in your discussion of intersectionality, you have no place in this discussion

and finally, to the author of these comics, i doubt you're reading this, but if you are, please reconsider your hostility. framing the discussion around transandrophobia in the way you are is not only equating trans people who face detrimental oppression to the people who are trying to oppress us and force us into silence, but you too are actively advocating for the silencing and erasure of, and subsequently the lack of resources for, trans men, transmasculine individuals, trans people who are perceived as either of these things, or anyone who primarily faces transandrophobia. i don't blame you for being defensive, and i will absolutely take your side should anyone be transmisogynistic towards you or anyone else, but you don't have to drag trans men who just want to talk about our shared experiences through the mud in order to support your point of transmisogyny's danger, especially within the trans community. if you want to have a genuine, mature discussion about transandrophobia and its dangers, and transmisogyny within the trans community, i'm sure someone would be happy to discuss that with you. but with the way you're treating and talking about trans men, it is unlikely that you will take anyone up on that offer

idk man. i feel like it's important to talk about transmisogyny and transandrophobia at the same time, as well as all other forms of intersectionality. we should be turning transphobes into couches instead of whatever the hell this is